Woolley & Wallis Old Masters

OLD MASTERS, BRITISH & EUROPEAN PAINTINGS Wednesday 4th March 2020

Lot 183 (detail)

SPECIALIST DEPARTMENTS Please dial +44 (0) 1722 followed by the number listed below 20TH CENTURY DESIGN Michael Jeffery Zoe Smith

424505 446955

ASIAN ART John Axford MRICS ASFAV 424506 Jeremy Morgan +44 (0)7812 601098 Amber Lees 424571 Sarah Lopez-Ferreiro 424591 CHINESE PAINTINGS & CALLIGRAPHY Freya Yuan-Richards Amber Lees

424589 424571

ENGLISH & EUROPEAN CERAMICS & GLASS Clare Durham Hollie Morrison

424507 446964

FURNITURE, WORKS OF ART & CLOCKS Mark Yuan-Richards Jim Gale Suzy Becsy

411854 339161 411854

JAPANESE WORKS OF ART Alexandra Aguilar Sarah Lopez-Ferreiro

424583 424591

JEWELLERY Marielle Whiting FGA 424595 Jonathan Edwards FGAA (Consultant) 424504 Charlotte Glyde FGA 424586 MEDALS & COINS, ARMS & ARMOUR Ned Cowell Zoe Cordey

341469 446980

PAINTINGS Victor Fauvelle Ed Beer Hannah Vernon

446961 446962 446970

SILVER Rupert Slingsby Lucy Chalmers

424501 424594

TRIBAL ART & ANTIQUITIES Will Hobbs Zoe Cordey

339752 446980

VALUATIONS FOR INSURANCE & PROBATE Paul Viney ASFAV 424509 Clive Stewart-Lockhart FRICS FRSA 424598 Amanda Lawrence (PA) 424509 MARKETING Sally Trench Megan Corbett

446959 446960

ACCOUNTS Janice Clift (Office Manager)

424500

GENERAL OFFICE Sharon Ringwood Pauline Jones Nicola Young Ruth Pike Sarah Bennie CASTLE GATE RECEPTION Sally Litherland BOARD OF DIRECTORS John Axford MRICS ASFAV Chairman Clive Stewart-Lockhart FRICS FRSA Deputy Chairman Natalie Milsted FCCA Managing Director Paul Viney ASFAV Non-Executive Director ASSOCIATE DIRECTORS Janice Clift Clare Durham Victor Fauvelle Will Hobbs Michael Jeffery Rupert Slingsby Marielle Whiting FGA Mark Yuan-Richards

Salisbury Salerooms, 51-61 Castle Street, Salisbury, Wiltshire SP1 3SU Tel: 01722 424500 • Fax: 01722 424508 • www.woolleyandwallis.co.uk

424500

OLD MASTERS, BRITISH & EUROPEAN PAINTINGS at our Castle Street Salerooms, SP1 3SU

Wednesday 4th March 2020 at 10am VIEWING TIMES Saturday 29th February Monday 2nd March Tuesday 3rd March Wednesday 4th March

10.00am – 1.00pm 10.00am – 4.00pm 10.00am – 4.00pm 8.30am – 9.45am

ENQUIRIES ARTIST’S RESALE RIGHT / DROIT DE SUITE

‡ This symbol indicates that an additional levy may apply for this lot – please see our Terms & Conditions, Section 21, for details.

Victor Fauvelle +44 (0) 1722 446961 vf@woolleyandwallis.co.uk

GLOSSARY OF TERMS Please refer to our Terms & Conditions, Section 21, for a glossary of terms used in the cataloguing of paintings.

LIVE BIDDING

Ed Beer +44 (0) 1722 446962 eb@woolleyandwallis.co.uk

PLEASE NOTE, WE NOW OFFER OUR OWN LIVE ONLINE BIDDING SERVICE, FREE OF CHARGE.

bid.woolleyandwallis.co.uk Please register by 5pm on Tuesday 3rd March

Hannah Vernon +44 (0) 1722 446970 hv@woolleyandwallis.co.uk

COLLECTION OF LOTS ALL lots will be moved from the saleroom back to Castle Gate on 5th and 6th March - collection of lots on these days and Saturday 7th MUST BE by prior arrangement on 01722 424500 or pictures may be in transit and unavailable.

From 9th March collection will be from the Picture department at Unit 1B Castle Gate Business Park, Old Sarum, Salisbury SP4 6QX. If making payment at Castle Gate, cash cannot be accepted.

ILLUSTRATIONS

Collection of sold and unsold lots must be within 21 days of the sale - failure to collect within this time may result in storage fees.

Front cover: Lot 212 (detail) Back cover: Lot 275 (detail) Extra images, a catalogue word search facility and condition reports are available at www.woolleyandwallis.co.uk Catalogue: £12.00 (£15.00 by post) Member of The Society

of Fine Art Auctioneers

BUYER’S PREMIUM Each lot is subject to a Buyer’s Premium of 25% plus VAT. TELEPHONE BIDDING Please note that requests for telephone bids cannot be accepted after 5pm on 3rd March.

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Miniatures

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1 FLEMISH SCHOOL 17th/18th Century

Three miniature winter landscapes Circular, on paper, in ornate gilt metal frames 34mm diameter (3) £400-600

1 (framed)

2λ ENGLISH SCHOOL 18th Century

Miniature of a sibyl holding a bowl Circular, in a tooled red leather box 65mm diameter £120-180

2 See paragraphs 4 & 5 of our conditions of business at the back of the catalogue for additional charges on the final hammer prices

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3 HENRY PIERCE BONE 1779-1855

Portrait miniature of William II, Prince of Orange (1626-1650), as a boy in a feathered cap Inscribed on the reverse Prince of Orange./ Painted by Henry Pierce Bone/ after Frank Hals, May 1853 Enamel on copper, oval, in a giltwood frame with scroll and foliate decoration 105 x 75mm £2,000-3,000

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4λ ANDREW PLIMER 1763-1837

Portrait miniature Peter Campbell (1766-1821), head and shoulders, in blue coat and white stock Oval, in gilt metal frame, with a lock of hair on blue glass over guilloché back 76 x 60mm Provenance: The estate of the late Sir John Alexander Campbell-Orde, 6th Baronet (1943-2016) £800-1,200

4 Lots marked ‡ may be subject to an additional fee - please see ARR information on page 177

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5λ ENGLISH SCHOOL

6A λ ENGLISH SCHOOL

c.1810

c.1840

Portrait of a gentleman with powdered hair, in a blue coat with tartan collar, and white stock

Portrait miniature of Sir John Powlett Orde, 2nd Baronet, in a black coat with fur collar and cuffs

Oval, in gilt metal frame, with blue glass and hair back, gilt-tooled, brown leather case 53 x 43mm Provenance: The estate of the late Sir John Alexander Campbell-Orde, 6th Baronet (1943-2016)

Rectangular, in a gilt metal frame 134 x 103mm Provenance: The estate of the late Sir John Alexander Campbell-Orde, 6th Baronet (1943-2016) £300-500

£400-600

6λ HORACE HONE 1754-1825

Portrait miniature of a gentleman, with powdered hair in a blue coat with brass buttons Signed with initials and dated 1787 Oval, in a gilt metal frame 55 x 46mm £500-800

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6

6A See paragraphs 4 & 5 of our conditions of business at the back of the catalogue for additional charges on the final hammer prices

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7λ ADAM BUCK Irish 1759-1833

Portrait miniature of a gentleman in a blue coat and white stock Signed and dated 1805 Oval, in a gilt metal frame, silk back with a lock of hair 67 x 55mm £800-1,200

8λ ABRAHAM DANIEL c.1750-1806

Portrait miniature of a gentleman, in a brown coat with gold buttons, and powdered hair en queue Oval, in a gilt metal frame, with plaited hair and blue glass over guilloché back with gilt metal initials RB 62 x 48mm

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£300-500

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9λ ALEXANDER GALLAWAY Scottish act.1794-1812

Portrait miniature of gentleman in a blue coat and white stock Oval, in gilt metal frame and blue glass back 73 x 59mm £400-600

10 λ ALEXANDER GALLAWAY Scottish act.1794-1812

Portrait miniature of Mrs Tomas Pagan in a white dress and headscarf Oval, in a gilt metal frame, mother-of-pearl back with a lock of hair and five pearls 79 x 64mm

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Provenance: Walter and Gertrude Rappolt Collection; By whom sold, Christie’s, London, 14 October 1998, lot 93 £300-500

Lots marked ‡ may be subject to an additional fee - please see ARR information on page 177

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11 λ RICHARD COSWAY RA 1742-1821

Portrait miniature of a gentleman in a blue coat with gold buttons Oval, in a gilt metal frame with split pearl border, plaited hair back with gilt metal initials CC and blue glass and gilt metal border, in a red leather case 69 x 56mm Provenance: Inherited by the present owner £3,000-5,000

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12 λ GEORGE ENGLEHEART 1750-1829

Portrait miniature of Matthew Vaughan, in a blue jacket and white stock Signed with initial E Oval, in a gilt metal frame, blue glass over guilloché and mother-of-pearl back with a lock of hair held by four pearls 78 x 59mm Provenance: Miss F Housley, Sotheby’s, London, 20 December 1965, lot 19; Christie’s, London 21 June 1999, lot 209 Literature: G.C. Williamson, George Engleheart 1750-1829 Miniature Painter to George III (London, 1902), p. 117 Mr. Vaughan is recorded as having sat to Engleheart in 1799. £3,000-5,000

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See paragraphs 4 & 5 of our conditions of business at the back of the catalogue for additional charges on the final hammer prices

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13 λ GEORGE ENGLEHEART 1750-1829

Portrait miniature of a gentleman with powdered hair, brown coat and white stock Oval, in a gilt metal, blue and white enamel and blue glass over guilloché frame, within a tooled blue leather case 47 x 35mm Provenance: G. A. V. Duckworth, Orchardleigh Park, Frome, Somerset; His posthumous sale, Christie’s, 21-22 September 1987, lot 339; Bonhams, London, Fine Portrait Miniatures and Silhouettes, 2 February 2000, lot 162 £2,000-3,000

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14 λ GEORGE ENGLEHEART 1750-1829

Portrait of Admiral Sir John Orde, 1st Baronet (1751-1824) Oval, in a gilt metal frame with split pearl border, and hair back 37 x 31mm Provenance: The estate of the late Sir John Alexander Campbell-Orde, 6th Baronet (1943-2016) £1,500-2,500

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Lots marked ‡ may be subject to an additional fee - please see ARR information on page 177

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15 ATTRIBUTED TO SAMUEL COLLINS 1735-1768

Portrait miniature of a lady wearing a red velvet hat with a feather, and a blue dress On enamel, oval, in a white metal frame with five ostrich feathers engraved to reverse 40 x 31mm £250-450

16 λ EDWARD BURCH 1730-1814

Portrait miniature of a boy in a blue jacket

15

Oval, in gilt metal frame and blue glass back 62 x 48mm

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£350-450

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18

17 λ ENGLISH SCHOOL

18 λ SIR WILLIAM CHARLES ROSS RA

c.1840

1794-1860

Portrait miniature of Mrs Harriet Stewart, née MacLaine, of Fasnacloich, in a blue dress and white collar and bonnet

Portrait miniature of a lady wearing a red dress, pearl necklace and earrings

Rectangular, in a black leather case 79 x 63mm

Rectangular, in a gilt metal scroll decorated frame 98 x 71mm

Provenance: The estate of the late Sir John Alexander Campbell-Orde, 6th Baronet (1943-2016)

£500-800

£400-600 See paragraphs 4 & 5 of our conditions of business at the back of the catalogue for additional charges on the final hammer prices

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19 λ WILLIAM WOOD 1769-1810

Portrait miniature of Prince William Frederick, Duke of Gloucester and Edinburgh (1776-1834), wearing uniform and the Star of the Garter Signed and dated 1807-08 on the reverse Oval, in a gilt metal frame with plaited hair and blue glass over guilloché back, within a tooled maroon leather case 85 x 70mm The miniature is a copy of a full length portrait by Sir William Beechey RA (1753-1839). William Wood painted miniature copies of this work, and a portrait of Prince William Henry, 1st Duke of Gloucester (1743-1805), at Beechey’s request. Wood’s version of the the 1st Duke is in the Royal Collection (RCIN 420254) £700-1,000

20 λ ENGLISH SCHOOL 19th Century

Portrait miniature of an officer wearing regimental uniform and the order of the garter; Portrait miniature of his wife in a white dress with powdered hair A pair, the latter signed Mesnil Each oval, framed as one 45 x 36mm (2) £100-150

21 λ CORNELIUS BEVIS DURHAM

19

1809-1884

Portrait miniature of a British army officer, wearing regimental uniform Signed with initials Oval, in a gilt metal frame, silk back with a lock of hair 65 x 51mm Provenance: Robert Lane Bayne-Powell (1910-1994); His executor’s sale, Sotheby’s, London, 11 October 1994, lot 185 £400-600

20 Lots marked ‡ may be subject to an additional fee - please see ARR information on page 177

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22 λ PETER PAILLOU THE YOUNGER 1757-after 1831

Portrait miniature of a gentleman in a grey coat and white waistcoat Signed and dated 1832 Oval, in a gilt metal frame, with hair back and gilt metal initials HC 74 x 59mm £500-800

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23 λ AFTER SIR HENRY RAEBURN

24 λ ENGLISH SCHOOL

25 AFTER JOSEPH FRANQUE

Portrait miniature of Lt. Col. Alexander Stewart, half-length, wearing regimental uniform

19th Century

Miniature of the Empress Marie Louise watching over the sleeping King of Rome

Rectangular, in a gilt metal frame, set within an easel frame 99 x 76mm After the original formerly with The Fine Art Society, London Provenance: The estate of the late Sir John Alexander Campbell-Orde, 6th Baronet (1943-2016)

Portrait miniature of a lady in a white dress and blue shawl; Portrait miniature of a gentleman in a black coat A pair, rectangular, framed as one in an ebonised frame Each 85 x 65mm Together with two further late 18th/ early 19th Century portrait miniatures of ladies (4)

Watercolour and bodycolour, in a gilt metal frame with stand 240 x 200mm With a copy of Four Years an Empress

by Agnes de Stoeckl which shows the original painting, in the Musée de Versaille, on the dust jacket (2) £400-600

£150-250

£200-300 See paragraphs 4 & 5 of our conditions of business at the back of the catalogue for additional charges on the final hammer prices

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26 ATTRIBUTED TO GIOVANNI BATTISTA CANEVARI

27 ATTRIBUTED TO GIOVANNI BATTISTA CANEVARI

Italian 1789-1876

Italian 1789-1876

Portrait miniature of a gentleman in a brown coat sitting in his library; Portrait miniature of a lady in a blue dress holding a book

Portrait miniature of a young man sitting in a landscape sketching, a hunting rifle beside him

Two, each on card, rectangular, in ebonised frames 132 x 99mm; 117 x 86mm (2)

On card, rectangular, in an ebonised frame 135 x 104mm £400-600

£400-600

Lots marked ‡ may be subject to an additional fee - please see ARR information on page 177

28 λ ENGLISH SCHOOL

29 λ ENGLISH SCHOOL

19th Century

19th Century

Portrait miniature of Napoleon Bonaparte in uniform; Portrait miniature of Horatio Nelson, 1st Viscount Nelson in uniform

A pair of portrait silhouettes in profile of a lady and gentleman

Two, the former oval, the latter rectangular, each in rectangular painted wood frames 73 x 59mm; 92 x 70mm (2) £150-250

Each rectangular, in rosewood veneered frames 86 x 63mm Together with six further portrait silhouettes in ebonised frames (8) £100-200

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Prints

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31

30 RICHARD REYNOLDS

31 CONTINENTAL SCHOOL

act.1770

19th/20th Century

The East View of the Beautiful and Ancient City of Old Sarum with an Accurate Plan, Section and Brief Explanation thereof

A large collection of unframed prints, including re-strikes Contained in 7 folios, various sizes (sold as seen)

Engraving 45.2 x 57.7cm; 173⁄4 x 223⁄4in

£100-200

£200-300

32 A GROUP OF OLD MASTER PRINTS Including examples after Hans Burgkmair, Jacques Callot, Giovanni Domenico Tiepolo, Karel Dujardin, David Teniers II, and others Largest 25.3 x 19.3cm; 10 x 73⁄4in (plate) Unframed (24) £150-250

33 AFTER REMBRANDT HARMENSZ. VAN RIJN Beggar man and beggar woman conversing; The artist’s mother seated at a table, looking right: three-quarter length; The blind fiddler; A peasant calling out ‘Tis vinnich kout’ and A peasant replying ‘Dats niet’; The crucifixion; View of Amsterdam from the north-west; The Omval; Cottages beside a canal; Selfportrait drawing at a window; Medea: or the marriage of Jason and Creusa; The triumph of Mordechai; The descent from the cross by torchlight; Abraham’s sacrifice; Christ preaching Fourteen, mostly heliographs Largest 24.8 x 18cm; 93⁄4 x 7in; Smallest 8.4 x 6.9cm; 31⁄4 x 23⁄4in Unframed (14) £100-200

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33

See paragraphs 4 & 5 of our conditions of business at the back of the catalogue for additional charges on the final hammer prices

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34

34 LOUIS HAGHE AFTER DAVID ROBERTS RA Belgian 1806-1855; 1796-1864

35 GEORGE TOWNLY STUBBS AFTER GEORGE STUBBS ARA

The Siege and Destruction of Jerusalem by the Romans Under the Command of Titus, A.D. 70

1756-1815; 1724-1806

Signed in pencil by Roberts and Haghe on mount, and with Hering and Remington blindstamp Coloured lithograph 69.5 x 106.5cm; 271⁄4 x 42in

Horses Fighting; Bulls Fighting

Provenance: Shapiro, Grays Antiques, London, where purchased by the present owner This print is after the original oil painting by David Roberts exhibited at the R.A. in 1849, no. 290. Having been so well received, Roberts turned to Haghe to produce a print of his painting, and this is one of the original versions, printed without the title, and signed by both artist and lithographer. £800-1,200

35 Lots marked ‡ may be subject to an additional fee - please see ARR information on page 177

Each mezzotint, fifth state of five, published by B.B. Evans, London, 1788 Each 48 x 59cm; 19 x 231⁄4in (2) Provenance: The Property of a Noblewoman £500-700

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36 AFTER GEORGE EDWARDS The Turn-stone from Hudsons Bay; The Spotted Plover from north America; The Grenadier; The Rhinoceros Hornbill; The Small American Redstart Five, each hand-coloured engraving Each c.24 x 19cm, c.9½ x 7in (5) £100-200

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37 JOHN GOULD

37

1804-1881

Tanysiptera Sylvia (Buff-breasted Paradise Kingfisher) Hand-coloured lithograph 49.5 x 32.4cm; 19½ x 13¾in £80-120

38 JOHN GOULD 1804-1881

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39

Alca Torda (Razorbill); Fratercula Arctica (Atlantic Puffin); Haematopus Ostralegus (Eurasian Oystercatcher); Puffinus Anglorum (Manx Shearwater) Four lithographs with some hand-tinting Largest 34 x 52cm; 13½ x 20½in; Smallest 48.9 x 34.2cm; 19½ x 13½in (4) £200-300

39 A 20TH CENTURY MAHOGANY EASEL Adjustable folding frame, with plaque reading S R Smallwood Bath 1984 194.5 x 53.9cm; 76½ x 211⁄4in £200-300

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41 See paragraphs 4 & 5 of our conditions of business at the back of the catalogue for additional charges on the final hammer prices

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40 A 19TH CENTURY FLORENTINE GILTWOOD FRAME With shell, acanthus leaf and pierced foliate decoration 65.6 x 45.2cm; 253⁄4 x 173⁄4in sight edge 46.4 x 26.3cm; 181⁄4 x 101⁄4in rebate edge Containing a photographic print after Bouguereau £200-300

41 A 19TH CENTURY CONTINENTAL GILTWOOD AND GESSO FRAME With corner cartouches, scroll and acanthus leaf decoration 80.5 x 114cm; 313⁄4 x 443⁄4in rebate size 116.2 x 149.5cm; 453⁄4 x 58.75in sight size £300-500

Drawings and Watercolours 42 COMPANY SCHOOL c.1820

Two copies of the pietra dura work from the cenotaph, Taj Mahal, Agra A pair, each watercolour 72 x 19.7cm; 28¼ x 7¾in; 71.4 x 16cm; 28 x 61⁄4in (2) £2,500-3,500

42 Lots marked ‡ may be subject to an additional fee - please see ARR information on page 177

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43 COMPANY SCHOOL c.1830

Four portraits of fakirs Each indistinctly inscribed Watercolour Each 19.6 x 16.7cm; 73⁄4 x 6½in Unframed (4) Provenance: Sotheby’s New York, 1979 £600-800

44 INDIAN SCHOOL A Hawking scene Watercolour 31 x 21cm; 121⁄4 x 81⁄4in With two further Persian watercolours scenes depicting a battle and a hunting party returning home, with text, each 22 x 10cm; 8¾ x 4in (3) £150-250

44 See paragraphs 4 & 5 of our conditions of business at the back of the catalogue for additional charges on the final hammer prices

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45 CHINESE SCHOOL Chinese junk with fishermen casting a net; Chinese junk with a fisherman tending to the sail A pair, each watercolour and gouache 29.7 x 35.6cm; 113⁄4 x 14in (2) £200-400

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46 JAMES ANDREWS 1801-1876

Ten floral studies Some inscribed with titles and annotations Watercolour and pencil Largest 33.3 x 25.6cm; 13 x 10in; Smallest 22.3 x 13.7cm; 83⁄4 x 5½in Unframed Together with five unframed botanical prints after James Andrews (15) £100-200

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47 CHINESE SCHOOL 19th Century

Four studies of flowers and butterflies One inscribed A China Rose Each watercolour heightened with white Largest 29.8 x 35.7cm; 113⁄4 x 14in; Smallest 29.8 x 29.8cm; 113⁄4 x 113⁄4in (4) £300-500

47 Lots marked ‡ may be subject to an additional fee - please see ARR information on page 177

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49

48 TUSCAN SCHOOL

49 ITALIAN SCHOOL

16th Century

17th Century

Study of a bishop, full length holding a crozier

Study of a bearded man in a turban

Pen ink, wash and pencil, squared for transfer in black and red chalk, with remains of black framing lines 26.5 x 11.2cm; 10½ x 4½in

Pen and brown ink 15 x 20.3cm; 6 x 8in In a 17/18th Century Dutch ebonised frame £600-800

£200-300

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50 FRANCESCO APPIANI Italian 1704-1792

Madonna and child Pen and brown ink, wash and black chalk 22.4 x 14.8cm; 83⁄4 x 53⁄4in Provenance: Carlo Prayer (1826-1900) (Lugt 2044) £200-300

51 CIRCLE OF PARMIGIANINO Study of a standing female figure Inscribed 12 Pen and brown ink within traces of black framing lines 10.9 x 5.9cm; 41⁄4 x 21⁄4in £120-180

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51 See paragraphs 4 & 5 of our conditions of business at the back of the catalogue for additional charges on the final hammer prices

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52 ATTRIBUTED TO GIUSEPPE CADES Italian 1750-1799

Christ in a mandorla flanked by two angels Pen and brown ink 28.7 x 23.5cm; 111⁄4 x 91⁄4in Unframed With a drawing After Maerten de Vos of The Ascension; Pen, brown ink, brown wash and brown ink framing lines; 33 x 26.6cm; 13 x 10½in Unframed (2) Provenance: Both Matthew H. Bloxam (1805-1888); By whom given to Rugby School Art Museum, Christ in a mandorla, with his inscription Rugby School Art Museum, - e dono Matt: H: Bloxam 1880 (on the mount); Christie’s, London, Old Masters/New Scholars: Works of Art Sold to Benefit Rugby School, 4 December 2018, lots 138 and 139

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£300-500

53 BERNARDINO POCCETTI Italian 1548-1612

Study of a standing figure Red and black chalk 28 x 15.2cm; 11 x 6in Provenance: Anonymous (Lugt 477) £300-500

54 CHARLES-NICHOLAS COCHIN THE ELDER French 1688-1754

Portrait of a prelate, bust-length Inscribed Cochin Red and black chalk 15.1 x 10.6cm; 6 x 41⁄4in £200-300

53

Lots marked ‡ may be subject to an additional fee - please see ARR information on page 177

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55 JOHN CLEVELEY THE YOUNGER 1747-1786

Sailing craft in choppy waters Signed and dated 1786 Watercolour 29 x 41cm; 11½ x 16¼in Provenance: The Leger Galleries Ltd., London, 1969 £500-800

56 ANTOINE ROUX French 1765-1835

La Georgette Watercolour and pencil within black framing lines 34 x 51.3cm; 13½ x 201⁄4in

55

Provenance: Christie’s, London, Maritime, 15 November 1996, lot 376; Property of a retired Master Mariner; By whom sold, Woolley and Wallis, Paintings, 5 June 2013, lot 284, where purchased by the previous private collector; By descent to the present owner £1,500-2,500

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See paragraphs 4 & 5 of our conditions of business at the back of the catalogue for additional charges on the final hammer prices

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57 JOHN GLOVER OWS 1767-1849

Landscape with travellers beneath a castle, shipping in an estuary beyond Inscribed lot 1-6, Mr. Glover (to verso) Watercolour with scratching out 35.8 x 50.4cm; 14 x 193⁄4in Provenance: Newman Fine Art, where purchased by the previous owner, November 2005; By descent to the present owner Exhibited: Newman Fine Art, November 2005, cat. no. 16 It has been suggested that the location is possibly Criccieth Castle, North Wales £2,000-3,000

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58 PAUL SANDBY RA 1725-1809

A hilly landscape with a bridge and figures Watercolour and ink 35.7 x 53cm; 14 x 20¾in £1,000-1,500

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Lots marked ‡ may be subject to an additional fee - please see ARR information on page 177

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59

60

59 THOMAS RACKETT 1757-1841

60 PAUL SANDBY MUNN

Sherborne Castle

1773-1845

Watercolour 24.7 x 30cm; 9¾ x 15¼in

Welsh Mountain Landscape

Provenance: Leonard G. Duke (1890-1971); Thomas Agnew & Sons, London

Watercolour 10 x 15cm; 3¾ x 5¾in

Literature: William George Maton, Observations relative chiefly to the natural history, picturesque scenery and antiquities of the western counties of England, vol II (Salisbury 1797), p.8 (illustrated)

Provenance: R.D. MacNaughton Esq., Windsor, 1970; New Grafton Gallery, London, 1970 £150-250

£200-400

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61 THOMAS WALMSLEY 1763-1806

Castle of Kilchurn on Loch Awe

62 ANTHONY VANDYKE COPLEY FIELDING POWS 1787-1855

Watercolour heightened with bodycolour 36.6 x 49.7cm; 14½ x 19½in

Dunster Castle

Provenance: The Leger Galleries Ltd., London, 1965

Provenance: The Leger Galleries Ltd., London, 1965

£300-500

£400-600

Signed and dated 1844 Watercolour 35.8 x 50.4cm; 14 x 19¾in

62 See paragraphs 4 & 5 of our conditions of business at the back of the catalogue for additional charges on the final hammer prices

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63 JOHN RUSSELL RA 1745-1806

Portrait of a girl, bust length, in a red cape and black bonnet Pastel 54.7 x 39.6cm; 21½ x 15½in Provenance: Christie’s, London, Fine English Drawings and Watercolours, 12 July 1988, lot 144 Literature: Neil Jeffares, “John Russell”, Dictionary of pastellists before 1800, online edition, accessed 4/11/2019, no. J.64.3668 £1,500-2,500

63

Lots marked ‡ may be subject to an additional fee - please see ARR information on page 177

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64 PAUL-JEAN FLANDRIN French 1811-1902

Portrait of a seated gentleman Signed inscribed and dated Paris 1838 Pencil 27.9 x 21.4cm; 11 x 8½in £300-500

65 THOMAS CHARLES WAGEMAN 1787-1863

Portrait of a gentleman standing, three-quarter length Signed and dated 1835 Pencil 22.5 x 18.9cm; 83⁄4 x 7½in

64

65

Together with a pencil portrait of Frank Wansey, signed and dated A. Beriliet 1829, with a dedication label (2) £120-180

66 ATTRIBUTED TO SIR THOMAS LAWRENCE PRA, FRS 1769-1830

Portrait of Susan D’Albiac (b.1760); Portrait of Louisa D’Albiac; Portrait of their aunt, Mrs Turner Three, each pencil Each 20.7 x 13.4cm; 81⁄4 x 51⁄4in, framed as ovals (3) Provenance: Given to a previous owner by her aunt in 1873 (according to inscription to frame of Mrs Turner); By descent £200-400

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67

See paragraphs 4 & 5 of our conditions of business at the back of the catalogue for additional charges on the final hammer prices

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67 GEORGE RICHMOND RA 1809-1896

Portrait of a gentleman in a black coat and knee britches, seated and holding a pen Signed and dated 1833 Watercolour and pencil, heightened with bodycolour 38.9 x 30.2cm; 151⁄4 x 12in £150-250

68 GEORGE ROMNEY 1734-1802

Study of Georgiana, Duchess of Devonshire (1757-1806) Inscribed Duchess of Devonshire 51 Pen, brown ink and wash 28 x 16.8cm; 11 x 6½in Provenance: John, 1st Earl Spencer (1734-1783) (Lugt 2341a); James Faber, London The Duchess of Devonshire sat for Romney on seven occasions between 1788-1794.

Additionally there is a mention of Romney working on a full-length portrait of the Duchess in 1786, although it remains untraced (see Alex Kidson, George Romney: A Complete Catalogue of his Paintings, Yale University Press, 2015, vol. I, p.186). £3,000-5,000

68 Lots marked ‡ may be subject to an additional fee - please see ARR information on page 177

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69 THOMAS ROWLANDSON 1756-1827

Count Ugolino and his children in the dungeon Signed Watercolour and pencil 27.7 x 37.5cm; 11 x 143⁄4in Unframed Provenance: Mrs Jerrard Dunne Literature: Adrian Bury, Rowlandson Drawings (Avalon Press, 1949), pp. 10, 94, cat. No. 73 (illustrated) After the original painting by Sir Joshua Reynolds, which was first exhibited at the Royal Academy in 1773, and today hangs at Knole, Kent. £400-600

69

70 SIR DAVID WILKIE RA 1785-1841

The continence of Scipio Indistinctly signed Pen and brown ink within brown framing lines 18 x 25.8cm; 7 x 101⁄4in Provenance: The O’Shea Gallery, London £500-700

70

71 BARTOLOMEO PINELLI Italian 1781-1835

A woman washing her clothes; A mother tending to two children Two, each inscribed Pinelli to backing paper Each Pen and brown ink, and pencil within black framing lines 6.6 x 5.8cm; 2½ x 2¼in; 9.6 x 6.7cm; 3¾ x 2¾in (2) Framed as one £200-300

72 ATTRIBUTED TO THOMAS BURGESS 1721-1791

Study of a male nude 71

72

Charcoal heightened with white 27.2 x 20.1cm; 103⁄4 x 8in £150-250

See paragraphs 4 & 5 of our conditions of business at the back of the catalogue for additional charges on the final hammer prices

29

73

73 ROBERT ADAM FRSE, FRS, FSA (SCOT), FSA, FRSA Scottish 1728-1792

Design for Altering the South Front of Blackadder House, the Seat of Alexander Boswall Esq Signed, dated 1784, titled, and with a scale Pen and black ink, grey wash and watercolour within black framing lines 35 x 51cm; 133⁄4 x 20in Provenance: Houstoun-Boswall Collection; By descent Blackadder House, near Allanton, formed part of the medieval Blackadder estate positioned on the Scottish border. Robert Adam’s designs, dating to c.1784, were made for Alexander Boswell (alternatively spelt Boswall). The house, to which Adam’s scheme relates, was thought to have been originally built around 1764, possibly incorporating part of an earlier medieval structure in the process. Adam’s designs propose a number of alterations with the aim of regularising the overall plan, with additions to the front and side elevations. As the house was demolished in 1925, it is difficult to ascertain whether Adam’s scheme was ever executed.

The Sir John Soane’s museum, London contains a number of Adam’s designs for the house, including an earlier, less worked up, version of the south front (SM Adam volume 32/77). £1,000-1,500

Lots marked ‡ may be subject to an additional fee - please see ARR information on page 177

30

74 ENGLISH SCHOOL Early 19th Century

Three marine scenes with shipping off the coast One inscribed Europe Each watercolour and pencil 24.5 x 45cm; 93⁄4 x 173⁄4in (3) £200-300

75 JOHN SEYMOUR LUCAS 1849-1923

The Cruise of the Rover All signed, and four dated 1882 All watercolour heightened with bodycolour Largest: 46.3 x 67.1cm; 18¼ x 26¼in; Smallest: 22 x 29.8cm; 8¾ x 11¾in (5)

74

Provenance: By descent to the present owner £300-500

76 CONTINENTAL SCHOOL c.1900

The Bay of Naples with Vesuvius erupting Gouache 30 x 54cm; 113⁄4 x 211⁄4in £150-250

77 LUIGI ROBERTO Italian 1845-1910

SS Cymbelline Signed, inscribed and dated Napoli 1884, and titled Gouache 40.6 x 60.2cm; 16 x 233⁄4in £100-200

75

76

77 See paragraphs 4 & 5 of our conditions of business at the back of the catalogue for additional charges on the final hammer prices

31

78 PHILIBERT-LOUIS DEBUCOURT French 1755-1832

Portrait of Dominique Vivant, Baron Denon (1747-1825) Titled and inscribed Pen, ink and watercolour 28.5 x 19.7cm; 111⁄4 x 73⁄4in Provenance: James Faber, London, December 1996 £150-250

79 GEORGE HOTHAM 1796-1860

Napoleon Bonaparte at Longwood, St. Helena Signed with initials, titled and dated Napoleon Bonaparte as seen at Longwood, in the Island of St Helena, July 17th 1817, and numbered 38 Pencil 21.3 x 18.6cm; 8½ x 71⁄4in

78

79

Provenance: Sotheby’s, London, Eighteenth and Nineteenth Century British Drawings and Watercolours, 14 July 1988, lot 5 (as part of a folio of drawings) £300-500

80 FRENCH SCHOOL c.1815

Portrait of a young lady in a white dress, holding a book Indistinctly signed and dated Virginie/E***/Mai 181* Pastel 55.1 x 45.5cm; 213⁄4 x 18in £400-600

80

81 JEAN-MARIE-RAPHAELLEOPOLD MASSARD

81

French 1812-1889

Provenance: Ian Woodner (1903-1990); Dian and Andrea Woodner; their sale, London, Christie’s, Old Master Drawings from the Woodner Collection, 2 July 1991, lot 170

Portrait of Alexandre François Marie, Vicomte de Beauharnais (1760-1794)

After the 1834 portrait by Georges Rouget (1783-1869) in the Palace of Versailles. The Vicomte de Beauharnais was a prominent political and military figure during the French revolution. He served as deputy of the noblesse in the Estates-General, president of the National Constituent Assembly and became General-in-Chief of the Army of the Rhine in 1793. He was arrested and executed during the Reign of Terror, and was survived by his wife Joséphine, who would later marry Napoleon Bonaparte, and become Empress.

Pencil 34.1 x 25.4cm; 13½ x 10in

£150-250

Lots marked ‡ may be subject to an additional fee - please see ARR information on page 177

32

82 WILLIAM SAMUEL HOWITT 1765-1822

Three horses grazing near a building; Horse drawn cart being loaded by two men A pair, both watercolour and ink Both 25.5 x 35.7cm; 10 x 14in (2) Provenance: J. Leger & Son, London, 1959 £300-500

82

83 E. K. O. JAMES act.1867

A view of Windsor Great Park with deer Signed and dated 67 Watercolour heightened with white 18.7 x 40.5cm; 71⁄4 x 16in £120-180

83

84 DAVID COX, JNR. ARWS 1809-1855

A windswept landscape with a cottage and figure by a gate Watercolour 25 x 43.7cm; 9¾ x 17¼in Provenance: Gerald M. Norman Gallery, London £120-180

84 See paragraphs 4 & 5 of our conditions of business at the back of the catalogue for additional charges on the final hammer prices

33

85 EDWARD DUNCAN RWS 1803-1882

Recovering the wreck Signed and dated 1838 Watercolour and pencil, heightened with white 44.9 x 63.6cm; 173⁄4 x 25in Provenance: Bonhams, London, British and European Pictures, 26 November 2013, lot 92 £600-800

85

86

86 ENGLISH SCHOOL

87 JOHN VARLEY

19th Century

1778-1842

Figures near a bridge

The Thames at Windsor Castle, with boys swimming

Watercolour and pencil 22 x 28cm; 8½ x 11in £120-180

Watercolour with scratching out 28.4 x 22.5cm; 11¼ x 8¾in Provenance: Gerald M. Norman Gallery, London Another version is illustrated in Adrian Bury’s John Varley of the Old Society, published in 1946 by F. Lewis, London (according to label on reverse) £400-600

87

Lots marked ‡ may be subject to an additional fee - please see ARR information on page 177

34

88

89

88 HENRY JUTSUM 1816-1869

Rural landscape with tree fellers resting by a stream Signed and dated 1861 Watercolour heightened with white 47.5 x 67.8cm; 183⁄4 x 263⁄4in Provenance: E. Stacy-Marks, Eastbourne, 1992, where purchased by the previous owner; By descent to the present owner £300-500

89 GEORGE CHILDS 1800-1875

90

Three children playing with a dog by some rapids Watercolour, bodycolour and gum arabic 61.1 x 95.3cm; 24 x 37½in £150-200

90 GEORGE SHEFFIELD 1839-1892

Extensive wooded landscape Signed, dated 1875 and dedicated For the Heys Fund Watercolour 55 x 94cm; 21½ x 37in £200-300

91 JOSEPH CHARLES REED 1822-1877

River landscape with cattle; Landscape with sheep sheltering in the shade 91

Two, each signed Each watercolour 33 x 49cm; 13 x 191⁄4in; 30 x 51cm; 113⁄4 x 20in (2) £250-350 See paragraphs 4 & 5 of our conditions of business at the back of the catalogue for additional charges on the final hammer prices

35

92 JOHN ‘WARWICK’ SMITH 1749-1831

Kenfig Castle, Glamorgan Inscribed by the artist July 4th 1795. The slight remains of Kenfig Castle - once the distinguished possession of Robert Fitzhamon after his conquest of Glamorgan.

The ruin is part of the keep; it’s elevated situation on a mount has preserv’d it, after the ravages of the sea on the coast desolated the surrounding districts and cover’d them with overwhelming sand (under the mount at the bottom of the drawing according to label) Watercolour and pencil 13.1 x 21.8cm; 51⁄4 x 8½in Provenance: J. M. Sinclair, Esq.; Leger Galleries, London, July 1968

92

£200-300

93 WILLIAM TURNER OF OXFORD 1789-1862

A view near Monstead in the New Forest, Southampton in the distance Signed and inscribed on the reverse (according to label on reverse) Watercolour 32 x 56.7cm; 12½ x 22½in Provenance: Colonel C.H. Wilkinson; J. Leger & Son, 1960 Exhibited: Old Watercolour Society, 1831, no. 195 Literature: Old Watercolour society vol. IX (according to label on reverse) £800-1,200

93

94

95

94 ATTRIBUTED TO GEORGE DUNKERTON HISCOX

95 HENRY JOHN KINNAIRD

1840-1901

1861-1929

Continental wooded landscape with travellers on a path, a town on a hill in the distant

View near Salisbury

Watercolour, heightened with white 39.7 x 62cm; 153⁄4 x 24½in

Signed and titled Watercolour 24.7 x 36.7cm; 93⁄4 x 14½in

£120-180

£300-500

Lots marked ‡ may be subject to an additional fee - please see ARR information on page 177

36

96 NEOPOLITAN SCHOOL c.1900

The yacht Amanda, with Vesuvius beyond Gouache 40.9 x 64.7cm; 16 x 25.5in £200-400

96

97 THOMAS BUSH HARDY RBA 1842-1897

Homeward Bound Signed, dated 1892, and titled Watercolour with scratching out, heightened with white 21.9 x 46.6cm; 8½ x 181⁄4in £200-300

97

98

99

98 THOMAS BUSH HARDY RBA

99 THOMAS BUSH HARDY RBA

1842-1897

1842-1897

The Straits of Dover

Lowestoft: Smacks Bringing in a Disabled Barque

Signed, dated 1892, and titled Watercolour with scratching out, heightened with white 32.8 x 50cm; 13 x 193⁄4in

Signed, dated 1892, and titled Watercolour with scratching out, heightened with white 44.7 x 69.7cm; 17½ x 27½in

£200-300

£300-500 See paragraphs 4 & 5 of our conditions of business at the back of the catalogue for additional charges on the final hammer prices

37

100 DAVID ROBERTS RA 1796-1864

A view of the tower of St. Rumbold’s Cathedral, Mechelen Watercolour 32.2 x 22.4cm; 123⁄4 x 83⁄4in Provenance: Albany Gallery, London Literature: Bulwer-Lytton, E., The Pilgrims of the Rhine (London, Saunders and Otley, 1834), p. 21, plate vi (illustrated) Engraved: John Le Keux £1,000-1,500

101 CIRCLE OF DAVID ROBERTS Old man smoking a hookah Watercolour and pencil 25.3 x 32.6cm; 10 x 123⁄4in £150-250

102 ROBERT THOMAS STOTHARD Early 19th Century

Portrait of William Bollaert in Chilean dress Signed and dated 1830, with a label to reverse identifying the subject Watercolour and pencil 22.6 x 17.3cm; 9 x 63⁄4in £150-250

100

101

Lots marked ‡ may be subject to an additional fee - please see ARR information on page 177

102

38

103 JOHN MACWHIRTER RA Scottish 1839-1911

Florence from San Miniato Signed with initials and titled Watercolour 24.5 x 35.5cm; 93⁄4 x 14in Provenance: The Leicester Galleries, London, 1911; From whom purchased by Major Squire Exhibited: London, The Leicester Galleries, Exhibition of 100 water-colours by the late John MacWhirter, R.A., London, June 1911, no. 28 £600-800

104 ENGLISH SCHOOL 103

c.1840

Figures fishing on the Tiber, Castel Sant’Angelo and St. Peter’s beyond; A view of the Roman Forum, with figures resting by the Arch of Septimus Severus A pair, each watercolour heightened with white 36.1 x 55.7cm; 141⁄4 x 22in (2) £600-800

105 WILLIAM LEIGHTON LEITCH Scottish 1804-1883

The Convent of San Martino near Mont Reola Signed with monogram and titled Pencil, watercolour and black chalk 15.3 x 23.3cm; 6 x 91⁄4in Provenance: Spink, London, no. K3 7181/1 Literature: Revd. George Newenham Wright, The Shores And Islands Of The Mediterranean (London 1840), engraved by J. Stephenson £200-300

104

105

See paragraphs 4 & 5 of our conditions of business at the back of the catalogue for additional charges on the final hammer prices

39

106 WILLIAM CALLOW RWS 1812-1908

A view of the harbour at Genoa Signed with initials, inscribed Genoa, and numbered 42 to verso Watercolour 31.5 x 23.5cm; 12½ x 91⁄4in Exhibited: London, Albany Gallery, William Callow, 1812-1908: an exhibition at the Albany Gallery of 25 watercolour drawings from the early years, June 1987, no. 15 £800-1,200

107 WILLIAM CALLOW RWS 1812-1908

The old homestead Signed Watercolour and pencil 25.5 x 36.4cm; 10 x 141⁄4in £100-150

108 ENGLISH SCHOOL 19th Century

A view of Venice with figures in eighteenthcentury costume Watercolour and pencil heightened with white 33.3 x 48.3cm; 13 x 19in £120-180

107

106

108

Lots marked ‡ may be subject to an additional fee - please see ARR information on page 177

40

109

110

109 AUGUSTUS OSBORNE LAMPLOUGH

110 HENRY STANTON LYNTON

111 ENGLISH SCHOOL

1877-1930

act.1886-1912

c.1855

Arab village near Aswan, Egypt

Camel riders by the Sphinx of Giza

Signed, dated 1904 and titled Watercolour 22.7 x 59.6cm; 9 x 23½in

Signed Watercolour 26.1 x 74.7cm; 101⁄4 x 29½in

A panoramic view of Guernsey from Victoria Tower

£200-300

£200-300

Signed with monogram GGS and titled to label Pencil and pastel heightened with white On seven sheets, each c.9.1 x 26.3cm; 3½ x 101⁄4in; total 9.1 x 186.5cm; 3½ x 73½in £200-400

111 (detail)

111 (full) See paragraphs 4 & 5 of our conditions of business at the back of the catalogue for additional charges on the final hammer prices

41

113

112

112 PILFOLD FLETCHER WATSON

113 FÉLIX ZIEM

1842-1907

Figures conversing by the shore, with a city, probably Venice, in the distance

Entrance to the Courts of the Citron Trees, Sevilla Signed and titled Watercolour, gouache and gum arabic 36 x 25.5cm; 141⁄4 x 10in

French 1821-1911

Signed Watercolour 9.8 x 15.4cm; 33⁄4 x 6in £300-500

The work depicts the Puerta del Perdón which leads to the Patio de los Naranjos in Seville Cathedral

114

£150-250

114 HERCULES BRABAZON BRABAZON

115 HERCULES BRABAZON BRABAZON

1821-1906

1821-1906

The Doge’s Palace

Venice, After Turner

Signed with monogram Watercolour heightened with bodycolour, and pencil 19.8 x 27.2cm; 7¾ x 10¾in

Signed with monogram Watercolour heightened with bodycolour, and pencil 22.9 x 32.1cm; 9 x 12½in

Provenance: The Leger Galleries Ltd., London, 1967

£250-450

£400-600

115 Lots marked ‡ may be subject to an additional fee - please see ARR information on page 177

42

116 (recto)

116 (verso)

117

116 HENRY MEYNELL RHEAM 1859-1920

The dragon’s cave (recto); Study for Lady of Shalott (verso) Signed (recto) Watercolour (recto); watercolour and charcoal (verso) 31.5 x 64cm; 12½ x 251⁄4in Rheam used the composition of The dragon’s cave in his 1908 work Once Upon a Time, with the knight and dragon replaced by a group of elves (See Sotheby’s, London, 15 June 2000, lot 409). For the finished version Lady of Shalott, see Bonhams, London, 9 November 2004, lot 106. £800-1,200

118

117 FOLLOWER OF DANTE GABRIEL ROSSETTI

1829-1904

Dante and Beatrice

Study of a Classical girl

Bears a monogram Pencil 12.8 x 9.8cm; 5 x 33⁄4in

Signed with initials Watercolour heightened with white 14.3 x 8.5cm; 5½ x 31⁄4in

Provenance: Bonhams Oxford, 20 May 2009, lot 138, as Attributed to Dante Gabriel Rossetti

Provenance: Sotheby’s Sussex, The Garden and other selected paintings, 25 May 2000, lot 2158; Lincoln Joyce Fine Art, Surrey, 2001; Where purchased by the present Private Collector

£200-300

118 WILLIAM STEPHEN COLEMAN

£200-300

See paragraphs 4 & 5 of our conditions of business at the back of the catalogue for additional charges on the final hammer prices

43

119 ‡ HERBERT GRANVILLE FELL 1872-1951

O Primavera Gioventu dell Anno!; Autumns Mock Sunshine of the Faded Woods; Winter; Young women washing by a river Four, each signed, two with monograms, two dated 1899 and 1900, and three titled Each pen and ink, wash, watercolour and pencil 32.5 x 21cm; 12¾ x 8¼in (4) £2,000-3,000

119 Lots marked ‡ may be subject to an additional fee - please see ARR information on page 177

44

120 LILIAN KATE TUKE 1873-1946

Young woman reading a letter in an interior Signed Watercolour 50.1 x 36.7cm; 193⁄4 x 14½in £200-300

121 LOUIS CATHERINE BRESLAU German/Swiss 1856-1927

Portrait of a woman in a black dress with white collar and a white headscarf Signed, dated 1879, and inscribed PARIS Pastel 56 x 42.2cm; 22 x 16½in £300-500

120

121

122 F. A. B. AND G. H. B. c.1883

An album of approx. 63 costume designs including characters such as Polly Pluckrose, Black-Eyed Susan, Frivoli, Lord Mountararat, Maid Marian, Cinderella, Boccaccio Most signed with initials and titled, the first page inscribed At the Fisheries Exhibition 1883 Most pen, coloured inks and watercolour Each 18 x 11.5cm; 7 x 4½in (the album 27 x 34.5cm; 103⁄4 x 13½in) £400-600

123 JAMES HAYLLAR 1829-1920

122

Portrait of Rev. F. Cavell with his head in his hands; Portrait of Richard Cobden M.P. Two, the former inscribed Revd F Cavell, the later signed and dated 1857 Pen and black ink; pen and brown ink 9.5 x 14.5cm; 33⁄4 x 53⁄4in; 8 x 9.5cm; 31⁄4 x 33⁄4in (2) Provenance: Both with David Ker Fine Art, London £150-250

123 See paragraphs 4 & 5 of our conditions of business at the back of the catalogue for additional charges on the final hammer prices

45

124 JOHN GOULD 1804-1881

Siskins on a branch Numbered 3.37.

Watercolour and pencil 51.6 x 33.9cm; 201⁄4 x 131⁄4in Together with a lithograph after the watercolour (2) Provenance: Watercolour: Christie’s, King Street, The Godman Collection of Watercolours for John Gould’s ‘The Birds of Great Britain’, 4 October 1994, lot 80, where purchased by the present Private Collector; Lithograph: Arthur Ackermann & Peter Johnson, London, 1998, where purchased by the present Private Collector £500-700

124

125 HEINRICH GOTTLIEB LUDWIG REICHENBACH 1793-1879

Eleven ornithological studies Each inscribed with identifications and other annotations Each watercolour and pencil, some with pen and ink Largest 11 x 14cm; 41⁄4 x 5½in; Smallest 3.6 x 10.6cm; 1½ x 41⁄4in Unframed (11) £200-300

125

126 CONTINENTAL SCHOOL 19th Century

Study of poppies Gouache 27.4 x 41.3cm; 103⁄4 x 161⁄4in £200-400

126 Lots marked ‡ may be subject to an additional fee - please see ARR information on page 177

46

127

127 GEORGE FINCH MASON 1850-1915

Grudon. Drumcree and Buffalo Bill; Go Along Grudon!

A pair, each signed, the former inscribed The Grand National 1901/Grudon 1 Drumeree 2 Buffalo Bill 3/23 Ran; the latter signed, titled and inscribed The Grand National 1901 Each gouache 25.2 x 35.3cm; 10 x 14in (2)

The 1901 Grand National was run in a howling snowstorm, and won by the 9/1 chance Grudon. In order to cope with the treacherous conditions, Grudon’s trainer, Bernard Bletsoe, decided to pack the horse’s hooves with butter, in order to prevent snow from clogging them. Legend has it, that Grudon’s jockey became so confident as the race progressed, that with a mile to go he said to one of his rivals ‘Ta ta old chap. I must push on a trifle faster’, before streaking ahead.

£300-500

128 JOHN BEER 1883-1915

Grudon; Grudon Still Leads A pair, each signed, titled and inscribed Grand National 1901 Each watercolour and bodycolour 36.4 x 25.4cm; 141⁄4 x 10in (2) £300-500

128

See paragraphs 4 & 5 of our conditions of business at the back of the catalogue for additional charges on the final hammer prices

47

129 JOHN LEECH 1817-1864

Rather Awkward for Tomkins Inscribed RATHER AWKWARD FOR TOMKINS./Young Diana.

“I think, Sir, if you would be so good as to go First, and break the Top/Rail, my Pony would get over”.

Pen and ink 15 x 21cm; 6 x 81⁄4in Unframed Provenance: Folio Fine Art Ltd. Literature: John Leech’s Pictures of Life and Character from the Collection of Mr Punch (London, Bradbury, Agnew & Co., 1887), p. 129 (illustrated) £120-180

130 ‡ PETER BIEGEL 1913-1989

A fox pursued by hounds

129

Signed, dated 62 and indistinctly titled Found in a M**** Watercolour and pencil heightened with white 32 x 46.5cm; 12½ x 18in £300-500

131 EDGAR GIBERNE act.1872-1888

Five scenes from a hunt Each signed Each pen and ink, and wash, heightened with white Each 12.7 x 19.5cm; 5 x 73⁄4in (5) £150-250

130

131 Lots marked ‡ may be subject to an additional fee - please see ARR information on page 177

48

132 STANGER PRITCHARD act.1905-1918

Dutch winter landscape with figures and a windmill by a river Signed Watercolour and pencil 22.4 x 30.2cm; 83⁄4 x 113⁄4in £150-250

132

133 JAMES LAWSON STEWART 1841-1929

St Albans Signed Watercolour and pencil heightened with white 60.8 x 97.2cm; 24 x 381⁄4in £200-300

133

134 ‡ BEATRICE EMMA PARSONS 1870-1955

A cliff-top landscape with a town and the sea beyond Signed Watercolour 19.3 x 25cm; 7½ x 93⁄4in £300-500

134 See paragraphs 4 & 5 of our conditions of business at the back of the catalogue for additional charges on the final hammer prices

49

135

135 ANDREI ALEXEVICH REDKOVSKY

136 ANDREI ALEXEVICH REDKOVSKY

Russian 1831-1909

Russian 1831-1909

Forest landscape with a hut; Landscape with a figure standing on the roof of a hillside hut; Forest landscape with rustic dwelling; River landscape with figures by a boat

Wooded landscape with figure on a path; Rocky landscape with trees and a cottage in the background; River landscape

One signed Each watercolour Largest 19.4 x 27cm; 73⁄4 x 103⁄4in; Smallest 17.3 x 21.7cm; 63⁄4 x 8½in (4) Provenance: Iconastas Ltd., London £700-1,000

136 Lots marked ‡ may be subject to an additional fee - please see ARR information on page 177

One signed and dated 1862 One pen and brown ink with pencil, two watercolours Largest 22.5 x 32.8cm; 83⁄4 x 13in; Smallest 18.6 x 24.5cm; 71⁄4 x 93⁄4in (3) Provenance: Iconastas Ltd., London £700-1,000

50

137

137 FREDERICK EDWARD JOSEPH GOFF

138 FREDERICK EDWARD JOSEPH GOFF

1855-1931

1855-1931

Westminster; Gravesend

Thames from The Tower Bridge; London Bridge

Two, each signed and titled Each watercolour heightened with white 11.5 x 15.2cm; 4½ x 6in; 10.1 x 14cm; 4 x 5½in (2)

Two, each signed and titled Each watercolour heightened with white 10 x 14.3cm; 4 x 5½in; 10.3 x 14.1cm; 4 x 5½in (2)

Provenance: Westminster with Marshall Spink, London; John Spink, London, 2015; Gravesend with Baron Fine Art, Chester

Provenance: Tower Bridge with Royal Exchange Art Gallery, London £300-500

£300-500

138

139 HERBERT MENZIES MARSHALL VPRWS, RE, ROI 1841-1913

Whitehall Signed and dated 1884 Watercolour and pencil 35.2 x 53cm; 133⁄4 x 203⁄4in Provenance: John Spink, London £600-800

139 See paragraphs 4 & 5 of our conditions of business at the back of the catalogue for additional charges on the final hammer prices

51

140

141

140 HERBERT MENZIES MARSHALL VPRWS, RE, ROI 1841-1913

Greenwich from the Thames; A view of the Thames Two, each signed, the former dated 1897, the latter dated 1895 Each watercolour 14.1 x 24.4cm; 5½ x 9½in; 12.7 x 20.1cm; 5 x 8in (2) Provenance: Greenwich with Chris Beetles, London £500-700

141 HERBERT MENZIES MARSHALL VPRWS, RE, ROI 1841-1913

St. Pancras; London street scene Two, each signed, the former dated Jan 14 77, the latter dated 1892 Each watercolour and pencil, the latter heightened with white 13 x 20.8cm; 5 x 81⁄4in; 13 x 18.7cm; 5 x 71⁄4in (2)

142

142 HERBERT MENZIES MARSHALL VPRWS, RE, ROI 1841-1913

Parliament Square from Whitehall; St Paul’s from Cheapside Two, each signed, the former dated 1897 Each watercolour and pencil, heightened with white 17.3 x 25.7cm; 63⁄4 x 10in; 22.6 x 12.5cm; 8 x 9in (2)

Provenance: St. Pancras with Chris Beetles, London; London Street Scene with The Fine Art Society, London, 1964; Bourne Gallery, Reigate 1987

Provenance: Westminster with Abbott & Holder, London; St. Pauls with The Totteridge Gallery, London

£500-700

£500-700

Lots marked ‡ may be subject to an additional fee - please see ARR information on page 177

52

143 ‡ HENRY EDWARD SPERNON TOZER 1864-1955

Interior with a man dining by the fire Signed and dated 1914 Watercolour heightened with white 22.2 x 32.1cm; 83⁄4 x 123⁄4in Provenance: Baron Fine Art, Chester £300-500

143

144

145

144 HENRY ROBERT ROBERTSON

145 DAVID WOODLOCK

1839-1921

1842-1929

The old volunteer

A cottage at Hill Hampton near Warwick

Signed with monogram and dated 1870 Watercolour, gouache and pencil 35.6 x 26.2cm; 14 x 101⁄4in

Inscribed, dated 1915, and titled to label Watercolour heightened with white 24 x 17cm; 9½ x 63⁄4in

£200-300

£200-300 See paragraphs 4 & 5 of our conditions of business at the back of the catalogue for additional charges on the final hammer prices

53

146

146 WILFRED WILLIAMS BALL

147 WILLIAM WALLS RSA RSW

1853-1917

Scottish 1860-1942

The Old Mill, Romsey, Hampshire; The Water Meadows, Ringwood, Hampshire

Two wolves; Lion cubs

Two, each signed, the former dated 1908, the latter 1914 Each watercolour heightened with white Each 17.5 x 25.8cm; 7 x 101⁄4in (2)

Two, each signed The former pastel, the latter watercolour 37.8 x 54.8cm; 143⁄4 x 21½in; 27.8 x 42.4cm; 11 x 163⁄4in (2) £100-200

Provenance: Ringwood with The Fine Art Society, London; Each in the collection of D.A. Hall, Camberley, Surrey; By whom sold, Dominic Winter, Fine Art, 8 March 2018, lots 282 & 283 £200-300

148 WILLIAM WALLS RSA RSW

149 WILLIAM WALLS RSA RSW

Scottish 1860-1942

Scottish 1860-1942

Three polar bears

A view of Spinningdale, Scotland

Signed Watercolour 39.3 x 53.9cm; 15½ x 211⁄4in

Signed, dated 1923, and inscribed Spinningdale Pastel 39.3 x 54cm; 15½ x 211⁄4in

£100-200

£100-200

147

148 Lots marked ‡ may be subject to an additional fee - please see ARR information on page 177

149

54

Icons 150 RUSSIAN SCHOOL Virgin Hodegetria Tempera on panel 31.2 x 27.9cm; 121⁄4 x 11in Believed to be c.1700 Provenance: Iconastas Ltd., London £1,000-1,500

150

151 RUSSIAN SCHOOL Icon of St Barbara, St Catherine and St Theodora Inscribed in Cyrillic Tempera on panel 35 x 27.5cm; 133⁄4 x 103⁄4in £300-500

151 See paragraphs 4 & 5 of our conditions of business at the back of the catalogue for additional charges on the final hammer prices

55

152 RUSSIAN SCHOOL Icon of St. Alexander Nevsky Tempera on panel 31.7 x 26.7cm; 12½ x 10½in Believed to be 17th Century Provenance: Iconastas Ltd., London £3,000-5,000

152

153 RUSSIAN SCHOOL Icon of The Annunciation Inscribed in Cyrillic Tempera on panel 30.2 x 25.5cm; 12 x 10in Believed to be early 18th Century Provenance: Iconastas Ltd., London £600-800

153 Lots marked ‡ may be subject to an additional fee - please see ARR information on page 177

56

154 RUSSIAN SCHOOL Quadrapartite icon depicting The Pokrov; The Procession of the icon of the Mother of God of Vladimir to Moscow; The Raising of the True Cross; The Installation of the Girdle of the Mother of God Inscribed in Cyrillic Tempera on panel 31.5 x 26.7cm; 12½ x 10½in Believed to be 18th Century Provenance: Iconastas Ltd., London £1,000-1,500

154

155 RUSSIAN SCHOOL Icon of the Holy Virgin of Joy of all who Sorrow Inscribed in Cyrillic Tempera on panel 31 x 26.6cm; 121⁄4 x 10½in Believed to be 18th Century Provenance: Iconastas Ltd., London £700-900

155 See paragraphs 4 & 5 of our conditions of business at the back of the catalogue for additional charges on the final hammer prices

57

156 STROGANOV SCHOOL Icon of four saints below the Mandylion Inscribed in Cyrillic Tempera on panel 30.1 x 25.5cm; 113⁄4 x 10in Believed to be 17th Century Provenance: Iconastas Ltd., London £3,000-5,000

156

157 RUSSIAN SCHOOL The Incredulity of St. Thomas Inscribed in Cyrillic Tempera on gilt ground on panel 35.4 x 28.9cm; 14 x 11½in Believed to be 19th Century Provenance: Iconastas Ltd., London £1,500-2,500

157 Lots marked ‡ may be subject to an additional fee - please see ARR information on page 177

58

158 RUSSIAN SCHOOL Icon of the Praise of the Virgin Tempera on panel 36.1 x 31.2cm; 141⁄4 x 121⁄4in Believed to be 18th Century Provenance: Iconastas Ltd., London £1,000-1,500

158

159 RUSSIAN SCHOOL Icon of the Mandylion Tempera on panel, surrounded by gem stones and mostly pastes 23.3 x 18.2cm; 91⁄4 x 71⁄4in In a wooden box frame Believed to be 17th Century Provenance: Iconastas Ltd., London £1,000-1,500

159 See paragraphs 4 & 5 of our conditions of business at the back of the catalogue for additional charges on the final hammer prices

59

160

161

160 STROGANOV SCHOOL

161 RUSSIAN SCHOOL

Icon of the Dormition of the Holy Virgin

Icon of the Exaltation of the True Cross

Inscribed in Cyrillic Tempera on panel 43.4 x 37.5cm; 17 x 143⁄4in Believed to be c.1700

Inscribed in Cyrillic Tempera on gilt ground on panel 35.5 x 19.6cm; 14 x 73⁄4in Believed to be 17th Century

Provenance: Iconastas Ltd., London

Provenance: Christie’s, South Kensington, 29 April 1992, lot 177; Iconastas Ltd., London

£3,000-5,000

£1,500-2,500

Lots marked ‡ may be subject to an additional fee - please see ARR information on page 177

60

Oils 162 ATTRIBUTED TO WILLIAM DOBSON 1611-1646

Portrait of Sir John Boys (1607-1664) Inscribed and dated Sir John Boys. 1644 Oil on canvas 76.7 x 63.8cm; 301⁄4 x 25in Provenance: Christie’s, London, English Pictures, 16 October 1987, lot 142; Tennants, Leyburn, Summer Fine Art Sale, 13 July 2019, lot 289 Sir John Boys fought for Charles I from the beginning of the Civil War, and was Governor of Donnington Castle.

He spent the Interregnum attempting to organise uprisings against Cromwell, and was rewarded for his loyalty on the Restoration with the office of Receiver of Customs at Dover. £2,000-3,000

162

163 AFTER HANS HOLBEIN II Portrait of Desiderius Erasmus of Rotterdam (1466/69-1536) Oil on panel 51.5 x 39.9cm; 201⁄4 x 153⁄4in £300-500

164 MANNER OF FRANS POURBUS Portrait of a lady, half length, wearing a black and white dress with large ruff, and numerous pearls Oil on canvas 62.5 x 52.3cm; 24½ x 20½in Unframed £150-250

163

164 See paragraphs 4 & 5 of our conditions of business at the back of the catalogue for additional charges on the final hammer prices

61

165

165 FOLLOWER OF WILLIAM SEGAR Portrait of a lady, aged 47, in a black dress with gold chains Inscribed Ao 1596 Aetis 47 Oil on panel 80.4 x 66cm; 313⁄4 x 26in £2,000-3,000 Lots marked ‡ may be subject to an additional fee - please see ARR information on page 177

62

166 JOHN GREENHILL c.1644-1676

Portrait of a mother, half-length with a red mantle over a brown dress, holding her child Signed and dated 1665 Oil on canvas 71 x 61cm; 28 x 24in Provenance: Comte de Montrichard, by 1876; Richard Davey, by 1895; By descent to Mrs E. Durham; Inherited by the previous owner from her mother; By whom sold, Lawrences, Crewkerne, Fine Art Sale, 4 July 2008, lot 1188, where purchased by the present private collector Literature: Ellis Waterhouse, The Dictionary of 16th & 17th British Painters (Antique Collectors’ Club, Woodbridge, 1988), p.112, illustrated Exhibited: Wrexham 1876, no. 372, as ‘Duchess of Somerset and Child’; London, Grafton Gallery, 1895, no. 356, as ‘Lady Jane Seymour and son’; Burlington Fine Arts Club, 1938 £2,000-3,000

166

167 CIRCLE OF SIR GODFREY KNELLER Portrait of a lady, believed to be Elizabeth de Massy (b.1628) Oil on canvas 76 x 64.5cm; 30 x 25½in £400-600

168 CIRCLE OF SIR GODFREY KNELLER Portrait of Sir Henry Cairnes, 2nd Baronet (1673-1743) Inscribed SIR HENRY CAIRNES. Oil on canvas 76.3 x 63.3cm; 30 x 25in

167

168

Provenance: Rossmore Park, Co. Monaghan (according to inscription to frame); The Property of a Noblewoman £800-1,200

See paragraphs 4 & 5 of our conditions of business at the back of the catalogue for additional charges on the final hammer prices

63

169

169 FOLLOWER OF JOHN CLOSTERMAN Portrait of a gentleman, three-quarter-length, in blue velvet coat and ochre wrap Oil on canvas 127 x 104cm; 50 x 41in Provenance: The Property of a Noblewoman £1,500-2,500 Lots marked ‡ may be subject to an additional fee - please see ARR information on page 177

64

170

170 ATTRIBUTED TO JOHN MICHAEL WRIGHT 1617-1694

Portrait of a lady, in a white dress and red shawl, seated next to a basket of fruit Oil on canvas 125 x 103cm; 49½ x 40½in Provenance: Possibly Rossmore Park, Co. Monaghan; The Property of a Noblewoman £4,000-6,000 See paragraphs 4 & 5 of our conditions of business at the back of the catalogue for additional charges on the final hammer prices

65

171

171 FOLLOWER OF SIR ANTHONY VAN DYCK Portrait of Queen Henrietta Maria (1609-1669) in a yellow dress and blue shawl Inscribed QUEEN HENRIETTA MARIA/WIFE OF CHARLES THE 1ST Oil on canvas 107 x 92cm; 421⁄4 x 361⁄4in Provenance: Possibly Rossmore Park, Co. Monaghan; The Property of a Noblewoman £1,500-2,500 Lots marked ‡ may be subject to an additional fee - please see ARR information on page 177

66

172

172 CIRCLE OF MICHAEL DAHL Portrait of Thomas Kynnersley of Loxley; Portrait of Mrs Barbara Kynnersley, daughter of Sir GIlbert Clarke of Chilcote A pair, the latter inscribed Mrs Kynnersley/wife of Thos Kynnersley/Barbara Daughter of Sir Gilbert Clarke/of Chilcote Bart (to verso) Oil on canvas, in painted ovals 76.8 x 64.5cm; 301⁄4 x 251⁄4in (2) £2,000-3,000

173 ELIAS DOLLHOPF German 1703-1773

A family portrait Signed and dated 1763 (upper left) and further inscribed (upper right) Oil on canvas 92 x 178cm; 361⁄4 x 70in Provenance: The Estate of Professor Rodney Fitch CBE £2,000-4,000

173 See paragraphs 4 & 5 of our conditions of business at the back of the catalogue for additional charges on the final hammer prices

67

174 THOMAS HUDSON AND STUDIO 1701-1779

Portrait of a lady, three-quarter length in a pink and black dress holding ostrich feathers Signed and dated 1749 Oil on canvas 126.5 x 100.2cm; 493⁄4 x 39½in Provenance: Sotheby’s, London, 27 November 1974, lot 51 Thomas Hudson painted another portrait of 1749 of Lady Elizabeth Chaplin, with the same costume and composition, which hangs at Burghley House. £3,000-5,000

175 AFTER SIR GODFREY KNELLER Portrait of William III (1650-1702) Oil on canvas 127 x 101cm; 50 x 393⁄4in Provenance: The Property of a Noblewoman £2,500-3,500

174

175 (framed)

Lots marked ‡ may be subject to an additional fee - please see ARR information on page 177

175

68

176

176 ENGLISH SCHOOL Late 18th Century

Portrait of Anne Jewell, nĂŠe Edwards, in a white dress with blue sash, standing in a landscape Oil on canvas 76.5 x 63.5cm; 30 x 25in Provenance: By direct descent from the sitter to the present owner ÂŁ1,500-2,500 See paragraphs 4 & 5 of our conditions of business at the back of the catalogue for additional charges on the final hammer prices

69

177

177 ENGLISH SCHOOL Late 18th Century

Portrait of Anne Jewell, in a pink dress and exotic headdress, sitting with her dog in a landscape Oil on canvas 76.5 x 63.5cm; 30 x 25in Provenance: By direct descent from the sitter to the present owner £2,000-3,000 Lots marked ‥ may be subject to an additional fee - please see ARR information on page 177

70

178 FOLLOWER OF GIOVANNI BATTISTA SALVI, CALLED SASSOFERRATO Madonna at prayer Oil on canvas 51 x 40.5cm; 20 x 16in Provenance: Thomas Furnell; His sale, 20 March 1866, where purchased by Lord Stowick (all according to a label on the reverse) £1,000-1,500

178

179 ANTHONIUS PANAT act.1674

The Lamentation Signed and dated 1674 Oil on canvas 97.5 x 131.5cm; 38½ x 513⁄4in Unframed Provenance: Woolley and Wallis, Old Masters, British & European Paintings, 12 September 2017, lot 409 £400-600

179 See paragraphs 4 & 5 of our conditions of business at the back of the catalogue for additional charges on the final hammer prices

71

180 FLORENTINE SCHOOL 17th Century

A classical scene with a warrior and his wife Extensively but indistinctly inscribed on reverse Oil on panel 17.6 x 15.6cm; 7 x 61⁄4in £2,000-3,000

180

181 AFTER TIZIANO VECELLIO, CALLED TITIAN The Madonna of the Rabbit Oil on canvas 69.3 x 84.1cm; 271⁄4 x 33in Unframed After the original in the Louvre, Paris (inv. no. 743) £150-250

181 Lots marked ‡ may be subject to an additional fee - please see ARR information on page 177

72

182 (pair)

182 (framed) See paragraphs 4 & 5 of our conditions of business at the back of the catalogue for additional charges on the final hammer prices

73

182 (pair)

182 ATTRIBUTED TO JACOPO AMIGONI Italian 1682-1752

Laban searching for his idols; The finding of Moses A pair, oil on copper 32.5 x 53.7cm; 123⁄4 x 211⁄4in (2) Provenance: Houstoun-Boswall Collection; By descent For a view of Blackadder House, former seat of the Houstoun-Boswall family, see lot 73. £8,000-12,000

182 (framed) Lots marked ‡ may be subject to an additional fee - please see ARR information on page 177

74

183

183 STUDIO OF GIOVANNI PAOLO PANINI An architectural capriccio with figures amongst ruins, including the Colosseum, and the statue of Silenus with the infant Dionysus Oil on canvas 54.2 x 115.7cm; 211⁄4 x 45½in Provenance: In the family of the present owner for at least three generations £6,000-8,000

See paragraphs 4 & 5 of our conditions of business at the back of the catalogue for additional charges on the final hammer prices

75

184 CIRCLE OF GIOVANNI PAOLO PANINI Classical landscape with figures by a temple Oil on canvas 115.5 x 136.5cm; 45½ x 533⁄4in Provenance: The Estate of Professor Rodney Fitch CBE £1,500-2,500

184 Lots marked ‡ may be subject to an additional fee - please see ARR information on page 177

76

185

186

187

185 ITALIAN SCHOOL c.1640

The Canaanite woman, with Christ and the apostles beyond

188

186 AFTER CRISTOFANO ALLORI Head of Judith, unfinished

Oil on canvas 97.4 x 83.5cm; 38½ x 32in

Oil on canvas 29.4 x 23.2cm; 11½ x 9in Unframed

Provenance: Collection of the present owner’s grandmother, and by descent

A study from Cristofano Allori’s Judith with the Head of Holofernes (Royal Collection, no. 404989).

£400-600

£150-250

187 AFTER CORREGGIO The Madonna and Child with white rabbit (La Zingarella)

188 AFTER BARTOLOMÉ ESTEBAN MURILLO The little fruit seller

Oil on panel 52.9 x 41.6cm; 203⁄4 x 16½in

Oil on canvas 28.8 x 24.6cm; 111⁄4 x 93⁄4in

After the original in in the Museo Nazionale di Capodimonte, Naples

After the original in the Alte Pinakothek, Munich

£150-250

£150-250

See paragraphs 4 & 5 of our conditions of business at the back of the catalogue for additional charges on the final hammer prices

77

189 DUTCH SCHOOL 18th Century

Italianate landscape with travellers on a path, a hilltop town in the distance; Italianate landscape with numerous figures near a pond A pair, oil on canvas 49 x 65cm; 191⁄4 x 25½in (2) £1,200-1,800

189

189A FOLLOWER OF JAN VAN GOYEN An elderly couple conversing in a landscape Dated 16*8 Oil on panel 30.5 x 49cm; 12 x 191⁄4in £300-500

189A Lots marked ‡ may be subject to an additional fee - please see ARR information on page 177

78

190 FRANCIS HUSTWICK 1797-1865

An English yacht and other vessels off the coast, with fishermen on the shore in the foreground Signed and dated 1822 Oil on panel 32.6 x 44cm; 123⁄4 x 171⁄4in Provenance: Houstoun-Boswall Collection; By descent For a view of Blackadder House, former seat of the Houstoun-Boswall family, see lot 73. £1,000-1,500

190

191 CIRCLE OF WILLEM VAN DE VELDE II Dutch ships in calm waters Traces of a signature Oil on panel 34.8 x 47.3cm; 133⁄4 x 18½in Provenance: Houstoun-Boswall Collection; By descent For a view of Blackadder House, former seat of the Houstoun-Boswall family, see lot 73. £1,000-1,500

191

See paragraphs 4 & 5 of our conditions of business at the back of the catalogue for additional charges on the final hammer prices

79

192

192 THOMAS LUNY 1759-1837

Ship at anchor in choppy water, with fishermen bringing in their nets Signed and indistinctly dated 182* Oil on canvas 85.6 x 130cm; 333⁄4 x 511⁄4in Provenance: Crichel House, Dorset £2,500-3,500

193 FRANCIS SWAINE 1725-1782

Reefed ship in high winds Signed Oil on canvas 30.5 x 35.7cm; 12 x 14in Provenance: Crichel House, Dorset £1,000-1,500

193 Lots marked ‡ may be subject to an additional fee - please see ARR information on page 177

80

194

195

See paragraphs 4 & 5 of our conditions of business at the back of the catalogue for additional charges on the final hammer prices

81

196

194 ATTRIBUTED TO MARMADUKE CRADOCK

195 CONTINENTAL SCHOOL

196 CIRCLE OF JAKOB BOGDANI

c.1800

c.1660-1717

A parrot, a monkey, a spaniel and other birds with fruit in a classical landscape

Baiting the fox

Floral still life with orchid, tulips, hyacinths, crocuses, peace lily and geraniums

Oil on canvas 61 x 111.5cm; 24 x 44in

Oil on canvas 42.5 x 70cm; 163⁄4 x 27½in

Provenance: In the family of the present owner for at least three generations

£1,500-2,500

Cradock repeated this composition in a squarer format, in a work that hangs in Middlethorpe Hall, York £3,000-5,000

Lots marked ‡ may be subject to an additional fee - please see ARR information on page 177

Oil on canvas 91 x 114.5cm; 353⁄4 x 45in £8,000-12,000

82

197

197 CIRCLE OF ABRAHAM STORCK Shipping in the Port of Antwerp Oil on canvas 49.5 x 69cm; 19½ x 271⁄4in £5,000-7,000

198 GERRIT BATTEM Dutch 1636-1684

Shipping near Dordrecht Traces of monogram (to barrel) Oil on canvas 48.4 x 56cm; 19 x 22in £1,000-1,500

198 See paragraphs 4 & 5 of our conditions of business at the back of the catalogue for additional charges on the final hammer prices

83

199

199 PETER MONAMY 1681-1749

A Royal Man-o’-war firing a salvo, with another ship in calm water Oil on canvas 91.7 x 122.2cm; 36 x 48in Provenance: The Duchess of Sutherland; Christie’s, Pictures and Drawings by Old Masters, 24 March 1961, lot 139, to Dreyfuss (700gns) Woolley and Wallis, Salisbury, Fine Old Masters & 19th Century Paintings, 10 December 2014, lot 100 (when signed with initials), where purchased by the previous private collector; By descent to the present owner £12,000-18,000

Lots marked ‡ may be subject to an additional fee - please see ARR information on page 177

84

200 AFTER SIR PETER PAUL RUBENS Self-Portrait Oil on canvas 46 x 36cm; 18 x 14in After the original in The Royal Collection (RCIN 400156) £200-400

201 DUTCH SCHOOL c.1700

Portrait of a bearded man, bust-length Oil on panel 20.3 x 17.8cm; 8 x 7in

200

£100-150

201

202

203

202 FOLLOWER OF ADRIAEN BROUWER

203 ATTRIBUTED TO FRANZ ANTON KRAUS

A drinker; A drinker with a pipe

German 1705-1752

A pair, oil on panel 23.9 x 18cm; 9 x 7in (2)

A boor courting a woman in a tavern

£300-500

Signed with initial K Oil on panel 29.5 x 23cm; 11½ x 9in Provenance: Houstoun-Boswall Collection; By descent For a view of Blackadder House, former seat of the Houstoun-Boswall family, see lot 73. £300-500 See paragraphs 4 & 5 of our conditions of business at the back of the catalogue for additional charges on the final hammer prices

85

204

204 CIRCLE OF JAN BRUEGHEL THE YOUNGER Orpheus playing the lyre to the animals Oil on canvas 103 x 131cm; 40½ x 51½in £3,000-5,000

205 FLEMISH SCHOOL 16th Century

Peasants in an extensive hilly landscape Oil on panel 19.5 x 26.8cm; 73⁄4 x 10½in £400-600

205 Lots marked ‡ may be subject to an additional fee - please see ARR information on page 177

86

206

207

206 CIRCLE OF WILLEM VAN MIERIS

207 ATTRIBUTED TO ALBERT CUYP

208 FLEMISH SCHOOL

Dutch 1620-1691

17th/18th Century

Peasant woman holding a pitcher and glass

Portrait of a young man, standing in a landscape, wearing red, with his dog

Adoration of the Magi

Oil on panel 22.6 x 17cm; 9 x 63⁄4in

Oil on panel 32 x 28cm; 12½ x 11in

Provenance: The Leger Galleries, November 1961

£200-300

Oil on canvas 54.4 x 64.3cm; 21½ x 251⁄4in £150-250

209 MANNER OF JEAN-BAPTISTE MONNOYER Still life with flowers and vase on a ledge Oil on canvas 71.2 x 92cm; 28 x 361⁄4in £400-600

£800-1,200

208

209 See paragraphs 4 & 5 of our conditions of business at the back of the catalogue for additional charges on the final hammer prices

87

210

210 ANTWERP SCHOOL Early 17th Century

Dune landscape with a party in a wagon and other figures, a town beyond Oil on panel 47 x 71.4cm; 18½ x 28in Provenance: Houstoun-Boswall Collection; By descent For a view of Blackadder House, former seat of the Houstoun-Boswall family, see lot 73. £3,000-5,000

210 (framed)

Lots marked ‡ may be subject to an additional fee - please see ARR information on page 177

88

211

211 ANTHONIE VAN BORSSOM Dutch 1630/31-1677

Church interior with elements of the Pieterskerk and Hooglandse kerk, Leiden Bears a signature De Witt fecit Oil on canvas 69.9 x 58cm; 27½ x 223⁄4in Provenance: Houstoun-Boswall Collection; By descent For a view of Blackadder House, former seat of the Houstoun-Boswall family, see lot 73.

Literature: Bernard Vermet, ‘Het zeventiende eeuwse kerkinterieur bij Anthony van Borssom’, Leids Kunsthistorisch Jaarboek, 1 (1982), pp. 408-409, illustrated The large monument on the column was sculpted by Rombout Verhulst (1624-1698) in honour of Pieter Adriaansz. van der Werff (1529-1604). Van der Werff was the Burgomaster of Leiden during the siege of that city by the Spanish in 1574, and famously offered up his own body as food for his people. The monument provides a terminus post quem of 1661 for the present work. £6,000-8,000

See paragraphs 4 & 5 of our conditions of business at the back of the catalogue for additional charges on the final hammer prices

89

212

212 PIETER NEEFS THE ELDER Flemish c.1578-1656/61

Interior of Antwerp Cathedral Signed and dated 1653 Oil on canvas 72 x 88.2cm; 281⁄4 x 343⁄4in Provenance: Houstoun-Boswall Collection; By descent For a view of Blackadder House, former seat of the Houstoun-Boswall family, see lot 73. £25,000-35,000

Lots marked ‡ may be subject to an additional fee - please see ARR information on page 177

90

213

213 EGBERT LIEVENSZ. VAN DER POEL Dutch 1621-1664

A village on fire at night Oil on panel 37 x 49.5cm; 14½ x 19½in Provenance: The family of the actress Leslie Caron since the 1940s, and by descent to the present owner; Sotheby’s, London, Old Master Paintings, 11 April 1990, lot 161 £2,000-3,000

214 BAMBOCCIANTI SCHOOL c.1700

A man on a donkey and other figures under classical ruins 214

Oil on canvas 32.1 x 46.9cm; 123⁄4 x 18½in £250-350

See paragraphs 4 & 5 of our conditions of business at the back of the catalogue for additional charges on the final hammer prices

91

215 FOLLOWER OF JAN VAN DER HEYDEN The Munttoren from the Singel, Amsterdam; The Zuiderkerk, Amsterdan, seen from a canal A pair, oil on panel 32 x 40cm; 12½ x 153⁄4in (2) Provenance: Houstoun-Boswall Collection; By descent For a view of Blackadder House, former seat of the Houstoun-Boswall family, see lot 73. £3,000-5,000

215 Lots marked ‡ may be subject to an additional fee - please see ARR information on page 177

92

216 AFTER ADRIAEN VAN OSTADE The smoker Bears a signature, date and monogram Oil on panel 36 x 27cm; 141⁄4 x 10½in After the original in the Royal Museum of Fine Arts Antwerp £250-350

217 ATTRIBUTED TO HARMEN HALS Dutch 1611-1669

A man with a jug and pipe, a woman looking over his shoulder Oil on panel 65 x 47cm; 25½ x 18½in £400-600

216

217

218 ATTRIBUTED TO JAN STEEN Dutch 1626-1679

A man eating porridge from a handled bowl Signed and dated 164* Oil on panel, oval, in a cased frame 19 x 15.5cm; 7½ x 6in Provenance: Prince Friedrich Leopold of Prussia £500-700

219 MANNER OF ADRIAEN BROUWER A drinker and a smoker reading a letter in a tavern 218

219

Oil on panel 19 x 16.5cm; 7½ x 6½in £150-250

See paragraphs 4 & 5 of our conditions of business at the back of the catalogue for additional charges on the final hammer prices

93

220 ATTRIBUTED TO HIERONYMUS JANSSENS Dutch 1624-1693

Elegant company on a terrace Oil on canvas 68.3 x 57.3cm; 27 x 22½in Provenance: G.W. Blackett, Newcastle upon Tyne, by 1953 Recorded in the RKD archives as Hieronymus Janssens £600-800

221 CIRCLE OF JAN GABRIELSZ. SONJÉ Wooded landscape with a traveller and shepherds on a path Oil on panel 50.5 x 39.9cm; 20 x 153⁄4in Provenance: The Count and Countess Martigone; Their sale, Bonhams, London, 24 September 2014, lot 488, where purchased by the present private collector £600-800

222 FLEMISH SCHOOL 17th Century

St John the Evangelist on the island of Patmos Oil on copper 19 x 15cm; 7½ x 6in £200-300

220

221 Lots marked ‡ may be subject to an additional fee - please see ARR information on page 177

222

94

223

223 FOLLOWER OF EMANUEL DE WITTE An elegant lady walking through a crowded fish market Bears a signature JSteen Oil on canvas 63.2 x 80.2cm; 25 x 31½in Provenance: Houstoun-Boswall Collection; By descent For a view of Blackadder House, former seat of the Houstoun-Boswall family, see lot 73. £3,000-5,000

See paragraphs 4 & 5 of our conditions of business at the back of the catalogue for additional charges on the final hammer prices

95

224

224 JOOST CORNELISZ DROOCHSLOOT Dutch 1586-1666

Village scene with figures at a table outside a house Signed and dated 1640 Oil on canvas 108.2 x 120.3cm; 42½ x 471⁄4in Provenance: Houstoun-Boswall Collection; By descent For a view of Blackadder House, former seat of the Houstoun-Boswall family, see lot 73. £15,000-20,000

Lots marked ‡ may be subject to an additional fee - please see ARR information on page 177

96

225

225 CIRCLE OF WILLEM VAN HERP Jacob blessing Isaac Oil on canvas 70.1 x 91.8cm; 27½ x 361⁄4in Unframed Provenance: French private collection, from whom acquired by the current owner £2,000-3,000

226 CIRCLE OF NICHOLAES PIETERSZ. BERCHEM Landscape with two milkmaids and their cattle Traces of a signature Oil on panel 47.5 x 63.3cm; 183⁄4 x 243⁄4in £300-500

226 See paragraphs 4 & 5 of our conditions of business at the back of the catalogue for additional charges on the final hammer prices

97

227 JACOB DUCK 1600-1667

Card players in candlelight Oil on canvas 37.9 x 29.6cm; 15 x 113⁄4in Provenance: Jules Porgès (1839-1921); His postumous sale, Berlin, Cassirer and Helbing, 7 December 1926, lot 34 (‘Jacob Duck. Kartenspieler. Soldat und Mädchen beim Kartenspiel. Ein zweites Mädchen sieht zu. Auf dem Tisch eine brennende Kerze’), and authenticated by Cornelis Hofstede de Groot in 1925; Where purchased by Theodor Neustätter, on behalf of Hermann Schild; By descent to the present owner This is the only known candlelit scene by Jacob Duck. We are grateful to Dr Jochai Rosen for confirming the attribution.

Dr Rosen dates the work c.1655-1660. £2,000-3,000

228 FOLLOWER OF NICOLAES PIETERSZ. BERCHEM Mountainous landscape with a couple resting with their cattle and sheep Oil on panel 56.9 x 82.2cm; 22½ x 321⁄4in £200-300

229 FOLLOWER OF CLAUDE-JOSEPH VERNET Storm in a Mediterranean harbour with a figure in a rowing boat being rescued Inscribed Holand School 1600 (to verso) Oil on canvas 74.9 x 100.2cm; 29½ x 39½in Unframed £150-250

227

228 Lots marked ‡ may be subject to an additional fee - please see ARR information on page 177

229

98

230

230 J. PALMER Dutch act.1670-1723

Portrait of a gentleman in a blue coat and ochre cloak, standing with a dog, a garden beyond; Portrait of a lady in a white dress with a pink cloak, a garden with a obelisk beyond A pair, each inscribed REELAND and with a family crest Each oil on canvas 58.6 x 46.7cm; 23 x 18½in (2) £800-1,200

231 FOLLOWER OF PIETER NEEFS THE ELDER Interior of a cathedral with elegant figures Bears a signature Oil on panel 18.1 x 25cm; 7 x 93⁄4in Unframed £600-800

231

See paragraphs 4 & 5 of our conditions of business at the back of the catalogue for additional charges on the final hammer prices

99

232 FOLLOWER OF PIETER CODDE Interior with figures smoking and gambling around a table; Interior with a woman holding a lute and talking with other figures A pair, the former possibly signed with monogram FV to picture on back wall Both oil on panel 48.9 x 57.6cm; 191⁄4 x 223⁄4in (2) Provenance: Houstoun-Boswall Collection; By descent For a view of Blackadder House, former seat of the HoustounBoswall family, see lot 73. £3,000-5,000

232 Lots marked ‡ may be subject to an additional fee - please see ARR information on page 177

100

233

233 CIRCLE OF JAN WEENIX Still life with a dog watching over a dead hare and other game Oil on canvas 68.3 x 86cm; 263⁄4 x 333⁄4in Provenance: Ivor Weiss, London, from whom purchased by the present owner c.1968-1970 £3,000-5,000

234 CIRCLE OF JAN WEENIX Still life with a hare and birds in a landscape Oil on canvas 51.7 x 61.5cm; 201⁄4 x 241⁄4in £1,000-1,500

234 See paragraphs 4 & 5 of our conditions of business at the back of the catalogue for additional charges on the final hammer prices

101

235

235 GERMAN SCHOOL c.1700

River landscape with boat building Oil on copper 40.4 x 51.1cm; 16 x 20in Unframed Provenance: The Property of a Noblewoman Exhibited: Belfast Art and Industrial Exhibition, 1895, as ‘Cuyp’ £1,000-1,500

236 CIRCLE OF RICHARD WILSON Extensive Italian river landscape, with buildings on a hill above a waterfall Oil on canvas 31.3 x 38.9cm; 12½ x 151⁄4in £300-500

236 Lots marked ‡ may be subject to an additional fee - please see ARR information on page 177

102

237

237 ITALIAN SCHOOL 18th Century

Shepherd with his flock outside a grotto; Cattle watering in a rocky pond A pair, oil on panel Each 16.8 x 23cm; 6½ x 9in (2) £700-1,000

238 FOLLOWER OF CLAUDE-JOSEPH VERNET Capriccio view of an estuary, with figures by the entrance of a grotto Oil on canvas 66 x 84.6cm; 26 x 331⁄4in Provenance: Woolley and Wallis, Salisbury, Fine Old Masters & 19th Century Paintings, 10 December 2014, lot 87, where purchased by the previous private collector; By descent to the present owner £800-1,200

238

See paragraphs 4 & 5 of our conditions of business at the back of the catalogue for additional charges on the final hammer prices

103

239

239 FOLLOWER OF HENDRICK DANCKERTS Windsor Castle seen from the Thames Oil on canvas 77.7 x 139.4cm; 30½ x 55in Provenance: Woolley and Wallis, Salisbury, Paintings, 5 June 2013, lot 353, where purchased by the previous private collector; By descent to the present owner A smaller, but closely related, version of this work is in the Yale Center for British Art, Paul Mellon Collection (no. B1981.25.647) £1,500-2,500

240 ATTRIBUTED TO JOHN PAUL 1804-1887

A view of Temple Bar Gate, London Oil on canvas 68.2 x 89cm; 263⁄4 x 35in Provenance: Woolley and Wallis, Salisbury, Old Masters, British and European Paintings, 7 March 2018, lot 367, where purchased by the previous private collector; By descent to the present owner

240

£800-1,200 Lots marked ‡ may be subject to an additional fee - please see ARR information on page 177

104

241

241 SCOTTISH SCHOOL 19th Century

Landscape with a ruined church by a loch; Landscape with a castle above a loch A pair, oil on canvas 71 x 91cm; 28 x 353⁄4in (2) Provenance: Rossmore Park, Co. Monaghan; The Property of a Noblewoman £1,000-1,500

242 FOLLOWER OF JACOB VAN STRIJ Italianate landscape with figures by a lake Oil on panel 31.2 x 45.2cm; 121⁄4 x 173⁄4in £250-350

242

See paragraphs 4 & 5 of our conditions of business at the back of the catalogue for additional charges on the final hammer prices

105

243

243 WILLIAM HAVELL 1782-1857

A view of The Queen’s House and the Greenwich Hospital from Greenwich Park, the Thames and the City of London beyond Oil on canvas 38 x 51cm; 15 x 20in £3,000-5,000

244 FOLLOWER OF RICHARD WILSON The Exposition of Moses Oil on canvas 63.8 x 76.6cm; 25 x 301⁄4in £150-250

244 Lots marked ‡ may be subject to an additional fee - please see ARR information on page 177

106

245 SIR GEORGE HAYTER

246 ENGLISH SCHOOL

1792-1871

c.1790

Portrait of James Talbot, 4th Baron Talbot de Malahide (1805-1883), MP for Athlone

Portrait of a gentleman, bust length, in black coat, yellow waistcoat and white stock

Oil and pencil on board 33.5 x 29.2cm; 131⁄4 x 11½in, framed as an oval Provenance: Christie’s, Manson & Woods, Catalogue of the remaining picture and original sketches… of the late Sir George Hayter, 19 April 1871, lot 488 This is one of Sir George Hayter’s oil sketches produced in preparation for his famous The House of Commons, 1833, which today hangs in the National Portrait Gallery (inv. no. NPG 54). The monumental work depicts the very first meeting of the new parliament following the passing of the Great Reform Act. Hayter spent a decade compiling preparatory head sketches of 375 of the total 658 MPs depicted.

James Talbot was an Anglo-Irish politician and amateur archaeologist. He spent three years as a Whig MP, and as a member of the House of Lords served in the administrations of Lord Palmerston and Lord Russell. He was President of the Royal Archaeological Institute, President of the Royal Irish Academy, Fellow of the Royal Society and Fellow of the Society of Antiquaries.

Oil on canvas 51 x 41cm; 20 x 161⁄4in £200-300

247 FRENCH SCHOOL 19th Century

Portrait of a gentleman in a black coat, striped waistcoat and white stock Indistinctly signed, possibly L Lefevre Oil on canvas 62.5 x 52.5cm; 24½ x 203⁄4in £400-600

£400-600

245

246

247 See paragraphs 4 & 5 of our conditions of business at the back of the catalogue for additional charges on the final hammer prices

107

248 ENGLISH SCHOOL 18th Century

Portrait of a lady in a red dress and veil, sitting by a window with a dog Oil on canvas in a painted oval 47.7 x 40.5cm; 183⁄4 x 16in, framed as an oval £800-1,200

249 CIRCLE OF SIR THOMAS LAWRENCE Portrait of a young gentleman wearing a black coat and white stock before a red curtain Oil on canvas 76.5 x 63.5cm; 30 x 25in £600-800

250 AFTER SIR JOSHUA REYNOLDS Portrait of Mrs Mary Robinson, née Darby (1757-1800), as Perdita Oil on canvas 77 x 64cm; 301⁄4 x 251⁄4in Unframed After the original at Waddeson Manor, Buckinghamshire (inv. no. 2621) £100-200

248

249 Lots marked ‡ may be subject to an additional fee - please see ARR information on page 177

250

108

251

251 ALFRED POLLENTINE 1836-1890

Entrance of the Grand Canal with the Dogana; View of a Venetian canal A pair, both signed Both oil on canvas Both 49.3 x 75cm; 19½ x 29½in (2) £2,000-3,000 See paragraphs 4 & 5 of our conditions of business at the back of the catalogue for additional charges on the final hammer prices

109

252

252 ALFRED POLLENTINE 1836-1890

A view of the Bacino San Marco, Venice Signed Oil on canvas 51.3 x 77cm; 201⁄4 x 301⁄4in £1,000-1,500

253 ENGLISH SCHOOL 18th Century

View of Old Walton Bridge over the Thames Oil on canvas 34.5 x 82.5cm; 13½ x 32½in

253

Provenance: Woolley and Wallis, Salisbury, Paintings, 5 June 2013, lot 354, where purchased by the previous private collector; By descent to the present owner £250-350

Lots marked ‡ may be subject to an additional fee - please see ARR information on page 177

110

254

254 ANGLO-IRISH SCHOOL Early 19th Century

Extensive park landscape with a country house in the distance, figures resting in the foreground Oil on canvas 72 x 91.5cm; 281⁄4 x 36in £1,500-2,500

255 AFTER JOSEPH MALLORD WILLIAM TURNER St Benedetto, looking towards Fusina Oil on canvas 61.4 x 91.4cm; 241⁄4 x 36in Unframed After the original in Tate Britain, London (inv. no. N00534)

255

£200-300

See paragraphs 4 & 5 of our conditions of business at the back of the catalogue for additional charges on the final hammer prices

111

256

256 AUGUST FINKE Austrian 19th Century

A view of Constantinople, with bathers

by Leander’s Tower Signed Oil on canvas 73.5 x 100cm; 29 x 39½in £6,000-8,000

257 CIRCLE OF HENRY PETHER Moonlit scene with boats on a river, a windmill beyond Oil on panel 20.9 x 33.2cm; 81⁄4 x 13in Provenance: Woolley and Wallis, Salisbury, Old Masters, British and European Paintings, 7 March 2018, lot 131, where purchased by the previous private collector; By descent to the present owner

257

£300-500

Lots marked ‡ may be subject to an additional fee - please see ARR information on page 177

112

258 JAMES ANDREWS c.1808-1895

Portrait of a young lady with a collie in a landscape Signed and dated 1864 Oil on canvas 91.5 x 71.5cm; 36 x 281⁄4in Provenance: Collins & Hastie, London £600-800

259 CIRCLE OF SIR JOSHUA REYNOLDS A Nymph and Cupid: Snake in the Grass Oil on panel 43.5 x 38.4cm; 17 x 15in

258

Provenance: With Karl Böhm, Badgastein and London; Private Collection, UK

259

David Manning’s catalogue raisonné of Sir Joshua Reynolds’ work records an untraced oil on panel of this subject, sold at The Marchioness of Thomond Sale, Christie’s, 26 May 1821, lot 15 (Mannings, D., Sir Joshua Reynolds. A complete catalogue of his paintings, New Haven and London, 2000, no. 2130). £600-800

260

260 JAMES SANT CVO, RA 1820-1916

Portrait of Mrs Heywood-Lonsdale, in a dark gown with ruffled neckline, pearl necklace, black choker and a veil Oil on canvas 76.6 x 63.3cm; 30 x 25in

261

Provenance: By descent from the sitter to Lt. Co. Arthur Heywood-Lonsdale (1900-1976); By whom sold, Christie’s, London, 6 August 1976, lot 181; Private Collection, Chicago, USA; Private Collection, UK Exhibited: Walker Art Gallery, 1958

261 SCOTTISH SCHOOL 19th Century

Portrait of a gentleman in black coat and tartan waistcoat Oil on canvas 61.4 x 50.9cm; 241⁄4 x 20in Unframed £100-150

Engraved: Thomas Lewis Atkinson (1817-1898) £200-400 See paragraphs 4 & 5 of our conditions of business at the back of the catalogue for additional charges on the final hammer prices

113

262

262 FRENCH SCHOOL c.1840

Portrait of a gentleman in a black coat holding a top hat; Portrait of a lady in a brown dress and white bonnet A pair, oil on canvas 56 x 46cm; 22 x 18in (2) £800-1,200

263 ENGLISH SCHOOL c.1849

Portrait of Edmund Waldo Meade-Waldo, holding a crossbow, in a landscape, possibly Hever Castle beyond Titled and dated to label (verso) Oil on canvas 32 x 25.7cm; 12½ x 10in £100-150

263

264 ENGLISH SCHOOL 19th Century

Portrait of a lady in a black dress and white bonnet holding a book Oil on canvas 75 x 62cm; 29½ x 24½in £200-300 Lots marked ‡ may be subject to an additional fee - please see ARR information on page 177

264

114

265 PERUVIAN SCHOOL The Virgin of Antigua Oil on canvas 105.7 x 74.6cm; 41½ x 291⁄4in Provenance: Private Collection, Madrid £1,000-1,500

265

266 CUZCO SCHOOL Madonna of the Yarnwinder Oil on canvas 47.8 x 34.7cm; 183⁄4 x 133⁄4in £300-500

266

See paragraphs 4 & 5 of our conditions of business at the back of the catalogue for additional charges on the final hammer prices

115

267 CUZCO SCHOOL The Madonna and Child surrounded by a garland of fruit and flowers Oil on canvas 56.1 x 45.2cm; 22 x 173⁄4in £800-1,200

267

268 ORIENTAL SCHOOL 19th/20th Century

Study of two figures with a bead necklace Oil on panel 65 x 30cm; 25½ x 12in £150-250

Lots marked ‡ may be subject to an additional fee - please see ARR information on page 177

268

116

269

269 CHARLES HENRY SEAFORTH

270 PATRICK NASMYTH

271 GEORGE VEMPLEY BURWOOD

1801-1872

Scottish 1787-1831

1844-1917

Coastal landscape at dawn, with ships near the cliffs and figures in the foreground

Shipping off the coast, a harbour in the distance

Four sailing vessels off the port of Lowestoft

Inscribed painted by Seaforth to stretcher Oil on canvas 76.5 x 106.5cm; 30 x 42in

Signed and dated 1825 Oil on panel 24.6 x 34.9cm; 93⁄4 x 133⁄4in

Provenance: By descent to the present owner

£2,000-3,000

£5,000-7,000

Signed and dated 1884 Oil on canvas 50.9 x 92.3cm; 20 x 361⁄4in Provenance: Hampshire Gallery, July 2008; Property of a retired Master Mariner; By whom sold, Woolley and Wallis, Paintings, 5 June 2013, lot 284, where purchased by the previous private collector; By descent to the present owner £700-1,000

See paragraphs 4 & 5 of our conditions of business at the back of the catalogue for additional charges on the final hammer prices

117

270

271

Lots marked ‥ may be subject to an additional fee - please see ARR information on page 177

118

272 CIRCLE OF THOMAS BLINKS Two hounds by a river Oil on canvas 65.5 x 54.1cm; 253⁄4 x 211⁄4in Provenance: By descent to the present owner £600-800

273 JOHN MACLEOD Scottish act.1852-1870

After a days shooting Signed and dated Oct 7 1863 Oil on canvas 50.7 x 68.4cm; 20 x 27in Provenance: T.G. Greet Esq (according to a label verso) £400-600

274 GEORGE JACKSON act.1830-1864

Still life with dead game on a ledge, and a dog in the background Signed and dated 1860 Oil on canvas 64.5 x 76.5cm; 25½ x 30in £400-600

272

273

274 See paragraphs 4 & 5 of our conditions of business at the back of the catalogue for additional charges on the final hammer prices

119

275 WILLIAM WOODHOUSE 1857-1939

End of the day; an English and a Gordon setter with game Signed Oil on canvas 91.5 x 71.5cm; 36 x 28in Provenance: Property of the Corsewall Estate; Sold by the executors, Christie’s Edinburgh, 28 April 1988, Fine Paintings and Drawings, lot 561; MacConnal-Mason & Son, London £10,000-15,000

275

Lots marked ‡ may be subject to an additional fee - please see ARR information on page 177

120

276 THOMAS BUSH HARDY RBA 1842-1897

Coastal landscape with figures sorting the catch Signed and dated 1873 Oil on canvas 75.6 x 126.2cm; 293⁄4 x 493⁄4in Provenance: Oscar and Peter Johnson Ltd. £1,500-2,500

276

277 EDOARDO DE MARTINO CVO Italian 1838-1912

A Garibaldi class cruiser off the River Plate Signed Oil on canvas 41.8 x 72.5cm; 16½ x 28½in Provenance: N.R. Omell, London, from whom purchased by the late owners, October 1990; Property of a deceased estate £1,200-1,800

277

278 CIRCLE OF WILLIAM CLARKSON STANFIELD Coastal scene with fishing vessels in choppy waters Bears a signature Oil on canvas 88 x 121.5cm; 343⁄4 x 473⁄4in £600-800

278 See paragraphs 4 & 5 of our conditions of business at the back of the catalogue for additional charges on the final hammer prices

121

279

279 THOMAS ROSE MILES RCA

280 CIRCLE OF WILLIAM LIONEL WYLLIE

281 ENGLISH SCHOOL

act.1869-1906

A busy shipping scene

19th Century

Boat in choppy waters outside a harbour

Watercolour 24.3 x 43.9cm; 9½ x 171⁄4in

Whalers

Signed Oil on canvas 61.5 x 106cm; 241⁄4 x 413⁄4in

Oil on canvas 34.5 x 51.7cm; 13½ x 201⁄4in

£200-300

Provenance: The Parker Gallery, London

£4,000-6,000

£400-600

280

Lots marked ‡ may be subject to an additional fee - please see ARR information on page 177

281

122

282 LIEUTENANT P. O. GRIFFITHS BNR 20th Century

A British warship Signed Oil on canvas 58.4 x 88.8cm; 23 x 35in Provenance: The Parker Gallery, London £400-600

282

283 CHARLES ROBERT RICKETTS 1838-1883

Portsmouth Harbour with the Royal Sovereign, the Donegal, the Royal Alfred and the Marlborough Signed, dated 76, and inscribed Oil on canvas 41.1 x 61.4cm; 161⁄4 x 241⁄4in £150-250

283

284 P. GREGORY act.1890-1914

The fishing boat Rosebud in a rough sea Signed with monogram and dated 1896 Oil on board 45.7 x 61cm; 18 x 24in Provenance: Property of a retired Master Mariner; By whom sold, Woolley and Wallis, Paintings, 5 June 2013, lot 283, where purchased by the previous private collector; By descent to the present owner £200-300

284 See paragraphs 4 & 5 of our conditions of business at the back of the catalogue for additional charges on the final hammer prices

123

285

285 THOMAS SMYTHE

286 HUGO VAN SCHAIK

1825-1907

Dutch 1872-1946

On the river at Pin Mill, Suffolk, with the Butt & Oyster inn

View of a Dutch town on a river; Dutch river landscape near a village

Signed Oil on canvas 48.5 x 74cm; 19 x 291⁄4in

A pair, both signed Each oil on canvas 35 x 50.5cm; 133⁄4 x 20in (2)

Provenance: Oscar and Peter Johnson Ltd.

£300-400

£2,000-3,000

286 Lots marked ‡ may be subject to an additional fee - please see ARR information on page 177

124

287

287 DUTCH SCHOOL 19th Century

A mother and her children in the kitchen of a cottage Oil on canvas 56 x 68.9cm; 22 x 27in ÂŁ1,500-2,500

See paragraphs 4 & 5 of our conditions of business at the back of the catalogue for additional charges on the final hammer prices

125

288 WILLIAM POWELL FRITH RA 1819-1909

Just Too Late Signed and dated 1855 Oil on canvas 46.9 x 36.6cm; 18½ x 14½in £4,000-6,000

288

Lots marked ‡ may be subject to an additional fee - please see ARR information on page 177

126

289 ‡ ANDREW BEER 1862-1954

Ma’s Pride Signed and inscribed Blue Cheq. N.U.N.W.33.W.B.C.423.

Winner of 2nd North Wirral Fed & 1st Wallasey Boro H.S. 2nd Dol. race. 344 miles. 340 birds competing. Owner R. Smythe. 1939.

Oil on canvas 33.8 x 43.3cm; 131⁄4 x 17in £400-600

290 AFTER EDEN UPTON EDDIS Portrait of Henry Lascelles, 2nd Earl of Harewood on Horseback, Harewood House in the distance Oil on canvas 64 x 76.5cm; 251⁄4 x 30in Provenance: Lady Dunbar; Morphet & Morphet, Harrogate, 18 November 1965, lot 383, where purchased by the present owner’s father; By descent

289

After the original in the Harewood collection. Lord Harewood is depicted mounted on his hunter George, with his terrier Pepper nearby. £400-600

291 CORNELIS VAN LEEMPUTTEN Belgian 1841-1902

Woman and ducks by a well Signed Oil on panel 28.7 x 21.7cm; 111⁄4 x 8½in £300-500

292 J. BINNS 19th Century

A saddled horse and dogs in a stable Signed Oil on canvas 26.3 x 31.2cm; 101⁄4 x 121⁄4in

290

£150-250

291

292 See paragraphs 4 & 5 of our conditions of business at the back of the catalogue for additional charges on the final hammer prices

127

293

293 OTTO EERELMAN Dutch 1839-1926

Saddling Up Signed Oil on canvas 44 x 68cm; 17 x 263⁄4in Provenance: MacConnal-Mason, London £2,000-3,000

294 JAMES BARENGER 1780-1831

Partisan, a hunter in a landscape Signed, and further titled and dated 1827 in a later hand to stretcher Oil on canvas 63.6 x 76.4cm; 25 x 30in £800-1,200

294

Lots marked ‡ may be subject to an additional fee - please see ARR information on page 177

128

295

295 ENGLISH SCHOOL Early 19th Century

A bay hunter facing a skewbald in a landscape, a town in the distance Oil on canvas 62.2 x 75.4cm; 24½ x 293⁄4in £1,500-2,500

296 AFTER JOHN FREDERICK HERRING, SEN. Bribery held by Alec Taylor Sen. (her trainer), the jockey Nat Flatman on a hack, Winchester racecourse beyond Bears a signature and date Oil on canvas 30.1 x 40.4cm; 113⁄4 x 16in Unframed

296

£100-150

See paragraphs 4 & 5 of our conditions of business at the back of the catalogue for additional charges on the final hammer prices

129

297

297 ABRAHAM COOPER RA 1787-1868

Portrait of Wouvermans, the property of G.O. Whiteside Esq. Signed with monogram and dated 1822 Oil on canvas 63.2 x 76.5cm; 25 x 30in Exhibited: Royal Academy, 1823, no. 374 £2,000-3,000

Lots marked ‡ may be subject to an additional fee - please see ARR information on page 177

130

298

299

298 MORANDINI Italian act.1861

299 WILLIAM RAYMOND DOMMERSEN

A view of Castello di Porcia, Friuli Venezia Giulia, Italy

1859-1927

Signed and dated 1861, and further titled and inscribed to stretcher Oil on canvas 55.9 x 43cm; 22 x 17in

Signed and further signed and titled to verso Oil on canvas 51.5 x 40.2cm; 201⁄4 x 153⁄4in

£600-800

£300-500

On the River Amstel, Holland

300

300 JOHN ST HELIER LANDER ROI 1869-1944

Mother and child on a rural path; Figures sitting outside a house on a quiet street A pair, both signed and dated 84 Each oil on board 19.5 x 14.5cm; 73⁄4 x 53⁄4in (2) £250-350 See paragraphs 4 & 5 of our conditions of business at the back of the catalogue for additional charges on the final hammer prices

131

301

302

301 ENGLISH PRIMITIVE SCHOOL

303 E. STANILAND

304 EUGÉNIE TRIPIER LEFRANC

19th Century

19th Century

French 1805-1872

An intruder in the larder

A cow in a barn

Atelier de Mme Vigée Lebrun

Oil on canvas 58.3 x 73.9cm; 23 x 29in

Signed, dated and inscribed Painted by E. Staniland Abingdon Dec 1833 Oil on canvas 45.7 x 56.2cm; 18 x 22in

Signed and titled Oil on paper laid canvas 31.9 x 41.5cm; 12½ x 161⁄4in Unframed

Provenance: Avon Antiques, Bradford-on-Avon, 1993

Eugénie Tripier Lefranc was the niece and pupil of Élisabeth Louise Vigée Le Brun.

A label on the stretcher reads ‘This seven year old cow fed by J. Mundy was put to feeding on the 24th January 1833 and killed on the 13th Dec 1833 weighed 155 stone 5 lbd - Milked to 22nd January 1833.’

£120-180

£500-800

302 JOHN MEARS act.1877

Two spaniels in the undergrowth Signed and dated 1877 Oil on canvas 71.2 x 91.5cm; 28 x 36in

£600-800

£250-350

303

304

Lots marked ‡ may be subject to an additional fee - please see ARR information on page 177

132

305

306

305 ENGLISH SCHOOL 19th Century

A mother and child feeding chickens and a donkey in a stable Oil on canvas 65 x 54cm; 25½ x 211⁄4in £600-800

306 A. JACQUES French 19th Century

A shepherd and his flock Signed Oil on canvas 81.5 x 65.5cm; 32 x 253⁄4in Provenance: Ian MacNicol FIne Art, Glasgow £400-600

307 FRANCESCO PELUSO Italian 1836-1916

A Neapolitan couple Signed Oil on canvas 39.9 x 25.7cm; 153⁄4 x 10in £300-500

307 See paragraphs 4 & 5 of our conditions of business at the back of the catalogue for additional charges on the final hammer prices

133

308

309

310

308 WILLIAM LIONEL WYLLIE RA, RI

309 ITALIAN SCHOOL

310 GEORGE CLARKSON STANFIELD

1851-1931

c.1900

1828-1878

Thames barges under sail

Figures on the Amalfi coast

A view of Sankt Gorshausen, Germany

Signed Oil on canvas 24.5 x 44.5cm; 93⁄4 x 17½in

Signed indistinctly Oil on canvas 52.5 x 79cm; 20½ x 31in

Oil on canvas 45.8 x 71.3cm; 18 x 28in

Provenance: Royal Exchange Art Gallery, London

£300-500

£1,500-2,500

Lots marked ‡ may be subject to an additional fee - please see ARR information on page 177

£600-800

134

311

313

311 JOHN FAED RSA

313 ROBERT GAVIN RSA

Scottish 1819-1902

Scottish 1827-1883

The Rivals

The young harvester

Signed Oil on board 37 x 28cm; 14½ x 11in

Signed Oil on canvas 77 x 63.5cm; 301⁄4 x 25in

Provenance: The French Galleries, London; Thomas Agnew & Sons, Manchester

£2,500-3,500

£1,500-2,500

312 ERNESTO JOLLI

314 FRENCH SCHOOL

Italian 19th Century

c.1830

Young woman carrying a yoke by the shore; Young woman with a hurdy-gurdy

Hades carrying Eros to the underworld

A pair, both signed Both oil on canvas 51.5 x 25cm; 201⁄4 x 93⁄4in (2) £200-300

Oil on canvas 130.5 x 97cm; 511⁄4 x 381⁄4in Unframed Provenance: Private Collection, Toulouse £2,000-4,000

312 See paragraphs 4 & 5 of our conditions of business at the back of the catalogue for additional charges on the final hammer prices

135

314 Lots marked ‥ may be subject to an additional fee - please see ARR information on page 177

136

315 WILLIAM ETTY RA 1787-1849

Female nude on a balcony Oil on board laid on canvas 62.5 x 48cm; 24½ x 19in Provenance: Anonymous Sale, Christie’s, South Kensington, 15 September 1994, lot 35; Christie’s, London, The Forbes Collection of Victorian Pictures and Works of Art; 20 February 2003, lot 181, where acquired by the previous owner; By whom sold, Christie’s, London, Victorian and British Impressionist Pictures including Drawings and Watercolours, 4 June 2009, lot 87 £4,000-6,000

316 WILLIAM ETTY RA 1787-1849

Study of a seated nude Oil on canvas 53.5 x 43cm; 21 x 17in Provenance: The Maas Gallery, London £4,000-5,000

315

See paragraphs 4 & 5 of our conditions of business at the back of the catalogue for additional charges on the final hammer prices

137

316 Lots marked ‥ may be subject to an additional fee - please see ARR information on page 177

138

317

318

317 FREDERICK RICHARD LEE RA

319

318 PIERRE JACQUES PELLETIER

319 CHARLES LESLIE

1798-1879

French 1869-1931

1839-1886

Mountainous landscape with travellers on a path by a river

Landscape with houses by a lake

A view of Betws-y-Coed, North Wales

Signed Oil on canvas 53 x 71cm; 203⁄4 x 30in

Signed and dated 1872 Oil on canvas 10.2 x 20.3cm; 4 x 8in

£300-500

£100-150

Signed and dated 1856 Oil on canvas 85 x 126cm; 33½ x 49½in £800-1,200

See paragraphs 4 & 5 of our conditions of business at the back of the catalogue for additional charges on the final hammer prices

139

320

320 JAMES DUFFIELD HARDING OWS

321 SCOTTISH SCHOOL

322 EDWARD H. NIEMANN

1797-1863

19th Century

act.1863-1867

A continental river landscape with figures by a castle and a church beyond

Mountainous landscape with figures by a bridge

Landscape with figures walking by a pond

Signed with initials and dated 1851 Oil on canvas 34.2 x 51.9cm; 13½ x 201⁄4in

Variously inscribed to verso Oil on canvas 61.4 x 81cm; 241⁄4 x 313⁄4in Unframed

Provenance: Bonhams, Knightsbridge, British and European Art, 31 March 2015, lot 103

£150-250

£1,000-1,500

321

322

Lots marked ‡ may be subject to an additional fee - please see ARR information on page 177

Signed Oil on canvas 51 x 76.5cm; 20 x 30in £300-500

140

323 JAMES BAKER PYNE RBA 1800-1870

Landscape with figures resting in the foreground, a hilltop castle and a fort in the distance Signed and dated 1830 Oil on canvas 51.3 x 76.5cm; 201⁄4 x 30in £700-1,000

323

324 ALFRED VICKERS SNR. 1786-1869

A view of Brading Harbour, Isle of Wight Indistinctly signed and dated Oil on canvas 47 x 70.4cm; 18½ x 273⁄4in Provenance: The Property of a Noblewoman £800-1,200

324

See paragraphs 4 & 5 of our conditions of business at the back of the catalogue for additional charges on the final hammer prices

141

325

325 WILLIAM SHAYER 1787-1879

Coastal landscape with figures with the catch Oil on canvas 76 x 102cm; 30 x 40in Provenance: The estate of the late Sir John Alexander Campbell-Orde, 6th Baronet (1943-2016) £3,000-5,000

Lots marked ‡ may be subject to an additional fee - please see ARR information on page 177

142

326 WILLIAM BROMLEY III act.1835-1888

Two boys fishing Signed Oil on canvas 33 x 44.5cm; 13 x 17½in £700-1,000

326

327

328

327 EDWIN WILLIAMS

328 FELIX MOSCHELES

act.1822-1881

1833-1917

Portrait of Maria Hopton, née Dixon

A scene from Il Trovatore: Leonara, believing that her lover Manrico is dead, prepares to take the veil

Signed, dated 1851, and later inscribed MARIA dau of EDWARD DIXON of ASHWOOD/Married JOHN HOPTON- ob1859 Oil on canvas 89 x 70.5cm; 35 x 273⁄4in £500-800

Signed and dated 68 Oil on canvas 92 x 71.5cm; 361⁄4 x 281⁄4in Provenance: Lawrences, Crewkerne, 14 October 2011, lot 2916 £600-800

See paragraphs 4 & 5 of our conditions of business at the back of the catalogue for additional charges on the final hammer prices

143

329 JOHANN CASPAR HERTERICH German 1843-1905

The music party Signed and dated 72 Oil on canvas 113.3 x 88.5cm; 44½ x 343⁄4in £700-1,000

329

330 ARTHUR TREVOR HADDON RBA 1864-1941

A Spanish courting couple, with a young woman playing guitar to a matador Signed Oil on canvas 51.2 x 76.7cm; 201⁄4 x 301⁄4in £300-500

330 Lots marked ‡ may be subject to an additional fee - please see ARR information on page 177

144

331

331 BENJAMIN WILLIAMS LEADER RA 1831-1923

Wooded landscape with a stream, two figures in the distance Signed and dated 1880 Oil on panel 44.4 x 34.2cm; 17½ x 13½in £800-1,200 See paragraphs 4 & 5 of our conditions of business at the back of the catalogue for additional charges on the final hammer prices

145

332

332 BENJAMIN WILLIAMS LEADER RA 1831-1923

Evening landscape after the rain Signed and dated 1886 Oil on canvas 76.5 x 122cm; 30 x 48in Provenance: Christie’s New York, 23 February 1989, 19th Century European Paintings, Drawings, Watercolours and Sculpture, lot 438; MacConnal-Mason & Son, London £8,000-12,000

Lots marked ‡ may be subject to an additional fee - please see ARR information on page 177

146

333 ANDRÉ FONECHE French 1851-1942

Coastal landscape with beached fishing boats Signed and dated 1888 Oil on panel 17.8 x 35.8cm; 7 x 14in £200-300

333

334 JOHN CALLOW 1822-1878

A view of Lancaster Bay Signed, and further inscribed to verso Oil on canvas 45.7 x 82cm; 18 x 321⁄4in £600-800

334

335 JOHN FREDERICK TENNANT 1796-1872

Landscape with cattle by a river Signed and dated 1850 Oil on canvas 66.5 x 106.9cm; 261⁄4 x 42in Provenance: The Property of a Noblewoman £700-1,000

335 See paragraphs 4 & 5 of our conditions of business at the back of the catalogue for additional charges on the final hammer prices

147

336 ALBERTO ROSSI Italian 1858-1936

Rural landscape with a peasant riding a donkey Signed Oil on canvas 27.5 x 40.8cm; 103⁄4 x 16in Unframed £100-150

336

337 LEENDERT DE KONINGH Dutch 1777-1849

Peasants with a calf in a rowing boat, together with barges on a river Traces of a signature Oil on panel 34.9 x 42.9cm; 133⁄4 x 17in Provenance: Houstoun-Boswall collection; By descent For a view of Blackadder House, former seat of the Houstoun-Boswall family, see lot 73. £1,000-1,500

337

338 EDMUND JOHN NIEMANN 1813-1876

Extensive landscape with figures on a path Signed and dated 53 Oil on panel 24.6 x 45.4cm; 93⁄4 x 173⁄4in £400-600

338 Lots marked ‡ may be subject to an additional fee - please see ARR information on page 177

148

339 HERMANUS KOEKKOEK THE ELDER Dutch 1815-1882

Coastal landscape with figures bringing ashore the catch; Coastal landscape with figures talking by the shore A pair, both signed Both oil on panel Each 20.6 x 28.3cm; 8 x 111â „4in (2) ÂŁ3,000-5,000

339

See paragraphs 4 & 5 of our conditions of business at the back of the catalogue for additional charges on the final hammer prices

149

340

340 HERMANUS KOEKKOEK THE ELDER Dutch 1815-1882

Landscape with travellers by an inn Signed Oil on panel 26.6 x 34.1cm; 10½ x 13½in £800-1,200

341 SIR GEORGE HOWLAND BEAUMONT 1753-1827

Farm buildings in a wooded landscape with a horse and carriage Signed Oil on canvas 64 x 88cm; 25 x 34½in With the book by Greaves, Margaret, Regency Patron, Sir George Beaumont, published Methuen & Co, 1966 (2) £400-600

341 Lots marked ‡ may be subject to an additional fee - please see ARR information on page 177

150

342

342 HENRY H. PARKER

343 HENRY H. PARKER

1858-1930

1858-1930

On the Thames at Goring

The Silent Stream: On the Ouse at Hemingford Grey; On the River Avon

Signed, and further signed and inscribed On the Thames nr. Goreing, Surrey to verso Oil on canvas 50.5 x 76cm; 20 x 30in

A pair, each signed, and further signed and titled to verso Each oil on canvas Each 30.4 x 46cm; 12 x 18in (2)

£1,000-1,500

Provenance: Christie’s London, British and Victorian Pictures, 6 September 2006, lot 165 £1,200-1,800

343 See paragraphs 4 & 5 of our conditions of business at the back of the catalogue for additional charges on the final hammer prices

151

344 FOLLOWER OF SAMUEL WALTERS The William Owens just off The Skerries, Anglesey, when in-bound for Liverpool Oil on canvas 91.5 x 114.5cm; 36 x 45in Provenance: Woolley and Wallis, Salisbury, Old Masters, British & European Paintings, 7 September 2016, lot 209, where purchased by the previous private collector; By descent to the present owner The William Owens was built in Maine, USA in 1854 and sold to Liverpool owners where she remained until the early 1860s. £1,500-2,500

344

345

346

345 CLAUDE T. STANFIELD MOORE

346 ALFRED VICKERS SNR

1853-1901

1786-1868

Shipping on the Thames, with St. Paul’s Cathedral in the distance

The wreck of a brig off Margate

Signed and dated 96 Oil on canvas 25.4 x 48.3cm; 10 x 19in £400-600

Signed and titled to label (verso) Oil on panel 22 x 37cm; 83⁄4 x 14½in Provenance: E. Stacy-Marks, Eastbourne, 1994, where purchased by the previous owner; By descent to the present owner £600-800

Lots marked ‡ may be subject to an additional fee - please see ARR information on page 177

152

347 CHARLES LEICKERT Belgian 1816-1907

Winter landscape with figures on bridge; Winter landscape with figures on a frozen river A pair, both signed Both oil on panel 24 x 32.8cm; 9½ x 13in (2) £3,000-5,000

347

See paragraphs 4 & 5 of our conditions of business at the back of the catalogue for additional charges on the final hammer prices

153

348

348 LUCIUS ROSSI Italian 1846-1913

Dans les Jardins des Tuileries, Epoque de Louis XVI Signed and dated 1901 Oil on canvas 55.3 x 77cm; 213⁄4 x 301⁄4in Provenance: From a Private collection, given to the current owner’s grandmother as a birthday present in 1939 (accompanied by a copy of the letter), and then by family descent £12,000-18,000

Lots marked ‡ may be subject to an additional fee - please see ARR information on page 177

154

349

350

351

349 CHARLES DE SOUSY RICKETTS RA

350 AFTER SIR DAVID WILKIE

351 B. WERNER

Reading the Will

German Late 19th Century

Oil on tin 34.2 x 42.7cm; 13½ x 163⁄4in

Rabbis in discussion

1866-1931

The Good Samaritan Indistinctly signed and inscribed CR to TSM Oil on canvas 55.2 x 85.8cm; 213⁄4 x 333⁄4in Provenance: Given by the artist to Thomas Sturge Moore (1870-1944) as a wedding present; By descent to his daughter Henriette Sturge Moore; From whom acquired c.1970;

Property of a distinguished English Private Collector Literature: Charles Ricketts, Charles Ricketts R.A.: Sixty-Five Illustrations, with an introduction by Thomas Sturge Moore (Cassell & Company, London), no. viii, illustrated

Provenance: The Property of a Noblewoman

Signed Oil on canvas 26.9 x 31.8cm; 10½ x 12½in

£100-150

£400-600

£2,000-3,000

See paragraphs 4 & 5 of our conditions of business at the back of the catalogue for additional charges on the final hammer prices

155

352 (framed)

352

352 JOHN LISTON BYAM SHAW ARWS, RI 1872-1919

It is good and comely for one to eat and drink, and to enjoy the good of all his labour that he taketh under the sun all the days of his life, which God giveth him; for it is his portion (Ecclesiastes V v. XVIII) Signed and dated 1901 Oil on panel 35 x 24.5cm; 133⁄4 x 93⁄4in Provenance: Dowdeswell & Dowdeswells, London £1,500-2,500

353 GEORGE AUGUSTUS HOLMES 1829-1911

Staff of life Signed with initials Oil on canvas, painted and framed as a roundel 25.5 x 26cm; 10 x 101⁄4in Provenance: Sotheby’s, London, 16 April 1986, lot 212 £400-600

353 Lots marked ‡ may be subject to an additional fee - please see ARR information on page 177

156

354

354 MARTINUS RØRBYE Danish 1803-1848

355 PAUL LOUIS NARCISSE GROLLERON

Two shepherd boys in the Roman Campagna

A French officer

Dated 1835 and inscribed Roma Oil on paper laid on canvas 21.4 x 28.5cm; 8½ x 111⁄4in

Signed and dated 83 Oil on panel 26 x 18.5cm; 101⁄4 x 71⁄4in

Provenance: Martinus Rørbye estate sale, Copenhagen, 1849, lot 41; C. von Bornemann, 1905; Hans Tobiesen (1881-1953); His posthumous sale, Winkel et Magnussen, auction 388, 1954, no. 99

£800-1,200

French 1848-1901

Literature: Martinus Rørbye 1803-1848, catalogue raisonné (Thorvaldsens Museum, Copenhagen, 1981), no. 97.

The painting is a preparatory work for a version in the Scottish National Gallery (NG 2707). At the time of Rørbye’s estate sale the faces were unfinished, and these were later completed by Wilhelm Marstrand (1810-1873). £4,000-6,000

355 See paragraphs 4 & 5 of our conditions of business at the back of the catalogue for additional charges on the final hammer prices

157

356

356 ALBRECHT ADAM Portrait of a gentleman and his stallion in a landscape

Provenance: Houstoun-Boswall collection; By descent

Signed and dated 1856 Oil on canvas 43.7 x 36.9cm; 171⁄4 x 14½in

£3,000-5,000

German 1786-1862

For a view of Blackadder House, former seat of the Houstoun-Boswall family, see lot 73.

Lots marked ‡ may be subject to an additional fee - please see ARR information on page 177

158

357 HENRY CHARLES WOOLLETT

358 FRED BERG

c.1826-1893

Cattle resting in a field, a farmer and his dog nearby

A barn interior with two shire horses, chickens, and figures feeding rabbits Signed Oil on canvas 77.5 x 62.4cm; 30½ x 24½in

19th Century

Signed and dated 1885 Oil on canvas 40.7 x 61.2cm; 16 x 24in Unframed £150-250

£400-600

357

359 LUCY WALLER 1856-1908

360 HERBERT WILLIAM WEEKES

Portrait of a terrier on a chair

1856-1909

Signed and dated 1886 Oil on canvas 72 x 77cm; 281⁄4 x 301⁄4in

A terrier

£300-500

Signed Oil on board 43 x 33cm; 17 x 13in £600-800

358

359

360 See paragraphs 4 & 5 of our conditions of business at the back of the catalogue for additional charges on the final hammer prices

159

361 OWEN DALZIEL 1861-1942

Coastal scene with fishermen sorting their catch Signed Oil on canvas 40.8 x 56cm; 16 x 22in £800-1,200

361

362

362 FLORA MACDONALD REID

363 ALBERT LUDOVICI JNR RBA

1861-1938

1852-1932

At the market

Marble Arch

Signed and dated 1914 Oil on canvas 25.5 x 35.7cm; 10 x 14in

Signed Oil on panel 23.8 x 13.5cm; 91⁄4 x 51⁄4in

£400-600

Exhibited: London, The Modern Gallery, Sketches to Pictures, 1903 £500-700

Lots marked ‡ may be subject to an additional fee - please see ARR information on page 177

363

160

364

364 ELOISE HARRIET STANNARD 1829-1914

Still life with strawberries and a cabbage leaf Signed and dated 1882 Oil on canvas 27 x 32cm; 10½ x 12½in Provenance: Sotheby’s, London, Victorian Paintings, 30 September 1987, lot 109; MacConnal-Mason & Son, London £2,000-3,000

See paragraphs 4 & 5 of our conditions of business at the back of the catalogue for additional charges on the final hammer prices

161

365

365 ELOISE HARRIET STANNARD 1829-1914

Still life with pineapple, grapes, plums, peaches, and pears Signed and dated 1882 Oil on canvas 51.5 x 61.2cm; 201⁄4 x 24in £4,000-6,000

Lots marked ‡ may be subject to an additional fee - please see ARR information on page 177

162

366

367

366 GUSTAVE DE BREANSKI

367 JAMES MACBETH

1856-1898

1847-1891

Coastal landscape with fishing boats

The Pool of London

Signed and dated 1887 Oil on canvas 60.2 x 50.7cm; 233⁄4 x 20in

Signed and dated 1877 Oil on canvas 50 x 60cm; 193⁄4 x 233⁄4in

£400-600

£300-500

368 RICHARD WANE RBA 1852-1904

The lobster fisherman Signed Oil on canvas 30.4 x 50.9cm; 12 x 20in £200-400

368

See paragraphs 4 & 5 of our conditions of business at the back of the catalogue for additional charges on the final hammer prices

163

369

370

369 JAMES POOLE

370 DANIEL SHERRIN

1804-1886

1868-1942

A view of Betws-y-Coed, North Wales

Village landscape at dusk, with cottages, a church and a couple by a pond

Signed Oil on canvas 63 x 89.5cm; 243⁄4 x 351⁄4in Provenance: J.S. Maas & Co., London

Signed Oil on canvas 59.9 x 100cm; 23½ x 391⁄4in £500-800

£300-500

371

372

371 ENGLISH SCHOOL

372 WILLIAM TAYLOR LONGMIRE

c.1920

1841-1914

Landscape with geese and cattle by a farm

Little Langdale, Westmorland

Indistinctly signed E****** Oil on canvas 50.5 x 76.4cm; 20 x 30in

Signed and dated 1875, and further titled and inscribed to verso Oil on canvas 28.1 x 40.8cm; 11 x 16in

£200-300

Provenance: By descent to the present owner £200-300

Lots marked ‡ may be subject to an additional fee - please see ARR information on page 177

164

373 PETER GRAHAM RA, RSA Scottish 1836-1921

The Fowler Signed and dated 1895 Oil on canvas 74.5 x 56cm; 291⁄4 x 22in £800-1,200

374 HENRI ARTHUR BONNEFOY French 1839-1917

Stormy sea; Calm sea A pair, each signed Each oil on panel, 7.2 x 31.2cm; 23⁄4 x 121⁄4in (2) Framed as one £200-300

375 EDMOND YON French 1841-1897

Environs de Montereau Signed Oil on canvas 42 x 70.5cm; 16½ x 273⁄4in Provenance: Uppsala Auktionskammare, Uppsala, 5 December 2006, lot 151 £400-600

373

374

375 See paragraphs 4 & 5 of our conditions of business at the back of the catalogue for additional charges on the final hammer prices

165

376

376 ENGLISH SCHOOL Late 19th Century

Portrait of a boy in a skiff amongst the reeds Oil on canvas 91.7 x 60.8cm; 36 x 24in Unframed

377

377 ITALIAN SCHOOL

378 A.L. BANVILLE

19th Century

French 19th Century

Portrait of a girl, bust-length

Wooded landscape with a stream

Oil on canvas 34.5 x 27cm; 13½ x 10½in

Signed Oil on panel 40.3 x 30.6cm; 153⁄4 x 12in

£100-150

378

£200-500

£150-250

379

379 ATTRIBUTED TO EDWARD JOHN COBBETT RBA

380 BRITISH SCHOOL

1815-1899

The tennis match

Landscape with cattle and a drover by a pond

Oil on canvas 59.5 x 39.2cm; 23½ x 15½in

Signed and dated 1835 Oil on panel 22.9 x 30.4cm; 9 x 12in

c.1900

£300-500

£200-300 Lots marked ‡ may be subject to an additional fee - please see ARR information on page 177

380

166

381 LOUIS DODD 1943-2006

An English man-o'-war and other ships off the coast Signed Oil on panel 44.7 x 60.7cm; 17¾ x 24in Provenance: Purchased by the present owner in 1975 £600-800

381

382 BRITISH SCHOOL c.1900

Marine landscape with a ship beneath the cliffs Oil on panel 24.3 x 36.9cm; 9½ x 14½in £100-150

382

See paragraphs 4 & 5 of our conditions of business at the back of the catalogue for additional charges on the final hammer prices

167

383 ENGLISH SCHOOL 19th Century

Estuary scene with numerous ships anchored, a town in the distance; Estuary scene with figures in the foreground A pair, each oil on panel 20.4 x 42.2cm; 8 x 16¾in (2) £200-300

383

384

384 WILLIAM DANIEL PENNY 1834-1924

Shipping in calm waters; Boats in a rough sea A pair, each signed, the later dated 87 Each oil on board 18.8 x 29.4cm; 7¼ x 11½in (2) £200-300 Lots marked ‡ may be subject to an additional fee - please see ARR information on page 177

168

385 CONTINENTAL SCHOOL 19th Century

Two women soaking a young man with a pitcher of water, in a stable Oil on tin 24.3 x 20.8cm; 9½ x 8¼in £120-180

386 THOMAS COOPER MOORE 1827-1901

A view of Nottingham Castle with figures in the foreground; A view of the Nottingham Canal with Nottingham Castle in the background A pair, the former signed and further dated 1840 to verso, and each titled to verso Each oil on board 15 x 20.1cm; 6 x 8in (2) £120-180

385

386 See paragraphs 4 & 5 of our conditions of business at the back of the catalogue for additional charges on the final hammer prices

169

INDEX OF ARTISTS A Adam, Albrecht Adam, Robert Allori, Cristofano, After Amigoni, Attributed to Jacopo Andrews, James Andrews, James Anglo-Irish School Antwerp School Appiani, Francesco

356 73 186 182 46 258 254 210 50

B Ball, Wilfred Williams 146 214 Bamboccianti School Banville, A.L. 378 294 Barenger, James Battem, Gerrit 198 Beaumont, Sir George Howland 341 289 Beer, Andrew Beer, John 128 Berchem, Nicolaes Pietersz., Circle of 226 Berchem, Nicolaes Pietersz., Follower of 228 358 Berg, Fred Biegel, Peter 130 Binns, J. 292 272 Blinks, Thomas, Circle of Bone, Henry Pierce 3 Bogdani, Jakob, Circle of 196 374 Bonnefoy, Henri Arthur Borssom, Anthonie van 211 Brabazon, Hercules Brabazon 114, 115 366 Breanski, Gustave de Breslau, Louis Catherine 121 British School 380, 382 326 Bromley, William, III Brouwer, Adriaen, Follower of 202 Brouwer, Adriaen, Manner of 219 204 Brueghel, Jan, the Younger, Circle of Buck, Adam 7 Burch, Edward 16 Burgess, Attributed to Thomas 72 Burwood, George Vempley 271 C Cades, Attributed to Giuseppe 52 Callow, John 334 Callow, William 106, 107 Canevari, Giovanni Battista, Attributed to 26, 27 Childs, George 89 Chinese School 45, 47 Cleveley, John 55 Closterman, John, Follower of 169 Cobbett, Attributed to Edward John 379 Cochin, Charles-Nicholas, the Elder 54 Codde, Pieter, Follower of 232 Coleman, William Stephen 118 Collins, Attributed to Samuel 15 Company School 42, 43 Continental School 31, 76, 126, 195, 385

Cooper, Abraham Correggio, After Cosway, Richard Cox, David, Jnr. Cradock, Attributed to Marmaduke Cuyp, Attributed to Albert Cuzco School

297 187 11 84 194 207 266, 267

D Dahl, Michael, Circle of 172 361 Dalziel, Owen 239 Danckerts, Hendrick, Follower of Daniel, Abraham 8 Debucourt, Philibert-Louis 78 162 Dobson, Attributed to William Dodd, Louis 381 Dollhopf, Elias 173 299 Dommersen, William Raymond Droochsloot, Joost Cornelisz 224 227 Duck, Jacob Duncan, Edward 85 21 Durham, Cornelius Bevis Dutch School 189, 201, 287 Dyck, Sir Anthony van, Follower of 171 E Eddis, Eden Upton, After 290 36 Edwards, George, After Eerelman, Otto 293 Engleheart, George 12, 13, 14 English Primitive School 301 2, 4, 6A, 17, 20, 24, 28, 29, English School

74, 86, 104, 108, 111, 176,

177, 248, 246, 253, 263, 264,

281, 295, 305, 371, 376, 383 315, 316 Etty, William F F.A.B. and G.H.B. 122 Faed, John 311 Fell, Herbert Granville 119 Fielding, Anthony Vandyke Copley 62 Finke, August 256 Flandrin, Paul-Jean 64 Flemish School 1, 205, 208, 222 Florentine School 180 Foneche, AndrĂŠ 333 Franque, Joseph, After 25 French School 80, 247, 262, 314 Frith, William Powell 288 G Gallaway, Alexander Gavin, Robert German School Giberne, Edgar Glover, John Goff, Frederick Edward Joseph

9, 10 313 235 131 57 137, 138

Gould, John Goyen, Jan van, Follower of Graham, Peter Greenhill, John Gregory, P. Griffiths, Lieutenant P. O. Grolleron, Paul Louis Narcisse

37, 38, 124 189A 373 166 284 282 355

H Haddon, Arthur Trevor 330 Haghe, Louis, after David Roberts 34 Hals, Attributed to Harmen 217 Harding, James Duffield 320 Hardy, Thomas Bush 97, 98, 99, 276 Havell, William 243 Hayllar, James 123 245 Hayter, George, Sir 225 Herp, Willem van, Circle of Herring, John Frederick Sen., After 296 Herterich, Johann Caspar 329 Heyden, Jan van der, Follower of 215 94 Hiscox, Attributed to George Dunkerton Holbein, Hans, II, After 163 Holmes, George Augustus 353 6 Hone, Horace Hotham, George 79 Howitt, William Samuel 82 Hudson, Thomas, and Studio 174 Hustwick, Francis 190 I Indian School Italian School

44 49, 185, 237, 309, 377

J Jackson, George Jacques, A. James, E. K. O Janssens, Attributed to Hieronymus Jolli, Ernesto Jutsum, Henry

274 306 83 220 312 88

K Kinnaird, Henry John Kneller, Sir Godfrey, After Kneller, Sir Godfrey, Circle of Koekkoek, Hermanus, the Elder Koningh, Leendert de Kraus, Attributed to Franz Anton

95 175 167, 168 340, 341 337 203

L Lamplough, Augustus Osborne Lander, John St Helier Lawrence, Sir Thomas, Attributed to Lawrence, Sir Thomas, Circle of Leader, Benjamin Williams Lee, Frederick Richard Leech, John

109 300 66 249 331, 332 317 129

170

INDEX OF ARTISTS Leemputten, Cornelis van Lefranc, Eugénie Tripier Leickert, Charles Leitch, William Leighton Leslie, Charles Longmire, William Taylor Lucas, John Seymour Ludovici, Albert, Jnr Luny, Thomas Lynton, Henry Stanton

291 304 347 105 319 372 75 363 192 110

M Macbeth, James 367 273 MacLeod, John MacWhirter, John 103 Marshall, Herbert Menzies 139, 140, 141, 142 Martino, Edoardo De 277 127 Mason, George Finch 81 Massard, Jean-Marie-Raphael-Leopold Mears, John 302 206 Mieris, Willem van, Circle of Miles, Thomas Rose 279 199 Monamy, Peter Monnoyer, Jean-Baptiste, Manner of 209 345 Moore, Claude T. Stanfield 386 Moore, Thomas Cooper Morandini 298 328 Moscheles, Felix 60 Munn, Paul Sandby 188 Murillo, After Bartolomé Esteban N Nasmyth, Patrick Neefs, Pieter, the Elder Neefs, Pieter, the Elder, Style of Neopolitan School Niemann, Edmund John Niemann, Edward H.

270 212 231 96 338 322

O Oriental School Ostade, After Adriaen van

268 216

P Paillou, Peter, the Younger Palmer, J. Panat, Anthonius Panini, Giovanni Paolo, Circle of Panini, Giovanni Paolo, Studio of Parker, Henry H. Parmigianino, Circle of Parsons, Beatrice Emma Paul, Attributed to John Pelletier, Pierre Jacques Peluso, Francesco Penny, William Daniel Peruvian School Pether, Henry, Circle of

22 230 179 183 184 342, 343 51 134 240 318 307 384 265 257

Pinelli, Bartolomeo Plimer, Andrew Poccetti, Bernardino Poel, Egbert Lievensz. van der Pollentine, Alfred Poole, James Pourbus, Frans, Manner of Pritchard, Stanger Pyne, James Baker

71 4 53 213 251, 252 369 164 132 323

R Rackett, Thomas 59 Raeburn, Sir Henry, After 23 Redkovsky, Andrei Alexevich 135, 136 Reed, Joseph Charles 91 Reichenbach, Heinrich Gottlieb Ludwig 125 362 Reid, Flora Macdonald 33 Rembrandt Harmensz. van Rijn, After Reynolds, Richard 30 250 Reynolds, Sir Joshua, After Reynolds, Sir Joshua, Circle of 259 Rheam, Henry Meynell 116 67 Richmond, George Ricketts, Charles de Sousy 349 Ricketts, Charles Robert 283 77 Roberto, Luigi Roberts, David 100 Roberts, David, Circle of 101 Robertson, Henry Robert 144 68 Romney, George Rørbye, Martinus 354 Ross, William Charles, Sir 18 117 Rossetti, Dante Gabriel, Follower of Rossi, Alberto 336 Rossi, Lucius 348 56 Roux, Antoine Rowlandson, Thomas 69 Rubens, Sir Peter Paul, After 200 63 Russell, John Russian School 150, 151, 152, 153, 154,

155, 157, 158, 159, 161 S Sassoferrato, Giovanni Battista 178 Salvi called, Follower of 58 Sandby, Paul 260 Sant, James Schaik, Hugo van 286 Scottish School 241, 261, 321 Seaforth, Charles Henry 269 Segar, William, Follower of 165 Shaw, John Liston Byam 352 Shayer, William 325 Sheffield, George 90 Sherrin, Daniel 370 Smith, John 'Warwick' 92 Smythe, Thomas 285 Sonjé, Jan Gabrielsz., Circle of 221 Stanfield, William Clarkson, Circle of 278

310 Stanfield, George Clarkson Staniland, E. 303 Stannard, Eloise Harriet 364, 365 Steen, Attributed to Jan 218 133 Stewart, James Lawson Storck, Abraham, Circle of 197 Stothard, Robert Thomas 102 Strij, Jacob van, Follower of 242 156, 160 Stroganov School Stubbs, George Townly, after George Stubbs 35 193 Swaine, Francis T Tennant, John Frederick Titian, Tiziano Vecellio called, After Tozer, Henry Edward Spernon Tuke, Lilian Kate Turner, Joseph Mallord William, After Turner, William, of Oxford Tuscan School V Varley, John Velde, Willem van de, II, After Vernet, Claude-Joseph, Follower of Vickers, Alfred, Snr

335 181 143 120 255 93 48

87 191 229, 238 324, 346

W Wageman, Thomas Charles 65 359 Waller, Lucy Walls, William 147, 148, 149 Walmsley, Thomas 61 Walters, Samuel, Follower of 344 Wane, Richard 368 112 Watson, Pilfold Fletcher Weekes, Herbert William 360 Weenix, Jan, Circle of 233, 234 351 Werner, B. Wilkie, David, Sir 70 350 Wilkie, Sir David, After Williams, Edwin 327 Wilson, Richard, Circle of 236 Wilson, Richard, Follower of 244 Witte, Emanuel de, Follower of 223 Wood, William 19 Woodhouse, William 275 145 Woodlock, David Woollett, Henry Charles 357 Wright, Attributed to John Michael 170 Wyllie, William Lionel 308 Wyllie, William Lionel, Circle of 280 Y Yon, Edmond

375

Z Ziem, Félix

113

MODERN BRITISH & 20TH CENTURY ART INCLUDING THE ESTATE OF DAME ELISABETH FRINK & LIN JAMMET

Wednesday 3rd June 2020 Closing date for entries 15th April

A selection of lots from the Estate of Dame Elisabeth Frink & Lin Jammet to be included in the above sale ENQUIRIES Victor Fauvelle |+44 (0) 1722 446961 | vf@woolleyandwallis.co.uk

MODERN BRITISH & 20TH CENTURY ART INCLUDING THE ESTATE OF DAME ELISABETH FRINK & LIN JAMMET

Wednesday 3rd June 2020 Closing date for entries 15th April

John Piper CH (1903-1992) Newbold Pacey, Warwickshire Signed, titled and dated Newbold Pacey Warw. 1979 Watercolour heightened with bodycolour, with felt-tipped pen 38.4 x 55.8cm Estimate £4,000 - 6,000*

ENQUIRIES Victor Fauvelle +44 (0) 1722 446961 vf@woolleyandwallis.co.uk *Visit woolleyandwallis.co.uk/buying for additional charges on final hammer price

173

CLARICE CLIFF, ART DECO & DESIGN Wednesday 18th March 2020

Affortunato Gori Oriental Dancer a gilt bronze and ivory figure of a woman Estimate £2,000 - 4,000*

ENQUIRIES Michael Jeffery +44 (0) 1722 424505 mj@woolleyandwallis.co.uk *Visit woolleyandwallis.co.uk/buying for additional charges on final hammer price

FURNITURE, WORKS OF ART & CLOCKS Wednesday 1st April 2020

A rare Charles II engraved working perpetual calendar by John Seller Estimate £1,000 - 1,500* ENQUIRIES Mark Yuan-Richards |+44 (0) 1722 411854 | myr@woolleyandwallis.co.uk *Visit woolleyandwallis.co.uk/buying for additional charges on final hammer price

FINE CHINESE PAINTINGS Tuesday 19th & Wednesday 20th May 2020 Closing date for entries 28th February

Zhang Daqian The Grand View of Chao Mountain SOLD FOR £2.6million* ENQUIRIES Amber Lees |+44 (0) 1722 424571 | aml@woolleyandwallis.co.uk *Price includes buyer’s premium

176

Auction Information OPENING HOURS Castle Street Salerooms Monday to Friday 9am – 5.30pm and 10am – 1pm on Saturdays Castle Gate Offices Monday to Friday 9am – 5.30pm VIEWING All our auctions are on view at least two days prior to the sale and details will be found in the relevant catalogues.

BIDDING IN THE ROOM To bid at auction you will need a paddle number. This can be obtained from the office either during the view or on the day of the sale. We now provide permanent paddle numbers which can be used for any future sale, once registered.

REGISTERING WITH US All first time buyers need to register with us. Once registration is complete you will be provided with a permanent paddle number which can be used in all future sales.

To register, you will need to provide two forms of identification: 1. a passport or photographic driving licence 2. a utility bill or document showing your name and address You can register in person or by contacting the office on 01722 424500 or emailing enquiries@woolleyandwallis.co.uk You will be asked to show your documents, or fax or email copies.

PLEASE NOTE: Registering with our website, or any third party website, does not automatically register you to bid with us.

COMMISSION BIDDING If you are unable to attend the sale you can leave a commission bid. This will be executed on your behalf by the auctioneer who will purchase the lot as cheaply as possible bearing in mind any reserve price and other bids.

TELEPHONE BIDDING It is usually possible to bid on the telephone by prior arrangement with the office.

BUYER’S PREMIUM The Buyer shall pay the hammer price together with a premium thereon of 25% plus VAT @20% (totalling 30% inclusive) on the first £500,000 and 12% plus VAT @20% (14.4% inclusive) thereafter.

LIVE ONLINE BIDDING Live online bidding is now available free of charge for most of our auctions via bid.woolleyandwallis.co.uk, enabling you to take part in the bidding from anywhere in the world live as it happens.

CONDITION REPORTS The relevant department will be pleased to give condition reports on any lot, where practical. All weights and measures given in the catalogue should be regarded as approximate.

The colours printed in the catalogue are not necessarily true.

SALE RESULTS These will be posted on our website shortly after the sale.

PACKING AND SHIPPING Woolley & Wallis do not offer a packing and despatch service but the following are carriers in our area.

Alban Shipping 01582 493 099 info@albanshipping.co.uk www.albanshipping.co.uk Kimdan Ltd 07973 389436 andy@kimdan.co.uk 01962 622133 Mailboxes mbewinchester@btconnect.com www.mbe.co.uk/winchester Pack & Send 01635 887237 newbury@packsend.co.uk www.packsend.co.uk/newbury Please note that we cannot be held responsible for any damage or loss to items once they are in the hands of a carrier.

177

PAYMENT AND CLEARANCE Payment is due immediately after the auction in pounds sterling. If you are a first time buyer we will need your name, address and bank details and will require funds to be cleared before purchases can be released.

CITES REGULATIONS Please note that lots marked λ may be subject to CITES Regulations when exported.

The CITES Regulations may be found at www.defra.gov.uk/ahvla-en/imports-exports/cites/

The following methods of payment may be made: Bankers draft, cashiers cheque, personal cheque, travellers cheques, debit and credit cards and cash up to a sterling equivalent of €10,000. We are no longer able to accept card payments of over £1,000 where the card-holder is not present.

Wire transfers should be sent to: Lloyds Bank plc, Blue Boar Row, Salisbury SP1 1DB. Account no. 00957707 Sort code 30-97-41 IBAN no. GB20LOYD30974100957707 BIC code LOYDGB21063 Credit cards: Visa or Mastercard

ARTIST’S RESALE RIGHT / DROIT DE SUITE Lots marked with a ‡ symbol are potentially subject to a levy.

Droit de Suite is a royalty payable to a qualifying artist or the artist’s heirs each time a work is resold during the artist’s lifetime and up to a period of 70 years after the artist’s death.

Royalties are calculated on a sliding percentage scale based on the hammer price excluding the buyer’s premium. The royalty does not apply to lots selling below the sterling equivalent of €1,000 and the maximum royalty payable on any single lot is the sterling equivalent of €10,000.

Debit cards: Delta, Switch, Connect, American Express, Union Pay

Droit de Suite, which is not subject to VAT, will be added to the buyer’s purchase price and then passed on to the relevant collecting agency.

Where practical, payment can be made and purchases collected during the auction.

Please enquire for the accepted exchange rate on the day of the sale.

Storage charges will be levied on all lots in the furniture and works of art and clock sales not collected within 30 calendar days of the sale. This will include a handling fee of £20 (+ VAT) per consignment and a storage charge of £2 (+ VAT) per lot per day. No goods will be allowed to be collected until these charges have been paid.

Royalties for Droit de Suite are as follows: 4% Up to €50,000 3% €50,000.01 - 200,000 1% €200,000.01 - 350,000 0.5% €350,000.01 - 500,000 0.25% In excess of €500,000 Up to a maximum levy of €10,000

LOT SYMBOLS VAT Lots marked with a dagger (†) are subject to VAT on the hammer price. Lots marked with an omega (Ω) have been temporarily imported from outside the EU and are subject to VAT at 5% on the hammer price and the buyer’s premium.

In online catalogues, the Sales Tax % column indicates the rate of VAT on hammer price.

FIREARMS Lots marked Ƒ in the catalogue are subject to the UK firearms/shotgun licencing regime, and may only be viewed and/or purchased by individuals with appropriate licences.

Such lots are offered on an auctioneer’s permit, and must be collected prior to the expiry thereof. For further information, please contact Ned Cowell.

178

SOCIETY OF FINE ART AUCTIONEERS AND VALUERS and the ROYAL INSTITUTION OF CHARTERED SURVEYORS CONDITIONS OF BUSINESS

INFORMATION FOR BUYERS 1. Introduction. The following informative notes are intended to assist Buyers, particularly those inexperienced or new to our salerooms.

All sales are conducted on our printed Conditions of Sale which are readily available for inspection and normally accompany catalogues.

Our staff will be happy to help you if there is anything you do not fully understand.

2. Agency. As auctioneers we usually contract as agents for the seller whose identity, for reasons of confidentiality, is not normally disclosed.

Accordingly if you buy your primary contract is with the seller.

3. Estimates. Estimates are designed to help buyers gauge what sort of sum might be involved for the purchase of a particular lot. The lower estimate may represent the reserve price and certainly will not be below it. Estimates do not include the Buyer’s Premium or VAT (where chargeable). Estimates are prepared some time before the sale and may be altered by announcement before the sale. They are in no sense definitive.

11. Methods of Payment. As a general rule any cheques tendered will need to be cleared before removal of the goods is permitted. Please discuss with our Office in advance of the sale if other methods of payment are envisaged (except cash).

12. Collection and storage. Please note what the Conditions of Sale state about collection and storage. It is important that goods are paid for and collected promptly. Any delay may involve the buyer in paying storage charges.

TERMS OF CONSIGNMENT FOR SELLERS 1. Interpretation. In these Terms the words ‘you’, ‘yours’, etc. refer to the Seller and if the consignment of goods to us is made by an agent we assume that the Seller has authorised the consignment and that the consignor has the Seller’s authority to contract. Similarly the words ‘we’, ‘us’, etc. refer to the Auctioneers.

2. Commission is charged to sellers at the following rates: 15% + VAT on each lot sold for up to £999, 10% + VAT on each lot realising £1,000 and above.

4. The purchase price. The Buyer shall pay the hammer price together with a premium thereon of 25% plus VAT @20% (totalling 30% inclusive) on the first £500,000 and 12% plus VAT @20% (14.4%) inclusive thereafter.

3. Removal costs. Items for sale must be consigned to the sale room by any stated deadline and at your expense. We may be able to assist you with this process but any liability incurred to a carrier for haulage charges is solely your responsibility.

5. VAT. (†) indicates that VAT at the current standard rate is payable by the purchaser on the hammer price as well as being an element in the buyer’s premium. This imposition of VAT is likely to be because the seller is registered for VAT within the European Union and is not operating the Dealers Margin Scheme or because VAT is due at 20% on importation into the UK. The symbol (Ω) indicates that the lot has been imported from outside the European Union and the present position is that these lots are liable to a reduced rate of VAT (5%) on the gross lot price (i.e. both the hammer price and the buyer’s premium).

Lots which appear without either of the above symbols indicate that no VAT is payable on the hammer price. This is because such lots are sold using the Auctioneers’ Margin Scheme and it should be noted that the VAT included within the Premium is not recoverable as input tax.

4. Loss and damage waiver. We are not regulated by the FSA for the provision of insurance to clients. However, we for our own protection assume liability for property consigned to us at lower pre-sale estimate.

To justify accepting liability, we make a charge of 1.5% of the hammer price plus VAT or, if unsold, our mid estimate of the hammer price. If the owner of goods consigned instructs us in writing not to take such action, they then remain at owner’s risk unless and until the property in them passes to the Buyer or they are collected by or on behalf of the owner, and clause 4 is inapplicable.

6. We are, primarily, agents for the seller. We are dependent on information provided by the seller and whilst we may inspect lots and act reasonably in taking a general view about them we are normally unable to carry out a detailed or any examination of lots in order to ascertain their condition in the way in which it would be wise for a buyer to do. Intending buyers have ample opportunity for inspection of goods and, therefore, accept responsibility for inspecting and investigating lots in which they may be interested. Please note carefully the exclusion of liability for the condition of lots contained in the Conditions of Sale. Neither the seller nor we, as the auctioneers, accept any responsibility for their condition. In particular, mechanical objects of any age are not guaranteed to be in working order. However, in so far as we have examined the goods and make a representation about their condition, we shall be liable for any defect which that examination ought to have revealed to the auctioneer but which would not have been revealed to the buyer had the buyer examined the goods. Additionally, in specified circumstances lots misdescribed because they are ‘deliberate forgeries’ may be returned and repayment made. There is a 3 week time limit. (The expression ‘deliberate forgery’ is defined in our Conditions of Sale).

7. Electrical goods. These are sold as ‘antiques’ only and if bought for use must be checked over for compliance with safety regulations by a qualified electrician first.

8. Export of goods. Buyers intending to export goods should ascertain (a) whether an export licence is required for the goods to leave the U.K. and (b) whether there is any specific prohibition on importing the goods in question into the destination country because, e.g. they may contain prohibited materials such as ivory. Charges may be applicable for export licences. Ask us if you need help. The denial of any permit or licence shall not justify cancellation or rescission of the sale contract or any delay in payment.

9. Bidding. Bidders will be required to register before the sale commences and lots will be invoiced to the name and address on the registration form. Some form of identification will be required if you are unknown to us. Please enquire in advance about our arrangements for telephone bidding.

10. Commission bidding. Commission bids may be left with the auctioneers indicating the maximum amount to be bid excluding buyers’ premium. They will be executed as cheaply as possible having regard to the reserve (if any) and competing bids. If two buyers submit identical commission bids the auctioneers may prefer the first bid received. Please enquire in advance about our arrangements for the leaving of commission bids by telephone or fax.

5. Illustrations. The cost of any illustrations is borne by you. If we consider that the lot should be illustrated your permission will usually be asked first. The copyright in respect of such illustrations shall be the property of us, the auctioneers, as is the text of the catalogue.

6. Minimum bids and our discretion. Goods may be offered subject to a reserve agreed between us before the sale in accordance with clause 7.

7. We may sell lots below the reserve provided we account to you for the same sale proceeds as you would have received had the reserve been the hammer price. If you specifically give us ‘discretion’ we may accept a bid of up to 10% below the formal reserve.

Reserves. (a) You are entitled to place prior to the auction a reserve on any lot consigned, being the minimum hammer price at which that lot may be sold. Reserves must be reasonable and we may decline to offer goods which in our opinion would be subject to an unreasonably high reserve (in which case goods carry the storage and insurance charges stipulated in these Terms of Consignment). (b) A reserve once set cannot be changed except with our consent. (c) Where a reserve has been placed only we may bid on your behalf and only up to the reserve (if any) and you may in no circumstances bid personally.

8. Electrical items. These are subject to detailed statutory safety controls.

Where such items are accepted for sale you accept responsibility for the cost of testing by external contractors. Goods not certified as safe by an electrician (unless antiques) will not be accepted for sale. They must be removed at your expense on your being notified. We reserve the right to dispose of unsafe goods as refuse, at your expense.

9. Soft furnishings. The sale of soft furnishings is strictly regulated by statute law in the interests of fire safety. Goods found to infringe safety regulations will not be offered and must be removed at your expense.

We reserve the right to dispose of unsafe goods as refuse, at your expense. The rights of disposal referred to in clause 8 and 9 are subject to the provisions of The Torts (Interference with Goods) Act 1977, Schedule 1, a copy of which is available for inspection on request.

10. Descriptions. Please assist us with accurate information as to the provenance etc. of goods where this is relevant. There is strict liability for the accuracy of descriptions under modern consumer legislation and in some circumstances responsibility lies with sellers if inaccuracies occur. We will assume that you have approved the catalogue description of your lots unless informed to the contrary.

Where we are obliged to return the price to the buyer when the lot is a deliberate forgery under Condition 15 of the Conditions of Sale and we have accounted to you for the proceeds of sale you agree to reimburse us the sale proceeds. The liability to reimburse the sale proceeds shall not arise where you are acting reasonably and honestly and are unaware of the forgery but we are or ought to have been aware of it.

179 11. Unsold and withdrawn items. If an item is unsold it may with your consent be re-offered at a future sale. Where in our opinion an item is unsaleable you must collect such items from the saleroom promptly on being so informed. Otherwise, storage charges may be incurred.

We reserve the right to charge for storage in these circumstances at a reasonable daily rate.

12. Withdrawn and bought in items. These are liable to incur a charge of up to 10% plus VAT of the reserve or low estimate on being bought in or withdrawn after being catalogued.

13. Conditions of Sale. You agree that all goods will be sold on our Conditions of Sale. In particular you undertake that you have the right to sell the goods either as owner or agent for the owner. You undertake to compensate us and any buyer or third party for all losses liabilities and expenses incurred in respect of and as a result of any breach of this undertaking.

14. Authority to deduct commission and expenses and retain premium and interest. (a) You authorise us to deduct commission at the stated rate and all expenses incurred for your account from the hammer price and consent to our right to retain beneficially the premium paid by the buyer in accordance with our Conditions of Sale and any interest earned on the sale proceeds until the date of settlement. (b) You authorise us in our discretion to negotiate a sale by private treaty not later than the close of business on the day of the sale in the case of lots unsold at auction, in which case the same charges will be payable as if such lots had been sold at auction and so far as appropriate these terms apply.

15. Warehousing. We disclaim all liability for goods delivered to our saleroom without sufficient sale instructions and reserve the right to make minimum warehousing charge of £2 per lot per day. Unsold lots are subject to the same charges if you do not remove them within a reasonable time of notification. If not removed within three weeks we reserve the right to sell them and defray charges from any net proceeds of sale or at your expense to consign them to the local authority for disposal.

16. Settlement. Subject to our normal trading conditions, payment will be made by BACS or cheque five weeks after the sale unless the buyer has not paid for the goods. In this case no settlement will then be made but we will take your instructions in the light of our Conditions of Sale. You authorise any sums owed by you to us on other transactions to be deducted from the sale proceeds. You must note the liability to reimburse the proceeds of sale to us as under the circumstances provided for in Condition 10 above. You should therefore bear this potential liability in mind before parting with the proceeds of sale until the expiry of 28 days from the date of sale.

CONDITIONS OF SALE

Woolley & Wallis Salisbury Salerooms Ltd carries on business with bidders, buyers and all those present in the auction room prior to or in connection with a sale on the following General Conditions and on such other terms, conditions and notices as may be referred to herein.

1. DEFINITIONS In these Conditions: (a) ‘auctioneer’ means Woolley & Wallis Salisbury Salerooms Ltd or its authorised auctioneer, as appropriate; (b) ‘deliberate forgery’ means an imitation made with the intention of deceiving as to authorship, origin, date, age, period, culture or source but which is unequivocally described in the catalogue as being the work of a particular creator and which at the date of the sale had a value materially less than it would have had if it had been in accordance with the description; (c) ‘hammer price’ means the level of bidding reached (at or above any reserve) when the auctioneer brings down the hammer; (d) ‘terms of consignment’ means the stipulated terms and rates of commission on which Woolley & Wallis Salisbury Salerooms Ltd accepts instructions from sellers or their agents; (e) ‘total amount due’ means the hammer price in respect of the lot sold together with any premium, Value Added Tax chargeable and any additional charges payable by a defaulting buyer under these Conditions; (f) ‘sale proceeds’ means the net amount due to the seller, being the hammer price of the lot sold less commission at the stated rate, Value Added Tax chargeable and any other amounts due to us by the seller in whatever capacity and however arising. (g) ‘‘You’, ‘Your’, etc. refer to the buyer as identified in Condition 2. (h) The singular includes the plural and vice versa as appropriate.

2. BIDDING PROCEDURES AND THE BUYER (a) Bidders are required to register their particulars before bidding and to satisfy any security arrangements before entering the auction room to view or bid; (b) the maker of the highest bid accepted by the auctioneer conducting the sale shall be the buyer at the hammer price and any dispute about a bid shall be settled at the auctioneer’s absolute discretion by reoffering the Lot during the course of the auction or otherwise. The auctioneer shall act reasonably in exercising this discretion. (c) Bidders shall be deemed to act as principals. (d) Our right to bid on behalf of the seller is expressly reserved up to the amount of any reserve and the right to refuse any bid is also reserved.

3. INCREMENTS

Bidding increments shall be at the auctioneer’s sole discretion.

4. THE PURCHASE PRICE

The Buyer shall pay the hammer price together with a premium thereon of 25% plus VAT @20% (totalling 30% inclusive) on the first £500,000 and 12% plus VAT @20% (14.4%) inclusive thereafter.

5. VALUE ADDED TAX

Value Added Tax on the hammer price is imposed by law on all items affixed with a † or Ω. Value Added Tax is charged at the appropriate rate prevailing by law at the date of sale and is payable by buyers of relevant lots. (Please refer to ‘Information for Buyers’ for a brief explanation of the VAT position).

6. PAYMENT (a) (i) (ii) (b)

Immediately a lot is sold you will: give to us, if requested, proof of identity, and pay to us the total amount due in pounds sterling Any payments by you to us may be applied by us towards any sums owing from you to us on any account whatever without regard to any directions of you or your agent, whether express or implied.

7. TITLE AND COLLECTION OF PURCHASES (a) The ownership of any Lots purchased shall not pass to you until you have made payment in full to us of the total amount due. (b) You shall at your own risk and expense COLLECT any lots that you have purchased and paid for from our premises not later than 3 working days following the day of the auction or upon the clearance of any cheque used for payment (IF LATER) after which you shall be responsible for any COLLECTION, storage and insurance charges. (c) No purchase MAY be COLLECTED AND WE SHALL NOT RELEASE ANY LOT TO YOU OR YOUR AGENT until it has been paid for.

8. REMEDIES FOR PURCHASES

NON-PAYMENT

OR

FAILURE

TO

COLLECT

(a) If any Lot is not paid for in full and taken away in accordance with these Conditions or if there is any other breach of these Conditions, we, as agent for the seller and on our own behalf, shall at our absolute discretion and without prejudice to any other rights we may have, be entitled to exercise one or more of the following rights and remedies: (i) to proceed against you for damages for breach of contract; (ii) to rescind the sale of that lot and/or any other lots sold by us to you; (iii) to resell the lot (by auction or private treaty) in which case you shall be responsible for any resulting deficiency in the total amount due (after crediting any part payment and adding any resale costs). Any surplus so arising shall belong to the seller; (iv) to remove, store and insure the lot at your expense and, in the case of storage, either at our premises or elsewhere; (v) to charge interest at a rate not exceeding 1.5% per month on the total amount due to the extent it remains unpaid for more than 3 working days after the sale; (vi) to retain that or any other lot sold to you until you pay the total amount due; (vii) to reject or ignore bids from you or your agent at future auctions or to impose conditions before any such bids shall be accepted; (viii) to apply any proceeds of sale of other Lots due or in future becoming due to you towards the settlement of the total amount due and to exercise a lien (that is a right to retain possession of any of your property in our possession for any purpose until the debt due is satisfied. (b) We shall, as agent for the seller and on our own behalf pursue these rights and remedies only so far as is reasonable to make appropriate recovery in respect of breach of these conditions 9. THIRD PARTY LIABILITY

All members of the public on our premises are there at their own risk and must note the lay-out of the accommodation and security arrangements. Accordingly neither the auctioneer nor our employees or agents shall incur liability for death or personal injury (except as required by law by reason of our negligence) or similarly for the safety of the property of persons visiting prior to or at a sale.

180 10. COMMISSION BIDS

Whilst prospective buyers are strongly advised to attend the auction and are always responsible for any decision to bid for a particular lot and shall be assumed to have carefully inspected and satisfied themselves as to its condition, we will if so instructed clearly and in writing execute bids on their behalf. Neither the auctioneer nor our employees or agents shall be responsible for any failure to do so save where such failure is unreasonable.

Where two or more commission bids at the same level are recorded we reserve the right in our absolute discretion to prefer the first bid so made.

22. Prior written consent must be sought by the buyer or any other party for the use of any images, illustrations and written materials produced by or for Woolley & Wallis relating to a lot or sale, including the contents of a catalogue. Copyright for any of the aforementioned will remain the property of Woolley & Wallis, subject to the provisions of the Copyright, Designs and Patents Act 1988. Woolley & Wallis and the seller make no representations or warranties that the buyer of a lot will acquire any copyright or other reproduction rights to it.

11. WARRANTY OF TITLE AND AVAILABILITY

PAINTINGS, DRAWINGS, LITHOGRAPHS, ENGRAVINGS AND PRINTS

The seller warrants to the auctioneer and you that the seller is the true owner of the property consigned or is properly authorised by the true owner to consign it for sale and is able to transfer good and marketable title to the property free from any third party claims.

12. AGENCY

Glossary

The auctioneer normally acts as agent only and disclaims any responsibility for default by sellers or buyers.

13. TERMS OF SALE The seller acknowledges that lots are sold subject to the stipulations of these Conditions in their entirety and on the Terms of Consignment as notified to the consignor at the time of the entry of the lot.

(a)

14. DESCRIPTIONS AND CONDITION

(b)

(a) Whilst we seek to describe lots accurately, it may be impractical for us to carry out exhaustive due diligence on each lot. Prospective buyers are given ample opportunities to view and inspect before any sale and they (and any independent experts on their behalf) must satisfy themselves as to the accuracy of any description applied to a lot. Prospective buyers also bid on the understanding that, inevitably, representations or statements by us as to authorship, genuineness, origin, date, age, provenance, condition or estimated selling price involve matters of opinion. We undertake that any such opinion shall be honestly and reasonably held and accept liability for opinions given negligently or fraudulently. Subject to the foregoing neither we the auctioneer nor our employees or agents nor the seller accept liability for the correctness of such opinions and all conditions and warranties, whether relating to description, condition or quality of lots, express, implied or statutory, are hereby excluded. This Condition is subject to the next following Condition concerning deliberate forgeries and applies save as provided for in paragraph 6 ‘information to buyers’.

(c)

(b) Private treaty sales made under these Conditions are deemed to be sales by auction for purposes of consumer legislation.

15. FORGERIES

Notwithstanding the preceding Condition, any lot which proves to be a deliberate forgery (as defined) may be returned to us by you within 21 days of the auction provided it is in the same condition as when bought, and is accompanied by particulars identifying it from the relevant catalogue description and a written statement of defects. If we are satisfied from the evidence presented that the lot is a deliberate forgery we shall refund the money paid by you for the lot including any buyer’s premium provided that (1) if the catalogue description reflected the accepted view of scholars and experts as at the date of sale or (2) you personally are not able to transfer a good and marketable title to us, you shall have no rights under this condition. The right of return provided by this Condition is additional to any right or remedy provided by law or by these Conditions of Sale.

GENERAL 16. We shall have the right at our discretion, to refuse admission to our premises or attendance at our auctions by any person.

In accordance with long standing practice in Fine Art Sale Rooms certain terms used in descriptions in the Catalogue have the meanings ascribed to them in the glossary below.

(d) (e) (f) (g) (h) (i) (j) (k)

Any statement as to authorship, attribution, origin, date, age, provenance and condition is a statement of opinion and is not to be taken as a statement of fact. The Company reserves the right, in forming their opinion, to consult and rely upon any expert or authority considered by them to be reliable.

Edward Lear: In our opinion a work by the artist. (When the artist’s forename(s) is not known, a series of asterisks, followed by the surname of the artist, whether preceded by an initial or not, indicates that in our opinion the work is by the artist named.

Attributed to Edward Lear: In our opinion probably a work by the artist but less certainty as to authorship is expressed than in the preceding category.

Studio of Edward Lear: In our opinion a work by an unknown hand in the studio of the artist which may be or may not have been executed under the artist’s direction.

Circle of Edward Lear: In our opinion a work by an as yet unidentified but distinct hand, closely associated with the named artist but not necessarily his pupil.

Style of ...; Follower of Edward Lear: In our opinion a work by a painter working in the artist’s style, contemporary or nearly contemporary, but not necessarily his pupil.

Manner of Edward Lear: In our opinion a work in the style of the artist and of a later date.

After Edward Lear: In our opinion a copy of a known work of the artist.

The term signed and/or dated and/or inscribed means that in our opinion the signature and/or date and/or inscription are from the hand of the artist.

The term bears a signature and/or date and/or inscription means that in our opinion the signature and/or date and/or inscription have been added by another hand.

Dimensions are given height before width.

Pictures are framed unless otherwise stated.

BOOK AUCTIONS

If, on collation, any named item in this catalogue proves defective in text or illustration, the lot may be returned within 14 days of the sale with the defects stated in writing. This proviso shall not apply to defects stated in the catalogue or announced at the time of sale; nor to the absence of blanks, half titles, tissue guards or advertisements, damage in respect of bindings, stains, spotting, marginal tears or other defects not affecting completeness of text or illustration; nor to drawings, autographs, letters or manuscripts, signed photographs, music, atlases, maps or periodicals; nor to books not identified by title; nor to books sold not subject to return.

ARTIST’S RESALE RIGHT / DROIT DE SUITE

Droit de Suite is a royalty payable to a qualifying artist or the artist’s heirs each time a work is resold during the artist’s lifetime and up to a period of 70 years after the artist’s death.

(b) Such rights and exclusions shall extend to and be deemed to be for the benefit of employees and agents of the seller and/or the auctioneer who may themselves enforce them.

Royalties are calculated on a sliding percentage scale based on the hammer price excluding the buyer’s premium. The royalty does not apply to lots selling below the sterling equivalent of €1,000 and the maximum royalty payable on any single lot is the sterling equivalent of €10,000.

18. Any notice to any buyer, seller, bidder or viewer may be given by first class mail or Swiftmail in which case it shall be deemed to have been received by the addressee 48 hours after posting.

Droit de Suite, which is not subject to VAT, will be added to the buyer’s purchase price and then passed on to the relevant collecting agency by the auctioneer.

Please enquire for the accepted exchange rate on the day of the sale.

Royalties for Droit de Suite are as follows: 4% Up to €50,000 3% €50,000.01 - 200,000 1% €200,000.01 - 350,000 0.5% €350,000.01 - 500,000 0.25% In excess of €500,000 Up to a maximum levy of €10,000

17. (a) Any right to compensation for losses liabilities and expenses incurred in respect of and as a result of any breach of these Conditions and any exclusions provided by them shall be available to the seller and/or the auctioneer as appropriate.

19. Special terms may be used in catalogue descriptions of particular classes of items in which case the descriptions must be interpreted in accordance with any glossary appearing in the catalogue.

20. Any indulgence extended to bidders buyers or sellers by us notwithstanding the strict terms of these Conditions or of the Terms of Consignment shall affect the position at the relevant time only and in respect of that particular concession only; in all other respects these Conditions shall be construed as having full force and effect.

21. English law applies to the interpretation of these Conditions.

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PRIVACY NOTICE FOR CUSTOMERS WHAT THIS PRIVACY NOTICE DOES This privacy notice (Notice) explains how Woolley and Wallis Salisbury Salerooms Limited (us, we, our, Woolley & Wallis), processes the personal data of users of our auction and valuation services (Services) and includes buyers, bidders and sellers of auction items as well as prospective users of our Services (you, your). It also explains your rights in relation to the personal data we hold about you.

This Notice is effective from May 2018. We may change this Notice from time to time. Any significant changes will be notified to you.

DATA CONTROLLER AND CONTACT DETAILS Woolley and Wallis is the data controller of your personal data and is subject to the Data Protection Act 2018 (DPA) and, once in force, the General Data Protection Regulation (GDPR).

If you have any questions about how we use your personal data, whom we share it with, or if you wish to exercise any of the rights set out in this Notice, please contact us using the following details: • By post – Privacy Officer, Woolley and Wallis Salisbury Salerooms, 51-61 Castle Street, Salisbury, SP1 3SU. •

By email – privacyofficer@woolleyandwallis.co.uk

•

By telephone – +44 (0)1722 424599

HOW WE COLLECT YOUR PERSONAL DATA We collect your personal data from the following sources:

•

From you when you: - interact with us before entering into a contract with us, for example when you express your interest in our Services; - instruct us to provide Services to you, sign contractual documentation and provide information in connection with those instructions; - communicate with us by post, telephone, email or via our website, for example in order to make enquiries or register for an online account; - in various other ways as you interact with us during your time as a user (or potential user) of our Services, for the various purposes set out below.

•

From third parties such as:

- other auction houses and individuals and organisations in the auctioneering trade whom we may contact to check background details about you; - thesaleroom.com who enable live online bidding and provide us with the name, contact details, the last four digits of registered payment cards and transaction history (in relation to activity on thesaleroom.com) of individuals who register for one of our auctions (please see thesaleroom.com’s privacy policy for further information). We also receive names, contact details, sale details and payment details (the amount and date paid) from realex payments (thesaleroom.com’s payment provider); - sage pay who process payments on our behalf and who provide us with your name, contact details and payment details (only the last four digits of your payment card are provided); - shipping companies whom you hire to collect items you purchased from us.

THE CATEGORIES OF PERSONAL DATA WE COLLECT We may collect the following personal data about you: • your name and contact details including address, telephone and email address; • your image, as captured by CCTV, if you attend our premises; • personal identification documents, including copies of governmentissued identification such as passport and driving license which are required to register bidders (or when we need to verify a seller’s details); • account details and other information relating to your transactions/ dealings with us and your use of our Services; • payment details such as credit card and bank account details; • credit and payment history (where you open an account with us as a buyer or bidder); • information on your collecting preferences and aspirations, and your collections, acquisitions and disposals; and • other information that you provide to us, for example, when you have a comment/complaint, submit a question, take part in a survey or where you express an interest in receiving marketing material or request further information.

We may also process special categories of personal data, including information concerning your health and medical conditions (for example, disability), where relevant to the provision of our Services.

THE BASIS FOR PROCESSING YOUR DATA, HOW WE USE THAT DATA AND WITH WHOM WE SHARE THAT DATA WHERE WE HAVE A CONTRACTUAL RELATIONSHIP WITH YOU We will process your personal data because it is necessary for the performance of a contract with you (for example, a contract to use our Services) or in order to take steps at your request prior to entering into a contract. In this respect, we use your personal data for the following: • to interact with you before you enter into a contract with us, such as when you express your interest in our Services (for example, to send you information about our Services or answer enquiries about our Services); • once you have engaged us and entered into a contract, to provide you with the Services set out in any contractual documents.

In this respect we will provide your data to our third party suppliers or subcontractors as necessary whom we engage to help us perform our Services or who assist us in conducting our business, such as our IT suppliers, data storage providers, and valuation companies.

LEGITIMATE INTERESTS We may also process your personal data because it is necessary for our or a third party’s legitimate interests. Our legitimate interests include our commercial interests. In this respect, we may use your personal data for the following: • to monitor and evaluate the performance and effectiveness of our Services, including by training our staff or monitoring their performance; • to deal with any concerns or feedback you may have in the performance of the Services; • for our internal business record keeping and processes; • to seek advice on our rights and obligations, including obtaining legal advice; • to contact you for marketing purposes. If you do not wish to receive such information, please let us know now or at any time in the future, and your details will be removed from our marketing list. We will not provide your personal data to third party organisations to use for their own marketing purposes; • to customise our website and marketing communications in line with your particular interests or preferences; • to collect money owed to us or our consignors; • to carry out background and credit checks in relation to bidders and buyers.

In this respect we will provide your data to the following: • our professional advisors; • thesaleroom.com; • debt collection agencies; • third parties who assist us with our marketing; • our website and email management software provider.

LEGAL OBLIGATIONS We may also process your Personal Data for our compliance with our legal obligations. In this respect, we may use your Personal Data for the following: • to meet our compliance and regulatory obligations, such as our tax reporting requirements or to carry out identity checks; • in order to assist with investigations (including criminal investigations) carried out by competent authorities; In this respect we will provide your data to the following: • •

external auditors; the police and other competent authorities, including HMRC;

182 CONSENT

HOW LONG YOUR INFORMATION IS KEPT

We may also process your Personal Data where we have your specific consent to do so (for example, where we have your agreement to include information about you (as a seller) in sale marketing materials) or where we have sought and obtained your consent to send you direct marketing by email, or for the use of cookies on our website. If you have given your consent and you wish to withdraw it, please contact us using the contact details set out above.

We will retain your personal data for as long as we are providing you with the Services referred to in any contractual document, and for as long as is required for legal, regulatory, fraud prevention and our legitimate business purposes after the termination of your account/agreement with us, or if your application for a particular Service is declined or abandoned.

Please note that where our processing of your personal data relies on your consent and where you then withdraw that consent, we may not be able to provide all or some aspects of our Services to you and/or it may affect the provision of our Services.

SPECIAL CATEGORIES OF PERSONAL DATA We process special categories of personal data for the following reasons: • if it is necessary to protect your or another person’s vital interests (for example, where you have a life-threatening accident or illness and we have to process your personal data to ensure you receive appropriate medical attention); • if it is necessary for the establishment, exercise or defence of legal claims (for example, to protect and defend our rights, and/or the rights of our customers); We may process information relating to your health where we have your explicit consent to do so (for example, when you provide information about your access requirements prior to attending one of our events).

INTERNATIONAL TRANSFERS OF DATA We transfer names and addresses on our Asian mailing list to a printing company in Hong Kong to distribute our auction catalogues and promotional material. In these circumstances, your personal data will be transferred subject to standard data protection clauses (adopted by the European Commission) and included in our contract with the printing company.

We share your data collected for marketing purposes and through our website with our website and email management software provider who are based in Jersey. In these circumstances, your personal data is transferred to them subject to an Adequacy Decision made by the European Commission in respect of Jersey.

PROFILING We may use your geographical location to target our communications and advertising and promotions to you. If you do not wish us to do this, then please contact us using the details provided above.

In particular: • in relation to CCTV images taken when you attend our premises, we will retain these for a few months; • in relation to personal data relating to the transactions you have entered into with us as part of the provision of our Services, we will retain that data for period of seven years after that transaction has concluded in case any legal claims arise out of the provision of those Services; • we will retain your details on our marketing database until you inform us that you no longer wish to receive our marketing communications. However, where you do unsubscribe from our marketing communications we will keep your details on a suppression list to ensure that we do not send you information you have asked not to receive; • in relation to personal data relating to the provenance of works, we may retain that data indefinitely in our legitimate interests and the legitimate interests of the wider art market in maintaining the integrity of that market.

YOUR LEGAL RIGHTS Under the DPA you have the following rights: • to obtain access to, and copies of, the personal data that we hold about you; • to require that we cease processing your personal data if the processing is causing you damage or distress; • to require us not to send you marketing communications.

• to require us to correct the personal data we hold about you if it is incorrect; • to require us to erase your personal data; • to require us to restrict our data processing activities (and, where our processing is based on your consent, you may withdraw that consent, without affecting the lawfulness of our processing based on consent before its withdrawal); • to receive from us the personal data we hold about you which you have provided to us, in a reasonable format specified by you, including for the purpose of you transmitting that personal data to another data controller; • to object, on grounds relating to your particular situation, to any of our particular processing activities where you feel this has a disproportionate impact on your rights.

Please note that the above rights are not absolute, and we may be entitled to refuse requests where exceptions apply.

If you are not satisfied with how we are processing your personal data, you can raise a concern with the Information Commissioner. You can also find out more about your rights under data protection legislation from the Information Commissioner’s Office website available at: www.ico.org.uk

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For valuations of an entire house contents an itemised bound valuation is produced and can be accompanied by photographs when required. In addition to providing an inventory, written valuations can prevent painful arguments with a loss adjuster in the event of a claim.

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PROBATE VALUATIONS We offer a speedy and professional service for executors and trustees and provide bound valuations for probate and duplicate copies when required. Since security is often a consideration, we can usually arrange for a house to be cleared and sent for auction, our Valuations Department ensures that executors are informed of which sales are involved and the results thereof.

We also carry out valuations for Family Division, Capital Gains Tax, and Private Treaty Sales.

Contact Amanda Lawrence 01722 424509 FREE AUCTION VALUATIONS Free verbal valuations of items for sale are available at our Castle Street salerooms. Please telephone the relevant specialist or call our office on 01722 424500.

DIRECTIONS FROM WOOLLEY & WALLIS CASTLE STREET TO OLD SARUM

MARLBOROUGH & SWINDON

Old Sarum Park

WOOLLEY & WALLIS Castle Gate WOOLLEY & WALLIS Salisbury Salerooms

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Woolley & Wallis Salisbury Salerooms 51 – 61 Castle Street SP1 3SU

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17 (2nd floor) Clifford Street, London W1S 3RQ (open by appointment only)

Woolley & Wallis Salisbury Salerooms Ltd. 51-61 Castle Street, Salisbury, Wiltshire SP1 3SU Registered in England No.2998482 VAT No: 631 9832 29

Follow A345 for 1.7 miles. At Beehive Park & Ride follow the signs for A338 Swindon and Marlborough.

184

Absentee Bid Form Old Masters, British & European Paintings Wednesday 4 March 2020 PW040320

PLEASE PRINT CLEARLY IN BLOCK LETTERS Lot Number in numerical order

Please bid, on my behalf, for the undermentioned lots up to the prices shown which do not include the buyer’s premium or any V.A.T. payable on lots. These bids are to be executed as cheaply as is permitted by other bids, and/ or reserves if any, and subject to the Conditions of Sale printed in the Catalogue. Please note we cannot guarantee that bids received after 4pm on the day prior to the auction will be executed.

Billing Name (please print) ���������������������������� ��������������������������������������������������� Address �������������������������������������������� ��������������������������������������������������� ��������������������������������������������������� _________________________ Postcode ����������������� Daytime Telephone ���������������������������������� Email ����������������������������������������������� All accounts must be settled within 21 days. ID is required for all first time bidders.

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Salisbury Salerooms, 51-61 Castle Street, Salisbury, Wiltshire SP1 3SU Tel: 01722 424500 Fax: 01722 424508

Brief Description

Price excluding buyer’s premium & VAT

AUCTION CALENDAR FEBRUARY 19th

Tribal Art & Antiquities

Luigi Bechi (Italian 1830-1919) Deux Petits Ciociari (Detail) SOLD FOR £31,250*

MARCH 4th

Old Masters, British & European Paintings

18th

Clarice Cliff, Art Deco & Design

APRIL 1st

Furniture, Works of Art & Clocks

21st

English & European Ceramics & Glass

28th & 29th Silver & Objects of Vertu 30th

Fine Jewellery

MAY 6th

Medals & Coins, Arms & Armour

19th & 20th Asian Art, Chinese Paintings &

Japanese Works of Art

JUNE 3rd

Modern British & 20th Century Art Including the Estate of Dame Elisabeth Frink & Lin Jammet

17th

Arts & Crafts

JULY 1st

Furniture, Works of Art & Clocks

14th & 15th Silver & Objects of Vertu 16th Jewellery Dates may be subject to change

FREE VALUATION MORNINGS First Friday of the month 10am-1pm No appointment necessary

NEXT VALUATION DATES 6th March | 3rd April | 1st May +44 (0) 1722 424500 enquiries@woolleyandwallis.co.uk 51-61 Castle Street, Salisbury, SP1 3SU www.woolleyandwallis.co.uk *Price includes buyer’s premium

www.woolleyandwallis.co.uk