Delight in Design!
contents FEB. 2018
HOME 67
Maximum Impact The 2017 Home for the Holidays Designer Showhouse proves Atlantans are poised to embrace more modern aesthetics
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LIFE
Den Party R Hughes brings a
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moody, denlike escape to ADAC
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Well Fashioned Shayelyn Wood-
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bery delivers a runway-ready look at
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ADAC: Behind the Windows
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Warm Welcome Inside Summerour & Associates’ light, bright new Brookwood Hills studio
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What’s Hot Now New introductions, openings and must-see’s for 2018
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Real Estate Property Report Calendar Cultural happenings this month Naomi On new beginnings Dish C. Ellet’s Suzanna “Reagan Red” and “Purple Rain” Editor’s Letter Resources + Ad Index
On the Cover Interior Design by OETGEN DESIGN Photography by MALI AZIMA
Influencers: Justin and Kelly Anthony This dynamic duo is pioneering change throughout Atlanta
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IN ASSOCIATION WITH GUY GUNTER HOME
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Swivel chairs and sofa by Coup Studio; Art by Zackery Tyler; Horse-hair sconces by Apparatus. right Steel-and-oak table by Juin Ho; Sconces by Jonathan Browning; Stool by Coup Studio. All available at R Hughes.
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2018
HOT LIST DEN PARTY R Hughes brings a moody, denlike escape to ADAC with its fresh build-out that’s as intimate as it is showstopping Written by CLAIRE RUHLIN Photographed by DAVID CHRISTENSEN
WHEN RYAN HUGHES MOVED HIS SHOWROOM to its 9,000-square-foot space at ADAC in 2015, R Hughes set the precedent for showstopping showroom design with layers of thoughtfully curated pieces, exclusive collections and a Holland & Sherry showroomwithin-a-showroom. The latest addition is “THE DEN,” a 2,000-square-foot build-out whose moody design offers a different experience from the main floor’s light-flooded, airy layout. Inky walls—oak paneling by Wood Mill Lab on one end and textured, light-reflecting plaster by Atlanta painter Tommy Taylor on the other—create an intimate environment that was achieved with the help of Smith Hanes Studio. Sconces, chandeliers and a working fireplace, designed by Chad James Group, create a warm glow, while a 12-foot-long table offers a spacious space to work or gather in conversation. “We wanted another area for our customers to view the products that offered a different experience than the main area,” says Hughes. “A designer could have looked at something many times prior and then see it almost for the first time in this new backdrop.” Hughes also plans for The Den to serve as a space for gathering and entertaining. “We plan to use this room for small dinner parties with our vendors and our clients, and as a reception space for product launches.” r-hughes.com
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WELL
FASHIONED
Interior designer Shayelyn Woodbery delivers a runway-ready look at the 11th installment of ADAC: Behind the Windows Written by SEJAL BHIMA Photographed by MALI AZIMA
WHEN SHAYELYN WOODBERY WAS TASKED with demonstrating the interplay between fashion and interiors for ADAC’s latest Behind the Windows series, inspiration struck the fashion-forward interior designer immediately. “I asked myself where would hip, creative people go to hang out? And so I envisioned a Paris-meetsNew York City private cocktail lounge where the fashion industry might mingle,” she says. Also part of the equation was her good friend Susan Singletary, owner of Buckhead’s PEOPLES boutique, which specializes in designer clothing and accessories not carried in department stores. “Susan and I share a very similar aesthetic,” says Woodbery. “It’s classic but with a ‘now’ and very edgy twist to it.” Their shared philosophy is on display throughout the well-edited vignette, most notably with a clean-lined mohair banquette set against a floral graffiti wallpaper. As the room’s design and color story began to take shape, Singletary and Woodbery traveled to New York to meet with fashion designer NELLIE PARTOW, whose new collection—with its minimal yet detail-oriented direction—struck a chord that was aesthetically similar to the vignette back in Atlanta. They handpicked pieces from the designer that would give life to Woodbery’s ultra-chic vision for the room.
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HOT LIST STYLE
HOT LIST
INTERIOR DESIGN Shayelyn Woodbery, Shayelyn Woodbery Interiors FASHION Peoples WALLPAPER Porter Teleo through Travis & Company MARBLE TABLE Minotti CHAIR FABRIC Jerry Pair BANQUETTE FABRIC Schumacher SCONCES Circa Lighting PHOTOGRAPH Joseph Guay BAR & BANQUETTE Shayelyn Woodbery Interiors LIGHTING Julian Chichester through Holland & Company CONSOLE Bradley
The final result is a sexy space fit for fashion’s elite. The moody lounge invites guests to grab a drink at the custom midcentury-inspired bar and then make their way over to a sleek communal console or a cozier tableand-chair setup for more-intimate conversations. But no matter where the well-heeled style influencers choose to rub elbows, the antique mirrored walls ensure they’ll always get a chance to see and be seen. While the lounge might be an artistic figment of Woodbery’s imagination, it’s not short on inspiration. “If someone wanted to translate this (look) into their own home or wardrobe, I’d say to always invest in quality pieces that will serve as your foundation. If the foundation pieces are done right, it takes very little to add wow factor.”
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Maximum
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Impact The 2017 Home for the Holidays Designer Showhouse proved that bold is best, showcasing rich palettes and daring design Written by LORI JOHNSTON, CLAIRE RUHLIN
AND SHANNON DOMINY Produced by ELIZABETH RALLS Principal Photography by MALI AZIMA Supporting Photography by DAVID CHRISTENSEN, EMILY
FOLLOWILL, JEFF HERR AND ROBERT PETERSON
SATURATED STYLE Robert Brown packs a punch in the living room and bar of the 2017 Home for the Holidays Designer Showhouse, enveloping the room in Farrow & Ball’s Pelt. The cabinetry is by Bell Cabinetry & Design, the countertops and backsplash are Levantina, the faucets are Renaissance Tile & Bath, and the windows are Windsor Windows.
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ENCHANTING ENTRANCE BARBARA WESTBROOK, WESTBROOK INTERIORS
FLIGHTS OF FANCY WERE ON DISPLAY IN BARBARA WESTBROOK’S dramatic entry hall and foyer, where a pair of Tom Corbin’s bronze sculptures—illuminated by paintings from Pryor Fine Art—draw the eyes upward to the sweeping staircase, and porcelain butterflies (hand-imprinted with varying patterns of antique lace) appear to be flying toward the daylight-lit oculus above. A round walnut inlaid table anchors the lofty space, while Ochre’s Seed Cloud chandelier presides over the front entrance, glimmering against the moody movement of the custom wallcovering by Area Environments. A feminine dash of whimsy greeted guests upon ascending the circular staircase, thanks to Porta Romana’s duck feet lamp topped by a chic ostrich shade, artist Clay Johson’s acrylic-on-panel, “Flagstaff,” and a mix of bronze and gilded bowls. –Elizabeth Ralls 72
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RESOURCES CUSTOM WALLPAPER Area through Jim Thompson WALNUT INLAID TABLE, CARVED CANDLESTICKS AND DEMILUNE TABLES Robuck CORBIN SCULPTURES, BLOWN-GLASS LAMP AND DUCK FEET LAMP Jerry Pair ARTWORK Pryor Fine Art CHANDELIER, SCONCES, PARCHMENT CONSOLE AND BOWLS R Hughes OUSHAK RUNNER Sullivan Fine Rugs
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COSMOPOLITAN CHIC KAY DOUGLASS, KAY DOUGLASS INTERIORS
RESOURCES ORANGE BENCHES South of Market, fabric by Kravet BANQUETTE South of Market, fabric by Brochier PILLOWS Manuel Canovas through South of Market DINING CHAIRS South of Market, fabric by Schumacher SILVER LAMP & RIBBON STOOLS R Hughes CUBE STOOLS, DINING TABLE AND SWIVEL CHAIR South of Market FIREPLACE Firerock
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INSPIRED BY THE COSMOPOLITAN HOTEL JULIEN in Antwerp, Belgium, Kay Douglass infused this Showhouse dining room with a sense of European simplicity. “The hotel was comfortable and cozy without being overly fluffy,” she says. “Here, we wanted the emphasis to be focused on color and scale.” To create a clean feel, the designer decided to forgo a rug, focusing instead on the wood floors. A mobile from the Hermès flagship store in Paris serves as “the jewelry of the room,” while an overscale gray bench and a pair of Hermès-orange-inspired banquettes on either side of the room add a functional touch. “We wanted a festive feel to the room, and orange can be such a lovely neutral,” says Douglass. “All grays and silvers react so beautifully. The drama here is in the strength of color.” –Claire Ruhlin 75
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RESOURCES CABINETRY Bell Cabinetry & Design APPLIANCES Guy Gunter Home COUNTERTOPS LG Viatera SINK MTI LAUNDRY ROOM CEILING WALLPAPER Schumacher CHANDELIER Aidan Gray TRAY, TURQUOISE SHAGREEN BOX, VASES AND PLATES AND CERAMIC COMPOTE Joseph Konrad TOPIARIES Forage & Flower MUDROOM LOUIS PHILIPPE ANTIQUE CHEST Map Antiques WALLPAPER Innovations in Wallcoverings KAZAK RUG Parviz Oriental Rugs BENCH CUSHION FABRIC Kravet CRYSTAL TABLE LAMPS Circa Lighting PLEATED SHADES Lamp Arts OIL PAINTINGS Anne Irwin Fine Art FRAMED ABSTRACTS Joe Adams through Swoox WINDOW TREATMENT FABRIC Romo
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WARM & WELCOMING LAUREN DAVENPORT IMBER, DAVENPORT DESIGNS LTD.
LAUREN DAVENPORT IMBER DIVERTED ATTENTION from utilitarian aspects of the laundry room by accentuating both the walls and ceiling. After spotting a bubble-like pattern in the Schumacher Raindots wallcovering, she decided to float the slate-blue wallpaper on the ceiling. “The laundry room was such an expansive space. I wanted the ceiling to be fun as well,” she says. Although she tends toward neutrals, the bold Farrow & Ball Oval Room Blue walls picks up tones from the ceiling and the Villa Nova fabric used for the Roman shade. The Solitude chandelier’s brass elements and glass rods are whimsical yet dressy. Built-ins hold a striking collection of cobalt, blue-gray, and white vases and plates. For cohesiveness, Imber mixed the blues with warm tones in the adjacent mudroom, with its Louis Philippe antique chest, contemporary abstract, blue velvet cushions and built-ins that envelop a busy family in a big (and well-organized) hug. “I really wanted the mudroom to feel warm and cozy because it’s the first thing you see when you come into the garage and the last thing you see when you exit the home,” she says. —Lori Johnston 93
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RESOURCES COVERLETS & SHAMS The Linen Ladies PILLOW AND DUVET FABRIC Plaisirs de la Chine by Schumacher TRIM Samuel & Sons CUSTOM BEDSKIRTS TRIM AND FABRIC Schumacher OXFORD STRIPE KING SHAMS, DEMILUNE BENCHES, BEDSIDE LAMP SHADES AND WICKER CHAIR Custom through Mallory Mathison Inc. PILLOW ON WICKER CHAIR Fabric by Schumacher, trim by Samuel & Sons FRENCH COMMODE William Word Fine Antiques LIGHT BLUE RUG Keivan Woven Arts ROMAN SHADES Custom through R. Hopkins & Co. COUNTERTOP LG Viatera FAUCETRY Renaissance Tile & Bath
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STORYBOOK STYLE
MALLORY MATHISON GLENN, MALLORY MATHISON INC.
WHEN DESIGNING THIS BOY’S BEDROOM, Mallory Mathison Glenn envisioned a colorful retreat for a fictional “Little Boy Bleu,” borrowing influence from France and the showhouse beneficiary, Children’s Healthcare of Atlanta. “We wanted to design a room for children that would be a beautiful, whimsical space to grow up in, rest and play,” she says. Plaisirs de la Chine, a fanciful chinoiserie fabric by Schumacher, was used for the duvets and pillow shams and served as the lead for her designs. Glenn then looked to French designer Madeleine Castaing when adding a tented ceiling to the space. “Traditionally, tented rooms utilize the same fabric on the walls and the tented ceiling treatment, so we wanted to mix that up and layer the color, texture and pattern to create an unexpected twist on the classic tent,” she says. For the walls Glenn selected Schumacher’s trellis-patterned Belvedere fabric, designed by Veere Grenney for Schumacher, while the ceiling features Schumacher’s Cotton stripe fabric. –Claire Ruhlin 97
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