Rogers Jones

The View / Bwrw Golwg The Welsh Sale / Selections & Collections Yr Arwerthiant Cymreig / Dewisiadau & Chasgliadau

July / Gorffenaf 2022

Lot 397

Lot 280

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THE WELSH SALE / SELECTIONS & COLLECTIONS YR ARWERTHIANT CYMREIG / DEWISIADAU A CHASGLIADAU July / Gorffenaf 2022 The Welsh Sale 9.30am Saturday 16 July Selections & Collections 4.15pm Saturday 16 July both at our Cardiff Saleroom Viewing & collection of lots by scheduled appointment

Buyer’s Premium for both auctions 24% + VAT (28.8%) on all lots up to a hammer price of £19,999 15% + VAT (18%) on all lots of a hammer price of £20,000 and over Droit de Suite applicable (please see terms at back of catalogue)

South Wales Saleroom / Ystafell Werthu De Cymru 17 Llandough Trading Estate, Penarth Road, Cardiff, CF11 8RR 17 Ystad Masnachu Llandochau, Ffordd Penarth, CF11 8RR Tel / Ffôn: 02920 708 125 Cardiffinfo@rogersjones.co.uk www.rogersjones.co.uk *Please see full terms & conditions at the back of this publication

THE VIEW

EDWIN ALBERT PETTITT ‘Sunday Morning: Vale of Neath, South Wales’, signed and dated 1861, £4,000-6,000

Welcome to the second edition of The View for 2022 One of the most rewarding moments in this job, is seeing the lots in our saleroom in place, once they have been catalogued, photographed, marketed and are now ready to view.

It will be especially rewarding this time as I think this July’s Welsh Sale, just might be one of the best offerings we have had in thirty years – in my opinion!

The July Welsh Sale really is thick with quality; starting with a terrific collection of Swansea and Nantgarw and continuing with a tremendous picture section which surely includes most of the names synonymous with Welsh art in the 20th Century.

Ben Rogers Jones

There are two works by John Piper, there is a monumental Shani Rhys James, fine works on offer from John Elwyn, Peter Prendergast, Ceri Richards, Charles Frederick Tunnicliffe, Donald McIntyre, Ernest Zobole, Evan Walters, Gwilym Prichard, Kevin Sinnott and of course Sir Kyffin Williams.

But for me, the icing on the picture section cake is that there are several important earlier Welsh paintings which record Wales from an historical perspective.

Most notably, a work by Edwin Albert Pettitt (1840-1912) titled ‘Sunday Morning: Vale of Neath, South Wales’.

It is a painting that could not be more Welsh, with a lady in traditional costume and pipe-hat leading a party of wedding guests from a distant church, all within a very Welsh landscape that includes distant mill and far off mountains.

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There is also a fine painting by John Varley (1778-1842) of Beddgelert Bridge. Varley was a close friend of poet William Blake and was a highly regarded drawing master who taught the esteemed artists David Cox and Copley Fielding to name but two.

Lastly there is a watercolour of Caernarfon Castle by Paul Sandby RA (1731-1809), one of the founder members of the Royal Academy, who was described as the father of modern landscape painting in watercolours.

These earlier historical paintings follow hot on the heels of a very well-received section of historical Neath paintings last time out. And I hope that these new entries will be received with the same level of excitement.

As is the norm now, the kick-off time for the Selections auction is shortly after the completion of The Welsh Sale on the same Saturday afternoon. The Selections sale this time is dominated by collections of wine and whisky – which ties in neatly with The Welsh Sale, as Wales has an interesting history with wine. Between 1877 and 1920, Castell Coch near Cardiff, was home to the only commercial British vineyard.

The wine was sold at the Angel Hotel, Cardiff and later from the Cardiff Castle gardens at 60 shillings for a dozen bottles.

How times have changed!

As usual, we raise a glass to our vendors in both The Welsh Sale and the wine infused Selections auction. We hope you enjoy the catalogue, and we hope to see you in the auction rooms for the two sales.

Best Wishes Ben Rogers Jones

BWRW GOLWG

Croeso i ail rifyn Bwrw Golwg ar gyfer 2022 Un o’r profiadau mwyaf gwerth chweil yn y swydd hon yw gweld y lotiau yn ein hystafell arwerthu ar ôl iddynt gael eu catalogio, eu ffotograffio a’u marchnata, a phan fônt yn barod i bawb eu gweld.

Bydd y profiad hwn yn arbennig o foddhaus y tro yma, oherwydd credaf fod Arwerthiant Cymreig mis Gorffennaf yn cynnig arlwy sydd gyda’r gorau a welwyd mewn deg mlynedd ar hugain – yn fy marn i, beth bynnag!

Mae Arwerthiant Cymreig mis Gorffennaf yn cynnwys eitemau o’r radd flaenaf. Bydd yn dechrau gyda chasgliad gwych o Abertawe a Nantgarw, ac yna ceir adran ddarluniau gampus sydd, yn ddi-os, yn cynnwys y rhan fwyaf o’r enwau a gysylltir â chelfyddyd Gymreig yr ugeinfed ganrif.

Mae’r arwerthiant yn cynnwys dau waith gan John Piper, gwaith aruthrol gan Shani Rhys James, gweithiau cain gan John Elwyn, Peter Prendergast, Ceri Richards, Charles Frederick Tunnicliffe, Donald McIntyre, Ernest Zobole, Evan Walters, Gwilym Prichard, Kevin Sinnott ac, wrth gwrs, Syr Kyffin Williams.

Ond i mi, y perl yng nghoron yr adran ddarluniau yw’r ffaith ei bod yn cynnwys nifer o baentiadau cynharach pwysig sy’n cofnodi Cymru o safbwynt hanesyddol.

Yn fwyaf nodedig, gwaith gan Edwin Albert Pettitt (1840-1912) sy’n dwyn y teitl ‘Sunday Morning: Vale of Neath, South Wales’. Mae’r paentiad hwn yn gwbl Gymreig drwyddo draw, a gwelir dynes mewn gwisg Gymreig a het silc yn arwain criw o westeion priodas o gyfeiriad eglwys yn y pellter. Mae’r tirlun yn Gymreig iawn a gwelir melin a mynyddoedd yn y pellter. Hefyd,

PAUL SANDBY RA ‘Caernarvon Castle, 1792’, £2,000-3,000

ceir paentiad gwych o Bont Beddgelert gan John Varley (1778-1842). Roedd Varley yn gyfaill agos i’r bardd William Blake. Roedd hefyd yn athro arlunio mawr ei fri, a bu’n addysgu’r artistiaid clodwiw David Cox a Copley Fielding, i enwi dim ond dau.

Yn olaf, ceir llun dyfrlliw o Gastell Caernarfon gan Paul Sandby RA (17311809), un o sylfaenwyr yr Academi Frenhinol. Fe’i disgrifir fel tad paentiadau tirluniau modern mewn dyfrlliw.

Daw’r paentiadau hanesyddol cynharach hyn yn dynn ar sodlau adran hynod boblogaidd yn yr arwerthiant diwethaf, a oedd yn cynnwys paentiadau hanesyddol o Gastell-nedd. Gobeithio y caiff yr eitemau newydd hyn eu croesawu â’r un brwdfrydedd.

Fel sy’n arferol bellach, bydd yr arwerthiant Dewisiadau yn cychwyn yn fuan ar ôl cwblhau’r Arwerthiant Cymreig, ar yr un prynhawn dydd Sadwrn. Y prif eitemau yn yr arwerthiant Dewisiadau y tro hwn fydd gwin a wisgi – addas iawn o gofio bod gan Gymru hanes diddorol o ran ei chysylltiad â gwin.

Rhwng 1877 a 1920, roedd Castell Coch ar gyrion Caerdydd yn gartref i’r unig winllan fasnachol ym Mhrydain. Gwerthwyd y gwin yng Ngwesty’r Angel, Caerdydd ac yn ddiweddarach yng ngerddi Castell Caerdydd, lle gellid prynu dwsin o boteli am 60 swllt.

Yn yr un modd ag arfer, hoffem gynnig llwncdestun i’n gwerthwyr yn yr Arwerthiant Cymreig a’r arwerthiant Dewisiadau sy’n gyforiog o win. Gobeithio y cewch flas ar y catalog, a gobeithio hefyd y cawn gyfle i’ch gweld yn yr ystafelloedd arwerthu ar gyfer y ddau arwerthiant.

Cofion Gorau Ben Rogers Jones

JOHN VARLEY ‘Beddgelert Bridge’ £1,500-2,000 7

The View / Bwrw Golwg • Rogers Jones & Co

REVIEW The Welsh Sale 12 March 2022 Lots: 660 Sold: 566 (84%) Total: £445,060 It was once again an exceptionally buoyant market for the first Welsh Sale of 2022. But the surprise sale of the day was most certainly the diminutive oil painting by little-known artist George Orleans Delamotte.

The picture formed part of a collection of 49 pictures consigned by a Neath-Port Talbot estate and relating specifically to Neath and its surrounding landscape. All bar two of them sold for a total just shy of £50,000 with the bulk of the lots selling above estimate.

George Orleans Delamotte (1788-1861) was a talented landscape painter but only a few details about his life are known. He came from a family of artists whose parents were French refugees that emigrated to England – the family name seems to have been mostly referred to as Delamotte.

He became an art teacher, and it is thought may have lived in Bath or Bristol from c.1818 onward. His brother William, who became an architectural and landscape painter and printmaker, was drawing master at the Sandhurst Military Academy – he is probably better known.

Of the limited number of George’s recorded works, most are images of the Welsh landscape. He is known to have visited Aberpergwm and Swansea in the early 19th century and later published a series of prints of landscapes of the Neath valley. A few of his prints and paintings are now in the collection of the National Museum of Wales.

Commercially, though, he has very little track record. A group of six Welsh scenes, including one of Swansea and one of the mouth of the Neath, did emerge at Sotheby’s in 2007 and were offered as a single lot. They sold below estimate for £18,000.

GEORGE ORLEANS DE LA MOTTE the fine scene of four figures and a dog surveying an estuary landscape in the Grand Tour style, titled ‘Mouth of the Neath River from Britton Ferry, 1820’ which sold for £12,000 against an estimate of £200-400 in March’s Welsh Sale We described the painting as ‘in the Grand Tour style’ as it had that Italianate feel, it was dated and with title on a plaque to the mount: Mouth of the Neath River from Britton Ferry, 1820. The 7½ x 11in (19 x 28cm) oil on panel showed four figures and a dog surveying the vista with boats sailing out toward the sea. The Turner-esque composition, with the trees dominating the foreground and attractive features such as the dramatic swirling sky, underlined Delamotte’s abilities more than any previous work that has emerged on the secondary market.

The diminutive size and lack of a saleroom precedent led us to a very conservative £200-400 estimate, but the ‘supreme quality’ of the picture was not lost on us and we promoted it extensively before the sale. However, I have to say I was shocked at the final price.

On the day it came down to two parties who “desperately” wanted to own the picture. One was a lady bidding in the room believed to have connections to the artist, the other a client local to the scene in the picture, who was bidding online. After a prolonged battle, it was knocked down to the latter at £12,000.

The price establishes a new benchmark for a Delamotte and was an impressive sum considering its small size. With the fierce competition propelling the price upward.

The Delamotte was certainly the biggest surprise of the March two-day sale but there were other pleasant shocks for vendors on works by Roger Cecil, Claudia Williams, Will Evans, Valerie Ganz, Wyatt Warren and an especially interesting portrait of Sir John Phillips the Younger of Picton, MP for Bristol, circa 1740.

SIR KYFFIN WILLIAMS RA oil of Snowdon Cottages, circa 1950s sold for £20,000 which was the highest price for a painting in March’s Welsh Sale 8

There were also solid performances from perennially popular Shani Rhys James MBE, Donald McIntyre and Sir Kyffin Williams RA whose oil of cottages in Eryri (Snowdonia) topped the auction with a price of £20,000.

Rogers Jones & Co • The View / Bwrw Golwg

ADOLYGIAD Yr Arwerthiant Cymreig 12 Mawrth 2022 Lotiau: 660 Gwerthwyd: 566 (84%) Cyfanswm: £445,060 Unwaith eto, roedd y farchnad yn eithriadol o fywiog yn Arwerthiant Cymreig cyntaf 2022. Ond gwerthiant annisgwyl y diwrnod, yn ddi-os, oedd y paentiad olew bach gan George Orleans De La Motte (neu Delamotte), sef artist gweddol anenwog.

Roedd yn perthyn i gasgliad o 49 darlun a gyflwynwyd gan ystad Castell-nedd Port Talbot ac a oedd yn ymwneud yn benodol â Chastell-nedd a’r cyffiniau. Llwyddwyd i werthu pob un ond dau o’r darluniau, a hynny am bron i £50,000, gyda’r rhan fwyaf o’r lotiau’n gwerthu am bris uwch na’r amcanbris.

Roedd George Orleans Delamotte (1788-1861) yn arlunydd tirluniau talentog, ond ychydig a wyddys am ei fywyd. Roedd yn perthyn i deulu o artistiaid. Ffoaduriaid Ffrengig a ymfudodd i Loegr oedd ei rieni – ymddengys fod ‘De la Motte’ yn ffurf arall ar yr enw teuluol.

Daeth yn athro celf, a chredir ei fod wedi byw yng Nghaerfaddon neu ym Mryste o c.1818 ymlaen. Mae’n debyg fod ei frawd William, sef arlunydd pensaernïol a thirluniau ac athro arlunio yn Academi Filwrol Sandhurst, yn fwy enwog.

DONALD McINTYRE acrylic ‘Sun and Surf No.1’ sold for £10,000 - the third highest selling painting by the artist at auction O blith y nifer cyfyngedig o weithiau a gofnodir ar gyfer George, lluniau o dirluniau Cymru yw’r rhan fwyaf ohonynt. Gwyddys ei fod wedi ymweld ag Aberpergwm ac Abertawe yn nechrau’r bedwaredd ganrif ar bymtheg a’i fod yn ddiweddarach wedi cyhoeddi printiadau o dirluniau dyffryn Nedd. Erbyn hyn, mae ambell un o’i brintiadau a’i baentiadau yng nghasgliad Amgueddfa Cymru.

Yn fasnachol, fodd bynnag, prin iawn yw ei hanes. Daeth casgliad o chwe golygfa Gymreig, yn cynnwys un o Abertawe ac un o aber Afon Nedd, i’r fei yn Sotheby’s yn 2007, ac fe’u cynigiwyd fel un lot.

Fe’u gwerthwyd am £18,000, sef swm a oedd yn is na’r amcanbris.

Fe wnaethom ddisgrifio’r darlun fel un a oedd ‘yn arddull y Daith Fawr’. Roedd y dyddiad a’r teitl wedi’u nodi ar blac ar y mownt: ‘Mouth of the Neath River from Britton Ferry, 1820’. Paentiad olew ar banel ydoedd, 7½ x 11 modfedd (19 x 28cm) o faint, ac arno gwelid pedwar ffigwr a chi yn edrych ar yr olygfa, gyda chychod yn hwylio allan i’r môr. Roedd y cyfansoddiad ‘Turneraidd’ hwn, gyda choed yn y tu blaen a nodweddion hardd fel yr awyr droellog ddramatig, yn tanlinellu gallu Delamotte yn fwy nag unrhyw waith blaenorol a ddaeth ar y farchnad eilaidd.

Gan fod y darlun mor fychan, ac yn niffyg unrhyw gynsail yn yr ystafell arwerthu, fe wnaethom bennu amcanbris o £200-£400 ar ei gyfer. Ond nid oeddem yn ddall i ‘ansawdd rhagorol’ y darlun, ac o’r herwydd aethom ati i’w hyrwyddo ar hyd ac ar led cyn yr arwerthiant. Fodd bynnag, rhaid imi gyfaddef fod y pris terfynol wedi fy syfrdanu.

Ar y diwrnod, roedd dau barti “yn daer” am gael bod yn berchen ar y darlun. Dynes yn yr ystafell arwerthu oedd un, y credir bod ganddi gysylltiadau â’r artist; roedd y llall yn byw wrth ymyl yr olygfa yn y darlun, ac roedd yn cynnig ar-lein. Ar ôl brwydr faith, yr olaf a orfu, gan brynu’r darlun am £12,000.

Mae’r pris yn pennu meincnod newydd ar gyfer gweithiau Delamotte ac roedd yn swm sylweddol o ystyried maint y darlun.

Gyda’r cystadlu ffyrnig yn cynyddu’r pris.

CIRCLE OF ALLAN RAMSAY half-portrait of Sir John Phillips the Younger of Picton, MP for Bristol, circa 1740, wearing moleskin coat with Order of the Sea Sergeants Society sold for £4,200 against an estimate of £500-1000

Yn ddi-os, darlun Delamotte oedd y peth mwyaf annisgwyl yn yr arwerthiant deuddydd a gynhaliwyd ym mis Mawrth, ond cafwyd canlyniadau annisgwyl a dymunol ar gyfer gwerthwyr gweithiau Roger Cecil, Claudia Williams, Will Evans, Valerie Ganz a Wyatt Warren hefyd, a chafwyd portread hynod ddiddorol o Syr John Phillips yr Ieuengaf o Bicton, AS Bryste, circa 1740.

Ymhellach, cafwyd canlyniadau da ar gyfer gweithiau’r bythol boblogaidd Shani Rhys James, Donald McIntyre a Syr Kyffin Williams, a llwyddodd paentiad olew Syr Kyffin o Eryri i gyrraedd pris uchaf yr arwerthiant, sef £20,000.

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The View / Bwrw Golwg • Rogers Jones & Co

REVIEW Selections & Collections 16 March 2022 Lots: 114 Sold: 87 (76%) Total: £137,030 There were more surprises to come in the Selections sale which followed the second part of the Welsh Sale. A rare White Star Line pottery hors d’oeuvres dish from a First Class restaurant docked at £2,000.

The dishes were used in the lounges of the big three ships – The Titanic, Olympic and Britannic.

A mention is also necessary for the first Dame Lucie Rie pottery item we have auctioned. Also, of the four large bronze relief plaques which were modelled after the ‘singing loft’ at the Museo Del L’Opera del Duomo in Florence. They really were of supreme quality. While a Chinese blue and white transitional bottle vase headed-up an interesting Asian arts section, selling for an impressive £15,000.

There were excellent results for jewelllery, especially diamond rings and the market for prestige watches continues to be exceptionally buoyant.

RARE WHITE STAR LINE FIRST CLASS HORS D’OEUVRES / CONDIMENT DISH sold for £2,000 against an estimate of £500-800

AFTER LUCA DELLA ROBBIA (1400-1482) the Barbedienne-cast high relief bronze plaques sold for £8,500 against an estimate of £3,000-5,000

PLATINUM DIAMOND SOLITAIRE RING sold for £19,000 against an estimate of £10,000-15,000

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Rogers Jones & Co • The View / Bwrw Golwg

ADOLYGIAD Dewisiadau a Chasgliadau 16 Mawrth 2022 Lotiau: 114 Gwerthwyd: 87 (76%) Cyfanswm: £137,030 Roedd ychwaneg o bethau annisgwyl i ddod yn yr arwerthiant Dewisiadau a ddilynodd ail ran yr Arwerthiant Cymreig.

Llwyddodd dysgl bridd hors d’oeuvres brin y White Star Line o fwyty Dosbarth Cyntaf i gyrraedd £2,000. Defnyddiwyd y dysglau yn lolfeydd y tair llong enwog – sef y Titanic, yr Olympic a’r Britannic.

Rhaid sôn hefyd am eitem grochenwaith gan y Fonesig Lucie Rie – yr eitem gyntaf o’i bath inni ei harwerthu. A hefyd y pedwar plac efydd cerfweddol mawr a fodelwyd ar baneli yn ‘ystafell ganu’ y Museo Del L’Opera del Duomo yn Fflorens. Roedd eu hansawdd yn anhygoel. Ymhellach, roedd fâs botel las a gwyn o Tsieina yn rhan flaenllaw o adran ddiddorol ar Gelfyddydau Asiaidd, a gwerthodd am gymaint â £15,000.

Cafwyd canlyniadau gwych ar gyfer gemwaith, yn arbennig felly modrwyau diemwnt, ac mae’r farchnad ar gyfer oriorau o fri yn parhau i fod yn hynod fywiog.

CHINESE BLUE & WHITE PORCELAIN BOTTLE VASE sold for £15,000 against an estimate of £8,000-12,000

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The View / Bwrw Golwg • Rogers Jones & Co

SPOTLIGHT ON FINE WINE & WHISKY

By Charles Hampshire

S

howcasing the cream of Wales and beyond, our Selections & Collections Auction features luxury jewellery, prestige watches, Asian art & fine wines to name but a few sectors of the market. Consigned via our three venues, quality and rarity are all important. As part of our ‘Super Saturday’ double bill of auctions, this sale features some superb expressions from the Fine Wine world including Dom Perignon, Fonseca, Louis Roederer Cristal, Krug, and Romanée-Conti. Mostly consigned from a private collection in the Vale of Glamorgan, these bottles have been meticulously cared for having been housed in an active temperature-controlled storage cellar.

This collection is further complemented by additional entries of whisky to include White Horse, Lagavulin, John Jameson and our very own Penderyn. I must admit I am getting thirsty at the thought of stepping on to the rostrum!

...whisky far and away leads the luxury investment index with a growth rate of well over 500%...

Over the decade ending in 2019, whisky far and away leads the luxury investment index with a growth rate of well over 500% and it is easy to see why. Late in 2019 a bottle of Macallan 1926 60-year-old single malt sold for a staggering £1.45 million at auction.

With only 40 bottles produced and some bearing special edition labelling, it is often described as the Holy Grail of whisky. With each dram being roughly valued at £50,000 it is highly likely to have been bought by a collector looking to finalise a collection. Either that or somebody with very expensive taste!

Not all collectable whisky makes such eye-watering sums and value does not always mean ‘better’ but can often be more closely linked with rarity. If you are considering starting a collection then look-out for rare, limited editions, vintage bottles, and examples from either ghost (closed) or mothballed distilleries. Always ensure the seal and cap have not been compromised which will ensure the contents are original.

Check that bottles have been stored out of direct sunlight and at room temperature – a potential risk when collecting other forms of alcohol.

I have been lucky enough to handle rare examples of whisky during my auctioneering career including examples from Port Ellen, Brora, and Bala to name a few.

The wine sector has also seen a healthy return of over 140% during the same period outperforming sectors such as jewellery, watches, furniture, and stamps. 2019 saw a reduction in growth due to, amongst other factors, political unrest, and economic uncertainty. But wine has become big business at auction with many provincial auction houses following the big three multi-nationals and offering wine and port within specialist sales.

Offerings from Bordeaux first growths continue to be in high demand emphasising the importance of provenance in this sector.

Wine and art can often combine with many artists taking advantage of wine labels as a great opportunity to showcase their work to a wider audience. Chateau Mouton Rothschild established this tradition in 1945 and has thus brought together some of the most celebrated artists of their day, including Miró, Chagall, Braque, Picasso, Tàpies, Francis Bacon, Dali, Balthus, Jeff Koons and even Prince Charles, the Prince of Wales.

In our recent past we had the privilege of selling the 1994 and 1995 bottles which realised a credible £460 + BP against a £300-500 estimate.

The 1994 label was conceived by Dutch painter Karel Appel (1921-2006) and depicts a pair of drinkers dancing round a totem bottle attempting to liberate the spirit trapped within. The 1995 label was conceived by Barcelona born Antoni Tapies (1923-2012) and promises the wine will deliver a feast of the senses once opened.

We hope you enjoy perusing the wine and whisky in the July auction and if you are considering bidding then it is reassuring to know that you are bidding on interesting, luxurious assets that are both investable and very pleasurable.

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Rogers Jones & Co • The View / Bwrw Golwg

GWINOEDD A WISGIS O’R RADD FLAENAF gan Charles Hampshire

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an arddangos y gorau sydd gan Gymru a thu hwnt i’w gynnig, bydd ein Harwerthiant Dewisiadau a Chasgliadau yn cynnwys gemwaith moethus, oriorau o fri, celfyddyd Asiaidd a gwinoedd o’r radd flaenaf, i enwi ambell sector o’r farchnad yn unig. Mae ansawdd a phrinder yr eitemau a ddaw trwy ddwylo ein tri lleoliad yn hollbwysig. Fel rhan o’n harwerthiant dwbl ar y ‘Dydd Sadwrn Mawr’, bydd y gwerthiant hwn yn cynnwys Gwinoedd ysblennydd o’r radd flaenaf, yn cynnwys Dom Perignon, Fonseca, Louis Roederer Cristal, Krug, a Romanée-Conti. Mae’r poteli hyn yn deillio’n bennaf o gasgliad preifat ym Mro Morgannwg. Rhoddwyd gofal o’r radd flaenaf iddynt a chawsant eu cadw mewn seler storio yr oedd modd rheoli ei thymheredd.

Caiff y casgliad hwn ei ategu ymhellach gan boteli wisgi, yn cynnwys White Horse, Lagavulin a John Jameson, heb anghofio ein wisgi ni o Gymru, sef Penderyn. Rhaid imi gyfaddef fod y syniad o gamu ar y llwyfan ymhen rhai wythnosau yn codi cryn syched arnaf!

...gwelwyd bod wisgi ymhell ar y blaen yn y mynegai ar gyfer buddsoddi mewn eitemau moethus, gyda chyfradd dwf sydd ymhell dros 500%...

Yn ystod y degawd a ddaeth i ben yn 2019, gwelwyd bod wisgi ymhell ar y blaen yn y mynegai ar gyfer buddsoddi mewn eitemau moethus, gyda chyfradd dwf sydd ymhell dros 500% – a hawdd iawn yw gweld pam. Ddiwedd 2019, gwerthwyd potel o wisgi brag sengl Macallan (1926) am swm aruthrol – sef £1.45 miliwn. Gan mai 40 o boteli yn unig a gynhyrchwyd, a chan fod rhai ohonynt â labeli ‘bragiad arbennig’, caiff ei ddisgrifio’n aml fel Greal Sanctaidd y byd wisgi. Gan fod pob joch yn werth oddeutu £50,000, mae’n bur debyg fod y wisgi hwn wedi’i brynu gan gasglwr a oedd yn awyddus i gwblhau ei gasgliad. Neu gan rywun a oedd yn meddu ar chwaeth eithriadol o ddrud!

Nid yw pob wisgi casgladwy yn esgor ar symiau mor aruthrol, ac nid yw gwerth bob amser yn gyfystyr â ‘gwell’; yn aml, gall gwerth fod yn fwy cysylltiedig â phrinder yr eitem. Os ydych yn ystyried dechrau eich casgliad eich hun, cadwch eich llygaid ar agor am boteli prin, penigamp, a chyfyngedig eu bragiad, ynghyd ag enghreifftiau gan ddistyllfeydd sydd naill ai wedi cau neu sydd wedi rhoi’r gorau i gynhyrchu dros dro. Gwnewch yn siŵr bob amser nad oes neb wedi tarfu ar y sêl a’r caead, oherwydd bydd hynny’n sicrhau bod y cynnwys yn wreiddiol. Hefyd, gwnewch yn siŵr nad yw’r poteli wedi cael eu cadw mewn heulwen uniongyrchol a’u bod wedi cael eu cadw ar dymheredd ystafell fel wisgi – risg bosibl wrth gasglu mathau eraill o alcohol. Rwyf wedi cael y fraint o ddelio â wisgi prin yn ystod fy ngyrfa fel arwerthwr, yn cynnwys enghreifftiau o Port Ellen, Brora a’r Bala, i enwi dim ond rhai.

Mae’r sector gwin hefyd wedi gweld enillion da o dros 140% yn ystod yr un cyfnod, gan berfformio’n well na sectorau fel gemwaith, oriorau, dodrefn a stampiau. Yn 2019, gwelwyd gostyngiad yn y twf oherwydd nifer o ffactorau, yn cynnwys anniddigrwydd gwleidyddol ac ansicrwydd economaidd. Ond erbyn hyn, mae gan win le blaenllaw mewn arwerthiannau, gyda nifer o dai arwerthu taleithiol yn dilyn yn ôl troed y tri chwmni rhyngwladol mawr ac yn cynnig gwin a phort mewn arwerthiannau arbenigol. Mae galw mawr o hyd am winoedd sy’n deillio o premier cru Bordeaux, ac mae hyn yn pwysleisio pa mor bwysig yw tarddiad yn y sector hwn.

Yn aml, mae modd cyfuno gwin a chelfyddyd, a manteisiodd nifer o artistiaid ar labeli gwin fel cyfle gwych i gyflwyno’u gwaith i gynulleidfa ehangach. Sefydlwyd y traddodiad hwn ym 1945 gan Chateau Mouton Rothschild, ac felly daethpwyd â rhai o artistiaid enwocaf eu dydd ynghyd, yn cynnwys Miró, Chagall, Braque, Picasso, Tàpies, Francis Bacon, Dali, Balthus, Jeff Koons a hyd yn oed y Tywysog Siarl, Tywysog Cymru. Yn ein gorffennol diweddar, cawsom y fraint o werthu poteli 1994 a 1995 – llwyddasant i gyrraedd swm derbyniol o £460 + BP ar sail amcanbris o £300-500. Lluniwyd label 1994 gan Karel Appel (1921-2006), arlunydd o’r Iseldiroedd, ac mae’n darlunio dau yfwr yn dawnsio o amgylch potel dotem er mwyn ceisio rhyddhau’r ysbryd o’i mewn. Lluniwyd label 1995 gan Antoni Tapies (1923-2012), a aned yn Barcelona, ac mae’n addo y bydd y gwin yn wledd i’r synhwyrau ar ôl ei agor.

Gobeithio y cewch flas ar ddilyn hynt y gwinoedd a’r wisgis yn arwerthiant mis Gorffennaf. Ac os ydych yn ystyried gwneud cynnig am ambell un, calonogol yw gwybod y byddwch yn cynnig am asedau diddorol a moethus y mae’n werth buddsoddi ynddynt ac a fydd yn esgor ar bleser mawr ichi.

13

Rogers Jones & Co

TOP 10 WELSH SALE PRICES FROM SESSION I: PICTURES 12 MARCH 2022

1. Sir Kyffin Williams RA

2. Sir Kyffin Williams RA

£20,000

£19,200

5. Donald McIntyre

4. Sir Kyffin Williams RA

3. Sir Kyffin Williams RA

£10,000

£13,000

£18,000

6. John Knapp-Fisher

7. John Elwyn

£9,500

£8,000 8.

Augustus John OM RA

£7,000

9. Shani Rhys James MBE

10. John Elwyn

£6,500

£5,500

Rogers Jones & Co

TOP 10 WELSH SALE PRICES FROM SESSION II: WELSH PORCELAIN, WELSH ANTIQUES & BOOKS 16 MARCH 2022

2. Nantgarw Porcelain Pen Tray

£1,400

3. Nantgarw Porcelain Taper-Stand

1. Ewenny Pottery

£2,000

4. The Historie of Cambria

5. Swansea Porcelain Cabinet Cup

£1,300

£950

£950

6. Guide to the Scenery of Glynneath

£1,400

7. Three Swansea Porcelain Miniature Cabinet Cups

£900

8. Swansea Porcelain Pen-Tray

£900

9. The Mabinogion Translated by Charlotte Guest

£850

10. Nantgarw Coffee Can

£800 15

Rogers Jones & Co

TOP 10 SELECTIONS & COLLECTIONS SALE PRICES FROM 16 MARCH 2022

4. Two Stone Diamond Ring

£6,500 1. Platinum Diamond Ring

£19,000

5. L S Lowry RBA RA Lithograph

3. After Luca Della Robbia

£4,000

£8,500

2. Chinese Blue & White Porcelain Bottle Vase

£15,000

6. White Metal Diamond Bracelet

7. Gold Diamond Encrusted Bracelet

£3,600

£3,600

8. Silver Diamond Crescent Brooch

9. Rolex Datejust

10. Dame Lucie Rie Elliptical Bowl

£3,000

£3,000

£3,000

16

BIDDING BIDDING IN THE ROOM COMMISSION BIDS LIVE ONLINE AT WWW.ROGERSJONES.CO.UK PLEASE SEE PAGES 185 & 188 FOR FULL BIDDING TERMS

Rogers Jones & Co

THE WELSH SALE / SELECTIONS & COLLECTIONS: CONTENTS & INDEX OF ARTISTS / CYNNWYS A MYNEGAI ARTISTIAID ‡ BASSETT, Vera (1912-1997)

Swansea & Nantgarw Porcelain Porslen Abertawe a Nantgarw Lots 1-54

160

‡ BOWEN, Keith (b. 1950)

410-418

‡ BRADFORTH, Eric (1920-2012)

Welsh Prints & Multiples Printiau Cymreig & Lluosog Lots 59-124 Welsh Works on Paper Dyfrlliwiau & Gwaith ar Bapur Lots 126-219

331

‡ BROWN, William (1953 -2008)

103

BUKUK, Kuku Chai (b.1973)

625

BUTLER, William (1824-1870)

234

C

‡ GOBLE, Tony (1943-2007)

312

616

CLAYTON, Joseph Hughes (1870-1930) 241 ‡ CLEAL, John (1929-2007)

149

‡ COOPER, John F. (b. 1929)

Welsh sculpture, antiques, books, memorabilia etc Cerfluniau Cymreig, hen bethau, llyfrau, pethau cofiadwy etc Lots 420-458 Selections & Collections Dewisiadau a Chasgliadau Lots 470-626

‡ COUR, Glenys (b. 1924)

D ‡ DAVIES, Hanlyn (b. 1942)

229, 237 626

B ‡ BACHE, Irene (1901-1999)

219

‡ BALA, Iwan (b. 1956)

141

‡ BARNES, David (1942-2021)

353, 363

‡ DAVIES, Ivor (b. 1935) 208, 306 ‡ DAVIES, Karl (b.1971)

189

‡ DAVIES, Ogwyn (1925-2015)

117

DAYES, Edward (1763-1804)

247

‡ BARNES, Maurice (1911-1971)

150

‡ BARNFATHER, Michael (b. 1934)

305

18

245 319

DUNCAN, Edward (1803-1882)

239, 240, 244, 253 E ‡ ELDRIDGE, Mildred Elsi (1909-1991)

218

‡ ELWYN, John (1916-1997) 116,

201, 204, 205, 206, 216, 347 ‡ EVANS, Nick (1907-2004) ‡ EVANS, Will (1888-1957)

‡ GRIFFITH, David Lloyd (b. 1956)

313, 340, 341 ‡ GRIFFITHS, David MBE (b. 1939)

344

‡ GWYN PARRY, Iwan (b. 1970)

329

H ‡ HALL, Christopher (1930-2016)

333

HARRIS, James Jr (1947-1925)

255

HARRIS, William E (1860-1930)

243

‡ HAWKINS, Bonnie Helen (Contemporary)

72 ‡ HERMAN, Josef OBE RA (1911-2000)

182, 186, 372 ‡ HICKS-JENKINS, Clive (b. 1951) ‡ HOLLAND, Harry (b. 1941)

129 111, 155, 156, 350, 351

‡ HOLLOWAY, Edgar (1914-2008)

120

‡ HOLLY, Nick (b. 1968)

352

‡ EDWARDS, Malcolm (b. 1934) 146, 196, 198

‡ EVANS, Anthony (b. 1948)

294

95

DOLBY, Edwin Thomas (1824-1902)

ASHEVAK, Kenojuak (1927-2013)

325

‡ GRIFFIN, Chris (b. 1975)

‡ HARRIES, Hywel (1921-1990) 78, 373

‡ DONOVAN, James (b. 1974) 130

303

‡ GREEN, John Kenneth (1905-1986)

315 127, 285, 286

‡ DELAHAYE, Muriel (1937-2021) 195, 387

A

250

‡ CHAPPLE, Carl (b. 1968)

‡ CHATTAWAY, William (1927-2019)

Keith Bowen ‘Snowdon Shepherd’ Keith Bowen ‘Bugail Eryri’ Lots 410-418

105

GASTINEAU, Maria (1827-1890)

‡ GIARDELLI, Arthur (1911-2009)

135, 178, 179, 190,

424

CHARLTON, Arthur (1917-2010) 96, 110, 114

Welsh Oil Paintings Paentiadau olew Cymreig Lots 283-408

GASTINEAU, Henry et al

‡ CHAPMAN, George (1908-1993) 61, 119,

380, 388 ‡ CHARLTON, Arthur (1917-2010)

66, 67, 94, 104

Prints & Paintings by Sir Kyffin Williams RA Printiau a Phaentiadau gan Syr Kyffin Williams RA Lots 259-280

RMSTEAD, Henry Hugh A (British, 1828-1905)

G ‡ GANZ, Valerie (1936-2015)

140, 165, 175, 187,

293, 394

‡ CARPANINI, David (b. 1946) 173, 369

Historical Welsh Paintings from 19th Century and Earlier Paentiadau Cymreig Hanesyddol o’r 19eg Ganrif a Chynharach Lots 225-256

‡ AP THOMAS, Jane (Contemporary)

F ‡ FORBES, Andrew Douglas (Contemporary)

136,

292, 304

HORNOR, Thomas (1785-1844) 230, 231, 232, 236

‡ HOWELLS, Neale (b. 1965)

291, 335

HUGHES, Talbot R.O.I. P.S (1869-1942) 614 ‡ HUNTER, Robert (1920-1996)

399

‡ HUMPHREYS, David (b. 1955)

348, 367, 368, 371

289, 290 381 77, 128, 194

J JAMES HARRIS OF SWANSEA ‡ JENKINS, Wynne (1937-2019)

235 357

Rogers Jones & Co

‡ JOHN, Augustus OM RA (1878-1961)

88

‡ JONES, Aneurin (1930-2017)

181, 184, 379, 389

‡ JONES, Jack (1922-1993)

113, 132, 390, 398

‡ JONES, Meirion (b. 1966)

356

‡ JONES, Mike (1941-2022)

143, 151, 164

‡ JONES, Terry (1938-1992)

322

‡ JONES, Tom RCA (1936-2017)

170, 171, 192, 330 K ‡ KETTLE, Peter (b. 1987)

339

KILBURNE, George Goodwin (1839-1924)

613 617

KLEINE, Marcel

‡ KNAPP-FISHER, John (1931-2015)

83, 84, 85, 86, 97, 102, 115,

185, 200 ‡ KOPPEL, Heinz (1919-1980)

362

‡ LITTLE, George (1927-2017)

68

‡ LLEWELLYN, Martin (b. 1963)

318, 336

‡ LLOYD JONES, Mary (b.1934)

193 430

LLWYD, Humphrey (1527-1568)

‡ OWEN, Stephen John (b.1959)

74

P 242, 252

‡ PARRY, Gareth (b. 1951)

359

‡ PARSONS, Huw (b. 1954)

174

‡ PEARCE, Karen (Contemporary)

148

PETTITT, Edwin Albert

225

‡ PETTS, John (1914-1991)

188

‡ PIECH, Paul Peter (1920-1996) 60, 63, 64,

65, 69, 70, 71, 76, 90, 91, 93, 109, 314 ‡ PIPER, John (1903-1992) 106, 108,

217, 397 ‡ PRENDERGAST, Peter (1946-2007) 98,

207, 215, 385 ‡ PRICHARD, Gwilym (1931-2015)

147, 162, 197, 384 249

R ‡ RHYS JAMES, Shani MBE (b. 1953) 393, 396 RICHARDS, Bryn (b. 1922) 288, 296, 301,

308, 309, 310, 321, 323, 324, 326 ‡ ROBERTS, Gwyn (b. 1953)

‡ MACDONALD, Robert (b. 1935)

144

‡ MALTHOUSE, Eric (1914-1997)

112, 152

McDOUGAL, John (1851-1945)

233

‡ ROBERTS, Wilf (1941-2016)

134

‡ THOMAS, Gareth (1955-2019)

137, 139, 142, 145, 153, 154

342, 354 87, 92, 101, 366, 382, 383

‡ TRESS, David (b. 1955)

254

89, 124, 163, 172, 191, 361, 374

‡ TUNNICLIFFE, Charles Frederick OBE RA (1901-1979) 121, 122,

180, 202, 211, 212, 214 ‡ TYDEMAN, Naomi (b.1957)

167, 168

U ‡ UZZELL EDWARDS, John (1937-2014)

183

V 226

VARLEY, John (1778-1842) ‡ VICARI, Andrew (1932-2016)

287, 343

W 358

WALTERS, Evan (1893-1951)

WARWICK SMITH, Attributed to John 248 227

WELSH / BRITISH SCHOOL

WILLIAMS, Alan (Contemporary) 131,

297, 298, 299, 300 ‡ WILLIAMS, Claudia (b. 1933)

364, 392

WILLIAMS, Christopher RBA (1873-1934)

332 ‡ WILLIAMS, Emrys (b. 1958)

295, 334

‡ WILLIAMS, Evelyn (1929-2012)

199

‡ WILLIAMS, Glo (b. 1940)

133

‡ ROBERTS, Will (1907-2000) 158,

284, 375, 376, 386, 391

‡ WILLIAMS, Ivor (1908-1982)

316

‡ WILLIAMS, John Cyrlas (1902-1965)

345

317, 328

‡ ROSENTHAL, Stan (1933-2012)

‡ WILLIAMS, Moss (1894-1975)

360

402-408

‡ ROWLANDS, Wil (Contemporary)

‡ MOORE, Leslie (1913-1976)

157

‡ MORGAN, Peter (b.1970)

355

‡ MORGAN JONES, Seren (b.1985)

302

MURRAY, William Grant (1877-1950)

138

N ‡ NASH, Tom (b. 1931)

NEAPOLITAN SCHOOL

73 59, 75

S SANDBY, Paul RA (1731-1809)

256

‡ SEE-PAYNTON, Colin (b. 1946)

107

‡ SELWYN, William (b. 1933)

62, 79, 80, 81, 82, 99, 100, 123,

203, 213

126, 283

‡ SINNOTT, Kevin (b. 1947)

238

SPEED, John (1552-1629)

370, 395 429

NICHOLSON, Attributed to Francis

251

‡ STUART, Gordon (1924-2015) 159, 169, 338

NICHOLSON, Francis (1753-1844)

246

‡ SUTHERLAND, Graham OM (1903-1980) 118

337

‡ SWANN, Bill (b. 1947)

‡ NOTTINGHAM, Jay (b.1972)

‡ TAYLOR, Jonathan (b. 1962)

THORNE WAITE, Robert (1842-1935)

PARKMAN, Alfred (1852-1930)

‡ RICHARDS, Ceri CBE (1903-1971) 209, 210

M

‡ McINTYRE, Donald (1923-2009)

T 166

PROUT, Samuel (1783-1852)

L

‡ McGILL, Sian (b. 1973)

O ‡ OSMOND, Osi Rhys (1942-2015)

421

‡ WILLIAMS, Sir Kyffin RA (1918-2006)

259-280,

457 ‡ WOODFORD, David (b. 1938)

161

WORTHINGTON, Alfred (1834-1927)

228

‡ WYATT WARREN, Charles (1908-1993)

307, 311, 320, 327, 346, 349, 365 Y YEADON, Darren (b. 1970)

422, 423

Z ‡ ZOBOLE, Ernest (1927-1999)

176, 177, 377, 378

‡ Artist’s Resale Rights/Droit de Suite may apply to this lot (please see terms and conditions).

19

HAT TRICK! Rogers Jones & Co now hold the world record for a print, work on paper and oil painting by Sir Kyffin Williams Recorded as of June 2022

Entries invited NOW for our October Welsh Sale Please call to discuss

Sir Kyffin Williams RA oil on canvas ‘Rhoscolyn’ sold July 2021 for £62,000 + BP

Sir Kyffin Williams RA linocut ‘Ogwen Falls’ sold November 2021 for £2,600 + BP

Sir Kyffin Williams RA mixed media ‘Horses in the Snow’ sold November 2021 for £18,000 + BP

The Welsh Sale / Yr Arwerthiant Cymreig 9.30am 16.7.22

Lots

1-54

THE WELSH SALE/ YR ARWERTHIANT CYMREIG (9.30am)

Swansea & Nantgarw Porcelain Porslen Abertawe a Nantgarw

The Welsh Sale • Rogers Jones & Co

1

1 THIRTEEN-PIECE SWANSEA PORCELAIN DESSERT SERVICE circa 1815-1817, comprising twin-handled stem centre dish, 21cms diam / 2.5cms high, tureen with cover and stand, pair of square dishes, 21cms, pair of oval dishes, 27cms, seven circular plates, of lobed form, all with relief moulded borders picked out in gold and decorated by William Pollard with large sprays of colourful flowers in bright enamels, SWANSEA stencilled marks (Plates 21cms diam) Provenance: consigned by the family of preeminent Welsh porcelain collector Sir Leslie Joseph, bears his label Condition Report: old repair to tureen handle, restoration to one plate, slight crazing on some, wear to gilding to some, overall excellent, decoration remains bright and fresh, rare for such an extensive set to be offered £4,000-5,000

2 RARE SWANSEA PORCELAIN TWIN-HANDLED VASE circa 1815-1817, in the French-Empire style, of slender ovoid form with round pedestal base to a square plinth, complex moulded handles having fan terminals and floral medallions, London painted with an extensive Continental scene of three standing figures conversing in moonlight upon headland above a fortified port, the reverse with large butterfly and three smaller insects, pink roses painted to neck and foot, fine gilding to all sections including foliate band below neck and above stem (28cms high) Provenance: consigned by the family of preeminent Welsh porcelain collector Sir Leslie Joseph, bears his label Condition Report: a very fine example, firing crack across base, decoration remains vibrant, an important vase with sumptuous decoration that has retained all of its appeal £4,000-6,000

2 24

* See page 5, or paragraph 7 of our company terms & conditions at the back of the catalogue for additional charges on the hammer price

Rogers Jones & Co • The Welsh Sale 3 LARGE SWANSEA PORCELAIN SALAD BOWL circa 1818, twin-handled and footed, from the Burdett-Coutts service, London decorated, probably at the Sims workshop, the interior with a basket overflowing with colourful flowers within an elaborate scroll and stipple gold border circled by a series of pink roses on stems, the exterior with two further baskets of flowers and further pink roses below the handles (21cms diam / 37cms handle to handle) Provenance: consigned by the family of preeminent Welsh porcelain collector Sir Leslie Joseph, bears his label, similar bowl sold at the Sotheby’s 1992 auction of the Sir Leslie Joseph collection, realising £8800, illustrated in W D John ‘Swansea Porcelain’ pl.62d Auctioneer’s Note: believed 3 that Thomas Coutts the banker ordered the service from Mortlocks, the leading London china retailer following his marriage to the actress Harriet Mellon in 1818. The decoration is attributed to James Turner. Over 200 pieces of the service were auctioned on behalf of the Baroness Burdett-Coutts in May 1922, at Christies. There is a tureen and cover from the Burdett-Coutts in the Royal Collection Condition Report: one handle appears to be professionally restored, no problems structurally, stunning decoration which is generally fresh, minor gilding wear £3,000-5,000

4 4 RARE SWANSEA PORCELAIN PLATE circa 1814-1822, London decorated with a wide continuous border of summer flowers in colourful enamels and with gilt fern, to the centre a circular panel of Windsor Castle, stencilled SWANSEA to base (21cms diam) Provenance: consigned by the family of preeminent Welsh porcelain collector Sir Leslie Joseph, bears his label Condition Report: no structure problems, gilt rim wear £1,500-2,000

5 RARE SWANSEA PORCELAIN INKSTAND circa 1815, having a shallow cylinder bowl with everted rim, centre cylinder ink-pot complete with liner and fitted cover having bud finial, three tapered pen holders applied to interior wall, decorated with sprays of colourful flowers, circling gold fruit vine and gold rims, Swansea script mark to base (14cms diam)

5

Provenance: consigned by the family of preeminent Welsh porcelain collector Sir Leslie Joseph. Sir Leslie’s 1969 label to underside for loan to Glynn Vivian Gallery, Swansea, also label for well-known porcelain collector Harry Sherman, very same inkstand illustrated p.154 ‘Swansea Porcelain: Shapes and Decoration’ by AE (Jimmy) Jones and Sir Leslie Joseph (1988) Condition Report: repair to finial, small faint hairline to body £1,500-2,000

25

The Welsh Sale • Rogers Jones & Co 6 SWANSEA PORCELAIN JAPAN PATTERN PART-DESSERT SERVICE circa 1815-1817, comprising twig-handled footed centre dish, 32cms, twin-handled tureen with stand and cover applied with pineapple finial, three circular plates, 21cms diam, impressed SWANSEA mark Provenance: consigned by family of preeminent Welsh porcelain collector Sir Leslie Joseph, bears his labels and that of well-known collector Harry Sherman Condition Report: excellent, faint crazing, possible hairline to centre-dish, no other notable damage or restoration, wear to gilding on tureen stand, very fresh overall £1,000-1,500

6 7 SWANSEA PORCELAIN PART DESSERT / TEA SERVICE circa 1814-1826, in Japan set pattern No.223, comprising twig-handled centre-dish, teapot, fan-handled dish, circular bread plate, sugar basin, two coffee cups, teacup and two saucers, Swansea script marks Provenance: consigned by the family of preeminent Welsh porcelain collector Sir Leslie Joseph, bears his labels including loan label to Glynn Vivian Art Gallery Condition Report: overall good, star crack to base of plate, chips to foot of fan dish, small nicks to foot of basin, slight browning to saucers, examination recommended £800-1,200

7 8 RARE SWANSEA PORCELAIN CABINET CUP & STAND circa 1814-1826, cylindrical with everted rim, elevated scroll handle with mask terminal, on three gilded paw feet, decorated in the ‘Mandarin’ pattern, scrolling landscape panels to border (13cms high) Provenance: consigned by preeminent Welsh porcelain collector Sir Leslie Joseph, bears his label and label for Harry Sherman Condition Report: without damage or restoration, slight wear £400-600

8 26

* See page 5, or paragraph 7 of our company terms & conditions at the back of the catalogue for additional charges on the hammer price

Rogers Jones & Co • The Welsh Sale

10

9 9 SWANSEA PORCELAIN BREAKFAST SET circa 1815-1817, comprising oversized breakfast cup and saucer, smaller breakfast cup and saucer, teacup and saucer, and circular bread-plate, having Paris Flute moulding and decorated with sprays of flowers within elaborate green enamel and gold borders, manner of William Pollard Provenance: private collection Swansea, by descent, consigned via our Cardiff office Condition Report: each item appears to be undamaged and unrestored, wear to gilding (especially to bread-plate), please examine £400-600

10 SWANSEA PORCELAIN CRUCIFORM DISH circa 1816, of Dynevor pattern by David Evans with centred spray of violets and a continuous border of flowers including buttercups, wild-strawberries and bluebells, impressed SWANSEA to base (21.5cms diam) Provenance: consigned by the family of preeminent Welsh porcelain collector Sir Leslie Joseph, labels to underside for loan to Glynn Vivian Art Gallery, well-known collector Harry Sherman and Sotheby’s auction ‘The Glory of the Garden’, 1987 Auctioneer’s Note: a ‘Dessert Service China Wild Flowers’ was purchased by George Talbot Rice, 3rd Lord Dynevor, for a price of 84 guineas in 1816, the painting on the service is usually attributed to David Evans Condition Report: tiny nick to rim, decoration fresh £300-500 11 SWANSEA PORCELAINS IN THE MANDARIN PATTERN circa 1814-1822, comprising two plates and a breakfast cup and saucer, infill transfer with village scenes in the Chinese famille-rose style, includes figures and seated Mandarin, the borders with alternating panels of exotic birds and panels of iron-red buildings within gilt scrollwork frames, surrounded by profuse gilding, SWANSEA stencilled mark to base (Plates 21.5cms diam) Provenance: consigned by the family of preeminent Welsh porcelain collector Sir Leslie Joseph, bears his labels and his label for loan to Glynn Vivian Art Gallery

11

Condition Report: excellent, fresh decoration, very small nibble to foot of plate £300-400

27

The Welsh Sale • Rogers Jones & Co 12 SWANSEA PORCELAIN PART TEA SET circa 1814-1826, comprising two teacups and saucers, bread plate, jug, basin, decorated in Empire style set pattern, variation of No.221 Provenance: consigned by the family of preeminent Welsh porcelain collector Sir Leslie Joseph, bears his labels together with label for loan to Glynn Vivian Art Gallery Condition Report: rim chip to basin, old staple repair to jug, general wear, examination recommended £250-350

12

13

14

13 PAIR OF SWANSEA PORCELAIN PLATES circa 1814-1826, in the ‘Famille Rose’ infill transfer pattern with a centre scene of rose blooms and exotic flowers growing from rockwork, the decoration printed in black and then brightly coloured by hand, the cavetto in orange with gilded ‘cracked ice’ decoration, series of flower sprigs to border (24.5cms diam) Provenance: consigned by the family of preeminent Welsh porcelain collector Sir Leslie Joseph, bears his label Condition Report: wear to borders and gilding commensurate with age £250-350

15 15 RARE SWANSEA PORCELAIN MUG circa 1815-1817, in the ‘Mandarin’ pattern of villagers and seated Mandarin in the famille-rose style (9.5cms high) Provenance: consigned by the family of preeminent Welsh porcelain collector Sir Leslie Joseph, bears his label Condition Report: star crack to base, fresh £200-250 16

14 SWANSEA PORCELAIN CABINET CUP STAND circa 1815-1817, centre painted by George Beddow with figure and cottage in river and mountain landscape, within border of gilt plumes and foliage to a deep blue ground, titled to base in Beddow’s hand ‘In Wales’

SWANSEA PORCELAIN GAZEBO PATTERN SOUP PLATE circa 1815-1817, Chinoiserie-style, gilded and with iron-red, green and deep-blue enamels, features boy fishing in wetland landscape, flowers and trees, stencilled SWANSEA to base (24.5cms diam) Provenance: private collection Leicestershire, consigned via our Cardiff office

Provenance: Consigned by the family of preeminent Welsh porcelain collector Sir Leslie Joseph, bears his label

Condition Report: no damage or restoration, fresh example, minor wear, gilding wear £200-300

Condition Report: Without damage or restoration, fresh £250-350 16 28

* See page 5, or paragraph 7 of our company terms & conditions at the back of the catalogue for additional charges on the hammer price

Rogers Jones & Co • The Welsh Sale

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17 PAIR OF SWANSEA PORCELAIN SQUARE PLATES circa 1815-1817 having moulded borders and decorated with five flower sprigs (20.5cms) Provenance: private collection Swansea, by descent, consigned via our Cardiff office Condition Report: no apparent problems, slight wear £180-250 18 SWANSEA PORCELAIN CUP & SAUCER circa 1815-1818, landscape painted by George Beddow, castle ruins to cup, two figures on bridge over river to saucer, gilded with continuous solid rim and fruit vine (saucer 15cms) Provenance: private collection Leicestershire, consigned via our Cardiff office Condition Report: without damage or restoration, minor wear, gilding wear £150-250 19 SWANSEA PORCELAIN PLATE circa 1814-1822, of lobed form, the border typically moulded and with six individual floral specimens and a small centred flower spray, the cavetto having gilded scrolls and latticework with green foliage, stencilled SWANSEA to base (21cms diam) Provenance: consigned by the family of preeminent Welsh porcelain collector Sir Leslie Joseph, bears his label Condition Report: excellent condition £150-200

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20 SWANSEA PORCELAIN TEA CUP & SAUCER circa 1815-1817 in the uncommon pattern No.470 with ‘S’ shaped whorls in deep blue and gilt, iron-red flowers and green foliage, stencilled SWANSEA to base Provenance: consigned by the family of preeminent Welsh porcelain collector Sir Leslie Joseph, bears his label Condition Report: wear to gilding only £150-250 21 SWANSEA PORCELAIN TEA CUP & SAUCER circa 1815-1817, London decorated with summer flowers to a gilt ground (saucer 13cms diam)

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Provenance: private collection Leicestershire, consigned via our Cardiff office Condition Report: without damage or restoration, minor decoration wear, gilt wear £120-180

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The Welsh Sale • Rogers Jones & Co 22 SWANSEA PORCELAIN TRIO circa 1815-1817, decorated in Empire-style pattern of buff tulips and pineapples on rococo stands to a yellow ground, SWANSEA stencilled marks (14.5cms diam) Provenance: private collection Leicestershire, consigned via our Cardiff office Condition Report: restoration to handle of large cup, without other damage, wear £100-120

23 RARE SWANSEA PORCELAIN INKSTAND circa 1815-1817, of upturned shell-form with fluted moulding and sunken flat top supporting shell-form pen-holder, gilding to flutes and pen-holder, and garden flowers to top (13cms diam) Provenance: private collection mid-Wales, consigned via our Cardiff office Condition Report: without cover which is usual, damage / repair to pen cylinder £100-150

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24 24 SWANSEA PORCELAIN BOTANICAL DISH circa 1816, cruciform, painted

by William Weston Young with a botanical study of drooping star-of-Bethlehem and slipper-orchid, within a solid gilt rim, titled to base in black lettering ‘Ornithogalum nutans / Cypripedium calceolus’ Provenance: consigned by the family of preeminent Welsh porcelain collector Sir Leslie Joseph, bears his label and that of well-known collector Harry Sherman Condition Report: wear to decoration, minor scrapes to foot only £100-120

25 25 RARE SWANSEA PORCELAIN ‘TRIDENT’ PLATE circa 1817, painted with large spray of colourful flowers tied with a ribbon, outer sprigs to the border, impressed SWANSEA with trident and unusually BEVINGTON stencilled in red Provenance: consigned by the family of preeminent Welsh porcelain collector Sir Leslie Joseph, bears label for his loan to Glynn Vivian Art Gallery Auctioneer’s Note: rare marks to the plate especially that of the Bevington Partnership which took control of the factory in 1817

26 SWANSEA PORCELAIN SPILL VASE circa 1815-1817, cylindrical with everted rim and stepped foot, decorated in Japan set pattern No.223 (10cms high) Provenance: consigned by the family of preeminent Welsh porcelain collector Sir Leslie Joseph, bears his label Condition Report: excellent, minor wear £100-120

Condition Report: firing crack / hairline circles plate £100-150

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* See page 5, or paragraph 7 of our company terms & conditions at the back of the catalogue for additional charges on the hammer price

Rogers Jones & Co • The Welsh Sale 27 RARE SWANSEA PORCELAIN CABINET CUP & SAUCER circa 1814-1820, the cup of cylindrical form with everted rim and on three paw feet, the scroll handle closing above the cup with a centred patera and with terminating mask, the body finely painted to one side with a standing lady winding wool with an infant beside her studying a bird perched on her hand, verso a lady in flowing robes scattering flowers from her apron, the saucer decorated with Cupid drawing his bow on a cloud, both cup and saucer similarly gilded with lattice and foliate scrolls and both with Gothic initials to bases ‘BDE’ (saucer 15.5cms diam / cup 13cms high) Provenance: consigned by the family of preeminent Welsh porcelain collector Sir Leslie Joseph, bears his label Condition Report: one repaired foot, slight hairline to saucer, gilding wear £800-1,200

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28 28 SWANSEA PORCELAIN TEASET circa 1813-1824, comprising lidded sucrier, sugar basin and jug, moulded with stems of flowers, gilt rims, handles and stylised gilt garlands, Swansea script marks in red Provenance: consigned by the family of preeminent Welsh porcelain collector Sir Leslie Joseph, bears his label together with his label for loan to Glynn Vivian Art Gallery and that of well-know collector Harry Sherman Condition Report: overall excellent, only minor issues identified being hairline to one cup, small nick to sucrier, small repair to cup, please examine £250-350

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29 SWANSEA PORCELAIN OVAL DISH circa 1814-1826, of lobed form, formal arrangement of six outer open roses and one centre closed rose, solid gilt rim, impressed SWANSEA to base (29cms) Provenance: consigned by the family of preeminent Welsh porcelain collector Sir Leslie Joseph, bears his label Condition Report: localised crazing, wear to gilding £150-250

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30 PAIR OF SWANSEA PORCELAIN PLATES circa 1815-1817, of lobed form and having typically moulded borders, decorated by William Pollard with centred flower sprays within elaborately gilded cavetto, the border with sprigs of flowers and strawberries, stencilled SWANSEA to base Provenance: consigned by the family of preeminent Welsh porcelain collector Sir Leslie Joseph Condition Report: without damage or restoration, fresh £400-450 31

The Welsh Sale • Rogers Jones & Co 31 RARE SWANSEA PORCELAIN GRYPHON HANDLED VASE circa 1815-1817, campana shaped, having a flared rim, centre shoulder, the slender stem over a round base to an octagonal foot, twin gryphon or eagle shaped handles with wings spread to the body and picked out in gold, richly decorated in Japan set pattern No.223 (14cms high) Provenance: consigned by the family of preeminent Welsh porcelain collector Sir Leslie Joseph, bears his label and that of well-known collector Harry Sherman

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Condition Report: in excellent condition, minor wear only £300-400 32 SWANSEA PORCELAIN BREAKFAST CUP & SAUCER circa 1814-1826, decorated with a series of individual flowers joined by ‘S’ shaped gilt work foliage, gilt dentil rims, stencilled SWANSEA to base Provenance: consigned by the family of preeminent Welsh porcelain collector Sir Leslie Joseph, bears his label and label for loan to Glynn Vivian Art Gallery Condition Report: no damage or restoration, wear to gilding £150-200

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33 SWANSEA PORCELAIN COFFEE SET IN THE ‘PARAKEETS IN A TREE PATTERN’ circa 1815-1817, comprises teapot and stand, sugar-basin, small plate, five various cups, four saucers, each infill transfer decorated with two parakeets chained to gnarled branches with stylised flowers all round, SWANSEA stencilled mark to base Provenance: consigned by the family of preeminent Welsh porcelain collector Sir Leslie Joseph, bears his label together with label for loan to Glynn Vivian Art Gallery Condition Report: no notable damage, wear but overall excellent, examination recommended £700-1,200 34 PAIR OF SWANSEA PORCELAIN SQUARE DISHES circa 1814-1826, having typically moulded borders and painted with five flower specimens to each (21 x 21cms)

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Provenance: consigned by the family of preeminent Welsh porcelain collector Sir Leslie Joseph, bears his label Condition Report: no damage or restoration, wear commensurate with age £150-200

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* See page 5, or paragraph 7 of our company terms & conditions at the back of the catalogue for additional charges on the hammer price

Rogers Jones & Co • The Welsh Sale

35 SWANSEA PORCELAIN MARQUIS OF ANGLESEY SERVICE PLATE circa 1815-1817, London decorated, the centre with open pink rose, the border a band of summer flowers to a gilt ground, impressed SWANSEA mark (21cms diam) Provenance: private collection Leicestershire, consigned via our Cardiff office Auctioneer’s Note: the Marquess of Anglesey service was a mixed dessert service of Swansea and Nantgarw porcelain in the same pattern belonging to the Marquess, it was sold by the Anglesey family in the 1930s and again in 1960s Condition Report: without damage or restoration, decoration with minor wear only £300-500 36 No lot

37 NANTGARW PORCELAIN CUP & SAUCER circa 1818-1820, bell shaped cup having elevated loop handle, painted with panels of exotic birds and flower sprays within elaborate foliate gilding to duck-egg blue ground Provenance: private collection mid-Wales, consigned via our Cardiff office Condition Report: repaired small chip to saucer, wear to gilding £120-180 38 NANTGARW PORCELAIN CUP & SAUCER circa 1813-1820, of simple form, finely painted with sprays of roses and flowers (Saucer 14cms diam)

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Provenance: consigned by the family of preeminent Welsh porcelain collector Sir Leslie Joseph, bears his label Condition Report: very fine, decoration fresh £150-250 39 NANTGARW PORCELAIN SOUP DISH circa 1820-1823, of lobed form with typical c-scroll moulding, the border with five sprays of flowers within gold dentil rim, sixth centred spray within blue broken-line border to the cavetto, impressed NANT GARW CW to base (20.5cms diam)

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Provenance: private collection Leicestershire, consigned via our Cardiff office

40 NANTGARW PORCELAIN BOTANICAL PLATE circa 1818-1820, moulded border and centred study of amaryllis (25cms diam)

Condition Report: without damage or restoration £150-250

Provenance: private collection Gwent, by descent, consigned via our Cardiff office Condition Report: no structural problems, surface scratches only £200-300

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The Welsh Sale • Rogers Jones & Co 41 NANTGARW PORCELAIN CUP & SAUCER circa 1818, having a central posy and border of green and gold flowers, continuous arrangement of red and gold spots, gilt dentil rim Provenance: consigned by the family of preeminent Welsh porcelain collector Sir Leslie Joseph, bears his label Condition Report: hairline / firing fault under cup handle, wear £200-300

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42 RARE NANTGARW PORCELAIN COFFEE CAN & SAUCER circa 1818-1820, painted in London, probably at Robbins and Randall workshop, decorated with lobed panels of colourful Chelsea-type birds, reserved on a ground of rich turquoise and gilt trellis-work to enclose individual open pink roses, the interior of the cup with elaborate gilding below the rim (saucer 12.5cms diam) Provenance: consigned by the family of preeminent collector Sir Leslie Joseph, bears his label Condition Report: hairline from rim to bottom of can, stable, fresh £200-400

44 NANTGARW PORCELAIN PLATE circa 1818-1820, London decorated with elaborate border in gold featuring c-scrolls, palmettes and foliage to encompass four panels of flower sprays, fifth spray to centre, impressed NANT GARW CW to base (21cms)

43 RARE NANTGARW PORCELAIN OVERSIZED CUP & SAUCER circa 1815-1818, bell-shaped and having an elevated loop handle with kidney shaped ring over the rim, painted with sprays of pink roses and flowers (saucer 16.5cms diam) Provenance: consigned by the family of preeminent Welsh porcelain collector Sir Leslie Joseph, bears his label Condition Report: faint hairline to cup, slight crazing, fresh decoration £200-300

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Provenance: private collection Leicestershire, consigned via our Cardiff office Auctioneer’s Note: border similar to Mackintosh service

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Condition Report: superior example as plates such as these often suffer from excessive gilding wear, undamaged, no restoration £300-500

45 NANTGARW PORCELAIN OVAL DISH circa 1818-1820, of lobed form, painted with a formal arrangement of four outer flower sprays and four larger interior sprays, within a blue broken-line frame and gilt dentil rim, impressed NANT GARW CW to base (29cms) Provenance: consigned by family of preeminent Welsh porcelain collector Sir Leslie Joseph, bears his label Condition Report: hairline crack, overall fresh, gilding not overly worn £300-400

* See page 5, or paragraph 7 of our company terms & conditions at the back of the catalogue for additional charges on the hammer price

Rogers Jones & Co • The Welsh Sale

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46 NANTGARW PORCELAIN PLATE circa 1818-1820, having a lavishly gilded border moulded with c-scrolls and ribbons, the centre with large spray of wildflowers, impressed NANT GARW CW to base (21.5cms diam)

47 NANTGARW PORCELAIN PLATE circa 1818-1820, having an apple-green border reserved with three panels of wildflowers within gilt foliate and scroll frames, centred with large spray of wildflowers, impressed NANT GARW CW to base (23.5cms diam)

Provenance: private collection Gwent, by descent, consigned via our Cardiff office, purchased Sotheby’s 1999, bears label for Ann & June Kieft, dated 1960

Provenance: consigned by the family of preeminent Welsh porcelain collector Sir Leslie Joseph, bears his label

Condition Report: fresh example, undamaged or restored, minor wear only £400-500

Condition Report: wear only £400-600

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48 NANTGARW PORCELAIN PLATE circa 1818-1820, slightly wavy border, having a solid gilt rim, turquoise border around a large gold framed, scrolling and lobed white ground reserve containing a formal arrangement of nine sprays of colourful flowers, impressed NANT GARW CW to base (24cms diam) Provenance: consigned by family of the preeminent collector Sir Leslie Joseph, bears his label Condition Report: superb example, fresh, without issues £400-600

49 LARGE NANTGARW PORCELAIN TEAPOT & STAND circa 1814-1822, the teapot of bellied circular form with elevated loop handle, cover with pineapple finial picked out in gold, decorated with circling two-tone green oak leaves emanating from iron-red bases and with gilt foliage, stand impressed NANT GARW CW to base (Stand 18.5cms diam / spout to handle 23cms) Provenance: consigned by the family of preeminent Welsh porcelain collector Sir Leslie Joseph, bears his label together with that of well-known collector Harry Sherman Condition Report: minor scrape to foot, some wear to gilding £600-800

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The Welsh Sale • Rogers Jones & Co 50 NANTGARW PORCELAIN PLATE circa 1818-1820, slightly undulating rim, decorated with formal arrangement of centre floral spray, three outer sprays interspersed with three sprigs, within solid gilt rim, impressed NANT GARW CW to base (23cms diam) Provenance: consigned by family of preeminent collector Sir Leslie Joseph, bears his label together with The Manning Collection label Condition Report: without damage or restoration, fresh, gilding not overly worn £600-800 50

51 51 NANTGARW PORCELAIN PLATE circa 1818-1820, having a wavy border, painted with six scattered flower studies, impressed NANT GARW CW to base (24cms diam) Provenance: consigned by the family of preeminent Welsh porcelain collector Sir Leslie Joseph, bears his label Condition Report: small foot chip, unevenly fired £600-700 52 NANTGARW PORCELAIN TRIO circa 1814-1823, comprising teacup, coffee cup and saucer, having elevated kidney-shaped handles, delicately painted with a formal arrangement of roses and flower sprays, profusely gilded with vases, scrolling foliage and with gilt dentil rims 52

Provenance: consigned by the family of preeminent Welsh porcelain collector Sir Leslie Joseph, bears his label Condition Report: excellent, no structure issues, gilding wear to handle of coffee cup £700-1,000 53 NANTGARW PORCELAIN TRIO circa 1814-1823, comprising teacup, coffee cup and saucer, having elevated kidney-shaped handles, delicately painted with a formal arrangement of roses and flower sprays, profusely gilded with vases, scrolling foliage and with gilt dentil rims Provenance: consigned by the family of preeminent Welsh porcelain collector Sir Leslie Joseph, bears his label Condition Report: no problems structurally, very slight wear £700-1,000

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* See page 5, or paragraph 7 of our company terms & conditions at the back of the catalogue for additional charges on the hammer price

Rogers Jones & Co • The Welsh Sale

54 NANTGARW PORCELAIN CRUCIFORM DISH circa 1818-1820, decorated with a centred spray of colourful flowers circled by floral garland linked by gilded foliage within a gilt dentil rim, impressed NANT GARW CW to base (23cms diam) Provenance: consigned by the family of preeminent Welsh porcelain collector Sir Leslie Joseph, bears his label Condition Report: fine example without damage or restoration and with fresh decoration and gilding £1,200-1,800 55-58 No lots

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Lots

59-124 THE WELSH SALE/ YR ARWERTHIANT CYMREIG (9.30am)

Welsh Prints & Multiples Printiau Cymreig & Lluosog

Rogers Jones & Co • The Welsh Sale 59 ‡ WIL ROWLANDS limited edition (45/250) colour print entitled verso ‘Corn Coch’, signed (40 x 61cms) Provenance: private collection Cardiff, consigned via our Cardiff office Condition Report: framed and glazed, no problems £100-120 60 ‡ PAUL PETER PIECH three colour lithograph - promotion of human rights organisation Survival International with anti-ethnocide slogan (75 x 51cms)

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Provenance: private collection overseas-based vendor, vendor met Piech during the 1980s through Tony Evora (creator of the iconic Che Guevara posters) and when studying at Oxford Polytechnic. In 1987, the vendor and the artist organised an exhibition to raise awareness for Survival International with a focus on Aboriginal land rights, held successfully at the Old Fire Station, Oxford. This was followed by an exhibition at Oxford Polytechnic focusing on Piech’s work for Amnesty International

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Condition Report: unframed, slight water damage £70-100 61 ‡ GEORGE CHAPMAN advertising poster - sunset over harbour with the captions by the GPO to encourage correct address use ‘This is Aberayron, Cardiganshire’ (64 x 91cms) Provenance: private collection Ceredigion, consigned via our Carmarthen office

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62 ‡ WILLIAM SELWYN limited edition (88/850) colour print - Porthdinllaen, signed (42 x 56cms)

Auctioneer’s Note: see lot 388, the original oil painting from which the posters were generated

Provenance: private collection Denbighshire, consigned via our Colwyn Bay office

Condition Report: unframed, paper trimmed tightly to graphics at bottom £100-150

63 ‡ PAUL PETER PIECH two colour lithograph - peace movement slogan ‘Wars will end when men refuse to fight’, signed and dated 1988 (75 x 50.5cms)

Condition Report: framed and glazed £100-120

Provenance: see lot 60 Condition Report: unframed, good overall without notable damage £100-120

‡ Artist’s Resale Rights/Droit de Suite may apply to this lot (please see terms and conditions).

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The Welsh Sale • Rogers Jones & Co 64 ‡ PAUL PETER PIECH three colour lithograph homage to poet Walt Whitman (1819-1892) with text from ‘Song of Myself’, signed and dated 1988 (51 x 75cms) Provenance: see lot 60 Condition Report: unframed, very small margin tears, overall very good £100-150

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65 ‡ PAUL PETER PIECH three colour lithograph homage to peace activists Hildegard Goss-Mayr and Jean Goss, signed and dated 1987 (75 x 51cms) Provenance: see lot 60 Condition Report: unframed, no notable problems, excellent £100-150

66 66 ‡ ARTHUR CHARLTON aquatint and a wood engraving (2) (1) aquatint of two boys drying and dressing under wooden pier, entitled verso ‘Bathing at Hartlepool, 1936’, dated ‘36 to margin, signed, (2) wood engraving landscape of Yorkshire Dales, signed (13.5 x 17cms & 15 x 17cms) Provenance: presented by the artist to the vendor, a friend, in 2000, explanation inscribed verso, consigned via our Cardiff office Condition Report: (1) no problems, framed and glazed (2) slight damage to corners, slight foxing, mounted only £100-150

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67 ‡ ARTHUR CHARLTON wood engraving - figures, titled in pencil to margin ‘Sea Coal, Wood-Engraving (Hartlepool)’, signed and dated 1936 (16 x 13cms) Provenance: gift to vendor from the artist (who was a friend) in 1990, inscribed with Christmas greeting verso, consigned via our Cardiff office Auctioneer’s Note: ‘sea-coalers’ made their living by collecting and selling coal that had washed up on the beaches, there is evidence of the trade going back to the 7th Century but they were operating on Hartlepool beaches in recent years, long after the local coal mines were shut Condition Report: foxing and discolouration to mount and engraving, prominent in margins, mounted only £100-150

* See page 5, or paragraph 7 of our company terms & conditions at the back of the catalogue for additional charges on the hammer price

Rogers Jones & Co • The Welsh Sale

68 ‡ GEORGE LITTLE two collagraphs and an artist’s proof lithograph - (1) limited edition (2/6) collagraph print, titled to margin ‘Gower Landscape’, signed, (2) limited edition (6/6) collagraph print, lower Swansea Valley copper-works, (3) artist’s Proof III lithograph (1) 18 x 18cms (2 & 3) 32 x 32cms) Provenance: consigned by the family of the artist, via our Cardiff office Condition Report: each in good condition and mounted only £100-150

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69 ‡ PAUL PETER PIECH two colour limited edition (23/50) linocut poster - turquoise and red printed, commemorating William Williams Pantycelyn with the Welsh methodist hymn-writer holding a verse from ‘Boed fy Nghalon iti’n demel’ above large caption ‘Teyrnged (tribute) William Williams Pantycelyn 1917-1991’, signed in pencil (64 x 45cms) Provenance: from the estate of Carys & William Brown, artist William Brown being Scottish-Canadian (1953-2008) who lived in Wales from 1990 to his death and was part of the Welsh arts community Condition Report: unframed, slight marks but excellent overall £100-120

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70 ‡ PAUL PETER PIECH two-colour limited edition (18/25) linocut - verse from American poet Walt Whitman’s ‘A Song for Occupations, Part 5’ over an image of a sleeveless vest ‘The men and the work of the men on ferries, railroads, coasters, fish-boats, canals; The hourly routine of your own or any man’s life, the shop, yard, store, or factory, These shows all near you by day and night - workman!

Whoever you are, your daily life!’, signed in pencil and dated 1992 (64 x 44cms) Provenance: from the estate of Carys & William Brown, artist William Brown being Scottish-Canadian (1953-2008) who lived in Wales from 1990 to his death and was part of the Welsh arts community

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71 ‡ PAUL PETER PIECH colour linocut typography from Walt Whitman’s 1891 poem ‘Old-Age Echoes’ below a bird in flight (64 x 45cms) Provenance: from the estate of Carys & William Brown, artist William Brown being Scottish-Canadian (1953-2008) who lived in Wales from 1990 to his death and was part of the Welsh arts community Condition Report: unframed, slight marks, creases, but overall very good £100-120

Condition Report: unframed, slight marks, excellent overall £100-120

‡ Artist’s Resale Rights/Droit de Suite may apply to this lot (please see terms and conditions).

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The Welsh Sale • Rogers Jones & Co

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72 ‡ BONNIE HELEN HAWKINS colour print illustration for Dylan Thomas’ ‘Under Milk Wood’ with Captain Cat “the retired blind sea-captain, asleep in his bunk in the seashelled, ship-in-bottled, shipshape best, cabin of Schooner House dreams of never such seas as any that swamped the decks of his S.S.Kidwelly, bellying over the bedclothes and jellyfish-slippery, sucking him down salt deep into the Davy dark where the fish, come biting out and nibble him down to his wishbone, and the long drowned nuzzle up to him” (50 x 34cms) Provenance: deceased estate Gwent, consigned via our Cardiff office Condition Report: framed and glazed, ready to hang £100-150

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73 ‡ STAN ROSENTHAL colour print - entitled verso ‘Grove Colliery Ruins’ (20 x 28cms) Provenance: private collection Cardiff, consigned via our Cardiff office

75 ‡ WIL ROWLANDS limited edition (32/258) colour print entitled verso ‘Bodfarddenwen’, signed (39 x 55cms)

Condition Report: framed and glazed £100-120

Provenance: private collection Cardiff, consigned via our Cardiff office

74 ‡ STEPHEN JOHN OWEN limited edition (20/50) colour print - autumnal woodland with old iron gate, signed (28 x 28cms)

Condition Report: framed and glazed £100-120

Provenance: private collection Cardiff, consigned via our Cardiff office Condition Report: framed and glazed £100-120

76 ‡ PAUL PETER PIECH limited edition (18/25) screen print title to left margin ‘Homage to Nature and Dedicated to C & B’ (27 x 19cms) Provenance: from the estate of Carys & William Brown, artist William Brown being ScottishCanadian (1953-2008) who lived in Wales from 1990 to his death and was part of the Welsh arts community Condition Report: framed and glazed £100-150 77 ‡ WILL EVANS printed Christmas card - entitled ‘Snow in Swansea’ (14 x 19cms)

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Provenance: private collection Swansea, consigned via our Cardiff office Condition Report: framed and glazed £100-120

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* See page 5, or paragraph 7 of our company terms & conditions at the back of the catalogue for additional charges on the hammer price

Rogers Jones & Co • The Welsh Sale 78 ‡ HYWEL HARRIES limited edition (83/500) colour print - poster to commemorate the Eisteddfod Genedlaethol Cymru, Ceredigion, Aberystwyth 1992 (41 x 29cms)

79 ‡ WILLIAM SELWYN artist proof - Llanbadrig Church, signed (29 x 40cms)

Provenance: private collection Ceredigion, consigned via our Carmarthen office

Condition Report: framed and glazed £100-120

Provenance: private collection Pembrokeshire, consigned via our Carmarthen office Auctioneer’s Note: Llanbadrig Church near Cemaes Bay, Ynys Mon (Anglesey) is the oldest Christian church in Wales, circa 440 AD, founded by St Patrick

80 ‡ WILLIAM SELWYN limited edition (227/500) colour print - two seated figures and sheepdog, signed fully in pencil (43 x 31cms)

Condition Report: framed and glazed £100-120

Provenance: private collection Pembrokeshire, consigned via our Carmarthen office Condition Report: unframed £100-120

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81 ‡ WILLIAM SELWYN limited edition (213/300) print - entitled ‘Regatta, Menai Straits’, signed fully in pencil (31 x 42cms) Provenance: private collection Pembrokeshire, consigned via our Carmarthen office Condition Report: unframed £100-120 82 ‡ WILLIAM SELWYN limited edition (30/195) colour print - lobster man, signed fully in pencil (53 x 41cms) Provenance: private collection Pembrokeshire, consigned via our Carmarthen office Condition Report: unframed £100-120 80 ‡ Artist’s Resale Rights/Droit de Suite may apply to this lot (please see terms and conditions).

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The Welsh Sale • Rogers Jones & Co

83 ‡ JOHN KNAPP-FISHER limited edition (361/850) colour print - fishes, signed in pencil (8.25 x 35cms) Provenance: private collection Pembrokeshire, consigned via our Carmarthen office 83

Condition Report: framed and glazed £100-120

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85 84 ‡ JOHN KNAPP-FISHER limited edition (58/500) colour print entitled verso ‘Porthgain Harbour with PZ632’, signed fully in pencil (14.5 x 30cms) Provenance: private collection Pembrokeshire, consigned via our Carmarthen office Condition Report: framed and glazed £100-120 85 ‡ JOHN KNAPP-FISHER limited edition (262/500) colour print entitled verso ‘Cottages, Abereiddy’, signed fully in pencil (14.5 x 24cms) Provenance: private collection Pembrokeshire, consigned via our Carmarthen office

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Condition Report: framed and glazed £100-120 86 ‡ JOHN KNAPP-FISHER limited edition (58/850) colour print entitled verso ‘Aldeburgh Beach’, signed fully in pencil (17 x 24cms) Provenance: private collection Pembrokeshire, consigned via our Carmarthen office Condition Report: framed and glazed £100-120 87 ‡ WILF ROBERTS limited edition (1/200) colour print - Ynys Bodafon with cottages, signed fully in pencil (26.5 x 39cms) Provenance: private collection Pembrokeshire, consigned via our Carmarthen office

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Condition Report: framed and glazed £100-150

* See page 5, or paragraph 7 of our company terms & conditions at the back of the catalogue for additional charges on the hammer price

Rogers Jones & Co • The Welsh Sale 88 ‡ AUGUSTUS JOHN OM RA rare early print (1908) - the Sicilian actress, Signora Mimi Aguglia (35 x 24cms) Provenance: private collection Gwynedd, consigned via our Colwyn Bay office Condition Report: framed and glazed £100-120 89 ‡ DAVID TRESS limited edition (209/250) Curwen Studios lithograph - Welsh landscape with sheep, signed (54 x 73cms) Provenance: private collection Ceredigion, consigned via our Cardiff office

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Condition Report: unframed £100-150 90 ‡ PAUL PETER PIECH limited edition (20/25) colour linocut - typography from Walt Whitman’s iconic 1856 poem for peace and brotherhood ‘Salut au Monde!’

(Leaves of Grass Book VI) with centre view of tropical buildings with figure playing football (45 x 64cms) Provenance: from the estate of Carys & William Brown, artist William Brown being Scottish-Canadian (1953-2008) who lived in Wales from 1990 to his death and was part of the Welsh arts community Condition Report: unframed, slight marks and creases but overall excellent £120-180

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91 ‡ PAUL PETER PIECH colour linocut typography from Walt Whitman’s ode to Mother Earth ‘From a Song of the Rolling Earth’ (Leaves of Grass, 1855), with centre image of a head (64 x 44cms) Provenance: from the estate of Carys & William Brown, artist William Brown being Scottish-Canadian (1953-2008) who lived in Wales from 1990 to his death and was part of the Welsh arts community Condition Report: unframed, some marks especially left margin, good overall £150-200 92 ‡ WILF ROBERTS limited edition (98/100) print - landscape at Mynydd Bodafon, Ynys Mon (Anglesey), signed (34 x 43cms) Provenance: private collection Rhondda Cynon Taff, consigned via our Cardiff office Condition Report: no problems, framed and glazed £150-200

93 ‡ PAUL PETER PIECH four colour linocut prints on card - landscapes (32 x 23cms) Provenance: from the estate of Carys & William Brown, artist William Brown being ScottishCanadian (1953-2008) who lived in Wales from 1990 to his death and was part of the Welsh arts community Condition Report: unframed, on card so not creased, slight staining and surface marks £150-200

‡ Artist’s Resale Rights/Droit de Suite may apply to this lot (please see terms and conditions).

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The Welsh Sale • Rogers Jones & Co 94 ‡ ARTHUR CHARLTON artist’s proof wood engraving - numerous figures congregating, titled in pencil to margin ‘Parish Relief, Hartlepool, 1936’, signed (14 x 20cms) Provenance: gift to vendor a friend of the artist in 1979, explanatory label verso ‘his first wood engraving of the Poor Relief Office, opposite the Art School, Hartlepool, Yorks, artist’s own proof’, consigned via our Cardiff office Auctioneer’s Note: believed to be the artist and printmaker’s first wood engraving and the scene to be the view from Hartlepool College of Art on Lauder Street Condition Report: engraving is aged but good condition overall, mount excessively foxed / marked, framed and glazed £150-200

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95 95 ‡ HANLYN DAVIES pair of limited edition (1/50) lithographs - (i) titled ‘Frame: Painted Log’, signed and dated in pencil 1979, (ii) entitled ‘Frame: Lattice’, signed and dated in pencil 1979 (30 x 22cms (both)) Provenance: private collection Cardiff, consigned via our Cardiff office £150-250

96 ARTHUR CHARLTON artist’s proof (unspecified) - entitled ‘Caswell Bay, Low Tide’, signed in pencil (39 x 59cms) Provenance: directly from the Charlton family, consigned via our Cardiff office Condition Report: framed and glazed £150-250

97 ‡ JOHN KNAPP-FISHER limited edition (162/500) colour print entitled verso ‘Fishguard Harbour’, signed fully in pencil (12.5 x 51cms) Provenance: private collection Pembrokeshire, consigned via our Carmarthen office Condition Report: framed and glazed £150-200

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* See page 5, or paragraph 7 of our company terms & conditions at the back of the catalogue for additional charges on the hammer price

Rogers Jones & Co • The Welsh Sale 98 ‡ PETER PRENDERGAST limited edition (30/100) colour print - landscape, signed fully in ink (32.5 x 43.5cms) Provenance: private collection Pembrokeshire, consigned via our Carmarthen office Condition Report: framed and glazed £150-200 98

99 ‡ WILLIAM SELWYN artist proof colour print sunset over Menai Straits, signed fully in pencil (41 x 58cms)

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Provenance: private collection Pembrokeshire, consigned via our Carmarthen office Condition Report: framed and glazed £180-250 100

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100 ‡ WILLIAM SELWYN limited edition (40/500) colour print - four fishermen hauling net, signed fully in pencil (38 x 59cms)

101 ‡ WILF ROBERTS limited edition (1/50) colour print - titled to margin ‘Llanddwyn’, signed fully in pencil (37 x 47cms)

102 ‡ JOHN KNAPP-FISHER limited edition (73/850) colour print - shoreline with yachts at sea, signed fully in pencil (32 x 41.5cms)

Provenance: private collection Pembrokeshire

Provenance: private collection Pembrokeshire, consigned via our Carmarthen office

Provenance: private collection Pembrokeshire, consigned via our Carmarthen office

Condition Report: framed and glazed £180-250

Condition Report: framed and glazed £180-250

Condition Report: unframed but mounted £180-250

‡ Artist’s Resale Rights/Droit de Suite may apply to this lot (please see terms and conditions).

103 ‡ WILLIAM BROWN limited edition (6/23) screenprint - inscribed in pencil below image ‘Mae Lotti yn dwli ar bin-afalau / From the studio of William Brown’, with artists blind stamp (58 x 76cms) Provenance: private collection Cardiff, consigned via our Cardiff office Condition Report: framed and glazed £200-300

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The Welsh Sale • Rogers Jones & Co

104 104 ‡ ARTHUR CHARLTON etchings (3) (i) Titled to margin ‘Prisoners of War, Mühlberg, Germany ‘44’, signed (ii & iii) two similar small coastal landscapes (11 x 13cms) Provenance: private collection Swansea, consigned via our Cardiff office, friends with artist Auctioneer’s Note: the artist was imprisoned at Mühlberg prison camp (Stalag IV-B) during WWII Condition Report: (i) undamaged, (ii) foxed (iii) slightly foxed, all three unframed £200-300

105 HENRY GASTINEAU ET AL mainly loose topographical engravings - Welsh scenes, most with titles, some rare items, large quantity (largest 11.5 x 17cms, others smaller) Provenance: private collection Worcestershire, consigned via our Cardiff office Condition Report: overall very good, please examine £200-300

105 106 ‡ JOHN PIPER screenprint on fabric - entitled on Goldmark Art label verso ‘Stones of Bath’, 1962 (46 x 120cms) Provenance: deceased estate Gwent, consigned via our Cardiff office, as per label verso, printed by Sanderson Fabric and exhibited at artist’s Tate Gallery retrospective Condition Report: framed, ready to hang £200-300 106 107 ‡ COLIN SEE-PAYNTON limited edition (40/150) wood engraving - bird study with owl, entitled ‘Mob’ (24 x 18cms) Provenance: private collection Gwynedd, consigned via our Colwyn Bay office Condition Report: framed and glazed £200-300

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108 ‡ JOHN PIPER lithograph titled ‘Dylwyn Church, 1966’, signed in pencil (79 x 58cms) Provenance: private collection Cardiff, consigned via our Cardiff office Condition Report: framed and glazed £250-350

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* See page 5, or paragraph 7 of our company terms & conditions at the back of the catalogue for additional charges on the hammer price

Rogers Jones & Co • The Welsh Sale

109 ‡ PAUL PETER PIECH six monochrome lino prints on card mining themed, all titled including ‘The Pit Stack’, ‘The Viewer’, ‘Pit Horses’, ‘Blind Horses’, signed and dated 1994 (39 x 28cms (5) 30 x 22 (1)) Provenance: from the estate of Carys & William Brown, artist William Brown being Scottish-Canadian (1953-2008) who lived in Wales from 1990 to his death and was part of the Welsh arts community Condition Report: unframed, not creased or torn, one with light staining £250-350

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110 ARTHUR CHARLTON monochrome linocut - entitled ‘Reclining Figure No.1’, signed and dated 1979, signed in pencil (42 x 66cms) Provenance: directly from the Charlton family, consigned via our Cardiff office Condition Report: framed and glazed, no issues £250-350 110

111 ‡ HARRY HOLLAND set of five artist proof monoprints - figures from the artist’s ‘Homage to Electricity’ series, four of the five prints are signed, 31 x 28cms, 31 x 25cms, 28 x 27cms, 29 x 30cms, 28 x 30cms (together with a small preparatory drawing from the same series) Provenance: private collection South Wales, consigned via our Cardiff office Condition Report: all framed and glazed, ready to hang £300-400

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‡ Artist’s Resale Rights/Droit de Suite may apply to this lot (please see terms and conditions).

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The Welsh Sale • Rogers Jones & Co

112 112 ‡ ERIC MALTHOUSE limited edition (20/20) screen print - abstract, entitled in margin ‘Facade II’, signed and dated 1969 (52 x 72cms) Provenance: private collection Cardiff, consigned via our Cardiff office Condition Report: framed and glazed £300-400

113 113 ‡ JACK JONES limited edition (5/12) colourgraph print coloured by the artist, Swansea with colliery pit head, The Villiers Arms pub and Siloam Baptist Church, signed and dated 1971 (26 x 31cms) Provenance: private collection Ceredigion, consigned via our Carmarthen office Condition Report: framed and glazed £300-400 114 ARTHUR CHARLTON limited edition lithograph, 1960s colliery town with miners holding lamps and with whippets, signed verso (29.5 x 39.5cms) Provenance: directly from the Charlton family, consigned via our Cardiff office Condition Report: framed and glazed £300-400 115 ‡ JOHN KNAPP-FISHER limited edition (80/175) colour print coastal landscape with farm and cows, signed fully in pencil (58 x 74cms) Provenance: private collection Pembrokeshire, consigned via our Carmarthen office

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Condition Report: unframed but mounted £300-400 116 ‡ JOHN ELWYN limited edition (187/300) lithograph - Laugharne Estuary from Dylan Thomas’ boathouse, signed (42 x 59cms) Provenance: private collection Ceredigion, consigned via our Cardiff office Condition Report: unframed, pristine £300-400

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* See page 5, or paragraph 7 of our company terms & conditions at the back of the catalogue for additional charges on the hammer price

Rogers Jones & Co • The Welsh Sale

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117 ‡ OGWYN DAVIES artist proof - Soar y Mynydd, signed (41 x 31cms) Provenance: private collection Cardiff, consigned via our Cardiff office Condition Report: framed and glazed £400-600 118 ‡ GRAHAM SUTHERLAND OM rare limited edition (36/75) lithograph - entitled ‘L’inferno’, signed fully in pencil (51 x 67cms) Provenance: private collection Gwynedd, consigned via our Colwyn Bay office Condition Report: framed and glazed £1,200-1,800

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119 ‡ GEORGE CHAPMAN aquatint trial proof aside from edition of 25 - entitled ‘House on Rocks (Lewis-Merthyr Colliery at Trehafod)’, circa 1951-53 (19 x 22cms)

120 ‡ EDGAR HOLLOWAY engraving from an edition of 50, dated 1979 - portrait of the artist and poet David Jones, signed (21 x 17cms)

Provenance: private collection Ceredigion, consigned via our Cardiff office Auctioneer’s Note: one of Chapman’s first prints made in Great Bardfield, Essex, in Michael Rothenstein’s studio Condition Report: framed and glazed £300-500

‡ Artist’s Resale Rights/Droit de Suite may apply to this lot (please see terms and conditions).

Provenance: private collection Ceredigion, consigned via our Cardiff office Condition Report: framed and glazed £300-500

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121 ‡ CHARLES FREDERICK TUNNICLIFFE OBE RA limited edition (136/500) print for the Tryon Gallery - oystercatchers and redshanks on the shore, signed fully in pencil (43 x 53cms)

122 ‡ CHARLES FREDERICK TUNNICLIFFE OBE RA rare etching titled to margin ‘The Herdwick Ram’, dated 1930 with printed monogram, signed in pencil (20 x 24cms)

Provenance: private collection Cardiff, consigned via our Cardiff office, by descent from vendor’s father Will Evans of Llangefni, Ynys Mon, a long-standing friend of the artist and Winifred Tunnicliffe through T G Walker

Provenance: private collection Cardiff, consigned via our Cardiff office, by descent from vendor’s father Will Evans of Llangefni, Ynys Mon, a long-standing friend of the artist and Winifred Tunnicliffe through T G Walker

Condition Report: framed and glazed, excellent condition, fresh £150-200

Condition Report: title possibly overwritten, possibly by artist, small tear bottom left corner, not faded, later framed and glazed £200-300

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123 123 ‡ WILLIAM SELWYN limited edition (72/500) colour print - four fishermen manouvering rowing boat on the shore, entitled verso ‘Fishermen on Menai Straits’, signed (27 x 42cms) Provenance: private collection Pembrokeshire, consigned via our Carmarthen office Condition Report: framed and glazed £100-120

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124 ‡ DAVID TRESS colour print - landscape, signed (72 x 88cms) Provenance: private collection Cardiff, consigned via our Cardiff office Condition Report: framed and glazed £100-150 125 No lot

* See page 5, or paragraph 7 of our company terms & conditions at the back of the catalogue for additional charges on the hammer price

Lots

126-219 THE WELSH SALE/ YR ARWERTHIANT CYMREIG (9.30am)

Welsh Works on Paper Dyfrlliwiau & Gwaith ar Bapur

The Welsh Sale • Rogers Jones & Co 126 ‡ TOM NASH watercolour - abstract, entitled verso ‘Study for a Painting, No.8’, signed and dated 1962 (16.5 x 22cms) Provenance: private collection Swansea, consigned via our Carmarthen office Condition Report: original frame, glazed, no issues £100-150

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127 ‡ GLENYS COUR gouache - sunset, entitled verso ‘Golden Gower III’, signed (19.5 x 24.5cms) Provenance: private collection Swansea, consigned via our Carmarthen office Condition Report: original frame, glazed, no issues £100-120 128 ‡ WILL EVANS watercolour - figures, fishing boat, beach and cliffs, possibly Fall Bay, near Rhossilli (37 x 45cms) Provenance: private collection Swansea Condition Report: framed and glazed, colours fresh, no issues, ready to hang £300-500 129 ‡ CLIVE HICKS-JENKINS acrylic on paper - entitled verso on Martin Tinney Gallery label ‘Study for Gawain in a Helmet I’, signed verso (11 x 11cms) Provenance: from the estate of Carys & William Brown, artist William Brown being Scottish-Canadian (1953-2008) who lived in Wales from 1990 to his death and was part of the Welsh arts community 131

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Condition Report: framed and glazed £100-120

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130 ‡ JANE AP THOMAS mixed media - entitled verso ‘Olwen from Mabinogion’ 1991, signed verso (34 x 22cms) Provenance: private collection Ynys Mon, consigned via our Colwyn Bay office Condition Report: framed and glazed £100-150 131 ALAN WILLIAMS acrylic on paper - portrait of saxophonist Michael Brecker, entitled verso ‘Brecker at Brecon’, signed (39 x 24cms) Provenance: consigned via our Cardiff office Condition Report: framed and glazed £100-150

* See page 5, or paragraph 7 of our company terms & conditions at the back of the catalogue for additional charges on the hammer price

Rogers Jones & Co • The Welsh Sale 132 ‡ JACK JONES mixed media on telephone directory page for London line of figures in a choir (18 x 28cms) Provenance: private collection Cardiff, consigned via our Cardiff office Condition Report: framed and glazed £300-400 133 ‡ GLO WILLIAMS pastel - entitled verso ‘Nude Bathing’, signed (44 x 38cms) Provenance: private collection Carmarthenshire, consigned via our Carmarthen office

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Condition Report: framed and glazed £100-150 134 ‡ JONATHAN TAYLOR watercolour entitled verso on Attic Gallery label ‘Penrice’, signed (13.5 x 17cms) Provenance: private collection Swansea, consigned via our Cardiff office Condition Report: framed and glazed, ready to hang £100-120

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136 135 ‡ ARTHUR GIARDELLI watercolour and pen - entitled verso ‘Primroses’ and dated 2001, signed with monogram (14 x 19.5cms) Provenance: private collection Cardiff, consigned via our Cardiff office Condition Report: framed and glazed £100-120 136 ‡ ANDREW DOUGLAS-FORBES watercolour - landscape, entitled verso ‘Wernffrwd, North Gower’, signed, dated verso 1992 (8 x 47.5cms) Provenance: private collection Cardiff, consigned via our Cardiff office Condition Report: framed and glazed £100-120

137 137 ‡ GARETH THOMAS watercolour - entitled verso ‘Bridge Llanberis Pass’, signed (11 x 26cms) Provenance: private collection Cardiff, consigned via our Cardiff office Condition Report: framed and glazed £100-120

‡ Artist’s Resale Rights/Droit de Suite may apply to this lot (please see terms and conditions).

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The Welsh Sale • Rogers Jones & Co 138 WILLIAM GRANT MURRAY watercolour and heightening view of Rhossili and Worm’s Head on the Gower, monogrammed and dated 1933 (26 x 43.5cms) Provenance: private collection Swansea, consigned via our Cardiff office Condition Report: framed and glazed £100-120

139 ‡ GARETH THOMAS gouache on paper - landscape, entitled verso ‘Cefn Bryn from the Palm Cross’, signed (7.5 x 35cms) Provenance: private collection Swansea, consigned via our Cardiff office Condition Report: framed and glazed, ready to hang £120-180 138

139 140 ‡ VALERIE GANZ pastel - head and shoulder portrait of a young girl in bonnet, entitled verso ‘Young Girl’ (27 x 22cms) Provenance: private collection Cardiff, consigned via our Cardiff office Condition Report: framed and glazed £120-180

141 ‡ IWAN BALA watercolour and ink on paper - titled ‘Tirwedd a Chof / Landscape and Memory’, signed and dated 2002 (20.5 x 15cms) Provenance: private collection Cardiff, consigned via our Cardiff office Condition Report: framed and glazed £150-200 142 ‡ GARETH THOMAS watercolour - entitled verso ‘House Near Fayence’ on Attic Gallery label, signed (16 x 27cms) Provenance: private collection Cardiff, consigned via our Cardiff office Condition Report: framed and glazed, ready to hang £150-200

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141 143 ‡ MIKE JONES inkwash entitled verso ‘Couple Reading’, signed (20 x 24cms) Provenance: private collection Carmarthenshire, consigned via our Carmarthen office Condition Report: framed and glazed £150-250 142

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* See page 5, or paragraph 7 of our company terms & conditions at the back of the catalogue for additional charges on the hammer price

Rogers Jones & Co • The Welsh Sale

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144 ‡ ROBERT MACDONALD watercolour titled top right ‘Abersefin Barn, Shearing, May ‘04’, signed (29 x 40cms)

146 ‡ MALCOLM EDWARDS watercolour entitled verso on artist’s label ‘Spring Sunshine, Nant Ffrancon’, signed (17 x 33cms)

148 ‡ KAREN PEARCE watercolour - elevated view of Aberystwyth from Constitution Hill, signed (15.5 x 17.5cms)

Provenance: private collection mid-Wales, consigned via our Cardiff office

Provenance: private collection Cardiff, consigned via our Cardiff office

Provenance: private collection Ceredigion, consigned via our Carmarthen office

Condition Report: framed and glazed £150-200

Condition Report: framed and glazed £150-200

Condition Report: unframed but mounted £150-250

145 ‡ GARETH THOMAS watercolour beach scene, entitled ‘Figures, Burry Holms’, signed (22.5 x 36cms)

147 ‡ GWILYM PRICHARD watercolour misty coastline, signed (17 x 24cms)

149 ‡ JOHN CLEAL watercolour - entitled verso ‘Farm with Green Doors’, signed (12 x 20cms)

Provenance: private collection Cardiff, consigned via our Cardiff office

Provenance: private collection Ceredigion, consigned via our Carmarthen office, Tegfryn Art Gallery label verso

Condition Report: framed and glazed £150-200

Condition Report: framed and glazed £150-250

‡ Artist’s Resale Rights/Droit de Suite may apply to this lot (please see terms and conditions).

Provenance: private collection Cardiff, consigned via our Cardiff office Condition Report: framed and glazed £150-200 57

The Welsh Sale • Rogers Jones & Co

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152 150 ‡ MAURICE BARNES watercolour and ink - entitled verso ‘Sacred Stones’ (36 x 55cms)

152 ‡ ERIC MALTHOUSE pen and ink - pigeons being released by handler, from the artist’s Pigeon Loft series, signed and dated 1954 (25.5 x 31cms)

Provenance: private collection Ceredigion, consigned via our Cardiff office

Provenance: private collection Ceredigion, consigned via our Cardiff office, inscribed verso ‘purchased from the artist’s daughter Penny Malthouse in 1999’

Condition Report: framed and glazed £150-200

Condition Report: framed and glazed £150-200

151 ‡ MIKE JONES pastel and watercolour - figure hanging washing, signed (26 x 14cms) Provenance: private collection Cardiff, consigned via our Cardiff office Condition Report: no problems, framed and glazed £150-250

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153 ‡ GARETH THOMAS watercolour - entitled verso ‘Rooftops, Le Barroux’, on Attic Gallery label, signed (22 x 25cms) Provenance: private collection Cardiff, consigned via our Cardiff office Condition Report: framed and glazed, ready to hang £180-250 154 ‡ GARETH THOMAS watercolour - entitled verso ‘Venice Afternoon Towards the Salute’, signed (17 x 35cms) Provenance: private collection Cardiff, consigned via our Cardiff office Condition Report: framed and glazed, ready to hang £200-300 155 ‡ HARRY HOLLAND mixed media - figures, signed (18 x 25cms) Provenance: private collection Worcestershire, consigned via our Cardiff office Condition Report: framed and glazed, ready to hang £200-300

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156 ‡ HARRY HOLLAND mixed media figures, signed (20.5 x 24cms) Provenance: private collection Worcestershire, consigned via our Cardiff office Condition Report: framed and glazed, ready to hang £200-300 155

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* See page 5, or paragraph 7 of our company terms & conditions at the back of the catalogue for additional charges on the hammer price

Rogers Jones & Co • The Welsh Sale

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157 ‡ LESLIE MOORE pen and ink - titled in pencil bottom left ‘Cairn Houses, Montana Franca, S. Italy’ signed with initials, circa 1944 (21 x 28cms) Provenance: private collection Swansea, consigned via our Cardiff office, Martin Tinney Gallery label verso Auctioneer’s Note: the artist served in the HM Forces in the Middle East and latterly as a gunner in Italy in 1944, the houses shown are ‘trulli’ houses, specific to the Itria Valley in the region of Puglia, also known as ‘beehive houses’ Condition Report: paper slightly aged as expected, later framed and glazed for gallery £200-300 158 ‡ WILL ROBERTS gouache and charcoal - figure at gate in landscape with tree, signed with initials (28 x 40cms) Provenance: private collection Cardiff, consigned via our Cardiff office Condition Report: unframed, mounted £200-300 159 ‡ GORDON STUART mixed media - buildings and clothes on a washing line, signed (47 x 66.5cms) Provenance: private collection Rhondda Cynon Taff, consigned via our Cardiff office Condition Report: well framed and glazed, ready to hang £200-300 160 ‡ VERA BASSETT pencil and charcoal - head and shoulders portrait of Norah Isaac, titled verso, signed and dated ‘98 (24.5 x 23cms)

160 161 ‡ DAVID WOODFORD pencil and wash on paper - entitled verso ‘Glyder Fawr from the Flanks of Y Gribyn, 1980s’ (The drawing includes the upper parts of the Idwal Slabs) (30 x 23cms) Provenance: private collection Gloucestershire, consigned via our Cardiff office, featured at 1987 David Woodford exhibition of paintings and drawings at the Alpine Gallery, London

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162 ‡ GWILYM PRICHARD mixed media on handcut paper - entitled verso on Martin Tinney Gallery label ‘Winter Farm 1996’, signed (14.5 x 18.5cms) Provenance: private collection Worcestershire, consigned via our Cardiff office Condition Report: framed and glazed, ready to hang £250-350

Condition Report: framed and glazed £250-350

Provenance: private collection Ceredigion Auctioneer’s Note: Norah Isaac was a renowned author, dramatist and leading figure in Welsh language education. She was the headmistress of Wales’ first Welsh medium school in Aberystwyth in 1939, and she then later established the first Welsh drama department in Wales at Trinity College, Carmarthen Condition Report: framed and glazed £200-300 ‡ Artist’s Resale Rights/Droit de Suite may apply to this lot (please see terms and conditions).

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The Welsh Sale • Rogers Jones & Co

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166 163 ‡ DAVID TRESS pencil - entitled verso ‘Pwll Deri’, signed and dated 1981 (55 x 73cms) Provenance: private collection Cardiff, consigned via our Cardiff office Condition Report: framed and glazed, ready to hang £250-350 164 ‡ MIKE JONES ink and wash - entitled verso ‘Men on Bench’, signed (18.5 x 23cms) Provenance: private collection Rhondda Cynon Taff, consigned via our Cardiff office Condition Report: framed and glazed, no issues £250-350

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167 165 ‡ VALERIE GANZ mixed media - entitled verso on Attic Gallery label ‘Firebird, Moscow State Circus’, signed (28 x 25cms) Provenance: private collection Cardiff, consigned via our Cardiff office Condition Report: framed and glazed, ready to hang £250-350 166 ‡ OSI RHYS OSMOND gouache on paper landscape, titled ‘Engedi, Sir Fon’ (Anglesey), signed and dated 1985 (57 x 81cms) Provenance: private collection London, consigned via our Cardiff office, labels verso for 1987 Welsh Arts Council exhibition ‘Wales & the Holy Land’ and for Bezzaliel Gallery, Motcombe Street, London Condition Report: framed and glazed, paper creases, frame and glass marked £250-350 167 ‡ NAOMI TYDEMAN watercolour - church or cathedral garden with wildflowers and trees, signed (35 x 53cms) Provenance: private collection East Sussex, consigned via our Cardiff office

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168 168 ‡ NAOMI TYDEMAN watercolour - woodland with wildflowers (52 x 36cms) Provenance: private collection East Sussex, consigned via our Cardiff office Condition Report: no problems, framed and glazed £250-350 169 ‡ GORDON STUART gouache the tea-rooms at Llandeilo (48 x 62cms) Provenance: private collection Cardiff, consigned via our Cardiff office Condition Report: framed and glazed £250-350

Condition Report: no problems, framed and glazed £250-350

* See page 5, or paragraph 7 of our company terms & conditions at the back of the catalogue for additional charges on the hammer price

Rogers Jones & Co • The Welsh Sale 170 ‡ TOM JONES RCA pastel - entitled verso ‘Pentraeth Cottage Farm’, monogrammed (39 x 36cms) Provenance: private collection Conwy, consigned via our Colwyn Bay office Condition Report: no problems, framed and glazed £300-400 171 ‡ TOM JONES RCA pastel - entitled verso ‘Crowrach Cottages, Abersoch’, monogrammed (38 x 38cms) Provenance: private collection Conwy, consigned via our Colwyn Bay office

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Condition Report: no problems, framed and glazed £300-400

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172 ‡ DAVID TRESS watercolour - entitled verso, ‘Carnedd Meibion Owen, Towards the Light’, signed (42 x 65cms) Provenance: private collection Cardiff, consigned via our Cardiff office, exhibition catalogue for ‘Natur Yng Nghymru’ and relating letters from the artist to vendor (retained with auctioneer) Condition Report: framed and glazed, ready to hang £300-400 173 ‡ DAVID CARPANINI charcoal - Graig Terrace, Pontypridd, with railings and chapel, signed and dated 1974 (55 x 75cms) Provenance: private collection Cardiff, consigned via our Cardiff office Condition Report: framed and glazed £300-400

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174 ‡ HUW PARSONS gouache - entitled ‘Mari Lwyd Llangynwyd’, signed (45 x 65cms) Provenance: private collection mid-Wales, consigned via our Cardiff office, illustrated in ‘Ewenny, Potteries, Potters & Pots’ by Gwyneth & Ieuan R Evans Auctioneer’s Note: Mari Lwyd is a Welsh custom common to South Wales and performed during celebrations around the dates of Christmas and New Year. It is thought to be a pre-Christian tradition believed to bring good luck. The disconcerting horse-figure was often made from a horse’s skull and then mounted to a pole. It was then carried by a person hidden under a cloth, which had ribbons attached. A group of singers accompanying the Mari Lwyd would knock on the doors of homes, and the first verse of a traditional song was sung to the occupier. The occupier would then be required to reply in song. After a number of verses had been exchanged, the Mari Lwyd singers would then be invited into the house and provided with food and drink traditionally served in a Wassail bowl, before the revellers departed again in song. Mari Lwyd translates as the Grey Mare. Llangynwyd near Maesteg in South Wales is an ancient village which is known to still perform the Mari Lwyd ceremony Condition Report: excellent, framed and glazed £300-500

‡ Artist’s Resale Rights/Droit de Suite may apply to this lot (please see terms and conditions).

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The Welsh Sale • Rogers Jones & Co 175 ‡ VALERIE GANZ pastel - miners reclining on work-break, signed (20.5 x 28cms) Provenance: private collection Cardiff, consigned via our Cardiff office Condition Report: framed and glazed £300-400

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176 ‡ ERNEST ZOBOLE pastel three quarter self portrait, entitled ‘Self Portrait I’ (48 x 23cms)

177 ‡ ERNEST ZOBOLE pastel three quarter portrait, entitled verso ‘Artist at the Easel’ (48 x 31cms)

Provenance: private collection Cardiff, consigned via our Cardiff office

Provenance: private collection Cardiff, consigned via our Cardiff office

Condition Report: framed and glazed, ready to hang £300-400

Condition Report: framed and glazed £300-400

178 ‡ ARTHUR GIARDELLI watercolour entitled verso ‘Thorn Trees Spring, 1995’, monogrammed (38 x 56cms) Provenance: private collection Conwy, consigned via our Colwyn Bay office Condition Report: framed and glazed £300-400

179 ‡ ARTHUR GIARDELLI watercolour - Venetian palace across canal, monogrammed (50 x 35cms) Provenance: private collection Conwy, consigned via our Colwyn Bay office Condition Report: framed and glazed £300-400 180 ‡ CHARLES FREDERICK TUNNICLIFFE OBE RA preliminary drawing in wash and heightening on brown paper - Ynys Mon landscape with old windmill and cattle, titled ‘Llangefni’, signed and with the artist’s studio stamp (48 x 72cms)

178

Provenance: private collection Ynys Mon, consigned via our Colwyn Bay office Condition Report: mounted only, creases only £300-500

180

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179

* See page 5, or paragraph 7 of our company terms & conditions at the back of the catalogue for additional charges on the hammer price

Rogers Jones & Co • The Welsh Sale 181 ‡ ANEURIN JONES mixed media - farm buildings, one with red roof, signed (22.5 x 28.5cms) Provenance: private collection Vale of Glamorgan, consigned via our Cardiff office Condition Report: framed and glazed, no problems £300-500 182 ‡ JOSEF HERMAN OBE RA mixed media with ink wash seated figure (22 x 17cms) Provenance: private collection Rhondda Cynon Taff, consigned via our Cardiff office

181

182

Condition Report: framed and glazed, ready to hang £300-500 183 ‡ JOHN UZZELL EDWARDS mixed media - entitled verso ‘Dowlais’, signed and dated 1962 (32 x 94cms) Provenance: private collection mid-Wales, consigned via our Cardiff office £300-400 183

184 ‡ ANEURIN JONES red pen and ink - horse and group of standing farmers, entitled verso ‘Llanybydder’, signed (28 x 39cms) Provenance: private collection Swansea, consigned via our Cardiff office Condition Report: framed and glazed £300-500 185 ‡ JOHN KNAPP-FISHER watercolour - entitled verso ‘St Mary’s Church, Carew, Cheriton’, signed and dated 1989 (9.5 x 12cms)

184

Provenance: private collection Pembrokeshire, consigned via our Carmarthen office, inscribed verso ‘Included in the book ‘Pembrokeshire Churches’ by Michael Fitzgerald, illustrated

by John Knapp-Fisher (Rosedale Publications, Newport, Dyfed 1989)

185

186 ‡ JOSEF HERMAN OBE RA ink and wash - entitled verso on Tib Lane Gallery label ‘Two Miners Seated’, with exhibition date of 1996, signed verso by the artist (16.5 x 22cms) Provenance: private collection Cardiff, consigned via our Cardiff office Condition Report: framed and glazed £300-500

Condition Report: framed and glazed £300-500 186

‡ Artist’s Resale Rights/Droit de Suite may apply to this lot (please see terms and conditions).

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The Welsh Sale • Rogers Jones & Co

187

188 187 ‡ VALERIE GANZ mixed media - three miners underground in discussion, entitled verso ‘Conference in the Garw Seam’, signed (28 x 40cms) Provenance: private collection Gwynedd, consigned via our Colwyn Bay office

190

Condition Report: framed and glazed, no problems £500-1,000 188 ‡ JOHN PETTS mixed media - waterfall over limestone cliffs, signed and dated 1957 (62 x 50cms) Provenance: private collection Ceredigion, consigned via our Cardiff office, receipt of purchase from 1997 (retained with auctioneers) Condition Report: framed and glazed £300-500

191

189 189 ‡ KARL DAVIES watercolour - shepherd and flock, signed with initials, dated verso 2008 (25 x 30cms) Provenance: private collection Cardiff, consigned via our Cardiff office Condition Report: no problems, framed and glazed £300-500 190 ‡ ARTHUR GIARDELLI watercolour and ink entitled verso ‘Thorn Trees at Dusk’, signed verso (48 x 68cms) Provenance: private collection Pembrokeshire, consigned via our Carmarthen office Condition Report: framed and glazed, ready to hang £300-400 191 ‡ DAVID TRESS watercolour - entitled verso, ‘Near Strumble II’, signed and dated 1991 (55 x 73cms) Provenance: private collection Cardiff, consigned via our Cardiff office Condition Report: framed and glazed, ready to hang £400-600 192 ‡ TOM JONES RCA pastel - entitled verso ‘Pant Gwyn Farm, Nr. Abersoch’, monogrammed (46 x 46cms) Provenance: private collection Conwy, consigned via our Colwyn Bay office Condition Report: no problems, framed and glazed £400-600 193 ‡ MARY LLOYD JONES mixed media on handcut paper - entitled verso ‘Mari Llwyd II’, signed and dated 2004 (37 x 37cms) Provenance: estate of Carys and William (McClure) Brown, William Brown being Scottish-Canadian (1953-2008). William Brown lived in Wales from 1990 to his death and was part of the Welsh arts community

192

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193

Condition Report: framed and glazed, no problems, ready to hang £400-600

* See page 5, or paragraph 7 of our company terms & conditions at the back of the catalogue for additional charges on the hammer price

Rogers Jones & Co • The Welsh Sale 194 ‡ WILL EVANS watercolour - Cotswolds market town with figures and smoking chimneys, entitled verso ‘Wootton Under Edge’, signed and dated 1946 (36.5 x 55cms) Provenance: private collection Swansea, consigned via our Cardiff office Condition Report: framed and glazed £400-600

194 195 ‡ MURIEL DELAHAYE pencil and charcoal - entitled verso ‘Woman with Brolly and Cat’, signed (49 x 33cms) Provenance: private collection Gwynedd, consigned via our Colwyn Bay office Condition Report: framed and glazed £400-500 195

196 ‡ MALCOLM EDWARDS watercolour mountainous landscape with farm, distant sheepdog and farmer, entitled verso ‘Coming Home’, signed (13 x 31cms) Provenance: private collection Gwynedd, consigned via our Colwyn Bay office Condition Report: framed and glazed, no problems £400-600

196 197 ‡ GWILYM PRICHARD mixed media with oils on paper – entitled verso ‘Farm and Blue Sky’ (28 x 36cms) Provenance: private collection France, consigned via our Cardiff office Condition Report: framed and glazed, ready to hang £500-700

197 198 ‡ MALCOLM EDWARDS watercolour - entitled verso on Thomson’s Gallery label ‘Loch Torridon’, signed (62.5 x 48cms) Provenance: private collection Conwy, consigned via our Colwyn Bay office Condition Report: framed and glazed £500-800 ‡ Artist’s Resale Rights/Droit de Suite may apply to this lot (please see terms and conditions).

198

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The Welsh Sale • Rogers Jones & Co

200 199 ‡ EVELYN WILLIAMS ink and coloured chalk entitled verso ‘Mother and Child in Light and Shadow’ and dated 1993, signed (75 x 55cms) Provenance: private collection Ynys Mon, consigned via our Colwyn Bay office, formerly from the Estate of Elfriede Fischer, purchased by present owner in 2003, additional information verso, illustrated in the artist’s book ‘Works and Words’ 199

Condition Report: framed and glazed £600-1,000 200 ‡ JOHN KNAPP-FISHER mixed media - harbour with buildings and boats, signed and dated 1975 (7.5 x 15cms) Provenance: private collection Gwynedd, consigned via our Colwyn Bay office Condition Report: original frame and mount, glazed £600-800

Provenance: private collection Ynys Mon, consigned via our Colwyn Bay office Condition Report: framed and glazed £700-1,000 203 ‡ WILLIAM SELWYN mixed media - four fishermen manouvering rowing boat on the shore, signed (23.5 x 37.5cms) Provenance: private collection Pembrokeshire, consigned via our Carmarthen office

201 ‡ JOHN ELWYN watercolour - entitled ‘The Workers’, signed (17 x 19cms)

Condition Report: framed and glazed £700-1,000

Provenance: private collection Ceredigion, consigned via our Cardiff office Condition Report: framed and glazed £600-800

201

202

66

202 ‡ CHARLES FREDERICK TUNNICLIFFE OBE RA pencil, gouache and wash - group of mallards in wetland, signed (37.5 x 62.5cms)

203

* See page 5, or paragraph 7 of our company terms & conditions at the back of the catalogue for additional charges on the hammer price

Rogers Jones & Co • The Welsh Sale

204

205

206

207

204 ‡ JOHN ELWYN ink and watercolour entitled ‘Tree Roots on the Banks of the Taff’, signed and dated 1945 (38 x 53cms) Provenance: private collection Ceredigion, consigned via our Cardiff office Condition Report: framed and glazed, small tears to paper on the margin £700-1,000 205 ‡ JOHN ELWYN gouache - nighttime landscape with farm buildings, signed and dated 1963 (25 x 37cms) Provenance: private collection Oxfordshire, consigned via our Cardiff office Condition Report: no problems, later framed and glazed £800-1,200 206 ‡ JOHN ELWYN acrylic on paper - entitled verso ‘Dyfed Upland Farm 1984’, with John Elwyn Studio stamp (26 x 37cms) Provenance: private collection Ceredigion, consigned via our Cardiff office Condition Report: framed and glazed £800-1,200

207 ‡ PETER PRENDERGAST pencil and conte chalk on paper - entitled ‘Tryfan from the Old Road, Nant Ffrancon, 1980s’, signed (31 x 47cms) Provenance: private collection Gloucestershire, consigned via our Cardiff office Condition Report: framed and glazed £900-1,200 208 ‡ IVOR DAVIES mixed media on paper - entitled ‘Y Tri / The Three’, signed and dated 2001 (75 x 101cms) Provenance: private collection Cardiff, consigned via our Cardiff office Auctioneer’s Note: semi abstract Welsh landscape recording the history of the fire at Penyberth in 1936 with three prominent Welsh figures of the day, all pacifists, who set fire to a bombing school which was built on the Llyn Peninsula. The three figures being Saunders Lewis, D. J. Williams and Lewis Valentine Condition Report: framed and glazed with museum glass £1,000-1,500

‡ Artist’s Resale Rights/Droit de Suite may apply to this lot (please see terms and conditions).

208 67

The Welsh Sale • Rogers Jones & Co

209 ‡ CERI RICHARDS CBE black crayon on paper - two figures, in Arabian dress, one seated with harp, the other in song, signed and dated 1967 (39 x 42cms) Provenance: illustrations for the Book of Psalms for the Oxford Artist’s Bible (Oxford University Press 1967), purchased by vendor from the artist’s nephew through Welsh fine art dealer Philip Davies, Ceri Richards’ nephew was a clergyman in Newcastle-upon-Tyne, please also see Lot 210 Condition Report: paper aged, discoloured, creases, early foxing, framed and glazed £1,000-1,500 210 ‡ CERI RICHARDS CBE black crayon on paper - two figures, wearing Arabian dress, one seated with harp, the other standing with cymbals (39 x 41.5cms) 209

Provenance: illustrations for the Book of Psalms for the Oxford Artist’s Bible (Oxford University Press 1967), purchased by vendor from the artist’s nephew through Welsh fine art dealer Philip Davies, Ceri Richards’ nephew was a clergyman in Newcastle-upon-Tyne, please also see Lot 209 Condition Report: paper has aged, slight creasing and slight damage at bottom centre, framed and glazed £1,000-1,500

210

212 211 ‡ CHARLES FREDERICK TUNNICLIFFE OBE RA watercolour - study of two bullfinches perched on blossom branches, signed (31 x 21cms) Provenance: private collection Cardiff, consigned via our Cardiff office, by descent from vendor’s father Will Evans of Llangefni, Ynys Mon, a long-standing friend of the artist and Winifred Tunnicliffe through T G Walker, please see accompanying CF Tunnicliffe Society Year Book 2006 in which the painting is illustrated

211

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Condition Report: lovely fresh condition, framed and glazed £1,000-1,500

212 ‡ CHARLES FREDERICK TUNNICLIFFE OBE RA watercolour - swans landing at inlet, Malltraeth, Ynys Mon, with Eryri mountains beyond, signed (43 x 68cms) Provenance: private collection Ynys Mon, consigned via our Colwyn Bay office Condition Report: minor foxing, framed and glazed £1,000-1,500

* See page 5, or paragraph 7 of our company terms & conditions at the back of the catalogue for additional charges on the hammer price

Rogers Jones & Co • The Welsh Sale

213 ‡ WILLIAM SELWYN watercolour - Conwy with roadbridge, castle and smoking chimneys, entitled verso ‘Bore Cynnar / Early Morning’, signed (50 x 69cms) Provenance: private collection Ceredigion, consigned via our Carmarthen office Condition Report: framed and glazed £1,200-1,800

213

214 ‡ CHARLES FREDERICK TUNNICLIFFE OBE RA watercolour - Ynys Mon (Anglesey) coastal village with geese and figures, entitled ‘Aberffraw: The Old Bridge’, signed (30 x 43cms) Provenance: private collection Cardiff, consigned via our Cardiff office, by descent from vendor’s father Will Evans of Llangefni, Ynys Mon, a long-standing friend of the artist and Winifred Tunnicliffe through T G Walker, please see accompanying C F Tunnicliffe Society booklet with photograph of the four friends, also to accompany ‘Around Anglesey with Tunnifliffe’ by Ken Broughton (2010) in which the watercolour is illustrated Condition Report: very fresh, colours have held exceptionally well, later framed and glazed £1,500-2,500 214

215 ‡ PETER PRENDERGAST acrylic on paper - entitled verso on Martin Tinney Gallery label ‘Yellow Squiggle November Landscape’, signed and dated 2002 (20 x 23cms) Provenance: private collection Gwynedd, consigned via our Colwyn Bay office Condition Report: framed and glazed £1,500-2,000

215

‡ Artist’s Resale Rights/Droit de Suite may apply to this lot (please see terms and conditions).

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The Welsh Sale • Rogers Jones & Co

216 216 ‡ JOHN ELWYN acrylic on paper - figures harvesting corn with whitewashed buildings and pastoral landscape, signed, circa 1982 (60 x 75cms) Provenance: private collection Ceredigion, consigned via our Cardiff office Condition Report: framed and glazed, ready to hang £3,000-4,000 217 ‡ JOHN PIPER mixed media - semi-abstract landscape from the Pembrokeshire series, signed (35 x 52cms) Provenance: private collection Gwynedd, consigned via our Colwyn Bay office Condition Report: framed and glazed, ready to hang £5,000-7,000

218 ‡ MILDRED ELSI ELDRIDGE watercolour and pencil - entitled verso on Spink Gallery and William Marler Gallery labels, ‘Small Garden Birds’ with nomenclature in pencil to each of the eight species, signed and dated 1975 (32 x 21cms) Provenance: private collection Gwynedd, consigned via our Colwyn Bay office Condition Report: original / contemporaneous frame, glaze, good labels £800-1,200 219 ‡ IRENE BACHE watercolour - entitled verso ‘Near Oban, Argyll’, signed (23.5 x 33.5cms) Provenance: private collection Ceredigion, consigned via our Cardiff office Condition Report: framed and glazed, no issues £120-180 220-224 No lots

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* See page 5, or paragraph 7 of our company terms & conditions at the back of the catalogue for additional charges on the hammer price

Rogers Jones & Co • The Welsh Sale

217

218

‡ Artist’s Resale Rights/Droit de Suite may apply to this lot (please see terms and conditions).

219

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Lots

225-256 THE WELSH SALE/ YR ARWERTHIANT CYMREIG (9.30am)

Historical Welsh Paintings from 19th Century and Earlier Paentiadau Cymreig Hanesyddol o’r 19eg Ganrif a Chynharach

Rogers Jones & Co • The Welsh Sale

225

225 EDWIN ALBERT PETTITT large museum quality oil on canvas - wedding guests departing Welsh village church towards river bank path, with lady in Welsh costume, village in distance, bridge, mill and mountains to right, entitled verso ‘Sunday Morning: Vale of Neath, South Wales’, signed and dated 1861, repeated verso with artist’s address (83 x 130cms) Provenance: private collection Devon, consigned via our Cardiff office Condition Report: superb condition, localised craquelure and discolour, small losses, surface scratches only - all very minor, colours remain vibrant, later framed, a fabulous historic Welsh painting £4,000-6,000 226 JOHN VARLEY watercolour - landscape with cattle watering and figures, titled to mount ‘Beddgelert Bridge’, signed (47 x 60cms) Provenance: private collection Neath-Port Talbot, consigned via our Cardiff office, purchased by vendor from Sotheby’s 1993

226

Condition Report: excellent, framed and glazed £1,500-2,000

‡ Artist’s Resale Rights/Droit de Suite may apply to this lot (please see terms and conditions).

73

The Welsh Sale • Rogers Jones & Co

228 228 ALFRED WORTHINGTON oil on board - Llanbadarn Fawr church, Aberystwyth, with Black Lion pub and figure in Welsh costume, signed (35 x 45cms) Provenance: private collection Powys, consigned via our Colwyn Bay office Condition Report: appears to be original frame, glazed £400-450

227 227 WELSH / BRITISH SCHOOL impressive large watercolour, circa 1850 - aspect of Llandaff Cathedral with figures, possibly by J Prichard (141 x 86cms) Provenance: this painting was withdrawn from The Welsh Sale in October 2019 due to questions surrounding ownership now resolved, entered to auction by Cardiff stonemasons W Clarke who worked on the rebuilding and engineering of the Cathedral during the 19th Century, moulding to frame ‘Presented to the Bishops of Llandaff by J Prichard Architect’ Condition Report: framed and glazed, in original excellent moulded gilt frame £700-1,000

229 229 HENRY HUGH ARMSTEAD pen and ink over pencil on paper - collection of studies of male figures for Llandaff Cathedral carvings, retained in four large frames, larger drawings, drawings unsigned but with printed ‘H Armstead 1869’ to each mount (approx. 75 x 20cms (x 2)) Provenance: from the archive of W Clarke, monumental masons, engineering and sculptors established in the 19th Century in Llandaff and involved in the restoration of the Cathedral Auctioneer’s Note: these drawings were prepared by the artist for the sculptures still in existence on the Prichard Tower of Llandaff Cathedral, the artist was also the sculptor of Bishop Ollivant’s tomb which resides inside the cathedral Condition Report: old frames and glazed, no apparent damage £400-500

74

* See page 5, or paragraph 7 of our company terms & conditions at the back of the catalogue for additional charges on the hammer price

Rogers Jones & Co • The Welsh Sale

230 THOMAS HORNOR watercolour - expansive landscape with carriage beside buildings, titled ‘Vale of Taff, from the Bridgewater Arms’, circa 1819 (18 x 43cms) Provenance: private collection Rhondda Cynon Taff, consigned via our Cardiff office, a larger version is at the National Museum of Wales which has been described as ‘Vale of Neath’, also held at the National Museum is a sepia drawing of ‘View of the the Taff near Bridgewater Arms’ by William Weston Young Condition Report: surface marks / light damage commensurate with age, antique frame, glazed, titled in ink script £400-500

230

231 THOMAS HORNOR watercolour - group of figures camping or picnicking on a ridge, titled ‘Vale of Neath from Dinas Rock’ (13 x 20cms) Provenance: private collection Rhondda Cynon Taff, consigned via our Cardiff office Condition Report: surface marks and light damage commensurate with age, titled in ink handwriting £400-500

231

232 THOMAS HORNOR watercolour - titled ‘Aberdulais Mill’, circa 1819 (12.5 x 19cms) Provenance: private collection Rhondda Cynon Taff, consigned via our Cardiff office, almost identical view of the mill by the artist at the National Museum of Wales Condition Report: marks and light damage commensurate with age, antique frame, glass, titled in ink script £300-400

232

233 JOHN McDOUGAL large watercolour - shoreline with boats, figure mending lobster pots, signed and dated 1889-90 (53 x 99cms) Provenance: private collection Conwy, consigned via our Colwyn Bay office Condition Report: discolouration, later framed and glazed £300-500

233

‡ Artist’s Resale Rights/Droit de Suite may apply to this lot (please see terms and conditions).

75

The Welsh Sale • Rogers Jones & Co

234 WILLIAM BUTLER set of four graphite, watercolour and scrapeable technique on coloured card (oval format) Swansea / Gower scenes two at night in monochrome, including panoramic view of Swansea Bay, Mumbles Lighthouse, Caswell Bay and Rotherslade, two signed and dated 1856 (4) (20 x 27.5cms) Provenance: private collection Swansea, consigned via our Carmarthen office Condition Report: later framed and glazed £300-500

234

235 235 JAMES HARRIS OF SWANSEA oil on canvas - ships and other vessels at sea, signed (39 x 59cms) Provenance: private collection Cardiff, consigned via our Cardiff office, by descent, label verso for David Cross Gallery Condition Report: relined and later framed £200-400

76

236 236 THOMAS HORNOR watercolour - figures resting, cattle grazing beside river, bridge and distant buildings including castle, titled ‘Cardiff’, circa 1819 (15 x 22.5cms) Provenance: private collection Rhondda Cynon Taff, consigned via our Cardiff office Condition Report: surface marks, light damage commensurate with age, titled in ink handwriting £300-400

* See page 5, or paragraph 7 of our company terms & conditions at the back of the catalogue for additional charges on the hammer price

Rogers Jones & Co • The Welsh Sale 237 HENRY HUGH ARMSTEAD pen and ink on paper - three drawings for sculptures at Llandaff Cathedral, entitled ‘St. James Minor’, ‘St. Bartholomew’ and ‘St. Matthew’, unsigned but printed ‘H H Armstead RA 1869’ to the mount (48 x 21.5cms) Provenance: from the archive of W Clarke, monumental masons, engineering and sculptors established in the 19th Century in Llandaff and involved in the restoration of the Cathedral

237

238

239

240

Condition Report: old frame, glazed, no apparent issues to paper £180-220 238 NEAPOLITAN SCHOOL gouache - titled ship portrait of the iron sailing vessel barque ‘The Ednyfed - London’ with British ensign (40 x 60cms) Provenance: private collection Gwynedd, consigned via our Colwyn Bay office Auctioneer’s Note: ship owners, Robert Thomas and Co. Caernarfon, Registered London c.1910 renamed Edith Jones and registered in Buenos Aires Condition Report: later framed, glazed £150-250

239 EDWARD DUNCAN watercolour and pencil red cart, reclining cow and standing horse, signed and dated July 1852 (17 x 24cms)

241 ‡ JOSEPH HUGHES CLAYTON watercolour - entitled verso ‘South West Gale, Colwyn Bay’, signed (28.5 x 44cms)

Provenance: private collection Swansea, consigned via our Cardiff office

Provenance: private collection Cardiff, consigned via our Cardiff office

Condition Report: framed and glazed, slight foxing to edge of paper £150-200

Condition Report: framed and glazed £150-250

240 EDWARD DUNCAN watercolour - farm cart and bull, signed and dated 1852 (20 x 32.5cms)

242 ALFRED PARKMAN watercolour - harvest scene with figures and horses, entitled ‘Mumbles from Ty Coch’, signed and dated 1910 (21 x 61cms)

Provenance: private collection Swansea, consigned via our Cardiff office

Provenance: private collection Swansea, consigned via our Cardiff office

Condition Report: framed and glazed, possible slight restoration top right £150-200

Condition Report: framed and glazed £120-180

241

‡ Artist’s Resale Rights/Droit de Suite may apply to this lot (please see terms and conditions).

242

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The Welsh Sale • Rogers Jones & Co 245 EDWIN THOMAS DOLBY watercolour view of Tenby harbour with castle, signed and dated 1856 (together with an 1832 ordnance survey map of town) (16.5 x 23.5cms) Provenance: private collection Cardiff, consigned via our Cardiff office 243

244

243 WILLIAM E HARRIS oil on canvas - two figures and dog in landscape, entitled verso ‘Dolgelley, N. Wales’, signed (23 x 30cms)

244 EDWARD DUNCAN watercolour and heightening shipwreckers working on a mast (Rhossili), signed and dated 2 May 1852 (21.5 x 31.5cms)

Provenance: private collection Cornwall, consigned via our Cardiff office

Provenance: private collection Swansea, consigned via our Cardiff office

Condition Report: unframed, no problems except marks at edges where frame would cover £100-120

Condition Report: framed and glazed £100-120

Condition Report: slight blemish(es), framed and glazed £100-120 246 FRANCIS NICHOLSON watercolour - Eryri (Snowdonia) landscape with figure fishing on Llyn Mymbyr with the distant peaks of Y Lliwedd, Crib Goch, Carnedd Ugain and Yr Wyddfa (Snowdon) behind cloud, titled ‘Snowdon’ top right (24 x 31cms) Provenance: private collection Rhondda Cynon Taff, consigned via our Cardiff office, inscriptions verso including attributions and label for picture dealer Stanhope Shelton Condition Report: overall good, commensurate with age, framed and glazed £180-250 247 EDWARD DAYES watercolour - view of Llandaff Cathedral, two figures on horseback, circa 1802 (19.5 x 27cms)

245

Provenance: private collection Rhondda Cynon Taff, consigned via our Cardiff office, artist’s name to mount Condition Report: no significant problems, later framed and glazed £180-250

246

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247

* See page 5, or paragraph 7 of our company terms & conditions at the back of the catalogue for additional charges on the hammer price

Rogers Jones & Co • The Welsh Sale 248 ATTRIBUTED TO JOHN WARWICK SMITH watercolour pencil title to mount ‘View in Flint Castle, Wales’, circa 1780-1789 (26 x 20cms) Provenance: private collection Rhondda Cynon Taff, consigned via our Cardiff office Condition Report: framed and glazed £180-250 249 SAMUEL PROUT watercolour view of Monnow Bridge, Monmouth, Wales, circa 1814 (24.5 x 32cms) Provenance: private collection Rhondda Cynon Taff, consigned via our Cardiff office, the artist produced an aquatint engraving of the same view for ‘Rudiments of Landscape: in Progressive Studies’ published

by R. Ackermann’s Repository of Arts, 101 Strand in 1814

248

249

251 ATTRIBUTED TO FRANCIS NICHOLSON watercolour - Eryri (Snowdonia) landscape with headland over Llyn Mymbyr and the distant peaks of Y Lliwedd and Y Wyddfa (Snowdon) (25.5 x 39.5cms) Provenance: private collection Rhondda Cynon Taff, consigned via our Cardiff office, inscriptions verso with attribution Condition Report: later framed and glazed £100-120

252 ALFRED PARKMAN watercolour - mother and child on a woodland path with mill, entitled ‘Black Pill’, signed and dated 1908 (32.5 x 19cms) Provenance: private collection Swansea, consigned via our Cardiff office Condition Report: framed and glazed £100-120

Condition Report: foxing, colours have held well, later framed and glazed £100-150 250 MARIA GASTINEAU watercolour - Tenby with St Catherine’s Rock and beach, signed, circa 1860 (25 x 35cms)

250

Provenance: private collection Rhondda Cynon Taff, consigned via our Cardiff office, inscriptions verso, Maria was a member of The Society of Women Artists (SWA) and daughter of famous painter and engraver Henry Gastineau Condition Report: no significant issues, later framed and glazed £180-250

251

‡ Artist’s Resale Rights/Droit de Suite may apply to this lot (please see terms and conditions).

252

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The Welsh Sale • Rogers Jones & Co

253

254

253 EDWARD DUNCAN pencil and watercolour harvesting with two figures and three horses beside barn, signed and dated 1846 (16 x 22cms) Provenance: private collection Swansea, consigned via our Cardiff office

254 ROBERT THORNE WAITE watercolour - Oxwich Bay with figures on the beach, signed (29 x 44cms) Provenance: private collection Swansea, consigned via our Cardiff office Condition Report: framed and glazed £100-150

Condition Report: framed and glazed £100-120

255 JAMES HARRIS JR watercolour - cattle grazing on Llanrhydian Marsh, signed (16.5 x 50.5cms) Provenance: private collection Swansea, consigned via our Cardiff office

255

Condition Report: slight discolouration commen­surate with age, later framed and glazed £100-140

256 PAUL SANDBY RA watercolour - entitled verso with Thos. Agnew & Sons label ‘Caernarvon Castle’, dated bottom left 1792 (29 x 42cms) Provenance: private collection Monmouthshire, by descent Condition Report: framed, glazed, slight foxing and discolouration but excellent considering age £2,000-3,000 257-258 No lots

256

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* See page 5, or paragraph 7 of our company terms & conditions at the back of the catalogue for additional charges on the hammer price

Lots

259-280 THE WELSH SALE/ YR ARWERTHIANT CYMREIG (9.30am)

Prints & Paintings by Sir Kyffin Williams RA Printiau a Phaentiadau gan Syr Kyffin Williams RA

The Welsh Sale • Rogers Jones & Co 259 ‡ SIR KYFFIN WILLIAMS RA limited edition (96/250) print - ‘Farmer Below Snowdon’, signed fully in pencil (60 x 58cms) Provenance: private collection Powys, consigned via our Cardiff office Condition Report: framed and glazed £250-350

259

260

260 ‡ SIR KYFFIN WILLIAMS RA limited edition (35/250) print sheepdog, signed fully in pencil (32 x 45cms)

261 ‡ SIR KYFFIN WILLIAMS RA limited edition (81/150) print - standing farmer, signed fully in pencil (58 x 33cms)

Provenance: private collection Swansea, consigned via our Cardiff office

Provenance: private collection Rhondda Cynon Taff, consigned via our Cardiff office

Condition Report: no problems, framed and glazed £150-250

Condition Report: framed and glazed, dirt on glass and mount £200-300

262 ‡ SIR KYFFIN WILLIAMS RA limited edition (20/150) linocut print - standing sheepdog, signed with initials (28 x 43cms) Provenance: private collection Caernarfonshire, consigned via our Colwyn Bay office Condition Report: framed and glazed, ready to hang £200-300 263 ‡ SIR KYFFIN WILLIAMS RA monochrome print - farmer in storm (57 x 37cms) Provenance: private collection Ceredigion, consigned via our Carmarthen office Auctioneer’s Note: print produced to commemorate the centenary of the Royal Welsh Agricultural Society (1904-2004), the image was used as the front cover image of the catalogue of The Farming and Welsh Landscape exhibition which toured to celebrate the centenary

261

262

Condition Report: framed and glazed £300-500 264 ‡ SIR KYFFIN WILLIAMS RA pencil and watercolour - Continental landscape with poplar trees, hills, valley and distant mountains, signed with initials and dated ‘52 (22 x 28cms) Provenance: private collection Nottinghamshire, consigned via our Cardiff office Condition Report: later framed and glazed, aged, surface marks £700-1,000

263

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264

* See page 5, or paragraph 7 of our company terms & conditions at the back of the catalogue for additional charges on the hammer price

Rogers Jones & Co • The Welsh Sale

265 265 ‡ SIR KYFFIN WILLIAMS RA pastel, inkwash and watercolour Patagonian horseman and steed, signed with initials (23 x 30cms) Provenance: private collection Gwent, consigned via our Cardiff office, won at raffle by vendor at Bodelwyddan Castle, 1980s Condition Report: good, framed and glazed £1,000-2,000

266 266 ‡ SIR KYFFIN WILLIAMS RA pen and ink on grey paper - entitled verso on Albany Gallery label ‘Welsh Mountain Ponies’, signed with initials (20 x 26cms) Provenance: private collection Rhondda Cynon Taff, consigned via our Cardiff office, purchased Albany Gallery (receipt) Condition Report: no problems, framed and ready to hang £2,000-3,000

267

268

267 ‡ SIR KYFFIN WILLIAMS RA watercolour and pencil - entitled verso ‘Sea at Llanddwyn’, signed with initials (28 x 40cms)

268 ‡ SIR KYFFIN WILLIAMS RA pencil and wash - study of a recumbent Welsh collie dog, signed with initials (36 x 47cms)

Provenance: private collection London, gift to vendor from artist, consigned via our Cardiff office

Provenance: private collection Vale of Glamorgan, consigned via our Cardiff office

Condition Report: framed and glazed, no issues £3,000-4,000

Condition Report: super condition, without fading or damage, framed and glazed £3,000-5,000

‡ Artist’s Resale Rights/Droit de Suite may apply to this lot (please see terms and conditions).

83

The Welsh Sale • Rogers Jones & Co 269 ‡ SIR KYFFIN WILLIAMS RA rare watercolour and pencil – St. Mary’s Chapel in the hamlet of Capel-y-ffin, near Llanthony, Powys, signed with initials (38 x 47cms) Provenance: private collection Gwynedd, consigned via our Colwyn Bay office, purchased by vendor from Tegfryn Gallery, Menai Bridge, Ynys Mon, circa 1994

269

Auctioneer’s Note: the chapel in the remote hamlet of Capel-y-ffin is important in the story of Welsh and British art. Between 1924 and 1928, the monastery was home to the peripatetic sculptor, typographer and craftsman Eric Gill and his family.

Eric Gill chose the isolated location to establish an ideal of communal, artistic cohabitation. He converted the monastery’s dilapidated chambers into workshops and living quarters and created an environment without distinction between work and play.

Although the practical difficulties of life in the Black Mountains often frustrated, it was during this time that Gill created his best-known work, the Sans Serif typeface, for the Monotype Corporation in 1926. An English translation of ‘Capel-y-ffin’ is ‘Chapel of the boundary’ or ‘Chapel at the end’. In the churchyard, as seen in this drawing by Sir Kyffin, are headstones carved by Eric Gill. The graves lie at the edge of the chapel boundary enclosed by a low stone wall perimeter. On the wall nearest to the chapel door is a reproduction of a crucifixion ‘Sanctus Christus de Capel-y-ffin’, a gouache by David Jones, the Welsh poet, illustrator, calligrapher, and artist who lived with Eric Gill and his family, at the Monastery from 1925, Jones was for a short period engaged to their daughter, Petra. This is the first time that Rogers Jones & Co have encountered a work by Sir Kyffin of iconic Capel-y-ffin Condition Report: no problems, framed and glazed £3,500-4,500

270 270 ‡ SIR KYFFIN WILLIAMS RA ink and wash - cattle, dry-stone walls and upland cottages, entitled verso ‘Dyffryn No.2’, signed with initials (37 x 55cms) Provenance: private collection Cardiff, consigned via our Cardiff office, purchased Albany Gallery, Cardiff 1993, loaned for ‘Island Inspiration’ exhibition at Oriel Ynys Mon, 2012 (receipts) Condition Report: framed and glazed, no problems £3,500-4,500

84

* See page 5, or paragraph 7 of our company terms & conditions at the back of the catalogue for additional charges on the hammer price

Rogers Jones & Co • The Welsh Sale 271 ‡ SIR KYFFIN WILLIAMS RA mixed media - standing farmer and sheepdog in mountain landscape, entitled verso ‘Farmer and Dog’, signed with initials (24 x 34cms) Provenance: private collection Gwynedd, consigned via our Colwyn Bay office Condition Report: framed and glazed, without issues £5,500-6,500

271

272 ‡ SIR KYFFIN WILLIAMS RA mixed media - French village (35 x 48cms) Provenance: private collection Cardiff, consigned via our Cardiff office Condition Report: aging of paper, slight blemishes, framed and glazed £4,500-5,500 273 No lot

272

‡ Artist’s Resale Rights/Droit de Suite may apply to this lot (please see terms and conditions).

85

The Welsh Sale • Rogers Jones & Co

274

274 ‡ SIR KYFFIN WILLIAMS RA oil on canvas - entitled verso on Thackeray Gallery label ‘Clouds off South Stack II’, dated 2004, signed with initials (60 x 59cms) Provenance: private collection London, purchased Thackeray Gallery by vendor, consigned via our Cardiff office Condition Report: original ‘Kyffin’ frame, fresh and ready to hang £12,000-18,000

86

* See page 5, or paragraph 7 of our company terms & conditions at the back of the catalogue for additional charges on the hammer price

Rogers Jones & Co • The Welsh Sale

275

275 ‡ SIR KYFFIN WILLIAMS RA painting in oils on both sides of canvas 1. Ynys Mon (Anglesey) landscape with farm, entitled verso ‘Farm at Penmynydd’ (front of frame), circa 1960s 2. Figure and horse, the ruins of St. Dwynwen’s Church and ‘Twr Mawr’ lighthouse on Ynys Llanddwyn (Llanddwyn Island) off the coast of Ynys Mon (Anglesey), circa 1960s (49 x 74cms and 41 x 67cms) Provenance: private collection Conwy, by descent, consigned via our Colwyn Bay office, handwritten label with artist’s London address Condition Report: original frame may benefit from repainting, back of canvas may benefit from light clean, slight indentation above farm building on right, which is more visible from the back £18,000-24,000

‡ Artist’s Resale Rights/Droit de Suite may apply to this lot (please see terms and conditions).

275 (verso)

87

The Welsh Sale • Rogers Jones & Co

276

276 ‡ SIR KYFFIN WILLIAMS RA oil on canvas - Gwastadnant, Nant Peris in spring, signed with initials (48 x 70cms) Provenance: private collection Yorkshire, consigned via our Cardiff office, purchased privately from preeminent Welsh art collector, circa 1995 Auctioneer’s Note: the work is an early period oil painting of a scene that he revisited on many occasions Condition Report: in quality Bourlet frame, no issues, the stretcher is dated 1949 and bears ‘Kyffin Williams’ in handwritten black ink £18,000-22,000

88

* See page 5, or paragraph 7 of our company terms & conditions at the back of the catalogue for additional charges on the hammer price

Rogers Jones & Co • The Welsh Sale

277

277 ‡ SIR KYFFIN WILLIAMS RA oil on canvas - Crib Goch, Eryri (Snowdonia) with cloud, signed with initials, circa 1960s/70s (54 x 75cms) Provenance: private collection Gwynedd, by descent, consigned via our Colwyn Bay office, label verso for old Tegfryn Gallery, Porthaethwy (Menai Bridge), with the name of the vendor’s father as purchaser Condition Report: no problems, framed, ready to hang £20,000-25,000

‡ Artist’s Resale Rights/Droit de Suite may apply to this lot (please see terms and conditions).

89

The Welsh Sale • Rogers Jones & Co

278

278 ‡ SIR KYFFIN WILLIAMS RA oil on canvas - Welsh village and landscape, signed with initials (49 x 110cms) Provenance: private collection Conwy, by descent, consigned via our Colwyn Bay office Condition Report: craquelure, original frame, ready to hang £24,000-30,000

90

* See page 5, or paragraph 7 of our company terms & conditions at the back of the catalogue for additional charges on the hammer price

Rogers Jones & Co • The Welsh Sale

279 ‡ SIR KYFFIN WILLIAMS RA oil on canvas - entitled verso ‘Lleyn’, 1976, signed with initials (49.5 x 110cms) Provenance: private collection Gwynedd, by descent, consigned via our Colwyn Bay office, label verso for 1987 National Museum of Wales Kyffin Williams Exhibition stating ‘not in catalogue’, 1977 label verso for Thackeray Gallery from where the vendor’s parents purchased the painting Condition Report: in excellent fresh condition, framed, ready to hang, tiny pin-holes at edge of canvas which imply that the painting was done en plein air £25,000-35,000

279

‡ Artist’s Resale Rights/Droit de Suite may apply to this lot (please see terms and conditions).

91

The Welsh Sale • Rogers Jones & Co

280

280 ‡ SIR KYFFIN WILLIAMS RA oil on canvas - entitled verso on 1993 Thackeray Gallery exhibition label, ‘The Wave, Penmon’, signed with initials (70 x 90cms) Provenance: private collection Cardiff, consigned via our Cardiff office, purchased by vendor from Thackeray Gallery in 1993 Condition Report: no problems, original grey painted frame and slip by John Jones for Thackeray Gallery, bespoke wooden case for transportation available if required £28,000-36,000 281-282 No lots

92

* See page 5, or paragraph 7 of our company terms & conditions at the back of the catalogue for additional charges on the hammer price

Lots

283-408 THE WELSH SALE/ YR ARWERTHIANT CYMREIG (9.30am)

Welsh Oil Paintings Paentiadau olew Cymreig

The Welsh Sale • Rogers Jones & Co

283 ‡ TOM NASH oil on board - titled verso ‘Cwmfelin Steel Works’ and again on The Dillwyn Gallery label, signed and dated verso 1957 (37 x 49cms) Provenance: private collection Swansea, by descent, consigned via our Cardiff office, original 1957 label verso Condition Report: painting good overall, may benefit from clean, original frame is tired £600-800

283

284 ‡ WILL ROBERTS oil on board - two figures walking alongside a river with bridge, signed with initials (63 x 74cms) Provenance: private collection Swansea, by descent, consigned via our Cardiff office Condition Report: in good condition without issues, original frame £4,000-5,000

284

94

* See page 5, or paragraph 7 of our company terms & conditions at the back of the catalogue for additional charges on the hammer price

Rogers Jones & Co • The Welsh Sale 285 ‡ GLENYS COUR collage - entitled verso ‘Branwen and Bird (Celtic Series)’, signed and dated 1997 (13.5 x 13.5cms) Provenance: from the estate of Carys & William Brown, artist William Brown being Scottish-Canadian (1953-2008) who lived in Wales from 1990 to his death and was part of the Welsh arts community Condition Report: framed and glazed £100-120 286 ‡ GLENYS COUR mixed media and construction - entitled verso on Attic Gallery label ‘Blodeuwedd V’, signed and dated ‘95 (15 x 14.5cms)

286

285

Provenance: private collection Cardiff, consigned via our Cardiff office Condition Report: framed and glazed, without issues £100-120 287 ‡ ANDREW VICARI oil on canvas head and shoulders portrait of George Bernard Shaw, signed (100 x 80cms) Provenance: private collection Conwy, consigned via our Colwyn Bay office Condition Report: framed, no issues £100-150

287

288

288 BRYN RICHARDS oil on board landscape with tree-stump, signed (30.5 x 41.5cms)

289 ‡ ANTHONY EVANS mixed media and construction - entitled verso ‘Ci yn Cyfarth (Dog Barking)’ (15.5 x 15cms (including frame))

Provenance: directly from the artist’s family, consigned via our Cardiff office

Provenance: from the estate of Carys & William Brown, artist William Brown being Scottish-Canadian (1953-2008) who lived in Wales from 1990 to his death and was part of the Welsh arts community

Condition Report: framed, ready to hang £100-150

Condition Report: framed and glazed £100-120

290 ‡ ANTHONY EVANS mixed media and construction - entitled verso ‘Cei (Quay)’, signed with initials (34 x 53cms (including frame)) Provenance: from the estate of Carys & William Brown, artist William Brown being ScottishCanadian (1953-2008) who lived in Wales from 1990 to his death and was part of the Welsh arts community Condition Report: no problems, framed and glazed £100-150

289

290

‡ Artist’s Resale Rights/Droit de Suite may apply to this lot (please see terms and conditions).

95

The Welsh Sale • Rogers Jones & Co

291

292

291 ‡ NEALE HOWELLS oil and construction on panel - entitled verso ‘I Am a Man’, signed verso and dated 2005 (33 x 32cms)

292 ‡ ANDREW DOUGLAS-FORBES gouache - still life flowers in a vase (35 x 25cms)

Provenance: from the estate of Carys & William Brown, artist William Brown being Scottish-Canadian (1953-2008) who lived in Wales from 1990 to his death and was part of the Welsh arts community

Provenance: private collection Cardiff, consigned via our Cardiff office

Condition Report: ready to hang £100-150

Condition Report: framed and glazed £100-150

294

295

294 ‡ CHRIS GRIFFIN alkyd resin - abstract entitled verso ‘Two Forms’, on Attic Gallery label, signed (27.5 x 33.5cms)

295 ‡ EMRYS WILLIAMS acrylic on panel entitled verso on Martin Tinney Gallery label ‘Near the Farm 2002’, signed verso (12 x 12cms)

Provenance: private collection Cardiff, consigned via our Cardiff office Condition Report: framed and glazed, ready to hang £150-200

96

Provenance: private collection Worcestershire, consigned via our Cardiff office Condition Report: in ‘floating’ box frame, glazed, marks to frame £150-250

293 293 ‡ VALERIE GANZ oil on card half portrait of young girl in bonnet, stated on the back of the frame ‘signed on obverse’ (17 x 12cms) Provenance: private collection Cardiff, consigned via our Cardiff office Condition Report: framed and glazed £100-120

296 296 BRYN RICHARDS oil on canvas still-life of fruit in blue bowl, from the artist’s ‘Bowl Series’ (40 x 40cms) Provenance: directly from the artist’s family, consigned via our Cardiff office Condition Report: framed £150-200

* See page 5, or paragraph 7 of our company terms & conditions at the back of the catalogue for additional charges on the hammer price

Rogers Jones & Co • The Welsh Sale 297 ALAN WILLIAMS acrylic on panel entitled verso ‘Cockle Picker’, signed (44 x 44cms) Provenance: consigned via our Cardiff office Condition Report: framed, ready to hang £150-250

298

297 298 ALAN WILLIAMS acrylic on panel entitled verso ‘Llyn Peninsula’, signed (40 x 58cms) Provenance: consigned via our Cardiff office Condition Report: framed, ready to hang £150-250

299

300

299 ALAN WILLIAMS acrylic on panel - entitled verso ‘Village Chapel’, signed (59 x 48cms)

300 ALAN WILLIAMS acrylic on panel - entitled verso ‘Coracler’, signed (23 x 35cms)

Provenance: consigned via our Cardiff office

Provenance: consigned via our Cardiff office

Condition Report: framed, ready to hang £150-250

Condition Report: framed and glazed £150-200

301 BRYN RICHARDS oil on canvas - still-life of tomatoes, from the artist’s ‘Bowl Series’, dated 2010 (40 x 40cms) Provenance: directly from the artist’s family, consigned via our Cardiff office Condition Report: framed, marks on canvas £150-250 302 ‡ SEREN MORGAN JONES oil on canvas figure wearing Welsh pipe-hat seated at a laboratory microscope, entitled verso ‘Biologist’ (26 x 20.5cms) Provenance: private collection Gwynedd, consigned via our Colwyn Bay office 301

302

‡ Artist’s Resale Rights/Droit de Suite may apply to this lot (please see terms and conditions).

Condition Report: unframed £150-250 97

The Welsh Sale • Rogers Jones & Co 303 ‡ TONY GOBLE acrylic on wood panel - entitled verso ‘Journey to Visit Brenda’, signed (22 x 65cms) Provenance: from the estate of Carys & William Brown, artist William Brown being ScottishCanadian (1953-2008) who lived in Wales from 1990 to his death and was part of the Welsh arts community Condition Report: framed and glazed £150-250

303

304 ‡ ANDREW DOUGLAS-FORBES acrylic on board - entitled verso ‘The Back of Abbey Terrace’, signed with initials and verso with date 2008 (14 x 37cms) Provenance: private collection Rhondda Cynon Taff, consigned via our Cardiff office Condition Report: neatly framed, ready to hang £150-250

304

305 ‡ MICHAEL BARNFATHER oil on board - Cotswold winter landscape, entitled verso ‘Hampnett, Nr North Leach’, signed (22 x 22cms) Provenance: deceased estate Gwent, consigned via our Cardiff office Condition Report: framed, ready to hang £200-250

305

306

306 ‡ IVOR DAVIES oil on board semi-abstract mythological landscape, signed (92 x 122cms) Provenance: private collection Conwy, consigned via our Colwyn Bay office Condition Report: minor losses, frame tired, possibly for reframing £200-400 307 ‡ CHARLES WYATT WARREN oil on board - entitled verso ‘Moel Siabod, Nr. Capel Curig’, signed (24 x 54cms) Provenance: private collection Gwynedd, consigned via our Colwyn Bay office

307

98

Condition Report: original frame and mount, ready to hang £200-400

* See page 5, or paragraph 7 of our company terms & conditions at the back of the catalogue for additional charges on the hammer price

Rogers Jones & Co • The Welsh Sale

308

309

308 BRYN RICHARDS oil on canvas - still-life of trout, lemon slices and mushrooms, from the artist’s ‘Bowl Series’ (40 x 40cms) Provenance: directly from the artist’s family, consigned via our Cardiff office Condition Report: framed, ready to hang £200-300

309 BRYN RICHARDS oil on board - still-life of daffodils in a jug, signed (48 x 43.5cms) Provenance: directly from the artist’s family, consigned via our Cardiff office Condition Report: framed and ready to hang £200-300

310 310 BRYN RICHARDS oil on board - still-life of cyclamen in a vase on silver tray, signed (61 x 40cms) Provenance: directly from the artist’s family, consigned via our Cardiff office Condition Report: framed, ready to hang £200-250

311 311 ‡ CHARLES WYATT WARREN oil on board - Yr Wyddfa (Snowdon), signed (19 x 34cms) Provenance: private collection Denbighshire, consigned via our Colwyn Bay office Condition Report: later framed £200-300

312 ‡ CARL CHAPPLE oil on canvas - entitled verso ‘Gwenllian & Krystal VII’, signed verso and dated 2019 (30 x 25cms) Provenance: private collection Gwynedd, consigned via our Colwyn Bay office

312

Condition Report: framed, ready to hang £200-300

‡ Artist’s Resale Rights/Droit de Suite may apply to this lot (please see terms and conditions).

99

The Welsh Sale • Rogers Jones & Co 313 ‡ DAVID LLOYD GRIFFITH oil on board landscape, entitled verso ‘Rain at Pen Aled’, signed with initials, dated verso 2015 (16 x 40cms) Provenance: private collection Gwynedd, consigned via our Colwyn Bay office Condition Report: framed, ready to hang £200-300 314 ‡ PAUL PETER PIECH oil on board portrait, signed with initial and dated 1994 (36 x 33cms)

313

Provenance: from the estate of Carys & William Brown, William Brown being Scottish-Canadian (1953-2008) and lived in Wales from 1990 to his death and was part of the Welsh arts community Condition Report: framed £200-300 315 ‡ JOHN F COOPER acrylic on canvas entitled verso on Attic Gallery label ‘Capel y Cwm’, signed, dated 2004 (23 x 30cms) Provenance: private collection mid-Wales, consigned via our Cardiff office Condition Report: framed, ready to hang £200-300

314

315

316 ‡ IVOR WILLIAMS oil on canvas laid to board - mountain landscape, signed (22 x 29cms) Provenance: private collection Ceredigion, consigned via our Cardiff office, purchase receipt from 1999 retained with us Auctioneer’s Note: in the manner of James Dickson Innes Condition Report: framed and glazed £200-300

317 ‡ SIAN McGILL oil on board - entitled verso ‘North of Pwllstrodur’, signed (40 x 40cms) Provenance: private collection Rhondda Cynon Taff, consigned via our Cardiff office Condition Report: framed, ready to hang £250-350 318 ‡ MARTIN LLEWELLYN oil on board entitled verso ‘Laugharne Estuary’ (13.5 x 59.5cms) Provenance: private collection Carmarthenshire, consigned via our Carmarthen office Condition Report: framed, ready to hang £250-350

316

317

318 100

* See page 5, or paragraph 7 of our company terms & conditions at the back of the catalogue for additional charges on the hammer price

Rogers Jones & Co • The Welsh Sale 319 ‡ JAMES DONOVAN acrylic on board entitled ‘Trophy, Tower Colliery’, signed with initials verso (48 x 56cms) Provenance: private collection Ceredigion, consigned via our Cardiff office, purchase receipt from Attic Gallery 1997 retained with us Condition Report: framed £250-350

319

320

320 ‡ CHARLES WYATT WARREN oil on board - river at Beddgelert, signed (50 x 60cms) Provenance: private collection Cardiff, consigned via our Cardiff office Condition Report: later framed, ready to hang £300-500

321

323 321 BRYN RICHARDS oil on board - Cardiff cityscape with the imposing building ‘Brunel House’, formerly ‘Great Western House’, bearing British Rail logo (39 x 69cms) Provenance: directly from the artist’s family, consigned via our Cardiff office Condition Report: framed and ready to hang £300-400 322 ‡ TERRY JONES large impasto oil on board - street scene with figures seated on bench talking to figure standing, signed verso, circa 1970s (90 x 69cms) Provenance: private collection Monmouthshire, consigned via our Cardiff office

324

Condition Report: contemporaneous frame and hessian type mount, no issues £300-500

‡ Artist’s Resale Rights/Droit de Suite may apply to this lot (please see terms and conditions).

322 323 BRYN RICHARDS oil on board - landscape with sheep at Gwaelod y Garth, near Cardiff, signed (36.5 x 72cms) Provenance: directly from the artist’s family, consigned via our Cardiff office Condition Report: framed, ready to hang £300-400 324 ‡ BRYN RICHARDS oil on canvas - still-life of flowers in a vase, apples and wall-sconce, signed (63 x 38cms) Provenance: directly from the artist’s family, consigned via our Cardiff office Condition Report: framed and glazed £300-400

101

The Welsh Sale • Rogers Jones & Co 325 ‡ JOHN KENNETH GREEN oil on canvas - head and shoulders portrait of Welsh actor Elwyn Brook-Jones (1911-1962), signed (58 x 48cms) Provenance: private collection Cardiff, consigned via our Cardiff office Auctioneer’s Note: the artist’s notable portrait commissions include Benjamin Britten, poet Cecil Day Lewis and actress Dame Sybil Thorndike Condition Report: frame slightly damaged, no issues with picture £500-600

326 BRYN RICHARDS oil on board still-life of roses, gloves and pottery figurine, signed (60 x 60cms) Provenance: directly from the artist’s family, consigned via our Cardiff office Condition Report: framed, ready to hang £300-400

325

326 327 ‡ CHARLES WYATT WARREN oil on board entitled verso ‘Bridge Near Betws Garmon’ and dated 1969, signed (23 x 54cms) Provenance: private collection Manchester, by descent from aunt and uncle who purchased the picture in Caernarfon in May 1969, consigned via our Cardiff office Condition Report: original frame with typical Hessian mount, painting and frame in good condition, labels verso including artist’s address £300-400

327 328 ‡ SIAN McGILL oil on board entitled verso ‘Porth Maen Melyn’, signed (40 x 60cms) Provenance: private collection Rhondda Cynon Taff, consigned via our Cardiff office Condition Report: framed, ready to hang £300-400

328 329 ‡ IWAN GWYN PARRY oil on canvas - entitled verso ‘Still Sea and Estuary (N. Anglesey)’, signed verso and dated 2008 (30.5 x 40cms) Provenance: private collection Cardiff, consigned via our Cardiff office Condition Report: framed £300-500

329

102

330 330 ‡ TOM JONES RCA oil on board - titled verso ‘Lindisfarne’, monogrammed (34 x 26cms) Provenance: private collection Surrey, consigned via our Cardiff office, artist’s Colwyn Bay address inscribed verso Condition Report: framed £300-500

* See page 5, or paragraph 7 of our company terms & conditions at the back of the catalogue for additional charges on the hammer price

Rogers Jones & Co • The Welsh Sale 331 ‡ ERIC BRADFORTH oil on board - Hodgeston Corner, signed and dated 1964 (35 x 68cms) Provenance: private collection East Sussex, consigned via our Cardiff office Condition Report: no problems, framed and ready to hang £300-400

331

332

332 ‡ CHRISTOPHER WILLIAMS RBA oil on board entitled verso ‘The Bishop’s Palace, St. David’s’, signed verso (27 x 35cms) Provenance: private collection Somerset, consigned via our Cardiff office Condition Report: no problems, original gilt frame, losses to frame £300-500

333 333 ‡ CHRISTOPHER HALL oil on board entitled verso ‘La Torre Montelupone’, signed and dated 2002 (33 x 41cms) Provenance: private collection Cardiff, consigned via our Cardiff office Condition Report: no problems, framed £300-500

334 334 ‡ EMRYS WILLIAMS acrylic on panel - entitled verso on Martin Tinney Gallery label ‘Study for Red Boat, 1992’ (9.75 x 19.75cms) Provenance: private collection Ceredigion, consigned via our Carmarthen office Condition Report: glazed in ‘floating’ box frame £300-400

335 ‡ NEALE HOWELLS oil on panel in two sections - Untitled (113 x 58cms) Provenance: from the estate of Carys & William Brown, William Brown being Scottish-Canadian (1953-2008) and lived in Wales from 1990 to his death and was part of the Welsh arts community Condition Report: ready to hang £300-400 336 ‡ MARTIN LLEWELLYN oil on canvas - entitled verso ‘North Pembrokeshire Coast’, signed with initials (28 x 29cms) Provenance: private collection Carmarthenshire, consigned via our Carmarthen office 335

336

‡ Artist’s Resale Rights/Droit de Suite may apply to this lot (please see terms and conditions).

Condition Report: framed, ready to hang £300-400

103

The Welsh Sale • Rogers Jones & Co

337

338

337 ‡ JAY NOTTINGHAM acrylic on board moonlit coastal scene with red boat, signed (49 x 49cms) Provenance: private collection Carmarthenshire, consigned via our Carmarthen office Condition Report: neatly framed with mount, no problems £300-500

340

339

338 ‡ GORDON STUART oil on board - standing figure in rowing boat, entitled verso ‘Llansteffan’, signed (66 x 60cms) Provenance: private collection Rhondda Cynon Taff, consigned via our Cardiff office Condition Report: neatly framed, ready to hang £300-500

339 ‡ PETER KETTLE oil on canvas - entitled verso ‘Lago Grey Torres Del Paine - Patagonia’, signed (40 x 50cms) Provenance: private collection Gwynedd, consigned via our Colwyn Bay office Condition Report: framed, ready to hang £300-400

340 ‡ DAVID LLOYD GRIFFITH oil on board - entitled verso ‘Autumn Twilight - Dyffryn Dulas’, signed with initials, dated verso 2012 (13 x 32cms) Provenance: private collection Gwynedd, consigned via our Colwyn Bay office Condition Report: framed and glazed £300-400

341 ‡ DAVID LLOYD GRIFFITH oil on board - entitled verso ‘Spring Silage Fields’, dated 2006, signed with initials (56 x 66cms) Provenance: private collection Cardiff, consigned via our Cardiff office Condition Report: ready to hang £400-600

341

104

* See page 5, or paragraph 7 of our company terms & conditions at the back of the catalogue for additional charges on the hammer price

Rogers Jones & Co • The Welsh Sale 342 ‡ GWYN ROBERTS oil on canvas coastal scene entitled verso ‘Llangrannog, Ceredigion’, signed with initials (51 x 40cms) Provenance: private collection Carmarthenshire, consigned via our Carmarthen office Condition Report: framed, ready to hang £400-600 343 ‡ ANDREW VICARI oil on board entitled verso ‘Harlequin & Gipsy Children’ (sic), signed verso (122 x 178cms)

343

342

Provenance: private collection Conwy, consigned via our Colwyn Bay office Condition Report: damage to centre of picture £400-600

344

345 344 ‡ DAVID GRIFFITHS MBE oil on canvas - entitled verso ‘Stormy Skies, Venice’, signed with initials and fully verso (40 x 50cms) Provenance: private collection Cardiff, consigned via our Cardiff office Condition Report: framed, ready to hang £400-600

346

345 ‡ JOHN CYRLAS WILLIAMS oil on canvas life-study class with figure painting portrait of sitter beyond, signed (45 x 36cms)

346 ‡ CHARLES WYATT WARREN oil on board - entitled verso ‘Jetty at Caernarfon’, signed (19 x 32cms)

Provenance: private collection mid-Wales, consigned via our Cardiff office, label verso reads ‘Exhibited Plas Glyn y Weddw March 2016, the study is that of Colarossi, Paris… purchased from Peter Lord 2016’

Provenance: private collection Ceredigion, consigned via our Carmarthen office

Condition Report: later framed, ready to hang £400-600

‡ Artist’s Resale Rights/Droit de Suite may apply to this lot (please see terms and conditions).

Condition Report: framed, ready to hang £400-600

105

The Welsh Sale • Rogers Jones & Co 347 ‡ JOHN ELWYN oil on board entitled verso ‘Peppers’, signed, dated verso 1982 (29 x 39cms) Provenance: private collection Ceredigion, consigned via our Cardiff office Condition Report: framed £400-600 347

348

348 ‡ DAVID HUMPHREYS oil on board entitled verso ‘Paysage Provencal La Chapelle’, signed verso (58 x 58cms) Provenance: deceased estate Gwent, consigned via our Cardiff office Condition Report: framed, ready to hang £500-800 349 ‡ CHARLES WYATT WARREN oil on board Eryri (Snowdonia) landscape with mountains, lake and lakeside whitewashed dwelling, signed (28.5 x 74cms)

349

Provenance: private collection Cardiff, consigned via our Cardiff office Condition Report: original typical framing £500-700

350

106

351

350 ‡ HARRY HOLLAND oil on canvas - view of Coal Exchange Cardiff, signed (90 x 98cms)

351 ‡ HARRY HOLLAND oil on canvas - Carlisle Street, Cardiff, signed (90 x 100cms)

Provenance: private collection Conwy, consigned via our Colwyn Bay office

Provenance: private collection Conwy, consigned via our Colwyn Bay office

Condition Report: framed, ready to hang £500-800

Condition Report: framed, ready to hang £500-800

* See page 5, or paragraph 7 of our company terms & conditions at the back of the catalogue for additional charges on the hammer price

Rogers Jones & Co • The Welsh Sale

352

353

354

352 ‡ NICK HOLLY acrylic on board - entitled verso on Attic Gallery label ‘Taxis N.Y.C’, signed (27.5 x 27.5cms) Provenance: private collection Cardiff, consigned via our Cardiff office Condition Report: no problems, framed and glazed £500-700 355 353 ‡ DAVID BARNES oil on board - entitled verso ‘Rocks Near Rhosneigr’, signed verso (60 x 60cms)

355 ‡ PETER MORGAN acrylic on canvas entitled verso on McAllister Thomas Gallery label ‘The Boathouse, Laugharne’, signed with initials verso (30 x 30cms)

Provenance: private collection Gwynedd, consigned via our Colwyn Bay office

Provenance: private collection Carmarthenshire, consigned via our Carmarthen office

Condition Report: framed, ready to hang £500-700 354 ‡ GWYN ROBERTS oil on canvas - Eryri (Snowdonia) landscape entitled verso ‘Gwern Gof Uchaf o Dan Tryfan’, signed with initials (50 x 40cms) Provenance: private collection Carmarthenshire, consigned via our Carmarthen office Condition Report: framed, ready to hang £500-700

356

Condition Report: frarmed and glazed, ‘floating’ box frame £500-700 356 ‡ MEIRION JONES acrylic on board coastal scene, entitled verso ‘Ceibwr II’, signed, dated verso June 2010 (51 x 70cms) Provenance: private collection Swansea, consigned via our Cardiff office, purchased from his solo exhibition at the Attic Gallery Condition Report: framed £500-700

357 357 ‡ WYNNE JENKINS oil on canvas - entitled verso ‘Marchlud Mwyn’ (gentle sunset), signed verso (50 x 60cms) Provenance: private collection Kent, consigned via our Cardiff office Condition Report: framed, ready to hang £600-800

‡ Artist’s Resale Rights/Droit de Suite may apply to this lot (please see terms and conditions).

107

The Welsh Sale • Rogers Jones & Co 358 EVAN WALTERS oil on canvas entitled verso ‘Still Life, Blaencwm’ (60 x 50cms) Provenance: private collection Cardiff, consigned via our Cardiff office, purchased at Sotheby’s Welsh sale, Margam Park, October 1999 (details verso) Condition Report: framed, in good condition, edges unfinished possibly £600-800 359 ‡ GARETH PARRY oil on canvas entitled verso ‘Mynd Adra am Banad! (Going Home for a Cup of Tea)’, signed (38 x 38cms) Provenance: private collection Carmarthenshire, consigned via our Carmarthen office Condition Report: neatly framed with slip and ready to hang £600-800

358 360 ‡ MOSS WILLIAMS oil on board Snow on Welsh mountains, entitled verso ‘Yr Wyddfa, Cwmtreweryn a Llyn Dwyarchen o uwch law Drws y Coed’ (Snowdon, Cwmtreweryn and Llyn Dywarchen from above Drws y Coed), indistinctly signed bottom right, circa 1968 (65 x 75cms) Provenance: private collection Gwynedd, consigned via our Colwyn Bay office, Paris Salon Societe des Artistes Francais Condition Report: framed, no issues £700-1,000

360

361

108

359 361 ‡ DAVID TRESS oil on board - entitled verso ‘Study from the Hillside Series, 1990/91’ (30 x 33cms) Provenance: private collection North Wales, consigned via our Colwyn Bay office Condition Report: framed, ready to hang £700-1,000

362 ‡ HEINZ KOPPEL oil on board - South Wales valleys terraced houses and distant colliery with child having climbed a lamppost with toy bow and arrow, signed and dated 1954 (61 x 91cms) Provenance: private collection mid-Wales, consigned via our Cardiff office Condition Report: framed, slight losses and pin holes £700-1,000

362

* See page 5, or paragraph 7 of our company terms & conditions at the back of the catalogue for additional charges on the hammer price

Rogers Jones & Co • The Welsh Sale

363 ‡ DAVID BARNES oil on board Welsh coast under moonlight Ynys Mon (Anglesey), signed verso (39 x 49cms) Provenance: private collection Ceredigion £700-900

363

365 364 ‡ CLAUDIA WILLIAMS oil on board - mother with infant on her knee, signed and dated 1965 (and with painting verso of mother, daughter and infant) (60 x 29cms) Provenance: private collection Carmarthenshire, consigned via our Carmarthen office Condition Report: framed, ready to hang £800-1,200 365 ‡ CHARLES WYATT WARREN oil on board - Eryri mountain landscape with lake, whitewashed cottage and silver birch trees, signed (24 x 54cms) Provenance: private collection Ceredigion, consigned via our Carmarthen office Condition Report: framed, ready to hang £800-1,200 366 ‡ WILF ROBERTS oil on board entitled verso ‘Coastal Farm’, signed and dated 2006 (12.5 x 27.5cms) Provenance: private collection Ceredigion, consigned via our Carmarthen office

364

366

367 ‡ DAVID HUMPHREYS oil on board - entitled verso ‘Camaret, Brittany, France’, signed (59 x 88cms) Provenance: deceased estate Gwent, consigned via our Cardiff office Condition Report: framed, ready to hang £1,000-1,500 368 ‡ DAVID HUMPHREYS oil on board - entitled verso ‘Village Provencale’, signed (57 x 88cms)

367

Provenance: deceased estate Gwent, consigned via our Cardiff office Condition Report: framed, ready to hang £1,000-1,500

Condition Report: framed and glazed £900-1,200 ‡ Artist’s Resale Rights/Droit de Suite may apply to this lot (please see terms and conditions).

368

109

The Welsh Sale • Rogers Jones & Co 369 ‡ DAVID CARPANINI oil on canvas - entitled verso ‘The Searchers’, signed (39 x 59cms) Provenance: private collection mid-Wales, consigned via our Cardiff office Condition Report: original frame, ready to hang £1,000-1,500

369

370 ‡ KEVIN SINNOTT oil on canvas - artist and model, entitled verso ‘Still Life’, dated 2007, signed with initials (54 x 69cms) Provenance: private collection South Wales, consigned via our Cardiff office Condition Report: framed and ready to hang £1,400-1,800

371 ‡ DAVID HUMPHREYS oil on board - entitled verso ‘Farm Near St. David’s Pembrokeshire’, signed (59 x 88cms) Provenance: deceased estate Gwent, consigned via our Cardiff office Condition Report: framed, ready to hang £1,500-2,500 372 ‡ JOSEF HERMAN OBE RA oil on board - entitled verso ‘Mother and Child’ (28 x 18cms) Provenance: private collection Berkshire, consigned via our Cardiff office, note verso ‘From the estate of Gwyn Owen Jones, director of Museum of Wales’ Condition Report: slight surface lifting top right, framed and glazed, ready to hang £1,500-2,000 373 ‡ HYWEL HARRIES oil on board - entitled verso ‘Borth Skyline’, signed (35 x 102cms)

370

Provenance: private collection Gwent, by descent, consigned via our Cardiff office Condition Report: original frame, ready to hang £1,500-2,000

371

372

373

110

* See page 5, or paragraph 7 of our company terms & conditions at the back of the catalogue for additional charges on the hammer price

Rogers Jones & Co • The Welsh Sale 374 ‡ DAVID TRESS mixed media with oil and construction - entitled verso ‘Looking at Fields (End of Summer)’, signed verso (60 x 75cms) Provenance: private collection North Wales, consigned via our Colwyn Bay office Condition Report: high quality frame, glazed £1,700-2,300 375 ‡ WILL ROBERTS oil on board - entitled verso ‘Farmer, Tyn y Waun’, signed with initials (24 x 20cms) Provenance: private collection Gwynedd, consigned via our Colwyn Bay office Condition Report: framed (chips to frame), no issue with painting £1,800-2,500

374 376 ‡ WILL ROBERTS oil on board - three figures working, entitled verso ‘Potato Peel’, signed with initials and verso with date 1974 (20 x 24cms) Provenance: private collection Pembrokeshire, consigned via our Carmarthen office, to accompany painting, an exhibition catalogue for Will Roberts at the Llandaff Festival, 1973 Condition Report: neatly framed, ready to hang £1,800-2,500 377 ‡ ERNEST ZOBOLE oil on canvas - entitled verso ‘Landscape at Night’ (90 x 120cms) Provenance: private collection Cardiff, consigned via our Cardiff office Condition Report: framed, minor losses, ready to hang £2,000-4,000

375

376 ‡ Artist’s Resale Rights/Droit de Suite may apply to this lot (please see terms and conditions).

377 111

The Welsh Sale • Rogers Jones & Co 378 ‡ ERNEST ZOBOLE oil on board entitled verso ‘Valley in the Night’ (121 x 75cms)

379 ‡ ANEURIN JONES oil on board titled verso ‘Dai Tanybwlch’, signed verso (73 x 94cms)

Provenance: private collection Cardiff, consigned via our Cardiff office, purchased by vendor from artist’s family directly

Provenance: private collection Ceredigion, consigned via our Carmarthen office Condition Report: framed, ready to hang £2,000-3,000

Condition Report: framed, light surface scratches £2,000-3,000

378

379

380 380 ‡ GEORGE CHAPMAN oil on canvas - entitled verso on Royal Academy Summer Exhibition 1993 label ‘Going to Work (Early Morning)’, signed (39 x 60cms) Provenance: private collection Cardiff, consigned via our Cardiff office, purchased at Sotheby’s Welsh sale at Margam Park, October 1999, lot no. 226 (details verso) £2,000-2,500 112

381 ‡ NICK EVANS large oil on board - three miners working on roof-supports (120 x 120cms) Provenance: private collection Cardiff, consigned via our Cardiff office

381

Condition Report: framed, ready to hang £2,000-3,000

* See page 5, or paragraph 7 of our company terms & conditions at the back of the catalogue for additional charges on the hammer price

Rogers Jones & Co • The Welsh Sale

382

383

382 ‡ WILF ROBERTS oil on canvas - Anglesey / Ynys Mon landscape, entitled verso on Martin Tinney label ‘O Bodafon / From Bodafon’, dated 2015 (40 x 50cms)

383 ‡ WILF ROBERTS oil on canvas - Anglesey landscape entitled verso ‘Y Garn’, signed and dated 2006 (40 x 40cms)

Provenance: private collection Gwynedd, consigned via our Colwyn Bay office Condition Report: framed, ready to hang £2,000-3,000

Provenance: private collection mid-Wales, consigned via our Cardiff office Condition Report: original frame, ready to hang £2,000-3,000

384

385

384 ‡ GWILYM PRICHARD oil on canvas - entitled verso ‘Criccieth’, signed (52 x 62cms)

385 ‡ PETER PRENDERGAST oil on hardboard - entitled ‘Hill, from the back of Parc (1975)’ (35 x 43cms)

Provenance: private collection Ceredigion, consigned via our Cardiff office

Provenance: private collection Gloucestershire, consigned via our Cardiff office, acquired by vendor at the artist’s solo exhibition at Mostyn Art Gallery, ‘The Road to Bethesda’ in 1983, catalogue of which is retained with us together with label from the back of the picture

Condition Report: neatly framed, surface marks only £2,000-3,000

Condition Report: framed, ready to hang £2,200-2,800 ‡ Artist’s Resale Rights/Droit de Suite may apply to this lot (please see terms and conditions).

113

The Welsh Sale • Rogers Jones & Co

386

387 386 ‡ WILL ROBERTS oil on board - entitled verso on Mall Galleries label ‘Farm Worker’, signed with initials, dated verso 1993 (28 x 40cms) Provenance: private collection Cardiff, consigned via our Cardiff office

388

Condition Report: marks to frame, painting excellent £2,500-3,500 387 ‡ MURIEL DELAHAYE oil on canvas - three figures on a promenade, entitled verso ‘Gossips’, signed (49 x 39cms) Provenance: private collection Cardiff, consigned via our Cardiff office Condition Report: framed, no problems, ready to hang £2,500-3,500

389

114

388 ‡ GEORGE CHAPMAN oil on board - Quay Parade, Aberaeron at sunset, with figures and car, signed (53 x 80cms) Provenance: private collection Berkshire, consigned via our Cardiff office Auctioneer’s Note: original painting for a series of posters produced for advertising purposes by GPO (see lot 61 in this sale) Condition Report: framed, ready to hang £3,000-4,000 389 ‡ ANEURIN JONES large oil on board brown and black Welsh cobs with handlers and crowd of figures (80 x 125cms) Provenance: private collection Vale of Glamorgan, consigned via our Cardiff office Condition Report: no issues, ready to hang £3,000-4,000

* See page 5, or paragraph 7 of our company terms & conditions at the back of the catalogue for additional charges on the hammer price

Rogers Jones & Co • The Welsh Sale

390 390 ‡ JACK JONES oil on board - entitled verso on Attic Gallery label ‘Dublin Arms, Greenhill’, signed (45 x 59cms) Provenance: private collection mid-Wales, consigned via our Cardiff office Condition Report: framed, fresh and ready to hang £3,000-5,000

392 392 ‡ CLAUDIA WILLIAMS oil on board - entitled ‘Shelling Peas 1956’, signed (90 x 55cms) Provenance: private collection Ceredigion, consigned via our Cardiff office Auctioneer’s Note: the subject matter is Claudia Williams’ artist husband Gwilym Prichard and their two sons, Ceri and Ben, in the garden of their Anglesey home. Please note verso another painting, entitled ‘The Sick Child 1958’, 93 x 57cms 391

Condition Report: framed, slight localised craquelure £3,000-4,000

391 ‡ WILL ROBERTS oil on canvas - single figure entitled ‘Burning Stubble’, signed with initials and verso with date 1994 (49 x 60cms) Provenance: private collection Cardiff, consigned via our Cardiff office Condition Report: framed £3,000-4,000

‡ Artist’s Resale Rights/Droit de Suite may apply to this lot (please see terms and conditions).

115

The Welsh Sale • Rogers Jones & Co

393 ‡ SHANI RHYS JAMES MBE oil on linen - self-portrait, entitled verso on Martin Tinney Gallery label ‘Hands to Face’, signed and dated verso 1997 (40 x 30cms) Provenance: private collection Cardiff, consigned via our Cardiff office, purchased by vendor from Martin Tinney Gallery Condition Report: no problems, original deep frame in black, ready to hang £3,500-4,500

393

394 ‡ VALERIE GANZ oil on canvas - group of marching miners with headtorches, entitled verso ‘Hi There!’, signed (69 x 89cms) Provenance: private collection London, consigned via our Cardiff office Condition Report: framed £5,000-7,000

394

116

* See page 5, or paragraph 7 of our company terms & conditions at the back of the catalogue for additional charges on the hammer price

Rogers Jones & Co • The Welsh Sale

395 395 ‡ KEVIN SINNOTT large oil on canvas - entitled verso on Martin Tinney Gallery label ‘Three Graces with Primroses’, signed with initials (145 x 110cms) Provenance: private collection Gwynedd, consigned via our Colwyn Bay office Condition Report: framed, ready to hang £10,000-15,000 ‡ Artist’s Resale Rights/Droit de Suite may apply to this lot (please see terms and conditions).

117

The Welsh Sale • Rogers Jones & Co 396 ‡ SHANI RHYS JAMES MBE oil on canvas - entitled ‘White Overall II, 1995’, signed on label verso with handwritten address (183 x 121cms) Provenance: private collection Cardiff, consigned via our Cardiff office, purchased by vendor from ‘Facing the Self’ exhibition organised by Oriel Mostyn, Llandudno, 1997, to accompany the painting is (1) a limited edition of 500 hardback catalogue for this exhibition, signed by the artist and dated 1998, (2) a Bernard Mitchell signed photograph of Shani Rhys James (in white overalls) seated in her studio amongst large canvases including ‘White Overall II’ in the centre of the composition, photograph is signed by the photographer and the artist with ‘Llangadfan ‘96’ framed and glazed Condition Report: no problems, framed, bespoke wooden case for transportation available £20,000-30,000

396

118

* See page 5, or paragraph 7 of our company terms & conditions at the back of the catalogue for additional charges on the hammer price

Rogers Jones & Co • The Welsh Sale

397 397 ‡ JOHN PIPER oil on canvas - entitled verso on Marlborough Gallery label (New York) ‘Powys Castle, Powys, Wales;, dated 1983, signed (85 x 110cms) Provenance: private collection Vale of Glamorgan, labels verso for Marlborough Galleries (London & New York) Condition Report: framed, ready to hang £25,000-35,000

‡ Artist’s Resale Rights/Droit de Suite may apply to this lot (please see terms and conditions).

119

The Welsh Sale • Rogers Jones & Co

398 398 ‡ JACK JONES oil on board - entitled verso ‘St Joseph’s Church’ on The Attic Gallery label, signed and dated 1970 (38.5 x 49cms) Provenance: private collection Swansea, by descent, consigned via our Cardiff office, 1970 label for Dillwyn Gallery with the name replaced by The Attic Gallery Condition Report: in good fresh condition, original frame, good label verso £4,000-5,000

399 ‡ ROBERT HUNTER silver foil and oil paint on board - entitled ‘Saintly Signs No.2’, signed and dated 1967 (28 x 18cms) Condition Report: In excellent original condition, original frame, glazed, ready to hang £200-400 400-401 No lots 399

120

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Rogers Jones & Co • The Welsh Sale 402 ‡ DONALD McINTYRE large oil on board - artist’s handwritten title verso ‘Winter, Port Eynon’ (59 x 120cms) Provenance: private collection Swansea, consigned via our Cardiff office, by descent Condition Report: original hessian type frame, ready to hang £1,000-2,000

402

403

404

403 ‡ DONALD McINTYRE oil - coastal scene with waves and dark sky, signed with initials (24 x 34cms) Provenance: private collection Cardiff, consigned via our Cardiff office Condition Report: no problems, framed £1,400-1,800 404 ‡ DONALD McINTYRE oil on board - entitled verso ‘River Ogwen No.2’, signed (48 x 60cms) Provenance: private collection Vale of Glamorgan, consigned via our Cardiff office, purchased by vendor’s parents from Albany Gallery, 1960s / 70s Condition Report: original hessian type frame, ready to hang £1,500-2,000 405 ‡ DONALD McINTYRE oil on board - handwritten title verso ‘Wet Day, Bangor’, signed with initials (38 x 49cms)

405

Provenance: private collection West Sussex, consigned via our Cardiff office, old typed label of provenance verso outlining the bequeathal of the picture to Audrey J Green of Surrey from the estate of George Cyril Allen Condition Report: painting is fresh without issues, in tired original frame £1,500-2,000

‡ Artist’s Resale Rights/Droit de Suite may apply to this lot (please see terms and conditions).

121

The Welsh Sale • Rogers Jones & Co

406 ‡ DONALD McINTYRE oil - dark sky, waves and beach with two standing figures of mother and child, signed (50 x 74cms) Provenance: private collection Cardiff, consigned via our Cardiff office Condition Report: no problems, framed £2,500-3,500

406

407 ‡ DONALD McINTYRE large oil on board - entitled verso on Society of Marine Artists label and Thackeray Gallery label ‘Porthgain’, with 1968 date to Society of Marine Artists label, signed (63 x 100cms) Provenance: private collection Germany, consigned via our Cardiff office Condition Report: in typical period frame with hessian-type mount £2,500-3,500

407

408 ‡ DONALD McINTYRE acrylic - entitled verso ‘Farm, Pembrokeshire’, signed with initials (35 x 43cms) Provenance: private collection Rhondda Cynon Taff, consigned via our Cardiff office, purchased Albany Gallery Cardiff (receipt) Condition Report: no problems, framed and glazed, ready to hang £2,500-3,500 409 No lot

408

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Keith Bowen ‘Snowdon Shepherd’ Keith Bowen ‘Bugail Eryri’ Thirty-two years ago, North Wales artist Keith Bowen embarked on a year-long artistic assignment and collaboration on the slopes of Eryri (Snowdonia).

Dri deg a dwy o flynyddoedd yn ôl, cychwynnodd Keith Bowen, arlunydd o Ogledd Cymru, ar brosiect artistig a chydweithredol a barodd flwyddyn. Prosiect yn ymwneud â llethrau Eryri.

From October 1990 to October 1991, the artist’s time was spent immersed in the Welsh upland sheep farming community.

Bowen recorded the shepherds’ working lives and the cyclical processes within the shepherding seasons, all against the dramatic and often unforgiven backdrop of Eryri.

Rhwng Hydref 1990 a Hydref 1991, ymgollodd yr arlunydd yn y gymuned ffermio defaid ar ucheldiroedd Cymru. Cofnododd Bowen y bugeiliaid wrth eu gwaith a’r prosesau cylchol o fewn y tymhorau bugeilio, a hynny yn erbyn cefndir dramatig a didrugaredd Eryri.

From Keith Bowen’s ‘Snowdon Shepherd: Four Seasons on the Hill Farms of North Wales’ project came a body of work which is both documentary and strikingly beautiful. He recorded all the landmark moments in the shepherd’s calendar year, from the selection of the flock at the ram sale, to gathering them down from the upper slopes in pre-winter, the tough winters with blizzard conditions, the intense lambing season followed by the optimism of spring and the camaraderie of shearing in summer.

Llwyddodd prosiect Keith Bowen, sy’n dwyn y teitl ‘Snowdon Shepherd: Four Seasons on the Hill Farms of North Wales’, i esgor ar weithiau sy’n mynd ati i ddogfennu, ond sydd hefyd yn hynod hardd. Cofnododd yr adegau hollbwysig yng nghalendr y bugeiliaid – yn cynnwys dewis y ddiadell yn arwerthiant y meheryn, nôl y defaid oddi ar y llethrau uchaf cyn y gaeaf, y gaeafau geirwon a’u stormydd eira, y tymor wyna prysur, y gobaith a ddôi gyda’r gwanwyn a chwmnigarwch y cneifio yn yr haf.

The project demonstrated the hardship of shepherding in Wales, the drama of the mountains, the steadfastness of a community and the timelessness and tradition in Welsh sheep farming.

Dangosodd y prosiect pa mor galed yw bugeilio yng Nghymru, tynnodd sylw at ddrama’r mynyddoedd a dycnwch y gymuned, a llwyddodd i arddangos y traddodiadau sy’n perthyn i ffermio defaid yng Nghymru.

The Welsh Sale • Rogers Jones & Co

410 410 ‡ KEITH BOWEN large oil on canvas portrait of a standing shepherd beside dry-stone wall, entitled verso ‘Shepherd Places: In the Old Sheepfold’, signed and dated verso 2004 (82 x 138cms) Provenance: private collection Ynys Mon, consigned via our Colwyn Bay office Condition Report: framed, ready to hang £3,000-4,000 411 ‡ KEITH BOWEN pastel and gouache shepherd walking with sheepdog, signed and dated 1992 (53 x 39cms) Provenance: private collection Cardiff, consigned via our Cardiff office, preliminary drawing for this painting features in ‘Bugail Eryri’ / ‘Snowdonia Shepherd’ Condition Report: no problems, framed and glazed £2,000-2,500

411

124

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Rogers Jones & Co • The Welsh Sale 412 ‡ KEITH BOWEN pastel - shepherd protecting lamb from storm, signed and dated 1991 (79 x 54cms) Provenance: private collection Cardiff, consigned via our Cardiff office, illustration is on the dust-jacket of the 1991 Pavilion publication ‘Snowdon Shepherd’ / ‘Bugail Eryri’ (illustrations by the artist and foreword by Jan Morris), copy of ‘Bugail Eryri’ to accompany painting Condition Report: no problems, framed and with non-reflective ‘museum’ glass £2,000-3,000

412

413 ‡ KEITH BOWEN pastel - standing ram, entitled ‘Yr Hwrdd ydi Hanner y Ddiadell’ (the ram is half the flock), signed (54 x 78cms) Provenance: private collection Cardiff, consigned via our Cardiff office, illustrated in the 1991 Pavilion publication ‘Snowdon Shepherd’ / ‘Bugail Eryri’ (illustrations by the artist and foreword

by Jan Morris), copy of ‘Bugail Eryri’ to accompany

413

Condition Report: high quality frame, behind non-reflective ‘museum’ glass, ready to hang £1,500-2,000 414 ‡ KEITH BOWEN pastel - upland winter landscape with sheep in snow, dry-stone wall and distant farm-house, signed and dated 1992 (39 x 54cms) Provenance: private collection Cardiff, consigned via our Cardiff office, the painting was used as the illustration for 1992 Royal Mail ‘Wintertime’ postal stamps, to accompany first day cover signed by artist and framed sheet of twelve uncirculated stamps Condition Report: no problems, high-quality framing, glazed £1,500-2,000 414

‡ Artist’s Resale Rights/Droit de Suite may apply to this lot (please see terms and conditions).

125

The Welsh Sale • Rogers Jones & Co 415 ‡ KEITH BOWEN graphite on paper entitled verso on Albany Gallery label ‘The Ram Sale at Hafod-y-Llan’, signed and dated 1989 (43 x 69cms) Provenance: private collection Cardiff, consigned via our Cardiff office, purchased by vendor from Vicarage Framers, Wrexham Auctioneer’s Note: Hafod-y-Llan is a National Trust farm stretching from the valley bottom at Nant Gwynant up the steep, dramatic slopes of Yr Wyddfa (Snowdon). Walkers to Yr Wyddfa, access the popular Watkin Path from near the farm, which is home to Welsh mountain ewes Condition Report: framed and glazed, ready to hang £600-900 416 ‡ KEITH BOWEN diptych pen and ink on Schoellershammer 6G paper - dry-stone wall and farmer on tractor with sheepdog following, signed and dated 1989 (35 x 43cms & 35 x 49cms)

415

Provenance: private collection Cardiff, consigned via our Cardiff office Condition Report: no problems, framed and glazed £400-600

416 418 ‡ KEITH BOWEN acrylic on board - entitled verso ‘Two Sheep’, signed (17 x 24cms) Provenance: private collection Gwynedd, consigned via our Colwyn Bay office Condition Report: framed, ready to hang £300-400 419 No lot 418 417 ‡ KEITH BOWEN pastel and construction - entitled verso on Richard Hagen Gallery label ‘Fountain Spring Water’, signed (55 x 38cms) Provenance: private collection Conwy, consigned via our Colwyn Bay office

417

126

Condition Report: framed and glazed £300-500

* See page 5, or paragraph 7 of our company terms & conditions at the back of the catalogue for additional charges on the hammer price

Lots

420-458 THE WELSH SALE/ YR ARWERTHIANT CYMREIG (9.30am)

Welsh sculpture, antiques, books, memorabilia etc Cerfluniau Cymreig, hen bethau, llyfrau, pethau cofiadwy etc Lot 426: 1927 FA Cup Final Programme

The Welsh Sale • Rogers Jones & Co

420 WORK CENTRE SULLY, SOUTH GLAMORGAN bronze on slate - Welsh dragon in bronze on a Welsh slate platform base, engraved with the inscription ‘Y Ddraig Goch a Ddyry Gychwyn’ (base 25 x 13.5cms, height 18.5cms) Provenance: private collection Vale of Glamorgan, consigned via our Cardiff office Condition Report: No issues £200-300

420

421 ‡ BILL SWANN art glass panel - fluid abstract design (51 x 39cms (84 x 71cms incl. frame)) Provenance: private collection Cardiff, consigned via our Cardiff office, vendor commissioned the artist to produce installations at their arts and crafts designed Welsh country-residence Condition Report: the panel is applied to a rectangular pane of clear glass which is joined to a wooden panel and frame by six chrome clasps, ready to hang, slight damage to clear glass pane at one clasp, no problems with the art-glass £300-400

421

422 DARREN YEADON Carrera marble sculpture - stylized fish (28 x 29cms) Provenance: consigned by artist, via our Cardiff office Condition Report: no issues £400-600 422

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Rogers Jones & Co • The Welsh Sale

423 DARREN YEADON Bluestone sculpture - abstract mounted to white marble square plinth (108cms high) Provenance: consigned by artist, via our Cardiff office Condition Report: no issues £1,000-1,500

423

424 ‡ ARTHUR GIARDELLI paper on wood construction - entitled verso ‘My Flowerbed (Viva la Musica)’, monogrammed verso (63 x 44cms including frame) Provenance: private collection Cardiff, consigned via our Cardiff office Condition Report: ready to hang £1,000-1,500 425 No lot 424

‡ Artist’s Resale Rights/Droit de Suite may apply to this lot (please see terms and conditions).

129

The Welsh Sale • Rogers Jones & Co 426 1927 FA CUP FINAL PROGRAMME, SIGNED MENU CARD & TRAVEL ITINERARY Cardiff City v Arsenal, the programme for the final-tie, played on April 23rd at Wembley, printed and published by Fred Blower of Watford and sold at 6d, together with a dinner-card for a City of Cardiff reception at City Hall, Cardiff, 25th April, signed by the Cardiff players including captain Fred Keenor, also signed by the Lord Mayor William Grey, together with the exceptionally rare blue-ribboned travel itinerary programme card which schedules the arrangements of the players and Cardiff City FC officials from the eve of the match on the Friday, to the Monday after, when the traveling party heads back to London. The itinerary includes train times, hotel and dining arrangements while in London and a sight-seeing tour with high-tea arranged Provenance: private collection Cardiff, first time to market, originally obtained from previous director of Roath Furnishings / Roath Radio & TV, who were sponsors of Cardiff FC and who attended the match and the reception, the vendor’s father bought out Roath Radio & TV Co. and went on to have a close association with CCFC, even naming Radio Ninian after he had installed the radio equipment at the club

426 Auctioneer’s Note: 1927 FA Cup Final was the first, and so far only, Final to be won by a non English side, with Cardiff City beating Arsenal 1-0. A newspaper reported at the time: The Welsh team which won the English Cup returned to Cardiff just after half-past six tonight, and received a tremendous welcome from the crowds of people who had gathered to see them come home. Arriving at the station they encountered a barrier of admirers, who cheered madly. When the train arrived there was a mighty roar as Keenor, the Cardiff captain, 426 was seen at the window with the cup in his hands. As the train passed over the bridge, in full view of the tram centre, many people had dodged the vigilant policeman at the station entrance and gained the platform. The train arrived at an unexpected platform, and men and women, heedless of the risk they ran, dashed across the lines, and before they were checked had fairly mobbed the players, several women in frantic excitement kissing two of the players. As soon as was possible the Cup winners were taken to the City Hall, where the Lord Mayor of Cardiff received them. The route to the hall was crammed, and progress was very slow as a result. Cheers rent the air from all quarters, and there was not a break in the volume of sound during the mile journey from the station to Cathays Park. Outside the station and along the route to the City Hall every vantage point had been taken by the spectators. One woman arriving late and finding herself on the fringe of the crowd borrowed or took French leave with a step-ladder from a shop, and installed herself in the centre of the square. Unfortunately the ladder was far too popular, and after rocking under the pressure of eight women it collapsed on to the crowd below, who broke the fall. A small boy found that the occasion offered splendid opportunity for a remunerative business on the canal bridge, where a large number of people had ensconced themselves on the parapet and pillars. To their mortification a gust of wind carried away a dozen hats, some landing on the towpaths and others sailing down the stream. The boy volunteered at twopence per man to shin down the side of the bridge to retrieve the lost headgear. All along the route men, women, and children ran alongside the cars, throwing garlands of flowers, lucky mascots, and other favours to the Cup winners. On reaching their destination the City players rose from their seats and waved to the crowd. Keenor lifted the Cup time and time again, and each time he did so the cheering was doubled. On the portico of the City Hall each player was brought forward to shake hands with the Lord Mayor, and ten minutes elapsed before there was anything like silence. Then the singing began, and after patriotic songs others in honour of the occasion and of the eleven players were rendered. The players later went to the Assembly room in the City Halls where a dinner and dance were given to the players, the reserves, and to their wives. It is understood that Keenor vigorously refutes the report that he said Cardiff were lucky to win. He does not consider that they were lucky. What decided the game, he says, was Cardiff’s supremacy in defence over the Arsenal’s attack’ £1,200-1,800

130

* See page 5, or paragraph 7 of our company terms & conditions at the back of the catalogue for additional charges on the hammer price

Rogers Jones & Co • The Welsh Sale 427 19TH CENTURY WELSH OAK SPOON RACK & COLLECTION OF FIFTEEN TREEN SPOONS the three tier rack with carved finial and apron, various treen, mainly sycamore spoons (55cms high) Provenance: private collection Gwynedd, consigned via our Colwyn Bay office Condition Report: good golden colour, no discernible damage, no restoration £150-200 428 LARGE AMERICAN PEWTER WINE EWER OF WELSH INTEREST made by Lyman of Connecticut, of tapered form, having a hinged lid with grape finial, elaborately moulded handle, Bacchus-mask spout, beaded rims, and with engraved decoration all round and with cartouche to read ‘Presented to David Chadwick by Joseph Robinson, Ebbw Vale, July 1864’ (30cms high) Provenance: private collection Carmarthenshire, consigned via our Carmarthen office

427

428

Auctioneer’s Note: David Chadwick (1821-95) was a solicitor who helped Ebbw Vale Ironworks float on the Stock Exchange in 1862, enabling Ebbw Vale to profit from making steel-rails. Chadwick was involved in the flotation of 47 British companies, he later became an elected junior MP for Macclesfield in 1868. Joseph Robinson (1818-1883) was an apprentice to Coalbrookdale Iron Co under Messrs Abraham and Alfred Darby, he acted as an agent for Coalbrookdale in the West of England and South Wales. Messrs Darby bought the Ebbw Vale Ironworks and Robinson became a partner and manager of the London office where his stature in the industry grew. He was active in the arrangements of the Great Exhibition in 1851, he was introduced to Prince Albert and advised Emperor Napoleon with regards to Anglo-French treaties relating to British iron imports. By his death Robinson had a far-reaching reputation in the iron-trade Condition Report: slightly mishapen but without splits or losses £100-150

429

430

429 JOHN SPEED antiquarian map of Wales, titled ‘Wales’ and flanked by twelve oval vignettes of the principal towns and with four inset views of the cities of St Davids, Llandaff, St Asaph and Bangor, Thomas Bassett & Richard Chiswell 1676 (38 x 50cms)

430 HUMPHREY LLWYD antiquarian map of Wales ‘Cambriae Typus’, circa 1572 Provenance: private collection Cardiff, consigned via our Cardiff office, by descent (37 x 49.5cms)

Provenance: private collection Cardiff, consigned via our Cardiff office

Condition Report: good overall, no notable tears, holes or creases, Baxter-style frame, glazed £100-150

Condition Report: old Baxter-type frame, glazed, uncoloured, without notable tears, holes or creases £300-500

131

The Welsh Sale • Rogers Jones & Co 431 EARLY 20TH CENTURY ENAMEL AA ROAD SIGN double sided with ‘Pont Eynon, River Teifi’ by Franco Signs (25 x 92cms) Provenance: private collection Vale of Glamorgan, consigned via our Cardiff office Condition Report: rust commensurate with age, all lettering clear, good colour, two holes for mounting £100-150

431 432 TRADITIONAL WELSH HAT, SKIRT & APRON, the hat in black fur with tapering crown bearing silk band over a wide brim, the coarse woollen skirt in narrow black, red and white stripes and with cotton waist, the apron in black with white stripes Provenance: private collection Ynys Mon, consigned via our Colwyn Bay office Condition Report: old repairs to hat £100-150

432

433 VINTAGE WELSH TAPESTRY BLANKET, of geometric reversible design, pink ground with yellow, green and white details (180 x 214cms) Provenance: private collection Swansea, consigned via our Carmarthen office Condition Report: appears in good overall condition, minor marks and frays £100-150

435 434 VINTAGE WELSH TAPESTRY ‘CAERNARFON’ BLANKET, of geometric reversible design, pink ground with grey, red and white details (223 x 179cms), together with vintage Welsh small blanket / throw, geometric design on green and black ground (147 x 153cms) (2) Provenance: private collection Swansea, consigned via our Carmarthen office Condition Report: ‘Caernarfon’ blanket has some small stained areas, green throw has fraying to edges £100-150 435 WELSH INTERNATIONAL RUGBY UNION JERSEY, 1920s, bearing black cloth No.14 to white panel, embroidered Prince of Wales feathers with blue ribbon, label to inside of collar for D L Davies, Swansea and ‘J E Tucker’ Provenance: consigned by family of the England International hooker John Samuel ‘Sam’ Tucker (1895-1973), the label to the interior refers to Sam Tucker’s son (the vendor’s father). Sam Tucker swapped the jersey after one of six international matches with Wales in the 1920s (when Wales used a player number rather than letter system). The jersey No.14 would have been worn by a back-row forward

433 434 132

Condition Report: red dye has run to white parts, tears / losses particularly to sleeves and number £250-400

Rogers Jones & Co • The Welsh Sale 436 UNKNOWN sepia photographic print laid to board - historical view of central Cardiff with the Central Hotel in St Mary’s Street, railway bridge, canal, tram and pedestrians (74 x 123cms (including frame)) Provenance: private collection Cardiff, consigned via our Cardiff office, gifted to the vendor by a former worker at the Central Hotel Condition Report: framed, slight losses, slight surface scratches £100-150

436 437 UNKNOWN black and white still photograph - of a lady seated in Welsh costume outside a cottage (55 x 45cms including frame)

437

Provenance: private collection Cardiff, consigned via our Cardiff office, the sitter is believed to be an ancestor of the vendor’s husband who lived near Lampeter Condition Report: framed and glazed, slight losses £70-100

438 EARLY 19TH CENTURY WELSH STICK BACK CHAIR on splayed legs and with two-tier back (94cms high x 15cms wide) Provenance: private collection Cardiff, consigned via our Cardiff office, has been in the vendor’s family for generations, believed to have been inherited through the vendor’s grandfather’s side from Radyr / Cardiff Condition Report: full of interesting quirks and charm, one stretcher missing, evidence of original green paint, super patina £1,000-1,500

438

439

439 EISTEDDFOD ARM CHAIR, Welsh, 1917, carved, painted and inlaid oak, oval to back with rampant dragon and inscribed ‘Y DDRAIG COCH ADDYRY CYCHWYN’ marquetry to arch top for ‘SWYDDOGION A GWEITHWYR CLOFA TYNYBEDW’ (mine officers and workers at Tynybedw colliery) marquetry to leather pads to arms, marquetry inscribed ‘Cymru am Byth’ to stretcher (66cms wide x 134cms high) Provenance: private collection Cardiff, consigned via our Cardiff office, by descent Condition Report: in good original condition, corner of arm covers frayed, no losses or notable issues £700-1,000

* See page 5, or paragraph 7 of our company terms & conditions at the back of the catalogue for additional charges on the hammer price

133

The Welsh Sale • Rogers Jones & Co 440 ‡ JOHN HUGHES: GROGG - ceramic standing caricature of Welsh Rugby Union player J.P.R Williams, in typical stance with hands on hip, inscribed verso ‘54th Cap, 17 Jan 1981’, signed ‘John Hughes 1981’ to the base (26cms high) Provenance: private collection Vale of Glamorgan, consigned via our Cardiff office Condition Report: slight chips to nose £100-150 441 ‡ JOHN HUGHES: GROGG - ceramic standing caricature of Welsh Rugby Union player Mervyn Davies, the base signed ‘John Hughes’ and dated 1981 (36cms high) Provenance: private collection Vale of Glamorgan, consigned via our Cardiff office Condition Report: no apparent problems £250-350

440

441

442 442 AUTOGRAPH OF FILM ACTOR HUGH GRIFFITH (1912-1980) FRAMED TOGETHER WITH A 1959 METRO-GOLDWYN-MAYER FRONT OF HOUSE STILL FOR THE FILM ‘BEN-HUR’, the autograph signed diagonally in black ink (49 x 36cms including frame) Provenance: private collection Cardiff, consigned via our Cardiff office Condition Report: framed and glazed £100-200

134

443 443 RARE AUTOGRAPH OF WELSH ACTRESS RACHEL ROBERTS (1927-1980) FRAMED WITH PUBLICITY PHOTOGRAPH & A SEPARATE HANDWRITTEN LETTER FROM THE ACTRESS, signature in black ink, diagonally on card Provenance: private collection Cardiff, consigned via our Cardiff office Auctioneer’s Note: the handwritten letter in red ink is on a two-fold greeting card with kitten to the front and is addressed to ‘Isabel and Arthur’. The contents of the letter is very critical of the way she was treated by the National Theatre ‘…they thought I was too frivolous and possibly too Celtic to grace their nasty little boards’. The letter also refers to the actress’ drug taking ‘Mistress Mogadon was a knockout’. The letter is signed ‘Rachel’ with kisses. (49.5 x 40cms including frame) Condition Report: framed and glazed £200-400

444 444 AUTOGRAPH OF WELSH ACTOR RICHARD BURTON (1925-1984) FRAMED TOGETHER WITH AN ORIGINAL COPY OF ‘LIFE’ MAGAZINE, 4 MAY 1964 FEATURING BURTON AS HAMLET TO THE COVER, the signature in black ink on blue card (59 x 41.5cms including frame) Provenance: private collection Cardiff, consigned via our Cardiff office Condition Report: framed and glazed £150-250

* See page 5, or paragraph 7 of our company terms & conditions at the back of the catalogue for additional charges on the hammer price

Rogers Jones & Co • The Welsh Sale 445 CERDDI ROBERT WILLIAMS PARRY Gregynog Press limited edition (117/200) volume, with introduction by Thomas Parry, 1980, in quarter green leather binding Provenance: private collection Gwynedd, consigned via our Colwyn Bay office Condition Report: binding faded, discolouration, sheets in good condition £80-120 446 CERDDI ROBERT WILLIAMS PARRY Gregynog Press 1980 - limited edition (161/200) introduced by Thomas Parry, 1980, printed by Eric Gee, wood engravings by Peter Reddick, on hand-made paper milled at Wookey Hole Mill, quarter green Morocco binding, green front board with embossed scrollwork title Provenance: private collection Vale of Glamorgan, consigned via our Cardiff office Condition Report: foxing and staining to edge of papers £100-150

445

446

447 ELSIE M PRICE ‘The Welsh Woollen Industry’ - a fascinating and charming dissertation study about the Welsh woollen industry by Elsie M Price for a course at C F Mott Teacher’s Training College (Liverpool), typed and bound, includes photographs together with samples of wool and weave for blankets and clothing, circa 1970s Provenance: private collection Lancashire, consigned via our Cardiff office Condition Report: in good condition, please see images / examine £100-200

447

448

448 GWASG GREGYNOG / GREGYNOG PRESS two editions (1) ‘Penillion Omar Khayyam’, limited edition (60/310) 1978, translated from Persian to Welsh by John Morris-Jones with wood-engravings by Robert Maynard, bound in yellow buckram over cream cloth, with gilt title to spine (2) ‘Caniadau’ by W J Gruffydd limited edition (373/400) 1982, with wood engravings and shadow initials by Blair Hughes Stanton, grey buckram spine with red spotted covers, title in gilt Provenance: private collection Pembrokeshire, consigned via our Carmarthen office Condition Report: both editions showing elements of age including light surface marks and discolouration, minor losses, but in overall presentable condition, examination recommended £100-200

‡ Artist’s Resale Rights/Droit de Suite may apply to this lot (please see terms and conditions).

135

The Welsh Sale • Rogers Jones & Co

449

451

451 TWO GREGYNOG PRESS LIMITED EDITION VOLUMES ‘Cerddi Saunders Lewis’, 1986 (262/450) and ‘Cerddi Waldo Williams’, 1992 with illustrations by Rhiain M Davies (120/250) Provenance: private collection Cardiff, consigned via our Cardiff office Condition Report: fading to boards, papers in excellent condition £100-120

450

452 449 E MORTON NANCE author’s proof copy of ‘The Pottery & Porcelain of Swansea & Nantgarw’, with annotations and corrections by Nance, in green half-calf and with leather spine, title and ‘author’s copy’ in gilt lettering, slip-box Provenance: private collection mid-Wales, consigned via our Cardiff office

450 (detail)

Condition Report: good overall £100-150

450 WILLIAM WESTON YOUNG hand-coloured etching ‘The Gnoll’ circa 1835, together with a limited edition (6/1500) 1974 reprint of Young’s ‘Guide to the Scenery of Glyn Neath’ published by Nidian, Trewen and bound by George Tremewan & Sons, Swansea

452 PSALMAU DAFYDD YN OL WILLIAM MORGAN 1588, Gregynog Press 1929 - No.45 printed by Robert Ashwin Maynard, typesetting by John Hugh Jones and Idris Vaughan Jones, woodcuts by Horace Walter Bray, printed on Batchelor handmade paper, the title and decorative floriated border on the title-page printed in black and red, the wood engraved floriated half-borders and large initial letters in the text are designed by H W Bray and printed in black, blue or red, original brick-red Morocco with patterned paper sides and cloth corners, back-strip lettered in gilt between five raised band, associated outer slip box Provenance: private collection Vale of Glamorgan, consigned via our Cardiff office Condition Report: good copy overall, paper commensurate with age, wear to corners of boards £150-250

Provenance: private collection mid-Wales, consigned via our Cardiff office Condition Report: book in good condition, etching is framed and glazed, unknown red mark to right £100-120

136

* See page 5, or paragraph 7 of our company terms & conditions at the back of the catalogue for additional charges on the hammer price

Rogers Jones & Co • The Welsh Sale 453 BROWNE WILLIS (1682-1760) set of four surveys of Welsh cathedrals (1) ‘A Survey of the Cathedral Church of St. David’s’ 1717 (2) ‘….St Asaph’, 1720 (3) ‘…Bangor’, 1721 (4) ‘…

Landaff’, 1719. Printed for Robert Gosling, London, bound in panelled leather bearing gilt crest for The Society of Writers to the Signet’, the ridged spine with individual gilt titles, each volume containing fold-put plans of the buildings and aspects

454

Provenance: private collection Ceredigion, consigned via our Carmarthen office Condition Report: bindings appear to be in good solid condition, small scuffs and losses but excellent overall, please examine £150-200

453

455

454 THE ROMANCE OF PARZIVAL & THE HOLY GRAIL rare oversized limited edition (130/195) volume on Zerkall mould-made paper, with wood engravings by Stefan Mrozewski, 1990, quarter red leather binding with tessellated board Provenance: private collection Gwynedd, consigned via our Colwyn Bay office Condition Report: super condition £200-300 455 DR KATE ROBERTS ‘TWO OLD MEN’ Gregynog limited edition (132/265) volume printed on Zerkall mould-made paper, illustrated with linocuts by Sir Kyffin Williams RA, 1981, with outer protective jacket and slip-case Provenance: private collection Gwynedd, consigned via our Colwyn Bay office Condition Report: slight discolouration to case and first few pages, excellent otherwise £350-450 456 DYLAN THOMAS ‘DEATHS AND ENTRANCES’ Gregynog Press exhibition copy, with eight full-colour illustrations by John Piper, edited and introduction by Walford Davies, 1984, fabric bound, leather spine

456

Provenance: private collection Gwynedd, consigned via our Colwyn Bay office Condition Report: excellent £400-600 137

The Welsh Sale • Rogers Jones & Co

457 ‡ SIR KYFFIN WILLIAMS RA limited edition (172/275) volume of ‘Cutting Images’ - printed on T H Saunders Waterford paper and printed by David Vickers, bound by John Sewell, complete with slip-case and accompanying paperwork, signed in pencil by the artist Provenance: private collection Vale of Glamorgan, consigned via our Cardiff office Condition Report: super copy £500-800

457 458 WILLIAM WESTON YOUNG ‘GUIDE TO THE BEAUTIES OF GLYN NEATH’ printed by John Wright, Bristol, published by Longman, Rees, Orme, Browne & Co, London, 1835, complete with illustrations by the artist, Swansea and Nantgarw porcelain decorator and botanist, rare book of which around only twenty-eight were produced, contains hand-painted plates Provenance: private collection mid-Wales, consigned via our Cardiff office Condition Report: contents partly loose from binding, boards in good order £700-1,000

458

138

* See page 5, or paragraph 7 of our company terms & conditions at the back of the catalogue for additional charges on the hammer price

Selections & Collections / Dewisiadau & Chasgliadau 4.15pm 16.7.22

Selections & Collections / Dewisiadau & Chasgliadau (4.15pm)

Selections & Collections • Rogers Jones & Co

Luxury Items comprising Jewellery, Watches, Wines & Whisky – Lots 470-565 471 14K GOLD OPAL SET BRACELET, the central circular opal (7mm diameter) flanked by a further eight small opals, stamped ‘585’, 17.6gms, in Elisabeth’s Antiques of 124 New Bond Street, London box Provenance: private collection Carmathenshire, consigned via our Carmarthen office 470 470 18CT YELLOW GOLD DIAMOND SOLITAIRE RING, Sheffield 1982 - the claw set single stone measuring 1.0cts approx., makers initials ‘CWGR’, ring size P, 3.6gms, in vintage London & Ryder of 17, New Bond Street oval ring box

Condition Report: appears in good overall condition, all stones present £300-500

Provenance: deceased estate Carmarthenshire, consigned via our Carmarthen office

471

Condition Report: inclusion at edge of table, good otherwise £700-1,000

473

472 472 ART DECO DESIGN DIAMOND SET DOUBLE CLIP BROOCH, of openwork, geometric design, set with old brilliant and baguette cut diamonds, white metal, 14.8gms (5.4cms wide) Provenance: private collection Carmathenshire, consigned via our Carmarthen office Condition Report: one clip is slightly loose in mount, all stones present £1,200-1,600 142

473 DIAMOND SOLITAIRE PENDANT, the single stone measuring 0.8-1.0cts approx. (visual estimate), on 18ct yellow gold chain, 50cms long, 5.2gms, in rectangular jewellery box Provenance: private collection Gwynedd, consigned via our Colwyn Bay office Condition Report: feather / crack at 7 o’clock approx on diamond £1,500-2,000

* See page 5, or paragraph 7 of our company terms & conditions at the back of the catalogue for additional charges on the hammer price

Rogers Jones & Co • Selections & Collections

474 18CT GOLD DIAMOND SOLITAIRE RING, the claw set single stone measuring 1.3-1.5cts approx. (visual estimate), ring size N, 6.6gms, in vintage H. L. Brown & Son of Sheffield ring box Provenance: private collection Conwy, consigned via our Colwyn Bay office Condition Report: no obvious significant inclusions, minor nibble to ‘girdle’, stone fairly ‘yellow’ in colour £2,500-3,500

474

475 MODERN PLATINUM DIAMOND ENCRUSTED ENGAGEMENT RING & MATCHING WEDDING BAND, the central stone measuring 1.5cts approx. (visual estimate), surrounded by a row of thirteen diamonds, and a further thirty diamonds set to the shoulders, the shaped wedding band set with sixteen diamonds, ring size I / J, personalised engraving to shank, 12.6gms gross (2) Provenance: private collection Vale of Glamorgan, consigned via our Cardiff office Condition Report: very good overall condition, all stones present £4,000-5,000 475

476 476 15CT ROSE GOLD WALTHAM HUNTER POCKET WATCH, Birmingham 1910, white enamel roman dial with subsidiary seconds, blued steel hands, sidewind 3/4 plate 15J movement, dial and movement signed, Dennison hallmarked case with presentation engraving dated 1912 to the cuvette, caseback with monogram (48mm diam.)

Provenance: private collection Cardiff, consigned via our Cardiff office Condition Report: excellent £500-700

477

478

477 18CT YELLOW GOLD WALTHAM HUNTER POCKET WATCH, Birmingham 1917, white enamel roman dial with subsidiary seconds, blued steel hands, sidewind Vanguard 3/4 plate 23J movement, dial and movement signed, Dennison hallmarked case (39mm diam.)

478 18CT GOLD J. HARGREAVES & CO. LIVERPOOL CHRONOGRAPH POCKET WATCH, Chester 1896, the signed white enamel dial with Roman numerals and Arabic outer scale, blued steel sweep second hand, 115.2gms

Provenance: private collection Cardiff, consigned via our Cardiff office

Provenance: private collection Conwy, consigned via our Colwyn Bay office

Condition Report: hairline from centre to subsidiary dial, concentric abrasions to subsidiary dial £800-900

Condition Report: good overall condition, runs when wound, chrono slide slightly stiff, hands adjust as normal, light scratching and minor dent to back cover £1,000-1,500 143

Selections & Collections • Rogers Jones & Co

479 479 MAURICE LACROIX GENTLEMAN’S MASTERPIECE DOUBLE RETROGRADE STEEL & GOLD WRISTWATCH, ref. MP7018, 50J automatic ML100 movement engine turned silvered dial with Roman numerals, subsidiary seconds dial, scales for date, GMT and power reserve, exhibition case back, ser. no. AP0***3, on a ML brown leather strap with deployant clasp, in original box with papers and mini CD, 43.5mm Provenance: private collection Cardiff, consigned via our Cardiff office Condition Report: excellent all round, strap worn £1,500-2,000

480 480 FINE GLASHUTTE ORIGINAL 18K GOLD AUTOMATIC WRISTWATCH, Senator ‘Power Reserve Display’, no.13, c.2004, cal. 39-44J automatic nickel lever movement, pierced rotor with 24k gold weight, anthracite dial, applied gold baton indexes, eccentric fan-form aperture for moon-phases, fan-form sector for power-reserve indication, date aperture at 6, centre seconds with GG hand, outer minute divisions, 18k gold polished case, sapphire crystal exhibition back secured by 5 screws, case, dial and movement signed, with 18k gold Glashütte ‘GG’ double deployant clasp to the replacement alligator strap, with wood box, booklet and DVD, cloth bag Provenance: private collection Cardiff, consigned via our Cardiff office Condition Report: excellent overall, worn on special occasions, replacement strap fitted by Glashutte £4,000-6,000

481 LADIES’ ROLEX ‘OYSTER PERPETUAL DATEJUST’ AUTOMATIC BRACELET WRISTWATCH, ref. 6516, ser. no. 15***75, c.1967, aftermarket slate dial with diamond set dot markers, gold hands and date aperture at 3 o’clock, aftermarket gold bezel featuring a row of brilliant cut diamonds grain set to the bezel, 62523D-18 Oyster bracelet in yellow gold and stainless steel, 47.9gms, with original gold dial and two spare links, in vintage Rolex box and outer box, red swing tag, receipt and insurance valuation from ‘Hansen Jewellery’ Provenance: private collection Vale of Glamorgan, consigned via our Carmarthen office

481

144

Condition Report: appears in good overall condition, surface wear commensurate with age, lug insides worn, pin hold worn, currently ticking, all stones present £600-1,000

* See page 5, or paragraph 7 of our company terms & conditions at the back of the catalogue for additional charges on the hammer price

Rogers Jones & Co • Selections & Collections

482 LADIES’ 18CT GOLD ROLEX ‘OYSTER PERPETUAL DATEJUST’ AUTOMATIC BRACELET WATCH, ref. 69178, ser. no. 97****1, c.1987, with a ruby and diamond set bezel, champagne dial with diamond set dot hour markers, gold hands and date aperture at 3 o’clock, featuring a row of brilliant cut diamonds grain set to the bezel with a baguette cut ruby at the quarters, 8570F 18ct gold President bracelet with 68B end pieces, 26mm diam., 71.5gms, with spare link, vintage Rolex box and outer box, Rolex wallet with two one-year warranty slips and previous insurance valuation Provenance: private collection Carmarthenshire, consigned via our Carmarthen office Condition Report: good overall condition, seconds hand ticking, minor surface wear as expected, all stones present, bracelet a little stretched, outer box lid corner torn and taped £5,000-7,000

482

483 VERY RARE GENTS’ ROLEX OYSTER PERPETUAL GMT-MASTER STAINLESS STEEL BRACELET WRISTWATCH, ref.1675, ser. no. 50***0, c.1959, pointed crown guards, fuchsia bezel, gloss gilt chapter ring dial with light ‘spidering’, radium luminous hour markers and hands, red ‘GMT’ hand, 1565 cal, ‘butterfly’ rotor, riveted Oyster bracelet Provenance: private collection Carmarthenshire, consigned via our Carmarthen office, the watch belonged to the current vendor’s late husband and before that his father who is believed to have owned it from new Auctioneer’s Note: original Pepsi bezel naturally lightened to reveal coveted ‘fuchsia’ and light blue tones Condition Report: no box or paperwork, case back is stamped 1675 1.60, which is correct for the period, there are also several service markings on 24/11/72 & 7/78, movement is a 1565 calibre (the bridge is stamped 1560, which is correct), the 1565 movement was the first “Superlative Chronometre Officially Certified” (SCOC) in the GMT-Master range, shoulder end pieces are stamped ‘64’, clasp is dated ‘4 60’, which indicates that it was made in April 1960, case back has been removed by a Rolex approved workshop and can be professionally closed for the successful purchaser, watch is currently ticking, comes in Rolex service box £15,000-20,000

483

Selections & Collections • Rogers Jones & Co

484

485

486

484 CHAMPAGNE DOM PERIGNON 1996 1 x 75cl

485 CHAMPAGNE DOM PERIGNON 1985 1 x 75cl

486 CHAMPAGNE DOM PERIGNON 1985 1 x 75cl

One bottle of Dom Perignon 1996 original cardboard presentation box (1)

One bottle of Dom Perignon 1985 original cardboard presentation box (1)

One bottle of Dom Perignon 1985 original cardboard presentation box (1)

Provenance: private collection Vale of Glamorgan, consigned via our Cardiff office, with active temperaturecontrolled storage

Provenance: private collection Vale of Glamorgan, with active temperaturecontrolled storage, consigned via our Cardiff office

Provenance: private collection Vale of Glamorgan, consigned via our Cardiff office, with active temperaturecontrolled storage

Condition Report: original sealed presentation box £100-200

Condition Report: original sealed presentation box £100-200

Condition Report: original sealed presentation box in very good condition £100-200

487 CHAMPAGNE DOM PERIGNON ROSÉ 2003 2 x 75cl Two bottles of 2003 Dom Perignon Rosé, one is un-boxed, the other supplied in its original cardboard presentation box (2) Provenance: private collection Vale of Glamorgan, consigned via our Cardiff office, with active temperaturecontrolled storage Condition Report: the boxed bottle remains in superb condition with full fill level. The box has some minor storage blemishes. The un-boxed bottle is also in excellent condition with full fill level. The only very minor blemish being some discolouration to the foil, but it remains intact and undamaged £200-300 487

146

488 488 CHAMPAGNE DOM PERIGNON 1966 1 x 1500cl One magnum in original cardboard box (1) Provenance: private collection Vale of Glamorgan, consigned via our Cardiff office, passive storage Condition Report: ullage 5cm. Label in very good condition with just a minor nick to the middle upper point and a minor crease to the bottom. The foil is in fine condition. The cardboard presentation box is a little worn and torn around the edges £450-600

* See page 5, or paragraph 7 of our company terms & conditions at the back of the catalogue for additional charges on the hammer price

Rogers Jones & Co • Selections & Collections

489

490

489 CHAMPAGNE LOUIS ROEDERER CRISTAL 1989 5 x 75cl Five bottles of 1989 Louis Roederer Cristal (5) Provenance: private collection Vale of Glamorgan, consigned via our Cardiff office, with active temperaturecontrolled storage Condition Report: all fill levels look excellent. The UV-protection cellophane outer wrapping is loose on all bottles bar one, but they are all present albeit torn/loose. All labels and foils are in excellent condition £500-700 490 CHAMPAGNE LOUIS ROEDERER CRISTAL 1985 & 1990 MAGNUM PRESENTATION CASE 2 x 1500cl Extremely rare luxury gift presentation box containing one magnum of 1985 Louis Roederer Cristal and one magnum of 1990 Louis Roederer Cristal (2) Provenance: private collection Vale of Glamorgan, consigned via our Cardiff office, with active temperaturecontrolled storage Condition Report: the wooden presentation case has been stored in its original cardboard outer and therefore remains in excellent condition. All labels, foils, cellophane wrappings etc are in excellent condition. The cardboard outer case is torn at the corners £650-750

491

492

491 CHAMPAGNE KRUG GRANDE CUVÉE N.V. 1 x 1500cl

492 CHAMPAGNE KRUG GRANDE CUVÉE N.V. 1 x 1500cl

One magnum of Krug Grande Cuvée (1)

One magnum of Krug Grande Cuvée (1)

Provenance: private collection Vale of Glamorgan, consigned via our Cardiff office, with active temperaturecontrolled storage

Provenance: private collection Vale of Glamorgan, consigned via our Cardiff office, with active temperaturecontrolled storage

Condition Report: fill level appears to be excellent. Front label with very minor storage abrasion blemishes, the foil is excellent. Outer tissue present but tatty.

No rear label iD code indicating pre-2011 £200-300

Condition Report: fill level appears to be excellent, labels and foil in excellent condition, outer tissue present but tatty.

No rear label iD code indicating pre-2011 £200-300

147

Selections & Collections • Rogers Jones & Co 495 CHAMPAGNE KRUG 1990 1 x 75cl Single bottle of 1990 Krug (1) Provenance: private collection Vale of Glamorgan, with active temperature-controlled storage, consigned to our Cardiff office Condition Report: fill level appears to be excellent.

All labels and foil in very good condition £200-300 496 CHAMPAGNE KRUG 1990 1 x 75cl One bottle of 1990 Krug (1) Provenance: private collection Vale of Glamorgan, consigned via our Cardiff office, with active temperature-controlled storage 493

494

493 CHAMPAGNE KRUG GRANDE CUVÉE N.V. 1 x 1500cl One magnum of Krug Grande Cuvée (1) Provenance: private collection Vale of Glamorgan, with active temperature-controlled storage, consigned to our Cardiff office Condition Report: fill level appears to be excellent. Labels and foil in excellent condition. No outer tissue. No rear label iD code indicating pre-2011 £200-300 494 CHAMPAGNE KRUG GRANDE CUVÉE N.V. OWC 1 x 3000cl Rare jeroboam of Krug Grande Cuvée presented in its original wooden case (1) Provenance: private collection Vale of Glamorgan, consigned via our Cardiff office, with active temperature-controlled storage Condition Report: fill level appears to be excellent. Labels and foil in very good condition. Wooden presentation case in excellent condition. No rear label iD code indicating pre-2011 £500-650

495

148

496

Condition Report: fill level appears to be excellent, all labels and foil in very good condition £200-300 497 CHAMPAGNE KRUG 1990 1 x 1500cl One magnum of 1990 Krug (1) Provenance: private collection Vale of Glamorgan, consigned via our Cardiff office, with active temperature-controlled storage Condition Report: fill level appears to be excellent, all labels and foil in very good condition, no outer tissue £400-600 498 CHAMPAGNE KRUG CLOS DE MESNIL 1992 1 x 75cl Extremely rare single bottle of 1992 Krug Clos de Mesnil (1) Provenance: private collection Vale of Glamorgan, consigned via our Cardiff office, with active temperature-controlled storage Condition Report: fill level appears to be excellent, label and foil in very good condition £300-400

497

498

* See page 5, or paragraph 7 of our company terms & conditions at the back of the catalogue for additional charges on the hammer price

Rogers Jones & Co • Selections & Collections

499

500

499 CHAMPAGNE SALON LE MESNIL 1997 1 x 75cl

501 CHAMPAGNE SALON LE MESNIL 1997 1 x 75cl

Single bottle of 1997 Salon Le Mesnil (1)

Single bottle of 1997 Salon Le Mesnil (1)

Provenance: private collection Vale of Glamorgan, with active temperature-controlled storage, consigned to our Cardiff office Condition Report: fill level appears to be excellent. Label and foil in very good condition £200-300 500 CHAMPAGNE SALON LE MESNIL 1997 1 x 75cl Single bottle of 1997 Salon Le Mesnil (1) Provenance: private collection Vale of Glamorgan, with active temperature-controlled storage, consigned to our Cardiff office Condition Report: fill level appears to be excellent. Label and foil in very good condition £200-300

Provenance: private collection Vale of Glamorgan, consigned via our Cardiff office, with active temperature-controlled storage Condition Report: fill level appears to be excellent. Label and foil in very good condition £200-300

501 503 CHAMPAGNE SALON LE MESNIL 1997 1 x 75cl Single bottle of 1997 Salon Le Mesnil (1) Provenance: private collection Vale of Glamorgan, consigned via our Cardiff office, with active temperature-controlled storage Condition Report: fill level appears to be excellent. Label and foil in very good condition £200-300

502 CHAMPAGNE SALON LE MESNIL 1997 1 x 75cl Single bottle of 1997 Salon Le Mesnil (1) Provenance: private collection Vale of Glamorgan, with active temperature-controlled storage, consigned to our Cardiff office Condition Report: fill level appears to be excellent. Label and foil in very good condition £200-300

502

503

149

Selections & Collections • Rogers Jones & Co

504

505

506

504 CHAMPAGNE SALON LE MESNIL 1996 1 x 75cl

505 CHAMPAGNE SALON LE MESNIL 1996 1 x 75cl

Single bottle of 1996 Salon Le Mesnil (1)

Single bottle of 1996 Salon Le Mesnil (1)

Provenance: private collection Vale of Glamorgan, consigned via our Cardiff office, with active temperaturecontrolled storage

Provenance: private collection Vale of Glamorgan, consigned via our Cardiff office, with active temperaturecontrolled storage

Condition Report: fill level appears to be excellent. Label has slight tear but otherwise very good. Foil in very good condition £200-300

Condition Report: fill level appears to be excellent. Both label and foil in very good condition £200-300 506 CHAMPAGNE SALON LE MESNIL 1996 OWC 6 x 75cl Rare six bottle case of 1996 Salon Le Mesnil Champagne - original wooden case (1) Provenance: private collection Vale of Glamorgan, consigned via our Cardiff office, with active temperature-controlled storage Condition Report: un-opened original wooden case with no sign of damage or leakage £1,000-1,500

507

150

507 ORNAMENTAL ‘POL ROGER’ CHAMPAGNE BOTTLE PUPITRE, A-frame with twelve stained upright slats pierced for 96 champagne bottles (150cms high) Provenance: private collection Cardiff, consigned via our Cardiff office Condition Report: surface dirt, very minor splits £70-100 508 AUXEY-DURESSES BLANC FRANÇOIS d’ALLAINES 2011/2012/2013 36 x 75cl Twelve bottles each of 2012 and 2013 François d’Allaines Auxey-Duresses plus 12 bottles of 2011 François d’Allaines Auxey-Duresses ‘Les Autés’. Each presented in their original cardboard case (3) Provenance: deceased estate Gwynedd, consigned via our Cardiff office, Wine Society Ex-Member Reserve collection, direct from The Wine Society Stevenage Condition Report: un-opened, sealed, original cardboard cases in good condition with no sign of damage or leakage £350-450

508

* See page 5, or paragraph 7 of our company terms & conditions at the back of the catalogue for additional charges on the hammer price

Rogers Jones & Co • Selections & Collections

509

510

509 ST. AUBIN ‘LE BAN’ 2009 & ST. AUBIN ‘LES MEURGERS’ 1er CRU 2010 DOMAINE HENRI PRUDHON & AUXEY DURESSES ‘LES HAUTES’ 2010 JEAN MARC VINCENT 17 x 75cl Six bottles of 2009 Domaine Henri Prudhon St. Aubin ‘Le Ban’, five bottles of 2010 Domaine Henri Prudhon St. Aubin 1er Cru ‘Les Meurgers des dents de Chien’ plus six bottles of 2010 Jean Marc Vincent Auxey Duresses ‘Les Hautes’. Each presented in their original cardboard case (3) Provenance: deceased estate Gwynedd, consigned via our Cardiff office, Wine Society Ex-Member Reserve collection, direct from The Wine Society Stevenage Condition Report: the 2010 Prudhon cardboard case has been opened and one bottle removed, there is some cosmetic damage to this case. The other two cardboard cases are un-opened, sealed and in good condition with no sign of damage or leakage £200-250

511

510 BOURGOGNE ROUGE VIEILLES VIGNES CLOS BARDOT DOMAINE de BELLENE 2013/2014 24 x 75cl Twelve bottles of 2013 and 2014 Domaine de Bellene Clos Bardot Bourgogne Rouge Vieilles Vignes presented in their original cardboard cases each containing six bottles (4) Provenance: deceased estate Gwynedd, consigned via our Cardiff office, Wine Society Ex-Member Reserve collection, direct from The Wine Society Stevenage Condition Report: un-opened, sealed, original cardboard cases in good condition with no sign of damage or leakage £250-350

511 CÔTES de NUITSVILLAGES VIEILLES VIGNES DOMAINE de BELLENE 2014 12 x 75cl Twelve bottles of 2014 Domaine de Bellene Côtes de Nuits-Village Vieilles Vignes presented in their original cardboard cases each containing six bottles (2) Provenance: deceased estate Gwynedd, consigned via our Cardiff office, Wine Society Ex-Member Reserve collection, direct from The Wine Society Stevenage Condition Report: un-opened, sealed, original cardboard cases in good condition with no sign of damage or leakage £200-250

512 BOURGOGNE PINOT NOIR 2013 & MARSANNAY 2013 DOMAINE SYLVAIN PATAILLE & DOMAINE JEAN CHAUVENET NUITS ST. GEORGE 2014 18 x 75cl Six bottles each of the following wines; 2013 Domaine Sylvain Pataille Bourgogne Pinot Noir, 2013 Domaine Sylvain Pataille Marsannay and 2014 Domaine Jean Chauvenet Nuits St. George.

Each presented in their original cardboard case (3) Provenance: deceased estate Gwynedd, consigned via our Cardiff office, Wine Society Ex-Member Reserve collection, direct from The Wine Society Stevenage Condition Report: un-opened, sealed, original cardboard cases in good condition with no sign of damage or leakage £250-300

512

151

Selections & Collections • Rogers Jones & Co

513

514

513 CHASSAGNE-MONTRACHET MORGEOT 1er CRU ‘LES FAIRENDES’ 1999 VINCENT et FRANÇOIS JOUARD 10 x 75cl

514 MAZY-CHAMBERTIN GRAND CRU 1998 FRÉDÉRIC ESMONIN 5 x 75cl

Ten bottles of Jouard (red) Chassagne-Montrachet 1er Cru Morgeot ‘Les Fairendes’ (10)

Five bottles of Frédéric Esmonin Mazy-Chambertin Grand Cru (5)

Provenance: private collection Vale of Glamorgan, consigned via our Cardiff office, with active temperature-controlled storage Condition Report: fill levels very good – max, ullage less than 2cms, all labels and capsules all in very good condition £80-120

Provenance: private collection Vale of Glamorgan, consigned via our Cardiff office, with active temperaturecontrolled storage Condition Report: all fill levels are excellent as are the labels and capsules £150-250 515 VOLNAY ‘CARELLES’ 1999 PAUL PERNOT et Fils 9 x 75cl Nine bottles of 1999 Paul Pernot Volnay ‘Carelles’ (9) Provenance: private collection Vale of Glamorgan, consigned via our Cardiff office, with active temperaturecontrolled storage Condition Report: all fill levels excellent, max. ullage 1.5cm. Some foxing to the labels and one is creased to one corner, otherwise all labels and capsules are in very good condition £80-120

515

516 GEVREY-CHAMBERTIN ‘EN CHAMPS’ VIEILLE VIGNE 2000 DENIS MORTET 7 x 75cl Seven bottles of 2000 Denis Mortet Gevrey-Chambertin ‘En Champs’ (7) Provenance: private collection Vale of Glamorgan, consigned via our Cardiff office, with active temperaturecontrolled storage Condition Report: all fill levels excellent, some foxing and minor nicks to the labels.

Two capsules look slightly ‘blown’ but show no signs of seepage £200-300

516

152

* See page 5, or paragraph 7 of our company terms & conditions at the back of the catalogue for additional charges on the hammer price

Rogers Jones & Co • Selections & Collections

517 517 NUITS-ST-GEORGES ‘LES VIGNES RONDES’ 1999 GEORGES MUGNERET 7 x 75cl Seven bottles of 1999 Georges Mugneret Nuits-St-Georges ‘Les Vignes Rondes’ (7) Provenance: private collection Vale of Glamorgan, consigned via our Cardiff office, with active temperature-controlled storage Condition Report: all fill levels are excellent, labels and capsules in very good condition £400-600

518 518 RICHEBOURG 2002 DOMAINE de la ROMANÉE-CONTI OWC 3 x 75cl Three bottles presented in their original wooden cases (1) Provenance: private collection Vale of Glamorgan, consigned via our Cardiff office, with active temperature-controlled storage Condition Report: original wooden case – one panel has been carefully removed on request of the owner, contents checked and panel replaced but not sealed. Perfect condition £4,000-8,000

520 MADAME DE CHÂTEAU DE PITRAY 2010/2013 CASTILLON & CHÂTEAU PUYGUERAUD 2014 FRANCS CÔTES DE BORDEAUX 36 x 75cl 519

519 CHÂTEAU BEAUMONT CRU BOURGEOIS HAUT-MEDOC 2005/2006 TWELVE MAGNUMS 12 x 1500cl Six magnums of 2005 and six magnums of 2006 Château Beaumont Cru Bourgeois Haut Medoc presented in their original cardboard cases (2) Provenance: deceased estate Gwynedd, consigned via our Cardiff office, Wine Society Ex-Member Reserve collection, direct from The Wine Society Stevenage Condition Report: un-opened, sealed, original cardboard boxes in perfect condition with no sign of damage or leakage £250-300

Twelve bottles of 2010 and twelve bottles of 2013 Madame de Château de Pitray Castillon together with twelve bottles of 2014 Château Puygueraud Francs Còtes de Bordeaux. The Pitray is presented in their original wooden case containing twelve bottles each, the Puygueraud in its original cardboard case (3) Provenance: deceased estate Gwynedd, consigned via our Cardiff office, Wine Society Ex-Member Reserve collection, direct from The Wine Society Stevenage Condition Report: un-opened original wooden/ cardboard cases in perfect condition with no sign of damage or leakage £200-250

520 153

Selections & Collections • Rogers Jones & Co

521

522

523

521 CHÂTEAU VIEUX CLOS 2015 ST. EMILION & CHATEAU DE FONBEL 2012 ST. EMILION 24 x 75cl Twelve bottles of 2015 Château Vieux Clos St. Emilion together with twelve bottles of 2012 Château de Fonbel St. Emilion each presented in their original cardboard case (2) Provenance: deceased estate Gwynedd, consigned via our Cardiff office, Wine Society Ex-Member Reserve collection, direct from The Wine Society Stevenage Condition Report: un-opened original cardboard cases in perfect condition with no sign of damage or leakage £150-250

524

522 CHÂTEAU LA FLEUR-PÉTRUS 1996 POMEROL 5 x 75cl

524 CLOS FLORIDENE 2010/2013 GRAVES 24 x 75cl

Five bottles of 1996 Château La Fleur-Pétrus Pomerol (5)

Twelve bottles of 2010 and twelve bottles of 2013 Clos Floridene Graves Rouge, each presented in their original wooden case containing twelve bottles each (2)

Provenance: private collection Vale of Glamorgan, consigned via our Cardiff office, with active temperaturecontrolled storage Condition Report: all fill levels in-neck.

Labels generally very good but one has a slight tear and there is some general foxing. All capsules are very good £350-450 523 CHÂTEAU BEAU-SITE 2010 SAINT-ESTÈPHE 75cl Twelve bottles of 2010 Château Beau-Site St. Estéphe (12) Provenance: deceased estate Gwynedd, consigned via our Cardiff office, Wine Society Ex-Member Reserve collection, direct from The Wine Society Stevenage Condition Report: original cardboard box which has been opened by The Wine Society. A few bottles have very minor cosmetic tears to the label but in general all bottles are in superb condition £200-250

154

Provenance: deceased estate Gwynedd, consigned via our Cardiff office, Wine Society Ex-Member Reserve collection, direct from The Wine Society Stevenage Condition Report: un-opened original wooden boxes in perfect condition with no sign of damage or leakage £150-250 525 CHÂTEAU BAHANS HAUT BRION 2000 PESSAC-LÉOGNAN 75cl Four bottles of 2000 Château Bahans Haut Brion Pessac-Léognan (4) Provenance: private collection Vale of Glamorgan, consigned via our Cardiff office, with active temperature-controlled storage Condition Report: all fill levels in-neck, all labels and capsules in very good condition £200-300

525

526 526 CHÂTEAU LA MISSION HAUT BRION 1997 PESSAC-LÉOGNAN 6 x 75cl Six bottles of 1997 Château La Mission Haut Brion Cru Classé de Graves Pessac-Léognan (6) Provenance: private collection Vale of Glamorgan, consigned via our Cardiff office, with active temperature-controlled storage Condition Report: fill levels good, 4 in-neck 2 base of neck. One bottle shows minor signs of seepage. Foxing to all labels but generally in very good condition. All capsules are very good £800-1,200

* See page 5, or paragraph 7 of our company terms & conditions at the back of the catalogue for additional charges on the hammer price

Rogers Jones & Co • Selections & Collections

527 527 CHÂTEAU LA MISSION HAUT BRION 1996 PESSAC-LÉOGNAN 12 x 75cl Twelve bottles (unboxed) of 1996 Château La Mission Haut Brion Cru Classé de Graves Pessac-Léognan (12) Provenance: private collection Vale of Glamorgan, consigned via our Cardiff office, with active temperature-controlled storage Condition Report: fill levels very good, 10 in-neck, 2 base of neck. Foxing to all labels but generally in very good condition. All capsules are very good £1,800-2,200

528

529

530

528 CHÂTEAU HAUT BRION 1994 PESSAC-LÉOGNAN 4 x 75cl

529 CHÂTEAU d’ANGLUDET 2007 MARGAUX OWC 12 x 75cl

530 CHÂTEAU d’ANGLUDET 2006 MARGAUX OWC 6 x 1500cl

Four bottles of 1994 Château Haut Brion 1er Cru Classé Pessac-Léognan (4)

Twelve bottles presented in its original wooden case (1)

Six magnums presented in its original wooden case (1)

Provenance: private collection Vale of Glamorgan, consigned via our Cardiff office, with active temperaturecontrolled storage

Provenance: deceased estate Gwynedd, consigned via our Cardiff office, Wine Society Ex-Member Reserve collection, direct from The Wine Society Stevenage

Condition Report: all fill levels in-neck, labels and capsules in very good condition £400-600

Condition Report: un-opened original wooden case in perfect condition with no sign of damage or leakage £200-250

Provenance: deceased estate Gwynedd, consigned via our Cardiff office, Wine Society Ex-Member Reserve collection, direct from The Wine Society Stevenage Condition Report: un-opened original wooden box in perfect condition with no sign of damage or leakage £200-250

155

Selections & Collections • Rogers Jones & Co 531 CHÂTEAU PALMER ALTER EGO de PALMER 2009 MARGAUX OWC 12 x 75cl Twelve bottles of 2000 Alter Ego de Palmer Margaux presented in their original wooden case (1) Provenance: private collection Vale of Glamorgan, consigned via our Cardiff office, with active temperature-controlled storage Condition Report: un-opened original wooden box in perfect condition with no sign of damage or leakage £600-1,000

532 CHÂTEAU PALMER 2000 MARGAUX 12 x 75cl Twelve bottles (unboxed) of 2000 Château Palmer 3eme Cru Classé Margaux (12) Provenance: private collection Vale of Glamorgan, consigned via our Cardiff office, with active temperature-controlled storage Condition Report: all fill levels minimum base of neck. All labels and capsules in very good condition £1,500-2,000

531

532 533 CHÂTEAU LÉOVILLE LAS CASES ‘GRAND VIN DE LEOVILLE’ 1996 SAINT-JULIEN 6 x 75cl

534 CHÂTEAU HAUT-BAGES-LIBERAL 2003 PAUILLAC OWC 12 x 75cl

Six bottles of 1996 Château Las Cases 2eme Cru Classé St. Julien (6)

Twelve bottles of 2003 Château Haut-Bages-Liberal 5eme Cru Classé Pauillac presented in their original wooden case (1)

Provenance: private collection Vale of Glamorgan, consigned via our Cardiff office, with active temperature-controlled storage Condition Report: fill levels very good, 3 in-neck, 3 base of neck. All labels and capsules in very good condition £250-350

Provenance: deceased estate Gwynedd, consigned via our Cardiff office, Wine Society Ex-Member Reserve collection, direct from The Wine Society Stevenage Condition Report: un-opened original wooden box in perfect condition with no sign of damage or leakage £250-350

533

156

534

* See page 5, or paragraph 7 of our company terms & conditions at the back of the catalogue for additional charges on the hammer price

Rogers Jones & Co • Selections & Collections 535 CHÂTEAU HAUT-BAGES-LIBERAL 2004 PAUILLAC OWC 12 x 75cl Twelve bottles of 2004 Château Haut-Bages-Liberal 5eme Cru Classé Pauillac presented in their original wooden case (1) Provenance: deceased estate Gwynedd, consigned via our Cardiff office, Wine Society Ex-Member Reserve collection, direct from The Wine Society Stevenage Condition Report: un-opened original wooden box in perfect condition with no sign of damage or leakage £200-300

535

536 536 CHÂTEAU PICHON LONGUEVILLE BARON 1988 & CHÂTEAU PICHON LONGUEVILLE COMTESSE DE LALANDE 1989 PAUILLAC 5 x 75cl Four bottles of 1988 Ch. Pichon Baron together with one bottle of 1989 Ch. Pichon Longueville Comtesse de Lalande, both 2eme Cru Classe Pauillac (5) Provenance: private collection Vale of Glamorgan, consigned via our Cardiff office, with active temperaturecontrolled storage Condition Report: Pichon Baron fill levels all base of neck minimum. Labels in good condition. Capsules are slightly oxidised/ corroded. Pichon Lalande fill base of neck minimum. Good label and capsule £150-250

537

538

537 CHÂTEAU LAFITE ROTHSCHILD 1970 PAUILLAC 3 x 75cl

538 CHÂTEAU LAFITE ROTHSCHILD 1972 PAUILLAC 1 x 1500cl

Three bottles of 1970 Château Lafite Rothschild 1er Cru Classé Pauillac (3)

One magnum of 1972 Château Lafite Rothschild 1er Cru Classé Pauillac (1)

Provenance: private collection Vale of Glamorgan, consigned via our Cardiff office, with active temperaturecontrolled storage

Provenance: private collection Vale of Glamorgan, consigned via our Cardiff office, with active temperaturecontrolled storage

Condition Report: all fill labels top shoulder, foxing to all labels but generally very good. One cork appears slightly raised. Two capsules creased £400-600

Condition Report: fill level mid-shoulder.

Good label with slight foxing, staining and very minor tears. Capsule good £300-500

157

Selections & Collections • Rogers Jones & Co

539

540

541

542

543

539 CHÂTEAU LAFITE ROTHSCHILD 1989 PAUILLAC 3 x 75cl Three bottles of 1989 Château Lafite Rothschild 1er Cru Classé Pauillac (3) Provenance: private collection Vale of Glamorgan, consigned via our Cardiff office, with active temperature-controlled storage Condition Report: all fill levels in-neck, all labels and capsules very good condition £500-800 540 CHÂTEAU LAFITE ROTHSCHILD 1989 PAUILLAC 1 x 1500cl One magnum of 1989 Château Lafite Rothschild 1er Cru Classé Pauillac (1) Provenance: private collection Vale of Glamorgan, consigned via our Cardiff office, with active temperature-controlled storage Condition Report: fill level in-neck, label has minor foxing but generally very good. Capsule very good with some very minor scuffing £300-500 541 CHÂTEAU LAFITE ROTHSCHILD 1989 PAUILLAC 1 x 1500cl One magnum of 1989 Château Lafite Rothschild 1er Cru Classé Pauillac (1) Provenance: private collection Vale of Glamorgan, with active temperature-controlled storage, consigned to our Cardiff office

544 542 CHÂTEAU LAFITE ROTHSCHILD 1989 PAUILLAC 1 x 1500cl

543 CHÂTEAU LAFITE ROTHSCHILD 1989 PAUILLAC 1 x 1500cl

One magnum of 1989 Château Lafite Rothschild 1er Cru Classé Pauillac (1)

One magnum of 1989 Château Lafite Rothschild 1er Cru Classé Pauillac (1)

Provenance: private collection Vale of Glamorgan, with active temperature-controlled storage, consigned to our Cardiff office

Provenance: private collection Vale of Glamorgan, consigned via our Cardiff office, with active temperaturecontrolled storage

Condition Report: fill level in-neck. Label and capsule in excellent condition £300-500

Condition Report: fill level in-neck, capsule very good with some very minor scuffing £300-500

Condition Report: fill level in-neck.

Capsule has some very minor scuffing £300-500

158

* See page 5, or paragraph 7 of our company terms & conditions at the back of the catalogue for additional charges on the hammer price

Rogers Jones & Co • Selections & Collections 544 CHÂTEAU d’YQUEM 1990 4 x 75cl 2 x 37.5cl Four bottles and two half-bottles of Château d’Yquem 1er Cru Classé Sauternes (6) Provenance: private collection Vale of Glamorgan, consigned via our Cardiff office, with active temperature-controlled storage Condition Report: bottles; all fill levels just above base of neck. Labels and capsules in very good condition.

Half-bottles; fill level in-neck. Slight foxing to labels but otherwise very good. Capsules very good £400-600 545 GIGONDAS DOMAINE GRANDE ROMANE VIEILLE VIGNE 2014 PIERE AMADIEU & GIGONDAS DOMAINE de CAYRON 2009 18 x 75cl

545

Twelve bottles 2014 Domaine Grande Romane Gigondas Vieilles Vigne Pierre Amadieu plus six bottles of 2009 Gigondas Domaine de Crayon each presented in the original cardboard cases (3) Provenance: deceased estate Gwynedd, consigned via our Cardiff office, Wine Society Ex-Member Reserve collection, direct from The Wine Society Stevenage Condition Report: un-opened, sealed, original cardboard cases in good condition with no sign of damage or leakage £200-250 546 LIRAC MONT REDON 2014 & BRÉZÈME ROLIÈRE 2014 & CDR VILLAGES ESTÈVE 2014 36 x 75cl Twelve bottles each of the following Southern Rhone red wines, all from the 2014 vintage and each presented in their original cardboard case; Château Mont Redon Lirac, Château de la Rolière Brézème and Château St. Estève Masssif d’Uchaux Grande Réserve Côtes-du-Rhones Villages (3) Provenance: deceased estate Gwynedd, consigned via our Cardiff office, Wine Society Ex-Member Reserve collection, direct from The Wine Society Stevenage

546

Condition Report: un-opened, sealed, original cardboard cases in good condition with no sign of damage or leakage £200-250 547 VACQUEYRAS CUVÉE ST. ROCHE 2010/2012 & VACQUEYRAS CUVÉE DES TEMPLIERS 2012 CLOS DES CAZAUX 36 x 75cl Twelve bottles of 2010 and twelve bottles of 2012 Clos de Cazaux Vacqueyras Cuvée St. Roche together with twelve bottles of 2012 Clos de Cazaux Vacqueras Cuvée des Templiers each presented in their original cardboard case (3) Provenance: deceased estate Gwynedd, consigned via our Cardiff office, Wine Society Ex-Member Reserve collection, direct from The Wine Society Stevenage Condition Report: un-opened, sealed, original cardboard cases in good condition with no sign of damage or leakage £250-350

547

159

Selections & Collections • Rogers Jones & Co 550 CROZES HERMITAGE DOMAINE de la THALABERT 1998 PAUL JABOULET 6 x 1500cl Six magnums presented in their original cardboard case (1) Provenance: deceased estate Gwynedd, consigned via our Cardiff office, Wine Society Ex-Member Reserve collection, direct from The Wine Society Stevenage 548 548 CHÂTEAU DE BEAUCASTEL 2000 CHATEAUNEUF-DU-PAPE OWC 2 x 1500cl

549 CROZES HERMITAGE LES JALETS 2011 & VACQUEYRAS LES CYPRES 2014 PAUL JABOULET 24 x 75cl

Two magnums of 2000 Château de Beaucastel Châteauneuf du Pape each presented in their own, individual wooden case (2)

Twelve bottles of 2011 Paul Jaboulet Crozes Hermitage Les Jalets and twelve bottles of 2014 Paul Jaboulet Vacqueyras Les Cypres presented in their original cardboard cases (2)

Provenance: private collection Vale of Glamorgan, consigned via our Cardiff office, with active temperaturecontrolled storage Condition Report: un-opened original wooden cases showing no sign of damage or leakage £100-200

Provenance: deceased estate Gwynedd, consigned via our Cardiff office, Wine Society Ex-Member Reserve collection, direct from The Wine Society Stevenage Condition Report: un-opened, sealed, original cardboard cases in good condition with no sign of damage or leakage £150-250

Condition Report: un-opened, sealed, original cardboard case in good condition with no sign of damage or leakage £200-300 551 CROZES HERMITAGE DOMAINE de la THALABERT 1999 PAUL JABOULET 6 x 1500cl Six magnums presented in their original cardboard case (1) Provenance: deceased estate Gwynedd, consigned via our Cardiff office, Wine Society Ex-Member Reserve collection, direct from The Wine Society Stevenage Condition Report: un-opened, sealed, original cardboard case in good condition with no sign of damage or leakage £200-300

552 CROZES HERMITAGE DOMAINE de la THALABERT 2001 PAUL JABOULET 6 x 1500cl Six magnums presented in their original cardboard case (1)

549

550

Provenance: deceased estate Gwynedd, consigned via our Cardiff office, Wine Society Ex-Member Reserve collection, direct from The Wine Society Stevenage Condition Report: un-opened, sealed, original cardboard case in good condition with no sign of damage or leakage £200-300

551

160

552

* See page 5, or paragraph 7 of our company terms & conditions at the back of the catalogue for additional charges on the hammer price

Rogers Jones & Co • Selections & Collections

553

554

555

553 CHINON ‘CLOS du CHÊNE VERT’ 1997 CHARLES JOGUET 6 x 75cl

554 SILEX BLANC FUMÉ de POUILLY 2012 DIDIER DAGANEAU 5 x 75cl

555 PENFOLD’S GRANGE BIN 95 1993 2 x 75cl

Six bottles of 1997 Charles Joguet Chinon Clos du Chêne Vert (6)

Five bottles of 2012 Didier Daganeau Silex Fumé de Pouilly (5)

Two bottles of Penfolds legendary 1993 Grange Bin 95 (2)

Provenance: private collection Vale of Glamorgan, consigned via our Cardiff office, with active temperature-controlled storage

Provenance: private collection Vale of Glamorgan, consigned via our Cardiff office, with active temperaturecontrolled storage

Provenance: private collection Vale of Glamorgan, consigned via our Cardiff office, with active temperature-controlled storage

Condition Report: all fill levels excellent within 2cms, all labels and capsules in very good condition £200-300

Condition Report: all fill levels excellent, one label badly torn others very good.

One wax seal slightly chipped around the edge otherwise all very good £400-600

Condition Report: all fill levels in-neck, labels and capsules in very good condition £100-200

556 556 TEN BOTTLES OF VINTAGE PORT comprising Krohn’s 1958, Cockburn’s 1960, Croft’s 1963, Martinez 1963, Taylor’s LBV 1971, Croft 1975, 2 x Coreira’s 1975, Delaforce 1975, Quinta Da Corte 1980 (10) Provenance: private collection Carmarthenshire, consigned via our Carmarthen office Condition Report: liquid levels appear to be mostly in lower to middle neck, loss to labels, all appear sealed £200-300

161

Selections & Collections • Rogers Jones & Co 559 FONSECA VINTAGE PORT 1975 11 x 75cl Eleven bottles of 1975 Fonseca Vintage Port presented in the original wooden case (11) Provenance: private collection Vale of Glamorgan, consigned via our Cardiff office Condition Report: six bottles appear to be in excellent condition with excellent labels, capsules and fill. Four bottles show very minor signs of seepage but again the labels, capsules and fill are very good.

One bottle has damage to the capsule and cork £300-400 560 NIEPOORT VINTAGE PORT 1977 12 x 75cl 557

558

557 VINTAGE PORT CROFT 1963 1 x 75cl

558 VINTAGE PORT DOW 1966 4 x 75cl

Provenance: private collection Caerphilly, consigned via our Cardiff office, passive residential storage

Four bottles, bottled by Peatling & Cawdron of King’s Lynn (4)

Condition Report: fill level base of neck – label in excellent condition albeit creased (probably since initial labelling). Capsule in excellent condition £80-120

559

162

Provenance: private collection Caerphilly, consigned via our Cardiff office, passive residential storage, vendor states that the port was purchased from the Cambridge University Students Union

Twelve bottles of 1977 Niepoort Vintage Port presented in the original wooden case (12) Provenance: private collection Vale of Glamorgan, consigned via our Cardiff office Condition Report: all bottles apear to be in excellent condition with very good labels, capsules and fill levels £500-800

Condition Report: fill levels are top shoulder – no bottle is more than 6cm. Labels and foils are in very good condition. Hand-written note on each label reads ‘Laid Down 18/6/79’ £200-300

560

* See page 5, or paragraph 7 of our company terms & conditions at the back of the catalogue for additional charges on the hammer price

Rogers Jones & Co • Selections & Collections

561

561 1934 VIEIL ARMAGNAC, Paluel-Marmon, appellation armagnac controlee, esprit de France, Gondrin Gers, 42% vol, 70cl in OWC Provenance: private collection Cardiff, consigned via our Cardiff Office Condition Report: good overall condition, liquid level mid-shoulder, in opened original box £150-300 562 JOHN JAMESON IRISH WHISKEY, 33 YEARS OLD This extremely rare whiskey was purchased

by Averys in February 1950. The very last two butts were bottled in the Autumn of 1983, 75cl, 70 proof Provenance: private collection Cardiff, consigned via our Cardiff office Condition Report: liquid level very lower neck, sealed, label stained and lifted in places £400-600 563 JOHN JAMESON IRISH WHISKY, 33 YEARS OLD This extremely rare whiskey was purchased

by Averys in February 1950. The very last two butts were bottled in the Autumn of 1983, 75cl, 70 proof Provenance: private collection Cardiff, consigned via our Cardiff office Condition Report: liquid level very lower neck, sealed, label stained and lifted in places £400-600

562

563

564

564 LAGAVULIN DISTILLERY WHITE HORSE CELLAR The Old Blend Scotch Whisky, from the original recipe 1746, No. 2860028, distilled and bottled in Scotland Provenance: deceased estate Swansea, consigned via our Carmarthen office Condition Report: liquid level mid-shoulder, labels present although some losses / chippings, sealed £100-200 565 PRESENTATION PENDERYN CASK STRENGTH LIMITED EDITION FIRST RELEASE SINGLE MALT WELSH WHISKY, 2004 launch, 61.8% vol, 70cl, with matching 5cl miniature, No. 46/450 bottles, in stained wooden case with Certificate of Authenticity Provenance: private collection Cardiff, consigned via our Cardiff office Condition Report: appears in good overall complete condition £200-400 565

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European & British Antiques & Fine Art 566-618

566

567

568

566 ROYAL WORCESTER BONE CHINA FRUIT PAINTED PLATE BY JOHN COOK, decorated with autumn fruit on a mossy ground, shaped gadrooned gilt rim, signed (33.4cms diameter)

567 ROYAL WORCESTER BONE CHINA FRUIT PAINTED PLATE BY RICHARD LEWIS, decorated with autumn fruit on a mossy ground, shaped gadrooned gilt rim, signed (33.4cms diameter)

568 PAIR ROYAL WORCESTER VASES BY KITTY BLAKE, painted with flowering and fruiting blackberries in autumnal colours, both signed, shape 2510, date cypher for 1930 (2) (23.5cm h)

Provenance: private collection Swansea, consigned via our Cardiff office

Provenance: private collection Swansea, consigned via our Cardiff office

Provenance: private collection Conwy, consigned via our Colwyn Bay office

Condition Report: no problems £200-300

Condition Report: no problems £200-300

Condition Report: good, original condition with no damage/restoration. Gilding and the paint are in good order with no signs of rubbing £300-400 570 PAIR OF DOULTON LAMBETH STONEWARE VASES BY FLORENCE BARLOW, decorated with geese and scroll motifs, impressed marks to base along with incised monogram ‘FEB’ and numbered 492 (2) (27.5cms high) Provenance: deceased estate Carmarthenshire, consigned via our Carmarthen office

569 569 TWO DOULTON LAMBETH STONEWARE BEAKERS BY HANNAH BARLOW, comprising a cylindrical tapering beaker incised with standing 570 horses, silver rim, Sheffield 1881, impressed marks and incised monograms to base, numbered 753, together with a cylindrical tapering pedestal beaker incised with a galloping horse and standing cow, silver rim, London 1872, impressed marks and incised mongrams to base (2) (14cms high each)

Condition Report: both appear in good overall condition with no obvious damage, minor surface wear and firing flaws £300-500

Provenance: deceased estate Carmarthenshire, consigned via our Carmarthen office Condition Report: both appear in good overall condition, surface wear and firing flaws £250-400 164

* See page 5, or paragraph 7 of our company terms & conditions at the back of the catalogue for additional charges on the hammer price

Rogers Jones & Co • Selections & Collections 571 TWO VICTORIAN DOULTON LAMBETH STONEWARE VASES, comprising a Florence Barlow vase decorated with a vignette depicting three birds on a branch within a scroll and foliate border, impressed mark and incised monogram ‘FEB’ to base, dated 1887 (17.5cms high), together with a Hannah Barlow pedestal vase incised with horses, impressed mark and incised monograms to base for Hannah Barlow and Mary Ann Thompson, dated 1878 (19.5cms high) (2) Provenance: deceased estate Carmarthenshire, consigned via our Carmarthen office Condition Report: both appear in good overall condition, surface wear and firing flaws commensurate with age, minor surface losses to rim of Hannah Barlow vase £300-500

571

572 572 ROYAL DOULTON STONEWARE TANKARD BY HANNAH BARLOW, incised with five cats in various poses, the cylindrical tankard with loop handle and silver rim, London 1921, impressed and incised marks to base including monogram ‘HBB’ and numbers 224 and 412 (15.5cms high) Provenance: deceased estate Carmarthenshire, consigned via our Carmarthen office Condition Report: appears in good overall condition, surface wear and firing flaws, silver makers mark rubbed £300-500 573 PAIR OF ROYAL DOULTON STONEWARE VASES BY HANNAH BARLOW, each decorated with a wide band of incised horses, retriever and cattle, the flared neck and base in brown, impressed marks to base and incised monogram ‘HBB’ and numbered 486 (2) (34.5cms high) Provenance: deceased estate Carmarthenshire, consigned via our Carmarthen office Condition Report: both appear in good overall condition, minor wear and firing flaws £600-1,000

573

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Selections & Collections • Rogers Jones & Co

575

574 574 CLARICE CLIFF ‘FOOTBALL’ PATTERN BISCUIT BARREL & COVER, SHAPE 336, with wicker handle (14.5cms high)

575 RARE CLARICE CLIFF ‘LEMONS’ BREAKFAST SERVICE, c. 1937, in Bonjour shape with open triangular handes (8)

Provenance: private collection Carmarthenshire, consigned via our Carmarthen office

Provenance: private collection Newport, consigned via our Cardiff office Condition Report: an early and rare pattern scarcely available, some staining and glaze faults £300-500

Condition Report: wicker handle slightly damaged £250-350

576 THREE CLARICE CLIFF SUGAR CASTERS, comprising conical ‘Taormina Orange’, Bonjour ‘Crocus’, and Bonjour ‘Orange Trees & House’ (3) Provenance: private collection Carmarthenshire, consigned via our Carmarthen office Condition Report: minor surface scratches, no chips / cracks or restoration £400-600

577 577 CLARICE CLIFF ‘GREEN ERIN’ PATTERN LOTUS JUG, c. 1933, painted with billowing trees with black boughs against a clouded sky, printed Bizarre marks, (24.4cms high) 576

Provenance: private collection Gwynedd, consigned via our Colwyn Bay office Condition Report: excellent, mark slightly rubbed £800-1,200

166

* See page 5, or paragraph 7 of our company terms & conditions at the back of the catalogue for additional charges on the hammer price

Rogers Jones & Co • Selections & Collections 578 SHELLEY BONE CHINA ‘TURKISH BLUE BLOCKS’ COFFEE SERVICE, no. 11788 in the Vogue shape, conical forms with open handles, comprising coffee pot & cover, six coffee cups & saucers, six plates, cream jug, sugar bowl and rectangular sandwich dish (22) Provenance: private collection Monmouthshire, consigned via our Cardiff office Condition Report: one cup with hairline £400-600

578

579 SHELLEY BONE CHINA ‘TURKISH BLUE BLOCKS’ PATTERN TEA SERVICE, no. 11788, in the Vogue shape, conical forms with open handles, comprising 10 tea cups & 12 saucers, 12 plates, milk jug, sugar bowl, 2 bread and butter plates (38) Provenance: private collection Monmouthshire, consigned via our Cardiff office Condition Report: sugar bowl with hairline, minor staining £400-600

579 580 SHELLEY BONE CHINA ‘TURKISH BLUE BLOCKS’ PATTERN DESSERT SERVICE, no. 11788, Iin the Queen Anne shape, comprising serving bowl and six pudding bowls (7) Provenance: private collection Monmouthshire, consigned via our Cardiff office Condition Report: excellent condition £60-80

580

167

Selections & Collections • Rogers Jones & Co 581 BONE CHINA COFFEE CAN & SAUCER BY STEFAN NOWACKI, painted still life of flowers on a marble plinth, reserved on yellow ground with raised gilt acanthus scrolls, artist’s SDN monogram (2) (saucer 13.6cms diam., can 6cms high) Provenance: private collection Powys, consigned via our Cardiff office Condition Report: excellent £250-350

581 582 BONE CHINA COFFEE CAN & SAUCER BY STEFAN NOWACKI, painted Napoleonic ships of the line in rough seas, reserved on blue and white striped ground, gilt banding and foliate border, SDN monogram and Fine English Bone China Derby printed marks, in Clouds Gallery retail box (2) (saucer 13.5cms diam., can 6cms high) Provenance: private collection Powys, consigned via our Cardiff office Condition Report: excellent £300-500

582

583 BONE CHINA BOTANICAL CABINET PLATE BY STEFAN NOWACKI, painted with full blown specimen rose, within raised gilt acanthus and mazarine blue border, gilt cavetto and gadrooned gilt rim, titled verso Rosa Gallica Aurelianensis, artist’s SDN monogram and Fine English Bone China Derby printed marks, in Clouds Gallery retail box (21.5cms diam.)

Provenance: private collection Powys, consigned via our Cardiff office Condition Report: excellent condition £200-300 584 RARE PAIR LATE 18TH CENTURY WEDGWOOD JASPER CUSTARD CUPS, in sage jasper dip with white lattice weave sides and pierced covers, foliate knops, twisted loop handles, impressed marks (4) (6cms h) Provenance: private collection South Wales, consigned via our Cardiff office Condition Report: no damage £600-800

583 585 COALPORT VESTAL READING LAMP, c. 1810, of classical form with bronzed glaze, painted in gilt with scrolling acanthus and Greek key, beneath an applied figure of a kneeling maiden pouring water from a gilt jug into the rim (24w x 11d x 21.5cms h) Provenance: private collection Powys, consigned via our Cardiff office

584

168

585

Condition Report: lacks cover, gilt rims worn £250-350

* See page 5, or paragraph 7 of our company terms & conditions at the back of the catalogue for additional charges on the hammer price

Rogers Jones & Co • Selections & Collections

586

587

586 RUSSIAN PORCELAIN DESSERT PLATE FROM THE KREMLIN SERVICE, Imperial Porcelain Factory, St. Petersburg, period of Nicholas I, cavetto painted with stylized blossoms on gilt ground with foliate sprays at intervals around the Imperial double-headed eagle and the Russian title of Emperor Nicholas I (‘Emperor and Autocrat of All the Russias’), the borders with floral and foliate sprays on gilt ground, marked on underside with crowned monogram of Nicholas I, red Cyrillic inventory no. ‘OXP 21766’, Leslie Joseph no. 167 label (22.2cms diam.)

587 RUSSIAN PORCELAIN DESSERT PLATE FROM THE KREMLIN SERVICE, Imperial Porcelain Factory, St. Petersburg, period of Nicholas I, cavetto painted with stylized blossoms on gilt ground with foliate sprays at intervals around the Imperial double-headed eagle and the Russian title of Emperor Nicholas I (‘Emperor and Autocrat of All the Russias’), the borders with floral and foliate sprays on gilt ground, marked on underside with crowned monogram of Nicholas I, inscribed ‘OXP 21802’, Leslie Joseph collection label no. 169 (22.2cms diam.)

Provenance: Sir Leslie Joseph, thence by descent

Provenance: Sir Leslie Joseph, thence by descent

Condition Report: lettering slightly faded, some stacking wear to enamel and gilding £1,500-2,000

Condition Report: some stacking wear to enamel and gilding £1,500-2,500

588 588 CLICHY SPACED MILLEFIORI PAPERWEIGHT pink, white, green and blue canes, and three rose canes (6.5cms diam.)

Provenance: private collection Swansea, consigned via our Cardiff office Condition Report: various small bruises to perimeter and base, small chip to base £200-300

589

590

589 19TH CENTURY BACCARAT SCRAMBLED GLASS PAPERWEIGHT, with 1846 dated cane, animal silhouette canes amongst vivid coloured spiral and aventurine fragments (7cms diam.)

590 19TH CENTURY BACCARAT GLASS SCRAMBLED PAPERWEIGHT, green and red target canes amongst spiral and gauze twist fragments (8cms diam.)

Provenance: private collection Swansea, consigned via our Cardiff office Condition Report: very good overall £300-500

Provenance: private collection Swansea, consigned via our Cardiff office Condition Report: a few very minor scratches only £400-600 169

Selections & Collections • Rogers Jones & Co 593 LATE 17TH CENTURY CARVED & DATED FRUITWOOD MANGLE BOARD, Friesland, inscribed ‘MM 1690’, topped by a cluster of six roundels decorated with various geometric flowers, futher chip-carved roundel decoration below (70 x 13.5cms) Provenance: private collection Swansea, consigned via our Cardiff office Condition Report: excellent considering age, minor losses, splits, chips £200-300

591 591 TWO MID-19TH CENTURY TORTOISE­ SHELL SEWING COMPANIONS OR ETUI, one with mother-of-pearl floral inlay, and with fitted interior containing mirror and thimble, the other plain and with tinned interior (2) (smaller 10.5cms high, taller 12.5cms high) Provenance: private collection Swansea, consigned via our Cardiff office Condition Report: front and base corner veneer losses £300-500

592 592 19TH CENTURY COQUILLA NUT FIGURAL SNUFFBOX, Dutch/ German, standing in frock coat and top hat (11.5cms) Provenance: private collection Swansea, consigned via our Cardiff office Condition Report: restored feet, two damaged buttons, one glass eye missing, hat proably later £150-200

593 (detail)

593

594 SCOTTISH TREEN SNUFFBOX carved in the style of the ‘Blind Man of Ayrshire’ with a highlander holding a halberd (11 x 6.2cms) Provenance: private collection Swansea, consigned via our Cardiff office Condition Report: slight damage to hinge £200-300 595 GEORGE III SILVER BALUSTER TANKARD, John Langlands & John Robertson I, Newcastle 1779, double scrolled handle and stepped circular foot, 19ozt (16.5cms high) Provenance: private collection Swansea, consigned via our Cardiff office £500-700 594

170

595

* See page 5, or paragraph 7 of our company terms & conditions at the back of the catalogue for additional charges on the hammer price

Rogers Jones & Co • Selections & Collections 596 QUEEN ANNE-STYLE SILVER TEA & COFFEE SERVICE, Richard Comyns, London 1931,1932,1938, of octagonal panelled form, tea and coffee pots with hinged domed covers, two sugar bowls (one with domed cover), both jugs with double C-scrolled handles, 40cms diam., tray with reeded shaped corners and feet, and small canted rectangular waiter, appr. tot. wt. 143ozt (8) Provenance: private collection South Wales, consigned via our Cardiff office Condition Report: generally very good, surface scratches, a few minor dints £1,800-2,200 597 FIVE MODERN SILVER MOUNTED WOOD PHOTOGRAPH FRAMES, Carrs of Sheffield, birds eye maple, walnut and rosewood (34.5 x 29.5cms (3) and 26 x 21cms (2)) Provenance: private collection Vale of Glamorgan, consigned via our Cardiff office Condition Report: three boxed, all as new or almost new £300-500

596

597 598 GARNITURE OF THREE GEORGE V PANELLED SILVER VASES, Walker & Hall, Sheffield 1916, of hexagonal section, squared handles with foliate terminals, flared bases, 24-30cms h, total weight. approx. 73ozt (3) Provenance: private collection Vale of Glamorgan, consigned via our Cardiff office Condition Report: one with small dint to foot £800-1,200

598 599 ELIZABETH II SILVER MOUNTED GLASS CLARET JUG, by Martyn Pugh, Birmingham 2000, the hinged cover with gilt knop (34cms high) Provenance: private collection Newport, by descent, consigned via our Cardiff office Auctioneer’s Note: Martyn Pugh was born in Birmingham and graduated from Birmingham Polytechnic 1976. His pieces are found in many well known collections including the Worshipful Company of Goldsmiths and the Silver Trust, on loan to 10 Downing Street Condition Report: excellent £400-600

599

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Selections & Collections • Rogers Jones & Co

600

601

600 ELIZABETH II SILVER & EBONY TOAST RACK & STAND, by Martyn Pugh, Birmingham 1998, Art Deco style (2) (17cms high)

601 PAIR ELIZABETH II SILVER & EBONY CANDLESTICKS, by Martyn Pugh, Birmingham 2004, Art Deco style (2) (17cms high)

Provenance: private collection Newport, by descent, consigned via our Cardiff office

Provenance: private collection Newport, by descent, consigned via our Cardiff office

Auctioneer’s Note: Martyn Pugh was born in Birmingham and graduated from Birmingham Polytechnic 1976. His pieces are found in many well known collections including the Worshipful Company of Goldsmiths and the Silver Trust, on loan to 10 Downing Street

Auctioneer’s Note: Martyn Pugh was born in Birmingham and graduated from Birmingham Polytechnic 1976. His pieces are found in many well known collections including the Worshipful Company of Goldsmiths and the Silver Trust, on loan to 10 Downing Street

Condition Report: excellent £200-300

Condition Report: excellent £200-300

602 602 LARGE PAIR MID-19TH CENTURY CORNISH SERPENTINE MARBLE CANDLESTICKS, attributed to John Murphy, large urn sconces on octagonal section columns, domed circular feet (2) (38.5cms high) Provenance: private collection Vale of Glamorgan, consigned via our Cardiff office Condition Report: tiny nicks only £400-600 603 PAIR ROBERT ‘MOUSEMAN’ THOMPSON OAK BOOK TROUGHS, of simple boarded construction, the quadrant sides carved in relief with signature mouse, each facing a different direction, one slim with long tail, the other larger with short tail (2) (45cms wide) Provenance: private collection Swansea, consigned via our Cardiff office Condition Report: excellent £400-600

603

172

603 (detail)

* See page 5, or paragraph 7 of our company terms & conditions at the back of the catalogue for additional charges on the hammer price

Rogers Jones & Co • Selections & Collections

604 604 ROWLING (J K) Harry Potter…Chamber of Secrets, uncorrected proof copy, original blue & white printed wrappers, with the proof design for a dust-jacket bearing alternative footer quote, 8vo, 1998 Provenance: private collection Monmouthshire, consigned via our Cardiff office Condition Report: dust wrapper creased and small tears to corners and spine, blue jacket with crease to upper corner £500-700

605

605 JAEGER-LE COULTRE ATMOS CLOCK, ser. no. 29***9, lacquered brass and perspex, rectangular case with recessed 22cm dial with white chapter ring with Arabic quarters and baton markers, the centre with visible escapement, the cylindrical cased movement with rotating circular pendulum, accompanying leaflet (22cms high) Provenance: private collection Gwynedd, consigned via our Colwyn Bay office Condition Report: minor surface spotting to frame and perspex £300-500 606 JAEGER-LE COULTRE ATMOS CLOCK, ser. no. 46***8, lacquered brass and perspex, rectangular case with recessed 22cm dial with white chapter ring with Arabic quarters and baton markers, the centre with visible escapement, the cylindrical cased cal 526-5 movement with rotating circular pendulum, accompanying leaflet Provenance: private collection Conwy, consigned via our Colwyn Bay office Condition Report: front perspex door with lettering mostly erased, frame and perspex very good all over £500-700

606

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607

608

609

610

607 FRENCH THREE-QUARTER VIOLIN, c.1880, bears internal stamp ‘Claudot, Paris’, two-piece back, L.O.B. 33.7cms

609 ENGLISH VIOLIN, stamped ‘Goulding & Co., London’ below the button, one-piece back, L.O.B. 34.6cms

612 SCARCE & COLLECTIBLE AMERICAN CELLO BY GIBSON, c. 1942, model no. G110-842, paper label, L.O.B. 75.5cms

Provenance: private collection mid-Wales, consigned via our Cardiff office

Provenance: private collection mid-Wales, consigned via our Cardiff office

Provenance: private collection mid-Wales, consigned via our Cardiff office

Condition Report: edges quite worn, back varnish fairly worn, scattered tiny scratches to table £250-350

Condition Report: repaired crack to shoulder, edge varnish slightly worn £400-600

Auctioneer’s Note: Gibson ventured into the manufacture of violin-family instruments for a short period in the second half of the 1930s, ending in the early 1940s. Since supplies of commercial violins from Germany and Japan were unavailable due to the war, American manufacturers were protected for a time from this previously well- established overseas competition. Gibson-made cellos are rare and this example has some unusual features of construction borrowed from the company’s guitar-making heritage

608 ENGLISH VIOLIN, labelled ‘Thomas Richer Francis, Mendlesham, Suffolk, 1880 - No.9’, two-piece back, L.O.B. 36cms, with a bow Provenance: private collection mid-Wales, consigned via our Cardiff office Condition Report: edges with very minor scrapes, bow lacks over 50% horsehair, bears stamp (worn), abalone shell on frog damaged £400-600

610 ENGLISH VIOLIN, bearing label ‘Tom Francis, Gravesend, 1986’, Maidstone 1986, one-piece back, L.O.B. 35.7cms Provenance: private collection mid-Wales, consigned via our Cardiff office Condition Report: very minor varish losses to edges, tiny chip lower right edge £400-600 611 GERMAN CELLO, c.1900, L.O.B. 74.7cms Provenance: private collection mid-Wales, consigned via our Cardiff office

Condition Report: repaired split, varnish wear £600-800

Condition Report: corner with old chip, varnish worn, base with repaired cracks £350-450

174

* See page 5, or paragraph 7 of our company terms & conditions at the back of the catalogue for additional charges on the hammer price

Rogers Jones & Co • Selections & Collections

613 613 GEORGE GOODWIN KILBURNE (1839-1924) oil on panel - a highwayman and carriage entitled ‘Au Revoir’ on Vicars gallery label, also Haynes Fine Art label, signed and dated ‘97 (24 x 37cms) Provenance: Vicars Brothers; Haynes Fine Art; private collection Swansea, consigned via our Cardiff office Condition Report: minor restoration to sky, cleaned, period frame, ready to hang £500-700 611

614 614 TALBOT HUGHES R.O.I., P.S. (1869-1942) oil on panel - an 18th Century gentleman at his escritoire entitled ‘A Difficult Declaration’ on typed label verso with old gallery label, signed and dated 1890 (20 x 25.5cms) Provenance: The Fine Art Society; private collection Swansea, consigned via our Cardiff office 612

Condition Report: minor restoration to desk side, cleaned, signature and date faint, restored period frame, ready to hang £500-700 175

Selections & Collections • Rogers Jones & Co

615

176

* See page 5, or paragraph 7 of our company terms & conditions at the back of the catalogue for additional charges on the hammer price

Rogers Jones & Co • Selections & Collections

616 ‡ WILLIAM CHATTAWAY (1927-2019) bronze, limited edition (1/8) standing male figure covering his mouth, on rectangular base signed and dated ‘01, ‘Resyrgam’ mark to base (28cms high) Provenance: private collection Carmarthenshire, consigned via our Carmarthen office Condition Report: good overall, minor wear, no significant damage or losses £300-500

616

615 FINE & RARE SET OF SIX LATE 17TH CENTURY SILKWORK PICTURES, variously depicting scenes from the Old Testament book of Tobit (Tobias), including ‘Tobias and the Angel’, ‘Tobias and the Fish’, ‘The Blinding of Tobias’, etc., one additionally with the Coat of Arms of Payer von Flaach of Schaffhausen and date 1677, all in moulded walnut and oak frames with gilt slips (6) (37.5 x 31cms, 37.5 x 30cms, 17 x 60cms, 15.5 x 62cms, 27.5 x 64.5cms)

617 MARCEL KLEINE (German, fl. 1930s) bronze - standing female nude fixing flower garland in her hair, signed ‘Marcel Kleine, Weimar’, on grey marble plinth (34cms high)

Provenance: private collection Wiltshire, thence by descent, consigned via our Cardiff office, with Quiet Street Antiques

Provenance: private collection South Wales, consigned via our Cardiff office, Sotheby’s 9 October 1992, lot 169

Condition Report: excellent overall with very minor fading commensurate with age £6,000-8,000

Condition Report: slight wear to high points, plinth with occasional tiny chips £500-700

617

‡ Artist’s Resale Rights/Droit de Suite may apply to this lot (please see terms and conditions).

177

Selections & Collections • Rogers Jones & Co 618 LARGE BRONZE GARDEN STATUE OF MERCURY, After Giambologna (Italian, 1529-1608), modelled riding the wind issuing from the mouth of Zephyr, on plinth base (210cms high) Provenance: private collection Cardiff, consigned via our Cardiff office Condition Report: plinth detached, ankle wind slightly loose, caduceus slightly bent, overall verdigris £8,000-12,000

618 (two views)

178

Rogers Jones & Co • Selections & Collections

Non-European Antiques & Fine Art 619-626

619 JAPANESE BRONZE BEAR BY AKASOFU GYOKKO, Meiji Period, standing on all fours, gold inlaid irises, signed to underside in rectangular reserve, raised on associated wooden base (33cms long) Provenance: private collection Swansea, consigned via our Carmarthen office Condition Report: good overall, minor wear commensurate with age, marks and scratches to wooden base £700-1,000

619

620 CHINESE MYTHICAL BEAST (LUDUAN) BRONZE TEMPLE CENSER, Qing Dynasty - modelled as the mythical beast supporting an archaic Hu-shaped vase on its back, with everted ruyi-head rim, leiwen panels and taotie masks divided by raised flanges, braced by baby Luduan and dragon fish to front and rear, the large base with foliate tendrils to the swollen body, underneath with aperture (46cms high) Provenance: private collection Rhondda Cynon Taff, consigned via our Cardiff office Condition Report: some ruyi-head rim flanges bent, surface scratches, aperture with later closure £800-1,200

620

179

Selections & Collections • Rogers Jones & Co 621 PAIR CHINESE FAMILLE ROSE ‘BUTTERFLY’ VASES, Guangxu 6-character mark in red, decorated on a coral ground, enamelled on the globular body with a multitude of colourful butterflies, the design extended on the waisted neck between bands of overlapping cloud collars at the rim, and formal lotus and shou characters around the shoulder (37.5cms h) Provenance: private collection Vale of Glamorgan, consigned via our Cardiff office Auctioneer’s Note: vases of this form, known as yutangchun, were an innovation of the Guangxu period and are recorded with four different types of decoration: gilt medallions on dark blue or mirror black; bats; flowers and dragons and butterflies, as seen on the present example.

A black and white photograph, believed to date to 1908, shows Prince Chun II (grandson of the Daoguang Emperor and brother of the Guangxu Emperor) seated together with his eldest son (who would go on to be the Xuantong Emperor) next to a ‘butterfly’ vase of this type on a stand; the photograph is reproduced by G.Avitabile, Vom Schatz der Drachen. From the Dragon’s Treasure.

Chinese Porcelain from the Weishaupt Collection, London, 1987, front cover. Another vase of this type, illustrated together with a gilt blue-ground ‘medallion’ version is illustrated in ibid, nos.126 and 127 Condition Report: no damage, some rubbing to the coral, one vase slightly paler than the other £3,000-5,000 621 622 CHINESE WUCAI PORCELAIN GU SHAPED VASE, Transitional style but later, painted with three registers depicting soldiers and travelling monks, flowering rockwork, and the ‘three abundances’ (fu shou san duo), unglazed base (29.4cms high, rim 14cms diam., foot 11cms diam.)

Provenance: private collection Conwy, consigned via our Colwyn Bay office Condition Report: footrim with several glaze chips, rocks slightly on foot £300-400 623 CHINESE PORCELAIN BRUSHPOT (BITONG)

BY ZOU XIAOSONG, Republic Period or later, each side painted in the style of Giuseppe Castiglione with wild animals viz. lion, horse, tiger & deer stag, red 2-character seal mark (10.5w x 10.5d x 14cms h) Provenance: Peter Wain; private collection North Wales, consigned via our Colwyn Bay office Auctioneer’s Note: Professor Zou Xiaosong is named as the professor of famille rose painting at the Chinese National Ceramic college in Jingdezhen, Jiangxi Province, China £1,000-1,500

622

180

623

* See page 5, or paragraph 7 of our company terms & conditions at the back of the catalogue for additional charges on the hammer price

Rogers Jones & Co • Selections & Collections 624 CHINESE PORCELAIN BOX & COVER ATTRIBUTED TO WANG YETING, Republic Period, both cover and base painted in the Qianjiang style with a river landscape with four figures in a boat, others on a rocky outcrop, both signed, base with red symbol (10.5cms diam.)

Provenance: Peter Wain; private collection North Wales, consigned via our Colwyn Bay office Condition Report: excellent condition £2,000-3,000

624 (mark)

625 KUKU CHAI BUKUK (Chinese, born c. 1973) ink & watercolour - Flying Cranes in Sunny Autumn, 2004, signed with seal (59 x 100cms)

624

Provenance: Wong’s Art Gallery Hong Kong; private collection Carmarthenshire, consigned via our Cardiff office Auctioneer’s Note: Kuku Chai is a celebrated painting and calligraphy artist and director of the China Artists Association. She is the Visual Arts Advisor and Examiner of Hong Kong Arts Development Council, Executive Chairman and secretary-general of Chinese Culture and Art Association. She served as the first overseas secretary- general of China Culture Academy of Painting & Calligraphy, was a visiting Professor at The Chinese University of Hong Kong, Beijing Institute of Technology, Shenzhen University, etc.

Condition Report: excellent conditon, framed ready to hang £1,000-1,500 625

181

Selections & Collections • Rogers Jones & Co

626

626 KENOJUAK ASHEVAK (Canadian, 20th Century) important 1959 limited edition (6/30) skin stencil print - titled in pencil ‘Rabbit Eating Seaweed’, signed and dated 1959 (20.5 x 55.5cms) Provenance: private collection Cardiff, by descent from the vendor’s mother Jane Cronin of Toronto, Canada who purchased circa 1959, Jane Cronin was the daughter of Isabel Cronin who was a board member of Art Gallery of Ontario, consigned via our Cardiff office Auctioneer’s Note: Kenojuak Ashevak is the most acclaimed Inuit artist to emerge from Cape Dorset, Nunavut (Northern Canada). Rabbit Eating Seaweed was Ashevak’s debut print in her very first Cape Dorset collection. Described as ‘rare and iconic’ another Rabbit Eating Seaweed edition sold for $59,000 at an auction house in Ottawa, in 2015. Rabbit Eating Seaweed was the print that launched Ashevak’s work into the public imagination. The artist described the image as ‘a rabbit thinking of eating seaweed’ but the image has always been regarded as representing the spirit of the Inuit people Condition Report: framed and glazed, in good condition in our opinion, slight lifting in some areas of paper, very slight creasing £30,000-50,000

182

* See page 5, or paragraph 7 of our company terms & conditions at the back of the catalogue for additional charges on the hammer price

Rogers Jones & Co • Selections & Collections

183

Rogers Jones & Co

ROGERS JONES

About Us Selling at Rogers Jones & Co As internationally respected auctioneers, we provide the highest level of service to buyers and sellers alike. We operate in a transparent, straightforward and friendly way, ensuring your experience is as enjoyable and profitable as possible.

We achieve the best market prices at our busy and popular salerooms, which attract buyers from across the UK and abroad.

We are passionate about presenting your goods in the best way possible. This includes expert research and descriptions coupled with professional digital photography which may include multiple images when required.

For complete peace of mind, you can take advantage of our collection service from anywhere in the UK, whatever the item(s) may be.

Once your item is sold, we will pay directly into your bank within 14 working days of the last lot being sold from your consignment.

Valuations

Online Valuations We can often provide an informal pre-auction valuation by email.

Please send images to info@rogersjones.co.uk please also include your telephone number, your geographical location and other details about the item which may be relevant such as sizes.

Rogers Jones & Co offer a full range of valuation services, both verbal (informal) and written (formal), which include:

Probate / Insurance Valuations

• identification and appraisal of a broad range of antiques, fine art and collectables

Rogers Jones & Co can provide you with accurate professional written valuations for single items, specialist collections, and whole and partial house contents.

• appraisal and advice on individual items, house contents and collections for sale purposes • written valuations for:

Up-to-date valuations offer peace of mind and confidence to families and individuals, forming an important part of your financial planning.

• inheritance tax (Probate)

Our valuation services (where chargeable) have a clear and competitive fee structure, based on an hourly rate of £120+VAT per hour.

• insurance

• Valuations are prepared for a variety of purposes including:

• family division

• Insurance - an invaluable record in the event of theft, loss or damage

We provide a tailored service to meet the requirements of all our customers, which includes private individuals, insurers and solicitors.

• Family and Matrimonial Division

Our formal valuation services (where chargeable) have a clear and competitive fee structure, based on an hourly rate of £100 per hour.

• Probate/Inheritance Tax - for executors and trustees

We do not charge for informal valuations which provide predicted values if selling items at auction. These valuations can often be conducted by emailing images to us. Alternatively, we offer valuation sessions for clients by arrangement at the saleroom and at various venues across Wales and further afield.

We can also visit you in your home anywhere in the UK. We have valuers based in North Wales, South Wales and West Wales but we are often making trips further afield. If you would like to discuss your valuation requirements further please contact us.

184

• For fair distribution and impartial advice • Tax Planning • Accurate retrospective valuations • Willing Buyer / Willing Seller • Mutually beneficial current market values Written professional valuations are an integral part of our business, and we are trusted to carry out several hundred valuations for private and corporate clients each year. We can provide you with a confidential, clear and precise valuation tailored to your individual needs.

Rogers Jones & Co

BIDDING & PURCHASE TERMS Buyer’s Premium for the Welsh Sale: 24% + VAT (28.8%) on all lots up to a hammer price of £19,999 15% + VAT (18%) on all lots of a hammer price of £20,000 and over Droit de Suite applicable (Please see page 194 for more details)

Bidding Bidding other than room bidding:

1. COMMISSION BIDS

Commission bids must be placed on our website or by a form supplied by 4pm the day before auctions. (Copy of our commission bidding form is found at the back of the catalogue or can be emailed / posted).

Please note that we will not be answering our office phones on 16 July.

If you have cause to contact us urgently on the day of the auction, please do so by email: cardiffinfo@rogersjones.co.uk but note that we do not guarantee a reply

2. TELEPHONE BIDDING

Telephone bids must be arranged by receipt of our forms by 1pm the day before auctions. (Copy of our telephone bidding form is found at the back of the catalogue, digital form is available to download from our website). Lines are available on all lots but on a first come first served bases. There is a limit to how many lines can be operating at one time.

3. FREE ONLINE LIVE BIDDING WITH ROGERS JONES

Free online Live Bidding with Rogers Jones LIVE at www.rogersjones.co.uk Other platforms such as the-saleroom.com do charge for using their system.

Payment Terms Payment is required by BACS (bank transfer) within five working days from the auctions. Please use your bidding number and sale date as reference. Presently cheques, chip and pin and cash are not acceptable.

For clients who do not use online banking, payments can be made at their bank over the counter. Please see your banking terms.

Condition Reports The onus rests on prospective bidders to satisfy themselves as to the condition of items in this auction. Most items have a condition report with the description; this does not imply that items are without fault. We advise requesting further images / condition reports on all lots and this will be provided by us by e-mail only.

Comments on condition are declared on some items of pottery / porcelain but are an opinion only. It is usual for us to declare if there is a problem with the condition of picture(s). But we advise that all prospective purchasers enquire / examine lots as ‘items are bought as seen’.

Carriage to North Wales / Carmarthen Office / Storage & Postage ALL COLLECTIONS OF PURCHASED GOODS MUST BE BY PRE-ARRANGED APPOINTMENT. COLLECTIONS ARE NOT PERMITTED ON THE DAY OF THE AUCTION. STRICTLY NO ACCESS ON AUCTION DAY. ALL ITEMS MUST BE PAID FOR PRIOR TO ARRANGING COLLECTION. COLLECTIONS FROM CARDIFF SALEROOM MUST BE PRIOR TO 29 JULY TO AVOID STORAGE CHARGES. All purchased lots in this auction may be shipped to our Colwyn Bay & Carmarthen offices without charge for collection from 1 August. This service is offered providing that payment is complete prior to 22 July and that they are then collected from Colwyn Bay / Carmarthen by 5pm, 5 August (BY APPOINTMENT).

Please note that this delivery will be the one free carriage to Colwyn Bay & Carmarthen undertaken by Rogers Jones & Co for items purchased at this auction.

Free carriage excludes furniture items.

Rogers Jones & Co does not offer a P&P service for this auction unless items are of a non-fragile nature and can be posted in a Jiffy bag. Postage of these items are undertaken at a cost and at the buyer’s risk. We can recommend associates for a fully insured P&P service.

OUR VALUING & APPRAISING TEAM Ben Rogers Jones BA (Hons) Ben Rogers Jones has been with the company since 2001. Ben now manages the triannual Welsh Sale of Welsh Art, Welsh Antiques and Welsh ceramics. He is also the appraiser and cataloguer for sporting antiques. He is based out of the Cardiff Saleroom but visiting clients UK wide. Welsh Speaking.

Charles Hampshire FNAVA LLB (Hons) Based out of Carmarthen, Charles is our regional auctioneer and valuer for West Wales and visits clients in Swansea, West Wales and up to Aberystwyth. Charles is also our appraiser for jewellery, diamonds, silver, coins, watches, wine and whisky.

Philip Keith BSc (Hons) Based out of our Cardiff saleroom, Philip is our regional auctioneer and valuer for South Wales, east of Swansea and into the borders and England. Philip is also our specialist for Oriental works of art and ceramics and tribal art.

David Rogers Jones David Rogers Jones started the company in 1992 and has been an auctioneer and valuer for 60 years. He now works as a regional auctioneer out of the Colwyn Bay auction room, dividing his appointments with Stephen Roberts and John Rogers Jones. Welsh Speaking.

John Rogers Jones John works out of the Colwyn Bay auction room as a regional valuer and appraiser, dividing his appointments with David Rogers Jones and Stephen Roberts.

John conducts all the auctions in Colwyn Bay while also acting as our Financial Controller for the whole company.

Stephen Roberts Stephen works out of the Colwyn Bay auction room as a regional valuer and appraiser, dividing his appointments with David Rogers Jones. He has been involved in the antique trade for 35 years and has wide-reaching experience in all facets of the trade.

OFFICE PERSONNEL Cardiff: Alys Lloyd & Sian Russ Colwyn Bay: Dawn Sandham & Lisa Lamb Carmarthen: Morganna Hampshire 185

Rogers Jones & Co

HAMMER PRICES FOR THE WELSH SALE 12 MARCH 2022 SESSION I TOTAL: £395,990 Lot

Price

Lot

Price

Lot

Price

Lot

Price

Lot

Price

Lot

Price

Lot

Price

Lot

Price

1

£200

47

£1900

103

£360

156

£100

205

£300

255

£5000

310

£700

363

£1000

2

£220

48

£3400

104

£150

157

£120

206

£900

256

£4400

311

£700

364

£2600

3

£90

49

£1300

105

£180

158

£70

207

£360

257

£20000

312

£80

365

£1100

4

£200

52

£70

106

£180

159

£100

208

£400

258

£18000

313

£550

366

£2400

5

£4000

53

£160

107

£500

160

£60

209

£400

259

£13000

314

£340

367

£2800

6

£440

54

£360

108

£440

161

£60

210

£700

261

£19200

315

£600

368

£1700

7

£120

55

£320

109

£300

162

£180

211

£300

264

£440

317

£600

369

£1300

8

£360

56

£160

110

£300

163

£140

212

£420

265

£120

319

£200

370

£1300

9

£220

57

£90

111

£350

164

£80

213

£600

266

£160

320

£300

372

£1600

10

£300

58

£360

113

£500

165

£150

214

£550

267

£180

321

£650

374

£2000

11

£1000

59

£180

114

£420

166

£50

215

£360

268

£550

322

£1000

375

£3600

12

£550

60

£90

115

£300

167

£80

216

£360

269

£180

323

£460

376

£1900

13

£440

61

£150

116

£150

168

£70

217

£500

271

£160

324

£280

378

£2000

14

£180

62

£60

117

£280

169

£80

218

£420

272

£100

325

£750

379

£6400

15

£150

63

£120

118

£650

170

£100

219

£1500

273

£160

326

£500

380

£3600

16

£180

64

£260

119

£200

171

£140

220

£1800

274

£140

327

£750

381

£3000

17

£220

65

£150

120

£250

172

£90

221

£400

275

£280

328

£300

382

£2800

18

£180

67

£100

122

£950

174

£70

222

£900

276

£50

329

£240

384

£3000

19

£340

70

£60

123

£700

175

£140

223

£650

278

£120

330

£420

385

£2200

20

£460

72

£180

124

£480

177

£180

224

£500

279

£100

331

£500

386

£2600

21

£2200

73

£120

126

£600

178

£180

226

£1100

281

£100

333

£300

387

£2700

22

£140

74

£200

127

£500

179

£180

227

£400

282

£380

334

£300

388

£3000

23

£950

75

£60

128

£500

180

£220

228

£750

283

£160

335

£700

389

£3900

24

£320

76

£90

129

£120

181

£160

229

£1200

284

£320

338

£440

390

£4800

25

£360

77

£100

130

£50

182

£140

230

£340

285

£320

339

£200

391

£5000

26

£460

78

£160

131

£200

183

£300

231

£700

286

£340

340

£360

392

£5500

27

£600

79

£260

134

£120

184

£240

232

£200

288

£460

341

£380

393

£6500

28

£280

80

£80

136

£200

185

£420

233

£1800

289

£300

342

£900

394

£7000

29

£220

81

£280

137

£100

186

£100

234

£1500

290

£600

343

£500

395

£8000

30

£500

82

£200

138

£50

187

£150

235

£4800

291

£550

344

£850

396

£9500

31

£12000

87

£100

139

£50

188

£260

236

£700

292

£480

345

£1200

398

£300

32

£2000

88

£100

140

£100

189

£850

237

£2000

293

£460

346

£650

399

£3000

33

£150

89

£60

141

£90

190

£800

238

£700

294

£320

347

£4200

400

£3000

34

£240

90

£100

142

£90

191

£500

239

£900

295

£150

348

£550

401

£3600

35

£380

91

£280

143

£100

192

£600

240

£1700

296

£360

349

£1000

403

£10000

36

£1600

92

£100

144

£80

193

£200

241

£1100

297

£120

351

£650

404

£3200

37

£420

93

£160

145

£100

194

£600

242

£1400

298

£280

352

£1200

405

£1000

38

£380

94

£280

146

£260

195

£440

245

£2400

299

£320

354

£600

407

£600

39

£1600

95

£200

147

£260

196

£460

246

£4400

300

£460

355

£800

408

£950

40

£480

96

£180

148

£120

197

£360

247

£200

302

£220

356

£1300

409

£1100

41

£1600

97

£440

150

£180

198

£150

248

£360

303

£80

357

£750

42

£1100

98

£300

151

£100

199

£950

249

£700

304

£140

358

£1300

43

£2400

99

£200

152

£150

200

£2400

250

£5000

305

£160

359

£1300

44

£800

100

£100

153

£100

202

£480

251

£3000

306

£200

360

£950

45

£600

101

£360

154

£150

203

£200

252

£2800

307

£200

361

£1700

46

£800

102

£280

155

£220

204

£300

253

£4400

308

£360

362

£1700

186

Rogers Jones & Co

HAMMER PRICES FOR THE WELSH SALE 16 MARCH 2022 SESSION II TOTAL: £49,070 Lot

Price

Lot

Price

Lot

Price

Lot

Price

Lot

Price

Lot

Price

Lot

Price

Lot

Price

414

£340

456

£240

487

£230

520

£800

553

£160

586

£60

615

£300

648

£120

415

£600

457

£90

488

£800

522

£250

554

£160

587

£120

617

£220

649

£70

416

£300

458

£260

489

£400

523

£550

555

£160

588

£100

618

£90

650

£120

417

£90

459

£140

490

£270

524

£700

556

£120

589

£40

619

£140

651

£100

418

£120

460

£100

492

£460

525

£1400

557

£380

590

£70

620

£100

652

£120

419

£170

461

£160

493

£700

526

£950

558

£280

591

£120

621

£40

653

£240

420

£100

462

£120

494

£900

527

£1400

559

£220

592

£50

622

£40

655

£80

425

£2000

464

£90

495

£700

528

£950

560

£300

593

£80

623

£80

656

£160

426

£80

465

£160

496

£650

529

£280

561

£950

594

£40

624

£70

658

£100

427

£90

466

£140

497

£650

530

£260

562

£70

595

£90

625

£90

659

£90

428

£120

467

£160

498

£400

531

£300

563

£200

596

£40

626

£200

660

£60

431

£650

468

£200

499

£240

532

£650

564

£1300

597

£40

627

£140

661

£120

432

£100

469

£150

501

£130

534

£220

565

£55

598

£70

628

£90

662

£120

433

£200

470

£180

502

£120

535

£170

566

£30

599

£60

629

£90

663

£100

434

£60

471

£900

503

£70

536

£100

567

£30

600

£70

630

£180

664

£240

435

£90

472

£140

504

£800

537

£70

569

£50

601

£70

631

£80

666

£140

436

£100

473

£130

506

£340

538

£440

570

£90

602

£140

632

£100

667

£240

437

£80

474

£125

507

£200

539

£70

571

£30

603

£70

633

£80

668

£320

438

£100

475

£190

508

£190

540

£90

572

£60

604

£140

634

£80

669

£120

439

£100

476

£200

509

£600

543

£100

573

£60

605

£80

635

£90

670

£80

441

£280

477

£180

511

£700

544

£40

574

£70

606

£80

636

£100

671

£140

442

£100

478

£100

512

£220

546

£40

578

£70

607

£60

637

£60

672

£280

443

£220

479

£180

513

£260

547

£320

579

£40

608

£160

641

£420

673

£220

444

£320

480

£180

514

£360

548

£70

581

£30

609

£80

642

£80

675

£180

445

£160

481

£220

515

£440

549

£140

582

£50

610

£90

643

£60

677

£160

447

£500

483

£950

516

£300

550

£120

583

£50

611

£60

645

£60

679

£850

454

£55

485

£220

517

£280

551

£260

584

£70

612

£60

646

£100

455

£90

486

£170

519

£650

552

£120

585

£30

614

£80

647

£60

HAMMER PRICES FOR THE SELECTIONS & COLLECTIONS AUCTION 16 MARCH 2022 TOTAL: £137,130 Lot

Price

Lot

Price

Lot

Price

Lot

Price

Lot

Price

Lot

Price

Lot

Price

Lot

Price

701

£460

714

£1700

724

£1300

735

£300

746

£600

769

£1500

786

£850

801

£850

703

£340

715

£3000

725

£340

736

£500

747

£280

770

£3000

788

£850

802

£850

704

£420

716

£1300

726

£480

737

£2600

748

£1200

771

£350

789

£120

803

£1700

705

£380

717

£1900

727

£600

738

£1600

757

£150

772

£150

790

£4000

804

£500

706

£350

718

£1000

728

£1200

739

£1300

758

£250

773

£160

791

£800

805

£600

707

£500

719

£1200

729

£300

740

£1600

762

£70

774

£420

794

£200

807

£500

709

£500

720

£1300

730

£850

741

£2400

763

£180

775

£500

795

£120

808

£1100

710

£1900

721

£3600

731

£1980

742

£2600

764

£100

776

£2200

796

£380

809

£15000

711

£1700

721A £6500

732

£400

743

£3000

765

£150

777

£950

797

£150

811

£1200

712

£1900

722

£3600

733

£1000

744

£1700

766

£1600

778

£8500

798

£240

812

£750

713

£850

723

£19000

734

£1200

745

£140

768

£2000

782

£420

800

£750

187

Rogers Jones & Co

NEXT WELSH SALE / SELECTIONS & COLLECTIONS 29 OCTOBER 2022 Entries invited NOW and by 15 September 2022 but please call earlier to ensure entries are confirmed.

VINTAGE & ANTIQUES IN COLWYN BAY Every 2 weeks FINE ART & INTERIORS IN CARDIFF Every 6 weeks JEWELLERY & COLLECTABLES IN CARDIFF Every 6 weeks Please see schedule on our website Appraisals conducted by email or by appointment at the salerooms or at your home.

South Wales Saleroom 17 Llandough Trading Estate, Penarth Road, Cardiff, CF11 8RR Tel: 02920 708 125 cardiffinfo@rogersjones.co.uk VAT no: 560 0387 62

HOW TO BID!

North Wales Saleroom The Auction Rooms, 33 Abergele Road, Colwyn Bay, North Wales, LL29 7RU Tel: 01492 532 176 info@rogersjones.co.uk VAT no: 560 0387 62

www.rogersjones.co.uk

Please ensure you have read our viewing and bidding terms for these two auctions on Page 185.

Room Bidding (Now Available)

TELEPHONE BIDDING

COMMISSION BIDDING

About: we phone you a few minutes prior to the lot you have booked a phone line on. Our operator will communicate the price and ask whether you want to bid.

About: commission bids are when you leave us your highest price to bid on your behalf. We will bid up to your price(s) and you will win items if another bidder drops out before your maximum price. If there is no other bidder then you may win the item at the bottom estimate / reserve.

Commission bids must be received by 4pm the day before the auction. We are not answering the phones on auction day!

How: this can be done on our website by clicking on the lot(s) you are interested in and then clicking ‘REGISTER / LOG IN TO BID’.

Or you can complete a copy of the bidding form at the back of this catalogue and send a clear image of the form to us by email.

Tips: there is little point in bidding below the bottom of the auction estimate and enter as high as you can so as not to regret missing out. It is always a good chance you may win the item at a smaller price.

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How: as with ‘Commission Bids’ a form be completed and returned to us BUT by 1pm the day before the auction. Forms can be emailed, posted or are at the back of this publication. Telephone lines are limited so are on a first come first served basis.

Tips: calculate or ask us at approximately what time you are likely to receive a call from us and ensure you are available on the line with a good signal, you can leave a back-up line on the form in case of any problems. It is better to have a good sense of what prices you are likely to go up to before-hand as there may be no time for indecisions!

ROGERS JONES LIVE INTERNET BIDDING About: the auction is broadcast live on our website www.rogersjones.co.uk where you will see a video and hear the sale. You will also see the bidding numerically.

You can bid with your keyboard providing you have registered. There is a surcharge on each lot for using the-saleroom.com platform to bid.

How: Very simply ‘click bid’ but remember that your bid is binding when successful!

Tips: ensure that you your device’s speaker is switched to ‘on’, bid quickly as there may be a slight delay and remember the auctioneer cannot see you!

YOU CAN PHOTOGRAPH THE FULLY COMPLETED FORM AND EMAIL THE IMAGE TO US MAKE SURE YOUR PHOTO IS CLEAR & COMPLETE

TELEPHONE BIDDING FORM

You are required to read all conditions, tick all boxes and sign before your bids are placed Telephone bidding requests must be submitted by 1pm the day prior to the auction without exception. Telephone lines are available on a first-come, first served basis PLEASE NOTE: CALLS TO OUR OFFICE PHONES WILL NOT BE ANSWERED ON THE AUCTION DAY. IF YOU HAVE AN URGENT ENQUIRY ON AUCTION DAY PLEASE EMAIL cardiffinfo@rogersjones.co.uk Name ���������������������������������������������������������������������������������������������������������� Address �������������������������������������������������������������������������������������������������������� ��������������������������������������������������������������������������������������������������������������� Telephone: _____________________________________ Email: ����������������������������������������������������������� Bidding Telephone no:___________________________ Back up telephone no: �������������������������������������������� LOT NO

LOT NO

LOT NO

LOT NO

LOT NO

LOT NO

LOT NO

LOT NO

continued overleaf

I wish to bid during the auction on telephone number supplied & agree to full terms and conditions as explained in the catalogue / on www.rogersjones.co.uk I will notify Rogers Jones & Co as soon as possible, if I am unable to bid as requested I am aware of the current rate of buyer’s premium (+VAT) and other charges which may be applicable I am prepared to bid above the lower estimate(s) If successful, I will either pay by bank transfer within 5 days of the auction

Signed: _________________________________ Date:___________________________ Sale Date: ������������������������������

For use by Rogers Jones & Co Bid Submission Date:______________________ Time:___________________________ Bidding No: �������������������������

LOT NO

LOT NO

LOT NO

LOT NO

LOT NO

LOT NO

LOT NO

LOT NO

ABSENTEE / COMMISSION BIDDING FORM

YOU CAN PHOTOGRAPH THE FULLY COMPLETED FORM AND EMAIL THE IMAGE TO US MAKE SURE YOUR PHOTO IS CLEAR & COMPLETE

Bidding forms should be submitted by 4pm the day prior to the auctions.

You are required to read all conditions, tick all boxes and sign before your bids are placed.

PLEASE NOTE: CALLS TO OUR OFFICE PHONES WILL NOT BE ANSWERED ON THE AUCTION DAY. IF YOU HAVE AN URGENT ENQUIRY ON AUCTION DAY PLEASE EMAIL cardiffinfo@rogersjones.co.uk

I instruct Rogers Jones & Co to bid up to the values I have indicated below.

No commission bids accepted under £30.

Bids accepted in increments of £5 to £100 / £10 to £300 / £20 to £1000 / £100 at £1000+ Please ensure that your bids are not below estimates.

Name ���������������������������������������������������������������������������������������������������������� Address �������������������������������������������������������������������������������������������������������� ��������������������������������������������������������������������������������������������������������������� Telephone: _____________________________________ Email: ����������������������������������������������������������� Bidding Telephone no:___________________________ Back up telephone no: �������������������������������������������� LOT NO

BID UP TO

LOT NO

BID UP TO

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BID UP TO

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BID UP TO

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I am aware of, and agree to all bidding and purchase / payment terms for this auction (stated in catalogue or on website) I am aware that the onus is mine to ascertain the outcome of my bids I am aware of the current rate of buyer’s premium (+VAT) and other charges which may be applicable I am prepared to bid above the lower estimate(s) I am aware that saleroom bids and earlier commission bids take precedence when raised /left at the same price

Signed: _________________________________ Date:___________________________ Sale Date: ������������������������������

For use by Rogers Jones & Co Bid Submission Date:______________________ Time:___________________________ Bidding No: �������������������������

LOT NO

BID UP TO

LOT NO

BID UP TO

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Rogers Jones & Co

ENSURE YOU’RE INSURED Valuations for insurance are different to auction values and our professional valuation service will support any claim.

Competitive rates & comprehensive expertise.

We can also value for probate & matrimonial division.

Contact us for further details CARDIFF • CARMARTHEN • COLWYN BAY

Printed by Park Communications on FSC® certified paper.

Park works to the EMAS standard and its Environmental Management System is certified to ISO 14001.

This publication has been manufactured using 100% offshore wind electricity sourced from UK wind.

100% of the inks used are vegetable oil based, 95% of press chemicals are recycled for further use and, on average 99% of any waste associated with this production will be recycled and the remaining 1% used to generate energy.

This document is printed on Galerie Satin made of material from well-managed, FSC®-certified forests and other controlled sources.

This is a certified climate neutral print product for which carbon emissions have been calculated and offset by supporting recognised carbon offset projects. The carbon offset projects are audited and certified according to international standards and demonstrably reduce emissions. The climate neutral label includes a unique ID number specific to this product which can be tracked at www.climatepartner.com, giving details of the carbon offsetting process including information on the emissions volume and the carbon offset project being supported.

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Rogers Jones & Co

COMPANY TERMS & CONDITIONS These conditions of business for auctions held at our premises consist of:

this catalogue. In addition, VAT is charged on the premium (see below).

(1)

Information for Buyers;

(2)

Terms of Sale (for bidders and buyers).

8. VAT. VAT is payable by the buyer on the buyer’s premium at either the standard rate depending upon the legal requirements relating to that lot.

(1) INFORMATION FOR BUYERS AT AUCTIONS 1. Introduction. The following notes are intended to assist bidders and buyers, particularly those that are inexperienced or new to our salerooms. All of our auctions are governed by our Conditions of Business incorporating the Terms of Consignment (primarily applicable to sellers), the Terms of Sale (primarily applicable to bidders and buyers) and any notices that are displayed in our salerooms or announced by the auctioneer at the auction. Our Conditions of Business are available for inspection at our salerooms and the Terms of Sale are printed in the back of our auction catalogues. Our staff will be happy to help you if there is anything in our Conditions of Business that you do not fully understand.

9. Artist’s Resale Right/Droit De Suite. EU & UK law states that the artist or artist’s estate are entitled to a royalty known as ‘artist’s resale right’ when any lot created by the artist is sold. We identify these lots with a ‡ symbol. If these laws apply to a lot, you must pay us an extra amount equal to the royalty.

We will then pay the royalty to the appropriate authority on the seller’s behalf. The royalty applies if the hammer price of the lot is 1,000 euros (British Sterling equivalent) or more. The total royalty for any lot can not be more than 12,500 euros. The percentages are as follows: 4% up to 50,000 / 3% between 50,001 and 20,000.

Please enquire for the accepted exchange rate on the day of the sale.

Royalties for Droit de Suite are as follows:

Please make sure that you read our Terms of Sale set out in this catalogue or on our website carefully before bidding in the auction. If your bid is successful, you will be obliged to comply with our Terms of Sale.

4%

Up to €50,000

3%

€50,000.01 - 200,000

1%

€200,000.01 - 350,000

0.5%

€350,000.01 - 500,000

2. Methods of Payment. Lots must be paid for before they are collected. For those attending the auction we ask that lots are paid for on the day of the sale. Methods by which we accept payment are detailed on our web site, including online payment upon receipt of your invoice, and these should be paid by 5pm within five working days following the sale. We accept cash to an upper limit of 1,000 euros equivalent. We do not accept credit card payments.

We are unable to accept debit-card payments when the card holder is not present. Cheques will need to be cleared before you can take the goods away.

0.25%

In excess of €500,000

3. Collection and storage. All lots should be paid for and collected by 5pm within five working days following the auctions in this catalogue. Absentee bidders should check the success of their bids and arrange payment and collection within this time.

Please note the Terms of Sale concerning collection and storage. Items not removed in the timescale stated will be removed at the purchaser’s expense and storage charges of £10 as an administration fee and £5 per lot per day may be charged (plus VAT).

4. Dispatch. We do not offer postage for lots sold at auction in this catalogue unless they can be packed within a Jiffy-bag. We can recommend agents who can undertake packing and postage.

5. Agency. As auctioneers we usually act on behalf of the seller whose identity, for reasons of confidentiality, is not normally disclosed. If you buy at auction your contract for the goods is with the seller, not with us as auctioneer.

6. Estimates. Estimates are designed to help you gauge what sort of sum might be involved for the purchase of a particular lot. Estimates may change and should not be thought of as the sale price. The lower estimate may represent the reserve price (the minimum price for which a lot may be sold) and will not be below the reserve price. Estimates do not include the buyer’s premium or VAT (where chargeable). Estimates are prepared some time before the auction and may be altered by a saleroom notice or announcement by the auctioneer before the auction of the lot. They are not definitive.

7. Buyer’s Premium for both The Welsh Sale and Selections & Collections: The Terms of Sale oblige you to pay 24% + VAT (28.8%) on all lots up to a hammer price of £19,999, 15% + VAT (18%) on all lots of a hammer price of £20,000 and over on each purchased lot in the auctions contained within

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Up to a maximum levy of €10,000 10. Inspection of goods by the buyer. As we act on behalf of the seller, we are dependent on information provided by the seller about their goods. We may inspect lots and will act reasonably in taking a general view about them. However, we are normally unable to carry out detailed examinations of lots to check their condition in the way a buyer would do. You will have ample opportunity to inspect the goods.

You must inspect and investigate lots that you might wish to bid for. Please note carefully the exclusion of liability for the condition of lots set out in the Terms of Sale on our website and www.the-saleroom.com

a form acceptable to us and such other information as we may require. Please enquire in advance about our arrangements for telephone or online bidding.

Please note that we may refuse to register you if you do not provide us with all the information and documentation that we ask for or at our discretion.

15. Absentee bidding. You may leave absentee bids with us indicating the maximum amount to be bid against a lot (excluding the buyers’ premium and/or any applicable VAT). We will execute absentee bids as economically as possible having regard to the reserve (if any) and competing bids.

If two buyers submit identical absentee bids we may prefer the first bid received (where this can be reasonably ascertained). We recommend leaving absentee bids online via our website. All absentee bids should be received at least 30 minutes before the auction commences; we cannot guarantee to execute absentee bids received after this time.

16. Telephone Bidding. If you are unable to come to the auction it may be possible to bid on the telephone for some lots at our discretion.

The number of lines is limited so we would urge serious telephone bidding only and ask that you be prepared to bid over estimate. It is advisable to leave a maximum covering bid in case we are not able to contact you by telephone. All lines must be booked and confirmed in writing before the day of the auction and preferably some time in advance.

Telephone bidding involves many variables and whilst we take every care to ensure the smooth operation of this service, we cannot be held liable if your bids are missed for any reason.

17. Online Bidding. Any lots purchased via a live online bidding service will be subject to an additional commission charge on the hammer price payable by the bidder, in accordance with rates specified by the online service. If bidding through the-saleroom.com this will be charged at 5% plus VAT. The charges will be payable to us on top of the hammer price and the buyer’s premium.

11. Condition Reports. We may be able to assist buyers unable to view by emailing a condition report, but these are based solely on our own opinion and are for guidance only and no responsibility is accepted for their accuracy.

Intending buyers are strongly encouraged to view.

Condition reports cannot be prepared on the day of the sale. In many cases condition reports are stated in the catalogue description but this does not act as a guarantee that the report is factually correct and it must not be taken as guaranteed that items without condition reports stated in the description are free from issues, such as damage, restoration or other problems.

(2) TERMS OF SALE

12. Electrical goods. These are sold as “objects” only. If you buy electrical goods for use you must ask a qualified electrician to check them for compliance with safety regulations before you use them.

Please note that these Terms of Sale relate to auctions held at our premises only. We have separate terms for online only auctions.

13. Export of goods. If you intend to export goods you must find out: 1. whether an export licence is needed; and 2. if there is a prohibition on importing goods of that character e.g. because the goods contain prohibited materials such as ivory.

14. Bidding. Bidders will be required to register with us before the auction starts. We reserve the right to impose a deadline prior to the auction by which you must register or by which we must receive a commission bid. If you wish to bid on high value lots this deadline may be several days before the auction in order to allow us sufficient time to carry out the necessary checks. Lots will be invoiced to the name and address on the registration form. You will need to provide us with proof of your identity in

Both the sale of goods at our auctions and your relationship with us are governed by the Terms of Consignment (primarily applicable to sellers) the Terms of Sale (primarily applicable to bidders and buyers) and any notices displayed in the saleroom or announced by us at the auction (collectively, the “Conditions of Business”). The Terms of Consignment and Terms of Sale are available at our saleroom on request.

Please read these Terms of Sale carefully. Please note that if you register to bid and/or bid at auction this signifies that you agree to and will comply with these Terms of Sale.

1. Definitions and interpretation 1.1 To make these Terms of Sale easier to read, we have given the following words a specific meaning: “Auctioneer” means, Rogers Jones & Co, a company registered in England and Wales registered office is located at 33 Abergele Road, Colwyn Bay, LL29 7RU or its authorised auctioneer, as appropriate; “Bidder” means a person participating in bidding at the auction; “Buyer” means the person who makes the highest bid for a Lot accepted by the Auctioneer; “Deliberate Forgery” means: (a) an imitation made with the intention of deceiving as to authorship, origin, date, age, period, culture or source; (b) which is described in the catalogue as being the work of a particular creator without qualification;

Rogers Jones & Co

and (c) which at the date of the auction had a value materially less than it would have had if it had been as described; “Hammer Price” means the level of the highest bid for a Lot accepted by the Auctioneer by the fall of the hammer; “Lot(s)” means the goods that we offer for sale at our auctions; “Premium” means the premium that we will charge you on your purchase of a Lot to be calculated as set out in Clause 4; “Reserve” means the minimum hammer price at which a Lot may be sold; “Sale Proceeds” means the net amount due to the Seller; “Seller” means the persons who consign Lots for sale at our auctions; “Terms of Consignment” means the terms on which we agree to offer Lots for sale in our auctions as agent on behalf of Sellers;

you have carefully inspected the Lot and satisfied yourself regarding its condition.

3.3 If you instruct us in writing, we may execute absentee bids on your behalf. Neither we nor our employees or agents will be responsible for any failure to execute your absentee bid, unless our failure to do so is unreasonable. Where two or more absentee bids at the same level are recorded we have the right to prefer the first bid made (where this can be reasonably ascertained).

3.4 The Bidder placing the highest bid for a Lot accepted by the Auctioneer will be the Buyer at the Hammer Price. Any dispute about a bid will be settled at our discretion. We may reoffer the Lot during the auction or may settle the dispute in another way. We will act reasonably when deciding how to settle the dispute.

3.5 Bidders will be deemed to act as principals, even if the Bidder is acting as an agent for a third party.

3.6 We may bid on Lots on behalf of the Seller up to one bid below the Reserve.

“Terms of Sale” means these terms of sale, as amended or updated from time to time;

3.7 We may refuse to accept any bid if it is reasonable for us to do so.

“Total Amount Due” means the Hammer Price for a Lot, the Premium, any applicable artist’s resale right royalty, any VAT due and any additional charges payable by a defaulting buyer under these Terms of Sale;

3.8 Bidding increments will be at our sole discretion (but will be in line with standard auction practice).

“Trader” means a Seller who is acting for purposes relating to that Seller’s trade, business, craft or profession, whether acting personally or through another person acting in the trader’s name or on the trader’s behalf; “VAT” means Value Added Tax or any equivalent sales tax; and “Website” means our website available at www.rogersjones.co.uk In these Terms of Sale the words ‘you’, ‘yours’, etc. refer to you as the Buyer. The words “we”, “us”, etc. refer to the Auctioneer. Any reference to a ‘Clause’ is to a clause of these Terms of Sale unless stated otherwise.

2. Information that we are required to give to Consumers 2.1 A description of the main characteristics of each Lot as contained in the auction catalogue.

2.2 Our name, address and contact details as set out herein, in our auction catalogues and/or on our Website.

2.3 The price of the Goods and arrangements for payment as described in Clauses 4, 5, 7 and 8.

2.4 The arrangements for collection of the Goods as set out in Clauses 8 and 9.

2.5 Your right to return a Lot and receive a refund if the Lot is a Deliberate Forgery as set out in Clause 13.

2.6 We and Trader Sellers have a legal duty to supply any Lots to you in accordance with these Terms of Sale.

2.7 If you have any complaints, please send them to us directly at the address set out on our Website.

3. Bidding procedures and the Buyer 3.1 You must register your details with us before bidding and provide us with any requested proof of identity and billing information, in a form acceptable to us. You must also satisfy any security arrangements we have in place before entering the auction room to view or bid.

3.2 We strongly recommend that you attend the auction in person. You are responsible for your decision to bid for a particular Lot. If you bid on a Lot, including by telephone and online bidding, or by placing a commission bid, we assume that

4. The purchase price As Buyer, you will pay: 1. the Hammer Price; 2. a premium of 24% plus VAT on all lots up to a Hammer Price of £19,999, and 16% plus VAT on all lots of a hammer price £20,000 and over; 3. any artist’s resale right royalty payable on the sale of the Lot; and 4. any VAT due.

5. VAT 5.1 You shall be liable for the payment of any VAT applicable on the Hammer Price and premium due for a Lot. Please see the symbols used in the auction catalogue for that Lot and the “Information for Buyers” in our auction catalogue for further information.

5.2 We will charge VAT at the current rate at the date of the auction.

6. The contract between you and the Seller 6.1 The contract for the purchase of the Lot between you and the Seller will be formed when the hammer falls accepting the highest bid for the Lot at the auction.

6.2 You may directly enforce any terms in the Terms of Consignment against a Seller to the extent that you suffer damages and/or loss as a result of the Seller’s breach of the Terms of Consignment.

6.3 If you breach these Terms of Sale, you may be responsible for damages and/or losses suffered by a Seller or us. If we are contacted by a Seller who wishes to bring a claim against you, we may in our discretion provide the Seller with information or assistance in relation to that claim.

6.4 We normally act as an agent only and will not have any responsibility for default by you or the Seller (unless we are the Seller of the Lot).

7. Payment 7.1 Immediately following your successful bid on a Lot you will: 7.1.1 give to us, if not already provided to our satisfaction, proof of identity in a form acceptable to us (and any other information that we require in order to comply with our anti-money laundering obligations); and 7.1.2 pay to us the Total Amount Due in any way

that we agree to accept payment. Note there is an upper limit of 1,000 euros equivalent for payments in cash.

7.2 If you owe us any money, we may use any payment made by you to repay these debts.

8. Title and collection of purchases 8.1 Once you have paid us in full the Total Amount Due for any Lot, ownership of that Lot will transfer to you. You may not claim or collect a Lot until you have paid for it.

8.2 You will (at your own expense) collect any Lots that you have purchased and paid for not later than 7 days following the auction.

8.3 If you do not collect the Lot within this time period, you will be responsible for any reasonable removal and storage charges in relation to that Lot. 8.4 Risk of loss or damage to the Lot will pass to you when you (or your agents) take physical possession of the Lot. 8.5 If you do not collect the Lot that you have paid for within thirty days after the auction, we may sell the Lot. We will pay the proceeds of any such sale to you, but will deduct any storage charges or other sums that we have incurred in the storage and sale of the Lot. We reserve the right to charge you a selling commission at our standard rates on any such resale of the Lot. 9. Remedies for non-payment or failure to collect purchases 9.1 Please do not bid on a Lot if you do not intend to buy it. If your bid is successful, these Terms of Sale will apply to you. This means that you will have to carry out your obligations set out in these Terms of Sale. If you do not comply with these Terms of Sale we may (acting on behalf of the Seller and ourselves) pursue one or more of the following measures: 9.1.1 take action against you for damages for breach of contract; 9.1.2 reverse the sale of the Lot to you and/or any other Lots sold by us to you; 9.1.3 resell the Lot by auction or private treaty (in which case you will have to pay any difference between the price you should have paid for the Lot and the price we sell it for as well as the charges outlined in Clause 8.5). Please note that if we sell the Lot for a higher amount than your winning bid, the extra money will belong to the Seller; 9.1.4 remove, store and insure the Lot at your expense; 9.1.5 if you do not pay us within five business days of your successful bid, we may charge interest at a rate not exceeding 1.5% per month on the total amount due; 9.1.6 keep that Lot or any other Lot sold to you until you pay the Total Amount Due; 9.1.7 reject or ignore bids from you or your agent at future auctions or impose conditions before we accept bids from you; and/or 9.1.8 if we sell any Lots for you, use the money made on these Lots to repay any amount you owe us.

9.2 We will act reasonably when exercising our rights under Clause 9.1. We will contact you before exercising these rights and try to work with you to correct any non-compliance by you with these Terms of Sale.

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Rogers Jones & Co 10. Health and safety

13. Deliberate Forgeries

15.3.2 by email:

Although we take reasonable precautions regarding health and safety, you are on our premises at your own risk. Please note the lay-out of the premises and security arrangements. Neither we nor our employees or agents are responsible for the safety of you or your property when you visit our premises, unless you suffer any injury to your person or damage to your property as a result of our, our employees’ or our agents’ negligence.

13.1 You may return any Lot which is found to be a Deliberate Forgery to us within 21 days of the auction provided that you return the Lot to us in the same condition as when it was released to you, accompanied by a written statement identifying the Lot from the relevant catalogue description and a written statement of defects.

1. to us, by sending the notice to the following email address: info@rogersjones.co.uk

11. Warranties 11.1 The Seller warrants to us and to you that: 11.1.1 the Seller is the true owner of the Lot for sale or is authorised by the true owner to offer and sell the lot at auction; 11.1.2 the Seller is able to transfer good and marketable title to the Lot to you free from any third party rights or claims; and 11.1.3 as far as the Seller is aware, the main characteristics of the Lot set out in the auction catalogue (as amended by any notice displayed in the saleroom or announced by the Auctioneer at the auction) are correct.

13.2 If we are reasonably satisfied that the Lot is a Deliberate Forgery we will refund the money paid by you for the Lot (including any Premium and applicable VAT) provided that if: 13.2.1 the catalogue description reflected the accepted view of experts as at the date of the auction; or 13.2.2 you personally are not able to transfer good and marketable title in the Lot to us, you will have no right to a refund under this Clause 13.2.

13.3 If you have sold the Lot to another person, we will only be liable to refund the price that you paid for the Lot. We will not be responsible for repaying any additional money you may have made from selling the Lot.

2. to you, by sending the notice to any email address that you have given to us as your contact email address in writing.

15.4 Notices will be deemed to have been received: 15.4.1 if delivered by hand, on the day of delivery; 15.4.2 i f sent by first class pre-paid post or Recorded Delivery, two business days after posting, exclusive of the day of posting; or 15.4.3 if sent by email, at the time of transmission unless sent after 17.00 in the place of receipt in which case they will be deemed to have been received on the next business day in the place of receipt (provided that receipt is acknowledged by the recipient).

15.5 Any notice or communication given under these Terms of Sale will not be validly given if sent by fax, email, any form of messaging via social media or text message.

11.2 If, after you have placed a successful bid and paid for a Lot, any of the warranties above are found not to be true, please notify us in writing.

Neither we nor the Seller will be liable to pay you any sums over and above the Total Amount Due and we will not be responsible for any inaccuracies in the information provided by the Seller except as set out below.

13.4 Your right to return a Lot that is a Deliberate Forgery does not affect your legal rights and is in addition to any other right or remedy provided by law or by these Terms of Sale.

16. Data Protection

14. Our liability to you

17. General

11.3 Please note that many of the Lots that you may bid on at our auction are second-hand.

14.1 We will not be liable for any loss of opportunity or disappointment suffered as a result of participating in our auction.

17.1 We may, acting reasonably, refuse admission to our premises or attendance at our auctions by any person.

14.2 In addition to the above, neither we nor the Seller shall be responsible to you and you shall not be responsible to the Seller or us for any other loss or damage that any of us suffer that is not a foreseeable result of any of us not complying with the Conditions of Business. Loss or damage is foreseeable if it is obvious that it will happen or if at the time of the sale of the Lot, we, you and the Seller knew it might happen.

17.2 We act as an agent for our Sellers. The rights we have to claim against you for breach of these Terms of Sale may be used by either us, our employees or agents, or the Seller, its employees or agents, as appropriate. Other than as set out in this Clause, these Terms of Sale are between you and us and no other person will have any rights to enforce any of these Terms of Sale.

11.4 If a Lot is not second-hand and you purchase the Lot as a Consumer from a Seller that is a Trader, a number of additional terms may be implied by law in addition to the Seller’s warranties set out at Clause 11.1 (in particular under the Consumer Rights Act 2015). These Terms of Sale do not seek to exclude your rights under law as they relate to the sale of these Lots.

11.5 Save as expressly set out above, all other warranties, conditions or other terms which might have effect between the Seller and you, or us and you, or be implied or incorporated by statue, common law or otherwise are excluded.

12. Descriptions and condition 12.1 Our descriptions of the Lot will be based on: (a) information provided to us by the Seller of the Lot (for which we are not liable); and (ii) our opinion (although it is likely that we will not be able to carry out a detailed inspection of each Lot).

12.2 We will give you a number of opportunities to view and inspect the Lots before the auction. You (and any independent consultants acting on your behalf) must satisfy yourself about the accuracy of any description of a Lot. We shall not be responsible for any failure by you or your consultants to properly inspect a Lot. 12.3 Representations or statements by us as to authorship, genuineness, origin, date, age, provenance, condition or estimated selling price involve matters of opinion. We undertake that any such opinion will be honestly and reasonably held and accept liability for opinions given negligently or fraudulently.

12.4 Please note that Lots (in particular second-hand Lots) are unlikely to be in perfect condition. Lots are sold “as is” (i.e. as you see them at the time of the auction). Neither we nor the Seller accept any liability for the condition of second-hand Lots or for any condition issues affecting a Lot if such issues are included in the description of a Lot in the auction catalogue (or in any saleroom notice) and/ or which the inspection of a Lot by the Buyer ought to have revealed.

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14.3 Subject to Clause 14.4, if we are found to be liable to you for any reason (including, amongst others, if we are found to be negligent, in breach of contract or to have made a misrepresentation), our liability will be limited to the total purchase price paid by you to us for any Lot. 14.4 Notwithstanding the above, nothing in these Terms of Sale shall limit our liability (or that of our employees or agents) for: 14.4.1 death or personal injury resulting from negligence (as defined in the Unfair Contract Terms Act 1977); 14.4.2 fraudulent misrepresentation; or 14.4.3 any liability which cannot be excluded by law.

15. Notices 15.1 All notices between you and us regarding these Terms of Sale must be in writing and signed by or on behalf of the party giving it.

15.2 Any notice referred in Clause 15.1 may be given: 15.2.1 by delivering it by hand; 15.2.2 by first class pre-paid post or Recorded Delivery; or 15.2.3 by email, provided that receipt of the email is acknowledged by the recipient.

15.3 Notices must be sent: 15.3.1 by hand or registered post: 1. to us, at our address set out in these Terms of Sale or at our registered office address appearing on our Website; and 2. to you, at the last postal address that you have given to us as your contact address in writing; or

We will hold and process any personal data in relation to you in accordance with our current privacy policy, a copy of which is available on our website.

17.3 We may use special terms in the catalogue descriptions of particular Lots. You must read these terms carefully along with any glossary provided in our auction catalogues.

17.4 Each of the clauses of these Terms of Sale operates separately. If any court or relevant authority decides that any of them are unlawful, the remaining clauses will remain in full force and effect.

17.5 We may change these Terms of Sale from time to time, without notice to you. Please read these Terms of Sale carefully, as they may be different from the last time you read them.

17.6 Except as otherwise stated in these Terms of Sale, each of our rights and remedies are: (a) are in addition to and not exclusive of any other rights or remedies under these Terms of Sale or general law; and (b) may be waived only in writing and specifically.

Delay in exercising or non-exercise of any right under these Terms of Sale is not a waiver of that or any other right. Partial exercise of any right under these Terms of Sale will not preclude any further or other exercise of that right or any other right under these Terms of Sale. Waiver of a breach of any term of these Terms of Sale will not operate as a waiver of breach of any other term or any subsequent breach of that term.

17.7 These Terms of Sale and any dispute or claim arising out of or in connection with them (including any non-contractual claims or disputes) shall be governed by and construed in accordance with the laws of England and the parties irrevocably submit to the exclusive jurisdiction of the British law and British courts.

These terms are based upon the recommended terms of sale by the Society of Fine Art Auctioneers and Valuers.

COMING UP THIS SUMMER / AUTUMN The Welsh Sale / Selections & Collections 29 October 2022

Summer Special: British Pictures Entries Close 20 July

Entries Close 15 September

Brenda Chamberlain oil on canvas ‘The Bardsey Boy’, signed and dated 1948 £6,000-8,000

Also, this summer: Jewellery & Collectables: 28 June 1 July • 26 July 16 August • 19 August Fine Art & Interiors: 5 July • 29 July 9 August • 23 August

Julian Trevelyan lithograph ‘The Lock Keeper’s Cottage’ £200-300

Summer Special: Welsh Antique Pottery Entries Now Closed Llanelly pottery Mari Jones ‘Wales’ plate £300-500

rogersjones.co.uk 17 Llandough Trading Estate, Penarth Road, Cardiff, CF11 8RR 17 Ystad Masnachu Llandochau, Ffordd Penarth, CF11 8RR Tel / FfÔn: 02920 708 125