Eugene reveals she thought of entering convent before meeting husband

By Anne PAsAjol Inquirer.net

EUGENE Domingo finally opened up about her romance with her husband, Italian film critic Danilo Bottoni, admitting she had already accepted a “life of being single” and was contemplating entering a convent before she met him in Italy.

The actress spoke about this during an interview for “Fast Talk with Boy Abunda” on Wednesday, May 3, after show host Abunda asked if Domingo would leave show business for love.

“Yes. At this point, my goodness, I’m a golden girl. This is the second half of my life,” she answered. “I have given the first half to always just about me and helping my family. The second part would be for me and Danilo.”

Although Domingo did not immediately disclose details about their wedding, she called him “my husband” in answering one of the “Fast Talk” questions.

Domingo then narrated how they met each other when she attended the Udine Film Festival u PAGE 10

By embracing the influences of both her Filipino and Australian cultures, Garcia’s artistic practice reflects a broader theme of cross-cultural exchange. Garcia’s work serves as a testament to the power of cultural hybridity and how different artistic traditions can come together to create something entirely new and beautiful. In this sense, Garcia’s work is not only a celebration of her heritage but a celebration of diversity and how it can lead to innovation and creativity.

Through her interdisciplinary approach to art, Garcia can explore a wide range of themes and subjects, from identity and memory to politics and society. By drawing on traditional Filipino motifs and blending them with contemporary techniques, Garcia can create pieces that are deeply rooted in her cultural heritage and relevant to contemporary audiences.

Garcia’s use of digital technology is particularly noteworthy, as it allows her to create works that are not limited by the constraints of physical space or time. By incorporating digital elements into her work, Garcia can create immersive experiences that engage the viewer on multiple levels.

Overall, Garcia’s work reflects a unique blend of traditional Filipino elements and modern techniques, showcasing the power of cross-cultural exchange and innovation. By embracing her heritage and exploring new forms of artistic expression, Garcia can identity, and cultural memory,

States.

Indigeneity through video, performance, sculpture, and installation, a central theme of “alterity”

Garcia wants the exhibition guests “to have a critical engagement with violence”.

“Violence is a topic that can be quite confrontational, to have and it is especially important and feels significant for AAPI women and femmes to have because statistically, they are most at risk,” she said.

Garcia believes it is crucial to have a critical approach towards violence, where we recognize its presence in our daily lives.

“This acknowledgment should inspire us to learn practical skills to defend ourselves, prioritize self-preservation, and understand that our lives hold value and we have the right to exist,” she added. n