ATF 2023 - Show Daily Day 1

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THE 2023 OFFICIAL Brought to you by

Huanyu Ent.

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FILMS. CONTENT. POP CULTURE. TV. 5

Ready to open doors and close deals at the Asia TV Forum & Market (ATF)?

Bring your A-game to Singapore Hour — between 4 to 5 p.m. on 6 and 7 Dec — and get the chance to connect with the most influential veterans and up-and-coming talent in the regional media scene.

Looking for inspiration for your next big hit?

Discover the frontiers of emerging technology and its infinite possibilities as we bring to you a Virtual Production Afternoon and Generative A.I. panel session.

IT HERE

Don’t forget to check out the best of our D o n ' t8 Made-with-Singapore content at the C r yDEC , Singapore Pavilion at ATF booths F06 & H06!

B u t23t e r f l y

AT THE SINGAPORE PAVILION AT ASIA TV FORUM

a fi l m b y D u on g D i eu L i

Last Madame: Sisters of the Night

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Silk Road From Above

The Violinist

Don’t Cry, Butterfly

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CONTENT ATF Message p.04

Opening Address: Navigating the Future of Media and Content p.08

Leaders Dialogue Sessions Coverage p.10—22

• Jio: The Rise of the Ecosystem Model • The Way Forward for China — Investing in Quality Content • TV — The Cash Cow of Thailand • Content is King, Partners are Kingmakers • TV & Video Wars: Advertising Strikes Back in 2024 • Webtoons: A New Frontier • Revealed: The Secrets of Revenue and Monetisation • Good Storytelling Doesn’t Care Where You’re From • AI is Black, White, and Fifty Shades of Grey • APAC is Getting FAST-er

Features p.24—34

Mediawan | RPM VFX Studios | Electric Entertainment | Katana Motion Pictures | ZDF Studios | Red Arrow Studios | Picture Tree International | Beta Film | Dynamic Television | Indiacast Media | Atresmedia TV | RTVE | Onza Distribution | DeAPlaneta Entertainment | Motion Pictures | Mediterraneo | The Mediapro Studio | NH Studioz | Hollywood (Thailand)

Special p.36

Jin Xing Places Bets on Singapore JV

Special p.38

The Secret Sauce to Global Success—Staying Traditional

Buyers p.39—42

Products p.44—64

• Pre-Sales • New IPs • Existing IPs

project management group project director YEOW HUI LENG senior project manager JOYCE CHUA senior account manager PHUA MEENYI assistant relationship manager SAMANTHA LEE relationship coordinator BRIDGET TONG project coordinator JOCELYN PHNG conference executive producer LULU MENDOZA assistant conference producer LERIS LEONG editorial editorial director LULU MENDOZA writers MARCUS GOH LIM JUN XI MARK LEONG DINESH PASRASURUM ADRIAN KUEK designer SHELLEN TEH photography ARTGRAPHY traffic TEO HUI HIANG SOH CHUAN TING marketing marketing director TEO HUI HIANG marketing manager CANDY CHEAH digital assistant manager AYE MIN THU digital executive LIEW BI LIANG operations operations director KAREN LEONG operations manager CHUA LAI SOON assistant operations manager KAREN LIEW

DAY1

WHAT’S COMING

ATF Main Stage | Later Today...

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Guest of Honour: Tan Kiat How Senior Minister of State, Ministry of Communications and Information, Singapore

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LEVEL 4

Euro-American 12 PM

Dramas: The Success of Crime (Closed-door)

Trending Asia, Winning Formats

Exclusive Statistics by Ampere Analytics

K7 Media

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3 4 5

Opening Ceremony

Plenary/ Networking Sessions

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Trending Asia, Winning Docs (Global) Glance Médiamétrie

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Best Original Production by a Streamer/OTT Brought to you by

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Fresh Content K-Formats KOCCA

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ATF x Beach House Pictures Unscripted Pitch 2023—Semi-Finals Followed by a closed-door FINALS @ 4pm

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Drama Gems from Japan

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iQIYI iJOY: 2024 Grand Reveal Brought to you by

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Live with Jin Xing

China’s Superstar Talk Show Host Brought to you by

Lunch Gathering 12 PM with Taiwan (Accreditation Required)

6 ATF Opening Reception 30 PM

LEVEL 5

1 A VP Afternoon @ Singapore Pavilion 30 PM 4 Singapore Hour

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@ Singapore Pavilion

4 Korean Pavilion Networking Event 30 PM @ Korean Pavilion

French TV 5 PM

Cocktail Hour

An honest, intimate, and surprisingly funny exploration of love in all its unexpected, technicolour, kaleidoscopic beauty.

A N D R EA R I S E B O RO U G H

D OM H N A L L G L E E S O N

New Original Drama 6 x 1 hour Visit us at booth J18

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ANALYST EXCLUSIVES ANALYST EXCLUSIVES ANALYST EXCLUSIVES ANALYST EXCLUSIVES

only on

DEC

Ampere Analysis

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How Content Preferences Should Influence Acquisition & Origination of Film & TV in Asia The Growing APAC Streaming Content Market

Dear Industry Friends,

K7 Media

BB Media APAC: Streaming Insights in the Entertainment Landscape

WELCOME MESSAGE

From Global to Local: A Year in Asian Adaptations of Unscripted Formats A Year in Asian Adaptations of Scripted Formats

FAST Expectations: APAC’s Opinion vs the World

Dubit Limited Animation still dominates the entertainment lives of preschool children around the world—why after so many years is it so enduring?

Brand Interaction & Immersion are important for today’s kids.

With the opening of all borders at the beginning of the year, ATF 2023 marks its full comeback post-COVID, alongside a record number of curated content showcases and networking activities. ATF this year is flushed with lots of relationship building opportunities offering a diversity of possibilities to further your interests with global stakeholders.

The M&E industry is undergoing unprecedented times against a dynamic backdrop of industry consolidation, rising content prices and evolving business models. In tandem with this year’s theme— “Re-Writing the Business of Entertainment”— discussions will focus on the necessary progression of the industry today, including the role of AI in storytelling, and its creative challenges. This, alongside the ingenuity of business models, such as FAST and its relevance for the Asian region.

This year, in line with ATF’s expansion into the in-development and production sphere, we added 2 new pitches with Beach House Pictures for scripted and unscripted formats, and the first-ever adult Animation Lab & Pitch with Ties That Bind for Asian and European producers. As an entertainment content market and conference serving the Asian region, celebrating, and discovering the best-in-class content has and will always be a critical part of our curation.

ATF is into its 24th edition this year and will be celebrating our Silver Jubilee in 2024. While we embrace the present and look forward to the future, we would like to express our gratitude for the continuous support from our partners.

Have a great market!

Yeow Hui Leng Group Project Director, Asia TV Forum & Market RX

Glance Médiamétrie Exploring the Latest Trends & Ongoing Dynamics: CoProductions between Asian & Global Market Global TV & Streaming Market: Trends in New Launches

Co-located

An Event of

Hosted by

CELEBRATING OUR SILVER JUBILEE IN 2024 3 DECEMBER 2024 The ATF Leaders Dialogue 4 – 6 DECEMBER 2024 Market & Conference MARINA BAY SANDS, SINGAPORE

www.asiatvforum.com Produced by:

ln the business of building businesses

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Navigating the Future of Media and Content Mr Lew Chuen Hong, Chief Executive of Singapore’s Infocomm Media Development Authority (IMDA) laid the foundation for a day-long Leaders Dialogue by sharing insights into the emerging technologies like Virtual Production and the increasing intersection of gaming world and the media and content world, and Generative AI. While these technologies enhance production

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efficiencies and unlock creative possibilities, they also pose challenges such as copyright infringement and potential threats to the livelihoods of media professionals.

He also emphasised on the importance of partnerships and co-production to bring diverse storytelling together and to re-write the business of entertainment.

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More Then 100+ Hind | Tamil | Telugu | Kannada

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The future of Jio’s domestic model is ‘a one-stop destination for all customer requirements’, according to Khushboo Yadav, CEO, Jio Entertainment Services.

For a business that started a mere seven years ago doing just telecommunications, Jio has made giant leaps. It now offers Jio Platform Limited, an ecosystem that includes services for streaming shows and music, games, news, even an online retail service — the dream of Khushboo and the leaders of Jio. While the transition from telco to entertainment and retail might seem abrupt, Khushboo views it as perfectly complementary. Customers coming to Jio initially for internet connectivity alone build up a pool of bodies that Jio is able to tap into. By being able to offer a slew of services in affordable bundles, Jio is able to capture these customers in industries outside of telecommunications before they have a chance to leak out into the world — sparing the resources on re-capturing these customers means juicier profits margins.

Khushboo Yadav CEO Jio Entertainment Services

Just being able to offer many services isn’t enough though. Khushboo stressed that the quality of each service is crucial in keeping customers.

A fast and reliable 5G network or a diverse variety of shows for streaming — the core principles for each service still apply.

Jio: The Rise of the Ecosystem Model

The Way Forward for China — Investing in Quality Content Quality is king when it comes to content.

For Wang Xiaohui, Chief Content Officer & President of PCG Group, iQIYI, this has informed their shift in strategy over the last few years. “We want to focus on quality content,” he said at a session on the future of China’s investment strategy, moderated by Orina Zhao, Senior Analyst, APAC Research Lead, Ampere Analysis.

Wang Xiaohui Chief Content Officer & President PCG Group, iQIYI

Investing in original content will mean that they have greater control of IP rights, shared Xiaohui. Owning more IP will contribute to iQIYI’s monetisation strategy moving forward, even as the streaming landscape grows more competitive and challenging. Indeed, the past five years have seen more original content coming from iQIYI, targeted at the streaming audience.

Why the streaming audience? “The streaming audience has become the majority now, so we have to produce more diverse content to appeal to them,” explained Xiaohui. With the streaming audience now being made up of varied demographics, catering to them with a broad selection of genres is key — while ensuring the quality of the content remains high. For example, reality shows appeal to the youth demographic.

As stewards of Chinese content, Xiaohui added that “Content creators have a responsibility to elevate audience’s tastes.”

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VISIT OUR BOOTH AT FA-09

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TV — The Cash Cow of Thailand “Some might call us the new kid on the block,” said Patompong Sirachairat, CEO, Mono Next. But that hasn’t stopped Mono Next from finding its blue ocean in the competitive Thai market. Patompong shared his insights on Thailand’s media landscape, at a session moderated by Jeremiah McMillan, International Content Executive & Strategist.

On the other hand, SVOD is better enjoyed solo. This contrast in viewing patterns with TV means that storylines on SVOD shows must be as compelling as possible, on par with that of Hollywood and Chinese productions.

As for what lies ahead for Mono Next, Patompong announced a strategic collaboration with Studio Genie. “It’s about knowledge exchange,” said Patompong of “TV in Thailand is still a cash cow,” observed the partnership.

Patompong. And it will be for the next five years at least - particularly since audiences The Memorandum of Understanding still flock to it for local content, sports, and between Mono Next and Studio Gene was kicked off with a handshake between breaking news. TV is a communal viewing Patompong and Kim Cheol-yeon, CEO, KT experience, where audiences can gather Studio Genie, at the end of the session. with friends and family.

Patompong Sirachairat CEO Mono Next Patompong embarks on a landmark partnership with KT Studio Genie’s Cheol-yeon

Content is King, Partners are Kingmakers Many of the world’s greatest works were collaborative efforts and show business is no different. In a market saturated with good shows, how do you keep up? “Learn from your partners,” said Coco Yang, CoFounder & CEO, Huanyu Entertainment.

The partners Coco referred to are producers of dramas in Japan, Korean, and Thailand that are dominating the show business. She believes that the biggest mistake would be snubbing the experience of these industry players on their own homeground, where they best understand the audience and could greatly aid localisation.

But quality content is just base camp on the mountain of success. Coco emphasized the need to monetise hit content to fuel the war chest for future projects and keep stakeholders happy. Huanyu Entertainment’s hit series, Yanxi Palace spawned a lucrative line of lipstick that

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served as concrete proof, in Coco’s eyes, of the viability of such commercial partnerships.

Coco also believes that the talent behind each successful series are important partners. Talent — writers and actors, among many — must be identified and groomed wherever they can be found, said Coco, who stressed the long-term mutual benefits in the continued production of quality drama.

Coco Yang Co-Founder & CEO Huanyu Entertainment

@G18

Enjoy The Drama

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TV & Video Wars: Advertising Strikes Back in 2024 “The worst has come to pass with regards to cord cutting,” said Tony Gunnarsson, Senior Principal Analyst, OTT Video, Media & Entertainment, Omdia. But everything points to advertising will come to the fore, whether it be on linear TV or SVOD services.

With pay TV revenue plateauing, future industry growth looks to be dependent on revenue from anticipated online video growth. But there is also another factor at play here — that all major SVOD services will have an ad-supported tier by the end of 2024.

But streaming will not replace pay TV. In fact, SVOD will remain a companion service to pay TV. With SVOD services partnering with telcos to reach larger audiences, success will depend on bundling services — and whether industry players can find the magic mix of linear TV, SVOD, AVOD bundles.

In fact, online video advertising looks like it will be the main revenue driver for TV and video, with TikTok claiming the biggest share of the pie. In terms of revenue, it will be bigger than YouTube and Netflix combined, he said.

“We’re going to see the range of perverse ways that advertising that creeps into TV and video,” Tony cautioned.

Tony Gunnarsson Senior Principal Analyst OTT Video, Media & Entertainment Omdia

Webtoons: A New Frontier Webtoons have spurred the beginning of an unlikely new territory that brings great prospects for enterprise. Charlie Park, EVP & Head of Story Business Unit, Kakao Entertainment Corp, leads Kakao’s valiant charge into the unknown with their lightning acquisition of three major

Charlie Park EVP & Head of Story Business Unit, Kakao Entertainment Corp 16

webtoon platforms, Tapas, Radish, and Wuxiaworld. While acquiring platforms that do seemingly the same thing might seem redundant or suppressive, Charlie shared that the move was a big step forward in Kakao breaking into the Western market. The three platforms are not only English-based, they provide much needed diversity to Kakao’s offering of webtoon contents — Radish, especially, enjoys a niche in the romance genre.

However, piracy can be an issue. Charlie shared that while they provide a wait-orpay model that lets readers legitimately enjoy content for free, piracy still exists.

Kakao has been especially heavyhanded in dealing with piracy with a special anti-piracy department for good reason — a webtoon platform must protect its content, its creators, and the revenue they deserve. Doing so helps to retain fledgling creators, both on your platform and in the newly growing industry. This protected revenue also feeds into supporting more creators and expanding the market by increasing content and diversity.

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CONFERENCE A truly insightful session that gave the audience a lot to take away— Live from Japan: Marco Nobili, Executive VP & Int’l GM, Paramount+; with Beverly McGarvey, EVP & Chief Content Officer, Paramount ANZ, and moderator, Cathy Yang, Host of Thought Leaders, One News (Cignal TV)

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Together with Beverly McGarvey, EVP & Chief Content Officer, Paramount ANZ, he shared lessons learnt from the Asia Pacific market in a session moderated

by Cathy Yang, Host of Thought Leaders, One News (Cignal TV).

“When it comes to Paramount+, not only can we tap into [our original content] that does good business in other markets,” shared Beverley, “it can also be used down the line on other platforms.” From an investment perspective, it provides great utility in terms of monetisation and serving audiences.

Good Storytelling Doesn’t Care Where You’re From Good storytelling is location-agnostic. No matter where it comes from, people will watch good stories — be they from Italy, Israel, or anywhere around the world.

Ganesh Rajaram CEO Fremantle, Asia & LATAM

“There was newfound appreciation for good content, good storytelling,” Ganesh Rajaram, CEO, Asia & LATAM, Fremantle, realised as the pandemic accelerated consumption of digital content from all over the world.

“If you have a good story to tell, the barriers to telling it are getting less and less,” he revealed in a session moderated by Unmish Parthasarathi, Founder & Executive Director, Picture Board Partners.

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“Partnerships are the keys to success,” said Marco. Their approach in Japan is one example of their global strategy, as they look at a multi-platform, multi-revenue stream strategy. This allows them to bring both a mix of content, both global and local, to customers.Marco spoke about the importance of co-productions. “We launched two originals globally, from Korea, that saw a lot of success — Yonder and Bargain.” Another five pieces of content are also in the pipeline.

When it comes to revenue and monetisation, “it always starts with the audience,” said Marco Nobili, Executive VP & Int’l GM, Paramount+. He spoke of a two-pronged approach — pairing global content offerings with local content created by regional partners.

Revealed: The Secrets of Revenue and Monetisation

ATF ATF 2023 2021

Other insights he shared were the rise of FAST (free ad-supported television) in India, where 80% of the population prefers to watch ad-supported free content, rather than paid subscription services. However, he acknowledged the difficulty in replicating that in this region, given the need to curate channels for each territory here.

“In the last 20 years, almost every country in Southeast Asia has got its own content that invariably draws more sponsors and advertisers than any foreign content.”

But perhaps the most heartening development has been the evolution of local content.

That is the undeniable power of good storytelling.

For more information, please visit us at booth E10

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AI is Black, White, and Fifty Shades of Grey The legalese for AI usage in film production can always be written in black and white but, thanks to its nascency, every novel implementation sits firmly in a grey area. AI is already here — David Webster, Co-Founder, AI CREATE & The Carrot Collective, has directed a movie written entirely by an AI script writer named Benjamin. David professed a balanced advocacy for AI in production, saying while it will generate a lot of low quality content, David believes that it will increase the overall quality of art more than not. However, he cautions that a conscious effort must be made by the industry to consult creatives when regulating AI, since they stand to lose the most — especially, David stressed, where they may be misused by bad actors.

Ross Goodwin, Creative Technologist, shares David’s optimism in the elevation of art. “It could even break genres,” said Ross, expounding the possibilities that AI could open to the masses, where more creators could use AI to realise their pursuits despite financial or physical limitations.

Unsurprisingly, on the topic of fair use, Ross stands on the side of AI because of the potential good. “We are all influenced by the sum total of human output,” Ross argued, noting that AI does the same thing by poring through human-created material to produce its own art. Sophia Yen, Partner, Manatt, Phelps & Phillips, LLP, argues a crucial difference —

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The only AI Panel focused on the M&E industry within the region—a discussion that touched on business, legal and existential issues of AI in entertainment: Oscar Sharp, Director, Therefore Films; David Webster, Co-Founder, AI CREATE & The Carrot Collective; Sophia Yen, Partner, Manatt, Phelps & Phillips, LLP; Ross Goodwin, Creative Technologist.

the human creation process, and any mimicry, is largely subconscious, while feeding an AI material is a conscious violation of others’ intellectual property rights.

How such a process must be regulated is a deeper discussion, whereas a more immediate one is whether producers must inform consumers when they are consuming AI-produced media. Oscar Sharp, Director, Therefore Films, opines that some audiences may value cheaply made epics, while others value the process of human collaboration behind each film.

Oscar joking dubbed them ‘free-range’ and ‘organic’ films, but the need for labels is a potentially sticky issue. Nader Sobhan, Founder & Executive Director, IKTOMI suggested that much of the debate hinges on establishing the threshold at which you can consider AI use organic or not — something the legal system has not caught up to yet.

Moderated by Nader Sobhan, Founder & Executive Director, IKTOMI, the much anticipated panel— The Age of AI—was a captivating one, sat by global pioneers, shaping the narrative of what’s to come, hoping for collaboration for mutual growth, rather than constant clashes of survival 20

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APAC is Getting FAST-er

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Reality Check: Getting up to speed with FAST: Kaushal Modi, Sr Vice President, Content Licensing & Partnerships, Jio Entertainment Services; Ed Love, Head of Business Development & Content Acquisitions, Samsung TV Plus; Alex Lowes, Vice President, Client Growth—Media Solutions APAC, GroupM Nexus

The FAST model is picking up speed in APAC, according to Tom Gennari, CEO, BB Media. A recent survey by BB Media gleans a few insights with a sample of over 80 key opinion leaders.

Firstly, companies in APAC are only moderately invested in FAST, whether as an advertising channel or other means, but intend to ramp investment up by almost 50% over the next two years — a targetable gap, perhaps. 76% of respondents are also using, or plan to use, FAST as a form of revenue generator. This corresponds with the optimistic outlook on FAST, with 70% believing in FAST’s mid to long-term popularity.

But how do other industry experts weigh in? Kaushal Modi, Senior Vice President, Content Licensing and Partnerships, Jio Entertainment Services, hails from India, one of the ripest markets for FAST implementation. “We have a huge underserved market of over 500 million subscribers who are watching or want to watch content without paying,” Kaushal said, pointing out the enormous domestic demand there. In fact, their transition program to a FAST-inclusive model was nothing short of textbook — Jio TV partnered with existing broadcasters to implement advertisement markers in their linear programmes, while curating existing content into rebranded FAST channels to add value for consumers.

The issue now, however, is the glut of content choking up platforms. Consumers now spend more time choosing content than watching, according to Ed Love, Head of Business Development and Content Acquisitions, Samsung TV Plus. FAST can be an elegant solution, he added, especially if enhanced with sophisticated curation in future.

But for all its wonders, providers should not oversell FAST. “It will never be a frontrunner. It will form a supportive role in the broader ecosystem,” said Alex Lowes, Vice President, Client Growth—Media Solutions APAC, GroupM Nexus.

In fact, FAST may under deliver for advertisers before it hits peak maturity — Alex cautioned that the CPM for advertisements only hits peak efficiency when there is sufficient volume of content and thus traffic. Ed added that young FAST implementations need to invest in partnerships that bring new content.

Moderated by Tom Gennari, CEO, BB Media, one of the most compelling panels on FAST within APAC brought together pillars that make up the FAST ecosystem.

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STIRRING DRAMA ACROSS ASIA The name of the game for French distributor Mediawan Rights at ATF 2023 is all-out Drama, with a huge push that includes not one, but four new titles, namely The Count of Monte Cristo by Palomar and DEMD Productions, Machine and Drone Games by White Lion Films, and Zorro by Secuoya Studios. Notably, Zorro, a reboot of the original story of Zorro by Secuoya Studios, was produced for Amazon Spain and Latin America and debuted to a highly successful event screening at Mipcom.

Fiona Railane, International Sales Manager at Mediawan, is back at ATF this year as part of the French distributor’s strategy for an ‘acrossthe-board presence on all markets’. This leg of the journey focuses on their presence in Asia, where a key part of Mediawan Rights’ arsenal is their varied scripted library line-up, including long-running light-crime procedurals, period dramas, thrillers and more. Another key consideration in Mediawan Rights’ push in Asia is ATF’s standing as the region’s biggest TV market, where Fiona hopes to reconnect with long-time clients and meet new clients for deeper and more numerable collaborations.

When asked about Mediawan Rights’ philosophy for success, Fiona shared that the crux is two-part — the expertise to have an able finger on the pulse of the market and the agility to adapt to that ever-changing pulse.

ON THIS NOTE, THE DISTRIBUTOR HAS RECOGNISED AN INCREASING INTEREST FOR FORMAT RIGHTS IN RECENT YEARS AND HAS STOKED THE BOILERS TO STRENGTHEN EXISTING SCRIPTED FORMAT COLLABORATIONS IN ASIA. A recent partnership with Entourage Ventures leans even further into this refocusing effort and has fueled heavy investments into powerful, high-end IPs and projects.

Fiona Railane International Sales Manager Mediawan

MASTERS OF VISUAL EFFECTS RPM VFX Studios prides itself on delivering exceptional live-action VFX services made to the unique needs of dramas, feature films, and commercials.

Serious about expanding their footprint and improving their brand visibility, RPM VFX Studios has a solid blueprint to develop long-term, deep relationships with clients and partners beyond securing immediate deals.

Nihath Ahmed, Business Head at RPM VFX Studios, explains, “We hope to engage with buyers, distributors and investors to understand market trends and customer preferences. We will encourage engagement by initiating discussions, responding to comments, fostering a community around our content, and tightening our Analytics and Iteration cycles.”

According to Nihath, what sets the studio apart is their commitment to offering complete VFX postproduction solutions at competitive rates without compromising on quality.

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Nihath Ahmed Business Head RPM VFX Studios

THE BEST GENRE IS NOT A GENRE

“Which genre is the best?” is a contentious question at best.

At worst, it is a call to arms for zealots of a specific genre.

Nolan Pielak, SVP of International Distribution at Electric Entertainment, has an answer that he believes in.

“IF YOU BECOME A STRONG PROVIDER OF A PARTICULAR GENRE THAT BUYERS CAN CONSISTENTLY RELY ON, YOUR SALES WILL CONSISTENTLY SUCCEED,” SAYS NOLAN. Ergo, the best genre is not a specific genre, but the genre that you can consistently provide at a high quality.

And yet, that doesn’t mean a production company should focus on a single genre to the exclusion of others. Electric Entertainment has not one, but three top dogs. Nolan admits the company’s bias towards the genres of sci-fi, fantasy, and adventure, noting that sci-fi fans possess an especially fervent loyalty of all fan-bases — a fact that Nolan deeply appreciates.

True to their philosophy of being strong, reliable providers, Electric Entertainment is giving the crowd what it wants with a spinoff of their hit fantasy and adventure series The Librarians, cleverly titled The Librarians: The Next Chapter, an offering we can look forward to at ATF 2023. On the heels of that, we’ve news that season two of the company’s sci-fi series, The Ark, is in the midst of production, but how much of it will be presented this year remains to be seen.

Asked about what else Electric Entertainment brings to the table, Nolan offers their full-service mini studio helmed by veteran producer Dean Devlin, where they create hit content for audiences of every age and demographic, with a focus on their three main genres. Nolan also teases a “big announcement coming in early 2024”, something you may hear more of if you can get a hold of him at ATF 2023.

FEATURE AMBASSADORS OF THAI CULTURE

Katana Motion Pictures will be showcasing the rich tapestry of Thai culture with curated content from their library at ATF. Their content of over 200 IPs reflects the diversity, authenticity and uniqueness of Thai experiences, with universal themes that transcend cultural boundaries and resonate with audiences worldwide.

Titles buyers can look forward to include Reverse 4 U, a story about a young woman who has the ability to turn back time for only 10 minutes, but must choose between saving her sister’s life or her romantic future. For docudrama buffs, there is Extraordinary Siamese Story: Eng and Chang, a historical series that traces the trials and tribulations of the eponymous Siamese twins who became a global phenomenon in the field of medical science in the 1800s. This title won Best Director in Fiction, Best Cinematography and Best Promo/ Trailer at the Asian Academy Creative Awards, and Best Scriptwriting at the Asian Television Awards. And then there is The Up Rank, an action thriller drama about a group of highly-skilled gamers who find a way to make a quick buck by offering ‘boosting services’, only to find out that there is a price to be paid.

In terms of production,

KATANA IS LAUNCHING A NEW VIRTUAL PRODUCTION STUDIO TO THEIR SUITE OF SERVICE OFFERINGS

BY THE END OF THIS YEAR TO ENSURE THEY STAY AT THE FOREFRONT OF INDUSTRY TRENDS and continue to offer cuttingedge solutions to clients.

Going forward, Katana plans to release more feature films and premium series in the coming year, and is looking forward to forging co-production partnerships at ATF to enhance the creative and commercial success of these projects.

Disalada Disayanon Director of Content Development and Partnerships Katana Motion Pictures

Nolan Pielak SVP International Distribution, Electric Entertainment 25

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THE WIDE & CONTENT-NUOUS FLOW

No IFs, no BUTs, no coconuts —

WHETHER NEW OR trusty river, a distributor should provide continuous flow of a wide variety of EXISTING, THE ONLY THING acontent to better cater to the changing THAT SHOULD MATTER needs of their clients. ZDF Studios is certainly no slouch in this department — TO A DISTRIBUTOR IS the studio offers an internationally eclectic THE MARK OF GREATNESS selection of programs from countries like Germany, South Africa, and the UK. THAT AN IP HAS. That is the yardstick by which ZDF Studios chooses their projects, according to Yuliya Fischer, Director of Drama of the German distributor. More specifically, ZDF Studios has a strong focus on genres like crime, thriller, and investigation, with a proven track record in Bron (Swedish) or Broen (Danish), a Nordic crime thriller series that ran for almost 40 episodes and sold to over 180 countries across the globe.

In parallel with such discerning selection, Yuliya further espouses the importance of being a reliable partner. Much like a broad and

Joyce Dröese Sales Manager Red Arrow Studios

Not resting on their laurels, the studio has two big-name series in their 2023 line-up.

One of the two is Boundless, a Spanish historical drama series directed by Simon West, director of Lara Croft: Tomb Raider and producer of Oscar-nominated Black Hawk Down. Boundless stars big names Rodrigo Santoro of 300 and Love Actually fame, as well as Álvaro Morte from Netflix’s hit series, Money Heist.

Legacy, the second title, is a South African drama series that may not have Boundless’ big-name cast, but has seen great success in its run of over 400 episodes and two seasons.

CUPID’S RED ARROW OR RED ARROW’S CUPID? A man and a woman, matched by experts, are joined in an intimate ceremony — a promising start to a great romance, surely? “No,” says Red Arrow Studios, as it dumps the newlyjoined couple on a deserted island to fend for themselves for our collective entertainment.

Such is the premise of Stranded on Honeymoon Island, Red Arrow Studio’s flagship offering at ATF 2023, an adventure reality format created by the same people behind the world’s number one relationship format, Married at First Sight.

Joyce Dröese, Sales Manager at the German studio, has confidence in the success of the offering, noting that it was chosen to resonate with an Asian base. However, Red Arrow Studios doesn’t just pander to mainstream, light-hearted content. Joyce shares, with a fair amount of pride, that the studio is bringing Those Who Stayed, a drama anthology series that covers the first brutal weeks of the Russian invasion of Ukraine. She emphasizes the need to make space for such important and inspiring projects that will strike a chord with people everywhere.

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Yuliya Fischer Director of Drama ZDF Studios

On the scripted front, Joyce shares that the distributor has high expectations of two of their scripted format offerings this year, namely, The Gone, a mystery drama starring Richard Flood from Grey’s Anatomy and Michelle Fairley from Game of Thrones, and Plan B, a high-concept psychological drama starring Patrick J. Adams from Suits.

Asked about the market changes and challenges amid the Covid-19 pandemic,

JOYCE ESPOUSES THE IMPORTANCE OF GOOD PARTNERS WHO CONTINUE TO BUY CONTENT IN DIFFICULT TIMES and still offer a diversified catalogue, as well as a platform like ATF, where recovery can be sped up with the aggregation of industry partners and enhanced cross-regional interaction.

B12-18

Award winning series!

Scripted Format

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FEATURE

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A DARING DEBUT AND HIGH ASPIRATIONS Andreas Rothbauer, Founder and Co-Managing Director of Picture Tree International, is taking one big step for his company as they make their ATF debut, armed with an impressive toolbox of offerings.

Andreas also notes that due to ATF’s focus as a TV-oriented market, they would expect better performance out of their TV series and movies with platforms and TV acquisitions than their theatrical feature film line-up.

Andreas shares that in collaboration with Bavaria Media, another German industry player, Picture Tree International would be bringing over 20,000 hours of European programming to the shores of Asia.

AMONG THE OFFERINGS IN THE CONSIDERABLE LIBRARY, ANDREAS BELIEVES THAT THE GENRES OF CRIME, COMEDY, ACTION, AND THRILLER WILL RESONATE PARTICULARLY WELL IN ASIA.

Qi Wang International Sales Manager Beta Film

Andreas Rothbauer Founder and Co-Managing Director Picture Tree International

CURRENT CULTURE AND RIVETING RELEVANCE Only the most reclusive hermit could deny that the world right now is in a rather turbulent state. From war being fought a continent away to surveillance technology overreach right on our doorstep, these are but a few of the many issues at the forefront of our minds — issues that yearn for resolution in storytelling. Qi Wang, International Sales Manager at Beta Film, identifies this dynamic, sharing that they “prioritise content that reflects cultural nuances and addresses current trends”.

Indeed, this is evident in their selection of content at ATF 2023, with three key titles. Elsa Morante’s La Storia, an eight-episode period drama, paints a tragic picture of the human side of war through the eyes of civilians caught in the crossfire in World War II Italy. On the other end of the timeline, Concordia, a socialtechnological thriller, depicts a utopian society that plays out the all-too-familiar struggle of personal privacy against public security and order. The last offering may be a more diversionary one, but still arguably important in an era of turmoil. The Couple Next Door, an eight-hour series, is a dark psychological drama about the claustrophobia of suburbia and the pursuit of human desire that promises to take your mind off reality, even if for just the brief period of an episode.

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Differing expectations notwithstanding, Andreas sees ATF 2023 as a promising beginning for Picture Tree International in expanding into more TV-oriented content — without neglecting their profile as a feature film provider — and growing their Asian buyer network with a well-balanced profile.

Qi Wang hopes that this set of offerings, among others, provides fresh and compelling narratives that resonate even with an Asian audience.

WHILE BETA FILM HAS SEEN POSITIVE GROWTH IN ASIA THIS YEAR, QI WANG NOTES THAT HIS TEAM IS STILL KEEPING A CLOSE EYE ON PERFORMANCE METRICS LIKE VIEWERSHIP RATINGS AND CRITICAL RECEPTION, AS WELL AS BROADER INDICATORS LIKE PARTNERSHIPS ESTABLISHED IN THIS MARKET. Qi Wang also shares that ATF 2023 is a unique opportunity to engage players in Asia, as well as exchange ideas and connect with other industry leaders in the region.

FEATURE

BIG NAMES MATTER

One of the hallmarks of a successful series is the production of sequel seasons. Harry Wild and Creepshow, currently in their 2nd and 4th seasons respectively, are testimony to Dynamic Television’s ability to create successful productions that have long shelf life.

Harry Wild is a murder mystery series starring acclaimed actress Jane Seymour. The show’s success lies in its high quality, feel-good element and broad audience appeal.

Creepshow is a horror anthology series based on the beloved 80s horror IP. The established IP, horror genre, and stellar talent–Greg Nicotero, Stephen King, Giancarlo Esposito– has made this title a runaway hit. A newer IP is the suspenseful crime thriller Savage River.

Starring Katherine Langford and directed

by Jocelyn Moorhouse, this series is built on character-driven storylines and top-tier production quality.

Gilda Dermirtas SVP International Sales Dynamic Television

Gilda Dermirtas, SVP International Sales, explains, “Our expertise is developing stories with talented creators and producers that are unique and organic to a local market, yet relatable to global audiences.”

This year at ATF, Dynamic Television aims to connect with linear and VOD buyers seeking premium content. They will showcase new series currently in post-production and market their completed premium series and movies.

Additionally, they will be keeping an eye out for international collaborations opportunities for new projects.

On the company’s strategy, Gilda notes, “In recent years, we’ve strategically included internally renowned cast members in our series to augment their global appeal.

WE’VE ALSO EXPANDED OUR INTERNATIONAL CO-PRODUCTION TO ASIA. Notably, our Japanese-French-US coproduction, Drops of God, has been a great success on AppleTV+ and Hulu Japan.”

SPARKING CONVERSATIONS AND LEADING CHANGE “We don’t just create content; we create conversations,” says Sheetal Mehra, Senior Vice-President, IB, Syndication and FAST TV at Indiacast Media. What does that mean in the television and media industry?

To Sheetal, the answer comes in two parts — understanding what conversations the audience demands and the best way to bring that conversation to them.

She shares to make this simple goal a reality, a lot more happens behind the scenes than most expect. Indiacast Media has teams with cumulative experience of decades in the global content industry and a robust and responsive feedback loop with the target audience that allows them to hone their understanding of what conversations to have.

The result is inspiring — Doree is the story of an Indian girl, abandoned at birth solely by virtue of her gender and adopted by a handicapped man who weaves sarees. The story progresses as the titular protagonist challenges the privileged, patriarchal establishment — strongly mirroring the reality in present-day India — ironically led by a subconsciously self-loathing fellow female, and questions India’s societal norms through the brutally frank eyes of a naive child. Sheetal emphasized that shows like Doree are not just about entertainment, but about leaving a lasting impact on viewers as well.

Yet, such inspiring content would avail nothing if it reached no one.

SHEETAL SHARES THAT EVOLVING MARKET DYNAMICS AND AUDIENCE PREFERENCES ARE A LARGE PART OF THE CHALLENGE IN ESTABLISHING REACH. Noting an increasing demand for fantasy, fiction, and animation shows has spurred Indiacast Media to focus more resources on the following genres, as well as secondary modes of delivery like FAST channels and digital content distribution platforms. According to Sheetal, one of Indiacast Media’s parent companies, Viacom18, has shown great commitment to this route by investing heavily in distribution through JioCinema and Desi Play TV. As part of furthering Indiacast Media’s reach, Sheetal shares that she looks forward to showcasing their offerings and building partnerships at ATF 2023. Personally, she hopes to learn more about recent industry trends and glean valuable insights from panel discussions to enhance their content strategy and business decisions.

Sheetal Mehra Senior Vice-President IB, Syndication and FAST TV Indiacast Media

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FEATURE VARIETY IS THE SPICE OF LIFE

Atresmedia TV prides itself on its highly varied catalogue that spans genres such as drama, thriller, comedy, documentary and mystery.

FEATURING HIGH QUALITY AND ORIGINAL UNIVERSAL STORIES THAT TRANSCEND BOUNDARIES, CULTURES AND BACKGROUNDS, ASTREMEDIA TV CONTENT RESONATES WITH AUDIENCES WORLDWIDE. The Spanish vendor believes there is growing demand for European content in Asia. Laura Sampedro, Sales Manager at Atresmedia TV, elaborates, “This is exemplified by the success of series like El Tiempo entre Costuras (The Time in Between), a 17-episode series that follows the story of Sira Quiroga, a young seamstress who embarks on a journey from Madrid to Tangier in pursuit of love during the tumultuous period before the Spanish Civil War and the Second World War. “It’s the best-selling series in the region and the most-watched Spanish series in markets like CCTV China and TV Asia Plus in South Korea. Other series like La Cocinera de Castamar (The Cook of Castamar), Alba, Mentiras (Liar), and Vis a Vis (Locked Up), have found similar success on Asian platforms like HULU Japan.

Among Astresmedia TV’s diverse offerings, the following are noteworthy: • Beguinas (Beguines). A ten-episode period drama set in 1559, the story is based on the untold story of strong women of Beguinages who have remained hidden throughout the centuries.

• Honor (Your Honour). An eight-episode series, the story follows Judge Romero as he grapples with a moral dilemma when his son is involved in a car accident that injures the young son of one of the most dangerous gangsters in Cadiz.

• Déjate Ver (Show Yourself).

An eight-episode, 30-minute dramatic comedy written and directed by Álvaro Carmona, known for the Emmynominated series Gente Hablando (People Talking), the series delves into themes like identity, personal fulfilment, art, loneliness, family, and technology in today’s world.

Laura Sampedro Sales Manager Atresmedia TV

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BETTING ON ESTABLISHED STRENGTHS & MAINTAINING QUALITY As a matter of introduction, it does not get any more impressive than this: RTVE is the biggest audiovisual group in Spain that provides public high-quality radio and television content of all genres to its audiences.

RTVE is best known for their long-running series La Moderna, La Promesa, and Cuatro Estrellas and their historical dramas Los Pacientes Del Dr. García, El Ministerio Del Tiempo, and Isabel. In Asia, their Drama & Thriller, as well as Period & Historical series have garnered great success on the strength of excellent screenwriting, stunning action direction, as well as spot-on setting and casting choices.

Industry-watchers may be interested to know that RTVE has of late begun to strategically focus more on daily programmes. While this strategic shift is happening (the extent of which depends on market demand), RTVE will continue to offer their popular mini series staples to other platforms and OTT players. As a testimony to their unceasing dedication to distribution of the mini series content, RTVE has recently concluded sales deals for La Caza, 4 Estrellas, and Ser O No Ser.

RTVE WILL BE SHOWCASING BOTH NEW AND EXISTING IPS FROM THEIR EXTENSIVE AND DIVERSE LIBRARY TO ASIAN CUSTOMERS AT ATF. Buyers, do not miss your chance to secure titles from the biggest audiovisual group from Spain!

Javier Quevedo Head of International Commercial Strategy RTVE

BRIDGING EAST AND WEST—SEEING BEYOND THE EUROPEAN MODEL This year, expect Onza to bring you content that represents the best of the European world.

For ATF, Onza has curated content from their diverse catalogue that will resonate with Asian audiences. Recognising the challenge of competing with local Asian content, Onza will be showcasing a catalogue that will stand out and appeal to diverse Asian tastes and sensibilities. The catalogue will include exciting new titles that span the fiction, crime, telenovela and documentary genres.

Audiences can look forward to titles such as The Black Needle, a documentary about the Spanish climber David Bautista, Wild Tales of Madrid, a wildlife documentary about the hidden wildlife of the city of Madrid, and Allende, the 1000 Days, a story about the last three years of the life of Chilean president Salvador Allende. Also currently in production is Heartless, a thriller series about the life of Haro, a criminal aristocrat featured in the popular television series Parot, which is also an Onza production.

In terms of collaboration with local Asian partners, Onza is keen on exploring innovative partnership models that bring value to all stakeholders, even if the partnership models differ from standard European ones.

Erika Gomez, Sales Manager at Onza Distribution explains,

“BEING AT ATF, THE BIGGEST MARKET IN ASIA, GIVES US THE OPPORTUNITY TO MEET WITH AND CONNECT WITH VERY SPECIFIC CLIENTS THAT WE NORMALLY DO NOT HAVE EASY ACCESS TO. There are so many business models in Asia. As big as the continent is, we need to see beyond the standard European procedures in order to make the deals happen.”

FEATURE PUSHING THE BOUNDARIES OF ENTERTAINMENT

A powerhouse in the kids entertainment genre, DeAPlaneta Entertainment has been delivering high quality and inspirational content that educate and entertain young audiences for over 20 years.

More recently, the runaway success of the pre-school production Milo has seen DeAPlaneta securing broadcast partnerships across Europe, Latin America, Australia, New Zealand, and China. In Asia, the animated series Nina and Olga, which teaches children how to recognise and manage emotions, is gaining traction, riding on the strong brand awareness generated by the book series which is already popular with young readers in China, Japan, and Korea. What is more, DeAPlaneta’s new titles in the Asian catalogue have been very successful at MIPCOM, with Adventurer Carly and Hero Inside ranking 2nd and 3rd respectively out of 600 programs at the recent MIP Junior.

Currently, in the production pipeline, are the highly anticipated Milo Season 2, as well as Magic Lilly, an animated comedy-fantasyadventure series based on the successful book series Hexe Lilli and the animated series Lilly, The Witch.

THE PRODUCTIONS REFLECT DEAPLANETA’S STRATEGY OF EXPONENTIALLY GROWING THEIR LIBRARY OF PROJECTS THAT CATER TO ALL SEGMENTS OF THE GLOBAL CHILDREN AUDIENCE. Going forward, DeAPlaneta is committed to developing its presence in the main markets of North America and Asia, where they have already established development and production offices with new partners.

In addition to traditional content, DeAPlaneta will seek to reinvent media entertainment in the coming years with exciting developments in the NFT and metaverse space. You heard it here first at ATF!

Alessandra Dematteis Head of Media Sales (Kids & Family) DeAPlaneta Entertainment

Erika Gomez Sales Manager Onza Distribution

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FEATURE STAYING RELEVANT WHILE MOVING FORWARD STRATEGICALLY If the question of how a production house can consistently achieve stellar results in a highly competitive industry is one that constantly plagues you, you are in luck.

In this article, Guille Ayora, Sales Manager at Motion Pictures, shares the secrets of his company’s success. Guille says, “They can be attributed to high quality content, international co-productions, a diverse catalogue, and market research.”

Buyers are drawn to content that have an engaging storytelling element, a characteristic evident across all Motion Pictures productions. Collaborating with international partners has allowed Motion Pictures to create content with diverse perspectives and global appeal, making the production house an enticing choice for buyers seeking content with broader market potential. Having a diverse catalogue that includes a mix of both new and established series is critical in availing to buyers a wide range of options to choose from.

TO ENSURE THAT THEIR CONTENT STAYS RELEVANT IN AN INTERNATIONAL MARKET WITH EVERCHANGING TASTES, MOTION PICTURES CONTINUOUSLY MONITORS MARKET TRENDS AND BUYER PREFERENCES. This enables them to consistently tailor their offerings to match demand effectively.

An exciting new development for Motion Pictures is their venture into purely digital content, particularly in the realm of children’s songs. The company has recently inked agreements with prominent YouTube channels for their musical series, Chipi Chapi Songs. Guille says, “With a highly skilled and efficient team of animators and musicians, we are confident that this new venture will yield significant benefits and be a lasting success.

This exciting development showcases our commitment to expanding into the digital realm and reaching a broader audience.”

Guille Ayora Sales Manager Motion Pictures 32

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KEEPING AN ARMOURY OF DIVERSE GENRES While some production houses seek to follow trends as a conservative strategy, Mediterraneo prioritises crafting distinctive, compelling and unforgettable stories, each tailored to a specific audience. To achieve this, Mediterraneo seeks original and innovative or relatable plots that connect with diverse audiences.

“We try to keep things as diverse as possible. For example, our scripted line-up for this year includes a young-adult drama Urban, a daily long-running telenovela Revenge is Mine, and an outstanding PT series Wrong Side of The Tracks,” explains Rocio Cachero, International Sales Manager at Mediterraneo.

The diversity of Mediterraneo’s catalogue extends to factual and entertainment IPs. Upcoming true crime titles include Los Galindo: Story of a Crime, Hunting Mr. Charming, and the second season of Wanted: El Sapo. For its entertainment IPs, Mediterraneo is keen to find audiences in new territories for It’s My Night, Naked Eye Game and Make Me Over.

The performance of Mediterraneo IPs in Asia is noteworthy, with many titles enjoying broadcast windows in Asia.

What is more, IPs such as I Know Who You Are, Devil’s Clock, Marrowbone’s Secret and Dangerous Moms are

SEEING TREMENDOUS PROMISE AS REMAKES IN VARIOUS ASIAN MARKETS. Mediterraneo is able to amass its extensive and diverse portfolio because of its distinct competitive advantage of having diverse genre-specific audiovisual production houses operating under its umbrella. “In addition to enhancing our adaptability in this competitive industry, it positions us as a one-stop destination for countless entertainment choices,” Rocio concludes.

Rocio Cachero International Sales Manager Mediterraneo

DEC 7, 2023 @ 9.30AM–10.30AM

BUYERS @BREAKFAST GETTING THE STRATEGY RIGHT FOR GREATER SUCCESS IN ASIA Within the short span of a year, The Mediapro Studio, hailing from Spain,

OPENED BUSINESS OPPORTUNITIES IN ASIA BOTH WITH LOCAL PLAYERS, AS WELL AS VIA FRESH AGREEMENTS WITH OPERATORS IN COUNTRIES SUCH AS JAPAN AND CHINA, among others. With such partners on board, it has given The Mediapro Studio renewed impetus, proving that the content they offer is international and relevant to Asian audiences.

“The region is gaining ever-greater importance as content creators with huge international successes, so it is also of great interest to us to collaborate with local players to establish new, and strengthen existing, alliances,” explains Marta Ezpeleta, Head of Distribution and International Offices at The Mediapro Studio.

This is why The Mediapro Studio Distribution is bringing all their key content to ATF—international productions, both fiction and non-fiction, and entertainment formats. “Highlights of our slate this year include a wide variety of genres that we hope will attract the attention of Asian audiences.”

In fact, three of the company’s most recent series are soon to premiere in Japan: the thriller Express, starring Maggie Civantos and created by Iván Escobar; Cromosoma 21, a crime series where the protagonist is an actor with Down syndrome; and the series Las Bravas, an HBO original, which has women’s soccer as its backdrop.

“These three premieres are undoubtedly great news because they show that our series are becoming increasingly popular in the Asian market,” concludes Marta, who also mentioned that the consolidation of the Studio’s international expansion, with 24 production offices worldwide, as well as the production and distribution of content in English, has allowed their productions to reach an extensive audience base via major streaming platforms and main local television networks across Europe, US, LATAM, MENA and, of course, Asia.

Marta Ezpeleta Head of Distribution and International Offices The Mediapro Studio

The best of Spain presents

SPAIN’S CONTENT GOLDMINE In Demand Like Never Before

Back for a second season, the Spaniards have descended into ATF with their greatest hits!

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EXCLUSIVE DATA Fred Black, Principal Analyst,Head of Commissioning Research, Ampere Analytics

And Spanish content is extremely popular with valuable younger demographics…

“There is clear appetite for Spanish content in APAC – but supply is low.

*Subject to accreditation

Bought to you by Audiovisual by Spain | Atresmedia | DeAPlaneta Kids & Family | Mediterraneo Mediaset España Group | Motion Pictures | Onza Distribution | RTVE | The Mediapro Studio

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FEATURE INDIA’S LARGEST CONTENT HOUSE

NH Studioz is a leading content aggregator that offers a diverse collection of films across various genres. With a rich portfolio of compelling and entertaining content, they serve as a one-stop solution for broadcasters and platforms seeking high-quality, marketable films. From gripping dramas, high-energy action films, heartwarming family stories to groundbreaking thrillers, NH Studioz offers a comprehensive array of captivating content that suits the diverse viewing palates of global audiences. This catalogue is regularly refreshed with new acquisitions and productions based on market trends and audience preferences.

Shreyans Hirawat, Director at NH Studioz, explains, “While specialisation establishes a strong brand identity, diversifying content attracts a broader audience. Our decision is guided by company goals and market analysis. We aim to strike a balance between popular genres and emerging ones. This approach not only cultivates a diverse content portfolio, but also helps in creating new markets.

We prioritise quality over quantity, going the extra mile to secure the best content within each genre. For ATF, we plan to feature Family Drama, Romance, and Action genres, which aligns the content trends prevalent in Southeast Asian markets and India.”

NH Studioz is a verified vendor to major players like Disney and Viacom. The company recently acquired a state-of-the-art postproduction house in India, a strategic move that aligns with their commitment to delivering innovative and high-quality products.

NH STUDIOZ ENVISIONS PROMOTING INDIAN CONTENT GLOBALLY. WITH AN 85% CUSTOMER RETENTION RATE, IT IS EVIDENT THAT BUYERS SIMPLY CANNOT GET ENOUGH OF INDIAN CONTENT.

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Hollywood (Thailand), helmed by CEO Watson Homsangpradit, is bringing an entire toolbox of offerings to ATF 2023.

WHETHER SUPERNATURAL HORROR, RIVETING DOCUMENTARY, EXPLOSIVE ACTION, OR SILLY YOUNG ROMANCE, THE ASIAN ENTERTAINMENT AND DISTRIBUTION COMPANY IS BOUND TO HAVE SOMETHING FOR EVERYONE. However, the biggest and baddest wrench in Watson’s toolbox is most definitely their horror lineup. Their offering includes not one, but four horror movies. First but not foremost, The Elite of Devils spins an entangling weave of a loss of faith in divinity and ensnarement by evil. Next, we are faced with the classic case of a haunted house in Home Sweet Hell, just in the setting of traditional Thai architecture. The third film, The Snake Queen, is a creaturefeature of sorts, where a woman, plagued by a Medusa-esque curse that can turn people to stone, falls in love with a lonely man and endures a series of hardships from her interactions with humanity.

Last but not least, Nednaree tells the tale of seven teenage boy scouts lost in a forest. Their predicament is made horrifically worse when karma for a past, grievous misdeed comes seeking payment with deadly consequences for the boys.

If horror turns your stomach, you’d be glad to move on to Hollywood (Thailand)’s documentary offering, 5th Round. In this feature-length film, we follow four generations of boxers who quite literally fight their way out of poverty in their journey as professional Muay Thai fighters. Along the same vein of action, Pattaya Heat is a high-budget, star-studded film that shut down part of Pattaya City for filming — a sure sign of the dedication to production here. To end off with something sweet, Hollywood (Thailand) also offers a Boy-Love romance series called Heroin the Series, a Thai adaptation of the highly successful Chinese Boy-Love series, Addicted.

With this arsenal, Watson looks to draw new partnerships at ATF 2023 and spread Thai content to the rest of the world.

Shreyans Hirawat Director NH Studioz

DIVERSITY IS THE THAI SPICE OF LIFE Watson Homsangpradit CEO Hollywood (Thailand)

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SPECIAL SOAKING UP THE ESSENTIALS OF ALL THINGS JAPANESE At the Market

This year, the JAPAN PAVILION stands poised once more at ATF, bringing together 23 content holders, including broadcasters from all over Japan.

The beautifully designed marquee is operated by the International Drama Festival in Tokyo (IDFT), who joined forces with the Ministry of Internal Affairs and Communications, to support the promotion of Japanese content in this charming “all-Japan” structure.

Toru Ota—the Executive Vice President of Fuji Television Network, Inc—who vice-chairs the Overseas Content Development Committee of the Japan Commercial Broadcasters Association (JBA), which plays a leading role in the IDFT, expressed his enthusiasm in being a significant part of ATF again.

“We are delighted to have the Japan Pavilion in Singapore again this year,” enthused Toru. “ATF 2023 will experience the latest Japanese dramas (complete packages and remakes), variety formats, animation, documentaries, and a wide variety of content.

As well, with the number of tourists visiting Japan rapidly on the rise, it is apt that we also offer programmes that introduces the attractions and culture of local areas in Japan.

We look forward to welcoming you all.”

At the Conference

As the Chair of the Operation Committee of the Broadcast Program Export Association of Japan (BEAJ), Toru is passionate about implementing various measures to actively advocate the overseas expansion of Japanese broadcasters.

“As part of these measures, a promotional event called, ‘DRAMA GEMS FROM JAPAN’ will be held on the first day of ATF, on December 6 @ 4pm on the Main Stage (Level 4). The session will introduce the latest Japanese drama productions, with the BEAJ’s senior advisor, Mathieu Bejot, sitting to moderate. Mathieu will introduce 10 enchanting productions across various themes, and we do look forward to seeing you there,” Toru vaunted.

At Lunch

The NETWORKING LUNCH, which connects overseas buyers with exhibitors from Japan, will also see a return, magnifying opportunities and deepening exchanges.

This by-invitation-only event will see BEAJ’s Mathieu Bejot introduce various genres of Japanese works.

@ Online

The Japan Program Catalog (JPC), an online programme catalogue operated by BEAJ, brings together broadcast programmes across various genres, and presented by more than 60 licensors from all over Japan.

The platform enables direct contact with licensors. For those interested in Japanese productions, the site can be a strategic tool.

JPC will have a booth (B23) at the Market to introduce the JPC website and help you register as a user. Registering on the spot will also get you a gift!

“Last year, we exhibited at ATF for the first time in three years, once again communicating directly with everyone.

During the show days, the Japan Pavilion was inundated with visitors, and we were able to convey our passion and enthusiasm for content, while experiencing first-hand the strong interest in Japanese content.

This really drove home the appreciation of communication in person,” observed Toru.

“Asia remains a familiar and highly interesting area for Japanese content holders. At this year’s ATF, we will continue to meet with business partners from all over the world, particularly in Asia, and to introduce you to the diverse range of Japanese content,” Toru concluded with much anticipation.”

Toru Ota Executive Vice President, Fuji Television Network, Inc. Toru is also the Vice Chairman of the Overseas Content Development Committee at the Japan Commercial Broadcasters Association (JBA), as well as the Chairman of the Operation Committee at Broadcast Program Export Association of Japan (BEAJ).

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SPECIAL

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JIN XING PLACES BETS ON SINGAPORE JV Jin Xing, China’s celebrity host, will for the first time, enter into a joint venture with Liberty Media, to produce content for China and beyond, looking at the Asian markets first and foremost.

The new collaboration, christened Liberty Star Studios, will set up shop in Singapore, with their first project being the Jin Xing Talk Show. ATF participants can get a peek of this exciting new program on December 6 @ 6pm at the ATF Conference Theatre.

Jin Xing herself will take the stage for a session with celebrities Yeo Yann Yann and Jeremy Monteiro.

Yeo Yann Yann Actor

Jeremy Monteiro Music Educator

The best of Europe-USA presents

DEC 6, 2023 @ 12PM–1PM

BUYERS @LUNCH

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Dramas so amazing, it’s a crime!

CRIME FANS ACROSS APAC MARKETS HAVE A BIGGER APPETITE TO WATCH OVERSEAS CONTENT…”

*Subject to accreditation

EURO-AMERICAN DRAMAS

The Success of Crime Stories EXCLUSIVE DATA Orina Zhao, Senior Analyst, APAC Research Lead, Ampere Analytics

Brought to you by Beta | Dynamic Television | Electric Entertainment | Mediawan Rights | Picture Tree International | Red Arrow Studios | ZDF Studios

B12-18 Drama Gems from Japan Dec 6 th at 4pm ATF Main Stage

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SPECIAL

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THE SECRET SAUCE TO GLOBAL SUCCESS— STAYING TRADITIONAL What’s the secret to success in an industry as transient as the media? Staying traditional – but thinking global. “The most important thing is to actually take a local project from anywhere in the world and make it global,” explained Izzet Pinto, Founder & CEO of Global Agency. “Even if you don’t own the project, but you make it a global success, that’s a global business as well,” he said of their secret sauce.

The Istanbul-based TV content distribution company’s biggest title to date has been Magnificent Century, a period drama set during the Ottoman Empire, which helped the agency to grow.

But it’s their second biggest title, Turkish soap opera 1001 Nights, “which made us the pioneer in selling Turkish dramas abroad”, revealed Izzet.

“1001 Nights opened the gateway to Turkish dramas.” In fact, although the series is 15 years old, it’s still selling well. The biggest buyers for Turkish drama have been Latin America, Eastern Europe, and the Middle East.

Izzet Pinto Founder & CEO Global Agency

When it comes to formats, one of their top hits has been Keep Your Light Shining, an original singing competition developed by Izzet. The format has been produced in 10 territories, including China and Thailand. And creating formats is what Global Agency will be expanding on in the future.

“Formats have always been the priority for Global Agency,” said Izzet, as he recounted that the company started with formats since its inception 17 years ago, before moving on to dramas.

“My dream is to have a format which will be produced in 30 plus countries,” shared Izzet on his ambition of creating a worldwide hit. “Personally, I have created 12 formats and 8 of them have been on air.”

Developing a format requires at least 8 to 10 months. And even after that, once a show has been taken to market, it usually takes 1 to 2 years to be on air. “It’s a big investment, but I think if you really want to sell, you have to invest in it,” shared Izzet.

Global Agency has been mostly focused on Turkish and European projects in the past few years, but they will now be focusing on Asia as well. “We want a bigger range for our portfolio,” Izzet explained.

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BUYERS

BUYING DRAMA | Romance

BUYING DOCS & FACTUAL | Adventures & Travel

Who…

A technology company that has developed proprietary digital tools to provide a range of innovative services to broadcasters, producers, and distributors.

Dramas with huge potential…

Arabic, Pakistani & Chinese

Who…

AK Entertainment exports Korean dramas, films, documentaries, music programs and new media contents (mobile, VOD, DMB, and so on) across the world.

Country selling the best Dramas recently…

India & Turkey

Most successful Docs genre…

Train Travel, Food & Travel, Nature & Culture

What are you looking for that’s hard to find?

Long-running Doc series (more than 20 hours) JIYONG KIM CEO AK Entertainment | South Korea

Most successful Drama acquired…

Yalı Çapkını & Muhteşem Yüzyıl’ (The Magnificent Century) DEBKUMAR DASGUPTA VP - Content Acquisition & Partnership Merzigo | Türkiye

BUYING DRAMA | Horror Who…

Acquisition and distribution of Hollywood / international films for Indian Subcontinent—exclusive all rights.

Better fit for your platform…

Movie Dramas are preferred more on VROTT as exclusive premieres get many eyeballs and new subscribers.

BUYING OTHERS | Japanese Anime Who…

Company with over 30 years of experience in animation IP— distribution, merchandising, and self-media—wide coverage of over 40 countries, 60 partner platforms in Asia.

Content mostly acquired from…

Japan

Which country has the best for you to acquire from…

Japan

MING SYU LUO Director of Rights Business Development Division Muse Communication Co., Ltd. | Taiwan

Countries with best-selling Dramas…

UK, Scandinavia, Türkiye

KRISHI DUTT Director VR Films and Studios Limited | India

BUYING DRAMA | Series Who…

Platform for IPTV, mostly carrying a linear TV channel.

Most successful genre acquired…

DRAMA Favourite Most favourite drama series from Asia

ARIO BAGUS WIDYATMIKO Chief Content Officer PT Digdaya Duta Digital | Indonesia

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BUYERS

D E C hybrid 6edition

BUYING DRAMA | Series

BUYING DRAMA | Action & Adventure

Who…

Multi-platform video-on-demand service— Taiwan’s largest video library for Japanese dramas and animations.

Most successful Drama acquired…

VIVANT & Rebooting are the most successful dramas this year.

BL drama CHERRY MAGIC! THIRTY YEARS OF VIRGINITY CAN MAKE YOU A WIZARD?! is most popular in recent years.

Who…

Media & Audiovisual Group

Most successful Drama acquired…

Movies: The Woman King, IP Man franchise, The Grandmaster, Top Gun Maverick Series: Power Book (Lionsgate), SWAT (Sony), El Inmortal (Moviestar+), The Queen (MNET)

Most bought from…

Ivory coast, Cameroon, South Africa, HK-China, South Korea DAVID BESSIÈRES Head of Acquisitions CANAL+ GROUP | France

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Best content fit…

TV DRAMAS Most Dramas bought from…

Taiwan & Korea EVA FENG Assistant Vice President KKTV Co. Ltd. | Taiwan

BUYING DRAMA | Series Who…

Largest OTT Operator in Hong Kong— 9.8+ million users (Box, App & Web).

Most successful Drama acquired…

Royal Feast 尚食

ESTHER LUK Content Director MyTV Super Limited | Hong Kong SAR

Best fit…

TV DRAMAS

BUYING DRAMA | Series

Most Dramas bought from…

Mainland China

BUYING DOCS

Who…

Cambodian Broadcaster who owns three TV channels—CTN, MyTV, CNC.

Most successful Drama acquired…

THAI DRAMA

Businesses across Broadcast; Digital; Production; Technology; News

Most Docs bought from…

Best drama elements…

TV drama series with melodrama, revenge, family, & comedy.

Most Dramas bought from…

One 31 & CH8 (Thailand), ABSCBN (Philippines), KBS, SBS & MBC (Korea) & various companies (China)

Who…

CHANVISAL KUCH Chief Content Officer Cambodian Broadcasting Service | Cambodia

Globally, with a focus on Europe (France) & USA.

Most successful Docs genre…

CRIME Looking for but hard to find…

Geo-Politics & Transactional

ADITA JAIN Senior AVP—Content Acquisition & Syndication N10 Media Network (DocuBay) | India

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BUYERS

D E C hybrid 6edition

BUYING DRAMA | Series

BUYING DRAMA | Romance

Who…

Brazil’s largest video streaming platform, offering free/exclusive content to subscribers.

Who…

Most successful genre acquired…

An American video streaming website and streaming channel.

TURKISH TELENOVELAS

Prefer to acquire…

Keen to acquire content from…

Korea

TV drama series (mostly Romance)

Best content to buy come from…

Korea / Thailand

JASON LEE Specialist, Content Acquisition & Partnerships Rakuten Viki | South Korea

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BUYING DOCS & FACTUAL | Nature & Wildlife

ANTONIO VALENTE Content Strategy Manager Globo | Brazil

Who…

Leading Content Distribution, reaching the highest sales record in Korea through domestic and international distribution of TV rights and VOD rights.

Region you acquire most of your Docs from…

Juyeong’s cat

BUYING DRAMA | Series

Europe especially UK, France, and Germany

Most successful Docs genre…

Wildlife documentaries on big predatory mammals

What are you looking for that’s hard to find?

Recent production of blue-chip wildlife docs without presenters with minimum length of 48 minutes.

JUYEONG HAN Acquisitions Manager KBS Media | South Korea

BUYING ANIMATION | Pre-School

Who…

TV5 is a Philippine free-to-air television and radio network… owned by MediaQuest Holdings, the multimedia arm of PLDT.

Prefer to acquire…

Who…

Country selling the best Dramas…

Korea

Most successful genre acquired…

Movie dramas & TV drama series

JILLMER DY AVP/Head, Content Strategy & Programming Management TV5 Network Inc. | Philippines

Non-commercial TV station that carries good values for ​​ families.

KIDS

Most Kids’ Content bought from…

Europe, England

ELISA TSAI Deputy CEO DAAI TV | Indonesia

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DRAMA | Series

DRAMA | Crime Investigation

LOST IN THE WOODS

MILLION-FOLLOWER DETECTIVE

Experience the heartfelt love story, “Lost in the Woods,” as it unfolds between Fifa, a materialistic young man sent to prove himself on his family’s farm, and Hem, an older forest ranger carrying a painful past.

Despite their initial differences and ensuing interpersonal conflicts, Fifa and Hem discover genuine emotions and gradually fall in love. Yet, the outside world’s responsibilities and harsh realities pose a threat to their newfound relationship, adding a layer of complexity to their journey of love and self-discovery.

Hong Kong celebrity Ekin Cheng makes his debut in this Taiwanese crime drama series. When Baba The Witch, a once obscure yet enigmatic internet personality predicts the murder of an internet celebrity, police officer, Chen JiaJia-Ren joins officer Li Sin Sin-Ping to investigate the premonition, only to discover a serial killer targeting influencers. As Baba The Witch accurately predicts three more murders, she becomes an internet sensation, amassing millions of followers. The investigation unravels surprising connections when Chen learns that Baba The Witch is linked to his long-lost daughter.

COMPANY: HALO PRODUCTIONS CO.,LTD

COMPANY: BOSSDOM DIGIINNOVATION CO., LTD.

DRAMA | Series

CHAND JALNE LAGA

130+ HRS

Dev and Tara’s intertwined destinies are sealed since childhood, forging a bond that ruptures when they are separated from one another. The unexpected parting strains their once-beautiful relationship, sowing seeds of guilt and anger that intensify over the next 15 years. However, destiny, ever unpredictable, orchestrates a reunion, reigniting the connection that endured years of emotional turmoil.

COMPANY: INDIACAST MEDIA DISTRIBUTION PVT LTD

PRE-SALES

ANIMATION | Kids (Ages 7 & up)

ANIMATION | Teens (Ages 13 & up)

HAPPY LUSASA SERIES HAPPY SCHOOL DAYS

KISAH BAWAH TANAH

26 EPS X 11’

26 EPS X 11’

Based on the internationally popular IP which has spawned more than 100 licensed products, the show is set in Lusasa Town and revolves around MiluEgg and charming characters inspired by traditional Taiwanese street food. The series captures the endearing and mischievous lives of MiluEgg and fellow residents, mirroring human experiences with emotions, friendships, and dreams.

Set against a backdrop of reimagined Southeast Asian supernatural folklore and interwoven with the everyday challenges of growing up, Kisah Bawah Tanah is a coming-of-age animation series that humorously depicts the escapades of undead teenage skeleton best friends, Zack and Sam. Venturing into the fantastical realm of Bawah Tanah and other folklore dimensions, they seek the meaning of life, delivering relatable humour amid the whimsy of their unpredictable adventures.

COMPANY: LUSASA ANIMATION CO., LTD

COMPANY: ANIMASIA STUDIO SDN BHD

DRAMA | Series

THE BAGMAN

10 EPS X 45’

The Bagman, a high-stakes crime drama, unfolds in the socio-political backdrop of a quasi-Philippines. Benjo Malaya. a reformed ex-governor with a criminal past, faces a dilemma when his family mysteriously disappears. Forced to re-enter the perilous realm of crime, politics, and corruption, he reluctantly accepts a mission as a fixer for the sitting President, striving to avert an imminent civil war. Malaya, once committed to leaving the underworld behind, now confronts a dire situation that compels him to navigate treacherous waters once again.

COMPANY: ABS-CBN INTERNATIONAL PRODUCTIONS

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PRE-SALES DRAMA | Feature Film

33 DAYS

D E C hybrid 6edition

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DRAMA | Feature Film

BEAUTIFUL DAYS

105’

110’

Set against the backdrop of San Francisco, California, ’33 Days’ is a compelling feature-length film catering to a broad audience, echoing the style of Ryan Coogler’s acclaimed “Fruitvale Station.” Chronicling the true story of Pastor Roger Huang’s 33-day hunger strike at San Francisco City Hall, the film portrays his life’s journey, from a painful past to love with his wife and a transformative encounter with his faith, Roger evolves from a contemplative individual to a steadfast advocate for the Tenderloin community.

Returning to her countryside roots, office lady Song rediscovers a passion for cooking and farming, forming meaningful bonds with her community. After a series of bizarre events in Taipei, she retreats to her coastal mountain hometown. Adjusting from city dining, Song embraces a long-forgotten journey of self-cooking, reviving her mother’s neglected vegetable garden and triggering family memories. In reconnecting with the land, Song gains courage for a fresh start, illustrating the transformative power of embracing a simpler, more authentic way of life in the small town.

COMPANY: SELECT ENTERTAINMENT

COMPANY: NEVERLAND ENTERTAINMENT LIMITED

DOCS & FACTUAL | Nature & Wildlife

OF TREES AND FORESTS, THE INVISIBLE WORLD

6 EPS X 52’

Explore the hidden realms of secret networks, the Wood Wide Web, and the concept of superorganisms in this captivating 4K series.

With scientists and researchers as guides, the series unravels the genius of trees, exposing their intricate interconnections and the invisible yet fully interdependent ecosystems they support. Spanning Canada, Finland, Madagascar, Australia, France, and the French Guiana, each episode delves into a primary forest, uniquely characterised by climate, fauna, and flora, using a legendary tree as a focal point, and emphasises the urgency of preserving these habitats.

COMPANY: CINÉTÉVÉ SALES

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ANIMATION | Kids (Ages 7 & up)

THE SKULL KING Life in the city of the dead, Skull Empire, is fuelled by laughter! In the skeletal realm of ‘Skull World,’ all humans have vanished, leaving only bones behind. The world consists of two nations: the ‘Skull Empire,’ ruled by a king with a golden crown, and ‘Skull Paradise,’ attempting to seize the castle. The leaders, Skull-king and Red-king, are accompanied by troublesome soldier, adding a humorous twist to life in this unique and bone-filled world.

COMPANY: ANYZAC CO., LTD.

ANIMATION | Pre-School

MIFFY

78 EPS X 7’ The beloved character, Miffy, returns in a new season as a big sister but still friendly, spontaneous, and enthusiastic. Miffy embodies a more complex and engaging persona as she continues to grow. Each day presents opportunities for creative fun, learning, and overcoming small challenges. Based on Dick Bruna’s iconic creation, the MIFFY series emphasises character-driven stories, teaching valuable emotional lessons. Miffy’s positive, creative, and sometimes impulsive nature leads to clever resolutions, highlighting her positive attitude and empathy in tricky situations.

COMPANY: SUPERIGHTS INVEST

FORMAT | Variety Show

OH! MY QUEEN

65 EPS X 60’

Enter the world of lifestyle entertainment with entertainment industry icon, Mr. Tseng Kuo-cheng and his charismatic and witty partner, life queen Ba Yu, in the all-new variety show, ‘Oh! My Queen.’

This engaging program offers a delightful spin on everyday topics, providing a stress-relief experience for all, as the dynamic duo discuss life in a fun and joyful manner.

COMPANY: VIDEOLAND INC.

PRE-SALES

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NEW IPs

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DRAMA | Series

ANIMATION | Kids (Ages 7 & up)

A WONDERFUL JOURNEY

BOONIE BEARS: TIME TWIST

Operating a modest taxi company with only three cars, Mr. Chen and his wife aspire to pass the business to their sons. Faced with the decision to pursue personal careers or inherit the taxi company, the brothers closely observe their parents and drivers. Determined not to surrender despite financial challenges, they echo the family motto: “as long as the cars still run forward,” emphasising the enduring spirit to persevere, ensuring the business thrives and remains a testament to resilience and familial dedication.

Overworked programmer Vick faces a life-altering proposition from an eccentric VIP client, offering the chance to transform his world. Opting for a cosmopolitan lifestyle alters Vick’s reality, causing his bear friends, Briar and Bramble to vanish. Realising his current existence is not his true destiny, Vick seizes the opportunity to reunite with his friends and restore his original fate. Aided by his unconventional client, Vick embarks on a journey across timelines, unravelling truths and encountering extraordinary adventures in a quest for personal and existential discovery.

COMPANY: CHINESE TELEVISION SYSTEM

COMPANY: FANTAWILD ANIMATION INC.

10 EPS X 46’

DOCS & FACTUAL | Science & Knowledge

LIFE, THE UNIVERSE AND ALMOST EVERYTHING The series sets out to uncover the world’s mysteries and wonders approached from the unbridled curiosity and openness of a child.

It questions what it would be to imagine beyond the textbooks, discarding the fear of appearing ignorant, and to explore the boldest of curiosities.

The series embraces the untethered spirit of inquiry, exploring the world with a genuine thirst for understanding, and engage with boundless wonder.

COMPANY: DEUTSCHE WELLE (DW)

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ANIMATION | Kids (Ages 7 & up)

CHAMP: RISING STAR Unveiling a world where animated balls represent the diverse journeys and experiences of children globally, this unique concept centres on a captivating cast.

From a retired NBA basketball offering life lessons to a volleyball imparting sportsmanship, confrontational tennis balls, and wise golf balls, each character brings a distinct flavour. Champ, the protagonist and a soccer ball, aspires to transcend his school boundaries, aiming to become the sole ball on the field during the World Cup Final. This animated series celebrates the universality of children’s play and the lessons learned through the various adventures of these anthropomorphic balls.

COMPANY: VFX ISTANBUL PRODUKSIYON

DRAMA | Thriller

KILL SERA SERA (谁杀了她) In a chilling tale where morality is blurred, a girl’s homicide case unravels a narrative where a selfish father prioritises his reputation over decency, and a victimised son commits murder driven by blind love.

As the fabric of the family fractures, a guilt-stricken mother is pushed to her limits. Fuelled by a desperate need to mend her broken family, she embarks on a relentless quest to uncover the truth behind her daughter’s murder. The story probes the depths of human morality, love, and the harrowing lengths a mother will go for justice and family restoration.

COMPANY: MEDIACORP PTE LTD

DRAMA | Crime Investigation

OF MONEY AND BLOOD

12 EPS X 60’

In the bustling city of Paris in 2008, what begins as a seemingly straightforward and profitable scam turns into the fraud of the century. Unlikely small-time crooks Fitous and Bouli form an alliance with wealthy trader Jérôme to exploit the newly established EU carbon quota market, Overgreen, embezzling an astonishing total exceeding one billion euros.

However, when Simon, a government official skilled in combating white-collar crime, uncovers the scheme, it triggers a captivating game of cat and mouse that spans the globe, taking them from Paris to Las Vegas to Tel Aviv.

COMPANY: STUDIOCANAL

NEW IPs

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NEW IPs DRAMA | Family

YOU ARE MY SISTER

ATF ATF 2023 2021 D E C hybrid 6edition

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ANIMATION | Kids (Ages 7 & up)

PUTRA

52 EPS X 11’

At 26, You Wei Lai strives to be everyone’s top choice despite lacking conventional allure. Deemed neither smart nor pretty, she bears an ordinary appearance and education, merely a 3.5-star rating in others’ eyes. In stark contrast, her older sister, BaoQian, embodies perfection.

Entangled in a love-hate relationship since childhood, Wei Lai resolves to seize opportunities and persevere. Determined to shine, she forges ahead, realising that while she may not achieve a perfect rating like her sister, she can carve a path to become the most radiant person.

Putra, a modern Indonesian boy undergoes a transformative journey into an action hero in this captivating animated series. Joining forces with his dynamic friends—Budi the Foodie, Iis the Gadget Queen, and KT the Pet Parrot-Eagle in disguise - Putra embarks on adventures ranging from homework conquests to defending their city from evil forces. The fearless and honest camaraderie of these kids serves as a beacon for what’s right. This high-quality action-comedy series not only promises endless fun but also imparts valuable life lessons, making ‘Putra’ a locally cherished Indonesian animation resonating with kids.

COMPANY: GALA TELEVISION CORPORATION

COMPANY: PT SPECTRUM FILM

DRAMA | Series

DARK LAKE - CROSSING THE DEVIL In a riveting mystery crime thriller, the antithesis of multiple romances unfolds, captivating fans of meticulously crafted crime narratives with a touch of sci-fi and mystery.

This high-energy, 60-minute format, expertly produced in Canada, stars Melissa D. Poulin (known for ‘Incendies’) in the lead role. With special effects by the Oscar nominee, Adrien Morot, the series promises a rollercoaster of suspense, combining top-tier storytelling with cutting-edge visuals to deliver an enthralling viewing experience.

COMPANY: PICTURE TREE INTERNATIONAL GMBH

50

DRAMA | Action / Adventure

JIN YONG WUXIA UNIVERSE

60 EPS X 45’

As the masters gather, fearlessly navigating the martial world, a new chapter unfolds in the Wuxia Saga. This marks the commencement of the Jin Yong Wuxia Universe, breathing life into a legendary realm where martial arts prowess, honour, and intrigue converge. The reopening of this epic saga promises a tapestry of martial arts mastery, unveiling a world where warriors, each bearing their unique skills and destinies, embark on a journey that transcends time and tradition.

COMPANY: YOUHUG MEDIA

DRAMA | Thriller

DARK CITY: THE CLEANER Based on Paul Cleave’s bestselling crime novels, ‘Dark City: The Cleaner’ delves into the double life of an average, unassuming guy named Joe. By day, he works as a police station cleaner, affording him the perfect cover to eavesdrop on detectives investigating the serial killings attributed to him as ‘The Christchurch Carver.’ This cat-and-mouse game takes a sinister turn when Joe initiates a rivalry with a copycat killer and finds himself pursued by a mysterious new avenger, unravelling the meticulously crafted facade of his life.

COMPANY: LIONSGATE

DRAMA | Action / Adventure

PATTAYA HEAT In the world of criminal crime movies, Sergeant Chai, a junior police officer, embarks on a seemingly routine task—transporting a gold box from bustling Bangkok to the coastal city of Pattaya. Little does he know, his mission transcends the surface, plunging him into a maelstrom of fierce battles and exposing the intricate and dark recesses of the human mind. As emotions clash and the pursuit of money and revenge unfolds, Chai grapples with a complex journey that unveils the unpredictable depths of human nature.

COMPANY: HOLLYWOOD (THAILAND) CO., LTD.

NEW IPs

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NEW IPs

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DRAMA | Action / Adverture

DRAMA | Romance

MISJUDGEMENT

I KNOW I LOVE YOU

Caught in a nightmarish twist of justice, a young man finds himself wrongfully charged with drug trafficking, unaware of the nefarious scheme surrounding him. His defence lawyer, secretly aligned with a criminal organization, dupes him into pleading guilty, allowing the true culprit to evade punishment. Sentenced to 23 years, the victimized man becomes entangled in a web of deception. Enter Kwok, a prosecutor compelled to risk life and career to unearth the truth, exposing the criminal lawyer’s allegiance and ensuring justice is served against the real perpetrator.

Pressured by friends and parental disapproval, Xu Nuo and Zhao Jin’s love encounters various hurdles. Despite misunderstandings, Zhao Jin’s tender care becomes a source of warmth and strength for Xu Nuo, restoring her confidence and love. Channelling this affection into flower arrangements, Xu Nuo rises as a renowned florist. In turn, Xu Nuo helps heal Zhao Jin’s emotional wounds, fostering happiness. Through mutual love, the couple overcomes challenges, grows together, and ultimately enters the sacred realm of marriage, their journey marked by triumph over difficulties and shared growth.

COMPANY: MANDARIN MOTION PICTURES LIMITED

COMPANY: BEIJING FILMTAG TECHNOLOGY DEVELOPMENT CO., LTD

DRAMA | Horror

BEST REGARDS TO ALL Marking Yuta Shimotsu’s inaugural feature film, with Takashi Shimizu, maestro of J-horror and ‘Juon: The Grudge’ fame, as executive producer, the story unfolds around a young nursing school student. Venturing to her grandparents’ countryside home, she finds herself increasingly uneasy within its walls. As the unsettling atmosphere intensifies, she unravels a horrifying truth lurking beneath the seemingly idyllic setting. Departing from typical J-horror conventions, this narrative promises a fresh and unnerving perspective on the genre, blending suspense with a chilling revelation.

COMPANY: KADOKAWA CORPORATION

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: rajesh@spectrumfilmindonesia.com

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EXISTING IPs DRAMA | Crime Investigation

THE COUPLE NEXT DOOR

6 EPS X 60’

D E C hybrid 6edition

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FORMATS / NON-SCRIPTED ENTERTAINMENT | Reality Show / Scripted Reality

NAUGHTY KIDS SUMMER CAMP

13 EPS X 120’

Upon entering an affluent neighbourhood, Evie and Pete are thrust into a realm of nosy neighbours and status-conscious dynamics. Amidst this social labyrinth, they discover an unexpected refuge in their next-door neighbours, Danny, an authoritative traffic cop, and his glamorous yoga instructor wife. As the quartet navigates the intricacies of their upscale surroundings, unexpected friendships and intriguing connections unfold, revealing a picture of the contrasting worlds within the confines of their manicured community.

Celebrities and stars collaborate to organise a mountain-based summer camp for children as they step into the shoes of spirited kindergartners, taking charge of all aspects of the youngsters’ daily lives throughout the summer camp session. A delightful and heart-warming journey ensues as the celebrities embrace the challenges and joys of creating a memorable experience in this unique role reversal.

COMPANY: BETA FILM GMBH

COMPANY: EASTERN BROADCASTING CO., LTD.

ANIMATION | Pre-School

LILI AND MAX

104 EPS X 2.30’

Tailored for children aged 2 to 8, Lili and Max captivates young minds as the pair discover the world, weaving tales about family, friends, and even animated objects. Learning is made fun through singing and dancing with lovable characters as well as through valuable lessons from good habits to safety tips and healthy practices.

COMPANY: AZAR PRODUCTIONS

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DRAMA | Action / Adventure

EXISTING IPs

ALL THAT GLITTERS (金色大道)

30 EPS X 60’

A gripping saga of three friends; Liu Mu, Jin Tiao and Jian Zhi, who dwell in the underbelly of society and succumb to crime and eventually self-destruction.

The series explores the transformation from friends to adversaries, culminating in Jian Zhi’s murder and the unravelling of hidden truths as Liu Mu and Jin Tiao flee from justice.

COMPANY: MEDIACORP PTE LTD

DRAMA | Thriller

DIRTY LINEN Burdened by the knowledge of her mother’s sudden death at the hands of an influential family known as the Fieros, a criminology undergrad moves to the town of El Hambra and takes on a new identity as a maid in order to infiltrate the Fiero household.

Her goal: to uncover each of their darkest secrets and seize the long-awaited opportunity to deliver a serving of justice on a shiny, cold platter.

COMPANY: ABS-CBN CORPORATION

ANIMATION | Pre-School

KANGAROO BEACH

50 EPS X 12’ (+ 2 EPS X 30’ SPECIALS) In a thrilling summer at Kangaroo Beach, junior cadets Pounce, Gemma, Neville, and Frizzy immerse themselves in lifeguard training alongside their heroes. When emergencies unfold, the cadets, including the spirited Echidna Spyke, rally to ensure water safety. As the newest recruit, she brings both eagerness to learn about water safety and a wealth of bush knowledge to share with her newfound friends.

COMPANY: AUSTRALIAN CHILDREN’S TELEVISION FOUNDATION

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EXISTING IPs DRAMA | Crime Investivation

SAVAGE RIVER

ATF ATF 2023 2021 D E C hybrid 6edition

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DRAMA | Crime Investigation

THE SPECTER IN SAMAJI

6 EPS X 60’

12 EPS X 45’

Upon her return to the rural Victoria town of Savage River after eight years in prison, 25-year-old Miki Anderson aspires to start anew.

However, the tight-knit community remains unforgiving, refusing to let her escape her troubled past. When a startling murder shatters the town’s tranquillity, suspicion turns toward Miki. Faced with mounting police scrutiny, she launches a quest to vindicate herself, delving into buried secrets that challenge her understanding of reality.

Tang Yu and Li Wuqing find themselves on edge as they navigate the mysteries surrounding a clandestine underground laboratory on an island and the deaths related to it from 14 years ago. Tension rises when two new deaths are reported, linked to ancient legends and a long-standing curse. Trapped on the island with strangers, a tide of secrets emerges, poised to unravel and reveal enigmas that lurk beneath the surface.

COMPANY: DYNAMIC TELEVISION LLC

COMPANY: FAN LIAN TECHNOLOGY CO., LTD.

EDUCATION/DOCS | Pre-School

HATTUNG STRAIGHT AND NARROW

10 EPS X 3’

An educational series augmented by a colouring book and a sticker book for added engagement, this 4D educational resource covers ten topics for children to cultivate a wholesome lifestyle.

Going beyond the animation, children are encouraged to actively participate in Hattung’s world utilising a sound pen through the book accompaniment for a realistic listening experience.

COMPANY: CHUM EDUCATION CORP.

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ERINYES 12X45'

CRUSADE

13X45'

5X50'

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EXISTING IPs ANIMATION | Kids

TIKA TAK TAIL

186 EPS X 7’ (2 SEASONS) Presented in a non-dialogue format, this animated slapstick, light-hearted escapade unfolds an eternal pursuit with a trio of characters – Tik, the endearing rabbit, evading Tak, the fierce tiger, and the mischievous Tail who consistently disrupts Tak’s schemes. However, Tik cleverly outpaces and outwits the other two by setting the tiger against its own Tail.

COMPANY: COSMOS MAYA INDIA PRIVATE LIMITED

DRAMA | Telenovelas / Soap

FOREVER

205 EPS X 50’ Pedro, abandoned as a child in a church, embarks on a life mission to locate his missing mother. Driven to leave behind his hometown and girlfriend, he returns years later. Reconnecting with his first love in the process, Pedro edges closer to unravelling the mystery. However, a poignant twist surfaces as she is now betrothed to his brother, plunging everyone into an emotional rollercoaster of love, sacrifice, and familial complexities.

COMPANY: ONZA DISTRIBUTION

ANIMATION | Pre-School

COCOMELON

300 EPS X 3’

Centred around JJ, his family, and friends, the series unfolds in delightful everyday adventures. Through relatable scenarios and catchy tunes, CoComelon seamlessly intertwines exploration and learning.

This warm and inviting world mirrors the experiences familiar to young kids, creating a welcoming space where they can joyfully relish the magic of childhood.

COMPANY: MOONBUG ENTERTAINMENT

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We bring you engaging, creative, compelling and entertaining films, series, mini-series, formats, and channels from the Philippines.

https://mqworldwide.mediaquest.com.ph/

The Beloved Affair

Love Until The End

Action Drama | Series 65 x 30 mins

Drama | Series 50 x 30 mins

Drama | Mini Series 14 x 60 mins

Sci-fi/Drama | Film Coming Soon

Comedy | Film 96 mins

Historical Drama | Film 122 mins

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EXISTING IPs ANIMATION | Pre-School

SAUCERIA

ATF ATF 2023 2021 D E C hybrid 6edition

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DRAMA | Family

LIVING

30 EPS X 10’

12 EPS X 60’

Harmony prevails in SauceRia, a haven abundant with fresh fruits and vegetables, thanks to the revered Master Sauce’s Recipe Book. However, the serenity is shattered when the mischievous villain Cuckoo seizes the coveted recipe book, plunging SauceRia into turmoil. It is down to the heroic residents to embark on a multilingual quest, retrieve the stolen treasure and restore tranquillity to their beloved animated realm.

Jiayue’s unexpected return after years of being away stirs an air of discomfort at home. Despite the lukewarm reception, he stays on and realises that not all is smooth sailing beneath the happy household veneer – his parents mired in an unhappy marriage, his brother wrestling with a sense of alienation, while another grapples with an uncertain future. Despite these challenges, the family collectively stumbles forward, resiliently navigating life’s hurdles.

COMPANY: ACCESS KOREA

COMPANY: FANTASTIC PRODUCTION CO., LTD.

DRAMA | Series

THE AMAZING GRACE OF Σ A pop star whose manager tragically dies by suicide, seeks solace in a group associated with the deceased manager, and unwittingly becoming entangled in a manipulative cult. Delving into the depths of the twisted organisation, the series exposes the organisation’s machinations and illuminates the chilling reality of the destructive impact of such cults on individuals navigating tragedy and seeking connection.

COMPANY: KSANA FILMS CO., LTD.

60

DRAMA | Series

EXISTING IPs

THE LIBRARIANS: THE NEXT CHAPTER

12 EPS X 60’

‘The Librarians: The Next Chapter’ emerges as a spinoff from the original TV series, ‘The Librarians,’ which chronicled the exploits of custodians safeguarding a magical repository of the world’s most potent and perilous supernatural artifacts. The new series pivots around a Librarian who has timetravelled from the past and is now stranded in the present. When he unwittingly unleashing magical chaos across the continent, he assembles a team of librarians to help fix the mayhem.

COMPANY: ELECTRIC ENTERTAINMENT

DOCS & FACTUAL | Lifestyle

GLOBAL FESTIVAL

99 EPS X 46’

An exploration of festivals around the world, ‘Global Festival’ delves into the heart of an event and showcases the behind-the-scenes and preparations.

The immersive journey offers a fresh perspective of the global tapestry of celebrations and fosters a deeper understanding of the world’s diverse cultural expressions.

COMPANY: ELTA TECHNOLOGY CO., LTD

ANIMATION | Kids (Ages 7 & up)

MYSTERY LANE

26 EPS X 22’

Known for her prodigious sense of observation and extraordinary analytical skills, Clever the hamster and her hot-headed little brother embarks on investigating a series of strange occurrences that have taken place across London. The dangers to overcome are equal to the extraordinary cases – which border on the supernatural – that Clever and Bro must confront as they solve the mysteries.

COMPANY: HARI

p A r Ye v Oi N e w D E

EXISTING IPs DRAMA | Family

ALACA

ATF ATF 2023 2021 D E C hybrid 6edition

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ANIMATION | Pre-School

MILO

2 SEASONS: 52 EPS X 11’ (AVAILABLE) 52 EPS X 11’ (IN PRODUCTION)

In the tumult of conflicting loyalties between an old lover and her selfserving father, Alaca, a small-town girl embarks on a truth-seeking quest leading her to Istanbul. Unaware that those nearest to her harbour the secrets of her past, Alaca must unravel the layers of deception and confront the heinous crime that irrevocably altered her life.

Milo, a spirited five-year-old cat, alongside his pals Lofty and Lark, embark on adventures exploring the world through role-play. The show whimsically introduces pre-schoolers to diverse professions, complete with the associated outfits, fostering early curiosity in an entertaining manner and sparking young minds to dream big and embrace the wonders of the future.

COMPANY: MEDIAHUB MEDYA VE İLETIŞIM HIZMETLERI A.Ş.

COMPANY: DEAPLANETA ENTERTAINMENT

ANIMATION | Kids (Ages 7 & up)

SHASHA & MILO

25 EPS X 22’ (EPISODES) 12 EPS X 2’ (SHORTS) Shasha & Milo’ is a dynamic action-comedy series that follows the adventures of Shasha and Milo, who lead dual lives as Crescent Island Guardians, defending their home from scheming feline villains. Balancing everyday challenges with their extraordinary duties, the duo showcases the ability to transform seamlessly between human, cat, and a formidable hybrid form.

COMPANY: PINGO ENTERTAINMENT CO.,LTD

62

61ST SPRING INTERNATIONAL TELEVISION MARKET

2024 CANNES FRANCE Featuring the biggest weekend in unscripted

p A r Ye v Oi N e w D E

EXISTING IPs

ATF ATF 2023 2021 D E C hybrid 6edition

+

ANIMATION | Pre-School

ANIMATION | Teens (Ages 13 & up)

ALVINNN!!! AND THE CHIPMUNKS

LUDA

An animated take on a prime-time sitcom, portraying the challenges of a single parent, Dave raises six hyperactive Chipmunks. Mirroring the experiences of many parents, Dave’s patience is continually tested, often culminating in the renowned exclamation, “ALVINNN!!!”.

This entertaining series captures the comical trials and tribulations of parenthood, as Dave navigates the energetic antics of his spirited Chipmunk companions, providing a humorous glimpse into the chaotic yet heart-warming dynamics of their unconventional family life.

In her quest to find her parents, young Laqi enters the forest and stumbles upon the mischievous demon, Luda. Drawn into the enchanting woods by Luda, Laqi embarks on a fantastical journey, where whimsical adventures unfold as she endeavours to reunite with her family. The forest becomes a realm of magic and mystery, testing Laqi’s courage and resilience as she navigates through the unknown in pursuit of her ultimate goal.

COMPANY: PGS ENTERTAINMENT

COMPANY: MOSEN CONTENT CO., LTD.

260 EPS X 11’

DRAMA | Historical Period Drama

LA MODERNA

120 EPS X 55’

Set in Madrid, 1930, amidst a backdrop of significant changes and a vibrant intellectual and cultural scene, the city grapples with the repercussions of political and social instability. Despite the widespread challenges across Spain, the “La Moderna” tea room emerges as a haven where troubles and conflicts are momentarily left at the threshold, providing a sanctuary where patrons can escape the tumultuous world and immerse themselves in the solace of cultural enclave.

COMPANY: RTVE — RADIO TELEVISIÓN ESPAÑOLA

PRE-SALE INQUIRIES Mr. Gary Marenzi Marenzi & Associates gary@marenziassociates.com