Fine Chinese and Asian Art December 2022

Fine Chinese and Asian Works of Art 熹山雲起 - 中國與亞洲藝術精選 Auction • 3 & 4 December 2023

Specialists

Regional Representatives

Single-Owner Auctions Paul Sumner 0412 337 827 Sandy Bruce 0421 920 387

Western Australia Julie Smetana 0427 921 756

Chinese and Asian Arts Luke Guan 0455 891 888 Allan Rae 0414 280 919 Indigenous Australian Art Shaun Dennison 0410 501 857 Arts of the Middle East Dr Susan Scollay 0418 175 694

ACT Phillip Jones 0414 788 681 South Australia Judith Quigley 0417 841 355 For all email enquiries please email mail@artvisory.com.au

design + decoration & Interior Decorator Auctions Amanda Swanson 0414 592 234 For all email enquiries please email mail@artvisory.com.au

SOUTH YARRA

WILLIAMS RD

E NUE

RIVER ST

R A AV

CHAPEL ST

PUNT RD

E

ND

I IIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIII I I I I IIIIIII IIIII

AL

XA

South Yarra Station

IIII

IIII

I

III

CLARA ST

TOORAK RD

I I III

IIIIII

IIIIII IIIIII I

TOORAK

IIIIII I

IIIIIII IIIIIII I

IIIIIII

IIIIIII IIIIIII I

I

IIIIIII IVIC IIIIIII 3141 Auction Artvisory 310 Toorak Road, South Yarra IIIII Hawksburn Station

IIIIIII IIIIIII

IIIIIII

IIIIIII IIIIIII

Fine Chinese and Asian Works of Art 熹山雲起 - 中國與亞洲藝術精選 CURATED BY LUKE GUAN

AUCTION

Session 1

Sunday 3 December 2023, 12noon (Lots 1–219)

Session 2 Monday 4 December 2023, 12noon (Lots 220–414) Artvisory 310 Toorak Road, South Yarra VIC 3141 VIEWING

COLLECTIONS

Wednesday 29 November

11am–5pm

Thursday 30 November

11am–5pm

Friday 1 December

11am–5pm

Saturday 2 December

11am–5pm

Tuesday 5 December

11am–5pm

Wednesday 6 December

11am–5pm

Thursday 7 December

11am–5pm

ONLINE

View catalogue and bid online at www.artvisory.com.au

ENQUIRIES

Specialist Enquiries: Luke Guan 0455 891 888 luke@artvisory.com.au

Auction administration enquiries: Amanda Swanson 0414 592 234 amanda@artvisory.com.au

2

How to bid at our Auctions Catalogues and Viewing

Bidding

Auction catalogues can be viewed on the Artvisory website www.artvisory.com.au approximately three weeks prior to the published date of an Auction.

Artvisory offers four options for bidding at our Auctions:

Printed catalogues will be available complimentary at the auction viewing and can be express posted (within Australia) prior to the viewing for $20AUD.

If this is your first-time bidding in person at an Artvisory auction you will be required to register with us, which requires you to fill out a buyer registration form in person at the viewing.

The Auction viewing is open to the public and generally takes place during the three days prior to the Auction date, from 11am–5pm at the advertised location/s in the Auction catalogue.

To facilitate this, please bring along your Government issued photo identification, such as a driver’s licence or passport as this is the only form of identification that will be accepted.

Lot Descriptions

Please make sure you register in the name you want your final invoice to be made out to, as invoices once issued cannot be changed, and in certain cases a deposit may be required before you can bid.

The Lot/Catalogue descriptions provide the overall information of an item including size, date or age, medium, attribution, quantity and if known, provenance.

Estimates The estimate accompanies each lot in the printed and online catalogue.

This estimate takes into consideration the quality, condition, rarity, condition and provenance of the item. Each estimate also has a reserve, and the reserve is the undisclosed and confidential amount set at or below the low estimate. Please note the reserve will never exceed the low estimate at Artvisory.

Condition Reports

Live Bidding

Online Bidding Online bidding via the Invaluable.com platform allows you to bid via the internet in real time, whilst also allowing you to view the live feed of the Auction. You have two options to register for this service: •

Register via the Artvisory website and an Invaluable.com online bidding fee of 2% of the hammer price is added

•

Register direct with Invaluable.com and an online bidding fee of 5% of the hammer price is added

Please make sure you register for online bidding at least 24 hours prior to the Auction to ensure you do not miss your lot.

Condition reports supplement the lot/catalogue description and focus on the condition of the item. We strongly advise obtaining a condition report if you are unable to view the lot in person. Condition reports and additional images are available to view as part of the auction item listing at Invaluable.com or can be requested from Artvisory directly.

Please note if you have not bid with Artvisory previously, then Government issued photo identification verifying your name and address will be also be required before you can be approved to bid with Artvisory via the Invaluable.com site, and in certain cases a bidding deposit (20% of the low estimate of each Lot you wish to bid on) may be required before you can bid.

Symbols

Artvisory cannot be held responsible for any errors that occur with internet connectivity during an auction or buyer bidding errors.

Occasionally a symbol is printed next to a lot number in the catalogue, this indicates a special clause that is associated with the sale of that item.

Please refer to the Terms and Conditions for specific symbol meanings and information.

Buyers Premium Artvisory charges a Buyers Premium of 26% plus GST on the hammer price of all Auction items unless otherwise stipulated.

Bidding Deposits Artvisory reserves the right to request a deposit for any buyer wanting to register for the auction, and this must be received in cleared funds 24 hours prior to the commencement of the auction. If the buyer is not successful, then it will be refunded in full by the third day after the auction.

3

Telephone Bidding

Payment and Collection

Complimentary telephone bidding is available at all of our live Auctions and involves an Artvisory representative calling you approximately 3–5 lots in advance of your nominated lot and you then instruct them to bid on your behalf.

If you are successful with your bid/s, your invoice will be emailed to you immediately after the Auction finishes.

Telephone Bids must be requested at least 24 hours prior to the commencement of the Auction and are provided on a first come, first served basis, as the number of phone lines available are limited.

See our website to download and complete a telephone bidding form and please note that if this is your first time bidding with Artvisory, we will require a clear, scanned copy of Government issued photo identification such as a drivers licence or current passport verifying your name and address and in certain cases a deposit may be required before you can bid. A bidding deposit (20% of the low estimate of each Lot you wish to bid on) may be required before you can bid.

Artvisory reserves the right to request a deposit for any buyer wanting to register for the auction, and this must be received in cleared funds 24 hours prior to the commencement of the auction. If the buyer is not successful, then it will be refunded in full by the third day after the auction.

You will pay the hammer price, plus the Buyers Premium of 26% plus GST on each lot, together with any additional charges such as the Invaluable. com online bidding fee, GST on hammer, or the Artist Resale Royalty if applicable.

As per our terms and conditions, payments must be made in full by three (3) days after the Auction has been completed as printed in the catalogue.

We accept Direct Deposit into the Company Trust Account, Eftpos (up to your daily limit) or credit card in person with the following merchant fee applicable (1.43% inc GST for Visa, Mastercard and American Express) If you wish to pay “over the telephone“ with a credit card you must request a secure payment link by emailing accounts@artvisory.com.au and the secure link will be emailed to you, note the Merchant name on your transaction is KK Partners Group- the Company Trust Account.

Absentee Bidding

Cash payments must be deposited direct to the Company Trust account via any Commonwealth Bank Branch, and goods can be released upon supplying the deposit receipt.

Absentee bidding offers convenience if you are unable to attend an Auction in person, bid over the telephone, or if you wish to stick to your budget.

Personal, Company and Bank cheques are not accepted. All payment options and Company Trust Account details are included on the invoice that is emailed to you after the Auction if you are a successful bidder.

An absentee bid should be set at the maximum amount you wish to bid on the lot/s you are interested in purchasing. Should the lot/s be knocked down at an amount lower than the bid recorded on your form, the lot will be sold to you for the lesser hammer price plus Buyers Premium. If identical bids are received for the same lot, then the first bid received by Artvisory will take precedence.

All items must be paid for in full and collected within the collection times advertised for each individual Auction. If items are not collected within this time frame then Artvisory reserves the right to charge removal, storage and release fees.

Absentee bids must be received by Artvisory at least 24 hours prior to the Auction commencing and the Company cannot be held responsible for activating any late bids that are received.

Artvisory has a list of recommended carriers specific to each auction that will be sent to you if you are a successful buyer.

See our website to download and complete an absentee bidding form and please note if this is your first time bidding with Artvisory, we will require a clear, scanned copy of Government issued photo identification such as a drivers licence or current passport verifying your name and address and in certain cases a deposit may be required before you can bid.

Packing and Delivery

4

Session 1 — Sunday 3 December, 12noon (Lots 1–219) 1

3

A LARGE CHINESE BLUE AND WHITE 'KRAAK' DISH, WANLI PERIOD (1573-1619)

A PAIR OF CHINESE BLUE AND WHITE SHOU CHARACTER AND PHOENIX DISHES, KANGXI PERIOD (1644-1911)

明 萬曆 青花克拉克大盤 49cm diameter

清 康熙青花盤一對 16cm diameter

For a smaller example (47.5cm diameter) see Christie's London, 2/11/2020, lot 31

PROVENANCE

PROVENANCE

$600–800

Bonhams London, 23/09/2015, lot 202.

Illustrated online at artvisory.com.au

$3,500–5,500 Illustrated online at artvisory.com.au

2

A RARE AND FINE CHINESE YELLOW-GROUND BLUE AND WHITE 'DRAGON' BOWL, KANGXI SIX-CHARACTER MARK IN UNDERGLAZE BLUE AND OF THE PERIOD (1662-1722) The bowl is finely potted with deep rounded sides rising from a tapered foot to an everted rim, the interior with a central medallion enclosing a five-clawed blue dragon on a yellow ground, the exterior similarly decorated with a pair of sinuous five-clawed dragons striding through flames above overlapping lotus petals. 清 「大清康熙年製」六字青花款及本朝 黃地青花龍紋盌 13.3cm diameter; box Similar example see Bonhams, London, 11/05/2021, lot 258

From a senior historian's private collection, Sydney.

4

A CHINESE BLUE AND WHITE BOWL, MING DYNASTY, 16TH CENTURY The base is with "Chang Ming Fu Gui" four-character mark, translated as "Long life, riches, and honour". with a fitted box. 明 十六世紀 長命富貴款 青花盌 12cm diameter A very similar example see Sotheby's London, 12/05/2010, lot 23 PROVENANCE

Collection of Dr. Derek Anthony Duckhouse (1933-2014).

Bluett & Sons Ltd, 14/11/1973 (with original receipt).

Derek Anthony Duckhouse (1933-2014)博士舊藏。 購藏自英國著名古董商Bluett & Sons ，於1973年11月14日，附原發票。 $2,000–3,000

PROVENANCE

Acquired from Joshua McClelland Print Room 15/11/2004. $3,000–5,000

2

4

5

5

5

A PAIR OF CHINESE BLUE AND WHITE "SANDUO" BOWLS, GUANGXU SIX-CHARACTER MARKS IN UNDERGLAZE BLUE AND OF THE PERIOD (1875-1908) 清 光緒款及本朝 青花三多紋盌一對 15.5cm diameter PROVENANCE

From a senior historian's private collection, Sydney, acquired from T.Y. King & Sons Chinese Antiques and Works of Art, Hong Kong in the '60s.

60年代購於香港金財記 。 $1,000–2,000

6

A PAIR OF LARGE CHINESE BLUE AND WHITE GU-SHAPED VASES, QING DYNASTY, 19TH CENTURY 清 十九世紀 青花觚形瓶一对 Each: 49cm high $4,000–6,000

7

A CHINESE BLUE AND WHITE 'LOTUS' DISH, GUANGXU SIX-CHARACTER MARK IN UNDERGLAZE BLUE AND OF THE PERIOD (1875-1908) 清 「大清光緒年製」六字青花楷書款及本朝 纏枝蓮紋盤 20cm diameter $1,500–2,500 Illustrated online at artvisory.com.au

8

A CHINESE BLUE AND WHITE HIGH-FOOT DISH, YONGZHENG PERIOD (1722-1735) 清 雍正 青花深山鳴琴圖盤 15.5cm diameter $1,000–2,000 Illustrated online at artvisory.com.au

6

6

9

9

12

A CHINESE DOUCAI DISH, WANLI TWO-CHARACTER SEAL MARK WITHIN DOUBLE CIRCLES AND OF THE PERIOD (1573-1619)

A CHINESE YELLOW-GLAZED DRAGON BOWL, DAOGUANG MARK, QING DYNASTY (1644-1911)

明 “萬曆”款及本朝 斗彩荷塘鴛鴦盤 13.3cm diameter

The exterior of the bowl is decorated with two dragons chasing flaming pearls, and the interior center with a "shou" character 清 道光款 黃釉龍紋盌 10.2cm diameter

$4,000–6,000

10

A PAIR OF CHINESE BLUE AND WHITE 'KRAAK' DISHES, WANLI PERIOD, 16TH CENTURY 明 十六世紀 青花克拉克盤一對 21cm diameter

PROVENANCE

Sotheby's Australia, lot 135 (label).

Private collection, Melbourne." $3,500–5,500 Illustrated online at artvisory.com.au

$900–1,500

13

Illustrated online at artvisory.com.au

A CHINESE LARGE BLUE AND WHITE DRAGON DISH, QIANLONG MARK, GUANGXU PERIOD (1875-1908)

11

A LARGE CHINESE DOUCAI DISH, QING DYNASTY, 18TH CENTURY 清 十八世紀 斗彩蓮紋盤 28.4cm diameter $3,500–5,500 Illustrated online at artvisory.com.au

清 光緒 乾隆款 青花雙龍戲珠紋大盤 37.5cm diameter PROVENANCE

Chait Galleries, New York (label). $2,000–3,000 Illustrated online at artvisory.com.au

7

14

A CHINESE BLUE AND WHITE DISH, GUANGXU MARK, EARLY 20TH CENTURY 二十世紀早期 光緒款 青花纏枝蓮紋盤 21.5cm diameter $600–800 Illustrated online at artvisory.com.au

15

A CHINESE PEACH-BLOSSOM GLAZED TAIBAIZUN, QING DYNASTY, 19TH CENTURY, CHINA 清十九世紀 豇豆紅釉太白尊 14cm wide; 12cm high $600–800

16

A CHINESE YELLOW GLAZED BOWL, JIAJING MARK, QING DYNASTY (1644-1912) The exterior is incised with two dragons chasing flaming bowls 嘉靖款 清 黃釉龍紋盌 11cm diameter PROVENANCE

15

Acquired from Fong Mr. Kam Chu of Man Po Tang, Kowloon, Hong Kong, in the early 90s. $1,500–2,500

17

A CHINESE CLAIR-DE-LUNE GLAZED WASHER, YUYAN SHUWU MARK, QING DYNASTY, 18TH/19TH CENTURY 清 乾隆 「浴硯書屋」款 天蓝釉小罐 8.3cm high $2,000–3,000

16

17

8

18

20

A CHINESE BLUE AND WHITE BOWL, GUANGXU PERIOD (1875-108)

A CHINESE BLUE AND WHITE VASE, MING DYNASTY, 16TH CENTURY

清 光緒 青花花鳥紋盌 19.7cm diameter

明 十六世紀 青花瓶 27cm high

$600–800

$600–800

Illustrated online at artvisory.com.au

Illustrated online at artvisory.com.au

19

21

A CHINESE BLUE AND WHITE GU-SHAPED VASE, KANGXI PERIOD (1662-1722)

A CHINESE BLUE AND WHITE VASE ZUN, QING DYNASTY (1644-1911)

清 康熙 青花觚 46.5cm high

清 青花雅集圖尊 36cm high

$8,000–10,000

PROVENANCE

A private collection, Japan. $3,000–5,000

19

21

9

22

23

A CHINESE BLUE AND WHITE "DRAGON" CIRCULAR BOX AND COVER, WANLI SIX-CHARACTER MARK IN UNDERGLAZE BLUE WITHIN A DOUBLE CIRCLE AND OF THE PERIOD (1573-1619)

A CHINESE BLUE AND WHITE BOWL, LATE MING DYNASTY, 16TH CENTURY

The cover is decorated with two dragons chasing a flaming pearl, the box is decorated with floral scrolls and eight Buddhist symbols. 明 「大明萬曆年製」六字青花楷書款及本朝 青花雙龍戲珠捧盒 18.5cm diameter For a similar example see Huaihaitang Collection, illustrated at Enlightening Elegance, No. 106, p. 342 PROVENANCE

Martin Fung Antiques, Hong Kong.

The Edrina Collection, Hong Kong. 中國香港蘭亭閣， 中國香港昇雯閣。

明 十六世纪 青花莲纹盌 15cm diameter $600–800 Illustrated online at artvisory.com.au

24

A CHINESE BLUE AND WHITE BOX AND COVER, KANGXI PERIOD (1662-1722) 清 康熙 青花蓋盒 10.2cm diameter $600–800 Illustrated online at artvisory.com.au

EXHIBITED

Hong Kong: Heavenly Boxes: The Edrina Collection of Tang, Song, Ming and Qing boxes. 香港：《天作之盒--昇雯閣唐宋明清珍寶盒》。 LITERATURE

Heavenly Boxes: The Edrina Collection of Tang, Song, Ming and Qing boxes, p. 36. 《天作之盒--昇雯閣唐宋明清珍寶盒》， 第三十六頁。 $10,000–20,000

22

10

25

28

A PAIR OF CHINESE BLUE AND WHITE BOWLS, YONGZHENG MARK, 20TH CENTURY

A CHINESE EXPORT FAMILLE-ROSE DISH, QIANLONG PERIOD (1736-1795)

二十世紀 雍正款 青花魚藻紋臥足盌一對 8.7cm diameter

清 乾隆外銷粉彩盤 22.4cm diameter

Please note this lot is to be sold at No Reserve. 本拍品不設底價。

$1,000–2,000

$100–200

Illustrated online at artvisory.com.au

Illustrated online at artvisory.com.au

29

26

A CHINESE BLUE AND WHITE JAR, KANGXI PERIOD (1644-1722)

A CHINESE BLUE AND WHITE ' RICE PATTERN' WINE CUP, KANGXI PERIOD (1662-1722)

The jar is well decorated with four phoenixes in flight amongst a continuous peony scroll, a band of Ruyi fungus around the neck, and an under-glazed blue double ring to the base 清 康熙 青花鳳紋將軍罐 35cm

清 康熙 青花杯 9.3cm high $400–600 Illustrated online at artvisory.com.au

27

A PAIR OF CHINESE BLUE AND WHITE VASES, QING DYNASTY, KANGXI PERIOD (1662-1722) 清 康熙 青花四面開光花卉紋盤口瓶一對 23.3cm and 22.5cm high

PROVENANCE

Raymond and Victoria Tregaskis Oriental Ceramics & Works of Art. Mossgreen Melbourne, 28/11/2017, lot 690. 澳洲著名亞洲藝術古董商 Raymond & Victoria Tregaskis 舊藏 ; 墨爾本 Mossgreen 2017年11月28日 拍品號：690 $3,000–5,000

$3,500–5,500

27

29

11

30

A PAIR OF CHINESE IRON-RED DECORATED BLUE AND WHITE BOWLS, YONGZHENG MARK, GUANGXU PERIOD (1875-1908) 清光緒 雍正款 青花礬紅盌一對 12.7cm diameter PROVENANCE

From a senior historian's private collection, Sydney.

30

$1,500–2,500

31

A CHINESE YELLOW-GROUND FAMILLE ROSE MEDALLION BOWL, GUANGXU IRON-RED SIXCHARACTER MARK IN IRON RED AND OF THE PERIOD (1875-1908) The bowl's exterior is decorated with four roundels containing vases with auspicious flowers and ears of grain, beside lanterns and precious objects. The white-ground interior has similar dense designs to the exterior. 清 「大清光緒年製」 六字礬紅楷書款及本朝 黃地粉彩開光博古紋盌 14cm diameter PROVENANCE

A private collection, Victoria, acquired in Hong Kong in the early 1990s.

31

$2,000–3,000

32

A PAIR OF CHINESE FAMILLE-ROSE SQUARE VASES AND COVERS, XIANFENG PERIOD (1850-1681) 清 咸豐 粉彩人物方瓶及蓋 一對 20cm high $4,000–5,000

33

TWO CHINESE EXPORT FAMILLE ROSE DISHES, QING DYNASTY, 18TH CENTURY Including an Imari dish and a blue and white famille-rose dish 清 十八世紀 外銷粉彩盤兩隻 22.6cm diameter; 21.7cm diameter $1,000–2,000 Illustrated online at artvisory.com.au

32

12

34

36

34

36

A PAIR OF CHINESE GREEN ENAMEL DRAGON BOWLS, DAOGUANG SEAL MARK IN UNDERGLAZE BLUE AND OF THE PERIOD (1821-1850)

A PAIR OF CHINESE FAMILLE-ROSE 'MAGPIE AND PRUNUS' BOWLS, QING DYNASTY, 19TH/EARLY 20TH CENTURY

清 「大清道光年製」六字青花篆書款及本朝 綠彩雙龍戲珠盌一對 15.1cm diameter $5,000–7,000

'Xie zhu zhu ren' four-character iron red seal mark to the base, The mark translated as, 'Made by The Master of the Bamboo Studio'.

"Xie zhu ju" is the study studio of Emperor Daoguang 清 十九/二十世紀 「嶰竹主人造」款 粉彩花鳥紋盌一對 18cm diameter

35

PROVENANCE

A CHINESE BROWN GROUND FAMILLE-VERTE DISH, KANGXI PERIOD (1662-1722)

$2,500–3,500

清 康熙 棕地五彩博古紋盤 21.3cm diameter $2,000–3,000 Illustrated online at artvisory.com.au

Sotheby's; New York, 29 June 2022; lot 45.

37

A CHINESE FAMILLE ROSE VASE, GUANGXU MARK 光緒款 粉彩瓶 36cm high $2,000–3,000 Illustrated online at artvisory.com.au

13

38

39

A FINE AND EXCEPTIONALLY RARE PAIR OF YELLOW-GROUND FAMILLE ROSE PIERCED RIM DISH, QIANLONG SIX-CHARACTER IRON-RED SEAL MARKS AND OF THE PERIOD (1736-1795)

A CHINESE FLAMBÉ-GLAZED LOBED VASE, LATE QING/REPUBLIC PERIOD, LATE 19TH-EARLY 20TH CENTURY

清 「大清乾隆年製」 六字礬紅篆書款及本朝 白地粉彩描金纏枝蓮紋鏤雕多 孔折沿大盤 39.5cm diameter Pierced rim dishes of this type bearing Qianlong reign marks are extremely rare. One very similar example; is in the collection of the National Palace Museum, Taipei, museum no: K1B012703N000000000PAD. For an almost identical pair sold in the market, see Poly Auction, Hong Kong, 6/4/2023, lot 3088. Another very similar pair with yellow ground, see Christie's Hong Kong, 30/5/2023, lot 3032. Dishes of this rare design were produced in larger quantities during the Jiaqing period, as there are a number of surviving examples bearing Jiaqing reign marks. This suggests the possibility that the current dish and the National Palace Museum example were made towards the end of the Qianlong reign, or even during the years when the Qianlong Emperor abdicated and styled himself as Emperor Emeritus. The purpose of the apertures on the rims is still unknown, though generally it has been accepted that this group of wares served as offering dishes in the court

Qianlong mark to the base 清晚期/民國 乾隆款 爐鈞釉花口尊 20cm high $1,500–2,500 Illustrated online at artvisory.com.au

40

A PAIR OF CHINESE FAMILLE-ROSE VASES, YONGZHENG MARK, REPUBLIC PERIOD, EARLY 20TH CENTURY 民國 雍正款 粉彩瓶一對 12cm high each $800–1,200 Illustrated online at artvisory.com.au

PROVENANCE

A private collection, New York, USA. $20,000–30,000

38

14

41

43

A CHINESE QUATREFOIL FORMED GE-GLAZED VASE, QING DYNASTY, 19TH CENTURY

A CHINESE ICE-CRACKLE CELADON GLAZED VASE, QING DYNASTY (1644-1911)

The vase has a pair of Taotie mask handles and is covered with a thick crackle glaze. With a fitted wooden stand 清 十九世紀 哥釉兽耳瓶 28.6cm high

The thinly potted vase has a splayed foot. It is fully enveloped in a luscious caesious coloured glaze, suffused with a latent crackle and then accented with darker veins of crackle, the glaze thinning at the extremities to a mushroom colour and pulling gently to reveal the dark body beneath, with three delicate 'sesame-seed' spur marks on the base, and the neck has been mounted with a fine patinated metal band. With a Japanese wood box 清 冰裂紋青釉瓶 17.5cm high

PROVENANCE

Collection of Bettina Ann Brumbaugh (1930-2020) $1,500–2,500 Illustrated online at artvisory.com.au

42

PROVENANCE

A CHINESE UNDERGLAZE-BLUE-DECORATED BLUE GROUND SANDUO YUHUCHUN VASE, QING DYNASTY, 18TH CENTURY

Private collection, Nagoya, Japan. $6,000–8,000

清 十八世紀 藍地青花三多玉壺春瓶 27.9cm high PROVENANCE

A private collection, Japan. $5,000–7,000

42

43

15

44

49

A CHINESE RED-GLAZED DISH, QING DYNASTY, 18/19TH CENTURY

A CHINESE GUAN-TYPE GLAZED VASE, FANGHU, QIANLONG SIX-CHARACTER SEAL MARK IN UNDERGLAZE BLUE AND OF THE PERIOD (1736-1795)

清 十八/十九世紀 宣德款 祭紅釉盤 17cm diameter $800–1,200

乾隆款及本朝 汝官釉冰裂紋方壺 33cm high

Illustrated online at artvisory.com.au

PROVENANCE

45

A private collection in New York, acquired from Peter Rosenberg of Vallin Galleries, CT, USA.

A CHINESE LARGE POWDER BLUE GLAZED BOWL, QING DYNASTY, 19TH CENTURY

$25,000–35,000

The base is covered with ice-crackle glaze. 清 十九世紀 祭藍釉大盌 25.4cm diameter Please note this lot is to be sold at No Reserve. 本拍品不設底價。 $400–600 Illustrated online at artvisory.com.au

46

A CHINESE ROBIN'S EGG-GLAZED JAR AND COVER, QING DYNASTY, 19TH CENTURY 清 十九世紀寶石藍釉將軍罐及蓋 37cm diameter PROVENANCE

Private collection, Melbourne. $600–800 Illustrated online at artvisory.com.au

47

A CHINESE POWDER BLUE GLAZED VASE, KANGXI MARK, 19TH CENTURY 清 十九世紀 康熙款 祭蓝釉花瓶 25cm high Please note this lot is to be sold at No Reserve. 本拍品不設底價。 $600–800 Illustrated online at artvisory.com.au

48

A CHINESE RU-GLAZED BOWL, YONGZHENG MARK, 20TH CENTURY 雍正款 二十世紀 天青釉盌 12.4cm diameter PROVENANCE

East and West Art, Melbourne. $1,000–2,000 Illustrated online at artvisory.com.au

49

16

50

52

A CHINESE-PAINTED PORCELAIN PLAQUE, WANG QI MARK

A GROUP OF THREE CHINESE IRON-RED PORCELAIN PANELS, 20TH CENTURY

With hardwood frame. 王琦款 粉彩瓷版畫 60 x 43cm Please note this lot is to be sold at No Reserve. 本拍品不設底價。 $800–1,200 Illustrated online at artvisory.com.au

Including a pair both inscribed by Shen Xiaojin, dated to January 1950; and one commissioned by Song Ziwen to Mr. Geng Nan. 20世紀 三片礬紅瓷板畫 Largest: 31.5 x 22cm $600–800 Illustrated online at artvisory.com.au

51

A CHINESE IRON-RED DECORATED 'DRAGON AND PHOENIX' JAR AND COVER, DAOGUANG MARK with a Japanese wood box 道光款 礬紅龍鳳紋將軍蓋罐 29cm high $12,000–18,000

53

A CHINESE ROUNDED FAMILLE ROSE FAUX BOIS BOX AND COVER, QIANLONG MARK, 20TH CENTURY with a Japanese wooden box 二十世紀早期 乾隆款 粉彩仿木紋釉盖盒 11cm diameter $2,500–3,500

51

53

17

54

56

A CHINESE FAMILLE ROSE VASE, QIANLONG MARK, QING DYNASTY (1644-1912)

A CHINESE BLUE AND WHITE AND COPPER-RED VASE, QING DYNASTY, 19TH CENTURY

清 乾隆款 粉彩花蝶瓶 27cm high

清 十九世紀 青花釉裏紅福壽紋兽耳瓶 28cm high

$600–800

$1,500–2,500

Illustrated online at artvisory.com.au

Illustrated online at artvisory.com.au

55

57

A CHINESE GE-GLAZED PEACH-SHAPED WASHER

A CHINESE GUAN-TYPE GLAZED VASE, FANGHU, QIANLONG MARK

哥釉桃形洗

乾隆款 官釉貫耳方壺 31cm high

PROVENANCE

A private collection, Japan.

11.5 x 9.5cm

$10,000–20,000

$1,500–2,500

55 57

18

58

59

58

59

A CHINESE KO-SOMETSUKE BLUE AND WHITE DISH, TIANQI PERIOD (1621-1627)

A RARE AND FINE CHINESE BLUE AND WHITE SAUCER DISH, DAOGUANG PERIOD (1821-1850)

The interior is decorated with a dignitary riding a horse and a foot attendant carrying a banner approaching the fortified gate of a city with a Port flag flying above. 明 天啟 青花盤 15cm diameter

The interior centre is decorated with three Star Gods and the exterior with eight immortals. Dun Mu Tang Zhi (Hall of Cordiality and Friendship) mark on the base 清道光 「敦木堂製」 款 八仙青花盤 11.5cm diameter

Similar dishes illustrated in Christie's London: The Peony Pavilion Collection: Chinese Tea Ceramics for Japan, 12/6/1989, lot 344

PROVENANCE

PROVENANCE

Acquired from Andrew Stuart-Robertson Oriental and Fine Arts, Sydney, 21/12/1999.

1999年12月21日購於悉尼Andrew Stuart-Robertson Oriental and Fine Arts $1,000–2,000

Duncan Mclntosh Collection.

Acquired from Raymond & Victoria Tregaskis, 25/10/2009. 著名陶瓷學者Duncan Mclntosh舊藏； 2009年10月25日購於澳洲著名亞洲藝術古董商 Raymond & Victoria Tregaskis。 PUBLISHED

D. Mclntosh, Chinese Blue and White, 1994, p. 128, pl., 92.

D. Mclntosh，《中國青花瓷》，1994年，128頁，圖版92。 $6,000–8,000

19

60

64

A SET OF FOUR BLUE AND WHITE SMALL CUPS AND A ROUNDED TRAY, QING DYNASTY, 19TH CENTURY

A CHINESE BLUE AND WHITE AND CELADON GROUND VASE, QING DYNASTY, 19TH CENTURY

清 十九世紀 青花杯四隻與一件青花碟 each cup: 5cm diameter; dish: 14.5cm diameter

清 十九世紀 豆青地青花八仙圖大瓶 61cm high

Please note this lot is to be sold at No Reserve. 本拍品不設底價。

$1,000–2,000

$400–600

Illustrated online at artvisory.com.au

Illustrated online at artvisory.com.au

65

61

FOUR SETS OF CHINESE BLUE AND WHITE CUPS AND SAUCERS, KANGXI PERIOD (1662-1722)

A CHINESE BLUE AND WHITE CUP AND SAUCER, QING DYNASTY, 19TH CENTURY 清 十九世紀 青花杯與碟 Saucer: 12cm diameter; cup: 7.5cm diameter

清 康熙 杯及杯托四件 Largest cup: 5cm high $800–1,200

Please note this lot is to be sold at No Reserve. 本拍品不設底價。

Illustrated online at artvisory.com.au

$400–600

66

Illustrated online at artvisory.com.au

A CHINESE FAMILLE-ROSE 'LINGZHI' BOWL, DAOGUANG PERIOD (1820-1850)

62

A GROUP OF SIX BLUE AND WHITE DISHES, QING DYNASTY (1644-1911) 清 青花盤一組六件 18cm diameter $800–1,200 Illustrated online at artvisory.com.au

63

A CHINESE BLUE AND WHITE BOX AND COVER, JIAQING MARK, 20TH CENTURY

In Chinese art the lingzhi represents long life and well-being.

It is unusual to find this decoration on a Daoguang period bowl. 清 道光 粉彩靈芝紋盌 17cm diameter See a similar treatment on a small Daoguang bowl, Christie's, Hong Kong 13 June 2019, lot 8131 PROVENANCE

A private collection, Melbourne. $2,200–3,500

嘉靖款 青花雙龍戲珠紋長方蓋盒 28cm long $800–1,200 Illustrated online at artvisory.com.au

66

20

67

69

A CHINESE BLUE AND WHITE AND COPPER RED DRAGON AND PHOENIX BOWL, KANGXI SIX-CHARACTER MARK IN UNDERGLAZE BLUE AND OF THE PERIOD (1662-1722)

A CHINESE LARGE FAMILLE-VERTE DISH, KANGXI MARK, LATE QING DYNASTY, 19TH CENTURY

20cm diameter 清 康熙款及本朝 青花釉裡紅龍紋盌 PROVENANCE

清 十九世紀 康熙款 五彩荷花翠鳥紋大盤 42cm diameter $1,000–2,000 Illustrated online at artvisory.com.au

The Estate of H. E. Ambassador Dato Yusof Hashim and Margaret Hashim.

Private collection, Sydney. 已故馬來西亞大使及夫人Dato Yusof Hashim 和 Margaret Hashim遺產。 $3,500–4,500 Illustrated online at artvisory.com.au

68

A FAMILLE ROSE 'PHOENIX' BOWL, GUANGXU SIX-CHARACTER MARK IN UNDERGLAZE BLUE OF THE PERIOD (1875-1908) The bowl with deep rounded sides rising from a straight foot to a slightly flaring rim, decorated to the exterior with four phoenixes in blue, pink, yellow, and green, in flight between four different flowers, all within two gilt borders 清 「大清光绪年製」六字礬紅楷書款及本朝 粉彩鳳紋盌 17.6cm diameter, 9cm high PROVENANCE

A very similar pair sold at Sotheby's London, 6/11/2019, lot 154.

Mossgreen Melbourne, 15/06/2011, lot 439 $2,000–3,000

68

70

A PAIR OF CHINESE RED-GLAZED MARRIAGE BOWLS, GUANGXU SIX-CHARACTER MARK IN IRON-RED AND OF THE PERIOD (1875-1908) decorated with double-happy characters 清「大清光緒年製」 六字礬紅楷書款及本朝 紅地金彩双喜大婚盌一对 11.5cm diameter $1,500–2,500 Illustrated online at artvisory.com.au

21

71

A CHINESE COPPER-RED-GLAZED `BEEHIVE' WATER POT, YONGZHENG MARK, QING DYNASTY (1644-1911) 清 雍正款 祭紅釉太白尊 13cm wide $1,000–2,000

72

A CHINESE FAMILLE-ROSE VASE, QING DYNASTY, 19TH CENTURY 清 十九世紀 粉彩瓶 25.9cm high $1,000–2,000 Illustrated online at artvisory.com.au

73

A CHINESE JUN-GLAZED MEIPING, QING DYNASTY (1644-1911) 清 爐鈞釉梅瓶 15cm high

71

$1,000–2,000 Illustrated online at artvisory.com.au

74

A CHINESE POWDER BLUE GLAZED MEIPING VASE, QING DYNASTY, 18TH/19TH CENTURY with a fitted wood stand. 清中期 十八/九世紀 爐鈞藍釉梅瓶 30cm high $3,500–4,500

75

A CHINESE FLAMBÉ-GLAZED VASE, QIANLONG MARK, 20TH CENTURY 乾隆款 爐鈞釉瓶 23.3cm high $1,000–2,000 Illustrated online at artvisory.com.au

74

22

76

79

76

79

A CHINESE EXPORT FAMILLE-NOIR FAN-SHAPED VASE, QING DYNASTY, 19TH CENTURY

A CHINESE FAMILLE-VERTE LIBATION CUP, KANGXI PERIOD (1662-1722)

清 十九世紀 黑地五彩人物扇形瓶 21cm high

With a finely carved original fitted wooden stand. 清 康熙 素三彩螭龍紋來通杯及原配木底座 11cm wide

$600–800

Similar example see Bonhams Paris, 25/10/2022, lot 100 77

A CHINESE YELLOW GROUND GREEN ENAMEL DRAGON DISH, YONGZHENG MARK, 20TH CENTURY

PROVENANCE

Raymond and Victoria Tregaskis Oriental Art, Sydney 澳大利亞著名亞洲藝術古董商Raymond and Victoria Tregaskis舊藏。

雍正款 二十世紀 黃地綠彩龍紋盤 19cm diameter

$2,000–3,000

$600–800

80

Illustrated online at artvisory.com.au

78

A CHINESE EXPORT FAMILLE ROSE DISH, QIANLONG PERIOD (1736-1795) 清 乾隆 廣彩人物紋盤 19.4cm diameter $1,500–2,500 Illustrated online at artvisory.com.au

A CHINESE FAMILLE-ROSE VASE WITH ELEPHANT HANDLES, JINGDEZHENZHI MARK, 20TH CENTURY 二十世紀 景德鎮製款 粉彩花卉開光花鳥紋象首瓶 35cm high Please note this lot is to be sold at No Reserve. 本拍品不設底價。 $400–600 Illustrated online at artvisory.com.au

23

81

86

A LARGE CHINESE BLUE AND WHITE 'DRAGON' VASE, KANGXI SIX-CHARACTER MARK IN UNDERGLAZE BLUE AND OF THE PERIOD (1662-1722)

A CHINESE FAMILLE-ROSE BLUE GROUND BOWL, DAOGUANG MARK, 20TH CENTURY

清 「大清康熙年製」六字青花楷書款及本朝 青花龍紋瓶 39.3cm high

二十世紀 道光款 粉彩匝道紋盌 14.8cm diameter $1,000–2,000

PROVENANCE

Illustrated online at artvisory.com.au

Nagle, German, 6/12/2010, lot 1533. 德國納高2010年6月12號，拍品號：1533。

87

$4,000–6,000 Illustrated online at artvisory.com.au

82

A PAIR OF CHINESE BLUE AND WHITE 'DRAGON AND PHOENIX' DISHES, QING DYNASTY (1644-1911)

A LARGE CHINESE FAMILLE-ROSE JAR AND COVER, QING DYNASTY, 19TH CENTURY 清 十九世紀 粉彩四面開光花鳥人物將軍罐及蓋 65cm high $3,500–5,500

清 青花龍鳳紋盤一對 27cm diameter $600–800 Illustrated online at artvisory.com.au

83

A CHINESE FAMILLE-ROSE OCTAGONAL JAR, QING DYNASTY, LATE 19TH/EARLY 20TH CENTURY 清 十九晚期/二十世紀早期 粉彩八邊形八仙人物罐 14.8cm high PROVENANCE

A private collection, Victoria. $1,000–2,000 Illustrated online at artvisory.com.au

84

A CHINESE LARGE EXPORT PORCELAIN BOWL, 19TH CENTURY 清 十九世紀 外銷洋彩大碗 35.5cm diameter $2,500–3,500 Illustrated online at artvisory.com.au

85

A CHINESE-PAINTED ENAMEL VASE, 19TH CENTURY 十九世紀 銅胎畫琺瑯瓜棱瓶 35cm high PROVENANCE

The Edrina Collection, U.K., Hong Kong, and Sydney.

Acquired from Hong Kong $300–500 Illustrated online at artvisory.com.au

87

24

88

90

A CHINESE FAMILLE-ROSE BOX AND COVER, LATE QING DYNASTY/REPUBLIC PERIOD, EARLY 20TH CENTURY

A CHINESE BLACK GROUND GREEN ENAMEL "DRAGON" VASE, QING DYNASTY, 19TH CENTURY

Ru yi ji xiang four-character underglazed blue mark to the base. 清晚期/民國 如意吉祥款 粉彩百花不漏地蓋盒 7.5cm diameter

清 十九世紀 黑地綠彩龍紋瓶 26.4cm high

Please note this lot is to be sold at No Reserve. 本拍品不設底價。 $400–600 Illustrated online at artvisory.com.au

$1,000–2,000 Illustrated online at artvisory.com.au

91

89

A CHINESE FAMILLE-ROSE AND UNDERGLAZE BLUE DECORATED GU-SHAPED VASE, QIANLONG PERIOD (1736-1795)

A CHINESE FAMILLE-VERTE VASE AND COVER, XIANFENG PERIOD (1850-1861)

清 乾隆 青花廣彩觚形瓶 19.6cm diameter

清 咸豐 五彩刀馬人物圖獸鈕蓋罐 37.5cm diameter

$1,000–2,000

$2,500–3,500

92

Illustrated online at artvisory.com.au

A CHINESE FAMILLE-ROSE VASE, DAOGUANG PERIOD (1820-1850) 清 道光 粉彩人物文會圖大瓶 45cm high $1,000–2,000 Illustrated online at artvisory.com.au

93

A CHINESE YELLOW-GROUND SANCAI DRAGON WASHER, QING DYNASTY, LATE 19TH CENTURY/EARLY 20TH CENTURY 清 十九晚期/二十世紀早期 黃地素三彩龍紋缽 13cm diameter PROVENANCE

A private collection, Victoria. $800–1,200 Illustrated online at artvisory.com.au

94

A CHINESE PAINTED ENAMEL BOX AND COVER, QING DYNASTY, 19TH CENTURY 清 十九世紀 銅胎畫琺瑯花形蓋盒 17cm diameter Please note this lot is to be sold at No Reserve. 本拍品不設底價。 $400–600 Illustrated online at artvisory.com.au

95

A CHINESE BLUE AND WHITE DISH, YONGZHENG PERIOD (1722-1735) 清 雍正青花倭角長方盤 41cm high Please note this lot is to be sold at No Reserve. 本拍品不設底價。 $600–800 Illustrated online at artvisory.com.au

89

25

96

97

A CHINESE FAMILLE-ROSE POLYGON VASE, QING DYNASTY, 19TH CENTURY

A CHINESE ENAMEL FLORAL DISH, QING DYNASTY (1644-1912)

Each side is finely decorated with different motifs, including a dragon and a carp, a clock, a peacock in amongst rocks and flowers, vases, and birds and flowers and so on. 清十九世紀 粉彩多边異形瓶 25cm high $1,000–2,000

清 銅胎畫琺瑯盤 14.8cm diameter $400–600 Illustrated online at artvisory.com.au

98

A CHINESE FAMILLE-VERTE KUNDIKA, KANGXI PERIOD (1644-1911) 清 康熙 五彩淨瓶 21cm high $1,000–2,000

96

98

26

Chinese works of Arts and scholar objects from a Japanese scholar’s collection (Lot 99–145)

27

99

A CHINESE BAMBOO CARVED INCENSE HOLDER, QING DYNASTY (1644-1911) of cylindrical section, well carved in relief and openwork with a cloud motif, the stopper is carved with a mythical beast Xiezhi 清 竹雕靈芝紋香筒 29.7cm high $1,000–2,000

100

A CHINESE BAMBOO CARVED INCENSE HOLDER AND COVER, QING DYNASTY (1644-1911) of cylindrical section, well carved in relief and openwork with a continuous scene of scholars gathering under a pine tree 清 竹雕松蔭八仙香筒 24.5cm high PROVENANCE

A private collection, UK. 英國私人舊藏。 EXHIBITED

Hong Kong: International Antique Fair, 2015. $7,000–9,000

101

A CHINESE BLACK AND RED LACQUER CARVED RUYI DECORATED BOX AND COVER, MING DYNASTY (1368-1644) 明 剔犀風格刻如意紋小香盒 6.4cm diameter $1,000–2,000 Illustrated online at artvisory.com.au

99

100

28

102

A CHINESE BAMBOO CARVED BRUSH POT, QING DYNASTY (1644-1911) 清 竹雕群賢夜宴圖筆筒 此筆筒竹節作體，通體呈棕褐色，表面包漿光滑溫潤，紋理細膩樸素， 展現出深沉，古雅的氣質。器型為圓筒狀，直口直壁，深腹，地面保留 了竹筒中自然的起伏，竹料獨有的紋理線條也在器體上忠實呈現，不做 過多的人工修飾。 筆筒表面刻畫群賢夜宴的主題，只見山石松木下有一間亭閣，閣內除了 一幾一椅外空空如也，閣外則設一大桌，桌上擺滿珍饈佳釀，極為文人 賢士圍坐在桌前，或獨自豪飲，或相互勸酒，或酒後暢談，呈現出截然 不同的身姿與神態，展現出製器匠人傑出的雕工與藝術品味，而他們身 邊還能見到兩位侍者正忙前忙後，愈發襯托出火熱的氛圍。 筆筒壁面圖案層疊連綿，主次分明，極具意趣與玩味，無論是北京還是 人物塑造均屬上乘，且並不過於削切竹料，而是隨著竹本身所具有的紋 理結構流暢運刀，彰顯功力。 12cm high $9,000–15,000

103

A CHINESE BAMBOO CARVED BRUSH POT, QING DYNASTY (1644-1911) 清 竹雕山水高士紋筆筒 12.5cm high $1,000–2,000 Illustrated online at artvisory.com.au

102

29

104

A LARGE CHINESE BAMBOO CARVED BRUSH POT, QING DYNASTY (1864-1911) The brush pot is carved in high relief with cranes under pine trees, inscribed and signed Xiao Song. with an old Japanese wood box 清 「小松」款 竹雕松鹤圖詩紋大笔筒 此筆筒器體碩大，呈色棕褐，竹筒狀，直口直壁，深腹，表面不規則起 伏，浮雕出自然木紋結痂形態，栩栩如生，而其上更有逎勁松枝茂密生 長，枝幹上可見仙鶴憩息，松鼠嬉戲，充滿生機。筒壁一側陰刻“余至 武陵，客於丁氏三清軒，識竹濱兄，篤於氣誼之君子也”之字句，並落 款“小松”。 這裡這位小松即明代嘉定派竹刻大家“嘉定三朱”的第二代傳人朱纓，他 字清甫，號小松，為初代朱松鄰之子，其人亦擅書畫，工竹刻，又能雕 犀角，象牙，紫檀等，所刻器物務求精緻，技術臻妙。 此筆筒上的圖案層層疊疊，連綿不絕，將通景圖的奧妙表現得淋漓精 致，世外松林的主題呈現自然意趣，仙鶴與松鼠的點綴帶來韻律的氛 圍，又有名人鐫字句，提高人文深度，極具收藏價值。 21.8cm high $12,000–22,000

104 (Detail)

104

30

105

A LARGE CHINESE CARVED CINNABAR LACQUER RECTANGULAR BOX AND COVER, MING DYNASTY (1644-1912) The cover is finely carved with scholars and attendants in a garden scene, the sides carved with ribbon-tailed astrapias amongst flowers 明 剔紅臨水樓台人物圖大方盒 此蓋盒外側各面在素地上鐫層疊的花葉紋飾，期間更有長翎綬鳥穿梭飛舞， 靈動輕盈。蓋面設三種錦文作地，表現出天，水，地，再用犀利的刀鋒刻畫 出祥雲，渚岸，山石，樓閣等元素構建起優美的景致。 畫面以蕩漾的碧波為中心展開，波濤中鴨群暢遊嬉戲，漁人坐於船頭似正 在稍作憩息，遠處岸邊的垂柳枝繁葉茂，一直掛到水面，近岸處則是樓閣 閬台，鱗次櫛比，間隙處簇擁起蔥郁的樹木，繁茂的荷花，曲折的廊面 上的墨客謝琴訪友，身邊仙鹿點綴出吉祥元素，將自然景觀與人文氣息完 美融入一體。

105

此件長方盒形制優美靈動，運刀如運筆，畫面結構嚴謹，線條清晰，在平凡 樸實的氣韻中內涵瀟灑雋秀的格調，洋溢著自然的絢美，張弛有度突出主 題，在藝術表現力上功力可見一斑。 40.4 x 31.7 x 15.9cm PROVENANCE

Tokyo Tea ceremony master family. 東京茶道大師家族舊藏。 $5,000–7,000

31

106

A CHINESE CINNABAR TIXI LACQUER TRAY, MING DYNASTY (1368-1644) With an old Japanese textile pouch and an old wooden Japanese box.

The box inscribed and labelled. 明 朱漆雲紋剔紅萎角方盤 带原装日本供箱 13.7cm wide A rounded dish dated into the same period, also with tixi decoration, see, Sotheby's London, 1/11/2022, lot 62 PROVENANCE

An old private collection, Kyoto. $5,000–7,000

107

A CHINESE 'QIANGJIN' AND 'TIANQI' DRAGON LACQUER BOX AND COVER, QIANLONG MARK, QING DYNASTY (1644-1911) The cover is decorated with two confronted dragons chasing flaming pearls and a Shou character in between. 清 雕填彩漆雙龍戲珠橢圓形蓋盒 34.5cm wide $3,000–5,000

106

108

A CHINESE CARVED COCONUT BOWL, QING DYNASTY (1664-1911) Zhong shan zong li carved mark. 清 《中山宗裡》 款 漆金雕花鳥紋椰殼盌 12.6cm diameter Please note this lot is to be sold at No Reserve. 本拍品不設底價。 $1,000–2,000 Illustrated online at artvisory.com.au

107

32

109

A CHINESE CARVED CINNABAR LACQUER DISH, MID-MING DYNASTY, 15/16TH CENTURY The front is carved with scholars visiting friends in the garden. With a Japanese wooden box 明中期 剔紅仙山仿友圖圓盤 此盤通體堆朱漆，以精湛的運刀在漆層上鐫刻出細巧的圖案。盤外壁刻 出深壑表現如意卷草，連綿纏繞，盤壁內於素漆地上飾連枝梔子花，花 繁葉茂間露出的素地正是頗為典型的明代雕漆作品的特征。 盤內底鋪滿三種不同的錦紋作地，其上刻畫樓閣，山石，樹木，以及嬉 戲於山間的仙鹿，一派仙境的世外景象，深山小徑上有一位老者款款而 行，正向樵夫詢問路徑，而樓閣外的樹下則見官人在侍女的陪伴下立於 門前等待友人，每個人物身形姿態皆獨具特色，細節之處面面俱到，而 整體構圖層次分明，恰到好處，將匠人精湛的工藝展現得一覽無余。 19.3cm diameter PROVENANCE

Yanagi family collection, Kyoto. $8,000–12,000

109

110

A CHINESE SMALL ROUNDED CINNABAR LACQUER BOX AND COVER, 17TH/18TH CENTURY With a fitted Japanese wooden box 明 剔紅松下高士蓋盒 4.5cm diameter $2,000–3,000

110

33

111

A CHINESE CARVED CINNABAR LACQUER DISH, YUAN/ MING DYNASTY, 14TH/15TH CENTURY The dish is finely carved with scholars in the landscape. With an old Japanese wooden box. The box is inscribed and labelled. 元/明 剔紅“山水樓閣人物圖” 園盤 帶日本原裝供箱 《髹漆錄》有載：“剔紅，即雕紅漆也。髹層之厚薄，朱色之明暗，雕鏤之 精粗，亦甚有巧拙。”也就是說，剔紅工藝就是把朱漆胎骨上層層積累到一 個相當的厚度，再用刀雕刻出花紋。明代雕漆崇尚將花紋刻畫得豐腴飽滿， 費工費料，無法速成。剔紅漆色以顏色純正， 光澤明亮者為上。元代及明 初以花卉為題材的雕漆，一般都是花葉密佈，沒有錦地，而在花葉間的空隙 中可見素漆地。 此盤圓口，斜壁，潛底，圈足，器體本身尺寸適中，但依然顯露出經典大方 的氣質。除足底髹褐漆外，通體在素地上堆起肥厚豐腴朱漆，漆色紅艷，鮮 明浴滴，犀利的運刀在其上剔刻出紋樣。盤心處三種錦紋表現出天，地， 水，空中祥雲流動，仙鶴飛翔，水邊高山層巒，棧橋曲折，岸上松柏茂盛，

樓閣櫛比，在不大的範圍內勾勒出成冊分明的構圖光景，各處的細節亦是精 致入微，而穿梭於這個場景中的人物形象則是各具特色，令畫面頓時生動了 起來。盤外側同樣綴錦紋作飾，鐫賢士遊園主題，其精細堪輿盤心處的圖案 媲美。 此作品做工精細，重點分明，構圖清晰，層次感強，是為當時那個雕漆盛行 時代中剔紅技藝的最高峰。 13.5cm diameter For a cinnabar lacquer dish with a similar decoration style on the interior and pattern on the lipped rim, see Christie's 28/11/2012, lot 2085; also see the same house, 27/5/2008, lot 1934.

PROVENANCE

Yanagi collection, Kyoto. 京都Yanagi家族舊藏 $8,000–12,000

111

34

112

114

112

114

A CHINESE BOXWOOD CARVED BOX AND COVER, QING DYNASTY, 18TH/19TH CENTURY

A CHINESE BAMBOO-CARVED SCHOLAR UNDER THE PINE TREE, QING DYNASTY (1644-1911)

清 18/19世紀 黃楊木雕芭蕉葉紋蓋盒 12.5 x 9.4cm

with a fitted box 清 “松石高士” 竹雕擺件 18.3cm high

$6,000–8,000

$2,000–3,000

113

A CHINESE BLACK LACQUER WITH MOTHER-OF-PEARL BOX AND COVER, QING DYNASTY (1644-1911) 清 黑漆嵌螺鈿嬰戲圖方蓋盒 25.6 x 20cm $2,000–3,000 Illustrated online at artvisory.com.au

35

115

A VERY RARE CHINESE CINNABAR LACQUERED YIXING TEAPOT, QING DYNASTY, 18TH CENTURY With a Japanese wood box, the box is inscribed. 明末清初 紫砂剔紅榴開光賢仕圖金鐘壺 在紫砂胎上雕漆是乾隆朝的新嘗試。此作品長方形壺口，上有鈕蓋，形 似拱橋，小巧別緻。彎嘴與端把線條流暢，曲線優美。壺身自上而下向 外撇出，狀如小丘，匠心獨具。蓋內與足底髹黑漆，漆質純正濃郁，其 他部位遍施剔紅，於錦地之上刻畫格式紋樣。尤其是壺身兩側開光內， 一側表現兩位賢士相互作揖，體現出禮儀之邦的博大精深；另一側描繪 小童揮扇撲蝶，老者則靠坐在青石上靜靜觀看，動與靜的結合恰到好 處，畫面感極強。 這件作品器型獨特，施漆上佳，剔紅的工藝則是巧奪天工， 犀利的運 刀在漆層上雕出一處處絢麗的紋樣，無論是是繁茂的枝葉還是栩栩如生 的人像，全都精益求精，細緻入微，體現出清代雕漆匠人傑出的藝術品 味與無與倫比的精湛手藝，確是一件難能可貴的傑作。 14.5cm high For a similar yixing teapot with cinnabar lacquer decoration, see Sotheby's Hong Kong, 9/10/2020, lot 3662 $20,000–30,000

115

36

37

116

A CHINESE CLARE-DE-LUNE GLAZED GU-SHAPED VASE, YONGZHENG FOURCHARACTER UNDERGLAZE BLUE SEAL MARK AND OF THE PERIOD (1722-1735) With a Japanese wood box. 清 「雍正年製」四字青花篆书款及本朝 粉青 釉觚形瓶 12cm high For a similar example, see Sotheby's London, 11/5/2022, lot 6 $20,000–30,000

117

A CHINESE CELADON CARVED AND PIERCED VASE, MING DYNASTY (1368-1644) With an old Japanese wood box 明 青瓷透雕瓶 16.8cm high $1,500–2,500 Illustrated online at artvisory.com.au

118

A CHINESE LACQUERED BAMBOO BOX AND COVER, QING DYNASTY (13681944) With an old textile pouch and an old wooden Japanese box. The box has been inscribed 清 竹編柿色素漆扁蓋盒 帶日本原包裝及供箱 15cm diameter PROVENANCE

Acquired from a tea ceremony master, Tokyo. $2,000–3,000 Illustrated online at artvisory.com.au

116

38

119

120

119

120

A CHINESE BRONZE WINE VESSEL ' NIAO FU WU' ZHI, POSSIBLY LATE SHANG/EARLY WESTERN ZHOU DYNASTY, 11TH CENTURY B.C.

A CHINESE ARCHAISTIC BRONZE WINE VESSEL JUE, LATE QING/REPUBLIC PERIOD, EARLY 20TH CENTURY

The bottom is cast with a bird-shaped clan emblem above two characters: "Fu Wu" 或商末/周初 青銅鳳鳥蟬紋 “鳥父戊” 觶 9cm high $3,000–5,000

With an old fitted lacquer box. The box inscribed and labelled 晚清/民国 青铜爵 18.5cm high $3,000–5,000

39

121

122

121

122

A CHINESE JIZHOU PAPER-CUT-DECORATED TEA BOWL, SOUTHERN SONG DYNASTY (1127-1279)

A CHINESE JIZHOU RESIST-DECORATED PAPER-CUT TEA BOWL, SOUTHERN SONG DYNASTY, 12TH-13TH CENTURY

The deep-sided bowl is decorated on the interior in resist technique with two phoenixes in flight between two prunus blossoms, all reserved in dark brown on a variegated brown and buff ground. The exterior has pale buff speckling on a dark brown ground that stops unevenly above the foot exposing the stoneware body. The mouth is mounted with a metal band. With a Japanese wood box, the cover is inscribed 南宋 吉州窯剪紙貼花鳳紋盞 共盒 12.3cm diameter

The bowl is decorated on the interior in resist technique with a pattern of twelve plum blossoms, reserved in a dark brown glaze against a finely variegated buff matte ground. The exterior is covered with a dark brown glaze ending atop a dark reddish-brown slip. The mouth is mounted with a gold band. With a black-lacquered Japanese box 南宋 吉州窯剪紙貼花梅花紋盞 共黑漆盒 11.9cm diameter

PROVENANCE

A tea ceremony master collection, Tokyo, was acquired from a private collection, Niigata. 東京茶道大師舊藏，早年購藏自新潟私人藏家處。

A tea ceremony master collection, Tokyo, was acquired from a private collection, Niigata. 東京茶道大師舊藏，早年購藏自新潟私人藏家處。 $1,000–2,000

PROVENANCE

$6,000–8,000

40

123

124

A RARE AND FINE CHINESE CARVED CINNABAR LACQUER THREE-TIER BOX AND COVER, YUAN-EARLY MING DYNASTY, 14TH/15TH CENTURY

A CHINESE RARE AND FINE FAMILLE-ROSE FOLIATE RIMMED BOWL, CHENGHUA MARK, 18TH CENTURY

The cover is carved with two bearded scholars in conversation, followed by an attendant bearing a fruit bowl and pointing out the way, all beneath pine trees and prunus blossoms within a rocky landscape and reserved against a background of elongated key fret, the sides carved with various flowers 元/明 剔紅亭台高士圖方蓋盒 20.5 x 20.5 x 15cm PROVENANCE

Yanagi family collection, Kyoto. 京都Yanagi家族舊藏。 $30,000–40,000

清中期 粉彩 “四時花開” 花形盌 粉彩瓷始創於康熙，極胜於雍正，乾隆時又有新的突破。乾隆粉彩中的一部 分繼承了雍正時期在白釉上繪疏朗艷麗紋飾的特點，另又新開創出色地粉 彩，色地開窗繪粉彩等品種。 本品口沿外侈，碗壁成十瓣花瓣形，每瓣之間分棱，花瓣向外凸起，近底處 的碗壁上更是有鮮明的凹凸起伏的仰蓮紋裝飾。圈足，胎體輕盈而不失質 感，器型別緻獨具風貌，且有非同一般的立體感和層次感。通體施白釉，碗 心以粉彩繪出牡丹，睡蓮，秋菊，臘梅等四季花卉，僅僅團簇在一起，顯得 極為豐繁昌盛。碗外壁同樣裝飾這四種花卉，只是又添繁茂的枝條，嫩葉。 鮮花的組合張弛有度，帶來一種平衡和諧的美感。凹凸的仰蓮紋上以青花料 勾邊，其內點綴華美的西番蓮紋飾，愈發豐富了全器的明快亮麗，艷而不俗 的氣質。足內底部書“大明成化年製”清代仿款。 此碗造型雋秀，釉光瑩潤，紋樣豐富繁密，著色多彩艷麗，將粉彩的風雅景 致表現得淋漓盡致，群花的構圖盡顯富貴大方，吉祥不斷，是一件難能可貴 的清代粉彩精品。 14.4cm diameter $18,000–25,000

124

41

125

A FINE CHINESE LONGQUAN TRIPOD CENSER, SOUTHERN SONG DYNASTY (1127-1279) The compressed body has three narrow flanges formed by slip beginning at a slightly moulded ridge on the shoulder and trailing down each of the three slightly splayed, conical legs, all below the cylindrical neck that rises to a flat, everted rim. The censer is covered overall with a soft sea-green glaze of even tone that thins on the flanges and ends at the bottom of the legs to expose the pale greyware. It has a Japanese reticulated silver cover, an old Japanese textile pouch and an old Japanese wood box, an inscribed label affixed on one side of the box. 南宋 龍泉青瓷鬲式爐 共箱付 11cm high

124

For a similar censer, see Sotheby's New York, 22/3/2023, lot 531. Also, see Christie's New York, 22/3/2019, lot 1715 PROVENANCE

Yanagi Family Collection, Kyoto.

Acquired from a Tea master’s collection, Kyoto. 日本京都Yanagi家族舊藏， 第一千二百六十六番。 京都茶道大師舊藏。 $8,000–12,000

125

42

126

128

126

128

A CHINESE CLOISONNÉ VASE TOUHU, QING DYNASTY (1644-1911)

A CHINESE BRONZE OCTALOBED MIRROR, TANG DYNASTY (618-907)

The base is cast with a four-character xuande mark.

With a Japanese wooden box 清十七/十八世紀 宣德款 景泰藍投壺 20.4cm high

The back is cast in relief with a pair of phoenix amongst flower scrolls surrounding the knob, with an old black and gold lacquer box and a wooden Japanese box 唐 铸雙鳳纹花形铜镜 带金漆繪雙鳳纹漆盒 12cm diameter

$8,500–12,000

$4,000–6,000

127

A CHINESE CARVED LONGQUAN TRIPOD CENSER, MING DYNASTY (1368-1644) With a Japanese silver cover 明 龍泉青釉刻花三足爐 11cm wide $1,500–2,500 Illustrated online at artvisory.com.au

129

A CHINESE WHITE JADE BIRD-SHAPED FINIAL, SONG/MING DYNASTY 宋/明 白玉雕鳥形飾 5cm wide $2,000–3,000

43

129

130

130

A WHITE JADE MYTHICAL BEAST XIEZHI, MING/QING DYNASTY, 17TH CENTURY 清十七世紀 白玉獬豸 10.7cm diameter $5,000–7,000

131

A CHINESE CELADON JADE CARVED LIBATION CUP, MING DYNASTY (1368-1644) The cup is carved in the shape of a rhino horn, the exterior is decorated with chilong dragon motif 明 青玉雕蟠螭紋角杯 19cm high $4,000–6,000

131

44

132

133

132

133

A WHITE JADE CARVED DRAGON WASHER, QING DYNASTY, QIANLONG PERIOD, 18TH CENTURY

A CHINESE WHITE JADE PLAQUE TABLE SCREEN WITH ZITAN STAND, QING DYNASTY, 18TH CENTURY

The washer is carved with three chilong dragons in high relief. 清 十八世纪 和田白玉雕螭龍洗 7.3cm high

The front is carved in relief with a phoenix standing on top of a rock in front of a peony branch, the back is further carved with rocks and peony branches. 清 十八世紀 “鳳穿牡丹”白玉插屏配紫檀底座 18cm high

For a square washer similarly carved with three chilong dragons, see Sotheby's Hong Kong, 8/4/2010, lot 1881. $18,000–22,000

For a similar jade plaque see Sotheby's New York, 14/9/2019, lot 1444; and also see Christie's London, 18/05/2012, lot 1111 $12,000–22,000

45

134

A CHINESE RARE AND LARGE YELLOW JADE-CARVED DRAGON FANGGU VASE, QING DYNASTY, 18TH-19TH CENTURY The square gu-shaped vase is carved with a pair of chilong dragons chasing a flaming ball on each side of the shoulder. It is with an original fitted carved wood stand, and a fitted wood box, the cover of the box inscribed "Jin Yu Cang Zhen: Xin Chou Er Yue Qiu Fang Shi Cang" translated: "Treasures of Golden Jade: Qiu Fang collected in February 1841." and with one red carved seal of the collector. The back of the inner cover has a label inscribed "Feng Tian Gong Lan", with one square red seal which indicates that this present vase has been in a Japanese exhibition that Emperor Showa appreciated it. 清 十八/十九世紀 黃玉螭龍方觚形瓶 共原配木底座及清代木箱，箱書“金玉藏珍：辛丑二月秌舫氏藏” 內蓋 簽書“供奉天覽”及四字篆書紅章 19.7cm high Yellow jades are the rarest type among all nephrite jades, and it is very rare to find yellow jade vases of the same size and thickness as the current vase. The shape of the present vase is inspired by the archaic bronze vessel Fanggu or square gu, in keeping with the prominent eighteenth/nineteenth-century theme of archaism and imitation in the arts. A yellow jade vase fanghu with similar chilong decorations but smaller (17.7cm high), sold at Christie's Hong Kong, 28/11/2012, lot 2189 for HKD 1,460,000. Another smaller yellow jade (12.5cm high) also in an artistic form, sold at the same house, 31/5/2010, lot 2121 for HKD 2,660,000. Also, see another yellow jade archaistic vase Guang, at Sotheby's New York, 23/03/2022, lot 204 (16.1cm high, sold for $239,400 USD).The present vase is formerly in the collections of Cao Zaikui (Qiufang, 1782-1852). Cao Zaikui was a native of Suzhou, Jiangsu province, and renowned as a collector and researcher of ancient Chinese bronze vessels. A bronze vessel jue also was from Cao Zaikui's collection, was recently sold at Christie's New York, 21/9/2023, lot 853 for $529,200 USD. PROVENANCE

Cao Zaikui (Qiufang, 1782-1852) Collection, acquired in February 1841. 曹载奎（秌舫，1782—1852）舊藏，購藏於1841年二月。 日本私人收藏。 $50,000–80,000

134

46

135

136

A CHINESE JIAN 'OIL SPOT' BLACK-GLAZED TEA BOWL, SOUTHERN SONG DYNASTY (1127-1279)

A LARGE CHINESE DARK GLAZED RUSSET DECORATED MEIPING, SONG DYNASTY (960-1279)

The Jian bowl is potted with deep sides rising to an indented rim, covered inside and out with a lustrous brown glaze suffused with russet 'oil spots'. The glaze ends irregularly around the foot to expose the dark grey stoneware body. The mouth is mounted with a metal band.

With a Japanese wood box. 南宋 建窯油滴盞 12.5cm diameter

with a wooden Japanese box 宋 黑釉鐵鏽斑梅瓶 44.5cm high

PROVENANCE

Collection of Mr. Yama Ji, acquired from Tenpe Dou Yima Bayashi Hiroshi, 8/9/1997 with original receipt (JPY 780,000), and a handwritten certificate

by Tenpe Dou Yima Bayashi Hiroshi. 日本山路先生1997年9月8日購於天平堂今林博，附原發票及天平堂今林博 原發票。

PROVENANCE

Yanagi Family collection, Kyoto.

Tokyo Art Club, Japan. 京都Yanagi家族舊藏。 現藏家於東京美術俱樂部購得。 $8,000–12,000

$9,000–12,000

135

136

47

137

A FINE CHINESE WHITE JADE-CARVED VASE, QIANLONG PERIOD (1736-1795) The jade is carved as a deer with a lingzhi branch in the mouth, carrying a vase on the back. with an old fitted stand and fitted box 清 乾隆白玉 鹿銜林芝擺件 及坐與盒 此拍品以上好預料精雕而成，玉質細潤，白皙剔透。器成靈獸狀，獸首仰 起，口銜靈芝，身形矯健筋肉結實，短而粗壯，四足直立，尾部如卷草紋般 展開，背上馱起寶瓶，為神話中的幻象，但在獸身的體態塑造上卻又以頗為 寫實手法精雕細琢，形成一種獨特的和諧。 這種靈獸擺件仿效了古代青銅器中犧尊的形製，以玉雕之質來表現古代銅器 之形，充分發揮以古創新的思想，將創造古代的意念注入時代的長河，生生 不息。次品玉雕運刀流暢，面部五官和渾身上下的如意狀毛髮均被刻畫得細 緻入微，形象生動，傳說中的幻獸仿佛隨時會活動起來，造型結合玉料，達 到了美輪美奐的境界，確是值得收藏的一件逸品。 12 x 10.9cm $45,000–65,000

137

48

138

A SINO-TIBETAN BRONZE SEATED MANJUSRI, YONGLE INCISED SIX-CHARACTER MARK, MING DYNASTY, CIRCA 15TH CENTURY The lotus base is incised with the six-character reign mark, Da Ming Yongle nian shi, 'Bestowed in the Great Ming Yongle period'.

With a fitted hardwood box and an exhibition label. 明十五世紀 「 大明永樂年施」 款 文殊菩薩坐像 此尊菩薩像在銅胎上 施鎏金工藝，歷經悠久歲 13.5cm high PROVENANCE

An old private gentlemen collection, Tokyo. 東京資深士紳舊藏 $8,000–12,000

138

49

139

140

139

140

A CHINESE ARCHAISTIC PALE WHITE JADE DRAGON PLAQUE, LATE MING/EARLY QING DYNASTY, 17TH CENTURY

A CHINESE YELLOW JADE DRAGON OPENWORK BI, LATE MING/QING DYNASTY, 17TH/18TH CENTURY

明末/清初 白玉龍形掛飾 5.5cm diameter

The bi is finely carved in open work with three dragons in the middle 明末/清初 黃玉龍紋壁 8cm diameter

$2,500–3,500

$1,500–2,500

50

141

142

A CHINESE PALE WHITE JADE TABLET, GUI, POSSIBLY WESTERN ZHOU (1046-771 B.C.)

A CHINESE PALE WHITE JADE CEREMONIAL AXE BLADE, NEOLITHIC PERIOD (CIRCA 6500-1700 BC)

The tablet is carved with taotie mark on each side. With a fitted hardwood box, the label on the box is inscribed and with two red seals of the collector. 或西周 獸面紋青白玉圭 17.6cm long

With a fitted hardwood box, the inscribed label on the box with two red seals of the collector. 新石器時代 青玉斧鉞 15 x 7.5cm

$4,500–6,500

$3,000–5,000

141

142

For a similar example, see Bonhams London, 7/6/2021, lot 422

51

143

143

A CHINESE CELADON WHITE JADE 'DRAGON' PENDANT, POSSIBLY LATE WARRING STATES PERIOD, CIRCA 300-221 B.C. With a wooden box. 或戰國晚期 青白玉雕龍形珮 13cm long For a similar example see Christie's Hong Kong, 3/12/2021, lot 2716 $3,000–5,000

144

A CHINESE CELADON JADE DRAGON-SHAPED PENDANT, SONG/MING DYNASTY 宋/明 青玉龍紋珮 7cm wide $2,500–3,500

145

A CHINESE MOTHER OF PEARL INLAID LACQUER SCROLLREST, MING DYNASTY, 17TH CENTURY 明 黑漆嵌螺鈿花卉紋軸台 33.2cm long Please note this lot is to be sold at No Reserve. 本拍品不設底價。 $1,000–2,000 Illustrated online at artvisory.com.au

144

52

146

146

148

A CHINESE MOTHER-OF-PEARL-INLAID BLACK LACQUER OCTAGONAL BOX AND COVER, YUAN/MING DYNASTY, 14TH/15TH CENTURY

A JAPANESE BAMBOO CARVED INCENSE HOLDER, EDO PERIOD, 18TH CENTURY

With an old Japanese lacquered wood box. 元/明 十四/十五世紀 樓閣人物黑漆嵌螺鈿八角捧盒 22.9cm high For a box with an almost identical shape and very similar decoration, see Tokyo National Museum, Mother-of-Pearl Inlay In Chinese Lacquer Art: Focused on the works from 14th to 17th centuries, June 19th-July 29th, 1979, no. 12, p.i. Also, see K.J. Brandt, Chinesische Lackarbeiten, no. 87, p. 140-141 for another similar example PROVENANCE

A private collection, Sydney, was acquired from Japan in the early 90s. $6,000–8,000

147

A SOUTH EAST ASIAN LACQUERED BAMBOO BASKET, 19TH CENTURY 東南亞 十九世紀 竹編大漆花籃 42cm diameter Please note this lot is to be sold at No Reserve. 本拍品不設底價。 $300–500 Illustrated online at artvisory.com.au

The inscription upon the awasebako reads, 'Bamboo-made incense cylinder. With a Japanese wood box 日本 江戶時代 竹雕香筒 29.4 cm long PROVENANCE

Tokyo Bijutsu Club dealer, Honshu, Japan; 2010s.

Private collection, Melbourne. $1,500–2,500 Illustrated online at artvisory.com.au

149

A CHINESE FAMILLE-ROSE BAMBOO-FORMED WRIST REST, QING DYNASTY, 19TH CENTURY 清十九世紀 粉彩竹形臂搁 21.5cm long $1,000–2,000 Illustrated online at artvisory.com.au

53

150

151

A BAMBOO WRIST REST, 19TH/EARLY 20TH CENTURY

A CHINESE CARVED BAMBOO WRIST REST, QING DYNASTY, 18TH/19TH CENTURY

The wrist is carved in low relief with a scholar in a fish boat in a river landscape. With a carved mark of Yidao 十九/二十世紀 一刀款 竹淺浮雕高士山水紋臂擱 18.8cm high PROVENANCE

Tokyo Bijutsu Club dealer, Honshu, Japan; 2010s Private collection, Melbourne.

It's carved with a scholar in the landscape scene, inscribed and signed Tie shi dao, with one carved seal of the artist 清 十八/十九世紀 鐵石刀款 竹雕竹林高士臂擱 21cm long PROVENANCE

Tokyo Bijutsu Club dealer, Honshu, Japan; 2010s A private collection, Melbourne.

$600–800

$1,000–2,000

152

A BOXWOOD CARVED BRUSH POT, QING DYNASTY, 17TH/18TH CENTURY 清 十七/十八世紀 黃楊木高浮雕梅花紋筆筒 PROVENANCE

William Lim New York (label).Raymond and Victoria Oriental Art, Sydney. 澳大利亞著名亞洲藝術古董商Raymond and Victoria Tregaskis舊藏。 $1,000–2,000

150

151

152

54

153

156

A GROUP OF FOUR CHINESE WOODEN TRAYS

A PAIR OF JAPANESE WOODEN FRAMES WITH SHIMAZU IMPERIAL MON

木托盤一組四件 largest: 44.4 x 27.2cm Please note this lot is to be sold at No Reserve. 本拍品不設底價。 $400–600 Illustrated online at artvisory.com.au

154

A CHINESE WOODEN TRAY WITH THE MOTHER OF PEARL INAIDS 嵌螺鈿木托盤 31 x 18 x 11cm

with a Japanese wooden box. 日本 島津氏家族族徽木框一對並盒 each 43 x 35.5cm Please note this lot is to be sold at No Reserve. 本拍品不設底價。 $400–500 Illustrated online at artvisory.com.au

157

A CHINESE YUMU WAISTED DAYBED LUOHANCHUANG

155

The well-proportioned bed with rectangular frame enclosing the mat seat above a high waist and plain, straight apron supported on sturdy legs of square section terminating in hoof feet, the wood a rich golden colour 明晚/清早期 十七世紀 榆木羅漢床 206 x 80 x 39cm

A PAIR OF CHINESE HUANGHUALI CABINETS

PROVENANCE

Please note this lot is to be sold at No Reserve. 本拍品不設底價。 $300–500 Illustrated online at artvisory.com.au

黃花梨官皮箱箱一對 32 x 23 x 32cm $4,000–6,000

An Important Private Collection, Hong Kong, acquired from C. L. Ma Antiques, Hong Kong, 12/3/1996 with original certificate (Certificate no. CLM-WS 962745). 重要香港藏家私人收藏, 1996年3月12日購於香港古董商可樂馬，附原證 書，證書號：CLM-WS 962745)。 $4,000–6,000 Illustrated online at artvisory.com.au

155

55

158

160

158

160

A FINE CHINESE BOXWOOD JAR, LATE MING/EARLY QING DYNASTY, 16TH/17TH CENTURY

A CHINESE HUANGHUALI BRUSH POT, QING DYNASTY, 18TH CENTURY

晚明/清早 黃楊木罐 8.8cm high

The elegantly proportioned brush pot has plain, rounded sides and a fine grain with attractive patterning 清 十八世紀 黃花梨筆筒 18.7cm high

PROVENANCE

Private collection; Shanghai, China; 2020s.

Private collection, Melbourne. $1,500–2,500

Similar brush pot see Christie's Hong Kong, 13/9/2019, lot 882 PROVENANCE

Raymond and Vicki Tregaskis, acquired from Hong Kong in 2007.

159

A CHINESE CARVED BAMBOO BRUSH POT, QING DYNASTY (1644-1912)

$4,000–6,000

161

It's carved in low relief with a scene of joyful fishermen 清 竹高仕游樂圖筆筒 14.5cm high, 10cm diameter

A LARGE CHINESE HUALI BRUSH POT

PROVENANCE

$2,000–3,000

Mossgreen Auctions, 24 November 2008, lot 397 Antik West, Amsterdam, by repute Mossgreen Auction 墨爾本 拍品 397 24/11/2008 Antik West 阿姆斯特丹（傳） $800–1,200 Illustrated online at artvisory.com.au

花梨筆筒 27cm high Illustrated online at artvisory.com.au

56

162

A CHINESE HONGMU MINIATURE ALTER TABLE, MING DYNASTY, 16TH/17TH CENTURY 明 十六/十七世紀 紅木竹節形小桌 24 x 17.5 x 9.5cm PROVENANCE

Raymond and Victoria Tregaskis Oriental Arts, Sydney. 澳大利亞著名亞洲藝術古董商 Raymond and Victoria Tregaskis舊藏。 $1,000–2,000

163

A NEST OF FOUR GRADUATED CHINESE HONGMU TABLES, CIRCA 1900 each carved with fruit and foliage.

1900年 红木雕竹节纹套桌 Largest: 72 x 50 x 37cm 162

Similar example see Christie's New York, 17/2/2/2015, lot 224. $1,500–2,500 Illustrated online at artvisory.com.au

164

A SMALL CHINESE HUANGHUALI LOW TABLE, KANGZHUO, MING DYNASTY, LATE 16TH-EARLY 17TH CENTURY The rectangular two-panel top of standard mortise and tenon construction over a recessed waist with arched and scrolled aprons, the beaded interior edge continuing to the cabriole legs terminating in 'pearl and leaf' feet. 明 十六/十七世纪 黄花梨小炕桌 41 x 25.5 x 11cm For a larger example see Christie's New York, 30/5/2022, lot 2828; and also see Sotheby's New York, 21/08/2021, lot 235 PROVENANCE

Raymond and Victoria Tregaskis Oriental Art, Sydney. 澳大利亞著名亞洲藝術古董商 Raymond and Victoria Tregaskis舊藏。 $4,000–6,000

164

57

165

168

A CHINESE HUANGHUALI FOLDING STOOL, JIAOWU, QING DYNASTY, 19TH CENTURY

TWO CHINESE YUMU STOOLS, QING DYNASTY (1644-1911)

It is constructed with beaded curvilinear-shaped seat rails drilled for a woven seat, the seat rail carved with confronting chilong and tendrils, the legs mortised, tenoned and lapped to these rails and base stretchers, hinged by metal rods at the pivoting point, secured on both sides with chrysanthemum-shaped metal backplates that set against ruyi-shaped strapwork, the rectangular footrest with a cusped apron and two feet mortised and tenoned to the front of legs and base stretcher, surfacemounted with an interlocked lozenge design and corner mounts, further reinforced with inlaid strapwork at the seat rail and the foot joins. 清 十九世紀 黃花梨有踏床交杌 55.8 x 48 x 48cm

清 榆木凳兩張 42.5 x 42.5 x 46cm and 52.8 x 47.5 x 22.7cm PROVENANCE

Raymond and Victoria Tregaskis Oriental Arts, Sydney 澳大利亞著名亞洲藝術古董商Raymond and Victoria Tregaskis舊藏。 $3,000–5,000 Illustrated online at artvisory.com.au

For a similar pair from the same period, see Christie's Hong Kong, 19/3/2021, lot 749 PROVENANCE

Private collection, NSW, acquired in HK in the 1980s. 悉尼私人收藏，1980年閒購於香港。 $20,000–30,000

166

A CHINESE HUALI STAND JI 花梨香几 75 x 40 x 35cm $1,000–2,000 Illustrated online at artvisory.com.au

167

A PAIR OF CHINESE HONGMU STANDS 紅木香几一對 120cm high $2,500–3,500 Illustrated online at artvisory.com.au

165

58

169

A CHINESE HUANGHUALI VENEER TWO-DRAWER TABLE, QING DYNASTY, 18TH CENTURY 清 十八世纪 黄花梨包镶聯二廚 151 x 85 x 53cm PROVENANCE

An old private collection, Victoria.

Thence by descent. $20,000–30,000

169

59

170

172

A CHINESE SCHOLAR ROCK

A CHINESE SCHOLAR ROCK IN THE SHAPE OF A KNIFE

文人賞石 39.5cm wide

刀型文人賞石 50cm long

$3,500–5,500

Please note this lot is to be sold at No Reserve. 本拍品不設底價。

Illustrated online at artvisory.com.au

$600–800

171

Illustrated online at artvisory.com.au

A CHINESE SCHOLAR ROCK WITH STAND

173

文人賞石 53.5cm high

A CHINESE TAIHU SCHOLAR ROCK 文人賞石 39 x 31cm (rock)

$1,000–2,000

$2,500–3,500

173 171

60

174

A CHINESE MARBLE-INSET HONGMU TABLE SCREEN, XIAOZUOPINGFENG, QING DYNASTY, 19TH CENTURY 清 紅木嵌大理石小桌屏 39.8 x 35.5 x 12cm PROVENANCE

Private collection, Sydney, acquired in the 2000s.

Private collection, Melbourne. $4,000–6,000

175

A CHINESE SQUARE GILT BRONZE CENSER, LATE QING/EARLY REPUBLIC PERIOD, EARLY 20TH CENTURY 清晚期/民國 銅鎏金獅耳大方爐 23cm wide $1,000–2,000 Illustrated online at artvisory.com.au

176

A CHINESE BRONZE CENSER, QING DYNASTY (1644-1911) 174

Cast Xuande four-character mark on the base. 清 宣德款 獅耳銅爐 13.5cm wide $1,000–2,000 Illustrated online at artvisory.com.au

177

A CHINESE GRISAILLE-DECORATED BRUSH POT, REPUBLIC PERIOD, 20TH CENTURY 民國 墨彩滿江紅詩文筆筒 19cm diameter; 15cm high $2,000–3,000

178

A CHINESE CLEAR CRYSTAL CENSER, LATE QING/EARLY REPUBLIC PERIOD, EARLY 20TH CENTURY 清晚期/民國 琉璃龍鈕香爐及蓋 23cm wide $800–1,200 Illustrated online at artvisory.com.au

177

61

179

A CHINESE RU-TYPED GLAZED TRIPOD CENSER, QIANLONG MARK, QING DYNASTY (1644-1911) 乾隆款 清 汝釉三足爐 9.5cm wide $6,500–8,500

180

A CHINESE ROCK CRYSTAL TRIPOD CENSER AND COVER 水晶三足香爐及蓋 8cm high Please note this lot is to be sold at No Reserve. 本拍品不設底價。 $300–500 Illustrated online at artvisory.com.au

179

181

A CHINESE BRONZE CENSER, QING DYNASTY (1644-1911) With wood cover and stand. 清 銅松竹梅海棠香爐及硬木蓋和底座 15.5cm wide $2,000–3,000 Illustrated online at artvisory.com.au

182

A KOREAN CELADON TRIPOD CENSER AND COVER The everted censer is supported on three beast head legs, and the cover is with a mythical beast finial, with incised patterns, overall covered with a blueish celadon glaze 韓國青瓷刻花獸鈕三足爐及蓋 19.5cm high PROVENANCE

A private collection, Japan $2,500–3,500

183

A CHINESE SILVER INGOT, TONGZHI MARK, DATED TO 1869 清 同治五年 銀錠 五十兩 重：1562.5克 11.8cm long; 1562.5g $2,000–3,000 Illustrated online at artvisory.com.au

182

62

184

186

184

186

A CHINESE BRONZE AND SILVER AND GOLD AND TURQUOISE INLAID BELT HOOK, WARRING STATES PERIOD (475-221B.C.)

A CHINESE CLOISONNÉ ENAMEL 'CHAMPION VASE', QIANLONG MARK, QING DYNASTY (1644-1911)

戰國 銅錯金銀嵌綠松石龍首帶鉤 13.5cm long

清 乾隆款 御製掐絲琺琅纏枝蓮紋英雄合巹瓶 32cm high

PROVENANCE

A very similar example dated to Kangxi period, see Christie's Hong Kong, 30/11/2020, lot 2907.

The private collection Melbourne was acquired from Daishojia, Tokyo, Japan, on 17/11/2017 (original receipt). 墨爾本私人收藏， 購藏於日本東京大聖寺屋，2017年11月17日（原發票）

$4,000–6,000

$3,500–5,500

187

185

A JAPANESE BRONZE CENSER AND COVER, MEIJI PERIOD (1868-1912)

A CHINESE BRONZE BELT HOOK WITH GOLD AND SILVER INLAY, WARRING STATES PERIOD (403 BCE - 221 B.C.) 戰國 錯金銀銅帶鉤 16.7cm long $1,000–2,000 Illustrated online at artvisory.com.au

日本 明治時期 銅高士龍紋香爐 28cm high $600–800 Illustrated online at artvisory.com.au

63

188

189

A CHINESE CLOISONNÉ ENAMEL 'LOTUS' CENSER, QIANLONG INCISED SIX-CHARACTER MARK AND OF THE PERIOD (1736-1795)

A CHINESE BRONZE VASE, MING/QING DYNASTY, 17TH CENTURY

The reign mark in a vertical line, above a single character, guo. Cloisonné in the archaistic forms were used profusely during the Qianlong period (1735-1796) as trios of incense burner, container, and related tool caddy, known as luping sanshi in Beijing. Besides the typical reign marks, they often carry an extra character from the Thousand Character Classic, an ancient indexing system the Chinese used as early as the Tang dynasty (618-907). It contains exactly 1000 and non-repeated characters, hence it was found to be versatile and efficient in indexing libraries and collections, including the Imperial Collection 清 「大清乾隆年製」、「果」楷書款及本朝 御製銅胎掐絲琺瑯纏枝勾蓮紋 雲耳小爐 如此器器底刻年款並另漢字款者，乾隆朝琺琅器「爐瓶三事」頗多。底款有 乾隆四字、六字，有陰刻於方形鎏金、亦有如此器刻於長排鎏金者。「爐瓶 三事」，乃北京通行之語，即香爐、箸瓶、香盒三物，焚香必備之物。乾隆 朝盛行，更專殿專用。年號款之外的漢字，乃由《千字文》而來，用以編號 管理。用「千字文」來管理書籍、器物早在唐代伊始。到了清代，雍正帝對 《千字文》中漢字進行刪選更改，去不祥、避諱、數目字等字樣，至乾隆朝 廣泛用於宮廷器物。 9.8cm high

明/清 銅雙龍耳饕餮紋盤口瓶 28.5cm high $800–1,200 Illustrated online at artvisory.com.au

190

A JAPANESE BRONZE VASE, MEIJI PERIOD (1868-1912) 29cm high 明治時期 銅淨水瓶 PROVENANCE

David Jones Art Gallery, Australia. $800–1,200 Illustrated online at artvisory.com.au

PROVENANCE

Tony Omura, "See an Old Friend" Gallery, Hong Kong.

An Important private collection, Sydney.

Bonhams Sydney, 4/11/2020, lot 55. 香港緣來畫廊 Tony Omura 悉尼私人收藏 悉尼邦瀚斯，2020年11月4日，拍品號55. $20,000–30,000

188

64

191

191

TWO CHINESE SCHOLAR PORCELAIN PIECES, QING DYNASTY (1644-1912) A green-glazed washer with chilong decoration, Daoguang mark and of the period (1820-1850) and a clare-de-lune washer, Guangxu mark and of the period (1875-1908). 清 道光款及本朝 綠釉水盂和光緒款及本朝天藍釉水盂 Chilong washer: 5cm high Please note this lot is to be sold at No Reserve. 本拍品不設底價。 $500–700

192

A CHINESE FAMILLE ROSE WASHER PAINTED

BY YU HANQING (1904-1987), DATED TO 1941 The interior is decorated with a pair of shrimps, inscribed, dated to 1941, signed by Yu Hanqing, with one red seal of the artist.

With a fitted box 余翰青（1904-1987）1941年繪 粉彩筆洗 11.4cm diameter PROVENANCE

K.Y. Fine Art, Hong Kong. 香港紀遠古美術。 新南威爾士重要私人收藏。 192

$1,500–2,500

65

193

A VERY FINELY CAST STYLIZED BRONZE SEAL OF A CHIMERA, LATE MING DYNASTY, 16TH-17TH CENTURY Seated on his haunches with the horned head turned to one side and his mouth open in a snarl, the spine exposed and the tail resting on the ground, seated on a square base, the face inscribed with two large characters "Wen Hua".

It is covered with a fine black patina. 晚明 十六至十七世紀 麒麟鈕銅印章 印文：“文華” 6.9cm high PROVENANCE

London Estate, 1997, acquired by John Hilliard before 1980.

Raymond and Victoria Tregaskis Oriental Arts, Sydney.

1980年由John Hilliard購於倫敦藏家舊藏。 澳大利亞著名亞洲藝術古董商 Raymond and Victoria Tregaskis舊藏。 $4,000–6,000

194

A CHINESE BLUE AND WHITE COPPER-RED WASHER, GUANGXU PERIOD (1875-1908) 清 光緒 青花釉裏紅龍紋洗 9cm diameter

193

Please note this lot is to be sold at No Reserve. 本拍品不設底價。 $400–600 Illustrated online at artvisory.com.au

195

A CHINESE CARVED DUAN INKSTONE, QING DYNASTY, 19TH CENTURY With a fitted Zitan box. 清 十九世紀 古琴形端硯與紫檀盒 15.5cm long $3,500–5,500

196

A CHINESE GE-GLAZED WASHER, QING DYNASTY (1644-1911) 清 哥釉洗 11.6cm diameter Please note this lot is to be sold at No Reserve. 本拍品不設底價。 $300–500 Illustrated online at artvisory.com.au

195

66

197

197

TWO CHINESE RUBY-RED PEKING GLASS BOWLS, QING DYNASTY, 19TH CENTURY 清 十九世紀 紅琉璃盌兩件 11.5cm diameter each $500–700

198

A PAIR OF CHINESE AMBER GLASS "GOLD FLAKING" BOTTLE VASES, QING DYNASTY (1644-1911) 清 琉璃長頸瓶一對 31.5cm high $600–800

199

TWO CHINESE SCHOLAR PORCELAIN OBJECTS, QING DYNASTY (1644-1911) including one white-glazed brush stand and a brown-glazed inkstone. 清 白釉筆架山及紫金釉鼓形硯一組 9cm diameter, brush stand: 8.5cm wide $1,000–2,000 Illustrated online at artvisory.com.au

200

A PERSIAN GLASS VASE 波斯藍琉璃瓶 15cm high 198

Please note this lot is to be sold at No Reserve. 本拍品不設底價。 $300–500 Illustrated online at artvisory.com.au

67

201

207

A CHINESE WHITE GLASS VASE

A CHINESE CARVED MARBLE STOOL, QING DYNASTY (1644-1911)

十九/二十世紀 白琉璃瓶 23.3cm high $400–600

The stool is decorated with four taotie mask handles 清 大理石雕鼓凳 51.4cm

Illustrated online at artvisory.com.au

PROVENANCE

202

A LARGE CHINESE RUBY-GLASS PEAKING INCISED BOWL, QING DYNASTY, 19TH CENTURY 清 十九世紀 紅琉璃鏨刻花紋盌 17cm diameter

Imperial Palace, Beijing (by repute) Raymond and Victoria Tregaskis Oriental Art, Sydney 澳大利亞著名亞洲藝術古董商Raymond and Victoria Tregaskis舊藏。 $2,000–3,000

$600–800 Illustrated online at artvisory.com.au

203

A CHINESE BLACK LACQUER BOWL, QING DYNASTY (1644-1911) 清 外黑裡紅大漆缽 17.4cm diameter $600–800 Illustrated online at artvisory.com.au

204

TWO CHINESE SCHOLAR OBJECTS Including a pair of bronze weights and a wooden carved wrist-rest 文房用具兩件：包括一對銅紙鎮和一個紅木刻紙鎮 24.8cm and 35.5cm long $600–800 Illustrated online at artvisory.com.au

205

THREE JAPANESE BLACK LACQUER WITH GOLD DECORATED TEA BOWL STAND, 20TH CENTURY 日本 二十世紀 黑漆描金盞托三件 11cm high Please note this lot is to be sold at No Reserve. 本拍品不設底價。 $600–800 Illustrated online at artvisory.com.au

206

A JAPANESE BLACK LACQUER WITH GOLD DECORATED TEA BOWL STAND, 20TH CENTURY 日本 二十世紀 黑漆描金盞托 13cm high Please note this lot is to be sold at No Reserve. 本拍品不設底價。 $400–600 Illustrated online at artvisory.com.au

207

68

208

210

A RARE JAPANESE IVORY CARVED NETSUKE OF A BAKU, MEIJI PERIOD (1868-1912)

A JAPANESE IRON SWORD GUARD, MEIJI PERIOD (1868-1912)

Two-character carved mark on the base 日本 明治时期 象牙雕根付 獏 4.5cm wide PROVENANCE

Raymond and Victoria Tregaskis Oriental Arts, Sydney. 澳大利亞著名亞洲藝術古董商Raymond and Victoria Tregaskis舊藏。 $1,500–2,500 Illustrated online at artvisory.com.au

209

TWO JAPANESE WOOD-CARVED NETSUKES Including one in the shape of a seated dog and one lion 日本 木雕根付两件 Dog: 6cm high; Lion: 5.5cm wide $400–600 Illustrated online at artvisory.com.au

日本 明治时期 铸铁剑挡 5cm diameter PROVENANCE

Raymond and Victoria Tregaskis Oriental Arts, Sydney. 澳大利亞著名亞洲藝術古董商Raymond and Victoria Tregaskis舊藏。 $600–800 Illustrated online at artvisory.com.au

211

A JAPANESE BLACK LACQUER INRO WITH MOTHER OF PEARL INLAID, MEIJI PERIOD (1868-1912) 日本 明治 黑漆嵌螺钿印籠 6cm high PROVENANCE

Raymond and Victoria Tregaskis Oriental Arts, Sydney. 澳大利亞著名亞洲藝術古董商Raymond and Victoria Tregaskis舊藏。 $600–800 Illustrated online at artvisory.com.au

212

A GROUP OF THREE CHINESE SILVER BANGLES, MING DYNASTY (1368-1644) Each with a two-character inscribed mark reads "De Zao", "Yuan Mei", and "Zhen Bao" respectively. 明 “德造”， “原沒”，“珍寶”款銀製手鐲 largest about 6.5cm diameter $1,000–2,000 Illustrated online at artvisory.com.au

216

69

213

218

A CHINESE CARVED 'DRAGON' TORTOISESHELL BOX AND A MIRROR, LATE QING DYNASTY/REPUBLIC PERIOD, EARLY 20TH CENTURY

A SET OF 13 INSCRIPTION CATALOGUES "JINSHISUO", DAOGUANG MARK

清晚期/民國 十三行造雕刻龍紋玳瑁首飾盒及手鏡 Box: 14.5 x 11 x 9.5cm; Mirror: 28cm $1,000–2,000 Illustrated online at artvisory.com.au

214

A PAIR OF CHINESE FRAMED TEXTILE, QING DYNASTY (1644-1911) 清 龍鳳刺繡一對 59.5 x 50cm $1,000–2,000 Illustrated online at artvisory.com.au

215

A PAIR OF FRAMED CHINESE EMBROIDERY DRAGON PANELS, QING DYNASTY (1644-1912) 清 刺繡龍紋掛屏一對 76.8 x 34.5cm each $2,500–3,500 Illustrated online at artvisory.com.au

216

A SET OF FOUR CHINESE WOODBLOCK COLLECTION CATALOGUES "SHIZHUZHAIJIANPU" BY RONG BAO ZHAI, DATED 1952 1952年荣宝斋木板水印饾版拱花本《十竹斋笺 谱》一函四册全 31.4 x 22.4cm

清 道光 《金石索》十三本 PROVENANCE

The previous owner served with the German Military Mission to China.

The collection was exhibited at the D.A.M.u.K.A (German Army, Marine and Colonial Exhibition) in Berlin, 14/9/1907, where it was awarded a silver medal. (According to the label of the box). 清 道光 《金石索》十三本 《金石索》收錄商周到漢和宋元時的鐘鼎、兵器、權量雜器，以及歷代錢 幣、璽印和銅鏡、秦磚漢瓦等。每冊器物大多有器形圖和銘文拓本。 $800–1,200 Illustrated online at artvisory.com.au

219

A JAPANESE COLLECTION MADE BY MICHAEL TOMKINSON (SPECIAL EDITION), 1898 TOGETHER WITH 7 OTHER JAPANESE ART REFERENCE BOOKS AND CATALOGUES (9) A Japanese Collection made by Michael Tomkinson 1898 Two volumes (complete), quarto, highlighting Tomkinson's collection of ceramics, ivories, swords, textiles, lacquers, and numerous other Japanese works of art; bound in calf, a limited edition, number 38 out of two hundred; photographic frontispiece and numerous photogravures plates, giltlettered spine, top edges gilt, George Allen publishers, London, 1898.

Michael Tomkinson《日本藝術收藏》1898年。 以及另外7本日本藝術參考書及圖錄 33.7 x 26.5cm (2) $2,000–3,000

$1,000–2,000

217

A GROUP OF 13 LACQUER WARE REFERENCE BOOKS AND AUCTION CATALOGUES 一組十三本漆器參考書及拍賣圖錄 $500–800 Illustrated online at artvisory.com.au

219

70

Session 2 — Monday 4 December, 12noon (Lots 220–414) 220

222

A GROUP OF SIX CHINESE PEKING GLASS SNUFF BOTTLES, QING DYNASTY (1644-1911)

A CHINESE SMALL WHITE JADE SNUFF BOTTLE, QING DYNASTY, 18TH CENTURY

清 琉璃鼻烟壶一组六件 7cm high

清 十八世紀 白玉鼻煙壺 6.5cm high

$600–800

$2,000–3,000

Illustrated online at artvisory.com.au

221

A CHINESE SMALL WHITE JADE SNUFF BOTTLE, QIANLONG PERIOD (1736-1795) The bottle is carved in the form of a flask vase, with cloud handles on the shoulder, an agate stopper. 清 乾隆 白玉如意雲耳萬壽紋扁壺鼻煙壺 6cm high $3,000–5,000

221

222

71

223

225

TWO SNUFF BOTTLES, QING DYNASTY (1644-1911)

A CHINESE WHITE JADE SNUFF BOTTLE, QING DYNASTY(1644-1911)

A carved ruby red glass snuff bottle and a silver snuff bottle, "dabao" mark on the base 清 刻博古紋紅琉璃鼻煙壺與“大寶”款銀質鼻煙壺 larger one: 8cm high $800–1,200

The bottle is finely carved with a boy riding an ox under a flying bat; with a green jade stopper. 清 白玉鼻煙壺 7.7cm high

Illustrated online at artvisory.com.au

$800–1,200

224

A CHINESE WHITE JADE SNUFF BOTTLE, QING DYNASTY (1644-1911) 清 白玉鼻煙壺 8.5cm high $1,500–2,500

224

225

72

226

227

226

227

A CHINESE MOSS AGATE SNUFF BOTTLE, QING DYNASTY, 18TH CENTURY

A CHINESE CARVED CINNABAR LACQUER SNUFF BOTTLE, QING DYNASTY, 19TH CENTURY

清 十八/十九世紀 苔瑪瑙鼻煙壺 6.5cm high

清 銅胎剔紅山水人物紋鼻煙壺 10cm high

A similar bottle see, Christie's; New York; The Merriem Collection: Important Chinese Snuff Bottles; 19 /9/2007, lot 665

$1,500–2,500

PROVENANCE

Emma Harter Sweetser (1848-1922) Fund Collection.

Indianapolis Museum of Art, Indianapolis, Indiana, accessioned in 1931.

Christie's; New York; Art of China; 29 September 2022; lot 170 (part) A private collection, Melbourne. $1,000–2,000

228

A CHINESE JINXING STONE SNUFF BOTTLE, QING DYNASTY (1644-1911) 清 金星石鼻煙壺 6cm high $1,500–2,500 Illustrated online at artvisory.com.au

73

229

231

A CHINESE RED-GLAZED PORCELAIN SNUFF BOTTLE, QING DYNASTY (1644-1911)

TWO CHINESE JADEITE SNUFF BOTTLES, LATE QING DYNASTY, 19TH CENTURY

The base is with a four-character underglaze blue Kangxi mark. 清 康熙款 祭紅釉梅瓶形鼻煙壺 8.5cm high

晚清 十九世紀 翡翠鼻煙壺两件 8cm and 7cm high

Please note this lot is to be sold at No Reserve. 本拍品不設底價。 $400–600 Illustrated online at artvisory.com.au

230

TWO SNUFF BOTTLES, QING DYNASTY (1644-1911) Including an agate snuff bottle and a green jade snuff bottle 清 瑪瑙鼻煙壺與碧玉鼻煙壺 larger one: 8cm high

$1,000–2,000 Illustrated online at artvisory.com.au

232

A CHINESE WHITE JADE SNUFF BOTTLE, QING DYNASTY (1688-1911) 清 白玉鼻煙壺 7cm high $1,000–2,000

$1,500–2,500

230

232

74

233

A RARE AND FINE PAIR OF FAMILLE-ROSE 'LANDSCAPE' PANELS BY WANG YETING (1884-1942) One panel enamelled with a fisherman in a pink cloak on a low raft moored on a river under an overhanging cliff, the river receding into high domed mountains, the other panel with three small figures crossing an arched bridge over a winding river overlooked by a thatched pavilion perched atop a cliff, with further huts and fishing boats in the distance, wood frames. 汪野亭 粉彩山水圖瓷板一對 款識： 長天秋水夕陽飛，紅樹林亭策杖回。笑問阿翁何處返，攜琴訪 友過橋西。石谷、雲林法。傳芳居士汪野亭寫意。 水繞山環古寺，霞飛雲擁孤村。老木懸垂石壁，漁舟繫泊湖 汀。平山草堂主人野亭汪平書畫並題。 印文：平印、野亭 Each panel 20.5cm x 81cm (8in x 32in) (2) The inscription may be translated as:"Amidst the broad sky, above the autumn waters, the evening sun hovers; returning with a cane in hand from red trees and wooded pavilion. I ask the elderly gentleman with a laugh 'From where are you returning?'; He took along a qin to visit a friend across the western bridge. In the style of Shigu and Yunlin. Written by Chuanfang jushi Wang Yeting.

Winding waters coil around the mountain and ancient temple, red clouds drift and wrap around the solitary village; The old tree hangs from the stone cliff, and the fishing boat moored beside the lake's bank. Inscribed and painted by the owner of the Thatched Hall of Pingshan, Yeting Wangping.

"A pair of famille rose rectangular 'landscape' panels, dated 21st Year of the Republic (AD1932), with the signature of Wang Yeting, from the same collection, was sold in these rooms on 17 May 2012, lot 397.

Wang Yeting (1884-1942) was one of the well-known members of the Jingdezhen porcelain painting group known as the 'Eight Friends of Zhushan'. See also a plaque signed

by Wang Yeting and a vase with the seal mark of Wang Yeting, both from the Anthony Evans Collection, Bonhams London, 10/11/2011, lots 596 and 605 respectively.

PROVENANCE

An Italian private collection and thence by descent.

Bonhams London, 16/05/2013, Lot 238. 意大利私人收藏，並由家族繼承下去。 倫敦邦漢斯， 2013年5月16日，拍品號138。 $180,000–300,000

233

75

234

A CHINESE MOULDED GREY POTTERY OFFERING BOWL AND COVER, HAN DYNASTY (202 B.C.-220A.D.) 漢 黑陶模印幾何紋豆形爐 14.5 cm diameter A similar example, (with related decorative design), is held in the Zhangjiajie Museum, Hunan Province, China. This example is aesthetically inferior to the present vessel, and of vastly inferior quality, having been broken, and poorly restored.

Another comparable example, (with related decorative design), is held in the Xinxiang Museum, Hunan Province, China. Also see Spirit of Han; Southeast Asian Ceramic Society; 1991; p.72-73; fig.1 for a similar dou PROVENANCE

Tokyo Bijutsu Club dealer; Tokyo, Honshu, Japan; 2010s.

Private collection, Melbourne. $2,000–3,000

235

TWO CHINESE IMPRESS-DECORATED POTTERY VESSELS, WARRING STATES (476-2221B.C.) The dating of the cup is consistent with the result of a thermoluminescence test, conducted by University of Wollongong, Test No. W3221, 17th July 2002. 戰國 印紋陶器兩件 larger one: 19.5cm wide

234

$1,000–2,000

236

A CHINESE IMPRESS-DECORATED DARK POTTERY JAR, WARRING STATE(476-221B.C.) 战国 印纹陶罐 18.6cm high $600–800 Illustrated online at artvisory.com.au

237

TWO LONGSHAN "EGG-SHELL" BLACK POTTERY VESSELS, 3000B.C. 龍山文化 黑陶高足杯及盤子樽 19cm and 11cm high PROVENANCE

Private collection, Melbourne $600–800 Illustrated online at artvisory.com.au

235

76

238

239

A CHINESE PAINTED POTTERY JAR, NEOLITHIC PERIOD, YANGSHAO CULTURE (5000B.C.-2700 B.C.)

A CHINESE CELADON-GLAZED JAR, TANG DYNASTY (618-907)

The results of Oxford thermoluminescence test no. C105s72 is consistent with the dating of this lot. 新石器時代 仰韶文化 彩繪陶罐 附牛津熱釋光證書編號：C105s72.

36.5cm high For a later Majiayao culture example with a similar pattern, see Christie's New York, 22/9/2023, lot 1046 PROVENANCE

A private collection, Melbourne, was acquired from Brain Page, London, 22/8/2005 (original receipt). $1,500–2,500

唐 青瓷罐 27.5cm high PROVENANCE

Private collection, Melbourne. $800–1,200 Illustrated online at artvisory.com.au

240

TWO DARK POTTERY HIGH FOOT VESSELS, PAN, WARRING STATES PERIOD (476-221B.C.) The Larger one: the result of the University of Wollongong thermoluminescence test no.w3471 dated 2nd August 2003, is consistent with the dating of this vessel. 战国 黑陶高足盘 两支 大盤附臥龍崗大學熱釋光證書 證書號：w3471 27.2cm and 16.5cm high $800–1,200

240

238

77

241

A CHINESE YUE CELADON JAR, EASTERN JIN DYNASTY, 4TH CENTURY 東晉 越窯青瓷二系波紋罐 20.8cm high PROVENANCE

Acquired from Raymond & Victoria Tregaskis, Sydney, 21 Jun 1999 (Receipt and label, no. 1049) 澳大利亞著名亞洲藝術古董商Raymond and Victoria Tregaskis， 1999年6月21日（收據及標簽，1049號） $1,500–2,000

242

A RARE CHINESE CIZHOU GANGWA BROWN-PAINTED GLOBULAR JAR, LIAO DYNASTY (916-1125) The heavily potted body is partially covered with a white slip, painted in brown with evenly placed flowers divided by vertical line borders, all under a clear glaze. 遼 内蒙古地区 磁州缸瓦窑 白釉黑彩花纹线罐 16cm diameter, 12cm high An almost identical jar please see Yuegutang: A Collection of Chinese Ceramics in Berlin, no. 171, p. 214. Two very similar examples also see Christie's London, 13/11/2001, lot 14 and Christie's New York, 20/03/2015, The Collection of Robert Hatfield Ellsworth Part IV- Chinese Works of Art: Metalwork, Sculpture and Early Ceramics, lot 858

241

PROVENANCE

Capital Gallery, Hong Kong. 香港長安古美術 $3,000–5,000

243

A KOREAN BLACK STONEWARE MEIPING VASE, KORYU DYNASTY, 11TH CENTURY 韓國 十一世紀 黑陶梅瓶 30.5cm high $1,000–2,000 Illustrated online at artvisory.com.au

244

THREE CHINESE POTTERY JARS, NEOLITHIC PERIOD, QIJIA CULTURE (2050 B.C.-1700 B.C.) The results of Oxford thermoluminescence test nos. C122k77 and C122k78 are consistent with the dating of two jars. 新石器時代 齊家文化 印紋陶罐三件 其中兩件附牛津熱釋光證書編號：C122k77 & C122k78. largest one: 31cm high PROVENANCE

Private collection, Melbourne, acquired from Brain Page, London. $2,000–3,000 Illustrated online at artvisory.com.au

242

78

245

A FINE CHINESE GUANWA WARE AMBER LEAD-GLAZED DISH, LIAO DYNASTY (907-1125) 遼 黃釉盤 18.3cm diameter For similar dishes see Li Zhiyan, Song Ceramics: The Muwen Tang Collection, Vol. 11, 2012, pp.552-553, Cat., 246; Lu Jing Zhu, Liao Pottery and Porcelain, p. 214, no. 4-130. For three similar dishes with sancai glaze, see, The Hayashibara Museum, Ceramics of the Liao Dynasty, No. 95, 96 and 97 PROVENANCE

Capital Gallery, Hong Kong.

An important private collection, Sydney, NSW. L Guan Asian Art, Melbourne. 香港長安古美術。 悉尼重要私人收藏。 墨爾本熹舍美術。 EXHIBITED

Sydney, Asian Arts Institute of Australia, Objects of Desire: The Classic Age of Chinese Ceramics Song to Yuan Dynasties, 10th to 14th Centuries, 2013. 悉尼，澳大利亞亞洲藝術學會，《Objects of Desire: The Classic Age of Chinese Ceramics Song to Yuan Dynasties, 10th to 14th Centuries》，2013。 245

PUBLISHED

Objects of Desire: The Classic Age of Chinese Ceramics Song to Yuan Dynasties, 10th to 14th Centuries, Asian Arts Institute of Australia, no.

86, p. 91. 《Objects of Desire: The Classic Age of Chinese Ceramics Song to Yuan Dynasties, 10th to 14th Centuries》, 澳大利亞亞洲藝術學會, no. 86, p. 91. $3,000–5,000

246

A CHINESE LONGQUAN CELADON DOUBLE-FISH WASHER, SOUTHERN SONG DYNASTY (1127-1279) 南宋 龍泉青瓷雙魚洗 13.5cm diameter PROVENANCE

From a senior historian's private collection, Sydney. $800–1,200

247

TWO CHINESE CHANGSHA SCHOLAR OBJECTS, TANG DYNASTY (618-907) Including a weight in the shape of a turtle and a small washer. 唐 長沙窯烏龜和水盂 Turtle: 6cm long; Washer: 6.5cm wide $600–800 Illustrated online at artvisory.com.au

246

79

248

A FINE CHINESE SANCAI-GLAZED POTTERY FIGURE OF A HORSE AND RIDER, TANG DYNASTY (618-907) 唐 三彩 仕女騎乘俑 40cm diameter For a very similar example see Christie's New York, 19/03/2008, lot 523.

The results of the University of Wollongong thermoluminescence test no.

W4949 is consistent with the dating of this lot 臥龍崗大學熱釋光證書號：W4949.

PROVENANCE

Sotheby's Australia, lot 95 (label). $20,000–30,000

248

80

249 251

249

251

A JIAN 'HARE'S FUR' TEA BOWL, SOUTHERN SONG DYNASTY (1127-1279)

A CHINESE YAOZHOU PERSIMMON GLAZED CENSER, JIN DYNASTY (266-420)

The deep rounded sides are covered inside and out with a thick, lustrous black glaze finely streaked with silvery-brown 'hare's fur' markings and pooling in a line above the foot to reveal the buff ware fired to a brown colour. 南宋 建窯兔毫盞 12cm diameter

The compressed globular body rising from a short spreading foot to an everted rim, set at the shoulder with a pair of lion mask handles and covered overall in a persimmon-brown glaze 宋 耀州窯紫金釉獅耳爐 12cm diameter

PROVENANCE

A private collection, Sydney.

Capital Gallery, Hong Kong 香港長安古美術。

$5,000–7,000

$8,000–12,000

250

252

A CHINESE PERSIMMON-GLAZED FOLIATE RIM DISH, SONG DYNASTY (960-1279)

PROVENANCE

A CHINESE JIAN HARE'S FUR BOWL, SOUTHERN SONG DYNASTY (1127-1279)

PROVENANCE

With a Japanese lacquer stand and cover, 20th century 南宋 建窯兔毫盞 及 二十世紀 日本黑漆描金盞托 12cm diameter

Private collection, Melbourne

$1,000–2,000

$1,000–2,000

Illustrated online at artvisory.com.au

宋 紫金釉花口盤 16cm diameter

Illustrated online at artvisory.com.au

81

253

A RARE DING TYPED DARK GLAZED HARE'S FUR CONICAL TEA BOWL, NORTHERN SONG DYNASTY (960-1279) 北宋 定窯係黑釉兔毫斗笠盞 13cm diameter PROVENANCE

Private collection, Melbourne. $4,000–6,000

254

A CHINESE CIZHOU DARK GLAZED TEA BOWL, WITH RUSSET DECORATION, SONG/YUAN DYNASTY, 13TH CENTURY 宋/元 磁州窯 黑釉鐵鏽斑盞 13.7cm diameter $1,000–2,000 Illustrated online at artvisory.com.au

255

253

A CHINESE JIAN HARE'S FUR-GLAZED TEA BOWL, SOUTHERN SONG DYNASTY (1127-1279) The bowl is covered overall with a lustrous black glaze streaked with fine 'hare's fur' markings on the interior and exterior where the glaze stops irregularly above the foot exposing the chocolate-brown body. It is with a Japanese wooden box. 南宋 建窯兔毫斗笠盞 10.5cm diameter PROVENANCE

Acquired from Raymond & Victoria Oriental Antiques, Sydney, 20/9/2017 於2017年9月20號購藏自澳洲悉尼著名亞洲藝術古董商 Raymond & Victoria Oriental Antiques。 $6,000–8,000

256

A PAIR OF CHINESE CHANGSHA BOWLS, TANG DYNASTY (618-907) 唐 長沙窯盌两只 15.3cm diameter PROVENANCE

Private Collection, Melbourne. $800–1,200 Illustrated online at artvisory.com.au

255

82

259

257

257

259

A CHINESE QINGBAI WATER DROPPER, YUAN DYNASTY (1279-1368)

A CHINESE MOULDED QINGBAI EWER, YUAN DYNASTY (1368-1279)

In the form of two mandarin ducks 元 青白釉鴛鴦戲水水注 13cm wide

元 青白印花执壶 12.4cm wide

PROVENANCE

East and West Art, Melbourne.

East and West Art, Melbourne.

PROVENANCE

$1,000–2,000

$500–700

258

TWO CHINESE STONEWARE JARS, SONG/YUAN DYNASTY, 13TH/14TH CENTURY Including a longquan celadon jar and a qingbai jar. 宋/元 龍泉青釉罐與青白罐 13cm high and 9.5cm high $600–800 Illustrated online at artvisory.com.au

260

A GROUP OF SIX CHINESE LONGQUAN CELADON JARS, YUAN DYNASTY (1279-1368) 元 一組六件青瓷雙系罐 Largest: 10cm diameter $600–800 Illustrated online at artvisory.com.au

83

261

263

A CHINESE CELADON GLAZED VASE, HAN DYNASTY (206 B.C.–220 A.D.)

A WHITE-GLAZED BOX AND COVER, SONG DYNASTY (960-1279)

漢 青釉刻海浪紋罐 31.8cm high PROVENANCE

Private collection, Melbourne. $1,000–2,000 Illustrated online at artvisory.com.au

262

A CHINESE YAOZHOU DARK-GLAZED CONICAL BOWL WITH RUSSET SPLASHES, SONG DYNASTY (960-1279) 宋 耀州黑釉鐵鏽斑斗笠盞 14cm diameter PROVENANCE

Capital gallery, Hong Kong 香港長安古美術

宋 白瓷小蓋盒 4.7cm diameter Please note this lot is to be sold at No Reserve. 本拍品不設底價。 $400–600 Illustrated online at artvisory.com.au

264

A CHINESE YUE CELADON MYTHICAL BEAST-FORM HOLDER 越窯青瓷神獸尊 11.8cm wide PROVENANCE

A private collection, Japan. $1,000–2,000 Illustrated online at artvisory.com.au

$8,000–10,000

262

84

265

A CHINESE LONGQUAN MALLET VASE WITH PHOENIX HANDLES, SOUTHERN SONG DYNASTY (1127-1279) Covered in an unctuous bluish-green glaze, pooling at the foot, and paling at the mouth rim, the foot burned brick red, a firing mark on the glazed base 南宋 龍泉鳳耳瓶 15.2 cm high REFERENCE

see Regina Krahl, Chinese Ceramics from the Meiyintang Collection, vol. 1, cat. no. 572, p. 304 for a similar example; also see National Palace Museum Collection, Taipei for a larger example; also see Victoria and Albert Museum for a similar example with double fish handles, Museum no.: C.103-1967; and see Sotheby's London, 11/5/2016, Lot 217 for a similar example sold at auction

PROVENANCE

John Gould Collection.

Collection of Raphy Star, acquired from Raymond & Victoria Tregaskis, Sydney, circa 1990. Mossgreen, Sydney, 11/12/2016, lot 95.

John Gould舊藏； Raphy Star 舊藏，大約1990年購於澳洲悉尼著名亞洲亞洲藝術古董商 Raymond and Victoria Tregaskis。 Mossgreen悉尼，11、12、2016， Lot 95。 $8,000–12,000

266

A CHINESE LONGQUAN CELADON 'DRAGON' DISH, MING DYNASTY (1368-1644) 明 龍泉窯 青釉龍紋盤 31cm diameter $600–800 Illustrated online at artvisory.com.au

265

267

85

267

269

A CHINESE QINGBAI CARVED OVOID VASE, YUAN DYNASTY (1279-1368)

A CHINESE CELADON DISH, MING DYNASTY (1368-1644) 明 青釉盤 27cm diameter

元 湖田窯青白釉瓶 31cm high

PROVENANCE

From a senior historian's private collection, Sydney.

PROVENANCE

Capital gallery, Hong Kong. 香港長安古美術。

$600–800 Illustrated online at artvisory.com.au

$10,000–20,000

270

268

A CHINESE LONGQUAN CELADON PEAR-SHAPED VASE, SOUTHERN SONG DYNASTY (1127-1279) 南宋 龙泉窑瓜棱瓶 14.4cm high

A CHINESE LONGQUAN CELADON VASE, YUAN/MING DYNASTY, 14/15TH CENTURY 元/明 龍泉印花福壽象耳瓶 22.4cm high PROVENANCE

PROVENANCE

Sotheby's London, 1976, lot 67. (with a copy of the customs declaration certificate) 伦敦苏富比，1976年，拍品号：67. （海關出口鑒定證書複印件）

Philippines National Museum (label) 菲律賓國家博物館（標籤） $2,500–3,500

$1,500–2,500

268

270

86

271

273

TWO CHINESE WHITE-GLAZED STONEWARE VESSELS, TANG/SONG DYNASTY, 10TH/12TH CENTURY

A CHINESE WHITE-GLAZED JAR, TANG DYNASTY (618-907)

Including a Chinese white-glazed Zhadou and a cizhou jar. 唐/宋 白釉花口渣斗 磁州窯白地黑花 Zhadou: 9.5cm diameter; Jar: 9cm wide.

Together with a Chinese small white-glazed washer, Tang dynasty (618-907) 唐 白釉罐和白釉洗 Jar: 19.4cm high

$600–800

$1,000–2,000

Illustrated online at artvisory.com.au

Illustrated online at artvisory.com.au

272

274

A CHINESE CIZHOU WHITE-GLAZED VASE, SONG DYNASTY (960-1279)

TWO CHINESE CELADON VESSELS, SONG DYNASTY (960-1279)

宋 磁州窯白釉鳳尾瓶 21cm high

Including an ewer and a dragon vase. 宋 青釉執壺與青釉盤龍罐 Vase: 19.5cm high; Ewer: 11cm high

PROVENANCE

$1,000–2,000

Private collection, Melbourne. $3,000–5,000

Illustrated online at artvisory.com.au

275

A CHINESE CIZHOU TRUNCATED MEIPING VASE, SONG DYNASTY (960-1279) The vase is decorated with three followers on the shoulder.

With a Japanese wooden box 宋 磁州窯白地黑花嘟嚕瓶 19.5cm high PROVENANCE

Private collection, Melbourne. $3,000–5,000

271

275

87

276

A CHINESE JIZHOU BLACK GLAZED CENSER, SONG DYNASTY (960-1279) The censor is decorated with carved through plum branches 宋 吉州刻梅花紋黑釉三足香爐 12.5cm diameter; 10cm high PROVENANCE

K.Y. Fine Art, Hong Kong 香港紀遠古美術。 $3,500–5,500

277

A LARGE CHINESE HENAN BLACK GLAZED JAR, JING-YUAN DYNASTY, 12TH/13TH CENTURY 金/元 河南黑釉雙係大罐 25cm wide; 21.5cm high PROVENANCE

Mossgreen, MA134, lot 58. $1,000–2,000 Illustrated online at artvisory.com.au

276

278

A CHINESE SMALL BLACK GLAZED JAR, JIN-YUAN DYNASTY, 13TH CENTURY 金/元 黑釉雙系罐 16.5cm wide; 12cm high PROVENANCE

Private collection, Melbourne. $600–800 Illustrated online at artvisory.com.au

279

A CHINESE SHANXI CARVED CIZHOU JAR, SONG DYNASTY (960-1279) 宋 山西磁州窯黑剔刻卷草紋罐 10cm high PROVENANCE

K.Y. Fine Art, Hong Kong. 香港紀遠古美術。 $3,500–5,500

280

A CHINESE BLACK GLAZED MEIPING VASE WITH RUSSET SPLASHES, JIN DYNASTY (1115-1234) 金 黑釉貼繡花梅瓶 22.5cm high $3,000–5,000 Illustrated online at artvisory.com.au

279

88

281

283

A CHINESE QINGBAI MOULDED BOWL, SOUTHERN SONG (1127-1279)

A FINE CHINESE DEHUA WHITE-GLAZED BOWL, SONG DYNASTY (960-1279)

南宋 青白釉印籠紋盌 17cm diameter

宋 德化白釉盌 16.5cm diameter

PROVENANCE

PROVENANCE

Private collection, Melbourne

An old private collection, Sydney.

$1,500–2,500

$800–1,200

Illustrated online at artvisory.com.au

Illustrated online at artvisory.com.au

282

284

A CHINESE DING WHITE-GLAZED FOLIATE RIM BOWL, NORTHERN SONG (960-1127)

TWO CHINESE LONGQUAN CELADON WASHERS, SOUTHERN SONG DYNASTY (1127-1279)

北宋 定窯花口盏 16.5cm diameter

南宋 龍泉青瓷洗兩件 14.3cm and 12.6cm diameter

PROVENANCE

$1,000–2,000

K.Y. Fine Art, Hong Kong 香港紀遠古美術。 $12,000–22,000

Illustrated online at artvisory.com.au

285

A CHINESE QINGBAI EWER, SONG DYNASTY (960-1279) 宋 青白執壺 13.8cm high $800–1,200

282

285

89

286

A CHINESE QINGBAI JAR, SONG DYNASTY (960-1279) 宋 青白釉鼓釘罐 10.2cm diameter PROVENANCE

K. Y. Fine Art, Hong Kong.

An important private collection, Sydney. 香港繼遠古美術 $5,500–7,500

287

A CHINESE QINGBAI CARVED CONICAL BOWL 影青刻花斗笠盏 12.5cm diameter Please note this lot is to be sold at No Reserve. 本拍品不設底價。 $1,000–2,000 Illustrated online at artvisory.com.au

286

288

A CHINESE SHUFU GLAZED DISH, YUAN DYNASTY (1279-1368) The dish is moulded with floral patterns 元 樞府釉印纏枝蓮紋盤 15cm diameter PROVENANCE

East and West Art, Melbourne. $600–800 Illustrated online at artvisory.com.au

289

A CHINESE QINGBAI LOBBED DISH, SOUTHERN SONG (1127-1279) covered in an attractive bluish-white glaze 南宋 湖田窑影青花形碟 10.6cm diameter PROVENANCE

Raymond and Victoria Tregaskis Oriental Arts, Sydney. 澳大利亞著名亞洲藝術古董商Raymond and Victoria Tregaskis舊藏。 $2,000–3,000

290

A CHINESE BLACK "EGGSHELL" POTTERY BEAKER, POSSIBLY NEOLITHIC PERIOD (3000-2000B.C.) 或為新石器時期 蛋殼黑陶罐 10cm high PROVENANCE

Private collection, Melbourne.

Please note this lot is to be sold at No Reserve. 本拍品不設底價。 $400–600 Illustrated online at artvisory.com.au

289

90

291

293

TWO CHINESE QINGBAI VESSELS, SOUTHERN SONG/YUAN, 13TH-14TH CENTURY

TWO CHINESE CELADON WASHERS, SOUTHERN SONG DYNASTY (1127-1279)

Including a foliate-rimmed bowl, Yuan dynasty (1279-1368) and a qingbai washer, Southern Song dynasty (1127-1279) 宋/元 青白花口盌及青白瓷刻花臥足盤 The larger one: 16.5cm diameter

Including a longquan double fish washer and a qingbai glazed washer 南宋 龍泉青瓷雙魚洗和影青洗 both 13cm diameter

$1,000–2,000

East and West Art, Melbourne.

Illustrated online at artvisory.com.au

$1,000–2,000

292

Illustrated online at artvisory.com.au

A CHINESE DING WHITE-GLAZED FOLIATE RIM BOWL, FIVE DYNASTIES (907-960)

294

五代 定窯白釉花口盌 18.5cm diameter PROVENANCE

Blitz Oriental Art, Amsterdam.

Capital Gallery, Hong Kong. 阿姆斯特丹Blitz亞洲藝術。

PROVENANCE

A CHINESE DING MOULDED 'POMEGRANATE AND FLORAL' BOWL, NORTHERN SONG (960-1127) 北宋 定窯印石榴花紋盌 12.9cm diameter PROVENANCE

A private collection, Melbourne, VIC. $10,000–20,000

$8,000–12,000

292

294

91

295

A CHINESE XING WHITE-GLAZED WASHER, LATE TANG DYNASTY, 10TH CENTURY The washer is supported with four beast feet, covered with even creamy-white glaze. 晚唐 邢窯白釉四獸足白釉洗 10cm wide; 7cm high For an almost identical example, see Victoria and Albert Museum, London, Chinese ceramics room, shelf 3, no. 12. For another two similar jars with covers, see Zhao & Zhang, Qian nian xing yao (Thousand years of Xing ware), p. 124; and Pleasure of White Ceramics, from Private Collection in Japan: Neolithic Age to Ming Dynasty of China, no. 53.

PROVENANCE

K.Y. Fine Art, Hong Kong. 香港繼遠古美術。 $8,000–12,000

296

A SET OF CHINESE JUN BOWL AND A SAUCER Both are covered with green-ish blue glaze, the saucer is decorated with tiny purple splashes 鈞窯泡泡盞及碟 Cup: 9.6cm diameter; Saucer: 11.6cm diameter PROVENANCE

Private collection, Sydney.

295

$1,500–2,500 Illustrated online at artvisory.com.au

297

A PAIR OF CHINESE FOLIATE RIM STEM BOWLS, SONG DYNASTY (960-1279) 宋 影青花口盞一對 both 11.3cm diameter PROVENANCE

K.Y. Fine Art, Hong Kong. 香港繼遠古美術。 $10,000–20,000

298

TWO CHINESE STONEWARE VESSELS, TANG/SONG PERIOD, 10TH-13TH CENTURY Including a changsha ware washer, Tang dynasty and a dark-glazed jar, Song dynasty 宋 黑釉罐 與 唐 長沙窯青釉點褐彩水盂 larger one: 10.8cm diameter PROVENANCE

East and West Art, Melbourne. $600–800 Illustrated online at artvisory.com.au

297

92

299

300

A RARE CHINESE DING TYPED/DANGYANGYU PERSIMMON GLAZED BOWL AND COVER, SONG DYNASTY (960-1279)

A CHINESE BLACK-GLAZED MEIPING VASE, JIN DYNASTY (1115-1234)

The bowl with deep rounded sides, covered inside and out with a russet glaze ending in a dark brown line, below the unglazed mouth rim and stopping at the top of the tall, unglazed foot ring to expose the pale grey stoneware. The domed cover with sprig handle was similarly glazed inside and out, leaving the underside of the everted rim unglazed.

Ding-typed persimmon glazed-covered bowls are very rare. This bowl and cover was most likely produced in one of the famous Ding-typed kilnsDangyangyu kiln in Hebei, China. 宋 定窯/當陽峪窯 紫金釉蓋罐 12.3cm wide; 8.2cm high

金 黑釉刻弦紋梅瓶 29.5cm high

Compare to a very similar Dangyangyu bowl and cover, see Zhang Shuwei eds., Dangyangyu Kiln of China, Beijing, 2010, no. 45.

EXHIBITED

Collingwood, ACAE Gallery, Silent Ritual, 23/7-20/8/2022 LITERATURE

Australian Chinese Art Research Institute, Silent Ritual, Collingwood, 23/7-20/8/2022, p. 58 PROVENANCE

K. Y. Fine Art, Hong Kong.

An important private collection, NSW. 香港紀遠古美術。 新南威爾士重要私人收藏。 $12,000–20,000

299

PROVENANCE

The Estate of the Late Walter Hochstadter and Alice Chu, was acquired by Walter Hochstadter prior to 1997 hence by descent. Walter Hochstadter was a well-known and distinguished dealer of Chinese art, born in Krumbach (Germany) in 1914. In the late 1930's he emigrated to the United States and died in Adelaide, Australia in 2007. He was a member of the Oriental Ceramic Society (USA) from 1953-1982. A large number of the Hochstadter collection was sold at Christie's New York, 18th/19th March 2009, with piece lot 518 reaching 2 million US dollars.

Walter Hochstadter (候时塔) and Alice Chu遺產，由候时塔購藏於1997 年以前，後由家族繼承。 候时塔是著名傑出中國藝術收藏家，1914年出生 於德國，於三十年代移民美國並於2007年在澳大利亞墨爾本去世。19531982年間，他曾為美國東方陶瓷協會會員。部分Hochstadter收藏中國藝術 曾與佳士得紐約2009年3月18日-19日拍賣，其中一件518號拍品拍出200萬 美金。 $3,000–5,000 Illustrated online at artvisory.com.au

93

301

A RARE CHINESE JIAN DARK-GLAZED JAR, SOUTHERN SONG DYNASTY (1127-1279) The heavily potted jar is covered with a thick black glaze, stopping irregularly above foot exposing the dark body. With a fitted box. 南宋 建窯黑釉罐 8cm high PROVENANCE

An old private collection, Japan A private collection, Melbourne EXHIBITED

Melbourne, 2002, Acae Gallery, Silent Ritual.

LITERATURE

Acae Gallery, Silent Ritual, 2002, p.60. $4,500–6,500

302

A CHINESE BROWN GLAZED MOULDED " LION' WATER DROPPER, YUAN DYNASTY (1279-1368) 元 褐釉模印獅形水注 9cm wide PROVENANCE

301

East and West Art, Melbourne. $500–700 Illustrated online at artvisory.com.au

303

A SMALL CHINESE JUN TEA BOWL, JIN-YUAN DYNASTY, 13TH CENTURY The bowl is covered with a dark lavender glaze with purple splashes on the interior 金/元 鈞窯紫斑泡泡盞 9.4cm diameter PROVENANCE

Sotheby's London 13/5/1975, lot 84.

A private collection, Melbourne. 蘇富比倫敦，1975年5月13日，拍品號：84。 墨爾本私人收藏。 $1,000–2,000

304

A CHINESE CIZHOU CARVED BROWN-GLAZED JAR, XIXIA DYNASTY (1038-1227) 宋 西夏 磁州窯 醬釉刻花罐 10cm wide PROVENANCE

Koh Nai King, Singapore. $800–1,200 Illustrated online at artvisory.com.au

303

94

305

A FINE CHINESE DING TEA BOWL, NORTHERN SONG DYNASTY (960-1127) The bowl has a slightly everted rim and is covered all over except for the mouth rim with an ivory-white glaze.

With an old Japanese wooden box 北宋 定窯撇口茶盏並日本老木盒 16.4cm diameter PROVENANCE

An old private house collection, Kyoto, Japan. 日本京都老宅私藏。 $5,000–7,000

306

A CHINESE CELADON-GLAZED TRIPOD CENSER, MING DYNASTY (1368-1644) 305

明 青釉八卦爐 16.5cm wide Please note this lot is to be sold at No Reserve. 本拍品不設底價。 $300–500 Illustrated online at artvisory.com.au

307

A KOREAN MOON-WHITE-GLAZED TEA BOWL, JOSEON DYNASTY, 16TH-17TH CENTURY with a Japanese wooden box 朝鮮王朝 十六十七世紀 月白釉茶盌 12.5cm diameter $1,500–2,500

308

A JAPANESE SUMMER TEA BOWL BY TADASHI MASAMURA, 20TH CENTURY Mino ware refers to pottery produced at kilns around Mino province. Pottery began to be produced at these kilns in the 7th century. Mino ware changed in style over the centuries - Ki-Seto ware; Setoguro ware; Shinoi ware; and Oribe ware - with all styles having an association with the tea ceremony. The bowl is glazed with a version of the 'Phantom glaze' - a gold crystal glaze, first produced at Seto, towards the end of the Meiji period. Its beauty is best revealed when reflecting the golden rays of the setting sun.

The bowl is a significant example of Masamura's work. It's with an original signed Japanese wood box 正村 正 二十世紀 夏茶碗 14cm diameter PROVENANCE

Private collection, Japan; mid 1900s (Original accompanying document) Tokyo Bijutsu Club dealer; Tokyo, Honshu, Japan; 2010s. $600–800 307

Illustrated online at artvisory.com.au

95

309

A CHINESE XING WHITE-GLAZED FOLIATE RIM TEA BOWL, FIVE DYNASTIES (907-960) 五代 邢窯白釉花口盞 12.5cm diameter PROVENANCE

Private collection, Melbourne. $4,000–6,000

310

A KOREAN CELADON BOWL, KORYO DYNASTY, 14TH CENTURY It is decorated in white and iron slip. 韓國高麗 14世紀 青瓷嵌花葉紋盌 19.4cm diameter PROVENANCE

Mossgreen Melbourne, MA134, lot 252.

Please note this lot is to be sold at No Reserve. 本拍品不設底價。 $400–600 Illustrated online at artvisory.com.au

311

A KOREAN BUNCHEONG BRUSHED-SLIP BOWL, JOSEON DYNASTY, 15TH/16TH CENTURY

309

The bowl is decorated in dumbung style, in which the vessel was simply dipped in cream slip. The bowl is an heirloom piece, brought from Korea to Japan soon after its fabrication, and passed down through generations. 韓國朝鮮時期 15/16世紀 文青釉刷七目平茶盌 17.8cm diameter A highly similar bowl is held in The National Museum of Korea, (see Earth, Spirit, Fire: Korean Masterpieces of the Choson Dynasty; Roberts, Claire & Brand, Michael; 2000; p.63; cat. No. 22) PROVENANCE

Private collection, Tokyo, Japan.

Private collection, Melbourne. $1,500–2,500

312

A LARGE CHINESE QINBBAI GLAZED BASIN, SONG DYNASTY (967-1279) 宋 青白釉大折沿臥足盤 31cm diameter PROVENANCE

East and West Art, Melbourne; Philippine National Museum (label to the base) $600–800 Illustrated online at artvisory.com.au

311

96

315 313

313

315

A CHINESE QINGBAI GLAZED BOWL, NORTHERN SONG DYNASTY (960-1127)

A RARE CHINESE JUN LEAF-SHAPED DISH, POSSIBLY JIN/YUAN DYNASTY, 13TH CENTURY

北宋 青白釉唇口盌 19.4cm diameter

The dish is with a loop handle 或為金/元 鈞窯葉形碟 12cm wide

PROVENANCE

Capital Gallery, Hong Kong 香港長安古美術。 $2,000–3,000

PROVENANCE

K.Y. Fine Art, Hong Kong. 香港繼遠古美術。 $1,500–2,500

314

A CHINESE ARCHAISTIC DARK JADE CARVED TAOTIE AXEHEAD, MING DYNASTY(1368-1644)

316

明 饕餮紋玉斧 9.4cm long

灰白玉谷紋玉璜 12.5cm wide

PROVENANCE

$1,000–2,000

Raymond and Victoria Tregaskis Oriental Art, Sydney. 澳大利亞著名亞洲藝術古董商Raymond and Victoria Tregaskis舊藏。 Please note this lot is to be sold at No Reserve. 本拍品不設底價。 $400–600 Illustrated online at artvisory.com.au

A CHINESE GREY-WHITE JADE "GU PATTERN" PENDANT HUANG

Illustrated online at artvisory.com.au

97

317

A CHINESE WHITE JADE CARVING OF A LINGZHI PAPERWEIGHT, QING DYNASTY (1644-1911) 清 和田白玉雕靈芝紙鎮 8.6cm wide PROVENANCE

Raymond and Victoria Tregaskis Oriental Art, Sydney. 澳大利亞著名亞洲藝術古董商Raymond and Victoria Tregaskis舊藏。 $1,000–2,000

318

A CHINESE WHITE JADE MYTHICAL BEAST AND YOUNG, QING DYNASTY (1864-1911) 清 白玉獬豸雕件 6cm wide $1,500–2,500 Illustrated online at artvisory.com.au

317

319

A FINE CHINESE CELADON-WHITE JADE CARVED DRAGON BELT HOOK, QING DYNASTY (1644-1912) 清 和田青玉龙首带钩 21cm wide PROVENANCE

An important private collection, QLD, acquired from C.L. Ma Antiques, Hong Kong, 12/03/1996 (with original certificate, certificate no. CLM-WS 962745. $3,000–5,000

320

A CHINESE CELADON JADE CARVING OF TWO DEER, QING DYNASTY (1644-1911) 清 青玉雕玉銜靈芝擺件 5.5cm wide $1,000–2,000 Illustrated online at artvisory.com.au

321

TWO CHINESE WHITE GLAZED BOX AND COVER, SONG DYNASTY (960-1279) 宋 白釉盖盒两件 larger one: 10.5cm high PROVENANCE

East and West Art, Melbourne. $800–1,200 Illustrated online at artvisory.com.au

319

98

322

324

322

324

A CHINESE WHITE JADE BI DISC, LATE EASTERN ZHOU DYNASTY, 4TH-3RD CENTURY B.C.

A CHINESE YELLOW JADE 'ROPE TWIST' DRAGON RING, MING DYNASTY (1368-1644)

It is carved on each side in crisp relief with dense comma spirals within narrow, raised inner and outer borders. With a fitted box. 東周 白玉谷紋璧 3.7cm diameter

明 黃玉繩紋隴首環 6.3cm diameter

$2,500–3,500

325

323

TWO CHINESE JADE SWORD POMMELS, HAN DYNASTY (202B.C-220A.D.)

TWO CHINESE PALE GREY JADE ORNAMENTS, MING DYNASTY (1368-644) Including a jade belt buckle and a jade disc bi, both decorated with chilong dragons. 明 螭龍玉帶鉤與螭龍玉璧 belt buckle: 7.8cm wide; bi: 5.5cm diameter $1,500–2,500 Illustrated online at artvisory.com.au

$800–1,200

漢 玉劍飾兩件 larger one: 4cm diameter $2,000–3,000 Illustrated online at artvisory.com.au

99

326

A CHINESE WHITE JADE DRAGON DISC BI, QING DYNASTY (1644-1911) 清 白玉高浮雕刻花螭龍璧 5cm diameter $1,000–2,000

327

TWO CHINESE JADE CARVINGS 明 黃玉臥虎和白玉駱駝鈕印章 Including a yellow-ish celadon jade tiger, Ming dynasty (1368-1644) and a small with jade seal with a camel finial. tiger: 6.5cm wide $800–1,200 Illustrated online at artvisory.com.au

328

TWO CHINESE JADE CYLINDRICAL BEADS 谷紋玉勒子兩件 6.5 cm and 6 cm long $2,000–3,000 Illustrated online at artvisory.com.au

329

A CHINESE AGATE RING, WARRING STATES PERIOD (475-221 B.C.)

326

戰國 瑪瑙環 5.5cm diameter PROVENANCE

Private collection Melbourne, acquired from samurai gallery (original receipt). 墨爾本私人收藏， 購藏於日本東京真玄堂，2016年7月13日（原發票） $3,500–5,500

330

A CHINESE GREY JADE-CARVED MYTHICAL BEAST, MING DYNASTY (1368-1644) 明 玉瑞獸 5.5cm wide $1,500–2,500 Illustrated online at artvisory.com.au

329

100

331

A CHINESE WHITE JADE DRAGON PENDANT 白玉龍形穀紋佩 9.5cm high $1,500–2,500

332

A CHINESE RED AGATE CARVED FIGURE OF A MYTHICAL BEAST BIXIE 玛瑙辟邪 16.8cm wide $1,500–2,500 Illustrated online at artvisory.com.au

331

333

A CHINESE PALE WHITE JADE DRAGON PENDANT, MING DYNASTY (1368-1644) 明 白玉提油龍紋掛飾 7cm long PROVENANCE

Raymond and Victoria Tregaskis Oriental Art, Sydney. 澳大利亞著名亞洲藝術古董商 Raymond and Victoria Tregaskis舊藏。 $2,000–3,000

333

101

334

A CHINESE MUGHAL-STYLE CELADON-WHITE JADE MAGNOLIA-SHAPED WASHER, QING DYNASTY, 18TH CENTURY With an original fitted wood stand and an old fitted box 清 十八世紀 莫臥兒式青白玉玉蘭花筆洗（原配紫檀木底座） 7.5cm high PROVENANCE

A private collection, QLD. $20,000–30,000

335

A CHINESE CELADON JADE CARVING OF A TOE, QING DYNASTY (1664-1911) 清 青白玉雕金蟬把件 7cm wide $600–800 Illustrated online at artvisory.com.au

336

A CHINESE WHITE JADE-CARVED PENDANT, EARLY 20TH CENTURY 二十世紀早期 白玉雕掛牌 6.5cm high $1,000–2,000 Illustrated online at artvisory.com.au

334

102

337

339

A CHINESE WHITE JADE-CARVED BOY AND A CARP, QING DYNASTY (1368-1644)

A CHINESE WHITE JADE FIGURE OF AN OFFICIAL

清 白玉雕童子鯉魚 4.6cm wide $800–1,200 Illustrated online at artvisory.com.au

338

A CHINESE FINE MINIATURE WHITE JADE-CARVED SEATED BUDDHA 白玉雕小佛 3.5cm high

白玉雕人物立像 10cm high $800–1,200 Illustrated online at artvisory.com.au

340

A CHINESE CELADON JADE-CARVED FIGURE OF AN OFFICIAL AND A DOG, QING DYNASTY (1644-1911) 清 青白玉雕文官與狗 8.5cm high $500–800

$3,500–5,500

338

340

103

341

342

341

A CHINESE CARVED PALE WHITE JADE DRAGON DISC BI, QING DYNASTY (1368-1644) 清 白玉雕龍紋璧 5.5cm diameter $2,000–3,000

342

A CHINESE PIERCED WHITE JADE "FALCON" ROUNDED PLAQUE, QING DYNASTY (1644-1911) 清 白玉雕海東青圓形珮 5.5cm diameter $800–1,200

343

A CHINESE WHITE JADE CARVED "HEHEERXIAN" ROUNDED PLAQUE, QING DYNASTY (1644-1911) 清 白玉透雕和合二仙圓形珮 5.5cm diameter $800–1,200 343

104

344

A CHINESE WHITE JADE PLAQUE, QING DYNASTY (1644-1911) 清 青白玉牡丹八仙紋插屏 9.2cm high $1,500–2,500

345

TWO CHINESE JADE CARVED CYLINDRICAL BEADS, MING/QING DYNASTY, 15TH/19TH CENTURY 明/清 玉管形器 5.5cm and 3cm high $1,000–2,000 Illustrated online at artvisory.com.au

346

TWO CHINESE CELADON WHITE JADE PENDANTS, QING DYNASTY (1644-1911)

344

Sword formed and rounded 清 青白玉掛牌兩件 one 6.4cm long; the other 5.2 cm diameter $1,000–2,000 Illustrated online at artvisory.com.au

347

A PAIR OF CHINESE ARCHAISTIC WHITE JADE 'PHOENIX' PLAQUES, QING DYNASTY (1644-1911) 清 白玉鳳鳥紋扣牌一對 7.7cm high Another archaistic white jade plaque decorated with similar a pair of phoenixes, see Christie's Hong Kong, 13/06/2019, lot 8097. $2,000–3,000

347

105

348

350

A CHINESE CELADON WHITE JADE ‘MALLOW’ WASHER, LATE MING DYNASTY, 17TH CENTURY

A CHINESE WHITE JADE BANGLE

明末 青玉鏤雕錦葵洗 12.7cm

白玉手鐲 8cm diameter $1,500–2,500

PROVENANCE

Illustrated online at artvisory.com.au

Sotheby's New York, 9th-10th October 1987, lot 202. 紐約蘇富比1987年10月9至10日，編號202

351

$4,500–5,500

349

TWO CHINESE JADE PENDANTS, QING DYNASTY (1644-1911) Including a pale white jade square pendant with bats and a white jade square pendant with a mask. 清 青白玉“福壽綿長”玉牌 與 清 青白玉饕餮紋螭龍璧玉牌 6.5 x 4cm and 5.5cm high

A CHINESE CELADON JADE-CARVED PENDANT AND A WHITE GLASS-CARVED LOTUS ROOT, QING DYNASTY (1644-1911) Including a white jade-carved lotus root and a celadon jade-carved pendant. 清 玉掛飾與白琉璃蓮藕 Lotus root: 8.3cm long $400–600 Illustrated online at artvisory.com.au

$1,000–2,000 Illustrated online at artvisory.com.au

348

106

352

A CHINESE WHITE JADE CARVING OF TWO BADGERS, QING DYNASTY, 19TH CENTURY 清 十九世紀 玉雕歡歡喜喜把件 6cm wide $3,000–5,000

353

TWO CHINESE JADE ORNAMENTS A cicada pendant and a dragon pendant 玉谷紋龍形珮與玉蟬 7.9cm wide $1,000–2,000 Illustrated online at artvisory.com.au

354

TWO CHINESE CYLINDRICAL JADE BEADS, MING DYNASTY (1368-1644) OR EARLIER 明或更早 玉勒子兩件 4cm and 3.3cm long $600–800 Illustrated online at artvisory.com.au

355 352

TWO CHINESE WHITE JADE PLAQUES Including a jade plaque of two boys and bats and a plaque carved in high relief with a monkey claiming a peach tree. 白玉雕掛牌兩件 6.7cm and 5.8cm high $1,500–2,500

356

A CHINESE CELADON JADE CONG, SONG/MING DYNASTY, 13TH/14TH CENTURY 宋/明 青玉琮 8.4cm high $3,500–5,500 Illustrated online at artvisory.com.au

355

107

357

362

A CHINESE WHITE JADE PLAQUE, QING DYNASTY (1644-1911)

A LARGE CHINESE WHITE JADE-CARVED BOULDER, 20TH-CENTURY

清 白玉雕雙魚大吉 6.9cm long $1,000–2,000

二十世紀 白玉雕山水人物山子 21.5 x 16cm $600–800

358

Illustrated online at artvisory.com.au

A CHINESE CELADON JADE PLAQUE OF A HEHEERXIAN, MING/QING DYNASTY, 17TH CENTURY

363

明/清 青白玉雕和合二仙插屏 8.3cm wide $500–800 Illustrated online at artvisory.com.au

359

TWO CHINESE WHITE JADE CARVINGS, MING/QING DYNASTY Including a jade carving of a dragon head finial and a jade carving of a square "gu" pattern bead. 明/清 白玉雕龍首步攆及谷紋方勒子 dragon head finial: 6cm wide; bead: 4cm high $1,000–2,000 Illustrated online at artvisory.com.au

A GROUP OF THREE CHINESE JADE ORNAMENTS, POSSIBLY WARRING STATES PERIOD (403 BCE - 221 BCE) 或為戰國 谷紋玉飾三件 Longest 5cm $1,000–2,000 Illustrated online at artvisory.com.au

364

A CHINESE CELADON JADE SWORD POMMEL 青白玉饕餮紋劍首 8.5cm wide $1,500–2,500 Illustrated online at artvisory.com.au

360

TWO CHINESE JADE ORNAMENTS 明 小玉琮 及 谷紋管形勒子 Including a miniature celadon jade cong, Ming dynasty (1368-1644) and a yellow jade "gu" pattern cylindrical bead bead: 7cm long; cong: 4cm high $1,500–2,500 Illustrated online at artvisory.com.au

361

A CHINESE CELADON WHITE JADE TEAPOT, 20TH CENTURY 二十世纪 青白玉茶壶 12.5cm wide $2,000–3,000 Illustrated online at artvisory.com.au

357

108

366 365

365

A CHINESE SMALL BRONZE BELL, QING DYNASTY (1644-1911) OR EARLIER 清或更早 青銅小編鐘 14.5cm high $1,000–2,000

366

A CHINESE BRONZE VESSEL HU, HAN DYNASTY (202 B.C-220 A.D.) 漢 青銅獸首環耳壺 37cm high PROVENANCE

Roger Keverne London, 1980s.

Mossgreen Melbourne, 16/6/2015, lot 13. 二十世紀八十年代購於英國古董商會主席倫敦古董商Roger Keverne。 墨爾本Mossgreen, 2015年6月15號，拍品號：13。 $5,500–7,500

367

A SRI-LANKAN (CEYLON) BRONZE OIL-BURNING TEMPLE LAMP, CIRCA 17TH CENTURY, 斯里蘭卡 十七世紀 青銅燈 26.5cm high 367

$1,000–2,000

109

368

A TIBETAN GILT-BRONZE LION, 18TH CENTURY Together with a Tibetan relic offering box in the shape of a pagoda, 18th/19th century.

The lion is with a fitted box. 西藏 十八/十九世紀 銅鎏金壓花雪獅像 與銅鎏 金塔形蓋盒 Lion: 14cm long; Box: 9cm high

368

$2,000–3,000

369

A TIBETAN GILT BRONZE HAT OF PADMASAMBHAVA, 17TH/18TH CENTURY Together with a pair of Tibetan bronze ceremonial bells. 西藏 十七/十八世紀 蓮花生大師冠帽 與鏨龍紋銅鑔一對 Hat: 7.4cm; each bell: 6.8cm diameter $800–1,200 Illustrated online at artvisory.com.au

370

A TIBETAN GILT-BRONZE FIGURE OF SEATED BUDDHA SHAKYAMUNI, 15TH-CENTURY 西藏 十五世紀 銅鎏金釋迦牟尼坐像 37.5cm high $15,000–25,000

371

A SINO-TIBETAN GILT-BRONZE SEATED FIGURE OF AMITAYUS, QING DYNASTY, 18TH-19TH CENTURY The figure is seated in dhyanasana on a double-lotus base with hands held in dhyana mudra holding a vessel filled with ambrosia, the face with a serene expression framed by pendulous earrings and a five-pointed diadem encircling a tiered topknot 漢藏 十八/十九世紀 銅鎏金無量壽佛坐像 18.8cm high PROVENANCE

Private collection, Sydney, Australia $2,500–3,500 Illustrated online at artvisory.com.au

370

110

373

372

372

A CHINESE SOAPSTONE CARVING OF LIUHAI, QING DYNASTY, 18TH CENTURY Liu Hai is carved in a loose garment, seated, leaving one side with hands on the toad, one leg outstretched touching him; with a carved wooden stand. 清 十八世紀 壽山石雕劉海戲蟾 8.5cm wide $1,500–2,500

373

A CHINESE SOAPSTONE-CARVED FIGURE OF A LOUHAN, QING DYNASTY (1644-1911) 清 壽山石加彩罗弗多尊者 $600–800

374

A CHINESE FAMILLE-ROSE FIGURE GROUP OF HEHEERXIAN, ZHU MAOSHENG MARK, EARLY 20TH CENTURY There are two impressed "Jiangxi Jing Zhen Mao Ji Sheng Zao" on the base. 民國 二十世紀早期 “江西景鎮茂記生造”印款 和合二仙 26cm high 374

$600–800

111

375

377

A PAIR OF CHINESE-PAINTED POTTERY HEADS, HAN DYNASTY (202 BC-220 AD)

A CHINESE JADEITE BUDDHA, LATE QING DYNASTY, LATE 19TH/20TH CENTURY

漢 陶彩繪侍女俑頭一對 12cm high Please note this lot is to be sold at No Reserve. 本拍品不設底價。

with a fitted wood stand 晚清 十九世紀/二十世紀 翡翠佈袋和尚 11.5cm wide

$300–500

$600–800 Illustrated online at artvisory.com.au

Illustrated online at artvisory.com.au

378

376

A CHINESE BLANC DE CHIN DEHUA GUANYIN, QING DYNASTY (1368-1911)

A CHINESE BLANC DE CHINE DEHUA FIGURE OF A LUOHAN DAMO, 19TH/20TH CENTURY An impressed Lin Zhou Shan mark on the back. 十九/二十世紀 林周閃 德化白瓷坐像 19.6cm high

An impressed double-gourd mark on the back. 清 德化白瓷觀音立相 27cm high

$2,000–3,000

$3,000–5,000

36

378

112

379

380

A CHINESE SILVER-INLAID BRONZE FIGURE OF GUANYIN , QING DYNASTY (1644-1911)

A CHINESE WOOD-CARVED STANDING FIGURE OF BUDAI

Shishou silver inlaid mark to the back. 清 「石叟款」 铜嵌银观音立像 33cm high $1,500–2,500

木雕布袋和尚立像 20.5cm high Please note this lot is to be sold at No Reserve. 本拍品不設底價。 $400–600 Illustrated online at artvisory.com.au

381

A CHINESE BOXWOOD-CARVED FIGURE, QING DYNASTY (1644-1911) 清 黃楊木雕達摩立像 18.7cm high $2,000–3,000

379

381

113

382

384

A TIBETAN BRONZE FIGURE OF YAMARAJA, 19TH CENTURY

A NEPALESE BRONZE-SEATED INDRA, EARLY 20TH CENTURY

The four-armed figure is modelled striding on a lotus base, with his two principal hands crossed in front of his consort. 西藏 十九世紀 銅閻羅王雙修立像 12.5cm high

二十世紀早期 尼泊爾因陀羅坐像 30cm high $1,500–2,500 Illustrated online at artvisory.com.au

$600–800

385

Illustrated online at artvisory.com.au

A TIBETAN GILT-BRONZE MAHAKALA PENDANT

383

鎏金銅大黑天掛墜 4.0cm high

A GANDHARAN STUCCO-SEATED BUDDHA SHAKYAMUNI, 3RD/4TH CENTURY AD

$1,000–2,000

犍陀羅時期 3/4世紀 泥塑菩薩坐像 49cm high

Illustrated online at artvisory.com.au

386

$1,200–2,500

A CHINESE BRONZE SEATED FIGURE OF MAITREYA 明 銅彌勒佛坐像 30cm high $2,500–3,500

386 383

114

387

A CHINESE GILT-BRONZE STANDING FIGURE OF A BODHISATTVA, TANG DYNASTY (618-907) 唐 銅鎏金菩薩站像 PROVENANCE

Private collection Melbourne, acquired from Senshutey, Tokyo, Japan, 22/11/2018 (original receipt) 墨爾本私人收藏， 購藏於日本東京千秋庭，2018年11月22日（原發票） $15,000–25,000

388

A CHINESE AGARWOOD QINAN AND TOURMALINE BEADED ROSARY, LATE QING DYNASTY, LATE 19-EARLY 20TH CENTURY comprising 108 aloeswood beads separated with amethyst beads and suspending a white jade double-gourd pendant.

Qianlong mark on the box. 清晚期 迦楠沉香一百零八子及碧璽白玉珠串並錫盒 「清迦南佛珠上等」籤及 「乾隆御製」底款 Approximately 96cm long; 45cm diameter; pewter circular box $20,000–30,000 Illustrated online at artvisory.com.au

389

A GROUP OF TWO HONGMU STANDS, QING DYNASTY (1644-1911) 清 紅木底座兩件 longer stand: 23cm wide; another stand: 15.2cm diameter PROVENANCE

Raymond and Victoria Tregaskis Oriental Art, Sydney. 澳大利亞著名亞洲藝術古董商Raymond and Victoria Tregaskis舊藏。 $600–800 Illustrated online at artvisory.com.au

390

AN INDIAN BRONZE SEATED FIGURE OF THE GODDESS PARVATI, 20TH CENTURY 印度 二十世紀 銅帕爾瓦蒂坐像 25cm high PROVENANCE

Raymond and Victoria Tregaskis Oriental Art, Sydney. 澳大利亞著名亞洲藝術古董商Raymond and Victoria Tregaskis舊藏。 $1,000–2,000 Illustrated online at artvisory.com.au

391

A RARE AND LARGE CHINESE CARVED AND GOLD LACQUERED WOOD FIGURE OF XUANWU, MING DYNASTY, 16TH/17TH CENTURY 明 十六世紀/十七世紀 大型木漆金玄武大帝坐像 111cm high $3,000–5,000 387

Illustrated online at artvisory.com.au

115

392

A CARVED TIBETAN BONE APRON PLAQUE, 17TH/18TH CENTURY It is carved in high relief with a dancing female deity wearing a high crown and jewellery between scrolling foliage. 西藏 十七世紀 骨雕吊牌 14.8cm high $1,500–2,500

393

AN INDIAN-CARVED SANDSTONE FIGURE OF A DANCING SHIVA, CHOLA DYNASTY (9TH-13TH CENTURY) 印度朱羅王朝 石雕濕婆之舞 40cm high $4,000–6,000

394

A BRONZE STANDING FIGURE OF GUANDI, MING DYNASTY (1368-1644) 明 銅關帝立像 33cm high $1,000–2,000 Illustrated online at artvisory.com.au

395

A TIBETAN GILT-BRONZE SEATED LAMA 西藏 鎏金銅喇嘛坐像 17.8cm high $1,000–2,000 Illustrated online at artvisory.com.au

396

A RARE CHINESE FAMILLE-VERTE AND UNDERGLAZE-BLUE FIGURE OF A BOY, QING DYNASTY, 18TH/19TH CENTURY 清十八/十九世紀 青花五彩蓮花童子立像 26cm high A similar famille-verte boy with an attendant, dated to the same period, see Christie's New York, 19/09/2007, lot 359; A pair of famille-verte boys with the same dating, see Sotheby's New York, 20/11/2020, lot 57.

PROVENANCE

An important private collection of Chinese export porcelains, Melbourne/Hong Kong. 墨爾本/香港 重要私人外銷瓷珍藏。 Please note this lot is to be sold at No Reserve. 本拍品不設底價。 $1,000–2,000 Illustrated online at artvisory.com.au

392

393

116

397

398

397

398

A CHINESE FRAMED FAN PAINTING, QING DYNASTY, 19TH CENTURY

A CHINESE FRAMED FAN PANTING BY LI YOU, QING DYNASTY, 19TH CENTURY

"Xi Mountain in the Rain";Ink on paper; framed;inscribed, signed "Tong Tian Xiao Yin"; and one red seal of the artist.

Inscription translated:" Take one drop of water from Sheng Jing River and it becomes rain on Xi Mountain in Jiang Nian." 清 十九世紀《溪山煙雨》 水墨紙本 扇面 帶框 52 x 8.3cm

Bamboo Grove; Ink and colour on paper; inscribed, signed and four red seals of the artist 清 十九世紀 李酉《修竹環茅舍》設色紙本 扇面 帶框 Inscription translated:" Bamboos around thatched cottages avoided mundane conventions as like the Immortals domain. For my nephew Zhang Xian to avoid the hot Summer. In the Summer of Bing Xu (1886).

50.5 x 6cm

Please note this lot is to be sold at No Reserve. 本拍品不設底價。 $600–800

Please note this lot is to be sold at No Reserve. 本拍品不設底價。 $600–800

117

399

400

399

400

A CHINESE FRAMED FAN PAINTING, QING DYNASTY, 19TH CENTURY, 19TH CENTURY

A CHINESE FRAMED FAN PAINTING, LATE QING DYNASTY, LATE 19TH/EARLY 20TH CENTURY

Rock and flowers;Ink and colour on paper;inscribed, signed and one read seal of the artist. 清 十九世紀 《奇石圖》設色紙本 扇面 帶框 51 x 6.8cm

Trees and Rocks.

Ink and colour on paper, framed;inscribed, signed and one red seal of the artist.

Inscription translated:" Unusual stones and vigorous trees.

For Yin Li Sheng, brother's collection." 清 十九/二十世紀 《喬柯奇石》設色紙本 扇面 帶框 52 x 30cm

Please note this lot is to be sold at No Reserve. 本拍品不設底價。 $600–800

Please note this lot is to be sold at No Reserve. 本拍品不設底價。 $600–800

118

401

ZHANG HAIRUO (1877-1943) Calligraphy in Clerical Script, ink on paper, hanging scroll.

Inscribed and signed, with two seals of the artist. 張海若 128.4 x 31.3cm $2,000–3,000

402

ATTRIBUTED TO WU ZHUOREN (1908-1997) Calligraphy. Ink on paper; hanging scroll; inscribed, signed and one red seal of the artist. 傳 吳作人 書法立軸 94.4 x 43.5cm Please note this lot is to be sold at No Reserve. 本拍品不設底價。 $1,000–2,000 Illustrated online at artvisory.com.au

403

A CHINESE EMBROIDERY PANEL 清晚期 刺繡掛屏 77 x 43.4cm Please note this lot is to be sold at No Reserve. 本拍品不設底價。 $400–600 Illustrated online at artvisory.com.au

401

119

404

404

ATTRIBUTED TO SUN XIAOYUN (1955-) Ink on paper;inscribed, signed and two red seals of the artist. 傳 孫小雲 書法 138 x 69.6cm $1,500–2,500

405

A FRAMED CALLIGRAPHY "SHOU"

BY YUAN XIAOYUAN (1901-2003) Longevity; 1997; ink on paper; hardwood frame; inscribed, inscription translated "painted in the age of 96";signed and two red seals of the artist. 袁曉園 《壽》 書法 水墨紙本及框 題識，簽名，鈐印 96 x 88cm $1,500–2,500 405

120

406

407

406

407

GAO YIHONG (1908-1982)

A CHINESE "LION" RUG, QING DYNASTY, LATE 19TH CENTURY

Ink Banana Tree Ink on paper;hanging scroll;Inscribed and signed, with five red seals of the artist.

Dated Autumn, gengzi year (1960) 高逸鴻 119.4 x 49.6cm

清 十九世紀 獅子戲球紋地毯 151.3 x 76.5cm

$1,000–2,000

$1,500–2,000

121

408

412

TWO RARE CHINESE INK AND COLOUR ON LEATHER ALBUM LEAF PAINTINGS

A GROUP OF FOUR CHINESE JADE REFERENCE BOOKS AND CATALOGUES

二十世紀早期 設色皮本 道教人物與人物山水畫 鏡心 25 x 17cm and 26 x 16cm

Including: Later Chinese Jades: Jessica Rowson, Chinese Jade from the Neolithic to the Qing; Ming Dynasty to Early Twentieth Century; Knapton Rasti Asian Art: The Property of Mr. Philip Cardeiro; and Rrasti Chinese Art Oct 2014; 一組四本中國玉器參考書及圖錄

Please note this lot is to be sold at No Reserve. 本拍品不設底價。 $600–800 Illustrated online at artvisory.com.au

409

ULRICH VON SCHROEDER, BUDDHIST SCULPTURES IN TIBET VOL.1&2 (HARDCOVER) AND TWO BUDDHIST ART CATALOGUES (4) Including ULRICH VON SCHROEDER, Buddhist Sculptures in Tibet Vol.1&2 (Hardcover), JACKIE MENZIES, Treasures of Asian Art Selections from the Mr and Mrs John D, and Sotheby's New York Catalogue: Images of Enlightenment, 16/9/2015 烏爾里希•馮‧施羅德，《西藏佛教雕塑》卷一，二及另外兩本佛教藝術圖錄 $1,000–2,000

Please note this lot is to be sold at No Reserve. 本拍品不設底價。 $200–500 Illustrated online at artvisory.com.au

413

A GROUP OF 21 TIBETAN ART REFERENCE BOOKS AND CATALOGUES including The Image of the Buddha (Hardcover), Wisdom and Compassion: The Sacred Art of Tibet (Hardcover), and Buddhist Images in Gilt Metal By: †Chang Foundation etc.. 一组二十一本西藏藝術參考書及圖錄 $600–800

410

Illustrated online at artvisory.com.au

A GROUP OF THREE CHINESE SNUFF BOTTLES REFERENCE BOOKS

414

Including Snuff Bottles in the collection of the National Palace Museum (Hardcover), Bob C. Stevens, The Collector's Book of Snuff Bottles and Chinese Snuff Bottles: The Adventures and Studies of a Collector Lilla S. Perry. 一組三本中國鼻煙壺參考書及圖錄

一組9本金屬器參考書及圖錄

Please note this lot is to be sold at No Reserve. 本拍品不設底價。 $100–200 Illustrated online at artvisory.com.au

A GROUP OF 9 CHINESE METALWARE REFERENCE BOOKS AND CATALOGUES Please note this lot is to be sold at No Reserve. 本拍品不設底價。 $300–500 Illustrated online at artvisory.com.au

END OF SALE

411

A GROUP OF 20 CHINESE CERAMICS REFERENCE BOOKS AND CATALOGUES Including Sotheby catalogue: The Edward T Chow Collection part 3: Ming and Qing Porcelain and works of art, University of London Percival David Foundation of Chinese Art School of Oriental and African Studies: Illustrated Catalogue of Celadon Wares; Illustrated Catalogue of Ru, Guan, Jun, Guangdong and Yixing Wares; Illustrated Catalogue of Ting and Allied Wares, etc.. 一組二十本中國瓷器參考書及圖錄 $600–800 Illustrated online at artvisory.com.au

409

ENTRIES NOW INVITED

Fine Chinese & Asian Art Auction • 2024 Curated by Luke Guan Enquiries Luke Guan 0455 891 888 luke@artvisory.com.au

www.artvisory.com.au

Illustrated: A very rare Chinese yellow-glazed pottery ‘dragon and phoenix’ ‘pilgrim’s’ flask, Northern Qi Dynasty (550-577) Sold at Artvisory June 2023 for AUD$18,900 inc BP

The Robert Burke Collection of Chelsea and Worcester Porcelain and Antiques Auction • 19 & 20 February 2024 Viewing 15 – 18 February, 11am-5pm The Robert Burke collection is unquestionably the finest collection of English porcelain ever to come to market in Australia. Comprising over 400 lots, each piece was carefully collected over a lifetime

by Robert Burke, with the advice from the top porcelain dealerships of London. It is a truly remarkable collection and we are very excited to bring it to the attention of English porcelain collectors worldwide.

Enquiries Paul Sumner 0412 337 827 paul@artvisory.com.au www.artvisory.com.au

124

Absentee Bid Form 310 Toorak Road South Yarra VIC 3141 +61 3 9826 4039 www.artvisory.com.au

In order to register to bid with Artvisory, please complete this form, scan and email to accounts@artvisory.com.au Auction Title: Name (please print clearly): Email Address (for invoicing & correspondence): Telephone (mobile):

Telephone (home/work):

Invoice address (PO Box not accepted): City

State

Post Code

Country

Please tick here if you do not want to receive special invitations and online auction catalogues by email.

We value your privacy and will not disclose your details to any third party. You may request that your details are removed from our database at any time.

If you have not previously purchased with Artvisory, please scan your photo ID (either a drivers licence or passport) and email to accounts@artvisory.com.au Lot Number (in order)

Catalogue Description

Cover Bid Not including buyer’s premium or GST (where applicable)

(please print clearly)

A$ A$ A$ A$ A$ A$ A$ A$ A$ A$ A$

I authorise Artvisory to register bids on a per lot basis up to the maximum price I have indicated for each lot. I will not hold Artvisory responsible for any errors that occur.

I understand that if my bid is successful, the purchase price will be the sum of my final bid plus the buyer’s premium of 26% plus GST of the final hammer price plus any GST payable on the hammer price, as indicated in the catalogue. GST will be charged on the buyer’s premium. If the lot is denoted by the † symbol, GST will be charged the whole amount (hammer price + GST). If the Resale Royalty Scheme is applicable 5% will be charged on the hammer price only. The Resale Royalty Scheme is denoted by the § symbol in the catalogue. Your invoice will be emailed to the supplied email address immediately after the auction has finished and will contain all details pertaining to payment and collection.

I have read and accepted Artvisory’s terms and conditions as printed in the catalogue and online at www.artvisory.com.au. Bids will not be processed unless this form is signed.

Signature

Date

Bidder Number (Office Use Only)

125

Telephone Bid Form 310 Toorak Road South Yarra VIC 3141 +61 3 9826 4039 www.artvisory.com.au

In order to register to bid with Artvisory, please complete this form, scan and email to accounts@artvisory.com.au Auction Title: Name (please print clearly): Email Address (for invoicing & correspondence): Telephone (mobile):

Telephone (home/work):

Invoice address (PO Box not accepted): City

State

Post Code

Country

Please tick here if you do not want to receive special invitations and online auction catalogues by email.

We value your privacy and will not disclose your details to any third party. You may request that your details are removed from our database at any time.

If you have not previously purchased with Artvisory, please scan your photo ID (either a drivers licence or passport) and email to accounts@artvisory.com.au Lot Number (in order)

Catalogue Description

Cover Bid Not including buyer’s premium or GST (where applicable)

(please print clearly)

A$ A$ A$ A$ A$ A$ A$ A$ A$ A$ A$ Telephone bids must be received by Artvisory no later than 24 hours prior to the commencement of the Auction. Once received, your bid will be confirmed by email.

I authorise Artvisory to register bids on a per lot basis up to the maximum price I have indicated for each lot. I will not hold Artvisory responsible for any errors that occur.

I understand that if my bid is successful, the purchase price will be the sum of my final bid plus the buyer’s premium of 26% plus GST of the final hammer price plus any GST payable on the hammer price, as indicated in the catalogue. GST will be charged on the buyer’s premium. If the lot is denoted by the † symbol, GST will be charged the whole amount (hammer price + GST). If the Resale Royalty Scheme is applicable 5% will be charged on the hammer price only. The Resale Royalty Scheme is denoted by the § symbol in the catalogue. Your invoice will be emailed to the supplied email address immediately after the auction has finished and will contain all details pertaining to payment and collection.

I have read and accepted Artvisory’s terms and conditions as printed in the catalogue and online at www.artvisory.com.au. Bids will not be processed unless this form is signed.

Signature

Date

Bidder Number (Office Use Only)

126

Terms and Conditions of Sale The terms and conditions of sale listed here contain the policies of Artvisory Pty Ltd. They are the terms on which Artvisory Pty Ltd and the Seller contract with the Buyer.

They may be amended by printed Saleroom Notices or oral announcements made before and during the sale. By bidding at auction you agree to be bound by these terms.

b)

1. Background to the Terms used in these Conditions The conditions that are listed below contain terms that are used regularly and may need explanation. They are as follows: “the Buyer” means the person with the highest bid accepted by the Auctioneer “the Lot” means any item depicted within the sale for auction and in particular the item or items described against any lot number in the catalogue. “the Hammer price” means the amount of the highest bid accepted by the auctioneer in relation to a lot

Images are measured height by width (sight size).

Illustrations are provided only as a guide and should not be relied upon as a true representation of colour or condition. Images are not shown at a standard scale. Mention is rarely made of frames (which may be provided as supplementary images on the website) which do not form part of the lot as described in the printed catalogue.

“the Buyers Premium” means the charge payable by the Buyer to the auction house as a percentage of the hammer price. “the Reserve” means the lowest amount at which Artvisory has agreed with the Seller that the lot can be sold.

“Forgery” means an item constituting an imitation originally conceived and executed as a whole, with a fraudulent intention to deceive as to authorship, origin, age, period, culture or source, where the correct description as to such matters is not reflected by the description in the catalogue. Accordingly no lot shall be capable of being a forgery by reason of any damage or restoration work of any kind (Including re-painting). “the insured value” means the amount that Artvisory in its absolute discretion from time to time shall consider the value for which a lot should be covered for insurance (whether or not insurance is arranged by Artvisory.)

Catalogue and other Descriptions All statements by Artvisory in the catalogue entry for the property or in the condition report, or made orally or in writing elsewhere, are statements of opinion and are not to be relied upon as statements of fact.

Such statements do not constitute a representation, warranty or assumption of liability by Artvisory of any kind. References in the catalogue entry to the condition report to damage or restoration are for guidance only and should be evaluated by personal inspection by the bidder or a knowledgeable representative. The absence of such a reference does not imply that an item is free from defects or restoration, nor does a reference to particular defects imply the absence of any others. Estimates of the selling price should not be relied on as a statement that this is the price at which the item will sell or it’s value for any other purpose. Neither Artvisory nor The Seller is responsible for any errors or omissions in the catalogue or any supplemental material.

c)

Buyers Responsibility All property is sold “as is” without representation or warranty of any kind by Artvisory or the Seller.

Buyers are responsible for satisfying themselves concerning the condition of the property and the matters referred to in the catalogue by requesting a condition report No lot to be rejected if, subsequent to the sale, it has been immersed in liquid or treated by any other process unless the Auctioneer’s permission to subject the lot to such immersion or treatment has first been obtained in writing.

2. Artvisory Auctions as Agent Except as otherwise stated Artvisory Pty Ltd acts as agent for the Seller.

4. At the Sale

The contract for the sale of the property is therefore made between the Seller and the Buyer.

a)

Refusal of Admission Artvisory reserves the right at our complete discretion to refuse admission to the auction premises or participation in any auction and to reject any bid.

b)

Registration before Bidding Any prospective new buyer must complete and sign a registration form and provide photo-identification before bidding. Artvisory may request bank, trade or other financial references to substantiate this registration.

3. Before the Sale Examination of Property Prospective Buyers are strongly advised to examine in person any property in which they are interested before the Auction takes place. Neither Artvisory nor the Seller provides any guarantee in relation to the nature of the property apart from the Limited warranty in the paragraph below.

The property is otherwise sold “AS IS”

Bidding as a Principal When making a bid, a bidder is accepting personal liability to pay the purchase price including the buyers premium and all applicable taxes, plus all other applicable charges, unless it has been explicitly agreed in writing with Artvisory before the commencement of the sale that the bidder is acting as agent on behalf of an identified third party acceptable to Artvisory and that Artvisory will only look to the principal for payment.

d)

International Registrations All International clients not known to Artvisory will be required to scan through an accredited form of photo identification and pay a deposit at our discretion in cleared funds into Artvisory’s account at least 24 hours before the commencement of the auction. Bids will not be accepted without this deposit. Artvisory also reserves the right to request any additional forms of identification prior to registering an overseas bid.

This deposit can be made using a credit card, however the balance of any purchase price in excess of $5,000 can not be charged to this card without prior arrangement.

This deposit is redeemable against any auction purchase.

e)

Absentee bids Artvisory will use reasonable efforts to execute written bids delivered to us AT LEAST 24 Hours before the sale for the convenience of those clients who are unable to attend the auction in person. If we receive identical written bids on a particular lot, and at the auction these are the highest bids on that lot, then the lot will be sold to the person whose written bid was received and accepted first. Execution of written bids is a free service undertaken subject to other commitments at the time of the sale and we do not accept liability for failing to execute a written bid or for errors or omissions which may arise. It is the bidder’s responsibility to check with Artvisory after the auction if they were successful. Unlimited or “Buy” bids will not be accepted.

f)

Telephone bids Priority will be given to overseas and interstate bidders. Please refer to the catalogue for the Telephone Bids form. Arrangements for this service must be confirmed AT LEAST 24 HOURS PRIOR to the auction commencing. Artvisory accepts no responsibility whatsoever for any errors or failure to execute bids. In telephone bidding the buyer agrees to be bound by all terms and conditions listed here and accepts that Artvisory cannot be held responsible for any miscommunications in the process. The success of telephone bidding cannot be guaranteed due to circumstances that are unforeseen.

Buyers should be aware of the risk and accept the consequences should contact be unsuccessful at the time of Auction. You must advise Artvisory of the lots in question and you will be assumed to be a buyer at the minimum price of 75% of estimate (ie. reserve) for all such lots. Artvisory will advise Telephone Bidders who have registered at least 24 hours before the auction of any relevant changes to descriptions, withdrawals or any other sale room notices.

Foreign buyers should note that all transactions are in Australian dollars so there may be a small exchange rate risk. The costs associated with acquiring a good certificate will be carried by the purchaser. If the item turns out to be forged or otherwise incorrectly described, all reasonable costs will be borne by the vendor.

All values expressed in Artvisory Pty Ltd catalogues (in any format) are in Australian Dollars (AU$). All bids, “hammer price”, “reserves”, “Buyers Premium” and other expressions of value are understood by all parties to be in Australian Dollars (AU$) unless otherwise specified.

a)

c)

127

G) Online Bidding Artvisory offers an online bidding service via Invaluable.com. When bidding online the buyer agrees to be bound by all terms and conditions listed here by Artvisory and agrees to pay any fees charged in regard to any purchases made via Invaluable.com.

Artvisory accepts no responsibility for any errors, failure to execute bids or any other miscommunications regarding this process. It is the online bidder’s responsibility to ensure the accuracy of the relevant information regarding bids, lot numbers and contact details.

5. After the Sale a)

Buyers Premium In addition to the hammer price, the buyer agrees to pay to Artvisory the buyer's premium. The buyer’s premium is 26% of the hammer price plus GST. (Goods and Services Tax) where applicable.

b)

Payment and passing of title The buyer must pay to the company trust account managed by KK Partners Pty Ltd Chartered Accountants the full amount due (comprising the hammer price, buyer's premium and any applicable taxes and GST) not later than 3 days after the auction date.

H) Reserves Unless otherwise indicated, all lots are offered subject to a reserve, which is the confidential minimum price below which the Lot will not be sold. The reserve will not exceed the low estimate printed in the catalogue. The auctioneer may open the bidding on any Lot below the reserve by placing a bid on behalf of the Seller. The auctioneer may continue to bid on behalf of seller up to the amount of the reserve, either by placing consecutive bids or by placing bids in response to other bidders.

I)

J)

The buyer will not acquire title for the lot until Artvisory receives full payment in cleared funds, and no goods under any circumstances will be released without confirmation of cleared funds received.

This applies even if the buyer wishes to send items interstate or overseas.

Payment can be made by direct transfer, cash (not exceeding $5,000AUD, if wishing to pay more than $5,000AUD then this must be deposited directly into the company trust account and bank receipt supplied) and Eftpos (please check your daily limit). Payments can also be made by credit card in person with a 1.43% (inc GST) merchant fee for Visa, Mastercard and American Express. Credit card payments where the card-holder is not present, can not be accepted unless a scanned image of the card and signature is supplied (that corresponds with the supplied signature on the bidding or registration forms). Personal cheques are only accepted with prior arrangement and funds must be cleared before goods will be released. Bank cheques are subject to three days clearance.

Auctioneers Discretion The Auctioneer has the right at his absolute and sole discretion to refuse any bid, to advance the bidding in such a manner as he may decide, to withdraw or divide any lot, to combine any two or more lots and, in the case or error or dispute and whether during or after the sale, to determine the successful bidder, to continue the bidding, to cancel the sale or to re-offer and resell the item in dispute. If any dispute arises after the sale, then Artvisory’s sale record is conclusive.

Successful bid and passing of risk Subject to the auctioneer’s discretion, the highest bidder accepted by the auctioneer will be the buyer and the striking of his hammer marks the acceptance of the highest bid and the conclusion of a contract for sale between the Seller and the Buyer. Risk and responsibility for the lot (including frames or glass where relevant) passes immediately to the Buyer.

The buyer is responsible for any bank fees and charges applicable for the transfer of funds into Artvisory’s company trust account. c)

K) Indicative Bidding steps, etc.

Artvisory reserves the right to refuse any bid, withdraw any lot from sale, to place a reserve on any lot and to advance the bidding according to the following, at the auctioneers discretion: Increment Amount

Dollar Range

$20

$0–$500

$50

$500–$1,000

$100

$1,000–$2,000

$200

$2,000–$5,000

$500

$5,000–$10,000

$1,000

$10,000–$20,000

$2,000

$20,000–$50,000

$5,000

$50,000–$100,000

$10,000

$100,000–$200,000

$20,000

$200,000–$500,000

$50,000

$500,000–$1,000,000

Absentee bids must follow these increments and any bids that don’t follow the steps will be rounded up to the nearest acceptable bid.

Collection of Purchases & Insurance Artvisory is entitled to retain items sold until all amounts due to us have been received in full in good cleared funds. Subject to this, the Buyer shall collect purchased lots within 3 days from the date of the sale unless otherwise agreed in writing between Artvisory and the Buyer.

At the fall of the hammer, insurance is the responsibility of the purchaser.

d)

e)

Packing, Handling and shipping Artvisory will be able to suggest local, national and international carriers and takes no responsibility whatsoever for the actions of any recommended third party carrier. Artvisory can pack and handle goods purchased at the auction by agreement, however will take no responsibility for damage, a charge may be made for this service. All packing, shipping, insurance, postage & associated charges will be borne by the purchaser.

Cultural heritage Export Licences Unless otherwise agreed by us in writing, the fact that the buyer wishes to apply for an export licence does not affect his or her obligation to make full payment immediately, nor our right to charge interest or storage charges on late payment. It is the Buyer’s responsibility to check Australia’s Protection of Moveable Cultural Heritage Act 1986 before purchase. If the Buyer requests Artvisory to apply

for an export licence then we shall be entitled to charge a fee for this service. We shall not be obliged to rescind a sale nor to refund any interest or other expenses incurred by the Buyer where payment is made by the Buyer in circumstances where an export licence is not granted. f)

Remedies for non-payment If the Buyer fails to make full payment immediately, Artvisory is entitled to exercise one or more of the following rights or remedies (in addition to asserting any other rights or remedies available under the law) i)

to charge interest at such a rate as we shall reasonably decide

ii)

to hold the defaulting Buyer liable for the total amount due and to commence legal proceedings for it’s recovery along with interest, legal fees and costs to the fullest extent permitted under applicable law

iii)

to cancel the sale

iv) to resell the property publicly or privately on such terms as we see fit v)

to pay the Seller an amount up to the net proceeds payable in respect of the amount bid by the defaulting Buyer. In these circumstances the defaulting Buyer can have no claim upon Artvisory in the event that the item(s) are sold for an amount greater than the original invoiced amount.

vi) to set off against any amounts which Artvisory may owe the Buyer in any other transactions, the outstanding amount remaining unpaid by the Buyer. vii) where several amounts are owed by the Buyer to us, in respect of different transactions, to apply any amount paid to discharge any amount owed in respect of any particular transaction, whether or not the Buyer so directs. viii) to reject at any future auction any bids made by or on behalf of the Buyer or to obtain a deposit from the Buyer prior to accepting any bids. ix) to exercise all the rights and remedies of a person holding security over any property in our possession owned by the Buyer whether by way of pledge, security interest or in any other way, to the fullest extent permitted by the law of the place where such property is located. The Buyer will be deemed to have been granted such security to us and we may retain such property as collateral security for such Buyer’s obligations to us. x)

to take such other action as Artvisory deem necessary or appropriate If we do sell the property under paragraph (iv), then the defaulting Buyer shall be liable for payment of any deficiency between the total amount originally due to us and the price obtained upon reselling as well as for all costs, expenses, damages, legal fees and commissions and premiums of whatever kinds associated with both sales or otherwise arising from the default.

If we pay any amount to the Seller under paragraph (v) the Buyer acknowledges that Artvisory shall have all of the rights of the Seller, however arising, to pursue the Buyer for such amount.

128

g)

Failure to collect purchases Where purchases are not collected within 3 days from the sale date, whether or not payment has been made, we shall be permitted to remove the property to a warehouse at the buyer’s expense, and only release the items after payment in full has been made of removal, storage handling, insurance and any other costs incurred, together with payment of all other amounts due to us.

6. Extent of Artvisory Liability Artvisory agrees to refund the purchase price in the circumstances of the Limited Warranty set out in paragraph 7 below. Apart from that, neither the Seller nor we, nor any of our employees or agents are responsible for the correctness of any statement of whatever kind concerning any lot, whether written or oral, nor for any other errors or omissions in description or for any faults or defects in any lots. Except as stated in paragraph 7 below, neither the Seller ourselves, our officers, agents or employees give any representation warranty or guarantee or assume any liability of any kind in respect of any lot with regard to merchantability, fitness for a particular purpose, description, size, quality, condition, attribution, authenticity, rarity, importance, medium, provenance, exhibition history, literature or historical relevance. Except as required by local law any warranty of any kind is excluded by this paragraph.

7. Limited Warranty Subject to the terms and conditions of this paragraph, the Seller warrants for the period of thirty days from the date of the sale that any property described in this catalogue (noting such description may be amended by any saleroom notice or announcement) which is stated without qualification to be the work of a named author or authorship is authentic and not a forgery. The term “Author” or “authorship” refers to the creator of the property or to the period, culture, source, or origin as the case may be, with which the creation of such property is identified in the catalogue.

The warranty is subject to the following: i)

ii)

iii)

it does not apply where a) the catalogue description or saleroom notice corresponded to the generally accepted opinion of scholars and experts at the date of the sale or fairly indicated that there was a conflict of opinions, or b) correct identification of a lot can be demonstrated only by means of a scientific process not generally accepted for use until after publication of the catalogue or a process which at the date of the publication of the catalogue was unreasonably expensive or impractical or likely to have caused damage to the property. the benefits of the warranty are not assignable and shall apply only to the original buyer of the lot as shown on the invoice originally issued by Artvisory when the lot was sold at Auction. the Original Buyer must have remained the owner of the lot without disposing of any interest in it to any third party

iv) The Buyer’s sole and exclusive remedy against the Seller in place of any other remedy which might be available, is the cancellation of the sale and the refund of the original purchase price paid for the lot less the buyers premium which is non refundable.

Neither the Seller nor Artvisory will be liable for

v)

any special, incidental nor consequential damages including, without limitation, loss of profits not for interest.

Overseas buyers and buyers non-resident in Australia will not be charged GST on both hammer price and premiums under the following conditions:

The Buyer must give written notice of claim to us within thirty days of the date of the Auction. The Seller shall have the right, to require the Buyer to obtain two written opinions by recognised experts in the field, mutually acceptable to the Buyer and Artvisory to decide whether or not to cancel the sale under warranty.

1.

The items are exported through a Artvisory approved freight company including Australia Post

2.

The items are exported within 60 days of the date of the sale

The invoice supplied by Artvisory for purchases will be regarded as a Tax invoice for GST purposes.

vi) the Buyer must return the lot to Seller in the same condition that it was purchased.

14. Resale Royalty Scheme

8. Severability

Under the legal obligations of the Resale Royalty Scheme for Visual Artists Act 2009, sellers must provide the following information to comply with the act:

If any part of these Conditions of Sale is found by any court to be invalid, illegal or unenforceable, that part shall be discounted and the rest of the Conditions shall continue to be valid to the fullest extent permitted by law.

9. Copyright The copyright of all images, illustrations and written material produced by Artvisory relating to a lot including the contents of this catalogue, is and shall remain the property at all times of Artvisory and shall not be used by the Buyer, nor by anyone else without our prior written consent. Artvisory and the Seller make no representation or warranty that the Buyer of a property will acquire any copyright or other reproduction rights in it.

10. Law and Jurisdiction These terms and conditions and any matters concerned with the foregoing fall within the exclusive jurisdiction of the courts of the state in which the auction is held.

11. Pre-Sale Estimates Artvisory publishes with each catalogue our opinion as to the estimated price range for each lot. These estimates are approximate prices only and are not intended to be definitive. They are prepared well in advance of the sale and may be subject to revision. Interested parties should contact Artvisory prior to auction for updated pre-sale estimates and starting prices.

12. Sale results Artvisory will provide auction results, which will be available as soon as possible after the sale. Results will include buyer’s premium. These results will be posted at www.artvisory.com.au.

13. Goods and Service Tax In accordance with A New Tax System (Goods and Services Tax) Act 1999 Artvisory Auctions will collect on behalf of the Australian tax office (ATO) a Goods and Service Tax (GST) of 10% on all applicable transactions.

GST is applicable on the hammer price in the case where the seller is selling property that is owned by an entity registered for GST. GST is also applicable on the hammer price in the case where the seller is not an Australian resident. These lots are denoted by a dagger symbol † placed next to the estimate.

GST is also applicable on the buyer’s premium.

•

was the artwork acquired after 8 June 2010?

•

is the sale/reserve price (including GST) $1,000 or more?

•

is the artist from Australia or a country listed in the Regulations to the Act?

•

is the artist alive, or deceased less than 70 years?

The seller: i)

acknowledges that he or she understands his or her legal obligations under the Resale Royalty for Visual Artists Act 2009 (the Act);

ii)

undertakes to comply with all requirements of the Act, including by providing its agent, the company, with accurate information sufficient for compliance with sections 28 and 29 of the Act;

iii)

undertakes to indemnify the company for any loss incurred by the company as a result of the vendor’s failure to comply with any of the vendor’s legal obligations under the Act; and

iv) acknowledges that if he or she fails to comply with any of his or her legal obligations under the Act, the company may provide the vendor’s name and contact details to Copyright Agency Limited (CAL).

Lots subject to payment of the Resale Royalty Scheme will be denoted by the §. The Australian Resale Royalty is a flat rate of 5% on the hammer price (including GST).

The Australian Resale Royalty is payable by the buyer in addition to the buyers premium plus any applicable GST.

ASIAN ART SPECIALISTS 310 Toorak Road South Yarra Victoria 3141 +61 3 9826 4039 | www.artvisory.com.au