2013 2014 2015

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中另闢蹊徑，為這位一代宗師的故事注入獨門敘事風格，散發淡 然遺憾。與王家衛合作無間的梁朝偉化身葉問，來港後將武術發 揚光大。和葉問相識相知的宮二戲份突出，為報父仇而決意孤身 走完人生路，內心的千迴百轉極有發揮，為章子怡贏得亞洲電影 大獎影后殊榮。電影貫徹王家衛的唯美影像風格，北地雪國南方 街巷融情入景，服裝、美術、音樂錦上添花，同時奪得亞洲電影大 獎最佳攝影、最佳造型設計、最佳原創音樂及最佳美術指導獎項。

True to the film’s classic line ‘Whatever is fixed in the mind will blossom one day’, Wong Kar Wai took time in preparing THE GRANDMASTER after directing MY BLUEBERRY NIGHTS, his first Hollywood film. Unique among the various “Ip Man” films popular in Hong Kong at the time, Wong injected his unique narrative style, tinged with melancholy, into the martial arts grandmaster’s story. Tony Leung Chiu Wai, Wong’s frequent collaborator, is transformed into Ip Man who eventually spread Wing Chun worldwide after he came to Hong Kong. Zhang Ziyi stole the spotlight from Leung as Gong Er, Ip’s friend and fellow martial artist. She brought to life a multi-layered character who seeks revenge for her father by choosing a lonely path in life, and the role garnered Zhang Best Actress at the Asian Film Awards. Wong Kar Wai’s signature aesthetics included capturing the stunning snow-swept landscapes of Northeast China and street scenes in Southern China which is highlighted by sumptuous costume, production design and music. For these achievements, the film also won multiple Asian Film Awards including Best Cinematography, Best Costume Design, Best Original Music and Best Production Design.