TTS2526 Compagnie Marie Chouinard Program by AT&T Performing Arts Center

MARIE CHOUINARD

Photo by Sylvie-Ann Paré. Dancers: Jérôme Zerges, Adrian W.S. Batt

IT’S TIME TO BE IN THE ROOM AGAIN.

To feel that collective breath, the shared silence, the spontaneous applause that erupts when something extraordinary happens onstage. Thank you for being here tonight— thank you for choosing to show up, to engage, and to be part of something live.

Creating moments of awe—like the one you’re about to experience tonight—is what makes the TITAS/DANCE UNBOUND season so unique. It’s international. It’s deeply curated. It’s intentionally designed to connect across cultures, communities, and generations.

These artists speak through movement. And while it can be hard to put into words, what they create is undeniable when you’re in the room. Diverse. Global. Powerful. Surprising. Moving. That’s the magic of TITAS.

Again, nothing replaces the live experience.

We’re proud to contribute to the international profile of Dallas. We celebrate our adventurous, curious, and passionate audiences. And we recognize the immense value that cultural exchange and the arts bring to our communities. This is the heart of TITAS—it’s how we help shape and elevate the cultural landscape of North Texas.

And every season, new audience members tell us the same thing: "I’m overwhelmed—I had no idea. This was not what I expected."

That reaction? It never gets old. It’s Golden.

After more than four decades of presenting groundbreaking dance, we know the power of what happens when world-class artists meet open-hearted audiences.

And the 2025/26 season will not disappoint.

Ten extraordinary companies from the U.S., Spain, Canada, Taiwan, and France— including three making their Texas or U.S. debut right here in Dallas. Breathtaking artistry, thrilling athleticism, unforgettable performances. This is a season you won’t want to miss.

So thank you.

Thank you for being part of another remarkable year. Thank you for saying yes to live performance. Thank you for supporting TITAS/DANCE UNBOUND and the AT&T Performing Arts Center.

What we do together truly makes a difference.

Charles Santos, Executive Director/Artistic Director

TITAS/DANCE UNBOUND

Photo by Brian Guilliaux

Photo by Marie Chouinard. Dancers: Mathilde Monnard, Dominique Porte

PRESENTS

COMPAGNIE MARIE CHOUINARD

MAGNIFICAT

Duration: 35 minutes

World Premiere: Madrid Danza Festival, Madrid, Spain, 2025

Choreography

Music

Lighting and Set Design

Marie Chouinard

The Magnificat BWV 243, Johann Sebastian Bach, performed by La Chapelle Royale (instrumental ensemble) and Collegium Vocale Gent (choir), conducted by Philippe Herreweghe. Recording used with the permission of PIAS Recordings

Marie Chouinard

Costumes and Make-up .......... Marie Chouinard

Michael Baboolal Adrian W.S. Batt Justin Calvadores Valeria Galluccio Motrya Kozbur Béatrice Larouche Scott McCabe

Carol Prieur Sophie Qin Jérôme Zerges

After creating choreographic works to major musical scores such as The Rite of Spring by Stravinsky, The 24 Preludes by Chopin, and Prélude à l’après-midi d’un faune by Debussy, Marie Chouinard returns to the music of Johann Sebastian Bach, following her earlier piece bODY_rEMIX/les_vARIATIONS_gOLDBERG.

In the studio, working on this piece uplifted the hearts of all who took part. It is this elevation of the soul that Marie and the performers now wish to share with you.

Sung in Latin, Bach’s Magnificat for choir, five vocal soloists and orchestra is imbued with the divine. It is the Virgin who speaks—her voice is powerful, exultant. A newly pregnant woman, she addresses us: she is blessed, sublimely fulfilled. In her gaze, the world is freed from all oppression.

Marie Chouinard choreographs MAGNIFICAT through sweeping group sequences, as well as intimate trios, duets, and solos for 35 minutes of grace.

– INTERMISSION (20 MINUTES) –

The use of cameras, camcorders, tape recorders and cell phones is strictly forbidden during the performance.

THE RITE OF SPRING

Duration: 35 minutes

World Premiere: National Arts Centre, Ottawa, Canada, 1993

Concept, Choreography and Artistic Direction Marie Chouinard

Music

Signatures sonores, Rober Racine, 1992, 12 minutes; The Rite of Spring, Igor Stravinsky, 1913, arrangement with Boosey & Hawkes, Inc., publisher and copyright owner, 35 minutes

Lighting Marie Chouinard

Costumes Liz Vandal

Props Zaven Paré

Make-up ............................ Jacques-Lee Pelletier

Hairstyles .......................... Daniel Éthier

Michael Baboolal Adrian W.S. Batt Justin Calvadores Valeria Galluccio Motrya Kozbur Béatrice Larouche Scott McCabe

Carol Prieur Sophie Qin Jérôme Zerges

A COMPAGNIE MARIE CHOUINARD production, in coproduction with the National Arts Centre (Ottawa), the Festival international de nouvelle danse (Montreal) and the Kunstentrum Vooruit (Ghent, Belgium).

In Marie Chouinard’s work, The Rite of Spring occupies a special position. In choosing to reexamine this powerful hymn to life, she has created her first choreography based on a musical score. Igor Stravinsky’s. The Rite of Spring explores a New World and marks the entry of dance into modernity. In this avant-garde work, Marie Chouinard again finds an original pulsation that is essential to her movement. Far from contradicting the rhythm of her dance, the cadence and force of the music inspire, accompany and energize her, forming both the echo and the musical counterpoint of an organic, vigorous and vivid choreography.

For Marie Chouinard, all forms are the movement through space of a specific vital energy. Unlike previous choreographers working with Stravinsky’s piece, she constructed her Rite around solos, seeking to awaken in strong, clear movements the intimate mystery of each dancer.

“There is no story in my Rite”, she explains, “no development, no cause and effect. Only synchronicity. It is as if I were dealing with the very moment after the instant life first appeared. The performance is the unfolding of that moment. I have the feeling that before that moment there was an extraordinary burst of light, a flash of lightning.”

The COMPAGNIE MARIE CHOUINARD wishes to thank the Conseil des arts et des lettres du Québec, the Canada Council for the Arts and the Conseil des arts de Montréal.

The COMPAGNIE MARIE CHOUINARD is proud to be carbon neutral. Since 2020, the company has analyzed and offset the carbon footprint of its tours, its productions and its studios. The company supports the Quebec initiative, Carbone boréal, which reforests naturally deserted terrain in the boreal forests north of Lake Saint Jean. These are public lands which are protected by their designation as experimental forests in conjunction with the Quebec Ministry of Forests, Wildlife and Parks. This project is also used for scientific research.

TITAS/DANCE UNBOUND

Next Production: GALLIM

May 29 . 30 2026

Moody Performance Hall

To support TITAS/DANCE UNBOUND Please Scan, and Thank You.

TITAS.ORG

ATTPAC.ORG/TITAS

ABOUT THE COMPANY

Founded in 1990, the COMPAGNIE MARIE CHOUINARD (CMC) is now one of the pillars of international contemporary dance. Renowned for the singularity, power, and audacity of its choreographic language, the company performed on the world’s greatest stages — from the Americas to Europe by way of Asia.

While the company enjoys worldwide recognition, its story dates back to 1978, when Marie Chouinard presented her very first creation, Crystallization. This was followed by some thirty remarkable solo works performed on international stages, including Marie Chien Noir (1982), S.T.A.B (Space, Time and Beyond) (1986), and L’Après-midi d’un faune (1987). In 1991, she created her first group piece, Les Trous du ciel, marking the beginning of an exceptional series of group pieces.

Since its inception, the CMC has been welcomed by prestigious institutions such as the Festival d’Avignon, Sadler’s Wells, Lincoln Center, ImPulsTanz, the Venice Biennale, and the Théâtre de la Ville in Paris. Its renowned co-producers include the Venice Biennale, the ImPulsTanz Festival (Vienna), the Gulbenkian Foundation (Lisbon), the Fondazione Musica Per Roma (Rome), Danse Danse (Montreal), the NAC (Ottawa), and the FTA. To date, the company has presented its works in over 280 cities across 45 countries.

Marie Chouinard has created over a hundred works — choreographies, performances, installations, and films — and her repertoire currently includes around fifteen pieces actively touring worldwide. Among the most emblematic are MAGNIFICAT, « M », RADICAL VITALITY, 24 Preludes by Chopin, bODY_rEMIX, (soft) VIRTUOSITY, Le Cri du monde, Étude no 1, and Henri Michaux : Mouvements. Her Rite of Spring, performed without interruption since 1993, is considered a classic in contemporary dance history.

Eight of her works are also in the repertoire of major international companies, including The National Ballet of Canada, Les Ballets de Monte-Carlo, the Martha Graham Dance Company, Gauthier Dance, Companhia de dança São Paulo, Les 7 Doigts, and the GöteborgsOperan.

Marie Chouinard’s work has received numerous distinctions: her name appears in Le Petit Larousse (2010) and Le Robert (2011), and she is the recipient of some thirty major awards, including:

Bessie Award for Sustained Achievement, New York (2000)

Governor General’s Performing Arts Award of Canada (2003)

Denise-Pelletier Award (2010)

Positano Award, Italy (2016)

Walter Carsen Prize (2016)

Officière des Arts et des Lettres, France (2020)

Marie Chouinard is the founder of the Prix de la danse de Montréal (2011), and from 2017 to 2020, she served as the Director of Dance at the Venice Biennale.

Recent years have been particularly prolific, with new works for the stage, virtual reality projects, participatory online performances, and preparations for a major solo exhibition.

The COMPAGNIE MARIE CHOUINARD continues to relentlessly explore the expressive power of the moving body, carrying forward the voice of a creation that is free, vibrant, and radically alive.

Photo by Marie Chouinard. Dancer: Dominique Porte

WHO’S WHO IN THE COMPANY

MARIE CHOUINARD was born in Quebec. At the age of 16, she spent four months alone in Percé, a seaside village in the Gaspé Peninsula known for its iconic rock formation, an experience that would transform her life. As a choreographer, she traveled the world as a solo performer for 12 years before founding the COMPAGNIE MARIE CHOUINARD in 1990. Her works, radical and deeply resonant, with a singular signature, have stood the test of time and are part of the repertoires of major international ballet companies. She is also a director (films, apps, virtual reality works), an author (Zéro Douze, Chantiers des extases), and a visual artist (photography, drawings, installations, performance). She creates choreographic works for site-specific installations, for the screen, and in real-time for the web. She was named an Officière des Arts et des Lettres in France, is a Bessie Award recipient in New York, and has a star on the Walk of Fame in Sibiu, Romania. She has received some thirty of the most prestigious awards and honors. In 2011, she founded the Prix de la Danse de Montréal, and from 2017 to 2020, she served as Director of Dance at the Venice Biennale. Marie Chouinard is currently preparing a solo exhibition of her visual and performance works (2027).

Photo by Sylvie-Ann Paré. Dancers of the Compagnie Marie Chouinard.

Photo: Richard-Max

Carol Prieur began her career with Winnipeg Contemporary Dancers. She danced with the Fondation Jean-Pierre Perreault. Supported by grants, she pursued further studies in New York, Vienna, and India, where she was introduced to Kalaripayattu, a traditional Indian martial art. In 1995, she joined the COMPAGNIE MARIE CHOUINARD. Three solos have been created for her by the choreographer: Humanitas, Étude poignante, and Mouvements. She received a Best Performance Award at the Moving Pictures Festival of Dance on Film and Video in Toronto for her role in Marie Chouinard’s film Cantique no. 1. In 2010, she was named Dancer of the Year by TANZ magazine, and in 2014, she became the first recipient of the Prix de la Danse de Montréal – INTERPRÈTE. In 2025, she celebrates her thirtieth anniversary as a performer with the Company.

Valeria Galluccio trained in ballet under Annalisa Cernese in Italy. For three years, as part of the Venice Biennale, she was the principal performer in works by Ismaël Ivo before joining the COMPAGNIE MARIE CHOUINARD in 2011. In 2015, she was named Best Italian Dancer Abroad by Danza&Danza magazine. In 2017, she received the Positano Prize for “Dancer of the Year on the International Scene,” and in 2019, she was awarded the Premio Nazionale Sfera d’Oro per la Danza as “Italian Dance Personality on the International Stage in Ballet and Contemporary Dance.”

Adrian W.S. Batt graduated from the École supérieure de ballet du Québec, after starting his career at the Dance East School and completing two internships at the Royal Winnipeg Ballet School. His work as a performer was rewarded with a scholarship of excellence given by the Jeune scène d’affaires of the École supérieure de ballet du Québec. He joined COMPAGNIE MARIE CHOUINARD in September 2019.

Michael Baboolal holds a BFA in dance from Ryerson University in Toronto (2018). While pursuing his studies, he worked alongside many emerging artists as well as established companies, including Cirque du Soleil, Guillaume Côté, and Hanna Kiel. In 2018, he participated in the Springboard Dance Montreal program, performing works by Slowdanger and Batsheva Dance Company. He joined COMPAGNIE MARIE CHOUINARD in 2020.

Justin Calvadores began dancing in the local hip-hop community in Winnipeg before continuing their training at Arts Umbrella in Vancouver. They have danced for Ballet BC, Ballet Edmonton, and worked as a freelance artist with companies including Action at a Distance, Andrea Peña and Artists, FakeKnot, and Wen Wei Dance. Justin joined the COMPAGNIE MARIE CHOUINARD in 2024.

Jérôme Zerges first trained at the École nationale de cirque before graduating from the École de danse contemporaine de Montréal in 2023, where he received the Hnatyshyn Foundation Grant. He has collaborated with several choreographers in Montreal, notably working closely with Margie Gillis. He joined the COMPAGNIE MARIE CHOUINARD in 2024.

Sophie Qin began her dance training with Linda Jamieson and Ellen Andrews in Ottawa, Ontario. She is a graduate of The Ailey School, where she received a full scholarship in 2020. She also holds a diploma in 2D animation from Herzing College (2021). Sophie has danced in Memoria with Alvin Ailey American Dance Theater (2019) and Mémoire d’un corps à travers le temps by Yesenia Fuentes in Bogotá, Colombia (2023). She has participated in ballet residencies and productions in Montreal. Since 2023, she has also been practicing breakdance under the name Sophistic. Sophie joined the COMPAGNIE MARIE CHOUINARD in 2024.

Béatrice Larouche was born in Chicoutimi, Québec, and graduated from the École supérieure de ballet du Québec in 2021. Between 2023 and 2025, she choreographed and performed in three short films by visual artist TJO. She also danced with the Gargoyle Dance Club and performed as a soloist in We Call it Ballet, by Fever. On screen, she appears in two music videos by Norwegian singer AURORA and in the series Empathie, written by Florence Longpré. She joined the COMPAGNIE MARIE CHOUINARD in 2025.

Motrya Kozbur is a graduate in contemporary dance from the Boston Conservatory. She worked as a seamstress for costume designer Naomi Luppescu in New York City, and danced for several years with LeeSaar The Company before joining COMPAGNIE MARIE CHOUINARD in 2017.

Scott McCabe graduated from The Juilliard School in New York City. He has worked with Andrea Miller and Danielle Agami and was a member of Ate9 Dance Company in Los Angeles before joining COMPAGNIE MARIE CHOUINARD in 2015.

TOURING TEAM

Rehearsal Director Paige Culley

Tour Manager Martin Coutu

Technical Director and Stage Manager Félix Lefebvre

Lighting Manager Tyler Andrew

Sound Manager Pierre-Alexandre Poirier Guay

US Representation Cathy Pruzan, Art Becofsky Associates

Download CANTIQUE for free on the App Store — conceived by Marie Chouinard, music by Louis Dufort, featuring Benoît Lachambre and Carol Prieur.

The COMPAGNIE MARIE CHOUINARD wishes to thank the Conseil des arts et des lettres du Québec, the Canada Council for the Arts and the Conseil des arts de Montréal.

Photo by Marie Chouinard. Dancers: Carol Prieur, James Viveiros

Donations received

July 2023 – September 2024

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James W. Woodall

* in Memoriam ~ denotes TITAS/DANCE UNBOUND Board of Trustees

Photo by Sylvie-Ann Paré. Dancers of the Compagnie Marie Chouinard.

BOARD OF TRUSTEES

Lee Cobb, President

Mary Ann Borden-Neary

Sharon Modabberi Cornell

Michael Crossley

Claire Dewar

Matrice Ellis Kirk

Steven Gendler

Bill Graue

Rodger Kobes

Garfield Lemonius

Noelle LeVeaux

Lola Lott

Chris Luna

Tracy Preston

DeMetris Sampson

Charles Santos

Arlene Switzer Steinfield

Michael Titens

Chandana Weerasekara

Krista Weinstein

Lily Cabatu Weiss

HONORARY BOARD

Mr. Tom Adams (TITAS Co-Founder)

Penny Atkiss

William Benac

Jeanne Marie Clossey

Lauren Embrey

Bess Enloe

Rebecca Enloe Fletcher

Kathryn D. Greene

Carol Hall

Gayle Ziaks Halperin

Sally Hansen

Zoé deRopp Hart

Alan Lerner

Charlene Marsh

Lynn Nikaidoh

Deedie Rose

CHARLES SANTOS

Executive Director

Artistic Director

JOHN FRAZIER

Director of Operations

JESSICA MALEK

Director of Development/ Education

WAWEN VILLAMIN

Comptroller

TITAS/DANCE UNBOUND CO-FOUNDERS

Tom Adams and Gene Leggett

TITAS/DANCE UNBOUND

700 North Pearl Street, Suite 1800

Dallas TX 75201

214.978.2855

Box Office 214.880.0202

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The Dallas–Fort Worth Lexus dealers are proud to be the O cial Vehicle Sponsors of the AT&T Performing Arts Center and its resident companies. Through this dynamic partnership, Lexus is committed to supporting the Center and its Dallas Arts District neighbors in establishing Dallas as one of the world’s premier destinations to experience the performing and visual arts.