The Resistance Program | ATYP

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An Auckland Theatre Company co-production

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THE R

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C N E A by T S Kip I S E

“It’s not about being big or small.

It’s about everyone putting their hand up.”

—Drew

The Resistance, 2023. Photo by Clare Hawley.

The Resistance

ATYP would like to acknowledge that we are a company that works and creates on the traditional lands and waters of the Gadigal people, and we are grateful to be telling stories on First Nations country that has such a rich history of storytelling.

We pay our respects to Elders past and present.

The Resistance

By Kip Chapman An Auckland Theatre Company co-production Preview 16 February Season 17 February–11 March The Rebel Theatre Eora Country Pier 2/3, 13A Hickson Road Dawes Point NSW Duration 90 minutes (no interval) Age recommendation 10+ Performance content Video projection, theatrical haze, loud music and theatrical lighting.

Writer and Director Kip Chapman

Assistant Director Sophia Bryant

Dramaturgs Adriane Daff & Jane FitzGerald

Assistant Stage Manager Angélique Riou

Cultural Consultant Abbie-lee Lewis

Front of House Engineer Gabriel Castro

Set and Costume Designer Tobhiyah Stone Feller

Associate Production Manager Jess Henley-Sadgrove

Lighting and AV Designers Rachel Marlow & Bradley Gledhill

Design Realisation Assistant Hannah Tayler

Sound Designer Luke Di Somma

With Diya Goswami Lakesha Grant Genevieve Lemon Thea Sholl Jo Turner Jack Walton Fraser Crane (Understudy)

Production Manager Taryn Zentrich Stage Manager Amellia Bruderlin Designer – Creative Development Stephanie Howe

Cover Design Ana Ariane

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Creator’s note I want to make theatre fun. I want to make it accessible and thrilling. I want to allow audiences to choose how they want to engage with it. For some, that means sitting back and watching it from their seats. For others, it means getting on stage and helping out. I want to make shows that make all those choices possible.

I think this is how we can tell better stories. To drop the viewer (you) right in the middle of the action. Because theatre is live.

It relies on the relationship between actor and audience. We need you to laugh, gasp and clap – without it our performance doesn’t exist.

The Resistance is an invitation to feel what the school climate justice movement is doing. It’s an attempt to capture some of their energy and idealism. It’s an exploration of people's resistance to stepping outside of their comfort zone. Because inaction is one of the root causes of the climate crisis we are now all in.

It has been so energising to work with ATYP and all the creatives on this project. Each production carries its own life force, and this show has been wild and fun, creative, challenging and inspiring. Which is what I hope you’ll all feel in the performance.

I’ve been making interactive theatre for 25 years. My first one was at high school, and I used a lot of water pistols and shouting to get my point across. Since then, I’ve developed a set of performance techniques and used technology and software to immerse the audience in the action. This show (although technically complex) relies on people power. And the reward for your help is making something magic.

There is not one point of view I am trying to get across with this work. I just want people to come away understanding that when we work together, we can achieve extraordinary things and that the first step in any action is to put up your hand.

And, I guess, one more thing… that there is power in fun.

Kip Chapman

Sustainability note Theatre can be one of the most resourceful but also most wasteful art forms! Historically European opera and drama theatres had stock scenery, for example, if you were staging a tragedy you used painted flats, wings, and borders for that genre. The idea that each production has a unique ‘vision’ with a custom design is an artistic 20th Century ‘development’.

So how do we continue to deliver surprising and relevant stages and costumes in environmentally ethical ways?

The three iconic Rs – Reduce, Reuse, Recycle – have been a powerful touchstone on The Resistance. Key questions the production and creative team have asked during the design and realisation of the set, props and costumes have included: what can we use as an alternative to store-bought materials, hardware, products and clothing? And what can we repurpose from existing stock, ask for donations, and, when chance is on our side, find discarded on the street?! How do we reduce the use of petrochemicals including plastic and conventional paint products?

You will see that the play, being set in the HQ of youth climate activists, absolutely lends itself to a layered, resourceful, ‘lost and found’ aesthetic. I hope that the discoveries we have made on this production lead to ecologically sustainable practices becoming the norm both here at ATYP and in companies and schools across Australia.

Tobhiyah Stone Feller

© 2023

The Resistance

“Does nobody get it?! This is our last chance to save the world!”

—Marlee

The Resistance, 2023. Photos by Clare Hawley.

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Creative Team

Kip Chapman

Adriane Daff

Jane FitzGerald

Kip Chapman is a writer, director, and actor that has worked in the screen and theatre industry since 2002.

Adriane Daff is a Sydneybased actor, writer and theatre-maker. She is also a founding artist of The Last Great Hunt.

As Dramaturg For ATYP: M.Rock, Lights in the Park, CUSP, Bathory Begins, April Aardvark, Impending Everyone, Charlie Pilgrim (or a Beginner’s Guide to Time Travel), WonderFly, Intersection 2019: Arrival, Intersection 2018: Chrysalis; for ATYP and Ensemble Theatre: The Big Dry; for ATYP and Sydney Theatre Company: M.Rock; for Ensemble Theatre: Black Cockatoo, Appleton Ladies’ Potato Race, Fully Committed; for Merrigong Theatre Company: Lost Boys; for Sydney Theatre Company: Volpone, A Midsummer Night’s Dream (Festival of the Dreaming).

(He/him) Writer and Director

As Writer and Director For BATS Theatre: APOLLO 13: Mission Control; for Aotearoa New Zealand Festival of the Arts: Destination Mars; for Silo Theatre: Hudson & Halls.

As Director For Christchurch Arts Festival: That Bloody Woman; for Belvoir St Theatre: 44 Sex Acts in a Week.

As Creative Director For the World of Wearable Arts.

Screen Luke in Top of the Lake; Rían in The Lord of the Rings: The Rings of Power.

Qualifications UNITEC School of Performing and Screen Arts.

Awards New Zealand Arts Foundation: New Generation Award.

Kip also founded and ran the Auckland Theatre Awards from 2009-2015.

(She/her) Dramaturg

As Creator For The Last Great Hunt: Lé Nør, The Irresistible, The Big Spaghetti.

As Writer and Performer For Griffin Theatre Company: Era of New Paradise; for Redline Productions: Hyperdream; for ERTH and Griffin Theatre Company: Young & Gorgeous.

As Co-Writer For DreamBig Festival: Into the Jungle; for Sydney Writer’s Festival: The Turners; for Arts House and Perth Theatre Company: The Confidence Man; for Black Swan State Theatre Company: The Cherry Orchard.

Awards NextGen Webfest Awards: Best Actress for The Big Spaghetti.

Nominations Helpmann Awards: Best New Australian Work for Lé Nør, Best New Play for The Irresistible.

Qualifications Western Australian Academy of Performing Arts: Bachelor of Arts (Theatre); Ward Meidner Studio; Ecole Philippe Gaulier; Kim Farrant; Force Majeure.

© 2023

(She/her) Dramaturg

Previous Positions Literary Manager for Ensemble Theatre, Sydney Theatre Company; Artistic Associate for Sydney Theatre Company; Administrator for the Patrick White Playwright’s Award, Sydney Theatre Company; Script Reader for Royal Court London, Playwriting Australia, Australian National Playwrights Centre, Playworks.

Jane has also mentored year 12 students on HSC creative writing projects for 15 years.

Abbie-lee Lewis Cultural Consultant

Abbie-lee Lewis is a Kalkadoon woman who grew up in Western Australia.

As Director For Mooghalin Performing Arts: Cutter and Coot.

As Assitant Director For ATYP: Charlie Pilgrim (or a Beginner’s Guide to Time Travel); for Bell Shakespeare: Hamlet, Macbeth; for Belvoir St Theatre: At What Cost?, Wayside Bride, Light Shining in Buckinghamshire.

Stage For Bell Shakespeare: The Players, Hermia in A Midsummer Night’s Dream, Swing in Macbeth; for Sport for Jove Theatre Co: Martha in Fallen; for Black Swan Theatre Company: Emily in Our Town; for Blue Room Theatre: Ida in The Bleeding Tree; for Belvoir St Theatre: Counting and Cracking; for Australian Dance Theatre and Illbidjiri: Tracker.

Screen For Australian Broadcasting Corporation: Black Comedy.

Qualifications Western Australian Academy of Performing Arts: Aboriginal Theatre Course, Bachelor of Arts (Acting).

The Resistance

Tobhiyah Stone Feller

(She/her) Set and Costume Designer Tobhiyah is a designer dedicated to live performance, interior, and installation projects.

As Set and Costume Designer For ATYP: Bustown, Desiree Din and the Red Forest, The Laramie Project, This Territory; for Bell Shakespeare: Macbeth; for Blacktown Arts Centre: My Name is SUD; for Clockfire Theatre Company, AGNSW and Sydney Festival: Night Parade of One Hundred Goblins; for Ensemble Theatre: Blue/ Orange, Clybourne Park, e-baby, Good People, Killing Katie: Confessions of a Book Club, Sorting Out Rachel, My Zinc Bed/Blood Bank; for Griffin Theatre Company: Splinter, Replay, Wicked Sisters; for Musica Viva: Da Vinci’s Apprentice; for Performing Lines: Goddess, Variant; for Riverside Theatres: Fall! Falter!!

Dance!!!, Parramatta Girls.

As Live Performance Coordinator For the Australian Production Design Guild’s MENTORAPDG program.

Awards Australian Interior Design Award: Installation Design Category for My Zinc Bed/Blood Bank; Queensland Planning Institute of Australia: The Great Place Award for the design of performance venue Flowstate.

Nominations Australian Institute of Architects: Honourable Mention for Flowstate; Interior Design Excellence Awards: Shortlist in the Public Space and Colour categories for the design of ATYP’s Chill Zone.

Tobhiyah also worked as Interior Fit-Out Design Consultant for ATYP’s offices at Pier 2/3.

The Resistance, 2023.

Model box by Tobhiyah Stone Feller.

Photos by Bec Herkess.

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Creative Team cont.

Rachel Marlow & Bradley Gledhill

Luke Di Somma

(Filament Eleven 11) Lighting and AV Designers

Rachel Marlow and Bradley Gledhill are Production Designers and co-founders of design company Filament Eleven 11. Filament Eleven 11 is drawn to boundarypushing work led by inspiring creatives.

As Production Designers For Auckland Theatre Company: Scenes from a Yellow Peril, Things That Matter; for Silo Theatre: Every Brilliant Thing; for New Zealand Opera: The Strangest of Angels; for Live Nation Entertainment: Teeks – One Night Only, Spark Arena, and Something To Feel Tours, Elemental Nights, Rock2000, BlackBox, RnV, SOL3 MIO; for APRA AMCOS: Silver Scrolls Awards; Pacific Music Awards; for Avantdale Bowling Club and Fat Freddy's Drop: Tours; for Fractious Tash: The Effect.

As Lighting and Video Designers For Auckland Theatre Company: The Made; for Red Leap Theatre: Dakota of the White Flats; for Nightsong: A Stab in the Dark, 360; for Diva Productions: TOPP CLASS – Tribute to the Topp Twins; for Pango Productions and TVNZ: Class Act; for Last Tapes Theatre: Valerie.

© 2023

As Lighting Designers For Auckland Theatre Company: Rosencrantz and Guildenstern are Dead, Red Speedo, Black Lover, Single Asian Female; for Silo Theatre: The Writer, Boys Will be Boys, Peter and the Wolf, Mr Burns, Here Lies Love, Wild Dogs Under My Skirt; for Red Leap Theatre: Owls Do Cry, Dust Pilgrim; for Nightsong: The Worm, A Stab in the Dark, Spirit House, 360; for Diva Productions: TOPP CLASS – Tribute to the Topp Twins; for Live Nation and Eccles Entertainment: You are Us/ Aroha Nui Auckland; for Touch Compass Dance Trust: Touch Compass’ 25th Anniversary Celebration; for NZ Labour Party: 2020 Campaign Launch/Election Night.

As Installation Art Designers For Charles Koroneho: Ko Te Ākau - poetics of land, water and sky; for Auckland Live and Auckland Fringe: Who Lived in a Vinegar Bottle; for Basement Theatre: Light is Like Water; for Art in the Dark: Canopy; for Myer’s Park Underpass: Detour: Enter the Dark; for Q Vault and Auckland Fringe: Dissension Ascending; a Light Exhibition.

(He/him) Sound Designer Awards Auckland Theatre Awards: Excellence in Design, Excellence Award for 2018 Body of Work, People’s Choice Best Lighting; Wellington Theatre Awards: Lighting Designer of the Year; Auckland Fringe: Best Production Design and Best Visual Arts for Who Lived in a Vinegar Bottle.

Luke Di Somma is a Composer, Writer, Music Director, and Sound Designer.

As Writer/Co-Writer For Auckland Theatre Company: That Bloody Woman; for NZ Opera: The Unruly Tourists; for Make a Difference Trust: West End Bares Charity Concerts.

As Sound Designer For Belvoir St Theatre: The Italians; for The Court Theatre: Amadeus; Much Ado About Nothing.

Qualifications New York University’s Tisch School of the Arts: Master of Fine Arts.

Luke’s album Songs for my Friends was released in 2021.

He has also taught music, musical theatre, singing, acting and writing at New York University, Stella Adler, Victorian College of the Arts, NIDA, Federation University of Australia, Associated Studios Australia, Patrick Studios Australia and ED5.

The Resistance

Taryn Zentrich

Amellia Bruderlin

Sophia Bryant

Angélique Riou

Taryn has been working in Technical Production for over a decade, with freelance experience as a Technician, Production Manager and Lighting Designer, while also branching out into Arts Administration more recently.

Amellia is a Sydney-based stage and production manager with an extensive background across theatre, musicals, events, and tours around Australia and the United Kingdom.

Sophia is an emerging director in Sydney’s Independent theatre scene.

As Crew For Albatross Musical Theatre Company: The Little Mermaid, JamPact!, Shrek, Addams Family, Aladdin Jr, Mary Poppins, Wicked; for Rising Arts: The Last Five Years.

As Stage Manager For Casula Powerhouse: Way Out West Festival 2022; for Critical Stages Touring: Hamlet: Prince of Skidmark; for Red Line Productions: HYPERDREAM; Is God Is.

As Assistant Director For Outhouse Theatre Company: How to Defend Yourself; for Kings Cross Theatre: Tell Me Before the Sun Explodes; for New Theatre: Significant Other.

(She/they) Production Manager

As Production Manager For ATYP: M.Rock, Past the Shallows.

As Head of Lighting For Merrigong Theatre Company.

As Lighting Designer For MERRIGONGX: Route Dash Niner Part 2, Party Girl, The Surfer and the Mermaid.

As Program Coordinator For Merrigong Theatre Company.

(She/her) Stage Manager

As Production Manager For Darlinghurst Theatre Company: A Chorus Line; Benched; for NIDA: Marat/ Sade.

Qualifications National Institute of Dramatic Art: Bachelor of Theatrical Theatre and Stage Management, Diploma of Live Production and Technical Services; University of Sydney: Bachelor of Visual Arts.

Amellia is delighted to join the team for the 2023 production of The Resistance.

(She/her) Assistant Director

As Director For Kings Cross Theatre: Dumb Kids, Mr Theatre, SAMO is Dead.

As Co-Producer For Kings Cross Theatre: Panimo Pandemonium Festival.

As Stage Manager For Sport for Jove: Romeo and Juliet, Twelfth Night, Othello.

Stage For Sydney University Dramatic Society: And Then There Were None, The Aliens, Rosencrantz and Guildenstern are Dead, Macbeth; for New Theatre: Neighbourhood Watch.

(She/her) Assistant Stage Manager

As Stage Manager, Lighting Operator and Lighting Designer For University of Wollongong: Scorched.

As Stage Manager and Lighting Designer For University of Wollongong: Martyr.

As Lighting Operator For University of Wollongong: 39.5 Steps to Every Relationship.

As Assistant Producer For Albatross Musical Theatre Company: Mamma Mia!.

Qualifications University of Notre Dame: Bachelor of Media and Communications, Bachelor of Arts (Theatre Production); National Institute of Dramatic Art: Advanced Actors Residency, Young Actors Studio.

Awards University of Notre Dame: First Prize for First Year Theatre Studies.

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The Resistance, 2023. Model box by Tobhiyah Stone Feller. Photo by Bec Herkess.

The Resistance

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Cast

Diya Goswami

Lakesha Grant

Diya is an actor and student of Economics and Philosophy at the University of Sydney.

Lakesha Grant is a First Nation of Australia actress and musician that was born and raised in Darwin, NT. Lakesha moved to Sydney in 2019 to develop her skills, access more opportunities, and pursue a career in the arts.

(She/her) Marlee

(She/her) Bundilla

Genevieve Lemon Drew

ATYP Debut

ATYP Intersection: Beat Other Theatre For NSW Government: Schools Spectacular 2019.

ATYP has fostered her growth in the theatre industry and The Resistance will be her first professional production.

Theatre, writing, and performing helped her find her voice and Diya believes the arts and arts education can do the same for young people everywhere.

© 2023

Qualifications Sydney Theatre School: Diploma in Theatre and Screen Acting.

Since graduating, Lakesha has featured in 2 short films with AFTRS, one lead role and a feature role.

Other Theatre For Working Title: Billy Elliot the Musical; Priscilla, Queen of the Desert the Musical; Steaming; Steel Magnolias; for Hayes Theatre Company: Violet, Melba, Caroline or Change, Dubbo Wrestling Championship; North by Northwest; for Belvoir St Theatre: A Taste of Honey, The Blind Giant is Dancing; The Death of a Salesman, Seventeen; for Ensemble Theatre: Folk, Diplomacy, Who’s Afraid of Virginia Woolf?, Tribes, Broken Glass; for Sydney Theatre Company: The Hanging, The Girl Who Saw Everything, Hanging Man, Harbour, Hay Fever, Merrily We Roll Along, Miracle City, Morning Sacrifice, Noises Off, Once in a Lifetime, The Recruit, The Republic of Myopia, Summer Rain, Victory; for Melbourne Theatre Company: Piaf, Summer of the Seventeenth Doll, The Venetian Twins; for Griffin Theatre Company: The Big Picture, The Homosexuals.

Screen Sweetie in Sweetie; The Piano; The Top of the Lake; Mrs Lewis in The Power of the Dog; The Appleton Ladies Potato Race; A Christmas Ransom; Ticket to Paradise; Here Out West; Sweet River; Acute Misfortune; The Dressmaker; Holy Smoke; Soft Fruit; Suburban Mayhem; Colin from Accounts; The Tourist; Eden; Frayed; Neighbours; Prisoner; Rake; Redfern Now; The Secret River; Three Men and a Baby Grand; Home and Away.

Awards Helpmann, Sydney Theatre Critics, and Green Room Awards: Best Actress in a leading role for Billy Elliot the Musical.

Genevieve has sung on cabaret stages over the world and released a live album of her Sydney Opera House concert, Angels in the City.

She also performed in many incarnations of The Wharf Revue and shows at the legendary Tilbury Hotel.

The Resistance

Thea Sholl

Jo Turner

Thea is a student of Sydney’s Conservatorium High School, majoring in Composition, and plays piano, guitar, bass, tuned and untuned percussion, and drums. She performs in a Bossa Nova and Jazz band and has won several national songwriting competitions.

Jo works as a writer, theatre maker, director and actor across a wide range of theatre, film, and television.

(She/her) Pepper

ATYP Debut Other Theatre For GWB Entertainment: Freddie in School of Rock.

(He/him) Jordan King

ATYP A Clockwork Orange: A Play With Music.

Other Theatre For Hayes Theatre: Evie May; for Bell Shakespeare: Antony and Cleopatra, The Merchant of Venice; for Eternity Playhouse: Hysteria; for Northern Rivers Performing Arts: Railway Wonderland; for CDP Theatre: The Incredible Book Eating Boy; for Griffin Theatre: The Ugly One; for Sydney Theatre Company: Ruby Moon, Thyestes, Howard Katz; for Arts Asia Pacific: The Window; for Q Theatre: Weather, Somewhere: The Magical Musical of Penrith; for Belvoir St Theatre: Faustaus, The Caucasian Chalk, Circle; for La Boite Theatre: Emma’s Nose; for Black Swan Theatre: Plainsong; for Ensemble Theatre: The Imaginary Invalid.

Screen Truth; You Can’t Stop the Murders; for Sydney Film Festival: Strangers; for Best Film Flickerfest: On Hold; Revolt; Doctor Blake; CAMP; Home and Away; All Saints; White Collar Blue.

As Director For Eternity Playhouse: Small Mouth Sounds, The Hypochondriac, Deathtrap; for Idiomatic Arts: UBU EKZOTICA; for Kings Cross Theatre: Ruby and Cuthbert 2; for TEG Dainty: The Betoota Advocate Roadshow; for Steps and Holes Theatre: Le Voyage; for Belvoir St Theatre, Arts Centre Melbourne and Sydney Opera House: Ruby’s Wish; for Darwin Festival: Prison Songs; for City Recital Hall: Puss in Boots; for Sydney Theatre Company: Fools Island; for Darlinghurst Theatre Company: Don’t Stare too Much!.

Nominations Sydney Theatre Awards: Best Show for Young Audiences for House on Fire; Shane and Cathryn Brennan Playwriting Finalist for The Girl Who Glows; The Glugs: Best Australian New Work for The Hypochondriac.

As Writer For ATYP: Max Remy Super Spy, Ishmael and the Return of the Dugongs; for Belvoir St Theatre: The Girl Who Glows, Ruby’s Wish; for Playlab and Sydney Theatre Company: In a Heart Beat.

As Resident Artist For Sydney Theatre Company.

Qualifications Melbourne University; Ecole Internationale de Theatre Jacques Lecoq.

Awards Phillip Parson’s Fellowship; Flickerfest: Best Film for On Hold; Sydney Fringe: Critics Choice Award for Le Voyage.

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Cast cont.

Jack Walton (He/him) Miro

Jack is an actor and co-founder of Panimo, a company focused on delivering quality work from emerging artists.

ATYP Will in The Climbing Tree; The Martin Lysicrates Prize.

Other Theatre For Kings Cross Theatre: Mercury Fur. Screen For Netflix: Vince in Clickbait; Clark in Bilched.

As Producer For Panimo: Pandemonium Festival.

Jack sits as an observer on ATYP’s board as Youth Chair.

Fraser Crane Understudy

At 21 years of age, Fraser has 14 years of dance, singing, voice and acting experience.

ATYP M.Rock.

Other Theatre For Darlinghurst Theatre Company: Remembering Pirates; for Kings Cross Theatre: Natives; for Jipprock Productions: Bad Smoke; for Outhouse Theatre Company: How to Defend Yourself; for Metro Arts: Reagan Kelly; for Lindisfarne Anglican Grammar School: Joseph and His Amazing Technicolour Dreamcoat.

Screen For Disney: The Last Days of the Space Age; for SBS: Family Law; for Warner Bros.: San Andreas.

Fraser has recently returned from Paris where he studied at Ecole Philippe Gaulier.

The Resistance, 2023.

Costume designs by Tobhiyah Stone Feller.

Photos by Bec Herkess.

© 2023

The Resistance

“We’ve got to get a message out.

We’ve got to petition the government.

Make them change their minds.”

—Bundilla

The Resistance, 2023. Photos by Clare Hawley.

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The Resistance, 2023. Photos by Clare Hawley.

The Resistance

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The ATYP Team Artistic Director & CEO Fraser Corfield

Development Officer Meg Goodfellow

Company Accountant Steve Davidson

Executive Director – Management Amanda Wright

Finance Coordinator Yoko Miki-Feeney

Creative Technologist Daniel Andrews

Events & Venue Hire Coordinator Catherine Tomsen

Intern – Outreach Ellie Park

Board of Directors Chris Puplick AM (Chair)

Executive Director – Strategy Johanna Mulholland Business Manager Chrissy Riley Operations Manager Taryn Zentrich Education Manager Jacqui Cowell Workshops Manager Claudene Shoesmith Marketing & Communications Manager Erica Penollar

Education Coordinator George Kemp Digital Communications & Engagement Coordinator Rebecca Herkess Marketing Coordinator for Special Projects Erica Em Digital Engagement Designer Georgia McGinness Workshop Assistant Emily Johnson

Resident Dramaturg Jane FitzGerald

Administration Assistant Martha Russell

Artistic Associate Hayden Tonazzi

Archivist Judy Seef

© 2023

Front of House Managers Catherine Tomsen Ellie Park Front of House Attendants Jared Stephans Georgia McGinness Jasper Reucassel Bec Herkess Front of House Volunteers Ebony Dodds Marco Di Lorio

Fraser Corfield Samara Hand Tasnim Hossain Janine Lapworth Gillian Larkins Mark Morrissey Daniel Selikowitz Nicole Webb Donna Worthington Georgina Willcock (Board Observer)

Lily Hayman (YABbies Board Observer)

Jack Walton (YABbies Board Observer)

The Resistance

Thanks & Acknowledgements Joel Benguigui & Jala Adolphus Jillian Buenen Olivia Calverley-Haack Caz Comino Bob Cousins Holly Creenaune (Program Director – Coal Mining, The Sunrise Project)

Ross Feller & Clare Willington Michele Gould Erin Lesnie Savannah Melvin Lisa Millar Genevieve Mortimer (Climate-KIC Australia)

Murobond Paperjam Partners Rio Imogen Ross St Kilda Studios

Thanks to those actors who formed the core of the development workshop Joseph Althouse Laneikka Denne Jude Gibson Diya Goswami Abbie-lee Lewis Jack Walton

Thanks to those who generously participated in research and development sessions Jean Hinchcliffe Janine Lau Daisy Millpark Tara Mulholland Alex Neale Luca Saunders Ella Simons

Thanks to those who were additional actors at the development workshop Nick Annas Zahara Friis-Clark Cassie Hamilton Dylan Proano Adam Stepfner Robbie Wardhaugh Nadia Zwecker

Supporters

#TheResistance #ATYP_TheResistance #ATYP_Resistance #ATYP_Theatre #TheRebelTheatre #OnlyAtTheRebel

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