Fine Chinese and Asian Art Auction catalogue. Artvisory Melbourne. 13 November 2022

Fine Chinese & Asian Art 熹山雲起-中國與亞洲藝術精選 Auction • Sunday 13 November 2022

Specialists

Arts of the Middle East Dr Susan Scollay design + decoration & Interior Decorator Auctions Amanda Swanson

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SOUTH YARRA

WILLIAMS RD

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RIVER ST

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CHAPEL ST

South Yarra Station

TOORAK RD

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I I III

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IIIIII IIIIII I

TOORAK

CLARA ST

Single-Owner Auctions Paul Sumner Sandy Bruce

Indigenous Australian Art Shaun Dennison

PUNT RD

Chinese and Asian Arts Luke Guan Allan Rae

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IIIIIII IIIIIII I

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IIIIIII IIIIIII Artvisory 310 Toorak Road, South YarraHawksburn VIC 3141 IIIIII Station

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Fine Chinese & Asian Art 熹山雲起-中國與亞洲藝術精選 CURATED BY LUKE GUAN

AUCTION

Sunday 13 November 2022, 11.00am Artvisory 310 Toorak Road, South Yarra VIC 3141

VIEWING

COLLECTIONS

Wednesday 9 November

11am–5pm

Thursday 10 November

11am–5pm

Friday 11 November

11am–5pm

Saturday 12 November

11am–5pm

Monday 14 November

11am–5pm

Tuesday 15 November

11am–5pm

Wednesday 16 November

11am–5pm

ONLINE

View catalogue and bid online at www.artvisory.com.au

ENQUIRIES

Specialist Enquiries: Luke Guan 0455 891 888 luke@artvisory.com.au

Auction administration enquiries: Amanda Swanson 0414 592 234 amanda@artvisory.com.au

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How to Bid at our Auctions Catalogues and Viewing

Buyers Premium

Auction catalogues can be viewed on the Artvisory website www.artvisory.com.au approximately three weeks prior to the published date of an Auction.

Artvisory charges a Buyers Premium of 24% plus GST on the hammer price of all Auction items unless otherwise stipulated.

If a printed catalogue has been produced for an Auction, it will be available complimentary at Artvisory, 310 Toorak Road, South Yarra 3141.

Bidding

The Auction viewing is open to the public and generally takes place during the three days prior to the Auction date, from 11am-5pm at the advertised location/s in the Auction catalogue.

Live Bidding

Artvisory offers four options for bidding at our Auctions:

The Lot/ Catalogue descriptions provide the overall information of an item including size, date or age, medium, attribution, quantity and if known, provenance.

If this is your first-time bidding with Artvisory you will be required to register with us, and we suggest that you arrive at the Auction with your pre-filled registration form (available to download and print from our website) and you will then receive your bidding number at the Auction. To facilitate this please bring along your Government issued photo identification, such as a driver’s licence or passport as this is the only form of identification that will be accepted.

Estimates

Please make sure you register in the name you want your final invoice to be made out to as invoices once issued cannot be changed, and in certain cases a deposit may be required before you can bid.

Lot Descriptions

The estimate accompanies each lot in the printed and online catalogue. This estimate takes into consideration the quality, condition, rarity, condition and provenance of the item. Each estimate also has a reserve, and the reserve is the undisclosed and confidential amount set at or below the low estimate. Please note the reserve will never exceed the low estimate at Artvisory, however many lots are sold without a reserve.

Condition Reports Condition reports supplement the lot/ catalogue description and focus on the condition of the item. We strongly advise obtaining a condition report if you are unable to view the lot in person. Condition reports and additional images are available to view as part of the auction item listing at Invaluable.com

Symbols Occasionally a symbol is printed next to a lot number in the catalogue, this indicates a special clause that is associated with the sale of that item.

Please refer to the Terms and Conditions for specific symbol meanings and information.

Online Bidding Online bidding via Invaluable.com allows you to bid via the internet in real time, whilst also allowing you to view the live feed of the Auction.

Please register for this service with Invaluable.com at least 24 hours prior to the Auction to ensure you do not miss your lot.

Invaluable.com charges a 5% fee on any successful lots purchased which will be added to your final invoice.

Please note if you have not bid with Artvisory previously, then Government issued photo identification verifying your name and address will be also be required before you can be approved to bid with Artvisory via the Invaluable.com site, and in certain cases a deposit may be required before you can bid.

Please note Artvisory cannot be held responsible for any errors that occur with internet connectivity during an auction or buyer bidding errors.

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Telephone Bidding

Payment and Collection

Complimentary telephone bidding is available at all our live Auctions, and involves an Artvisory representative calling you approximately 3–5 lots in advance of your nominated lot and you then instruct them to bid on your behalf.

If you are successful with your bid/s your invoice will be emailed to you immediately after the Auction finishes.

Telephone Bids must be requested at least 24 hours prior to the commencement of the Auction and are provided on a first come first served basis, as the number of phone lines available are limited.

See our website to download and complete a telephone bidding form and please note if this is your first time bidding with Artvisory we will require a clear, scanned copy of Government issued photo identification such as a drivers licence or current passport verifying your name and address and in certain cases a deposit may be required before you can bid.

Absentee Bidding Absentee bidding offers convenience if you are unable to attend an Auction in person, bid over the telephone, or if you wish to stick to your budget.

An absentee bid should be set at the maximum amount you wish to bid on the lot/s you are interested in purchasing. Should the lot/s be knocked down at an amount lower than the bid recorded on your form, the lot will be sold to you for the lesser hammer price plus buyers premium. If identical bids are received for the same lot, then the first bid received by Artvisory will take precedence.

Absentee bids must be received by Artvisory at least 24 hours prior to the Auction commencing and the Company cannot be held responsible for activating any late bids that are received.

See our website to download and complete an absentee bidding form and please note if this is your first time bidding with Artvisory we will require a clear, scanned copy of Government issued photo identification such as a drivers licence or current passport verifying your name and address and in certain cases a deposit may be required before you can bid.

You will pay the hammer price, plus the Buyers Premium of 24% plus GST on each lot, together with any additional charges such as GST on hammer or the Artist Resale Royalty if applicable.

As per our terms and conditions, payments must be made in full by three (3) days after the Auction as printed in the catalogue.

Personal, Company and Bank cheques are not accepted unless prior approval has been sought.

We accept Direct Deposit into the Company Trust Account, Eftpos (up to your daily limit) or credit card in person with the following merchant fee applicable (1.5% inc GST for Visa, Mastercard and American Express) Cash payments must be deposited direct to the Company Trust account via any Commonwealth Bank Branch, and goods can be released upon supplying the deposit receipt.

All payment options and Company Trust Account details are included on the invoice that is emailed to you after the Auction if you are a successful bidder.

All items must be paid for in full and collected within the collection times advertised for each individual Auction. If items are not collected within this time frame then Artvisory reserves the right to charge removal, storage and release fees.

Packing and Delivery Artvisory recommends Pack and Send for all packing and interstate and international deliveries and we are happy to help co-ordinate this for you with Pack and Send.

Regarding larger items such as furniture and large artworks, we have a list of recommended specialist carriers for local, interstate and international deliveries that we can provide to buyers and this will be sent to you with your invoice if you are successful at the auction.

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An Important Private Collection, QLD (Lots 1–74) 1

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A PAIR OF CHINESE CLOISONNÉ ENAMEL GARLIC-HEAD VASES, JINGTAI MARK, LATE MING-EARLY QING DYNASTY, 17TH CENTURY

A CHINESE CLOISONNÉ BOX AND COVER, QING DYNASTY (1644-1912)

明末/清初 十七世紀 大明景泰年製款 掐絲琺瑯蒜頭瓶一對 35cm high (each) A cloisonné bowl dated to the second half of 16th century decorated with a similar style of sea horses on the interior, is illustrated in Chinese Cloisonne: Helmut Brinker & Albert Lutz, The Pierre Uldry Collection, London, 1989, no. 87.

清 掐絲琺瑯圓捧盒 20.5cm diameter PROVENANCE

Acquired from Jewell's Antiques, Melbourne, 13/12/1977.

1977年12月13日購於墨爾本Jewell's Antiques藝廊。 $2,000–3,000

PROVENANCE

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Acquired from Collection of the Late Ross Gordon on 11/4/1974.

1974年4月11日購於Ross Gordon遺產收藏。

A CHINESE FINE CLOISONNÉ DISH, QING DYNASTY, 18TH CENTURY

$4,000–6,000

清 十八世紀 銅掐絲琺瑯盤 29.8cm diameter PROVENANCE

Acquired from Leonard Joel's, Melbourne, 24/5/1986.

1986年5月24日購於墨爾本Leonard Joel拍賣行。 $6,000–8,000

1

2

5

4

A CHINESE CLOISONNÉ VASE MEIPING, QING DYNASTY (1644-1912) 清 掐絲琺瑯梅瓶 23.4cm high PROVENANCE

Acquired from Senior Antiques, QLD., 2/4/1980.

1980年4月2日購於昆士蘭 Senior Antiques藝廊。 $2,000–3,000

5

A CHINESE CLOISONNÉ CRANE, QING DYNASTY, 18TH-19TH CENTURY 清 十八/十九世紀 掐絲琺瑯丹頂鶴 27cm high PROVENANCE

The George Harris Collection of Enamels.

Goodman & Co., 10/12/1979.

George Harris 粉彩瓷收藏。 1979年12月10日，Goodman & Co.拍賣行落槌。 $2,500–3,500

3

4

5

6

6

A CHINESE CLOISONNÉ CENSER, QING DYNASTY, EARLY 20TH CENTURY 清 二十世紀早期 掐絲琺瑯象足獅鈕爐 22cm high PROVENANCE

The Estate of the Late Nelson Rutherford Collection, Wellington, New Zealand.

Acquired from above on 31/1/1982. 於1982年1月31日購於新西蘭Nelson Rutherford遺產。 $2,000–4,000

7

A CANTON ENAMEL TRAY, QING DYNASTY (1644-1912) 清 銅胎畫琺瑯托盤 28 x 18.9cm $500–700 Illustrated online at artvisory.com.au

6

8

A CHINESE CLOISONNÉ ENAMEL AND GILT BRONZE FOOTED BOWL, QING DYNASTY, 19TH-20TH CENTURY 清 十九/二十世紀 掐絲琺瑯龍把手鎏金水仙盆 37cm wide; 26cm high PROVENANCE

Acquired in 2005. 購於2005年。 $1,500–2,500

9

A CHINESE CLOISONNÉ PLATE LATER ALTERED TO A BASKET, THE PLATE, MING DYNASTY, 14TH-15TH CENTURY 明早期 十四/十五世紀 掐絲琺瑯盤殘件改製提籃 34cm wide; 24cm high PROVENANCE

Acquired from the Late Nelson Rutherford, New Zealand, 25/4/1983.

1983年4月25日購於新西蘭Nelson Rutherford遺產。 $2,000–3,000 Illustrated online at artvisory.com.au

8

7

10

A LARGE JAPANESE BRONZE CENSER WITH GOLD AND SILVER INLAY, MEIJI PERIOD (1868-1912) 日本 明治時期 銅錯金銀双龙耳大香爐 90cm high PROVENANCE

Acquired from an old private collection, Melbourne, Australia, 14/12/1986, descendants have advised that it had been purchased originally from the Melbourne International Exhibition in the late 1800's from the Japanese Pavilion. 於1986年12月14日購於澳洲墨爾本，據前藏家後代說此為1800年從墨爾 本世博會中的日本庭院處夠得。 $15,000–25,000

11

A KOREAN SILVER INLAID IRON BOX, 19TH CENTURY 韓國 十九世紀 春水秋山紋鑲銀鐵方盒 17 x 13 x 10cm PROVENANCE

The Estate of the Late Ross Gordon Collection.

Acquired in 13/11/2002.

2002年11月13日購於Ross Gordon遺產。 $1,500–2,500 Illustrated online at artvisory.com.au

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A LARGE CHINESE CANTON ENAMEL OCTAGONAL BOX AND COVER, QING DYNASTY (1644-1912) 清 铜胎画珐琅八邊形盖盒 28.5cm diameter PROVENANCE

Acquired from Binkar Gallery QLD., in 1985.

1985年購於Binkar Gallery藝廊。 $1,000–2,000 Illustrated online at artvisory.com.au

13

A SMALL CHINESE CANTON ENAMEL HAND WARMER, QIANLONG MARK, QING DYNASTY, 19TH-EARLY 20TH CENTURY 清 十九/二十世紀 銅胎畫琺瑯暖手爐 8cm wide; 6cm high PROVENANCE

Acquired from South Australia, in early 2012.

2012年初購於南澳大利亞。 $1,000–2,000 Illustrated online at artvisory.com.au

10

8

14

16

14

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A CHINESE BRONZE GOLD-SPLASHED BEAST, 17TH CENTURY

A RARE LARGE CHINESE BRONZE GU-FORMED VASE, WANLI MARK, QING DYNASTY (1644-1912)

明/清 十七世紀 铜灑金麒麟銜靈芝擺件 16cm wide; 12cm high PROVENANCE

Collection of an English Manor House.

Acquired from James Conley Antiques, Australia & U.K., 1/9/2011. 英國私人大宅舊藏。 購於澳洲與倫敦古董商James Conley藝廊。

萬曆款 清 青铜兽面纹觚 56.2cm high PROVENANCE

Acquired from a private Dutch collection, 4/7/2010.

2010年7月4日購於荷蘭私人收藏。 $6,000–8,000

$9,000–20,000

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A PAIR OF CHINESE AUBERGINE AND AMBER GLAZED BOWLS AND COVERS, QING DYNASTY (1644-1912) 清 虎皮釉蓋盌 一對 10.6cm diameter each $1,000–2,000 Illustrated online at artvisory.com.au

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A CHINESE FAMILLE ROSE LANTERN, QING DYNASTY, EARLY 19TH CENTURY 清 十九世紀 粉彩燈籠 14.5cm high PROVENANCE

The Estate of the Late L. Blumenthal Collection, 1979.

L. Blumenthal 遺產舊藏，1979。 $1,000–2,000 Illustrated online at artvisory.com.au

9

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A CHINESE MINIATURE FAMILLE ROSE VASE WITH ELEPHANT HEAD HANDLES, QIANLONG MARK, REPUBLIC PERIOD, EARLY 20TH CENTURY 乾隆款 民国 黄地粉彩瓜瓞綿綿纹象耳小瓶 6cm high PROVENANCE

Acquired in 2015. 購於2015年。 $1,000–2,000

19

A CHINESE FAMILLE ROSE PEACH-SHAPED BOX AND COVER, DAOGUANG PERIOD (1820-1850) 清道光 紅地粉彩桃形蓋盒 10.4cm long; 9cm wide PROVENANCE

Acquired from Melbourne. October 1988.

1988年10月購於墨爾本。 $1,500–2,500

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A PAIR OF CHINESE TURQUOISE GLAZED MONKEYS, QING DYNASTY, 19TH CENTURY 清 十九世紀 绿松石釉猴子摆件一对 20cm high

18

PROVENANCE

James Conley Antiques Australia & U.K. 購於英國/澳大利亞James Conley Antiques古董行。 $1,000–2,000 Illustrated online at artvisory.com.au

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A RARE CHINESE EXPORT FAMILLE VERTE VASE, QING DYNASTY, KANGXI PERIOD (1661-1722) 清 康熙 五彩加籃釉金彩塔式瓶 32cm high PROVENANCE

Acquired from Unique France Antiques, France & Australia, 7/6/2008.

2008年6月7日購於Unique France Antiques藝廊。 $1,500–2,500 Illustrated online at artvisory.com.au

19

10

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A GROUP OF THREE CHINESE SMALL COPPER RED GLAZED VESSELS, LATE QING DYNASTY, LATE 19TH-EARLY 20TH CENTURY Including a garlic head vase, a washer and a box and cover with Xuande mark. 清晚期 紅釉文房三件 vase: 13cm high PROVENANCE

Acquired from Leonard Joel, Melbourne in 22/9/1997 .

1997年9月22日購於墨爾本Leonard Joel拍賣行。 $1,500–2,500 Illustrated online at artvisory.com.au

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A CHINESE CELADON GU-FORMED VASE, YONGZHENG MARK, EARLY 20TH CENTURY 雍正款 二十世紀早期 藍釉觚式瓶 18cm high PROVENANCE

Acquired from the Belgian Collection, in 14/9/1995.

1995年9月14日購於 the Belgian Collection私人舊藏。 $1,000–2,000 Illustrated online at artvisory.com.au

22

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A LARGE CHINESE CANTON FAMILLE ROSE PUNCH BOWL, QIANLONG PERIOD (1736-1795) 清 乾隆 廣彩大盌 41cm diameter PROVENANCE

Acquired from a private English collection, 2/3/2012 2012年3月2日購於英國私人舊藏 $3,000–5,000

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A RARE CANTON ENAMEL YIXING WATER DROPPER, QING DYNASTY (1644-1912) 清 宜興廣彩水盂 9cm diameter PROVENANCE

The Late Blumenthal Collection.

Acquired from above in 1979.

1979年購於Blumenthal Collection遺產。 $600–800 Illustrated online at artvisory.com.au

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A GROUP OF CHINESE FAMILLE ROSE TEA VESSELS, QING DYNASTY, 18TH CENTURY Comprising a teapot, a cup and a saucer. 清 十八世紀 粉彩雄雞起舞茶具一套 Teapot: 15cm wide PROVENANCE

Acquired from Leonard Joel, Melbourne, 2/6/1986.

1986年6月2日購於墨爾本Leonard Joel拍賣行。 $1,000–2,000 Illustrated online at artvisory.com.au

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A CHINESE CARVED AND APPLIED FAMILLE ROSE BOX AND COVER, QIANLONG MARK, QING DYNASTY (1644-1912) 清 乾隆款 粉彩雕瓷蓋盒 7.2cm diameter $1,000–2,000 Illustrated online at artvisory.com.au

11

28

A CHINESE FAMILLE- ROSE DOUBLE GOURD FORMED WATER DROPPER, QIANLONG PERIOD (1736-1795) 清 乾隆 粉彩葫蘆靈芝水滴 8cm high PROVENANCE

Acquired from the late Sweeny Collection Queensland. 24/10/1992.

1992年10月24日購於 Sweeny Collection遺產。 $1,000–2,000

29

A CHINESE IMARI TEAPOT, KANGXI PERIOD (1661-1722) 清 康熙 伊萬裡青花紅彩茶壺 14.5cm long PROVENANCE

Acquired from Woollahra Antique Centre, Sydney, 22/2/1984.

1984年2月22日購於悉尼Woollahra古董行。 $1,500–2,500 Illustrated online at artvisory.com.au

28

30

A CHINESE FAMILLE NOIR 'FIVE BOYS' SQUARE-SECTION VASE, QING DYNASTY, 19TH CENTURY 清 十九世紀 黑地五彩蓮紋“五子登科”方瓶 22cm high PROVENANCE

A private collection, Brisbane, 20/11/2007. 布里斯班私人收藏，購於2007年11月20日。 $4,000–6,000

31

A CHINESE FAMILLE ROSE VASE WITH EIGHT BUDDHIST SYMBOLS, QING DYNASTY, 19TH CENTURY 清 十九世紀 粉彩八寶紋瓶 34.9cm high $1,000–2,000 Illustrated online at artvisory.com.au

30

12

32

32

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A PAIR OF CHINESE FAMILLE VERTE DISHES, LATE MING-EARLY QING DYNASTY, 17TH CENTURY

A CHINESE FAMILLE ROSE SGRAFFITO VASE, JU REN TANG MARK, EARLY 20TH CENTURY

明末/清初 五彩人物紋盤一对 14.5cm diameter

二十世紀早期 居仁堂款 粉彩藍地匝道紋山水開光雙龍耳瓶 22cm high

PROVENANCE

PROVENANCE

Acquired in Melbourne in 1984.

1984年購於墨爾本私人收藏。

Newfarm Antique Centre, Brisbane, QLD., 2015. 昆士蘭New Farm古董中心，2015年。

$2,000–3,000

$1,000–2,000 Illustrated online at artvisory.com.au

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A CHINESE SMALL BLUE AND WHITE VASE, KANGXI PERIOD (1662-1722) 清 康熙 青花人物小罐 8.5cm high PROVENANCE

Acquired in 3/12/2020. 購於2020年12月3日。 $1,000–2,000 Illustrated online at artvisory.com.au

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TWO CHINESE BLUE AND WHITE SQUARE DISHES, LATE MING-EARLY QING DYNASTY, 17TH CENTURY 明末/清初 青花山水紋長方形茶點盤 两只 17 x 12cm; 15.3 x 9cm PROVENANCE

Acquired from James Conley Antiques Australia & U.K. 購於James Conley Antiques Australia藝廊。 $1,500–2,500 Illustrated online at artvisory.com.au

13

36

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TWO CHINESE BLUE AND WHITE OBLONG QUATREFOIL DISHES, LATE MING-EARLY QING DYNASTY, 17TH CENTURY 明末/清初 青花山水四葉草形茶點盤 两件 17 x 14.5cm and 19.4 x 15cm PROVENANCE

Acquired from James Conley Antiques, Australia and U.K. 購於澳大利亞/英國James Conley Antiques古董行。 $2,500–3,500

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A CHINESE BLUE AND WHITE OBLONG QUATREFOIL DISH, LATE MING-EARLY QING DYNASTY, 17TH CENTURY 明末/清初 青花山水紋長方形茶點盤 24.3cm long; 17cm wide PROVENANCE

Collection of the Late L. Blumenthal.

Acquired on 14/11/1979. 於1979年11月14日購於 L. Blumenthal遺產收藏。 $3,000–5,000

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14

38

40

38

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A CHINESE ROBIN’S EGG GLAZE VASE, FANGHU, QING DYNASTY (1644-1912)

A CHINESE WHITE GLAZED STEM CUP, QING DYNASTY (1644-1912)

清 爐鈞釉小方瓶 12cm high

清 白釉印八寶紋高足盃 14.5 x 10.3cm

PROVENANCE

PROVENANCE

Acquired from a private collection, Sydney, 1980's.

80年代購於悉尼私人收藏。

Acquired from Goodman & Co., Sydney, 30/11/1981.

1981年11月30日購於悉尼Goodman & Co藝廊。

$1,000–2,000

$1,000–2,000

39

A PAIR OF RARE CHINESE SMALL SOFT PASTE BLUE AND WHITE JARS AND COVERS, KANGXI MARK AND PERIOD (1661-1722) 清 康熙 槳胎青花蓋罐一對 9.8cm high each PROVENANCE

Acquired 5/8/2002. 購於2002年8月5號。 $600–800 *This lot will be offered no reserve. 此拍品不設保留價 Illustrated online at artvisory.com.au

15

41

A CHINESE CINNABAR LACQUER SQUARE VASE, QING DYNASTY, 19TH CENTURY with a fitted wood stand. 清 十九世紀 剔紅人物方瓶 vase: 30.9cm high $4,000–6,000

42

A CHINESE RED CARVED CINNABAR LACQUER BOX AND COVER, 19TH CENTURY 清 十九世紀 剔紅蓋盒 18.5cm diameter PROVENANCE

Acquired from Late L. Blumenthal Collection in 1982.

1982年購於L. Blumenthal Collection遺產。 $1,000–2,000 Illustrated online at artvisory.com.au

43

A CHINESE GREEN MARBLE TABLE SCREEN, 20TH CENTURY 二十世紀 綠色大理石雕菩薩插屏 27 x 27.5cm PROVENANCE

Acquired in Brisbane in 5/12/2006.

2006年12月5日購於布里斯本。 $600–800 Illustrated online at artvisory.com.au

44

A CHINESE JADE FLOWER, SONG DYNASTY (927-1279) Later inset into a wood box. 宋 玉雕花 後嵌入木盒 jade: 5cm diameter; box: 13.5cm long; 10cm wide $1,000–2,000 Illustrated online at artvisory.com.au

41

16

46

A CHINESE IMARI JAR AND COVER, KANGXI PERIOD (1661-1722) 清 康熙 青花红彩盖罐 15.4cm high The lid was engraved "N: 94 +". According to the letter of Dr. F. Reichel from Staatliche Kunstsammlungen Dresden, Germany, This inventory number can be found in the oldest inventory book of the musuem which was commenced in 1721. He translated one relevant paragraph from this book: " In the same year and month (i. e. July 1723) His Royal Majesty bought from Miss Bassetouche:... N: 94. 6 pieces of such kind (i. e. coffee pots with compressed spouts, big handles and flat round covers) with round bodies; one piece is different. 6 Zoll (15.4cm) high and 4 Zoll in diameter."

PROVENANCE

Miss Bassetouche, Germany.

Collection of Augustus II the Strong (1670 –1733), who was Elector of Saxony from 1694 as well as King of Poland and Grand Duke of Lithuania in the years 1697–1706 and from 1709 until his death in 1733. 德國Bassetouche女士舊藏。 波兰国王，强者奥古斯都二世（1670 年 5 月 12 日 - 1733 年 2 月 1 日）舊藏。1694 年担任萨克森选帝侯，1697 年至 1706 年和 1709 年 至 1709 年担任波兰国王和立陶宛大公。 1733 年，他属于韦廷家族的 阿尔贝蒂娜家族。 $1,000–2,000 Illustrated online at artvisory.com.au

47

A CHINESE FAMILLE- NOIRE SANDUO BOWL, JIAQING SIX CHARACTER UNDERGLAZE MARK AND PERIOD (1796-1820) 清 大清嘉慶年製六字款及本朝 黑地粉彩三多盌 18.5cm diameter PROVENANCE

Acquired from Toowoomba Antique Gallery. 購於 Toowoomba Antique Gallery藝廊。 $1,000–2,000 Illustrated online at artvisory.com.au

45

45

A CHINESE DEHUA STANDING FIGURE, EARLY QING DYNASTY, 17TH CENTURY 清早期 十七世紀 德化觀音站像 23.2cm high PROVENANCE

Acquired from an old private collection. 早年購於昆士蘭資深私人舊藏。 $2,000–3,000

48

A CHINESE BLUE AND WHITE AND UNDERGLAZE RED ROOSTER WASHER, LATE QING DYNASTY, 19TH CENTURY 清 十九世紀 青花釉里紅雄雞起舞水盂 8cm diameter $1,000–2,000 Illustrated online at artvisory.com.au

17

49

A CHINESE INK ENAMEL ON BISCUIT VASE, QIANLONG MARK, GUANGXU PERIOD (1875-1908) 清 乾隆款 光緒時期 墨彩素燒賞瓶 23.2cm high PROVENANCE

The Estate of the Late Bundy Collection, 26/11/1981. 私人於1981年11月26日購於 Bundy Collection遺產。 $2,500–3,500

50

A CHINESE FAMILLE ROSE PEACH BOWL, GUANGXU IRONRED SIX-CHARACTER MARK AND OF THE PERIOD (1875-1908) 光緒款及本朝 粉彩九壽桃盌 12.4cm diameter A similar example, see Christie's London, 11/11/2011, lot 1263.

PROVENANCE

James Conely Antiques, Australia, 29/12/2010.

2010年12月29日購於澳洲James Conely 古董藝廊。 $6,500–8,500

51

A CHINESE ROBIN’S EGG GLAZED BOTTLE VASE WITH APPLIED DECORATION, LATE QING DYNASTY, LATE 19TH CENTURY 清晚期 十九世紀 爐鈞釉貼花長頸瓶 12cm high

49

PROVENANCE

Acquired from Binkar Gallery, Queensland, 1988. 購於James Conley Antiques Australia藝廊。 $1,500–2,500 Illustrated online at artvisory.com.au

52

A CHINESE FAMILLE ROSE CANDLE-STICK, GUANGXU PERIOD (1875-1908) 清 光绪 粉彩烛台 21.5cm high PROVENANCE

Acquired from Leonard Joel, Melbourne, 7/8/1997.

1997年8月7日購於墨爾本Leonard Joel拍賣行。 $1,000–2,000 Illustrated online at artvisory.com.au

50

18

55

A CHINESE DEHUA FIGURE OF MULAN AND HORSE, 20TH CENTURY 二十世紀 德化木蘭充軍 29cm high; 19cm wide PROVENANCE

Acquired in Miami, OLD., 2008.

2008年購於昆士蘭Miami藝廊。 $600–800 *This lot will be offered no reserve. 此拍品不設保留價 Illustrated online at artvisory.com.au

56

A PAIR OF CHINESE FAMILLE ROSE DISHES, QING DYNASTY, 18TH CENTURY 清 十八世紀 粉彩團花紋盤一對 23cm diameter PROVENANCE

Acquired from Lynette Cunnington Antiques Sydney. 購於悉尼Cunnington Antiques藝廊。 $1,000–2,000 Illustrated online at artvisory.com.au

57

TWO FAMILLE ROSE DISHES, QING DYNASTY, 18TH CENTURY 53

清 十八世紀 粉彩盤 兩件 22.5cm and 22.8cm diameter

53

PROVENANCE

A CHINESE FAMILLE ROSE TUREEN AND COVER, 18TH CENTURY 清 十八世纪 粉彩开光人物汤盌带盖 35.5cm wide; 23cm high PROVENANCE

Collection of the Late S. Williamson.

Acquired from above on 16/10/2015.

2015年10月16日購於S. Williamson舊藏遺產。 $1,000–2,000

54

A CHINESE FAMILLE ROSE VASE, QIANLONG MARK, EARLY 20TH CENTURY 乾隆款 二十世紀早期 粉彩百花不漏地小瓶 21.8cm high PROVENANCE

Acquired in 2010. 購於2010年。 $1,000–2,000 Illustrated online at artvisory.com.au

The Late Ross Gordon Collection.

Acquired from above in 1989.

1989年購於 Ross Gordon Collection遺產。 $1,000–2,000 Illustrated online at artvisory.com.au

19

58

60

58

60

A PAIR OF CHINESE FAMILLE ROSE VASES, JU REN TANG MARK, EARLY 20TH CENTURY

A CHINESE FAMILLE ROSE DRAGON AND PHOENIX VASE, QIANLONG MARK, 20TH CENTURY

With fitted wood stand. 民國 二十世紀早期 居仁堂製款 粉彩瓶一對 25cm high

乾隆款 二十世紀 金地粉彩龍鳳花卉紋瓶 25.5cm high

PROVENANCE

Acquired from Sotheby's Melbourne, 13/11/2002.

2002年11月13日購於蘇富比墨爾本。

Fine Art & Antiques, Queensland. 購於昆士蘭Fine Art & Antiques藝廊。 $3,000–5,000

59

A PAIR OF CHINESE SMALL FAMILLE ROSE PORCELAIN PLAQUES, EARLY 20TH CENTURY 二十世紀早期 粉彩瓷板畫一對 18.5cm long; 11.5cm wide PROVENANCE

Acquired from Vanroys Antiques Sydney, in 11/2/1984.

1984年2月11日購於悉尼Vanroys Antiques藝廊。 $1,000–2,000 Illustrated online at artvisory.com.au

PROVENANCE

$1,500–2,500 Illustrated online at artvisory.com.au

61

A CHINESE FAMILLE ROSE FLOWER AND TREE PLAQUE, QING DYNASTY, 18TH CENTURY 清 十八世紀 粉彩花卉瓷板 32.6cm long; 22cm wide PROVENANCE

Collection of G. Douglas, acquired 26/05/2012.

G. Douglas舊藏，購於2012年5月26日。 $1,000–2,000 Illustrated online at artvisory.com.au

20

62

62

64

A SET OF FOUR CHINESE CHRYSANTHEMUM PANELS, EARLY 20TH CENTURY

A CHINESE FAMILLE ROSE DISH, HONGXIAN FOUR CHARACTER IRON RED MARK, REPUBLIC PERIOD, EARLY 20TH CENTURY

Each panel is possibly made of lotus roots. 二十世紀 或為蓮莖製菊花紋掛屏四條 80 x 22cm each

民國 洪憲年製款 粉彩仙人過海碟 23.5cm diameter

PROVENANCE

Acquired in Melbourne. 1984.

1984年購於墨爾本。

A private collection, Norway. 挪威私人收藏。 $1,000–2,000

63

TWO CHINESE FAMILLE ROSE DISHES, QING DYNASTY, 18TH CENTURY 清 十八世紀 粉彩碟兩隻 20cm diameter PROVENANCE

Acquired from the Late Blumenthal Collection. in 1982.

1982年購於Blumenthal Collection遺產。 $400–600 Illustrated online at artvisory.com.au

PROVENANCE

$1,000–2,000 Illustrated online at artvisory.com.au

65

A PAIR OF CHINESE FAMILLE ROSE DISHES, QING DYNASTY, 18TH CENTURY 清 十八世紀 粉彩仕女盤一對 22cm diameter each PROVENANCE

Acquired from Leonard Joel, Melbourne, in 2/6/1986.

1989年購於 Ross Gordon Collection遺產。 $1,000–2,000 Illustrated online at artvisory.com.au

21

66

67

A CHINESE OLD HUALI BURLWOOD INSET LOW TABLE, KANGXI, QING DYNASTY (1644-1911)

A CHINESE ROUNDED HONGMU WOOD STAND WITH A FAMILLE ROSE PLAQUE AND BONE INLAID, QING DYNASTY, 19TH CENTURY

清 老花梨嵌癭木炕桌 95 x 39 x 28cm

清 十九世紀 紅木嵌粉彩瓷板圓凳 41.5cm diameter; 43cm high

PROVENANCE

PROVENANCE

Collection of the late Father Peter Grice, Brisbane, Australia, acquired from the Brisbane Antique Fair. 已故澳洲著名神父Peter Grice舊藏，早年購於布里斯班古董展。

The Estate of the Late Ross Gordon Collection.

Acquired from Shapiro's Sydney, 7/4/2003.

Ross Gordon遺產。 2003年4月7日購於悉尼Shapiro's藝廊。

$6,000–8,000

$1,500–2,500 Illustrated online at artvisory.com.au

66

22

68

70

A PAIR OF RARE CHINESE GOLD LACQUER DECORATED SHELLS, LATE QING DYNASTY, LATE 19TH CENTURY

TWO CHINESE CARVED MOTHER OF PEARL SHELLS, LATE 19TH-EARLY 20TH CENTURY

晚清 十九世纪晚期 金漆绘白贝母一对 21 x 18.4cm each

晚清/民國 十九/二十世紀 貝母雕兩件 23 x 19.5cm each

PROVENANCE

PROVENANCE

Acquired from Turn O' the Century Antiques, Brisbane, 20/11/2007. 於2007年11月20日購於布里斯本Turn O' the Century Antiques藝廊。

Acquired from a private collection in 2002.

2002年購於私人舊藏。

$3,000–5,000

$1,500–2,500 Illustrated online at artvisory.com.au

69

TWO CHINESE CARVED MOTHER OF PEARL SHELLS, LATE 19TH-EARLY 20TH CENTURY 晚清/民國 十九/二十世紀 貝母雕兩件 22cm and 21.2cm long PROVENANCE

Acquired from a private collection in 2002.

2002年購於私人舊藏。 $1,500–2,500 Illustrated online at artvisory.com.au

68

23

71

A CHINESE CARVED AGATE VASE, QING DYNASTY (1644-1911) With fitted wood stand. 清 玛瑙雕福壽花瓶 9cm high PROVENANCE

Acquired from James Conley Antiques, Australia & U.K., 2005.

2005年購於澳大利亞/英國 James Conley Antiques古董行。 $2,000–3,000

72

A CHINESE CARVED RED OVERLAY WHITE GLASS BOWL, QING DYNASTY (1644-1912) 清 紅套白琉璃盌 16cm diameter PROVENANCE

Acquired Sotheby's Melbourne, 24/6/1986.

1986年6月24日購於蘇富比墨爾本。 $600–800 *This lot will be offered no reserve. 此拍品不設保留價 Illustrated online at artvisory.com.au

73

A LARGE JAPANESE IMARI BOWL, MEIJI PERIOD, LATE 19TH CENTURY With metal mounted stand 日本 明治時期 伊萬裡燒大盌 25.3cm diameter PROVENANCE

Acquired from the Belgian Collection, in 14/9/1995.

1995年9月14日購於 the Belgian Collection私人舊藏。 $1,000–2,000 Illustrated online at artvisory.com.au

74

A RARE JAPANESE SATSUMA LOZENGE SHAPED JAR, MEIJI PERIOD, 19TH CENTURY Signed to the base “Dai Nippon, Satsuma yaki, Momo Shuko ga”, translated:" Japanese Satsuma ware painted by Momo Shuko". 日本 明治時期 百百周紅 薩摩燒方罐 28 x 14cm PROVENANCE

Acquired from Vanroys Antiques Sydney, in 11/2/1984.

1984年2月11日購於悉尼Vanroys Antiques藝廊。 $1,000–2,000 Illustrated online at artvisory.com.au

71

24

The Estate of the Late Walter Hochstadter & Alice Chu (Lots 75–83) The Estate of the Late Walter Hochstadter and Alice Chu, these present pieces were all acquired by Walter Hochstadter prior to 1997 thence by descent.

Walter Hochstadter was a well known and distinguished dealer of Chinese art, born in Krumbach (Germany) in 1914. In the late 1930's he emigrated to the United States and died in Melbourne, Australia in 2007. He was a member of the Oriental Ceramic Society (USA) from 1953-1982. A large number of the Hochstadter collection was sold at Christie's New York, 18th/19th March 2009, with a piece lot 518 reaching 2 million US dollars.

75

Walter Hochstadter (候时塔) and Alice Chu遺產，這 些藏品均由候时塔購藏於1997年以前，後由家族繼承。 候时塔是著名傑出中國藝術收藏家，1914年出生於德 國，於三十年代移民美國並於2007年在澳大利亞墨爾 本去世。1953-1982年間，他曾為美國東方陶瓷協會 會員。部分Hochstadter收藏中國藝術曾與佳士得紐約 2009年3月18日-19日拍賣，其中一件518號拍品拍出 200萬美金。

25

75

A VERY RARE CHINESE ARCHAIC BRONZE RITUAL TRIPOD VESSEL BOWL, HAN DYNASTY (202 B.C.–220 A.D.) The bowl is cast supported on three small human figures that face outward, flanked by a pair of beast-mask handles each suspending a loose ring. 漢 青銅人形足弦紋雙耳洗 24cm diameter Two almost identical examples, one is in the Capital Museum, China; the other one was excavated in Qinan longcheng Yuanjia Han tomb, now is in Gansu provincial museum, China. $6,000–8,000

76

A CHINESE WHITE GLAZED VASE, SUI DYNASTY (581-618) 隋 白瓷長頸瓶 26cm high $5,000–7,000

76

77

A CHINESE CIZHOU DENGFENG MEIPING VASE, NORTHERN SONG DYNASTY (960-1127) 北宋 登封窯白釉刻金錢紋梅瓶 38.4cm high $2,000–3,000

77

26

78

A CHINESE BOXWOOD CARVED RUYI IN THE FORM OF A PINE TREE BRANCH, 19TH CENTURY 清 十九世紀 黃楊木鬆枝形如意 28cm long $3,500–5,500

79

A FINE AND VERY RARE CHINESE ARCHAIC BRONZE RITUAL TRIPOD VESSEL, PAN, ZHOU DYNASTY (1100-256 BC) The exterior of this vessel is decorated with a band of interlocking dragon scroll, flanked by a pair of handles decorated with abstract phoenix motif, supported on three finely cast taotie heads foot. 周 青銅獸首三足盤 30.5cm diameter Pan were shallow basins used as ritual vessels to hold water. They were used in conjunction with a he or a yi to form a set of vessels for the washing of hands. Such vessels would have been included in the ritual vessel sets "required by an individual or family of a given period to perform the customary ritual food and wine offerings to the ancestors."

See J. Rawson, Western Zhou Ritual Bronzes from the Arthur M. Sackler Collections, vol. IIA, The Arthur M. Sackler Foundation, 1990, p. 98. Such a set, of Middle Western Zhou date, from Shaanxi Fufeng Qijiacun M19, is illustrated in a line drawing, ibid., p. 99, fig. 142d.

The present Pan with three taotie heads foot is extremely rare, a similar pan without three foot, is illustrated by J. A. Pope et al. in The Freer Chinese Bronzes, vol. I, Washington, 1967, pl. 82. Also see Christie's New York, 21/3/2014, lot 2018 for a similar pan without three foot. $5,000–8,000

78

79

27

80

81

80

81

A LARGE CHINESE WHITE-GLAZED FOUR LUGGED JAR, SUI DYNASTY (581-618)

A CHINESE CIZHOU WHITE-GLAZED EWER, POSSIBLY SONG DYNASTY (960-1279)

隋 白瓷四係罐 30.5cm high

或為宋 磁州窯白釉執壺 18cm high

$6,000–8,000

$2,000–3,000

28

82

83

82

83

A CHINESE BLACK-GLAZED MEIPING VASE, JIN DYNASTY (1115-1234)

A CHINESE CIZHOU BLACK-GLAZED BOWL WITH RUSSET SPLASHES, JIN-YUAN DYNASTY, 13TH CENTURY

金 黑釉刻弦紋梅瓶 29.5cm high

金/元 磁州窯黑釉鐵鏽斑盌 18.4cm diameter

$5,000–7,000

$4,000–6,000

29

The Estate of the Late Alan Myren (1934–2022) (Lots 84–89) Mr. Myren was a museum assistant in the Indian section in Victoria and Albert Museum in London from 1954-64 and on his return to Australia, he established a highly respected antiques dealership known essentially for Oriental Antiques. 已故南澳藏家Alan Myren舊藏，Myren先生曾與1954-64時就職於 英國倫敦維多利亞與阿爾伯特博物館亞洲藝術部門，之後回到南澳 成為久負盛名的亞洲藝術古董商。

84

A CHINESE CARVED RHINO HORN LIBATION CUP, EARLY QING DYNASTY, 17TH-18TH CENTURY 清早期 十七/十八世紀 犀牛角雕玉蘭葡萄紋來通杯 13 x 8.5cm; 227g For a similar rhino-horn libation cup from the same period, decorated with chilong dragons on the exterior, see Christie’s 24/03/2011, lot 1451; another similar example, see Christie’s London, 8/11/2011, lot 2.

PROVENANCE

Acquired in Adelaide in 1966, from another antiques dealer who thought it had come to Adelaide with returning missionaries to China around the time of the Boxer Rebellion. 已故南澳藏家Alan Myren舊藏，1966年從另一古董商處夠得，據說是在義 和團起義時期由當時在中國的傳教士帶回阿德雷德。 $40,000–60,000

84

30

85

86

85

86

A CHINESE CARVED WHITE JADE STANDING FIGURE OF A FEMALE IMMORTAL, QING DYNASTY (1644-1912)

A CHINESE CARVED BAMBOO INCENSE HOLDER, QING DYNASTY, 17TH-18TH CENTURY

with a fitted wood stand. 清 和田白玉雕捧籃仙子立像 18.5cm high

with a fitted wood stand. 清 十七/十八世紀 竹雕侍女香筒 17.8cm high

For a smaller example see Sotheby's Hong Kong, 2/6/2015, lot 747, also see the same house, 9/10/2012, lot 3133. Also compare to a later (early 20th century) and a smaller (14.7cm high) example, see Christie's New York, 24/3/2011, lot 1545.

For a similar example see: Sotheby's New York, 20/3/2007, lot 704; a 18th/19th century example with much rougher and simpler carving see: Bonhams San Francisco, 18/12/2007, lot 4217.

$6,000–8,000

$1,000–2,000

31

87

A RARE AND FINE CHINESE FLAMBÉ-GLAZED LINGZHI-FORM BRUSH WASHER, QING DYNASTY, 18TH CENTURY with moulded scrolling rim, decorated in a streaked red, cream and lavender glaze. 清 十八世紀 爐鈞釉靈芝筆洗 22cm wide A similar example see Bonhams London, 13/5/2019, lot 185. $5,000–7,000

87

88

A RARE CHINSE 'TIXI' LACQUER BOX AND COVER, YUAN-MING DYNASTY, 14TH-15TH CENTURY 元/明 十四/十五世紀 朱面剔犀如意雲紋蓋盒 6.5cm diameter The carved design on the current box, known as tixi or the Japanese term, guri (curves and circles), was a pattern established towards the end of the Song dynasty. The scrolling foliage design on the current box, referred to as juancao (scrolling grass) or xiangcao (fragrant grass), first appeared on Song dynasty lacquerwares and enjoyed considerable popularity well into the Yuan dynasty.

See two tixi lacquer boxes of similar form and closely related design, one in the Asian Art Museum of San Francisco, published in Hai-wai Yi-chen. Chinese Art in Overseas Collections. Lacquerware, Taipei, 1987, pl. 73; and the other included in the exhibition East Asian Lacquer. The Florence and Herbert Irving Collection, The Metropolitan Museum of Art, New York, 1991, cat. no. 11.

Similar examples sold at auctions, see Sotheby's Hong Kong, 26/5/2021, lot 513. Sotheby's London, 16/5/2012, lot 68; and a larger (21.3cm) example, see Sotheby's New York, 16-17/09/ 2014, lot 546. $5,000–7,000

88

32

89

A RARE AND IMPORTANT CHINESE CINNABAR LACQUER CARVED THREE-TIERED DOUBLE-LOZENGE-SHAPED BOX, COVER AND STAND, QING DYNASTY, QIANLONG PERIOD (1736-1795) The cover meticulously carved with two five-clawed writhing dragons in pursuit of a pearl in the form of a stylised Shou character, on a ground of swirling waves, all within key-fret borders, the straight sides of the box and cover decorated with six cartouches enclosing various antiques and scholar's objects, divided by leafy blooming lotus, the interior and base covered with black lacquer, with a cinnabar lacquer stand supported on six ruyi-shaped feet. 清乾隆 剔紅雕雙龍戲珠紋博古圖方勝式多層蓋盒 23cm long

The double-lozenge, also known as fang sheng 方勝, is one of the Eight Treasures, babao 八 寶, which was a much favoured design used in decoration during the Ming and Qing dynasties. Lozenge-shaped lacquer examples first appeared in Ming dynasty; see for example a qiangjin polychrome and gilt-lacquer lozenge-shaped box and cover, Jiajing mark and period, Beijing, illustrated in The Complete Collection of Treasures of the Palace Museum. Lacquer Wares of the Yuan and Ming Dynasties, Shanghai, 2006, no.151. The inspiration from previous generations was in line with the Qianlong Emperor's instructions to his Court and craftsmen to look to China's past for moral guidance and artistic inspiration.

A similar double-lozenge shaped cinnabar lacquer tiered box and cover, Qianlong, decorated with dragons pursuing a Shou pearl of wisdom on the cover, and 'Precious Objects' around the sides, is in the collection of the National Palace Museum, Taipei (museum no.Gu-Qi000261N000000000). See also a related cinnabar lacquer lozengeshaped box and cover, 18th century, in the National Palace Museum, Taipei, illustrated in Carving the Subtle Radiance of Colours-Treasured Lacquerware in the National Palace Museum, Taipei, 2008, no.152.

For an almost identical example sold at auction, see: Bonhams London, 2/11/2021, lot 309. $4,000–6,000

89

33

90

A CHINESE BLUE AND WHITE BOWL, YUAN DYNASTY (1271-1368) 元 青花小盌 8cm diameter $1,500–2,500

91

A CHINESE BLUE AND WHITE BOWL, MING DYNASTY, 15TH CENTURY 明 十五世紀 梵文青花盌 16.5cm diameter $2,000–3,000

92

A CHINESE BLUE AND WHITE DRAGON BOX AND COVER, GUANGXU PERIOD (1875-1908) 清 光绪 青花龙纹盖盒 10cm diameter PROVENANCE

Mossgreen, Melbourne.

The Edrina Collection, U.K., Hong Kong and Sydney. 慕仕閣墨爾本。 昇雯閣收藏，香港，英國，悉尼。 EXHIBITED

90

Hong Kong, Heavenly Boxes: The Edrina Collection of Tang, Song, Ming and Qing Boxes, no. 42, p. 104. 香港，《天作之盒：昇雯閣藏唐宋元明清珍寶盒》， 號：42，頁：104。 LITERATURE

Heavenly Boxes: The Edrina Collection of Tang, Song, Ming and Qing Boxes, Hong Kong, no. 42, p. 104. 《天作之盒：昇雯閣藏唐宋元明清珍寶盒》， 香港，號：42，頁：104。 $800–1,200 Illustrated online at artvisory.com.au

91

34

93

96

93

96

A CHINESE BLUE AND WHITE DISH, GUANGXU SIX-CHARACTER UNDERGLAZE MARK AND OF THE PERIOD (1874-1908)

A RARE CHINESE BLUE AND WHITE DISH, KANGXI PERIOD (1662-1722)

清 光緒六字青花款及本朝 青花八卦仙鶴紋盤 19cm diameter

清 康熙 青花仕女盤 15.7cm diameter

$3,000–5,000

PROVENANCE

94

A PAIR OF CHINESE BLUE AND WHITE AND UNDER GLAZED-RED DISHES, QING DYNASTY, 17TH/18TH CENTURY 清 十七/十八世紀 青花釉裡紅 獅子戲繡球紋盤一對 27.5cm diameter $1,500–2,500 Illustrated online at artvisory.com.au

95

A PAIR OF CHINESE SMALL BLUE AND WHITE VASES TOGETHER WITH A QINGBAI DISH, YUAN DYNASTY (1271-1368) 元 青花小罐一對 和 卵白釉花口盤 jar: 6cm high each $2,000–3,000 Illustrated online at artvisory.com.au

Sotheby's London, 29/6/1976, lot 263.

Acquired from Raymond & Victoria Tregaskis, Oriental Antiques, August, 2005. 蘇富比倫敦，1976年6月29日，拍品號：263。 2005年8月購於悉尼Raymond & Victoria Tregaskis東方藝廊。 $3,500–5,500

97

A PAIR OF CHINESE BLUE AND WHITE MINIATURE DOUBLE GOURD BOTTLES TOGETHER WITH AN UNDERGLAZED RED BOX, YONGZHENG UNDERGLAZED BLUE MARK AND OF THE PERIOD (1723-1735) 清 雍正款及本朝 青花葫芦药罐一对 及 釉里红盖盒 double gourd bottle: each 4.2cm high Miniature bottles: Collection of Mr Hepburn Myrtle. NSW. Box: An old private collection, Sydney, formed in the 1970s. $1,000–2,000 Illustrated online at artvisory.com.au

35

98

A RARE IMPERIAL CHINESE MINIATURE TEA BOWL, YONGZHENG SIX-CHARACTER UNDERGLAZE BLUE MARK AND OF THE PERIOD (1723-1735) The bowl is well painted with a pair of phoenix amongst clouds. 清 御窯 大清雍正年製 六字青花楷書款及本朝 青花鳳紋杯 6.8cm diameter For a similar cup decorated with bats and clouds, see: Bonhams New York, 19/09/2022, lot 317.

PROVENANCE

Acquired from Raymond & Victoria Tregaskis, Oriental Antiques, June, 1999.

1999年6月購於悉尼Raymond & Victoria Tregaskis東方藝廊。 $4,000–6,000

99

A PAIR OF CHINESE BLUE AND WHITE CUPS, GUANGXU YUHAITANG HALL MARK AND OF THE PERIOD (1875-1908), DATED TO 1907 清 光緒丁未玉海堂製款及本朝 1907年製 青花蓮紋臥足盌一對 8cm diameter PROVENANCE

Acquired from Raymond & Victoria Tregaskis, Oriental Antiques, February, 2004.

2004年2月購於悉尼Raymond & Victoria Tregaskis東方藝廊。

98

$4,000–6,000

99

36

100

A RARE CHINESE BLUE AND WHITE AND COPPER RED "SANDUO" BOWL, QIANLONG SIX-CHARACTER UNDERGLAZE MARK AND OF THE PERIOD (1736-1795) 清 大清乾隆年製 六字青花篆書款及本朝 青花釉裡紅三多紋盌 20.5cm diameter PROVENANCE

Francis Collection, QLD, Australia.

Acquired from Raymond & Victoria Tregaskis, Oriental Antiques, June, 1999. 昆士蘭州Francis家族珍藏，1999年6月購於 Raymond & Victoria Tregaskis東方藝廊。 $6,000–8,000

101

A CHINESE BLUE AND WHITE JAR AND COVER, QING DYNASTY, KANGXI PERIOD (1644-1912) 清 康熙青花纏枝蓮紋蓋罐 22cm high PROVENANCE

A private collection, Sydney, acquired in the early 2000s. 悉尼私人收藏，購於2000年初。 $5,000–8,000 100

102

A SMALL CHINESE BLUE AND WHITE BOWL, YUAN DYNASTY (1271-1368) 元 青花小盌 7.7cm diameter PROVENANCE

East and West Art, Kew, VIC. An Important private collection VIC. 墨爾本東西畫廊。 維多利亞重要私人收藏。 $600–800 *This lot will be offered no reserve. 此拍品不設保留價 Illustrated online at artvisory.com.au

103

A CHINESE BLUE AND WHITE PORCELAIN PLAQUE, SIGNATURE OF WANG BU, EARLY 20TH CENTURY 二十世紀早期 王步款 青花瓷版 15.2 x 8cm $1,000–1,500 Illustrated online at artvisory.com.au

101

37

104

105

A RARE LARGE CHINESE CAFE-AU-LAIT-GLAZED BOWL, KANGXI SIX-CHARACTER MARK IN UNDERGLAZE BLUE WITHIN A DOUBLE CIRCLE AND OF THE PERIOD (1662-1722)

A VIETNAMESE BLUE AND WHITE BOX, 15TH CENTURY

The bowl with deep, rounded sides, covered inside and out with a slightly metallic glaze of russet-brown colour. 清 『大清康熙年製』 六子雙圈青花款及本朝 紫金釉大盌 17.5cm Compare to a much smaller bowl (9.9cm diameter) with similar glaze and also from Kangxi period, see Christie's New York, 15/09/2011, lot 1601. Also see another smaller example (12.3cm diameter), Sotheby's Hong Kong, 03/04/2018, lot 3603.

PROVENANCE

Ex-collection of Gene Liss, St. Louis, Missouri, U.S.A. An old private collection, Queensland, Australia. 美國密蘇里州聖路易市Gene Liss舊藏。 澳大利亚昆士蘭州資深私人收藏。 $50,000–80,000

越南 十五世紀 青花蓋盒 7.6cm high PROVENANCE

An Important private collection, London and Melbourne. 墨爾本和倫敦重要私人收藏。 $600–800 *This lot will be offered no reserve. 此拍品不設保留價 Illustrated online at artvisory.com.au

106

A CHINESE BLUE AND WHITE JAR, KANGXI PERIOD (1661-1722) 清 康熙 青花罐 17.5cm diameter PROVENANCE

A private collection, NSW, acquired in 19/01/2013. 新南威爾士私人舊藏，購於2013年1月19日。 $600–800 *This lot will be offered no reserve. 此拍品不設保留價 Illustrated online at artvisory.com.au

104

38

107

A CHINESE WHITE GLAZED BOTTLE VASE WITH ANHUA DECORATION, QING DYNASTY (1644-1912) 清代 白釉暗花賞瓶 38cm high PROVENANCE

Mossgreen, 1/6/2014, The Contents of Musk Farm, (Stuart Rattle) lot 339. 慕仕閣2014年6月1日Musk Farm（Stuart Rattle) ）專場拍賣，拍品號：339。 $2,000–3,000

108

A CHINESE LARGE CHINESE LANGYAO RED GLAZED WASHER, QING DYNASTY (16441912) 清 郎窯紅釉 大筆洗 22.8cm diameter $4,000–6,000

109

A CHINESE LANGYAO RED-GLAZED VASE, QING DYNASTY, 17TH-18TH CENTURY 107

清 十七/十八世紀 郎窰紅釉瓶 16.5cm high A similar langyao red glazed vase also with neck broken off, see Sotheby's Pair, 11/12/2020, lot 232.

PROVENANCE

East and West Art, Kew, VIC. An Important private collection VIC. 墨爾本東西畫廊。 維多利亞重要私人收藏。 $600–800 *This lot will be offered no reserve. 此拍品不設保留價 Illustrated online at artvisory.com.au

110

A CHINESE PEACH BLOOM GLAZED VASE, QING DYNASTY, 18TH-19TH CENTURY 清 十八/十九世紀 祭紅釉長頸瓶 19cm high PROVENANCE

East and West Art, Kew, VIC. An Important private collection VIC. 墨爾本東西畫廊。 維多利亞重要私人收藏。 $2,000–3,000 Illustrated online at artvisory.com.au

108

39

111

A CHINESE YELLOW GLAZED BOWL, GUANGXU SIX-CHARACTER UNDERGLAZE MARK AND OF THE PERIOD (1874-1908) 清 大清光緒年製 六字青花款及本朝 黃釉盌 19cm diameter $4,000–6,000

112

A PAIR OF CHINESE FAMILLE-ROSE DISHES, QING DYNASTY, 18TH CENTURY 清 十八世紀 雄雞牡丹紋盤一對 23cm diameter $3,500–5,500

113

A CHINESE RED GLAZED DOUBLE GOURD VASE, DAOGUANG MARK 道光款 紅釉葫蘆瓶 22cm high $2,000–3,000 Illustrated online at artvisory.com.au

114

A CHINESE GE-GLAZED WASHER, QING DYNASTY (1644-1912)

111

清 哥釉筆洗 15cm diameter $1,500–2,500 Illustrated online at artvisory.com.au

115

A CHINESE WHITE GLAZED CENSER, QING DYNASTY (1644-1912) 清 白釉獸足鼎式爐 18.5cm diameter $1,000–2,000 Illustrated online at artvisory.com.au

112

40

117

A CHINESE JUN-GLAZED VASE, QING DYNASTY (1644-1912) 清 鈞釉瓶 25.6cm high $2,000–3,000 Illustrated online at artvisory.com.au

118

A PAIR OF CHINESE FAMILLE-VERTE FOLIATE RIM DISHES, LATE MING-EARLY QING PERIOD, 17TH CENTURY 清 明末/清初 十七世紀 五彩雙魚花卉紋花口盤一對 21cm diameter each $2,000–3,000 Illustrated online at artvisory.com.au

119

A CHINESE FAMILLE-ROSE AND IRON RED DECORATED BRUSH POT, KANGXI MARK 康熙款 礬紅粉彩仙女祝壽紋筆筒 19.9cm diameter $3,000–5,000 Illustrated online at artvisory.com.au

120 116

116

A CHINESE CELADON GLAZED UNDERGLAZE BLUE AND RED PEACH FORMED EWER, QING DYNASTY, 19TH CENTURY 清 十九世紀 豆青釉青花釉裡紅壽桃形倒流壺 18.5cm wide

A RARE CHINESE INCISED IRON-RED-DECORATED 'GOLD FISH AND BATS' DISH, DAOGUANG SIX CHARACTER SEAL MARK IN IRON RED AND OF THE PERIOD (1821-1850)

$1,500–2,500

清 大清道光年製 礬紅六字款及本朝 礬紅金彩“福壽有余”紋盤 15.2cm diameter

A CHINESE DOUCAI SANDUO JAR, QIANLONG MARK, LATE QING, 19TH CENTURY

Compare to some examples with similar decorations and also in the same period, see Christie's Hong Kong, 4/10/2018, lot 59; and Christie's London, 9/11/2012, lot 1207.

清 十九世紀 乾隆款 斗彩三多罐 21.5cm high

Illustrated online at artvisory.com.au

121

$1,000–2,000

PROVENANCE

Illustrated online at artvisory.com.au

Tin Po Kok & Siu's Trading Co., Hong Kong (Label to the base).

Tin Po Kok & Siu's Trading Co., Hong Kong。(底部標籤)

122

$4,000–6,000

A PAIR OF CHINESE DOUCAI DISHES, QING DYNASTY, 18TH CENTURY 清 十八世紀 斗彩暗花紋盤一對 20.8cm diameter $2,500–3,500 Illustrated online at artvisory.com.au

41

123

124

A PAIR OF CHINESE 'FAMILLE-ROSE' OCTAGONAL WINE CUPS JIAQING SIX-CHARACTER SEAL MARKS IN IRON RED AND OF THE PERIOD (1796-1820)

A CHINESE BLUE ENAMEL PUNCH BOWL, QING DYNASTY, 19TH CENTURY

清 大清嘉慶年製 礬紅六字款及本朝 粉彩八仙八方盃一對 8.5cm diameter each For a similar pair of cups with hidden foot, see Sotheby's 12/05/2010, lot 196.

清 十九世紀 釉上籃彩大盌 25.5cm diameter $1,500–2,500 Illustrated online at artvisory.com.au

PROVENANCE

Raymond and Victoria Tregaskis Oriental Arts, Sydney, Australia.

A private collection, NSW, Australia.

Raymond and Victoria Tregaskis 亞洲藝術，悉尼，澳大利亞。 澳洲新南威爾士州私人收藏。 $15,000–25,000

123

42

125

126

125

A CHINESE FAMILLE-ROSE FAUX BOIS VASE, QIANLONG MARK, 19TH CENTURY 乾隆款 十九世紀 木紋釉開光花鳥紋缽 24cm diameter $3,000–5,000

126

A PAIR OF CHINESE MIRROR-BLACK-GLAZED AND GILT DECORATED VASES, KANGXI MARK, 19TH CENTURY 清 康熙款 十九世紀 黑釉金彩雙龍戲珠紋賞瓶 一對 20cm high $4,000–6,000

127

A CHINESE IRON RED DRAGON DISH, GUANGXU SIX-CHARACTER UNDERGLAZE MARK AND OF THE PERIOD (1874-1908) 清 大清光緒年製 六字青花款及本朝 礬紅描金雙龍戲珠紋盤 26.7cm diameter PROVENANCE

The Chinese porcelain company, New York, USA (label). 紐約中國陶瓷公司藝廊（標籤）。 $5,000–7,000 127

43

128

A CANTONESE EXPORT FAMILLE ROSE PORCELAIN BOWL MADE FOR THE QAJAR MARKET, QING DYNASTY, CIRCA 1865 Of hemispherical form on a short foot, in the Rose Medallion pattern, with three cartouches with roundels bearing portraits of Nasr al-Din Shah and his two sons Masoud Mirza (later Zill al-Sultan) and Muzaff are al-Din, one cartouche with a roundel bearing inscription. The inscription reads: ‘Nasr al-Din Qajar, Al-Sultan Ibn Sultan'. 清 约1865年 粉彩波斯王纳赛尔丁沙阿 肖像及阿拉伯文字出口瓷 37.5cm diameter Naser al-Din Shah was the King of Persia from 5th September 1848 to 1 May 1896. "Al-Sultan ibn Sultan" means "the Sultan (king) son of a Sultan (king)". For a discussion of Cantonese export wares for the Qajar market, see Daniel Nadler, "Chinese export porcelain with Arabic inscriptions in antiques", March 2000, pp. 464-73.

For a similar example sold at auction, see: Bonhams, London, 25/10/2007, lot 245.

PROVENANCE

Estate of George Baker (1822-1905), UK., thence by descent. George Baker in 1848 designed and supervised the creation of the garden at the British Embassy at Constantinople and, after completing the work,

in Constantinople went into the trading business, including the export of Turkish carpets. His two sons George Percival Baker (1856-1951) and James Baker founded G. P. & J. Baker-the famous textiles store in 1884, which is still operating today in London. G. P. Baker was an important collector of early Oriental fabrics and a leading export on calico panting and printing in the East Indies. Victoria and Albert Museum, London held the exhibition: From East to West: Textiles from G. P. & J. Baker, 9 May-14 October 1984. More detail of the family history and their textiles collection, see this exhibition catalogue by Bridget Heal. 英國George Baker (1822-1905)遺產舊藏，家族流傳。 1848年，乔治·珀西瓦尔·贝克（George Percival Baker）的父亲乔治·贝克 （George Baker）设计并监督了英国君士坦丁堡大使馆花园的创建，完成 工作后，在君士坦丁堡的一家从事贸易业务，包括土耳其地毯的出口。在方 济会修道院学校接受教育之后，G.P.Baker和他的兄弟Harry被送往英国，并 继续在英国的一所私立学校接受教育。 G.P. Baker于1871年回到君士坦丁 堡，开始了家族生意。1874年，G.P. Baker离开君士坦丁堡去英国工作，从 事家族企业。 1884年，他和他的兄弟詹姆士（James）于1884年创立了G P＆J Baker公司，并于1893年收购了历史悠久的Swaisland印刷公司，该公 司位于 克雷福德, 肯特郡.G. P. Baker是东方早期织物的重要收藏家，并且 是东印度印花布绘画和印刷的领先专家。 $4,000–6,000

128

44

129

131

129

131

A CHINESE FAMILLE-ROSE VASE, QING DYNASTY, 18TH CENTURY

A RARE CHINESE FAMILLE ROSE VASE, YONGZHENG PERIOD (1723-1735)

清 十八世紀 粉彩人物梅瓶 27cm high $2,000–3,000

清 雍正 粉彩鏤空雕花瓶 30.5cm high $3,500–5,500

130

A CHINESE QIANJIANG BOWL AND COVER, SIGNATURE OF WANG XIAOTING (1906-1970), DATED TO 1953

132

汪小亭（1906-1970）款 1953年作 淺绛彩蓋湯盌 23.9 x 20 x 15cm

清 乾隆款 光绪时期 粉彩碟一对 16cm diameter

$2,000–3,000

$2,000–3,000

Illustrated online at artvisory.com.au

Illustrated online at artvisory.com.au

A PAIR OF CHINESE FAMILLE-ROSE DISHES, QIANLONG MARK, GUANGXU PERIOD (1875-1908)

133

A CHINESE YELLOW GROUND FAMILLE-ROSE DISH, YANGYUEXUAN MARK, REPUBLIC PERIOD, EARLY 20TH CENTURY 民國 二十世紀早期 映月軒黃地粉彩開光花鳥紋盤 24cm diameter $1,000–2,000 Illustrated online at artvisory.com.au

45

134

A CHINESE FAMILLE-ROSE BARAGON TUMED DISH, QING DYNASTY, DAOGUANG PERIOD (1821-1850) It's with two Iron-red Baragon Tumed mark in Mongolian script to the base. 清 道光 蒙文款 粉彩佛像八宝萬壽紋盤 17.5cm diameter Baragon Tumed porcelain pieces appear to have been made at the Imperial factories at Jingdezhen as part of a service commissioned to celebrate the marriage of one of the daughters of the Daoguang Emperor to a Mongolian prince in 1842. Pieces from this service bear the two-character Mongolian name of the prince, who belonged to the Tumed group or clan.

Compare a bowl with similar decorations and same Baragon Tumed mark (with two hairline cracks), sold at Sotheby's New York, 22/6/2021, lot 11.

PROVENANCE

East and West Art, Kew, VIC. An Important private collection VIC. 墨爾本東西畫廊。 維多利亞重要私人收藏。 $1,500–2,500

135

TWO CHINESE FINE FAMILLE-ROSE BOWLS AND COVERS, DAOGUANG PERIOD (1821-1850)

134

very well decorated, both with Gradatim family crests. 清 道光 粉彩徽章瓷蓋湯盌兩隻 36cm wide and 24.6cm wide $5,000–7,000

136

A PAIR OF CHINESE FAMILLE-ROSE VASES, YONGZHENG MARK, REPUBLIC PERIOD, EARLY 20TH CENTURY 雍正款 民國 粉彩仙人瓶一對 12cm high each $1,500–2,500 Illustrated online at artvisory.com.au

137

A CHINESE FAMILLE-VERT VASE, LATE MING-EARLY QING PERIOD, 17TH CENTURY 明末/清初 青花五彩人物瓶 18.5cm high $600–800 *This lot will be offered no reserve. 此拍品不設保留價 Illustrated online at artvisory.com.au

135

46

138

139

138

A Qianlong-marked vase of larger size (45cm.) in the Beijing Palace Museum, is illustrated in The Complete Collection of Treasures of the Palace Museum - 39 - Porcelains with Cloisonné Enamel Decoration and Famille Rose Decoration, Hong Kong, 1999, pl. 85. Other examples include a pair in the Shanghai Museum, illustrated in Selected Ceramics from the Collection of Mr. and Mrs. J. M. Hu,Shanghai, 1989, pl. 67; one in the Nanjing Museum, included in the joint exhibition with The Chinese University of Hong Kong, Qing Imperial Porcelain, 1995, no. 86; and another from the Grandidier Collection in the Musée Guimet, Paris, illustrated in Oriental Ceramics, The World's Great Collections, Tokyo, 1981, vol. 7, pl. 190.

AN UNUSUAL LARGE CHINESE FAMILLE-ROSE VASE, DAOGUANG MARK, REPUBLIC PERIOD, EARLY 20TH CENTURY 道光款 民國 二十世紀早期 粉彩【百花不漏地】包袱天球瓶 56.5cm high PROVENANCE

A private collection, NSW. 新南威爾士州私人收藏。 $15,000–25,000

139

A CHINESE FAMILLE-ROSE 'HUNDRED DEER' VASE, HU, GUANGXU SIX CHARACTER MARK IN IRON RED AND POSSIBLY OF THE PERIOD (1874-1908) 清 大清光緒年制 礬紅款 或為本朝 粉彩百鹿尊 46cm high The 'hundred deer' subject matter was very popular, as the landscape depicted contains important symbolic references. The depiction of deer has a long history in Chinese art, as it refers to the rebus where the Chinese word for 'deer' is a homophone for 'emolument' or 'civil service salary'. The 'hundred deer' motif therefore represents the ultimate success, a career in government service in Imperial China.

An almost identical example also with same Guangxu mark and of the period, see Christie's New York, 23/3/2018, lot 834. Another example with dragon handles and with Qianlong mark but dated to Republic period, see Sotheby's Paris, 9/11/2021, lot 115. $8,000–12,000

140

A GROUP OF THREE CHINESE FAMILLE-ROSE VESSELS, 20TH CENTURY 二十世紀 粉彩瓷三件 Largest: 22.9cm high $1,000–2,000 Illustrated online at artvisory.com.au

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141

AN IMPORTANT AND RARE CHINESE IMPERIAL BLUE AND WHITE DRAGON BOWL, XUANDE SIX-CHARACTER UNDER GLAZED BLUE MARK AND OF THE PERIOD (1339-1435) The bowl is finely decorated with a continuous frieze of four five-clawed dragons chasing flaming pearls and surrounded by cloud scrolls, the interior centre with a circular panel enclosing a scaly dragon within blue circles, the base with a finely written six-character Xuande mark within double blue circles. 明 宣德六字青花款及本朝 龍紋大盌 23cm diameter, 9.5cm high This extremely rare bowl represents the finest quality of porcelain produced at the Imperial kilns in the Xuande reign. The design of Imperial five-clawed dragons flying through the clouds and each chasing a flaming pearl is one of the most classic designs of all in Chinese porcelain, but that said this is one of the rarest patterns of the Xuande period. Originating as early as the Hongwu period (1368-1398) as seen on a blue and white and moulded bowl in the Tianminlou collection, illustrated in The Radiant Ming 1368-1644 through the Min Chiu Society Collection, Hong Kong, 2015, p. 18, no. 1. However, it was not until the Yongle period (1426-1435) that this design became standardised. A Yongle blue and white stem bowl of very similar decoration with fitted gold cover and silver stand was found in the tomb of Prince Zhuang of Liang in Zhongxiang city, Hubei province, illustrated in the British Museum, Ming: 50 years that changed China, London, 2014, p. 87, fig. 70.

On the Prince Zhuang of Liang example, not only the porcelain stem bowl but also the gold cover and silver stand bear a conforming five-clawed dragon design. It is important to note that an inscription on the gold cover dates it to the second year of Zhengtong (1437). The consistency of this design across precious mediums and different reign periods might suggest that in the early 15th century this design became one of the

standard designs supplied by the court to various imperial workshops.

Bowls of this type continued to be made in the following periods in the Ming dynasty (1368-1644) such as a Chenghua (1465-1487) example and a Hongzhi (1488-1505) example in the Shanghai Museum, illustrated

by Lu Minghua in Porcelain Wares from the Official Kilns of the Ming, Shanghai, 2007, fig. 3-61 and fig. 3-69 respectively. Two Xuande bowls of related design are in the National Palace Museum, Taipei, illustrated in A Panorama of Ceramics in the Collection of the National Palace Museum: Hsuan-te Ware I, Taipei, 2000, nos. 64 and 65. Xuande ‘dragon’ bowls of this form also exist in a slightly different version, in which the dragons have three claws and the interiors are decorated with various floral scrolls and sprays in underglaze blue. This group includes four examples in the National Palace Museum, Taipei, illustrated in ibid, nos. 69-73; one in the British Museum, illustrated by Jessica Harrison-Hall, Catalogue of Late Yuan and Ming Ceramics in the British Museum, London, 2001, p. 134, no. 4:26; one in the Matsuoka Art Museum, Tokyo, illustrated in the Toji Taikei (Ceramics of East Asia), vol. 42, Tokyo, 1975, figs. 51 and 52; and the other one sold at Sotheby’s Hong Kong, 2 November 1994, lot 36. A band of lappet design around the base of these bowls is more common, instead of the crashing waves seen on this example, making this design exceptionally rare.

PROVENANCE

An important private collection, Sydney, Australia. 重要澳洲私人舊藏 EXHIBITED

Melbourne, Silk Road Asian Art, Fine Chinese, Japanese, South East Asian Works of Art, 3/2020, no. 32.

LITERATURE

Silk Road Asian Art, Fine Chinese, Japanese, South East Asian Works of Art, 3/2020, no. 32. $65,000–85,000

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142

A SET OF FOUR CHINESE FAMILLE-ROSE PORCELAIN PLAQUES, DATED TO SPRING 1928 1928年春作 粉彩人物瓷板 四件 馮聖心呈 育群軍座 （繆培南） 49 x 36.5cm According to the inscriptions, this set of plaques were the gift to the Republic government military official General Maio Peinan (1895-1970). Miao's military career began in 1926 when he was appointed commanding officer of the 35th Regiment, 12th Division, 4th Army. Within a year he in command of the division and within a few months he was made officer in-charge of the 4th Army. In 1931, he became Chief of Staff of the 8th Route Army. The same year he was also appointed Chief of Staff of the 1st Army Group. Then in 1936 he was given the post of the Commanding Officer 5th Army. Miao moved higher up the military command chain when in 1940 he became the Deputy Commanding Officer Guangdong-Fujian-Jiangxi Border Area as well as the Commanderin-Chief, 9th Army Group. In 1945 he was made Acting Director of Dongjiang Field Headquarters, 7th War Area. He was the representative of the Republic of China government to accept the Japanese surrender in Guangdong in 1945. His continued to move up the army hierarchy with his appointment as the Deputy Director of Guangdong Pacification Headquarters in 1947. 育群軍坐及国民党陆军中将繆培南（1895～1970），字经成，号育群，广东五 华县周江早成村人毕业于保定陆军军官学校第六期。其歷任国民革命军第四军 第十二师师长，国民革命军第四军军长，国民革命军第八路军总指挥部参谋长， 第一集团军总司令部参谋长兼教导师师长、第五军军长，第四路军参谋长兼广州 警备司令，国民革命军第六十五军军长，国民革命军第九集团军总司令，第四战 区、第七战区长官司令部参谋长兼东江指挥所主任，联合勤务总司令部第三补给 区司令，广州绥靖公署副主任等职。曾当选为国民党中央军委委员和中央委员。 抗日战争胜利后，曾代表国民政府接受日军104师团投降。1970年病逝與香港。 PROVENANCE

Collection of Chinese Republic government Official-General Miao Peinan (1895-1970).

Collection of Mrs. Semsei, Wahroonga, NSW, acquired before 1980s, with an Insurance valuation Report from P. l. Pckles & Co., Pty, Ltd., 5/10/1982 (valued $6,000).

A private collection, NSW, acquired in 2013. 中国国民党将军繆培南(1895-1970)舊藏。 新南威爾士Semsei, Wahroonga女士舊藏，於80年代購入。附有1982年10月5 日，P. l. Pckles & Co., Pty, Ltd出具保險估價（價值$6000）。 新南威爾士私人收藏，購於2013年。 $2,000–3,000

143

A CHINESE FAMILLE-ROSE PORCELAIN PLAQUE OF HORSES, REPUBLIC PERIOD, EARLY 20TH CENTURY With Hongmu frame 民國 粉彩瓷板畫駿馬圖 83 x 57cm PROVENANCE

A private collection, NSW, acquired in 2013. 新南威爾士私人收藏，購於2013年。 $3,000–5,000 142

Illustrated online at artvisory.com.au

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144

144

146

A SET OF CHINESE MARINE IVORIES OF EIGHT IMMORTALS, LATE QING DYNASTY (1644-1912)

A SINO-TIBETAN BRONZE FIGURE OF AMITAYAS, QIANLONG MARK AND OF THE PERIOD, DATED 1780

清 海象牙雕八仙一組 largest 15.5cm high

Dated gengzi year (1780) of the Qianlong reign 清 乾隆 「大清乾隆庚子年敬造款」銅藥師佛坐像 20cm high

PROVENANCE

Bonhams London, 3/11/2014, lot 220. 邦漢斯倫敦，2014年11月3日，拍品號：220。

$1,000–2,000

$6,000–8,000

147

145

A CHINESE SOAPSTONE FIGURE OF LUOHAN, QING DYNASTY (1644-1912)

A CHINESE BOX WOOD CARVED BUDAI, QING DYNASTY (1644-1912) With fitted wood stand 清 黃楊木雕 布袋送子 16.5cm high $3,000–5,000 Illustrated online at artvisory.com.au

Illustrated online at artvisory.com.au

清 壽山石雕 羅漢坐像 10cm high $1,200–2,500 Illustrated online at artvisory.com.au

50

148

149

150

151

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148

152

A CHINESE SOAPSTONE FIGURE OF LUOHAN, QING DYNASTY (1644-1912)

A LARGE CHINESE SOAPSTONE FIGURE OF LUOHAN, QING DYNASTY (1644-1912)

清 壽山石雕 羅漢坐像 12cm high

with semi-precious stones inlaid 清 壽山石雕 羅弗多尊者 笑獅羅漢坐像 16.8cm high

$1,500–2,500

$1,500–2,500

149

A CHINESE SOAPSTONE FIGURE OF LUOHAN, QING DYNASTY (1644-1912) 清 壽山石雕 羅弗多尊者 笑獅羅漢坐像 10.5cm high $1,500–2,500

150

A CHINESE SOAPSTONE FIGURE OF LUOHAN, QING DYNASTY (1644-1912) 清 壽山石雕 戍博迦尊者 開心羅漢坐像 9.5cm high $1,500–2,500

151

A CHINESE SOAPSTONE FIGURE OF LUOHAN, QING DYNASTY (1644-1912) 清 壽山石雕 伐阇羅弗多羅尊者羅漢坐像 12cm wide; 10cm high $1,500–2,500

152

52

153

155

153

155

A LARGE SOAPSTONE FIGURE OF SEATED GUANYIN, SHEN DE TANG MARK, QING DYNASTY (1644-1912)

A CHINESE SOAPSTONE FIGURE OF A SCHOLAR AND TWO GHOSTS, QING DYNASTY (1644-1912)

清 慎德堂御製款 壽山石雕觀音坐像 31.5cm high

清 壽山石雕呂洞賓與兩隻小鬼 15.5cm high

$5,500–7,500

$2,000–3,000

154

156

A RARE SRI LANKA IVORY STANDING BUDDHA, 18TH-19TH CENTURY

A WOOD CARVED TIBETAN MASK, 19TH-20TH CENTURY

斯里蘭卡 十八/十九世紀 象牙彩繪佛立像 16cm high

$100–200

PROVENANCE

A private collection, Sydney. 悉尼私人收藏。 $200–300 *This lot will be offered no reserve. 此拍品不設保留價 Illustrated online at artvisory.com.au

西藏 十九/二十世纪 彩绘木雕面具 *This lot will be offered no reserve. 此拍品不設保留價 Illustrated online at artvisory.com.au

53

157

159

A SINO-TIBETAN DRY LACQUER SEATED BUDDHA, QING DYNASTY (1644-1912)

A CHINESE POLYCHROME LACQUER ON WOOD FIGURE OF A LUOHAN, MING DYNASTY, 17TH CENTURY

清 漢藏風格 脫胎漆釋迦牟尼坐像 37cm high

明 十七世紀 木雕漆羅漢坐像 44cm high

$5,000–7,000

PROVENANCE

158

A private collection, Melbourne.

Acquired from Suzy Lebasi of Soo Tze Oriental Antiques. 墨爾本私人收藏。購於Suzy Lebasi of Soo Tze Oriental Antiques藝廊。

A CHINESE WOOD CARVED SEATED BUDDHA, QING DYNASTY (1644-1912)

$5,000–6,000

accompanied by an inscribed note dated to the 25th day of the 12th month of the eighth year of the Tongzhi reign (early 1870). 清 彩繪木雕佛坐像 款「大清國湖南省寶慶府新化縣永寧一都地名窩山祀祭洞天廟王九像 （余文略）同治八年己巳（1870年初）歲十二月廿五日謹具」 28.9cm high

160

A CHINESE WOOD CARVED SEATED FIGURE OF GUANYIN, POSSIBLY MING DYNASTY (1368-1644) OR LATER 明或以後 木雕觀音坐像 32.5cm high

PROVENANCE

PROVENANCE

Apsara Asian Art, Sydney, 2009. 傳承： 悉尼 Apsara 亞洲藝術， 2009。

A private collection, QLD. 昆士蘭州私人收藏。 $4,000–6,000

$400–600

Illustrated online at artvisory.com.au

*This lot will be offered no reserve. 此拍品不設保留價 Illustrated online at artvisory.com.au

157

159

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161

A CHINESE LACQUER ON WOOD CARVED DAOIST SEATED FIGURE, QING DYNASTY (1644-1912) 清 漆木雕西王母坐像 73cm high PROVENANCE

An important private collection, South Yarra, acquired from Hanlin Gallery Oriental Fine Art, Hong Kong in 1997. 墨爾本重要私人收藏。1997年購於香港Hanlin Gallery Oriental Fine Art藝廊。 $1,500–2,500

162

A FINE TIBETAN GILT BRONZE BUDDHIST VASE, 16TH/17TH CENTURY 西藏 十六/十七世紀 銅鎏金文殊宝瓶 33cm high $5,500–7,500

161

162

163

55

164

165

163

165

A NEPALESE GILT BRONZE REPOUSSE FIGURE OF DHRITARASHTTA, 19TH CENTURY

A TIBETAN GILT BRONZE SEATED FIGURE OF A LAMA, 18TH CENTURY

尼泊爾 十九世紀 銅鎏金錘碟天王坐像 27cm high

The lotus base is inscribed in Tibetan characters on the back, the top is inlaid with a blue semi-precious stone. 西藏 十八世紀 銅鎏金喇嘛坐像 13cm high

$3,500–5,500

164

A CHINESE GILT BRONZE SEATED BUDDHA, QIANLONG PERIOD (1736-1795) 清 乾隆鎏金燃燈佛坐像 7.6cm high $6,500–7,500

PROVENANCE

A private collection, Melbourne. 墨爾本私人收藏。 $1,500–2,500

56

166

166

A RARE AND FINE TIBETAN PARCEL-GILT SILVER AND BONE TRUMPET WITH CORAL AND TURQUOISE INLAID, 19TH CENTURY 西藏 十九世紀 銀鏨刻龍紋花卉局部鎏金嵌綠松石及紅珊瑚骨喇叭 43cm long $5,500–7,500

167

A FINE NEPALESE BRONZE STUPA, 15TH CENTURY 尼泊爾 十五世紀 銅佛塔 13.5cm high For a larger example (30cm high) see: Bonhams New York, 16/3/2021, lot 307; for a later (17th century) example, see: Bonhams Knightsbridge, 4/11/2019, lot 248. $3,000–5,000

167

57

An Important Private Collection, Melbourne (Lots 168–197) 168

A RARE AND LARGE CHINESE YUE CELADON FUNERAL JAR, WESTERN JIN DYNASTY (266–316) The tapering oviform body decorated with applied moulded turtles and Buddha figures, the elaborately detailed cover with hierarchical bands of figures , with a funeral procession featuring a stele, a flock of doves with small bats at the four corners, crowned with a miniature walled villa, all covered in a greyish-green glazed. With a fitted box. 西晉 越窑魂瓶 52cm high Oxford Authentication thermoluminescence test number P116r4 is consistent with dating of this lot.

Similar example please see Sotheby's New York 17/3/2015, lot 29.

PROVENANCE

Bonhams London, 8/5/2017, lot 168. 邦瀚斯倫敦，2017年5月8日，拍品號168。 $15,000–20,000

169

A LARGE CELADON JAR, WESTERN JIN DYNASTY (266–316) 西晉 青釉四係罐 21.5cm high PROVENANCE

Mossgreen Melbourne, 21/11/2011, lot 351. 慕仕閣墨爾本，2011年11月21日，拍品號351。 $1,000–2,000 Illustrated online at artvisory.com.au

170

A CHINESE YUE CELADON JAR, WESTERN JIN (266–316) 西晉 青釉四係罐 9.5cm high PROVENANCE

Brian Page Oriental Art, Brighton, UK, 4/8/2004.

A private collection, Melbourne.

2004年8月4日購於英國Brian Page Oriental Art藝廊。 墨爾本私人收藏。 $1,000–2,000 Illustrated online at artvisory.com.au

168

58

171

A CHINESE SANCAI BOWL, TANG DYNASTY (618-906) 唐 三彩缽 17.7cm wide PROVENANCE

Sotheby's Melbourne, 2/5/2005, lot 601. 蘇富比墨爾本，2005年5月2日，拍品號：601。 $3,500–5,500

172

A CHINESE LONGQUAN CELADON WASHER, SOUTHERN SONG (1127-1279) 南宋 龍泉黑胎青釉洗 13cm diameter PROVENANCE

A private collection, Melbourne. 墨爾本私人收藏。 $2,500–3,500

173

A CHINESE GREEN GLAZED CENSOR AND COVER, HAN DYNASTY (202 BC- 220 AD) 171

西漢 綠釉博山爐帶蓋 27.5cm high University of Wollongong Authentication thermoluminescence test number P116r4 is consistent with dating of this lot.

PROVENANCE

A private collection, Melbourne. 墨爾本私人收藏。 $800–1,200 Illustrated online at artvisory.com.au

174

A RARE CHINESE BLACK AND WHITE-GLAZED BOWL, SONG DYNASTY (960-1279) 宋 外黑里白釉钵 9cm diameter PROVENANCE

Mossgreen Melbourne, 14-15/6/2011, lot 343.

A private collection, Melbourne. 慕仕閣墨爾本，2011年6月14-15號，拍品號：343。 墨爾本私人收藏。 $1,500–2,500 Illustrated online at artvisory.com.au

172

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175

A CHINESE JIAN HARE'S FUR TEA BOWL, SONG DYNASTY (960-1279) 宋 建窯兔毫盞 12cm diameter An almost identical example is illustrated in Robert D. Mowry, Hare's Fur, Tortoiseshell, and Partridge Feathers, no. 79.

PROVENANCE

Sotheby's Melbourne, 1/12/2005, lot 537.

A private collection, Melbourne. 蘇富比墨爾本，2005年12月1日，拍品號：537。 墨爾本私人收藏。 $6,000–8,000

176

A CHINESE JIAN OIL-SPOT TEA BOWL, SONG DYNASTY (960-1279) 宋 建窯油滴盞 12.9cm diameter PROVENANCE

Mossgreen Melbourne, 6/5/2014, lot 571.

A private collection, Melbourne. 慕仕閣墨爾本，2014年5月6日，拍品號：571。 墨爾本私人收藏。 $2,000–3,000

175

177

A CHINESE QINGBAI DOUBLE-FISH BOWL, SOUTHERN SONG DYNASTY (1127-1279) 南宋 影青刻雙魚紋盌 18.5cm diameter PROVENANCE

A private collection, Melbourne. 墨爾本私人收藏。 $1,500–2,500 Illustrated online at artvisory.com.au

178

A CHINESE QINGBAI CARVED FOLIATE-RIMMED BOWL, SOUTHERN SONG (1127-1279) 南宋 影青刻花葵口盌 18.5cm diameter PROVENANCE

A private collection, Melbourne. 墨爾本私人收藏。 $1,000–2,000 Illustrated online at artvisory.com.au

176

60

179

180

179

180

A CHINESE BLACK-GLAZED RUSSET-PAINTED JAR, SONG-JIN DYNASTY, 12TH-13TH CENTURY

A CHINESE JIAN HARE'S FUR TEA BOWL, SONG DYNASTY (960-1279)

The ovoid vase is covered overall with a lustrous black glaze, freely painted with russet strokes forming three abstract phoenix in flight. 宋/金 十二/十三世紀 磁州窯黑釉鐵鏽花鳳紋嘟嚕瓶 24.4cm high

宋 建窯兔毫盞 13cm diameter

Similar examples see: Sotheby's New York, 21/3/2018, lot 674 and the same house: 11/09/2019, lot 725.

PROVENANCE

A private collection, Melbourne. 墨爾本私人收藏。 $2,500–3,500

PROVENANCE

Mossgreen Melbourne, 25/11/2008, lot 1188.

Sotheby's Melbourne, 17/5/2004, lot 44.

A private collection, Melbourne. 慕仕閣墨爾本，2008年11月25日，拍品號：1188。 蘇富比墨爾本，2004年5月17日，拍品號：44。 墨爾本私人收藏。 $5,000–7,000

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181

A SMALL CHINESE JUN TEA BOWL, JIN-YUAN DYNASTY, 13TH CENTURY The bowl is covered with a dark lavender glaze with purple splashes on the interior. 金/元 鈞窯紫斑泡泡盞 9.4cm diameter PROVENANCE

Sotheby's London 13/5/1975, lot 84.

A private collection, Melbourne. 蘇富比倫敦，1975年5月13日，拍品號：84。 墨爾本私人收藏。 $6,000–8,000

182

A LARGE CHINESE BLACK-GLAZED MEIPING VASE, SONG-JIN DYNASTY, 11TH-12TH CENTURY the attenuated, finger-ribbed body tapers from the high rounded shoulder to the foot and is covered with a thick black glaze. 宋/元 磁州窯黑釉刻弦紋梅瓶 40cm high Similar example please see Christie's New York, 16/3/2017, lot 609.

PROVENANCE

A private collection, Melbourne. 墨爾本私人收藏。

181

$5,000–7,000

183

A CHINESE QINGBAI MOULDED BOYS' BOWL, YUAN DYNASTY (1279-1368) 元 青白釉印花娃娃紋盌 17cm diameter PROVENANCE

A private collection, Melbourne. 墨爾本私人收藏。 $1,000–2,000 Illustrated online at artvisory.com.au

184

A CHINESE YUE CELADON BOWL, FIVE DYNASTIES-NORTHERN SONG, 10TH CENTURY 五代/北宋 越窯青釉盌 15.5cm diameter PROVENANCE

A private collection, Melbourne, acquired from Koh Nai King, Singapore in early 90s. 墨爾本私人收藏。90年代初購於新加坡Koh Nai King古董商。 $1,500–2,500 Illustrated online at artvisory.com.au

182

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185

A CHINESE BLUE AND WHITE JAR AND COVER, KANGXI PERIOD (1662-1722)

The jar is finely decorated with deer and cranes amongst gnarled pines, rocks and clouds, double ring to base. 清 康熙 青花將軍蓋罐 44cm high PROVENANCE

Mossgreen, Melbourne, 28/11/17, lot 680 .

Sotheby's New York 1981.

A private collection, Melbourne. 慕仕閣墨爾本，17年11月28日，拍品號：680. 蘇富比紐約，1981年。 墨爾本私人收藏。 $9,000–10,000

186

A CHINESE BLUE AND WHITE DISH, KANGXI PERIOD (1622-1722) 清 康熙 青花盤 14.5cm diameter PROVENANCE

A private collection, Melbourne, acquired from Franzi and Filcock, St. Kilda, VIC, 24/7/1974. 墨爾本私人舊藏。1974年7月24日購於墨爾本 Franzi and Filcock藝廊。 $600–800 Illustrated online at artvisory.com.au

187

TWO CHINESE BLUE AND WHITE CUPS, KANGXI PERIOD (1622-1722) 清 康熙青花盃 兩件 7cm and 3.6cm high PROVENANCE

A private collection, Melbourne, acquired from Franzi and Filcock, St. Kilda, VIC, 3/7/1974. 墨爾本私人收藏。1974年7月3日購於墨爾本 Franzi and Filcock藝廊。 $800–1,200 Illustrated online at artvisory.com.au

188

A CHINESE BLUE AND WHITE BOWL, LATE MING DYNASTY, 16TH CENTURY 清 十六世紀 暗八仙蓮紋青花盌 15cm diameter PROVENANCE

A private collection, Melbourne. 墨爾本私人收藏。 $800–1,200 185

Illustrated online at artvisory.com.au

63

189

191

A RARE CHINESE WHITE-GLAZED BOWL, YONGZHENG SIX-CHARACTER MARK IN UNDERGLAZE BLUE AND OF THE PERIOD (1723-1735)

A SMALL CHINESE BLACK-GLAZED MEIPING VASE, SONG-JIN DYNASTY, 12TH-13TH CENTURY

清 【大清雍正年製】六字方框青花款及本朝 白釉盌 13.2cm diameter For a very similar bowl of the same period, see: Sotheby's New York, 4/11/2020, lot 30.

PROVENANCE

A private collection, Melbourne, acquired from Sotheby's London, 1980s. 墨爾本私人收藏。80年代購於蘇富比倫敦。 $4,000–6,000

190

TWO CHINESE BLUE AND WHITE GINGER JARS, KANGXI PERIOD (1662-1722) 清 康熙 青花博古開光冰梅紋罐 兩件 22cm and 20.1cm high PROVENANCE

宋/金 磁州窯黑釉梅瓶 22cm high PROVENANCE

Raymond and Victoria Tregaskis Oriental Arts, NSW. Anders Ousback (1951-2004) Collection.

Sotheby's Melbourne, 3/5/2005, lot 611.

A private collection, Melbourne. 新南威爾士Raymond and Victoria Tregaskis東方藝術收藏。 Anders Ousback (1951-2004)收藏。 蘇富比墨爾本，2005年5月3日，拍品號：611。 墨爾本私人收藏。 $2,000–3,000 Illustrated online at artvisory.com.au

192

A CHINESE FAMILLE ROSE SGRAFFITO GROUND VASE, QIANLONG MARK, 20TH CENTURY

Larger jar: Sotheby's London, 15/10/1974, lot 125.

Smaller jar: Sotheby's London, 8/6/1982, lot 140.

A private collection, Melbourne. 大罐：蘇富比倫敦，1974年10月15日，拍品號：125。 小罐：蘇富比倫敦，1982年6月8日，拍品號：140。 墨爾本私人收藏。

乾隆款 二十世紀 粉底匝道花卉紋梅瓶 27.5cm high

$3,000–5,000

Illustrated online at artvisory.com.au

PROVENANCE

A private collection, Melbourne. 墨爾本私人收藏。 $1,000–2,000

Illustrated online at artvisory.com.au

189

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193

A GANDHARAN FRAGMENTARY GREY SCHIST FRIEZE SECTION, 4TH-5TH CENTURY The Buddha is flanked by acolytes and attendants. 犍陀羅 四/五世紀 石雕佛与弟子楣板 33.7cm wide PROVENANCE

Christie's London, 27/4/2000, lot 208.

A private collection, Melbourne. 佳士得倫敦，2000年4月27日，拍品號：208。 墨爾本私人收藏。 EXHIBITED

Melbourne, Potter Museum of Art, Jitish Kallat: Circa , 13/10/2012-7/4/2013, No. 16.

LITERATURE

Natalie King & Bala Starr eds., Jitish Kallat: Circa, Asian Link, The University of Melbourne, 2013, No. 16, P.38. $5,000–7,000

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194

A GANDHARAN GREY SCHIST SEATED BUDDHA, 3RD CENTURY 犍陀羅 三世紀 石雕佛坐像 39cm high PROVENANCE

Christie's London, 2/5/1996, lot 276.

A private collection, Melbourne. 佳士得倫敦，1996年5月2日，拍品號276。 墨爾本私人收藏。 EXHIBITED

Melbourne, Potter Museum of Art, Jitish Kallat: Circa , 13/10/2012-7/4/2013, No. 21.

LITERATURE

Natalie King & Bala Starr eds., Jitish Kallat: Circa, Asian Link, The University of Melbourne, 2013, No. 21, P.39. $10,000–20,000

194

65

195

196

195

196

AN INDIAN STONE CARVED SEATED DEITY OF DURGA BIHAR, PALA PERIOD, 9TH-10TH CENTURY

AN INDIAN STONE CARVED STANDING FIGURE OF SURYA, 12TH-13TH CENTURY

印度 帕拉王朝 九/十世紀 石雕難近母杜尔噶坐像 47cm high

with sunflower or lotus bloom and two attendants. 印度 十二/十三世紀 石雕蘇利耶立像 54cm high

PROVENANCE

Sotheby's London, 21/10/1994, lot 92.

A private collection, Melbourne. 蘇富比倫敦，1994年10月21日，拍品號：92。 墨爾本私人收藏。

PROVENANCE

EXHIBITED

EXHIBITED

Melbourne, Potter Museum of Art, Jitish Kallat: Circa , 13/10/2012-7/4/2013, No. 27.

Melbourne, Potter Museum of Art, Jitish Kallat: Circa , 13/10/2012-7/4/2013, No. 28.

LITERATURE

LITERATURE

Natalie King & Bala Starr eds., Jitish Kallat: Circa, Asian Link, The University of Melbourne, 2013, No. 27, P.39.

Natalie King & Bala Starr eds., Jitish Kallat: Circa, Asian Link, The University of Melbourne, 2013, No. 28, P.39.

$5,000–7,000

$4,000–6,000

A private collection, Melbourne, acquired from Sotheby's Melbourne in 2005. 墨爾本私人收藏。2005年購於蘇富比墨爾本。

66

197

A CENTRAL INDIAN STONE STELE, DEPICTING A LADY, 12TH CENTURY The figure is standing in tribhanga (tri-bent pose) with Vidyadhara (upholder of wisdom) and Nagaraja (king of snakes) at the upper corners. 印度 十二世紀 石雕女神立像 56cm high PROVENANCE

Christie's Amsterdam, 2/11/1999, lot 17.

A private collection, Melbourne. 佳士得阿姆斯特丹，1999年11月2日，拍品號：17。 墨爾本私人收藏。 EXHIBITED

Melbourne, Potter Museum of Art, Jitish Kallat: Circa , 13/10/2012-7/4/2013, No. 25.

LITERATURE

Natalie King & Bala Starr eds., Jitish Kallat: Circa, Asian Link, The University of Melbourne, 2013, No. 25, P.39. $4,000–6,000

The auction will now be paused for a short break and re-commence with Lot 198 in fifteen minutes time 198

A STONE CARVED GANDHARAN BUST OF A BUDDHA, 2ND/3RD CENTURY 犍陀羅 二世紀/三世紀 石雕佛像殘件 19cm high $1,000–2,000 Illustrated online at artvisory.com.au

199

A CHINESE POTTERY STICK FIGURE, HAN DYNASTY (202BC-220AD) 漢 陶製人物立像 62cm high $400–600 *This lot will be offered no reserve. 此拍品不設保留價 Illustrated online at artvisory.com.au

197

67

200

204

A RARE CHINESE PAINTED POTTERY JAR, NEOLITHIC PERIOD, MAJIAYAO CULTURE, CIRCA 2300-2000 B.C.

A SMALL CHINESE PAINTED JAR, MAJIAYAO CULTURE, MID 3RD MILLENNIUM BC

The jar decorated with large spirals. 新石器時代 馬家窯文化彩陶漩渦菱形幾何紋雙系罐 42cm wide; 41cm high

together with pottery jar with applied zig-zag dot patterns. 马家窑 彩陶罐子和绳纹罐 9.8cm and 10cm high

PROVENANCE

$600–800

A Private collection, NSW, acquired from Hong Kong in the early 90s.

An Important private collection, London and Melbourne. 新南威爾士私人收藏。90年代初期購於香港。 墨爾本和倫敦重要私人收藏。

*This lot will be offered no reserve. 此拍品不設保留價 Illustrated online at artvisory.com.au

$3,500–4,500

201

A RARE CHINESE PAINTED GREY POTTERY JAR, NEOLITHIC PERIOD, SIWA CULTURE, CIRCA 1400-1000 B.C. The jar is decorated with M motifs on the shoulder. 新石器時代 寺窪文化 灰陶彩繪雙耳罐 32cm high; 27cm wide PROVENANCE

A Private collection, NSW, acquired from Hong Kong in the early 90s.

An Important private collection, London and Melbourne. 新南威爾士私人收藏。90年代初期購於香港。 墨爾本和倫敦重要私人收藏。 $1,000–1,500 *This lot will be offered no reserve. 此拍品不設保留價 Illustrated online at artvisory.com.au

202

A RARE CHINESE BROWN GLAZED DRAGON VASE, TANG DYNASTY (618-906) 唐 酱釉龙纹罐 20.8cm high $800–1,200 *This lot will be offered no reserve. 此拍品不設保留價 Illustrated online at artvisory.com.au

203

A GROUP OF FOUR CHINESE CERAMIC SCULPTURES, TANG DYNASTY (618-906) Including one yellow-glazed lady, a painted pottery figure of an official and two pottery heads 唐 陶雕塑四件 26.5cm high $600–800 *This lot will be offered no reserve. 此拍品不設保留價 Illustrated online at artvisory.com.au

200

68

205

A CHINESE LARGE SANCAI-GLAZED POTTERY FIGURE OF AN OFFICIAL, TANG DYNASTY (AD 618-907) 唐 三彩文官立像 78.5cm high For similar examples, see: Christie's New York, 13/19/2019, lot 1072 &1068.

PROVENANCE

An important private collection, Sydney, Australia. 悉尼重要私人收藏。 $10,000–15,000

206

A LARGE CHINESE SANCAI-GLAZED HORSE, TANG DYNASTY (618-906 AD) 唐 三彩馬 52.0cm high, 45.0cm wide The result of C-Link Research & Development Limited (originally the Yeung Shui Sang Laboratory for Thermoluminescence of Ancient Ceramics in the Chinese University of Hong Kong) thermoluminescence test no.9060HK23 dated 23 October 2019, is consistent with the dating of this lot.

PROVENANCE

A private collection, Hobart, Tasmania. 塔斯馬尼亞霍巴特私人收藏。 $20,000–30,000 Illustrated online at artvisory.com.au

207

A SMALL CHINESE QINGBAI DOUBLE GOURD EWER, SOUTHERN SONG -YUAN DYNASTY, 13TH CENTURY 南宋/元 青白釉螭龍葫芦形执壶 13cm high PROVENANCE

East and West Art, Kew, VIC. An Important private collection VIC. 墨爾本東西畫廊。 維多利亞重要私人收藏。 $600–800 *This lot will be offered no reserve. 此拍品不設保留價 Illustrated online at artvisory.com.au

208

TWO CHINESE SANCAI-GLAZED FIGURES, LATE QING DYNASTY, QING DYNASTY, 19TH CENTURY 清 十九世纪 三彩人物立像 两件 32.2cm high each $500–800 *This lot will be offered no reserve. 此拍品不設保留價 Illustrated online at artvisory.com.au

205

69

209

210

209

210

A CHINESE CARVED QINGBAI 'BOYS' BOWL, SOUTHERN SONG (1127-1279)

A CHINESE QINGBAI CARVED FOLIATE-RIM BOWL, SONG DYNASTY (960-1279)

The bowl thinly potted with slightly rounded conical sides and carved on the interior with three almost hidden figures of boys tumbling amidst large lotus blossoms, and covered overall with a glossy, translucent glaze of pale-blue colour except for an unglazed circle on the base. 南宋 影青三娃娃盌 7.5cm diameter

宋 影青刻花花口盘 16.1cm diameter

PROVENANCE

East and West Art, Kew, VIC. An Important private collection VIC. 墨爾本東西畫廊。 維多利亞重要私人收藏。 $3,500–5,500

$1,500–2,500

211

A RARE PAIR OF SMALL CHINESE QINGBAI FIGURES OF DOGS, SONG DYNASTY (960-1279) Each is covered in an attractive translucent glaze of a lustrous bluish tone. 宋 影青犬 两只 5cm and 4cm high PROVENANCE

East and West Art, Kew, VIC. An Important private collection VIC. 墨爾本東西畫廊。 維多利亞重要私人收藏。 $800–1,200 *This lot will be offered no reserve. 此拍品不設保留價 Illustrated online at artvisory.com.au

70

212

213

212

A CHINESE QINGBAI CARVED FOLIATE-RIM BOWL, SONG DYNASTY (960-1279) 宋 影青刻花花口盘 15.9cm diameter $1,500–2,500

213

A CHINESE QINGBAI BOX AND COVER, SOUTHERN SONG (1127-1279) 南宋 影青金錢紋蓋盒 8cm diameter $4,000–6,000

214

71

214

A CHINESE QINGBAI TEA JAR, SONG DYNASTY (960-1279) With a Japanese bone cover 宋 影青茶罐及日本骨制盖 12.5cm high PROVENANCE

Raymond and Victoria Tregaskis Oriental Arts, Sydney, Australia.

A private collection, NSW, Australia. 悉尼Raymond and Victoria Tregaskis 亞洲藝術。 澳洲新南威爾士州私人收藏。 $3,500–5,500

215

A RARE SMALL CHINESE QINGBAI HEXAGONAL EWER AND COVER, SOUTHERN SONG (1127-1279) The ewer is covered in an attractive translucent glaze of a lustrous bluish tone. 南宋 影青六面小执壶 14cm high PROVENANCE

East and West Art, Kew, VIC. An Important private collection VIC. 墨爾本東西畫廊。 維多利亞重要私人收藏。 $3,000–5,000

215

216

A CHINESE QINGBAI CONICAL TEA BOWL, SOUTHERN SONG DYNASTY (1127-1279) The bowl is finely incised with floral motifs on the interior. It is covered overall with a pale blue glaze appearing lucid in areas where it pools. 宋 影青划花斗笠盏 14.4cm diameter For a larger bowl with similar shape and glaze, carved with lotus motifs, see: Christie's Hong Kong, 3/12/2021, lot 2803. Another conical qingbai bowl carved with flower petals, see: Sotheby's Hong Kong, 25/5/2022, lot 367.

PROVENANCE

An Important private collection, London and Melbourne. 墨爾本和倫敦重要私人收藏。 $2,500–3,500

216

72

217

A CHINESE FOLIATE-RIMMED QING BAI BOWL, SONG DYNASTY (960-1279) 宋 影青花口盌 17.5cm diameter PROVENANCE

Raymond and Victoria Tregaskis Oriental Arts, Sydney, Australia.

A private collection, NSW, Australia. 悉尼Raymond and Victoria Tregaskis 亞洲藝術。 新南威爾士州私人收藏。 $2,000–3,000

218

A CHINESE QINGBAI CARVED WASHER, SOUTHERN SONG DYNASTY (1127-1279) 南宋 影青刻花洗 13.4cm diameter $1,500–2,500

219

A SMALL CHINESE QINGBAI FOLIATE RIM DISH, SOUTHERN SONG (1127-1279)

217

南宋 影青花形小碟 10cm diameter PROVENANCE

East and West Art, Kew, VIC. An Important private collection VIC. 墨爾本東西畫廊。 維多利亞重要私人收藏。 $1,500–2,500

220

A CHINESE DING DISH, SONG DYNASTY (960-1279) 宋 定窯刻花小盤 13cm diameter $1,000–2,000 Illustrated online at artvisory.com.au

221

A CHINESE QINGBAI BOX AND COVER, SOUTHERN SONG (1127-1279) 南宋 影青蓋盒 6.2cm diameter $1,500–2,500

218

73

221

222

222

A RARE CHINESE SMALL QINGBAI FOLIATE RIMMED DISH, SOUTHERN SONG DYNASTY (1127-1279) 南宋 影青花口碟 8.5cm diameter PROVENANCE

Raymond and Victoria Tregaskis Oriental Art, Sydney.

A private collection, VIC. 悉尼Raymond and Victoria Tregaskis 亞洲藝術。 維多利亞私人收藏。 $2,000–3,000

223

A CHINESE QINGBAI FOLIATE-RIM DISH, SONG DYNASTY (960-1279) 宋 影青菊形盤 11cm diameter $3,000–5,000

223

74

224

226

224

226

A CHINESE JIAN HARE'S FUR GLAZED BOWL, SOUTHERN SONG DYNASTY (1127-1279)

A CHINESE JIAN HARE'S FUR GLAZED CONICAL TEA BOWL, SOUTHERN SONG DYNASTY (1127-1279)

南宋 建窯兔毫斗笠盞 13cm diameter

南宋 建窯兔毫斗笠盞 11.2cm diameter

$3,000–5,000

$4,500–5,500

225

227

A CHINESE QINGBAI BOWL, SOUTHERN SONG DYNASTY (1127-1279)

A CHINESE SMALL QINGBAI VASE, SONG DYNASTY (960-1279)

The exterior is carved with a band of lotus petals. 南宋 影青刻蓮紋缽 13cm diameter PROVENANCE

East and West Art, Kew, VIC. An important private collection VIC. 墨爾本東西畫廊。 維多利亞重要私人收藏。 $1,000–2,000 *This lot will be offered no reserve. 此拍品不設保留價 Illustrated online at artvisory.com.au

with a fitted box 宋 影青瓜棱瓶 9.5cm high PROVENANCE

A private collection, VIC. 維多利亞私人收藏。 $600–800 *This lot will be offered no reserve. 此拍品不設保留價 Illustrated online at artvisory.com.au

75

228

A RARE CHINESE QINGBAI FLOWER SHAPED CARVED DISH, NORTHERN SONG DYNASTY (960-1279) 北宋 青白花口深剔刻花卉紋盤 12.5cm diameter PROVENANCE

A private collection, VIC. 維多利亞私人收藏。 $2,000–3,000

229

A CHINESE DING FOLIATE RIM BOWL, NORTHERN SONG (960-1127) 北宋 定窯花口盏 16.5cm diameter PROVENANCE

A private collection, NSW. 新南威爾士州私人收藏。 $15,000–25,000

230

A RARE CHINESE CIZHOU-TYPE CARVED VASE, NORTHERN SONG DYNASTY, LATE 11TH-12TH CENTURY The vase is well carved on the globular body and trumpet-form neck with a broad band of peony scroll bearing two large blossoms framed by leafy, curving stems above a band of narrow petals below, all in dark brown reserved on a white slip ground and covered with a clear glaze. 北宋 十一/十二世紀 磁州窯白地黑剔花牡丹紋瓶 21.4cm high

228

A similarly decorated Cizhou carved meiping from the Arthur M. Sackler Collection was sold at Christie's New York, 18 March 2009, lot 330; another similar example also see, Christie's New York, 15/09/2016, lot 806.

PROVENANCE

A private collection, VIC. 維多利亞私人收藏。 $3,000–5,000 *This lot will be offered no reserve. 此拍品不設保留價 Illustrated online at artvisory.com.au

231

A CHINESE JIAN RUSSET GLAZED BOWL, SOUTHERN SONG DYNASTY (1127-1279) 南宋 建窯紫金釉盞 9.6cm diameter PROVENANCE

An Important private collection, London and Melbourne. 墨爾本和倫敦重要私人收藏。 $1,000–2,000 Illustrated online at artvisory.com.au

229

76

232

A CHINESE LARGE AND VERY FINE JUN BOWL, YUAN DYNASTY (1271-1279) The bowl of deep, rounded form is covered inside and out with a glaze of even milky sky blue colour which thins to a dark brown on the rim. 元代 鈞窯大盌 18.9cm diameter A similar example with darker glaze, see, Christie's New York, 23/9/2022, lot 951.

PROVENANCE

The Peter Elliott Collection, Mossgreen, Sydney, 31/08/2015, lot 627.

Peter Elliott舊藏，慕仕閣悉尼，2015年8月31號，拍品號627. $8,000–12,000

233

A FINE CHINESE JUN TEA BOWL, JIN DYNASTY (1127-1279) 金 鈞窯束口盞 13.2cm diameter PROVENANCE

An old Japanese private collection, acquired from Joshua McClellan Print Room, circa 2010. 日本私人舊藏。2010年間購於Joshua McClellan Print Room藝廊。 232

$4,000–6,000

234

A CHINESE LONGQUAN CELADON CENSER, MING DYNASTY (1368-1644) 明 龍泉窯三足香爐 11.5cm diameter; 10cm high PROVENANCE

A private collection, VIC. 維多利亞私人收藏。 $1,000–2,000 Illustrated online at artvisory.com.au

235

A CHINESE XING WHITE GLAZED BOWL, TANG DYNASTY (618-906) 唐 邢窯白瓷盌 13.6cm diameter PROVENANCE

A private collection, VIC. 維多利亞私人收藏。 $600–800 *This lot will be offered no reserve. 此拍品不設保留價 Illustrated online at artvisory.com.au

233

77

236

A KOREAN CELADON BOWL, GORYEO DYNASTY (918-1392) Together with two Korean pottery vessels 高丽 青瓷立粉青瓷碗及两个韩国陶器 Bowl: 19.4cm diameter $800–1,200 *This lot will be offered no reserve. 此拍品不設保留價 Illustrated online at artvisory.com.au

237

A RARE CHINESE MOULDED DING 'MANDARIN DUCKS IN LOTUS' DISH, JIN DYNASTY (1115-1234) The dish is decorated with two mandarin ducks, one standing on the shore and the other swimming in a pond with blossoming lotus, covered overall with a transparent glaze of pale ivory tone, the lip of the mouth rim unglazed.

金 定窯印荷塘鴛侶紋盤 14.3cm diameter A ding dish with this pattern is very rare, one is illustrated in Mayuyama, Seventy Years, vol. I, no. 389, and one of a pair in the Heeramaneck Collection by Warren Cox, The Book of Pottery and Porcelain, vol. I, fig. 346. Another two almost identical examples see, J.J. Lally & Co., Chinese Ceramics in Black and White, March 20-April 10/2010, no.

19; and Sotheby's, London, The Edward T. Chow Collection, Part II, 16/12/1980, lot 255.

PROVENANCE

K. Y. Fine Art, Hong Kong.

An important private collection, NSW. 香港紀遠古美術。 新南威爾士重要私人收藏。 $25,000–35,000

237

78

238

A CHINESE FINELY CARVED DING 'LOTUS' DISH, NORTHERN SONG DYNASTY, 11TH-12TH CENTURY The interior of the dish skilfully carved and combed to depict a single leafy lotus sprig. The dish is covered in a pale ivory glaze pooling in areas to the base. 北宋 十一/十二世紀 定窯刻花花口盤 20cm diameter PROVENANCE

A private collection, VIC. 維多利亞私人收藏。 $3,000–5,000

239

A CHINESE DING CUP STAND, FIVE DYNASTIES (960-907) With a fitted box. 五代 定窯花口盞托 14cm diameter PROVENANCE

A private collection, NSW. 新南威爾士州私人收藏。 $6,000–8,000

238

239

240

79

240

A CHINESE XING WHITE-GLAZED EWER, TANG DYNASTY (618-906) 唐 邢窯白釉執壺 18cm high PROVENANCE

Tony Omura, Hong Kong. 香港緣來畫廊。 $5,000–7,000

241

A CHINESE CELADON LONGQUAN WASHER, SOUTHERN SONG (1127-1279) 南宋 龍泉洗 9.4cm diameter $2,500–3,500

242

A RARE CHINESE LONGQUAN CELADON 'ARROW' VASE, SOUTHERN SONG-YUAN DYNASTY, 13TH-14TH CENTURY The pear-shaped body rises to a tall, slender neck flanked by a pair of tubular handles, and is incised with a band of keyfret patterns. The vase is covered overall with an even glaze of soft sea-green colour. 南宋/元 龍泉青釉投壺 17.6cm high

241

A similar vase with larger size (29.2cm high), see Christie's New York, 23/9/2022, lot 962. Also compare to a smaller example (16cm high), see the same house, 25/3/2022, lot 1081.

PROVENANCE

The Dr. Steven Zador Collection of Asian Ceramics, Mossgreen Melbourne, 16/11/2015, lot 81.

Steven Zador 醫生亞洲瓷器舊藏，慕仕閣墨爾本，2015年11月16日， 拍品號81. $7,500–9,500

243

A CHINESE BLACK-GLAZED FOLIATE RIM VASE, JIN DYNASTY (1115-1234) The body is decorated with vertical ribs. 金 黑釉花口出筋瓶 13.8cm high PROVENANCE

A private collection, VIC. 維多利亞私人收藏。 $600–800 *This lot will be offered no reserve. 此拍品不設保留價 Illustrated online at artvisory.com.au

242

80

244

EXHIBITED

A RARE CHINESE DING TYPED/DANGYANGYU PERSIMMON GLAZED BOWL AND COVER, SONG DYNASTY (960-1279) The bowl with deep rounded sides, covered inside and out with a russet glaze ending in a dark brown line, below the unglazed mouth rim and stopping at the top of the tall, unglazed foot ring to expose the pale grey stoneware. The domed cover with sprig handle similarly glazed inside and out, leaving the underside of the everted rim unglazed. 宋 定窯/當陽峪窯 紫金釉蓋罐 12.3cm wide; 8.2cm high Ding-typed persimmon glazed covered bowls are very rare. This bowl and cover was most likely produced in one of the famous Ding-typed kilnsDangyangyu kiln in Hebei, China. Compare to a very similar Dangyangyu bowl and cover, see Zhang Shuwei eds., Dangyangyu Kiln of China, Beijing, 2010, no. 45.

PROVENANCE

K. Y. Fine Art, Hong Kong.

An important private collection, NSW. 香港紀遠古美術。 新南威爾士重要私人收藏。

244

Collingwood, ACAE Gallery, Silent Ritual, 23/7-20/8/2022.

LITERATURE

Australian Chinese Art Research Institute, Silent Ritual, Collingwood, 23/7-20/8/2022, p. 58. $20,000–30,000

245

A RARE VIETNAMESE CELADON DEEP BOWL AND COVER, 13TH CENTURY 越南 十三世紀 青釉深腹刻莲纹蓋盌 16cm diameter PROVENANCE

East and West Art, Kew, VIC. An Important private collection VIC. 墨爾本東西畫廊。 維多利亞重要私人收藏。 $1,000–2,000 Illustrated online at artvisory.com.au

81

246

A CHINESE GONGXIAN WHITE-GLAZED JAR AND COVER, TANG DYNASTY (AD 618-907) of ovoid form, the jar covered inside and out with an ivory-toned clear glaze which stops at the foot. The domed cover is surmounted by a plain knob and similarly glazed. Japanese wood box. 唐 鞏縣窯白瓷蓋罐 20cm high PROVENANCE

Acquired in Japan prior to 1997.

Christie's New York, 17/3/2017, lot 1135.

1997年之前購藏於日本。 紐約佳士得，2017年3月17日，拍品號1135。 $10,000–20,000

247

246

A CHINESE FINE PAINTED CIZHOU PEAR-SHAPED VASE, YUHUCHUNPING, NORTHERN SONG-JIN DYNASTY (960-1234) The vase has a tapering ovoid body which rises to the tall neck that flares towards the outward-curved mouth rim, and is painted in brown on a white slip with three abstract foliate sprays between line borders, all under a clear glaze that falls short of the thick, slightly flared foot. Japanese wood box. 北宋/金 磁州窯白地黑花玉壺春瓶 24.1cm high PROVENANCE

Mayuyama, Tokyo.

Kochukyo, Tokyo.

Sen Shu Tey, Tokyo.

Linyushanren Collection.

Christie's New York, 13/9/2018, lot 837. 茧山龙泉堂， 东京。 壶中居，东京。 千秋庭，东京。 临宇山人旧藏。 纽约佳士得，2018年9月13日，拍品号：837。 EXHIBITED

Melbourne, Leonard Joel & AACS, Why Collect?, No. 7.

LITERATURE

Leonard Joel & AACS, Why Collect?, No. 7. $15,000–25,000 247

82

248

250

248

250

A CHINESE JIAN RUSSET GLAZE TEA BOWL, SONG DYNASTY (960-1279)

A CHINESE CIZHOU BLACK GLAZED BOWL WITH RUSSET STRIPES, JIN DYNASTY (1115-1234)

宋 建窯紫金釉茶盞 12.8cm diameter

金 磁州窯黑釉鐵鏽斑盞 19cm diameter

PROVENANCE

PROVENANCE

A private collection, South Australia.

An Important private collection, London and Melbourne. 南澳大利亞私人收藏。 墨爾本和倫敦重要私人收藏。

An Important private collection, London and Melbourne. 墨爾本和倫敦重要私人收藏。

$3,000–4,000

251

249

A RARE CHINESE CARVED CELADON YUE WARE JAR, TANG DYNASTY, 9TH-10TH CENTURY

A NORTHERN THAI UNDERGLAZED DECORATED FLORAL DISH, KALONG, 14TH CENTURY 泰國北部 十四世紀 釉下花卉紋盤 21.9cm diameter PROVENANCE

East and West Art, Kew, VIC. An Important private collection VIC. 墨爾本東西畫廊。 維多利亞重要私人收藏。 $1,000–2,000 Illustrated online at artvisory.com.au

$4,500–6,500

唐 越窯雕鱼紋四係罐 13.6cm wide PROVENANCE

East and West Art, Kew, VIC. An Important private collection VIC. 墨爾本東西畫廊。 維多利亞重要私人收藏。 $2,000–3,000 Illustrated online at artvisory.com.au

83

252

256

A CHINESE PALE WHITE JADE 'LANDSCAPE' BOULDER, QING DYNASTY (1644-1912)

A CHINESE LONGQUAN JARLET TOGETHER WITH A LONGQUAN BOWL, YUAN DYNASTY (1271-1368)

青白玉'松下智者'山子 13.2cm high, 521g

元 龙泉罐和龙泉盌 Bowl: 17cm diameter Jar: 12cm wide

$6,500–8,500

PROVENANCE

253

A NORTHERN THAI UNDERGLAZED DECORATED FLORAL BOWL, KALONG, 14TH CENTURY 泰國北部 十四世紀 釉下花卉紋盌 20.6cm diameter PROVENANCE

East and West Art, Kew, VIC. An Important private collection VIC. 墨爾本東西畫廊。 維多利亞重要私人收藏。 $1,000–2,000 Illustrated online at artvisory.com.au

East and West Art, Kew, VIC. An Important private collection VIC. 墨爾本東西畫廊。 維多利亞重要私人收藏。 $1,000–2,000 Illustrated online at artvisory.com.au

254

A LARGE SUKOTHAI FLORAL UNDER-GLAZE DECORATED DISH, 15TH-16TH CENTURY 泰國 十五/十六世紀 釉下花卉紋盤 28.9cm diameter PROVENANCE

Christie's Melbourne, 3/9/1990, lot 75.

East and West Art, Kew, VIC. An important private collection VIC. 佳士得墨爾本，1990年9月3日，拍品號：75。 墨爾本東西畫廊。 維多利亞重要私人收藏。 $1,000–2,000 Illustrated online at artvisory.com.au

255

A CHINESE PALE WHITE JADE CARVED PENDANT, QING DYNASTY, 18TH-19TH CENTURY 清 十八/十九世紀 青白玉“福祿封侯”掛飾 5cm long $1,000–2,000 Illustrated online at artvisory.com.au

252

84

257

259

257

259

A CHINESE PALE WHITE JADE DRAGON AND PHOENIX PLAQUE, QING DYNASTY (1644-1912)

A CHINESE PALE WHITE JADE 'BOY AND LOTUS' CARVING, SONG-MING DYNASTY, 12TH-17TH CENTURY

清 和田青白玉雕龍鳳牌 5.8 x 5 x 1cm

宋/明 青白玉蓮葉童子把件 5.3cm long

PROVENANCE

$2,000–3,000

Mark Walberg Fine Art and Antiques, New York, USA. A private collection NSW and USA. 美國紐約Mark Walberg古美術. 美國和新南威爾士州私人舊藏. $3,500–5,500

258

A CHINESE PALE JADE CARVED DOUBLE HAPPINESS AND BUTTERFLY PLAQUE, QING DYNASTY (1644-1912) 清 青白玉雕“雙喜蝴蝶”牌 6.1 x 4cm $1,000–2,000 Illustrated online at artvisory.com.au

260

A CHINESE PALE WHITE JADE CARVED DOUBLE BOY PENDANT, MING-QING DYNASTY, 14TH-19TH CENTURY 明/清 青白玉雕雙子把件 5 x 5cm $1,500–2,500 Illustrated online at artvisory.com.au

85

261

A CHINESE PALE WHITE JADE DRAGON PLAQUE, MING DYNASTY (1368-1644) 明 青白玉鏤空雕龍紋帶銙 10 x 8.5cm $2,500–3,500

261

262

A CHINESE WHITE JADE FIGURE AND MOUNTAIN PLAQUE, QING DYNASTY (1644-1912) 清 白玉鏤空浮雕高山隱士 插屏 11 x 7.7cm $2,500–3,500

263

A CHINESE YELLOWISH-WHITE JADE CARVED SEAL carved with a bear finial. 熊鈕 黃白玉印章 4 x 3.5 x 3.4cm $1,000–2,000 Illustrated online at artvisory.com.au

262

86

264

265

264

A CHINESE WHITE JADE CARVED LION AND CUB, QING DYNASTY (1644-1912) 清 白玉太獅少獅把件 6.5cm long $2,000–3,000

265

A CHINESE JADE CARVED OPEN WORK FINIAL, JIN DYNASTY (115-1234) 金 青白玉蓮鷺紋玉爐頂 5.5cm high Three very similar examples are illustrated in Gu Fang, Zhongguo chutu yuqi quanji/The Complete Collection of Jades Unearthed in China, Beijing, 2005, Vol. 2, no. 195; Vol. 7, no. 215 & Vol. 8, no. 224. $6,000–8,000

266

87

266

269

A RARE CHINESE JADE 'TORTOISE' SEAL, HAN DYNASTY (206 BC-220 AD)

A WHITE CHINESE JADE PHOENIX PAPER WEIGHT, QING DYNASTY, 18TH CENTURY

漢 玉龜鈕印章 2cm high

清 十八世紀 和田白玉雕鳳凰銜靈芝紙鎮 8.5 x 7cm

A similar jade seal is illustrated in Gu Fang, Zhongguo chutu yuqi quanji/The Complete Collection of Jades Unearthed in China, Beijing, 2005, Vol. 11, no. 196.

PROVENANCE

A private collection NSW and USA. 美國和新南威爾士州私人舊藏。

$12,000–22,000

$5,000–7,000

267

270

A CHINESE ARCHAISTIC YELLOW JADE TIGER, QING DYNASTY (1644-1912) 清 黃玉雕虎 5.9cm high $3,500–5,500

A CHINESE WHITE JADE PLAQUE, 19TH CENTURY 清 十九世紀 白玉麒麟詩紋牌 5.4 x 2.9cm $1,000–2,000 Illustrated online at artvisory.com.au

Illustrated online at artvisory.com.au

268

A CHINESE ARCHAISTIC WHITE JADE BI 和田白玉摹古雕龍紋璧 13.4cm diameter $5,000–7,000 Illustrated online at artvisory.com.au

269

88

271

A CHINESE ARCHAISTIC CELADON JADE CARVED LIBATION CUP, QING DYNASTY (1644-1912) 清 和田青白玉雕摹古來通盃 19.5cm high $5,000–7,000

272

A CHINESE CELADON JADE CARVED PLAQUE, QING DYNASTY (1644-1912) Carved with two Buddha's citron and three peaches, the stone with a pale white colour. 清 和田玉雕“瓜瓞連連”玉牌 7.1cm diameter PROVENANCE

A private collection, NSW. 新南威爾士州私人收藏。 $2,200–3,200

273

A RARE CHINESE PALE WHITE JADE WEIGHT, SIX DYNASTIES (220-598)

271

六朝 青白玉雕虎形席鎮 9cm long PROVENANCE

An important private collection, acquired from Hong Kong in the early 90s. 重要私人舊藏，90年代早期購於香港。 $15,000–25,000

272

89

274

A CHINESE SMALL JADE CONG, SPRING AND AUTUMN PERIOD (770-476 B.C.) TOGETHER WITH A CHINESE JADE BELT BUCKLE, SONG-YUAN DYNASTY, 13TH-14TH CENTURY 春秋 玉琮 和 宋/元 青白玉帶扣 Cong: 2cm high; Belt buckle: 6.4cm long $6,500–8,500

275

A CHINESE WHITE JADE OPENWORK DRAGON BELT PLAQUE, YUAN-MING DYNASTY, 13TH-16TH CENTURY 元/明 和田白玉鏤空雕龍帶銙 5.5cm long A almost identical example, see Gu Fang, Zhongguo chutu yuqi quanji/The Complete Collection of Jades Unearthed in China, Beijing, 2005, Vol. 14, no. 236. $2,500–3,500

273

274

275

90

276

277

276

277

A YELLOWISH-CELADON CHINESE JADE CARVING OF AN OWL-SHAPED PENDANT, HONGSHAN CULTURE, CIRCA 4000-3000 BC

A CHINESE PALE WHITE JADE CARVED CRANE SHAPED WASHER, QING DYNASTY (1644-1912)

紅山文化 公元前4000-3000年 青玉雕鸮 3.3cm long The form of the current amulet follows those of classic Hongshan jades and the smooth polishing is also consistent with other excavated Hongshan examples. See an almost identical example in National Palace Musuem, Taipei, illustrated in Deng Shuping, Guyu xinshi: Shi qian yu qi xiao pin wen ji, National Palace Museum, Taipei, 2011, no. 7. Also see a slightly larger related example, depicted with wider wings and more rounded edges, also from the Peony Collection, illustrated in Angus Forsyth and Brian McElney, Jades from China, The Museum of East Asian Art, Bath, 1994, cat. no. 14. An other larger example (7.5cm long), see Sotheby's Paris, 10/6/2021, lot 90.

A smaller example with less detail, see, Christie's Hong Kong, 30/5/2018, lot 3055. Another similar example see the same house, 27/11/2019, lot 2704.

PROVENANCE

An important private collection, acquired from an old private collection in Malaysia, in the early 90s.

90年代初購於馬來西亞資深藏家。 $6,500–8,500

清 青白玉雕鶴銜蓮葉小水洗 8cm long $2,000–3,000

278

A CHINESE PALE WHITE JADE CARVED DOG 青白玉雕獵狗把件 7cm long $1,500–2,500 Illustrated online at artvisory.com.au

279

A CHINESE QIN-STYLE PALE WHITE JADE PLAQUE 秦式 青白玉巫形佩 7cm high $2,000–3,000 Illustrated online at artvisory.com.au

91

280

A CHINESE PALE WHITE JADE SCABBARD SLIDE, LATE WARRING STATES-HAN DYNASTY, 3RD-1ST CENTURY BC 戰國/漢 青白玉劍璏 5cm long $2,500–3,500

281

TWO CHINESE JADE ANIMALS, QING DYNASTY (1644-1912) Comprising a celadon jade mythical beast and a yellow jade monkey. 清 青白玉雕神獸 和 黃玉雕猴子 5.3cm and 4.3cm high PROVENANCE

A private collection NSW and USA. 美國和新南威爾士州私人舊藏. $600–800 *This lot will be offered no reserve. 此拍品不設保留價 Illustrated online at artvisory.com.au

280

282

A RARE AND IMPORTANT CHINESE PALE WHITE JADE ‘ANIMAL MASK’ STAFF FITTING, LATE HONGSHAN CULTURE, CIRCA 3500-3000 BC The thick-sided fitting is carved to each side with an animal mask, detailed with large circular eyes, nostrils and a long narrow mouth, surrounding a cylindrically hollowed centre. 紅山文化 玉饕餮紋杖首 5.6cm diameter A similar example, see Christie's Hong Kong, 29/11/2017, lot 2705.

PROVENANCE

An important private collection, acquired from Hong Kong in the early 90s. 重要私人舊藏，90年代早期購於香港。 $30,000–50,000

282

92

283

A CHINESE SMALL WHITE JADE FLOWER SHAPED VASE, QING DYNASTY, 17TH CENTURY 清 十七世紀 和田青白玉雕玉蘭形花瓶 9cm high $2,500–3,500

284

A CHINESE PALE WHITE JADE BEAST, YUAN-MING DYNASTY, 13TH-14TH CENTURY 元/明 青白玉雕瑞獸 5.4cm long $2,000–3,000

285

A SET OF CHINESE PALE WHITE JADE BELT BUCKLE, MOUNTED TO A NECKLACE WITH GREEN JADE BEADS, SONG-QING DYNASTY, 13TH-18TH CENTURY 宋/清 和田青白玉雕龍首帶扣以及碧玉珠串 Belt Hook: 9cm long

283

A very similar belt buckle excavated from the tomb at Dongfangjueyuan-cailiaochang, Mianyang, Sichuan Province, now is in Mianyang Musuem, see Gu Fang, Zhongguo chutu yuqi quanji/The Complete Collection of Jades Unearthed in China, Beijing, 2005, Vol. 13, no. 177.

PROVENANCE

Mark Walberg Fine Art and Antiques, New York, USA. A private collection NSW and USA. 美國紐約Mark Walberg古美術. 美國和新南威爾士州私人舊藏. $600–800 *This lot will be offered no reserve. 此拍品不設保留價 Illustrated online at artvisory.com.au

284

93

286

AN IMPORTANT CHINESE SMALL JADE CARVING OF A ‘PIGDRAGON’, HONGSHAN CULTURE, CIRCA 4000-3000 BC 紅山文化 公元前4000-3000年 青白玉豬龍 6.3cm long A very similar example, see Sotheby's Paris, 10/06/2021, lot 83.

A similar light green zhulong of slightly larger size and cut open, excavated from the Niuheliang site, Jianping, Liaoning and now in the Liaoning Provincial Institute of Cultural Relics and Archaeology, is illustrated in Guo Dashun & Hong Dianxu, Hongshan wenhua yuqi jianshang/A Study of Hongshan Culture Jades, Beijing, 2014, part 1, pl. 11; another larger one, acquired at Zhangfudian, Fushan, also in Jianping, and now preserved in the same Institute, ibid., part 3, pl. 1; the former illustrated again in Gu Fang, Zhongguo chutu yuqi quanji/ The Complete Collection of Jades Unearthed in China, Beijing, 2005, vol. 2, pl. 111, together with a slightly smaller yellowish-green one, that was cut open, pl. 20, excavated at Hexi, Aohan Banner, Inner Mongolia. Another larger piece, with the slit cut open, is in the Tianjin Municipal Art Museum, illustrated in Mou Yongkang & Yun Xizheng, eds, Zhongguo yuqi quanji [Complete series on Chinese jades], vol.

1, Shijiazhuang, 1993, pl. 25. Compare also a fragmentary piece in the British Museum illustrated in Jessica Rawson, Chinese Jade from the Neolithic to the Qing, The British Museum, London, 1995, p. 116, fig. 1, and two larger pig dragons, one in the Musée Guimet, Paris, the other excavated in Sanguan Dianzi, Liaoning, and today in the Liaoning Provincial Museum, illustrated in Jao Tsung-I, ‘Some Notes on the Pig in Early Chinese Myths and Art’, Orientations, vol. 19, no. 12, December 1988, pp. 39-41, figs 1 and 2, where the importance of the pig in early China discussed.

PROVENANCE

An important private collection, acquired from Hong Kong in the early 90s. 重要私人舊藏，90年代早期購於香港。

286

$35,000–55,000

287

A GROUP OF THREE GALAHA, YUAN DYNASTY (1279-1368) Comprising a jade, an red agate and an agate. 元 嘎啦哈一組三件，包括一件玉質，一件紅瑪瑙和一件花瑪瑙 Largest: 3cm long $4,500–6,500

287

94

288

A CHINESE PALE WHITE JADE 'DRAGON' BELT HOOK, HAN DYNASTY (206 BC-220 AD) The curved shaft is carved in high relief with a sinuous phoenix, terminating at an upturned dragon head. The semi-translucent stone is of a pale white tone. 漢 白玉龍鳳帶鉤 10.5cm long $8,500–15,000

288

289

A CHINESE YELLOW JADE CARVED DRAGON RING, HUAN, MING DYNASTY (1368-1644) 明 黃玉龍形手鐲 18cm diameter $2,500–3,500

290

A CHINESE PALE WHITE JADE CARVED BUDDHA'S HAND CITRON 青白玉雕佛手把件 7.6cm long $600–800 *This lot will be offered no reserve. 此拍品不設保留價 Illustrated online at artvisory.com.au

291

A CHINESE JADEITE SEAL, 20TH CENTURY 二十世紀 翡翠印章 4cm high $800–1,200 *This lot will be offered no reserve. 此拍品不設保留價 Illustrated online at artvisory.com.au

289

95

292

A CHINESE SMALL GREEN JADE WASHER, SONG DYNASTY (907-1279) 宋 璧玉水盂 5cm high $2,500–3,500

293

A CHINESE PALE-WHITE JADE CONG, POSSIBLY WARRING STATE PERIOD (476-221 BC.) OR LATER 戰國或更晚 獸面玉琮 4 x 5 x 5cm A very similar example excavated from Zeng Houyi tomb, now in Hubei provincial museum, is illustrated in Gu Fang, Zhongguo chutu yuqi quanji/The Complete Collection of Jades Unearthed in China, Beijing, 2005, Vol. 10, no. 100. $5,500–7,500 Illustrated online at artvisory.com.au

292

294

A CHINESE JADE TUBE-SHAPED HAIR ORNAMENT, HONGSHAN CULTURE, CIRCA 4000-3000 BC 紅山文化 公元前4000-3000年 青玉髮箍形飾 8.5cm high A similar example is excavated from tomb no. 21 of Burial Mound No.1 within Niuheliang site, Chaoyang, Liaoning Provenance, now in Liaoning Provincial Institute of Cultural Relics and Archaeology, see, Gu Fang, Zhongguo chutu yuqi quanji/The Complete Collection of Jades Unearthed in China, Beijing, 2005, Vol. 2, no. 136. Another example excavated from the tomb at Tianbaotong, Inner Mongolian Autonomous Region, now in Keshiketengqi Museum, see the same book, no, 37.

PROVENANCE

An important private collection, acquired from Hong Kong in the early 90s. 重要私人舊藏，90年代早期購於香港。 $15,000–25,000

294

96

295

296

A CHINESE YELLOW JADE SCABBARD SLIDE, LATE WARRING STATES-HAN DYNASTY, 3RD-1ST CENTURY BC

A CHINESE YELLOWISH WHITE JADE CONG, MING DYNASTY (1368-1644) OR LATER

戰國/漢 黃玉劍璏 4.6cm long

明或更晚 玉琮 6.3cm high $1,000–2,000

Two jade slides of this date and small size are illustrated by J. Rawson, Chinese Jade from the Neolithic to the Qing, British Museum, London, 1995, p. 300, fig. 1.

Another smaller example (3.8cm long), see Christie's New York, 16/03/2017, lot 867.

PROVENANCE

Illustrated online at artvisory.com.au

297

A CHINESE ARCHAISTIC JADE BI 青玉龍紋璧 10cm diameter $400–600

A private collection, Melbourne. 墨爾本私人收藏。

*This lot will be offered no reserve. 此拍品不設保留價 Illustrated online at artvisory.com.au

$15,000–25,000

298

A CHINESE SMOKY ROCKCRYSTAL SNUFF BOTTLE, QING DYNASTY (1644-1912) with a jadeite stopper. 清 煙晶鼻煙壺翡翠蓋 7.5cm high $800–1,200 *This lot will be offered no reserve. 此拍品不設保留價 Illustrated online at artvisory.com.au

295

97

299

301

299

301

A FINE CHINESE BRONZE TRIPOD CENSER, 17TH CENTURY

A CHINESE BRONZE WATER DROPPER AND A GOOSE SHAPED SPOON, 19TH CENTURY

With a wood cover carved with a coral carp finial.

The base is cast with an apocryphal Xuande six-character mark. 明/清 十七世紀 宣德款 佛教八寶紋鼓形銅香爐 11cm wide PROVENANCE

An important private collection, Sydney, Australia. 重要澳洲私人舊藏

清 十九世紀 銅“瓜瓞綿綿”水盂和雁形勺 7.5cm diameter PROVENANCE

An important private collection, Sydney, Australia. 悉尼重要私人收藏。 $1,500–2,500

$2,500–3,500

300

A CHINESE LARGE CANTON ENAMEL ON COPPER SQUARE VASE FANGHU, QING DYNASTY, 19TH CENTURY 清 十九世纪 画珐琅方壶 52cm high $2,000–3,000 Illustrated online at artvisory.com.au

302

A CHINESE BRONZE LION HANDLE, EASTERN ZHOU (770–256 B.C.) 東周 青銅獸面鋪首 9.4cm long $2,500–3,500 Illustrated online at artvisory.com.au

98

303

A CHINESE BRONZE MIRROR, HAN DYNASTY (206BC-220AD) 漢 青銅鏡 18cm diameter PROVENANCE

A private collection, NSW. 新南威爾士州私人收藏。 $2,500–3,500

304

A CHINESE ARCHAIC BRONZE VESSEL HU, HAN DYNASTY (202 B.C.-220 A.D.) 漢 青銅鋪首壺 37cm high PROVENANCE

Roger Keverne London, 1980s.

Mossgreen Melbourne, 16/6/2015, lot 13.

An important private collection, Sydney, Australia.

Roger Keverne 倫敦，1980年代。 慕仕閣墨爾本，2015年6月16日，拍品號13。 悉尼重要私人藏家舊藏。 $6,500–8,500

303

304

305

99

305

A CHINESE BRONZE CENSER, HAN DYNASTY (202 B.C.-220 A.D.) 漢 青銅鳳鈕蟠螭紋香爐及托盤 20.5cm high $12,000–25,000

306

A CHINESE BRONZE VASE, YUAN-MING DYNASTY, 13TH-16TH CENTURY 元/明 铜瓶 15cm high $800–1,200 Illustrated online at artvisory.com.au

307

A CHINESE SILVER ALLOY PAPER WEIGHT, SIGNATURE OF CHEN BANGYAN (1603-1647), PROBABLY 20TH CENTURY Carved with heart stura, with a fitted box. 陳邦彥款 銀合金《心經》紙鎮 26 x 5 x 1.3cm; 980g PROVENANCE

Tennants Auctioneers, 16/11/2012, lot 270 (label).

Sotheby's Australia, lot 88 (label).

Tennants 拍賣行，2012年11月16日，拍品號：270（標籤）。 蘇富比澳大利亞，拍品號：88（標籤）。 $1,500–2,500 Illustrated online at artvisory.com.au

308

A CHINESE EXPORT LACQUER FAN, 19TH-EARLY 20TH CENTURY With a gold and black fitted lacquer box. 十九世纪末/二十世纪初 黑漆描金嵌象牙扇及盒 29.6cm long $1,000–2,000 Illustrated online at artvisory.com.au

309

310

310

A RARE AND FINE CHINESE CLOISONNÉ DRAGON DISH, MING DYNASTY, 15TH-16TH CENTURY 明 十五/十六世紀 掐絲琺瑯龍紋盤 13.5cm diameter A similar cloisonné bowl dated to the second half of 16th century, decorated with a similar style of dragons on the interior, is illustrated on Chinese Cloisonne: Helmut Brinker & Albert Lutz, The Pierre Uldry Collection, London, 1989, no. 88. $9,000–15,000

A CHINESE HONGMU-PAPER WEIGHT, EARLY 20TH CENTURY

311

Carved with bamboo, and inscribed and signed, and one carved seal of Zheng Bian 二十世紀早期 鄭板橋 刻款 紅木紙鎮 56cm long

A CHINESE BLUE AND WHITE AND IRON RED DRAGON DISH, DAOGUANG MARK, 20TH CENTURY

$800–1,200

$300–500

*This lot will be offered no reserve. 此拍品不設保留價 Illustrated online at artvisory.com.au

道光款 二十世紀 青花礬紅龍紋盤 18cm diameter *This lot will be offered no reserve. 此拍品不設保留價 Illustrated online at artvisory.com.au

100

312

312

A RARE CHINESE DEGE WROUGHT IRON CIRCULAR COVERED BOX WITH SILVER INLAY, QIANLONG MARK, QING DYNASTY 清 德格鐵鑄圓形蓋盒 「大清乾隆年製」篆書底款 9.9cm high This type of metalwork was produced in very high quality and vast number in Tibet as early as the 14th and 15th century. The unique technique was been known as'damascening' to Europeans, but called 'Dege' in China, the name of the town through which the metal work was brought to China-proper. Different from common inlay-work, Dege work have their surface of wrought iron abraded and then gold and/or silver applied in highly decorative patterns.

So favoured were they that the Qianlong emperor specially commissioned a group of Tibetans to produce vessels and objects in this technique for daily use, such as brush pots and plates, in addition to those used for traditional ceremonial and religious purposes. 此類金屬器早在十四十五世紀藏人已大量制作，並且工藝極其高明。其鑲嵌 工藝在歐洲被稱為"damascening" (金屬絲編織)，而在中國被稱為"德格"， 一藏川邊境的文化交流重鎮，傳此種金屬器便是由德格傳入中原。與傳統金 屬絲編織所不同，"德格"器是先將鍛鐵表面磨切出凹陷花紋，然後再以金銀 捶打入內。乾隆帝甚至邀請藏人入京打造"德格"器，並將其運用於宗教禮祭 乃至皇家日用。 PROVENANCE

Andrew Stuart-Robertson, London, 1970s to 1990s.

Christie's, London, prior to 1995.

Apsara Asian Art, Sydney.

Mossgreen, Melbourne, 2 June 2010, lot 1105. 購於倫敦 Andrew Stuart-Robertson 古董商舊藏，七十年代到九十年代，。 佳士得倫敦，早於1995年。 悉尼Apsara 亞洲藝術收藏。 慕仕閣墨爾本，2010年6月2日，拍品號1105。 $4,000–6,000

313

313

A CHINESE BRONZE GU-FORMED VASE, SONG DYNASTY (960-1279) With a Japanese wood box. 宋 青銅觚 18cm high PROVENANCE

Raymond and Victoria Tregaskis Oriental Arts, Sydney, Australia.

A private collection, NSW, Australia. 澳大利亞Raymond and Victoria Tregaskis 亞洲藝術。 澳洲新南威爾士州私人收藏。 EXHIBITED

Izumi City, Kuboso Memorial Museum of Art Special Exhibition, 2000.

Melbourne, Silk Road Asian Art, Fine Chinese, Japanese, South East Asian Works of Art, 3/2020, no. 32.

LITERATURE

Silk Road Asian Art, Fine Chinese, Japanese, South East Asian Works of Art, 3/2020, no. 32. $3,000–5,000

101

314

A RARE AND LARGE CHINESE BRONZE AND WOOD CARVED OPIUM PIPE, QING DYNASTY, 18TH CENTURY Mounted in the centre with a hardwood section carved in high relief with two confronting dragons chasing a flaming pearl, the cast bronze front section with aquatic creatures in a lotus pond, the rear section with precious objects, the ten-lobed bowl in the form of opium bud, inscribed "de he long zao" 清 十八世紀 鑄銅木雕大煙管 “德合隆造” 款 58.5cm long PROVENANCE

Collection of the late Norman Rodd, NSW. The Alfred Barton Collection of Chinese Bronzes.

Albert Barton was an ordained priest working in Hong Kong in the 1940s. He mainly collected religious artefacts from different cultures, this collection was on loan to National Gallery of Victoria in 1964, also exhibited in Perth in 1973 and 1975. Alfred Barton died in 1982.

Raymond and Victoria Tregaskis Oriental Arts, Sydney, Australia. 新南威爾士 Norman Rodd舊藏。 Alfred Barton 中國銅器收藏。Albert Barton 1940 年代作為神父在香港工作。他主要收集來自 不同文化的宗教文物。該系列於 1964 年曾借給維 多利亞國家美術館展出，並於 1973 年和 1975 年 在珀斯展出。Alfred Barton於 1982 年去世。 Raymond and Victoria Tregaskis 亞洲藝術，悉 尼，澳大利亞。

314

EXHIBITED

Sydney, The Albert Barton Collection of Chinese Bronzes, November, 1989.

LITERATURE

Raymond & Victoria Tregaskis, The Albert Barton Collection of Chinese Bronzes, November, 1989, no. 15. $8,000–12,000

315

TWO CHINESE BRONZE MIRRORS, HAN-THREE KINGDOMS PERIOD, 3RD CENTURY BC-3RD CENTURY AD 汉-三国时期 青铜镜两面 16.4cm and 10.6cm PROVENANCE

A private collection, NSW. 新南威爾士州私人收藏。 $2,000–3,000

315

102

316

A CHINESE BOXWOOD CARVED GROTTO, 19TH CENTURY finely carved in a form of a twisted branch, very nicely patinated. 清 十九世紀黃楊木雕文人擺件 17.5 x 11.4cm PROVENANCE

A private NSW collection. 新南威爾士私人收藏。 $3,000–5,000

317

A GROUP OF FIVE CHINESE SCHOLAR OBJECTS, QING DYNASTY (1644-1912)

316

comprising a 'huanghuali' brush pot; a 'Dehua' 'scholar and pine' brush rest and wood stand; a 'scholarly pursuits' inkstone and wood stand and cover; a spinach-green jade brush handle; and a polychromed 'horses' ink cake (8) 清 一組五件文房用具 Brush pot: 10.8cm high; Brush stand: 12.5cm long; Inkstone: 12.5 x 7.9cm PROVENANCE

Sotheby's New York, 24/6/2020, lot 951. 蘇富比紐約，2020年6月24日， 拍品號：951。 EXHIBITED

The brush rest: Rock Show at the Garden, E&J Frankel, New York, 1994, cat. no. 21b. $4,500–5,500

318

A CHINESE HUALI TWO DRAWER TABLE, LATE 19TH CENTURYEARLY 20TH CENTURY 十九世紀晚期/二十世紀早期 花梨木桌 151 x 85 x 53cm PROVENANCE

An old private collection, VIC., thence by descent. 維多利亞私人舊藏，家族繼承。 $1,000–2,000 Illustrated online at artvisory.com.au

317

103

319

325

A CHINESE BAMBOO CARVED BRUSHPOT, ZHI YAN MARK, QING DYNASTY (1644-1912)

A RARE CHINESE CARVED RED LACQUER BOX AND COVER, YUAN-MING DYNASTY, 14TH-16TH CENTURY

清 芷岩款 竹雕筆筒 15.4cm high

元/明 十四至十六世紀 剔紅竹林隱士圖方盒 11 x 11 x 7cm

$3,500–5,500

For a similar box and cover, see Sotheby's London, 15/05/2019, lot 75.

For a two tiered example, see Christie's New York, 17/9/08, lot 131. Another similar box and cover is in the Cincinnati Art Museum, see Chinese Art in the Cincinnati Art Museum, Cincinnati, 1997, pl. 99; a related example in the Shanghai Museum, included in the Museum's exhibition In A Myriad of Forms: The Ancient Chinese Lacquers, Shanghai, 2018, cat. no. 85.

Illustrated online at artvisory.com.au

320

A CHINESE SMALL SCHOLAR'S ROCK With a fitted wood stand. 文人赏石 24.5cm long $1,000–2,000 Illustrated online at artvisory.com.au

321

A CHINESE RED TAIHU SCHOLAR'S ROCK

PROVENANCE

Raymond and Victoria Tregaskis Oriental Arts, Sydney, Australia.

A private collection, NSW, Australia. 悉尼Raymond and Victoria Tregaskis 亞洲藝術。 澳洲新南威爾士州私人收藏。 $8,000–12,000

With fitted carved wood stand 天然红太湖文人賞石 25 x 19cm $600–800 *This lot will be offered no reserve. 此拍品不設保留價 Illustrated online at artvisory.com.au

322

A CHINESE CARVED WOOD LIBATION CUP, QING DYNASTY, 19TH CENTURY 清 十九世紀 木雕壽桃來通杯 10cm wide $1,000–2,000 Illustrated online at artvisory.com.au

323

A CHINESE GREEN DUAN STONE with fitted hardwood case 端硯及硬木盒 19cm long $600–800 *This lot will be offered no reserve. 此拍品不設保留價 Illustrated online at artvisory.com.au

324

A CHINESE HONGMU KANG TABLE, QING DYNASTY (1644-1912) 清 紅木炕桌 38 x 26 x 7.5cm $600–800 *This lot will be offered no reserve. 此拍品不設保留價 Illustrated online at artvisory.com.au

325

104

326

A CHINESE MARBLE-INLAID HUANGHUALI TABLE, MING DYNASTY (1368-1644) 明 黃花梨嵌大理石迷你長桌 30.5 x 13 x 8cm PROVENANCE

Raymond and Victoria Tregaskis Oriental Arts, Sydney, Australia.

A private collection, NSW, Australia. 澳大利亞Raymond and Victoria Tregaskis 亞洲藝術。 澳洲新南威爾士州私人收藏。 $3,000–5,000

327

A CHINESE HUANGHUALI RECESSEDTRESTLE LEG STAND, XIAOAN, MING-QING DYNASTY, 17TH CENTURY 明/清 十七世紀 黄花梨如意雲紋翹頭小案 33 x 16.5 x 11cm

326

For two 18th century examples, see Christie's New York, 18/03/2015, lot 124 & 128.

Also see, Christie's New York, 21/03/2014, lot 2276 and same house, 16/03/2017, lot 662 for 18th and 19th century examples.

PROVENANCE

Raymond and Victoria Tregaskis Oriental Arts, Sydney, Australia.

A private collection, NSW, Australia. 悉尼Raymond and VIctoria Tregaskis 亞洲藝術。 澳洲新南威爾士州私人收藏。 $5,000–7,000

328

A CHINESE LARGE HUALI ALTER TABLE, LATE 19TH CENTURY-EARLY 20TH CENTURY 十九世紀晚期/二十世紀早期 花梨木長條案 194 x 105 x 46cm PROVENANCE

An old private collection, VIC., thence by descent. 維多利亞私人舊藏，家族繼承。 $1,000–2,000 Illustrated online at artvisory.com.au

327

105

329

332

A CHINESE HONGMU TRAY

AN IMPORTANT AND RARE CHINESE YUMU WAISTED DAYBED LUOHANCHUANG, LATE MING-EARLY QING DYNASTY, 17TH CENTURY

紅木托盤 33 x 24cm $300–500 *This lot will be offered no reserve. 此拍品不設保留價 Illustrated online at artvisory.com.au

330

THREE BRUSHES 毛笔三件 Largest: 37cm long $300–500 *This lot will be offered no reserve. 此拍品不設保留價 Illustrated online at artvisory.com.au

331

A CHINESE NATURALISTIC HONGMU CARVED STAND, QING DYNASTY (1644-1912) 清 紅木隨型雕底座 20 x 19.4cm $400–600 *This lot will be offered no reserve. 此拍品不設保留價 Illustrated online at artvisory.com.au

The well-proportioned bed with rectangular frame enclosing the mat seat above a high waist and plain, straight apron supported on sturdy legs of square section terminating in hoof feet, the wood a rich golden colour. 明晚/清早期 十七世紀 榆木羅漢床 206 x 80 x 39cm The use of the daybed was twofold – during the day, it served as a sitting platform; at night a bed. For a general discussion on daybeds, see R. H. Ellsworth, Chinese Furniture: Hardwood Examples of the Ming and Early Ch'ing Dynasties, New York, 1971, pp. 90-1.

With construction typical of Shanxi province, the proportions of this bed suggest strength and grandeur, and may have been employed in a private gentleman's study or scholar's studio. A similar yumu luohanchuang supported on C-formed legs from the Shanxi region, illustrated by. C. Evarts, C. L. Ma Collection: Traditional Chinese Furniture from the Greater Shanxi Region, Hong Kong, 1999, pp. 144-5, no. 51. The crisply defined hooves on the present lot may also be compared to another yumu luohanchuang illustrated ibid., pp. 142-3, no. 50. Another very similar example sold at the auction, see Christie's New York, 19/9/2006, lot 80. A huanghuali daybed with a very similar shape and dated to the same period, see Christie's Hong Kong, 28/5/2021, lot 2803.

PROVENANCE

An Important Private Collection, Hong Kong, acquired in the early 2000s. 重要香港藏家私人收藏, 購藏於2000年代早期。 $15,000–25,000

332

106

333

A CHINESE TAIHU SCHOLAR'S ROCK With fitted carved wood stand 天然太湖文人賞石 43 x 30cm $1,000–2,000

334

A CHINESE THRONE BACK COVER, NINGXIA PROVINCE, SECOND-HALF OF THE 19TH CENTURY knotted woollen pile on cotton foundation. 清 十九世紀 寧夏羊毛龍紋椅套 69 x 64cm PROVENANCE

Sandra Whitman Gallery, San Francisco.

A private collection, Melbourne. 舊金山Sandra Whitman藝廊收藏。 墨爾本私人收藏。 $2,500–3,500

335

A GROUP OF THREE CHINESE EMBROIDERED PURSES, LATE 19TH CENTURY Mounted on 19th century Chinese silk damask. 清 十九世紀晚期 刺繡錢包 each about 38 x 10.5cm

333

PROVENANCE

A private collection, Melbourne. 墨爾本私人收藏。 $800–1,000 Illustrated online at artvisory.com.au

336

A CHINESE BLUE-GROUND MANCHU MAN'S 'NINE MANG' SEMI-FORMAL SUMMER ROBE, JIFU, QING DYNASTY (1644-1912) 清 藍地龍袍（夏袍） 209 x 137.4cm PROVENANCE

An old private collection, VIC, acquired from Hong Kong in the 60s, thence by descent. 維多利亞私人舊藏。60年代購於香港，家族繼承。 $800–1,200 *This lot will be offered no reserve. 此拍品不設保留價 Illustrated online at artvisory.com.au

334

107

338

337

338

A CHINESE BLUE-GROUND KESI DRAGON ROBE, MANGPAO, QING DYNASTY (1644-1912)

A CHINESE FINELY EMBROIDERED BLUE SILK DRAGON ROBE, 19TH CENTURY

清 緙絲藍地龍袍 134 x 129cm

清 十九世纪 刺绣藍地龍袍 209.4 x 140cm

PROVENANCE

PROVENANCE

An old private collection, VIC., acquired from Hong Kong in the 60s. Thence by descent. 維多利亞私人舊藏，於60年代購於香港，家族繼承。

A private collection, UK. An important private collection, South Yarra. 英國私人收藏。 南亞拉私人收藏。

$600–800 *This lot will be offered no reserve. 此拍品不設保留價 Illustrated online at artvisory.com.au

$9,000–10,000

108

339

A CHINESE BADGE OF RANK, CIRCA 1880 Depicting the Golden Pheasant of the second rank civilian officials, silk and metal-thread embroidery on a gauze ground, with coral beads forming the prominently placed pearl of wisdom in the sky. 清 約1880年 刺繡二品文官補子 28.5 x 28.5cm PROVENANCE

Linda Wrigglesworth, London.

A private collection, Melbourne. 倫敦Linda Wrigglesworth珍藏。 墨爾本私人收藏。 $1,500–2,500

340

A CHINESE KESI MONTE EN ROULEAU, QING DYNASTY (1644-1912) Depicting Da Ji two characters, translated “great auspiciousness", surround by immortals in a double gourd 清 緙絲大吉紋掛屏 123 x 76.5cm PROVENANCE

Acquired from Charlie Aaronson's Antiques, Sydney in early 2000s.

2000年初購於悉尼Charlie Aaronson's Antiques古美術。

339

$2,500–3,500

341

A CHINESE ROCK CRYSTAL HAT FINIAL, QING DYNASTY (1644-1912) 清 水晶帽顶 7.4cm high $300–500 *This lot will be offered no reserve. 此拍品不設保留價 Illustrated online at artvisory.com.au

342

A TURQUOISE BOULDER 綠鬆石 原石擺件 7cm high $300–500 *This lot will be offered no reserve. 此拍品不設保留價 Illustrated online at artvisory.com.au

340

109

The Way We Drink 芳茗清心 (Lots 343–361) 343

344

CHINESE YUNNAN PUERH MENGHAI TEA FACTORY 60TH ANNIVERSARY RAW TEA CAKE, 2000 (4 PC)

CHINESE YUNNAN PUERH MENGHAI 401 RAW TEA CAKE 2004 (7 PC)

2000年 勐海茶厂建厂60周年纪念饼 （4饼) 數量：4片 總重量：1470 克 倉存：自然倉 年份：2000年 茶種：青餅 產區：雲南 ‧ 勐海

2004年 勐海茶厂401绿印青饼 1提（7饼） 數量：7片 總重量：2876克 倉存：幹倉 年份：2004年 茶種：青餅 產區：雲南 ‧ 勐海 青餅的用料級別很高，滋味堪比大益的7542，並且04年的干倉茶經歷了較 好的轉化，至今已有10幾載，擁有較大的升值空間，茶餅條索完整，餅面烏 黑油亮，帶有金毫，撒面帶有茶芽，潔淨無雜質。葉底富有生機，多次沖泡 後，仍然柔軟鮮活、舒展，富有韌性。適合品飲也適合收藏。

PROVENANCE

An old Malaysian collection. 馬來西亞私人收藏。 $4,500–5,500

PROVENANCE

An old Malaysian collection. 馬來西亞私人收藏。 $2,000–3,000 Illustrated online at artvisory.com.au

343

110

345

345

347

349

A SET OF EIGHT CHINESE BLUE AND WHITE CUPS AND SAUCERS, KANGXI PERIOD (1662-1722)

A CHINESE GE-GLAZED BUBBLE BOWL, QING DYNASTY, 18TH CENTURY

A SET OF CHINESE BAMBOO CARVED TEA SCOOP AND SPOON, MADE BY WENG MINGCHUAN (1943-)

清康熙 青花刀馬人物狩獵紋茶杯碟 八套 Cup: 8.8cm diameter Saucer: 13.5cm diameter $9,500–12,000

346

TWO BLUE AND WHITE CUPS AND SAUCERS, KANGXI PERIOD (1662-1722) 清 康熙 青花杯碟两组 Lager cup and saucer: 9cm and 13.5cm diameter $300–500 *This lot will be offered no reserve. 此拍品不設保留價 Illustrated online at artvisory.com.au

清 十八世紀 哥釉泡泡盞 7.7cm diameter $800–1,200 Illustrated online at artvisory.com.au

348

A JAPANESE IRON TEA POT, EARLY 20TH CENTURY 二十世紀早期 龍雲堂款 日本鐵壺 21.5cm wide $1,500–2,500 Illustrated online at artvisory.com.au

both with a incised seal mark under the base 翁明川製 孟宗竹茶匙茶則一套 20 and 20.6cm long 翁明川，台灣當代竹雕大師，作品於2007年獲國 立歷史博物館典藏、2008年獲南投縣立竹雕博物 館典藏，2011年入選風華絕代-金門當代藝術家 紀錄片，2012年獲LV公司典藏。 PROVENANCE

KY Fine Art, Hong Kong.

A private collection, NSW, Australia. 香港繼遠古美術。 新南威爾士私人收藏。 $1,000–2,000 Illustrated online at artvisory.com.au

111

350

352

CHINESE YUNNAN PERH RAW TEA CAKE-SIMPLIFIED RED LABEL 7542 2001 (2 PC) AND MENGHAI 501 8582, 2005 (2 PC)

CHINESE YUNNAN PUERH XIAGUAN 8653 MALAYSIA EDITION IRON TEA CAKE, 2001 (7 PC)

2001年 简体云红大益 7542（2饼）+2005年 勐海茶厂501 8582 （2饼） 數量：4片 總重量： 1433克 倉存：自然倉 年份：2001年和2005年 茶種：青餅 產區：雲南 ‧ 勐海

2001年 下關鐵餅8653（銷馬版）1提（7饼） 數量：7片 總重量：2528克 倉存：幹倉 年份：2001年 茶種：青餅 產區：雲南 ‧ 下關

PROVENANCE

PROVENANCE

An old Malaysian collection. 馬來西亞私人收藏。

An old Malaysian collection. 馬來西亞私人收藏。

$3,000–5,000

$2,000–3,000 Illustrated online at artvisory.com.au

351

CHINESE YUNNAN PUERH DEEP MOUNTAIN OLD TREE RAW TEA CAKE 2005 (8 PC) 2005年 海湾茶厂 深山老树 1提並1饼 （共8饼） 數量：8片 總重量：4095克 倉存：幹倉 年份：2005年 茶種：青餅 產區：雲南‧ 安寧 PROVENANCE

An old Malaysian collection. 馬來西亞私人收藏。 $2,000–3,000 Illustrated online at artvisory.com.au

353

CHINESE YUNNAN PERH CHANGTAI BULANG RAW TEA CAKE, 20005 (8 PC) 2005 昌泰布朗青饼1提並1饼（共8饼） 數量：8片 總重量：3151克 倉存：幹倉 年份：2005 茶種：青餅 產區：雲南 ‧ 勐海 PROVENANCE

An old Malaysian collection. 馬來西亞私人收藏。 $2,000–3,000 Illustrated online at artvisory.com.au

350

112

355

CHINESE YUNNAN PUERH LANGHE KING OF TEA RAW TEA CAKE 2002 (8 PC) 2002年 郎河茶厂茶王青饼 1提並1饼（共8饼） 數量：8片 總重量：2881克 倉存：幹倉 年份：2002年 茶種：青餅 產區：雲南 ‧ 勐海 PROVENANCE

An old Malaysian collection. 馬來西亞私人收藏。 $2,000–3,000 Illustrated online at artvisory.com.au

356

CHINESE YUNNAN PUERH XIAGUAN 8653 IRON TEA CAKE, 2003 (8 PC)

354

2003年 下關鐵餅8653 1提和1饼（共8饼) 數量：8片 總重量：2900克 倉存：乾倉 年份：2003年 茶種：青餅 產區：雲南 ‧ 下關 PROVENANCE

354

CHINESE YUNNAN PUERH DAYI YELLOW LABEL OLD TREE RAW TEA CAKE, 2001 (2 PC) 2001年 黄大益老树圆茶 2饼 數量：2片 總重量：705克 倉存：自然倉 年份：2000年 茶種：青餅 產區：雲南 ‧ 勐海 PROVENANCE

An old Malaysian collection. 馬來西亞私人收藏。 $3,000–5,000

An old Malaysian collection. 馬來西亞私人收藏。 $2,000–3,000 Illustrated online at artvisory.com.au

357

CHINESE YUNNAN PUERH MENGHAI BADA HIGH MOUNTAIN 8112 RAW TEA CAKE, 2003 (7 PC) 2003 勐海茶厂巴达高山野生茶8112 1提（7饼） 數量：7片 總重量：2902克 倉存：幹倉 年份：2003 茶種：青餅 產區：雲南 ‧ 勐海 PROVENANCE

An old Malaysian collection. 馬來西亞私人收藏。 $2,000–3,000 Illustrated online at artvisory.com.au

113

358

361

A SET OF SIX CHINESE FAMILLE-ROSE AND CAFE-AU-LAIT GROUND CUPS AND SAUCERS, KANGXI PERIOD (1662-1722)

A CHINESE ZISHA SQUARE TEAPOT, 20TH CENTURY

清康熙 醬釉粉彩盃碟 六套 Cup: 8.5cm diameter Saucer: 13cm diameter $6,500–7,500

359

A CHINESE ZISHA TEAPOT, 20TH CENTURY 二十世紀 紫砂茶壺 10.3cm high $1,000–2,000 Illustrated online at artvisory.com.au

360

A CHINESE BROWN ZISHA TEAPOT, 20TH CENTURY 二十世紀 紫砂壺 15cm wide $1,000–2,000 Illustrated online at artvisory.com.au

二十世紀 紫砂壺 17cm wide $600–800 *This lot will be offered no reserve. 此拍品不設保留價 Illustrated online at artvisory.com.au

362

A CHINESE SMALL GREEN ZISHA TEAPOT, CONTEMPORARY 當代 紫砂壺 10cm long $300–500 *This lot will be offered no reserve. 此拍品不設保留價 Illustrated online at artvisory.com.au

363

A CHINESE SMALL ZISHA TEAPOT, JIANGRONG MARK, CONTEMPORARY 當代 蔣蓉款 紫砂壺 10.1cm long $300–500 *This lot will be offered no reserve. 此拍品不設保留價 Illustrated online at artvisory.com.au

358

114

364

CHEN YAN'EN (19TH CENTURY)

couplet in running script, ink on gold-dusted paper, pair of scrolls signed and dated, with a dedication, two seals of the artist and one collector's seal. 陳延恩 清 十九世紀 行書對聯 題款，簽名，鈐印。 127 x 30.4cm PROVENANCE

Sotheby's New York, 21/3/2015, lot 954. 蘇富比紐約，2015年3月21日，拍品號：954。 $5,500–7,500

365

HUAN YANYUAN

Couplet in running script, ink on paper, pair of scrolls signed, two red seals of the artist. 黄阎元 行書對聯 題款，簽名，鈐印。 145 x 28.4cm each $800–1,200 *This lot will be offered no reserve. 此拍品不設保留價. Illustrated online at artvisory.com.au

366

XING YIFENG, REPUBLIC PERIOD, EARLY 20TH CENTURY ink and colour, Inscribed, signed and two red seal of the artist, framed. 民國 邢一峰 花鸟 设色纸本 50 x 23cm PROVENANCE

A private collection, acquired in 16/10/2016. 私人收藏，購於2016年10月16日。 $2,000–3,000 Illustrated online at artvisory.com.au

367

CHEN JIALING (B. 1937)

ink and colour on paper two red seals of the artist, framed and perspex. 陈家泠 （1937-） 设色纸本 46 x 42.5cm PROVENANCE

Acquired from Hong Kong. 購於香港。 $1,000–2,000 364

Illustrated online at artvisory.com.au

115

368

368

370

YAN GONGDA (1948-)

A CHINESE SCROLL OF A MOUNTAIN LANDSCAPE, ATTRIBUTED TO NI YUN LIN (1301-1374)

Calligraphy ink on paper, two red seal of the artist 言恭达 书法 镜心，纸本 題款，簽名，鈐印 136.5 x 68cm 言恭達（b.1948），江蘇常熟人。全國 政協委員，中國文聯全國委員會委員， 中國書法家協會副主席，中國書法家協 會教育委員會主任，中國國家畫院院務 委員，中國傳媒·中國美術院副院長， 開明畫院副院長，江蘇省文學藝術界聯 合會副主席，江蘇省文化發展基金會理 事長。 $5,000–7,000

Landscape ink and colour on paper, hanging scroll inscribed and signed Ni Zan with a dedication and a red seal of his Annotations signed Huang Yi (17441802) and with one collector’s seal of his; and signed Chen Ruyan (1331-1371) and with one collector’s seal of his. with one collector’s red seal of XX on the lower right 山水 傳 倪瓚 立軸 設色紙本 108.5 x 43cm PROVENANCE

369

A CHENSE SCROLL OF A COURT LADY ink and colour on paper, hanging scroll 清 仕女圖 立軸 設色紙本 122 x 40cm

East and West Art, Kew, VIC. An Important private collection VIC. 墨爾本東西畫廊。 維多利亞重要私人收藏。 $4,000–6,000

PROVENANCE

East and West Art, Kew, VIC. An Important private collection VIC. 墨爾本東西畫廊。 維多利亞重要私人收藏。 $600–800 *This lot will be offered no reserve. 此拍品不設保留價 Illustrated online at artvisory.com.au

370

116

371

ATTRIBUTED TO ZHU DA (BADA SHANREN, 1626 - AFTER 1705), QING DYNASTY (1644-1911) ink and colour on paper, inscribed, signed and one red seal of the artist.

Framed 清 傳 八大山人 設色紙本, 木框 94.5 x 49cm PROVENANCE

The incredible provenance relating to this painting, together with the subject matter, which can be traced back for more than a century,make it extraordinary and truly unique.

At first in the possession of Mr. Willard Straight (1808-1918), a young American diplomat, banker and artist who had a career in the Far-East "that Midas himself might have envied", who married Dorothy Whitney, the daughter of legendary millionaire William C. Whitney.

It is thought that Willard Straight and his wife, passed on this present painting, originally purchased in China to their son Michael Straight.

Michael Straight's biography appears in: "Last of the Cold War Spies - The Life of Michael Straight. The Only American in Britain's Cambridge Spy Ring" by Roland Perry, and which details how he became an MI5 Secret Agent, who eventually admitted to having worked as a spy for the Russians.

During the Second World War, Michael Straight became acquainted with an extraordinary South African man, named Oscar Oeser (1904-1983). A trimly built gentleman, with a keen, narrow gaze and neat moustache, Oeser appreciated fine art, literature and music; he spoke several languages, supported progressive education, read voraciously, and had a formidable and penetrating intellect. He had been Michael's Professor, and was remarkably also an elite member of the MI5, and was daringly part of the impressive group who helped to decode Enigma during the war.

At some point,during this period, Michael Straight gifted this painting to Oscar, as a sign of his gratitude and respect, and the work was gratefully received.

The painting has thence by descent, been passed to the previous owner- Yvonne Raphael Oeser (22/4/1923-13/12/2020).

An important private collection, South Yarra.

Willard Straight (1808-1918)舊藏，後家族傳承。 Yvonne Raphael Oeser (22/4/1923-13/12/2020)舊藏。 南雅拉資深私人收藏。 $6,000–8,000

371

117

372

ZHANG DAQIAN (1899-1983) Apple ink and colour on paper, hanging scroll Inscribed and signed Daqian Zhang Yuan, with four seals of the artist Dated sixth month of gengyin year (1950). 張大千 蘋果 設色紙本 立軸 一九五零年作 款識：經系仁兄二十七歲生日。庚寅（1950）六月大千張爰筆。 鈐印：大千大利、張爰、大千豪髮、兩到黃山絕頂人 86.5 x 39.0cm PROVENANCE

A private collection, Southeast Asia.

A private collection NSW and USA. 東南亞私人收藏. 美國和新南威爾士州私人舊藏. $10,000–20,000

373

A CHINESE IMPERIAL EDICT, DAOGUANG PERIOD (18211850), DATED TO MARCH 1950 AND OF THE PERIOD Constructed of multicoloured silk brocade woven with scattered ruyi-shaped clouds, mounted as a handscroll, and composed in standard form beginning with the declaration 'By Command of Heaven' in Manchu script flanked by two dragons woven in the brocade, followed by a handwritten Chinese and Manchu inscription in multicoloured pigments. 清 道光 誥命聖紙 三十年三月初 259.08 x 33.02cm PROVENANCE

A private collection NSW and USA. 美國和新南威爾士州私人舊藏. $4,500–5,500 Illustrated online at artvisory.com.au

374

HONG JI (1887-?)

Landscape, ink and colour on paper, hanging scroll, two red seals of the artist. 洪畿 山水 設色紙本，掛軸。 鈐印: 洪畿畫印, 庶安。 38.8 x 30cm 洪畿，又名基，字庶安，以字行，又字麗生，號西廬，江西婺源 人。寄居上海。以工畫花卉有名於時，所畫花卉擅雙勾法，寫 生曲盡形神，淡逸處近惲壽平，穠麗處近沈銓，行筆與程璋相彷 彿。為海上名家之一 $1,000–2,000 Illustrated online at artvisory.com.au

372

118

378

A JAPANESE LACQUER AND BRONZE FITTED CABINET, MEIJI/TAISHO PERIOD LATE 19TH/EARLY 20TH CENTURY 二十世纪早期日本黑漆描金柜 81.5 x 42 x 25cm $1,500–2,000 Illustrated online at artvisory.com.au

379

A RARE CHINESE REVERSED PAINTING OF AN EUROPEAN LADY, LATE QING DYNASTY, 19TH CENTURY 清 十九世紀 玻璃畫西洋女士人物肖像 48 x 23cm PROVENANCE

A private collection, Melbourne. 墨爾本私人收藏。 $600–800 Illustrated online at artvisory.com.au

380

A CHINESE FRAMED FAN PAINTING, QING DYNASTY (1644-1912)

375

375

377

A FRAMED CHINESE FAN PAINTING BY YUEQIN, QING DYNASTY (1644-1912)

ANONYMOUS, FRAMED JAPANESE PAINTING OF HORSES, EARLY 20TH CENTURY

Ink and colour and gold pigment on paper, back inscribed and signed, framed. 清 月琴女史 设色纸本 红木框 53 x 31cm (including frame) $2,000–3,000

376

ATTRIBUTED TO ZHAO SHAOANG (1905-1998) Flowers and Birds Hanging scroll, ink and colour on paper Inscribed and signed, with three red seals of the artist 傳 趙少昂 花鳥 掛軸，設色紙本， 題款，簽名，鈐印 118 x 50.5cm $1,000–2,000 Illustrated online at artvisory.com.au

Rock and Tree, ink and colour on silk, inscribed, signed and one red seal of the artist. framed. 清 樹石圖 設色絹本 23.5cm diameter

Seventeen horses; Ink and colour on paper. 匿名 日本 二十世纪早期 骏马图 设色纸本 133.5 x 65.5cm

PROVENANCE

PROVENANCE

$300–500

Collection of Manly P. Hall.

An important private collection, South Yarra, acquired from Sam Fogg, London. 1996.

Manly P. Hall收藏。 墨爾本South Yarra重要私人收藏。 1966年購於倫敦Sam Fogg古董商。 $1,000–2,000 Illustrated online at artvisory.com.au

East and West Art, Kew, VIC. An Important private collection VIC. 墨爾本東西畫廊。 維多利亞重要私人收藏。 *This lot will be offered no reserve. 此拍品不設保留價 Illustrated online at artvisory.com.au

381

A JAPANESE BAMBOO FLOWER BASKET, TAISHO PERIOD, 20TH CENTURY with tall loop handle, signed to the base. 日本 二十世紀 竹編花籃 44.2cm high PROVENANCE

An important private collection, South Yarra. 南亞拉重要私人收藏。 $300–500 *This lot will be offered no reserve. 此拍品不設保留價 Illustrated online at artvisory.com.au

119

382

383

384

A JAPANESE SIX-FOLDED DRAGON SCREEN, SIGNED BY KANO SEKO, MEIJI PERIOD, EARLY 19TH CENTURY

A JAPANESE TEA BOWL, BY ROKUBEI KIYOMIZU IV (1848-1920)

A JAPANESE TEA BOWL, BY ROKUBEI KIYOMIZU IV (1848-1920)

With original signed Japanese wood box. 日本 清水六兵衛 茶盌 10cm diameter

With original signed Japanese wood box. 日本 清水六兵衛 大茶缽 20.5cm diameter

PROVENANCE

PROVENANCE

An Important private collection, London and Melbourne. 墨爾本和倫敦重要私人收藏。

An Important private collection, London and Melbourne. 墨爾本和倫敦重要私人收藏。

$400–600

$600–800

*This lot will be offered no reserve. 此拍品不設保留價 Illustrated online at artvisory.com.au

*This lot will be offered no reserve. 此拍品不設保留價 Illustrated online at artvisory.com.au

ink on paper, dated, signed and one red seal of the artist. 日本 明治时期 狩野晴皋绘 龍紋六折屏风 390 x 177cm $5,000–7,000

382

120

386

385

A FRAMED JAPANESE BUDDHIST PAINTING, EDO PERIOD, 17TH CENTURY Ink and colour on paper, depicting with a mandala of Taizokai on the top and four esoteric Buddhist masters below. 明治 日本四僧畫 133 x 50cm The two principal mandalas in Japanese esoteric Buddhism are Garbhadhatu (Kongokai , 胎藏界) and Vajradhatu (Taizokai, 金刚界) respectively, together they are known as the Ryogai Mandala, they represent the dual aspects of the universe. These were brought to Japan from China in the 9th century by the monk Kobo Daishi. For an almost identical mandala, see: Meher McArthur, Japanese Buddhist and Shinto Prints from the Collection of Manly P. Hall, Sam Fogg, London, 1996, mo. 202, p.28.

PROVENANCE

An important private collection, South Yarra, acquired from Morimoto, Kyoto, Japan, in 2007. 南亞拉重要私人收藏。2007年購於京都Morimoto藝廊。 $2,000–3,000

385

121

386

389

A PAIR OF JAPANESE SATSUMA VASES, BY TOZAN, MEIJI PERIOD (1868-1912)

A GROUP OF 17 CHINESE AND ASIAN ART AUCTION CATALOGUES

Each vase is finely decorated with ladies in landscapes, Tozan signature mark to the base. 日本 明治時期 富山造 薩摩燒花瓶一對 23.54cm

一組17本中國與亞洲藝術拍賣圖錄

PROVENANCE

390

Estate of the late June Harris.

June Harris遺產。 $2,000–3,000

$100–200 *This lot will be offered no reserve. 此拍品不設保留價 Illustrated online at artvisory.com.au

GROUP OF ELEVEN CHINESE ART REFERENCE BOOKS 中國藝術書籍 11本 $200–300

387

*This lot will be offered no reserve. 此拍品不設保留價 Illustrated online at artvisory.com.au

VOLUMES (16), COMPLETE COLLECTION OF CERAMIC ART UNEARTHED IN CHINA, 2008

391

In English & Chinese. 《中国出土瓷器全集》16卷

中國藝術書籍 10本

$500–800 *This lot will be offered no reserve. 此拍品不設保留價 Illustrated online at artvisory.com.au

388

ART FROM RITUAL: ANCIENT CHINESE BRONZE VESSELS FROM THE ARTHUR M. SACKLER COLLECTIONS TOGETHER WITH A GROUP OF 20 CHINESE AND ASIAN ART AUCTION CATALOGUES 《祭祀中的美術：塞克勒收藏中國高古青銅器》和一組20本中國與亞洲藝 術拍賣圖錄 $200–300 *This lot will be offered no reserve. 此拍品不設保留價 Illustrated online at artvisory.com.au

GROUP OF TEN CHINESE ART REFERENCE BOOKS $200–300 *This lot will be offered no reserve. 此拍品不設保留價 Illustrated online at artvisory.com.au

END OF SALE

ENTRIES INVITED

Fine Chinese & Asian Art Auctions in 2023

Enquiries Luke Guan luke@artvisory.com.au 0455 891 888

www.artvisory.com.au

Illustrated: A rare and fine Ding/Dangyangyu persimmon-glazed conical tea bowl, Northern Song Dynasty (960-1127) Est $15,000–20,000.

Sold: AUD $45,504 (inc.BP)

The Contents of Yaloak Estate, Fiskville, Victoria The Property of Mr Peter Yunghanns

Viewing Onsite at the property Thursday 16 – Sunday 19 February 2023 11am–5pm Enquiries Paul Sumner paul@artvisory.com.au 0412 337 827

Including Fine Australian Art, English and European Furniture, Furnishings and Books Auction • Monday 20 February 2023

www.artvisory.com.au

124

Absentee Bid Form 310 Toorak Road South Yarra VIC 3141 +61 3 9826 4039 www.artvisory.com.au

In order to register to bid with Artvisory, please complete this form, scan and email to accounts@artvisory.com.au Auction Title: Name (please print clearly): Email Address (for invoicing & correspondence): Telephone (mobile):

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Catalogue Description

Cover Bid Not including buyer’s premium or GST (where applicable)

(please print clearly)

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I authorise Artvisory to register bids on a per lot basis up to the maximum price I have indicated for each lot. I will not hold Artvisory responsible for any errors that occur.

I understand that if my bid is successful, the purchase price will be the sum of my final bid plus the buyer’s premium of 24% plus GST of the final hammer price plus any GST payable on the hammer price, as indicated in the catalogue. GST will be charged on the buyer’s premium. If the lot is denoted by the † symbol, GST will be charged the whole amount (hammer price + GST). If the Resale Royalty Scheme is applicable 5% will be charged on the hammer price only. The Resale Royalty Scheme is denoted by the § symbol in the catalogue. Your invoice will be emailed to the supplied email address immediately after the auction has finished and will contain all details pertaining to payment and collection.

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125

Telephone Bid Form 310 Toorak Road South Yarra VIC 3141 +61 3 9826 4039 www.artvisory.com.au

In order to register to bid with Artvisory, please complete this form, scan and email to accounts@artvisory.com.au Auction Title: Name (please print clearly): Email Address (for invoicing & correspondence): Telephone (mobile):

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Please tick here if you do not want to receive special invitations and online auction catalogues by email.

We value your privacy and will not disclose your details to any third party. You may request that your details are removed from our database at any time.

If you have not previously purchased with Artvisory, please scan your photo ID (either a drivers licence or passport) and email to accounts@artvisory.com.au Lot Number (in order)

Catalogue Description

Cover Bid Not including buyer’s premium or GST (where applicable)

(please print clearly)

A$ A$ A$ A$ A$ A$ A$ A$ A$ A$ A$ Telephone bids must be received by Artvisory no later than 24 hours prior to the commencement of the Auction. Once received, your bid will be confirmed by email.

I authorise Artvisory to register bids on a per lot basis up to the maximum price I have indicated for each lot. I will not hold Artvisory responsible for any errors that occur.

I understand that if my bid is successful, the purchase price will be the sum of my final bid plus the buyer’s premium of 24% plus GST of the final hammer price plus any GST payable on the hammer price, as indicated in the catalogue. GST will be charged on the buyer’s premium. If the lot is denoted by the † symbol, GST will be charged the whole amount (hammer price + GST). If the Resale Royalty Scheme is applicable 5% will be charged on the hammer price only. The Resale Royalty Scheme is denoted by the § symbol in the catalogue. Your invoice will be emailed to the supplied email address immediately after the auction has finished and will contain all details pertaining to payment and collection.

I have read and accepted Artvisory’s terms and conditions as printed in the catalogue and online at www.artvisory.com.au. Bids will not be processed unless this form is signed.

Signature

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126

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They may be amended by printed Saleroom Notices or oral announcements made before and during the sale. By bidding at auction you agree to be bound by these terms.

b)

1. Background to the Terms used in these Conditions The conditions that are listed below contain terms that are used regularly and may need explanation. They are as follows: “the Buyer” means the person with the highest bid accepted by the Auctioneer “the Lot” means any item depicted within the sale for auction and in particular the item or items described against any lot number in the catalogue. “the Hammer price” means the amount of the highest bid accepted by the auctioneer in relation to a lot

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c)

Buyers Responsibility All property is sold “as is” without representation or warranty of any kind by Artvisory or the Seller.

Buyers are responsible for satisfying themselves concerning the condition of the property and the matters referred to in the catalogue by requesting a condition report No lot to be rejected if, subsequent to the sale, it has been immersed in liquid or treated by any other process unless the Auctioneer’s permission to subject the lot to such immersion or treatment has first been obtained in writing.

2. Artvisory Auctions as Agent Except as otherwise stated Artvisory Pty Ltd acts as agent for the Seller.

4. At the Sale

The contract for the sale of the property is therefore made between the Seller and the Buyer.

a)

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b)

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d)

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f)

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Buyers should be aware of the risk and accept the consequences should contact be unsuccessful at the time of Auction. You must advise Artvisory of the lots in question and you will be assumed to be a buyer at the minimum price of 75% of estimate (ie. reserve) for all such lots. Artvisory will advise Telephone Bidders who have registered at least 24 hours before the auction of any relevant changes to descriptions, withdrawals or any other sale room notices.

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a)

c)

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G) Online Bidding Artvisory offers an online bidding service via Invaluable.com. When bidding online the buyer agrees to be bound by all terms and conditions listed here by Artvisory and agrees to pay any fees charged in regard to any purchases made via Invaluable.com.

Artvisory accepts no responsibility for any errors, failure to execute bids or any other miscommunications regarding this process. It is the online bidder’s responsibility to ensure the accuracy of the relevant information regarding bids, lot numbers and contact details.

5. After the Sale a)

Buyers Premium In addition to the hammer price, the buyer agrees to pay to Artvisory the buyer's premium. The buyer’s premium is 24% of the hammer price plus GST. (Goods and Services Tax) where applicable.

b)

Payment and passing of title The buyer must pay to the company trust account managed by KK Partners Pty Ltd Chartered Accountants the full amount due (comprising the hammer price, buyer's premium and any applicable taxes and GST) not later than 3 days after the auction date.

H) Reserves Unless otherwise indicated, all lots are offered subject to a reserve, which is the confidential minimum price below which the Lot will not be sold. The reserve will not exceed the low estimate printed in the catalogue. The auctioneer may open the bidding on any Lot below the reserve by placing a bid on behalf of the Seller. The auctioneer may continue to bid on behalf of seller up to the amount of the reserve, either by placing consecutive bids or by placing bids in response to other bidders.

I)

J)

The buyer will not acquire title for the lot until Artvisory receives full payment in cleared funds, and no goods under any circumstances will be released without confirmation of cleared funds received.

This applies even if the buyer wishes to send items interstate or overseas.

Payment can be made by direct transfer, cash (not exceeding $5,000AUD, if wishing to pay more than $5,000AUD then this must be deposited directly into the company trust account and bank receipt supplied) and Eftpos (please check your daily limit).

Payments can also be made by credit card in person with a 1.3% (inc GST) merchant fee for Visa and Mastercard and 2% (inc GST) for American Express.

Credit card payments where the card-holder is not present, can not be accepted unless a scanned image of the card and signature is supplied (that corresponds with the supplied signature on the bidding or registration forms). Personal cheques are only accepted with prior arrangement and funds must be cleared before goods will be released. Bank cheques are subject to three days clearance.

Auctioneers Discretion The Auctioneer has the right at his absolute and sole discretion to refuse any bid, to advance the bidding in such a manner as he may decide, to withdraw or divide any lot, to combine any two or more lots and, in the case or error or dispute and whether during or after the sale, to determine the successful bidder, to continue the bidding, to cancel the sale or to re-offer and resell the item in dispute. If any dispute arises after the sale, then Artvisory’s sale record is conclusive.

Successful bid and passing of risk Subject to the auctioneer’s discretion, the highest bidder accepted by the auctioneer will be the buyer and the striking of his hammer marks the acceptance of the highest bid and the conclusion of a contract for sale between the Seller and the Buyer. Risk and responsibility for the lot (including frames or glass where relevant) passes immediately to the Buyer.

The buyer is responsible for any bank fees and charges applicable for the transfer of funds into Artvisory’s company trust account. c)

K) Indicative Bidding steps, etc.

Artvisory reserves the right to refuse any bid, withdraw any lot from sale, to place a reserve on any lot and to advance the bidding according to the following, at the auctioneers discretion: Increment Amount

Dollar Range

$20

$0–$500

$50

$500–$1,000

$100

$1,000–$2,000

$200

$2,000–$5,000

$500

$5,000–$10,000

$1,000

$10,000–$20,000

$2,000

$20,000–$50,000

$5,000

$50,000–$100,000

$10,000

$100,000–$200,000

$20,000

$200,000–$500,000

$50,000

$500,000–$1,000,000

Absentee bids must follow these increments and any bids that don’t follow the steps will be rounded up to the nearest acceptable bid.

Collection of Purchases & Insurance Artvisory is entitled to retain items sold until all amounts due to us have been received in full in good cleared funds. Subject to this, the Buyer shall collect purchased lots within 3 days from the date of the sale unless otherwise agreed in writing between Artvisory and the Buyer.

At the fall of the hammer, insurance is the responsibility of the purchaser.

d)

e)

Packing, Handling and shipping Artvisory will be able to suggest local, national and international carriers and takes no responsibility whatsoever for the actions of any recommended third party carrier. Artvisory can pack and handle goods purchased at the auction by agreement, however will take no responsibility for damage, a charge may be made for this service. All packing, shipping, insurance, postage & associated charges will be borne by the purchaser.

Cultural heritage Export Licences Unless otherwise agreed by us in writing, the fact that the buyer wishes to apply for an export licence does not affect his or her obligation to make full payment immediately, nor our right to charge interest or storage charges on late payment. It is the Buyer’s responsibility to check Australia’s Protection of Moveable Cultural Heritage Act 1986 before purchase. If the Buyer requests Artvisory to apply

for an export licence then we shall be entitled to charge a fee for this service. We shall not be obliged to rescind a sale nor to refund any interest or other expenses incurred by the Buyer where payment is made by the Buyer in circumstances where an export licence is not granted. f)

Remedies for non-payment If the Buyer fails to make full payment immediately, Artvisory is entitled to exercise one or more of the following rights or remedies (in addition to asserting any other rights or remedies available under the law) i)

to charge interest at such a rate as we shall reasonably decide

ii)

to hold the defaulting Buyer liable for the total amount due and to commence legal proceedings for it’s recovery along with interest, legal fees and costs to the fullest extent permitted under applicable law

iii)

to cancel the sale

iv) to resell the property publicly or privately on such terms as we see fit v)

to pay the Seller an amount up to the net proceeds payable in respect of the amount bid by the defaulting Buyer. In these circumstances the defaulting Buyer can have no claim upon Artvisory in the event that the item(s) are sold for an amount greater than the original invoiced amount.

vi) to set off against any amounts which Artvisory may owe the Buyer in any other transactions, the outstanding amount remaining unpaid by the Buyer. vii) where several amounts are owed by the Buyer to us, in respect of different transactions, to apply any amount paid to discharge any amount owed in respect of any particular transaction, whether or not the Buyer so directs. viii) to reject at any future auction any bids made by or on behalf of the Buyer or to obtain a deposit from the Buyer prior to accepting any bids. ix) to exercise all the rights and remedies of a person holding security over any property in our possession owned by the Buyer whether by way of pledge, security interest or in any other way, to the fullest extent permitted by the law of the place where such property is located. The Buyer will be deemed to have been granted such security to us and we may retain such property as collateral security for such Buyer’s obligations to us. x)

to take such other action as Artvisory deem necessary or appropriate If we do sell the property under paragraph (iv), then the defaulting Buyer shall be liable for payment of any deficiency between the total amount originally due to us and the price obtained upon reselling as well as for all costs, expenses, damages, legal fees and commissions and premiums of whatever kinds associated with both sales or otherwise arising from the default.

If we pay any amount to the Seller under paragraph (v) the Buyer acknowledges that Artvisory shall have all of the rights of the Seller, however arising, to pursue the Buyer for such amount.

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g)

Failure to collect purchases Where purchases are not collected within 3 days from the sale date, whether or not payment has been made, we shall be permitted to remove the property to a warehouse at the buyer’s expense, and only release the items after payment in full has been made of removal, storage handling, insurance and any other costs incurred, together with payment of all other amounts due to us.

6. Extent of Artvisory Liability Artvisory agrees to refund the purchase price in the circumstances of the Limited Warranty set out in paragraph 7 below. Apart from that, neither the Seller nor we, nor any of our employees or agents are responsible for the correctness of any statement of whatever kind concerning any lot, whether written or oral, nor for any other errors or omissions in description or for any faults or defects in any lots. Except as stated in paragraph 7 below, neither the Seller ourselves, our officers, agents or employees give any representation warranty or guarantee or assume any liability of any kind in respect of any lot with regard to merchantability, fitness for a particular purpose, description, size, quality, condition, attribution, authenticity, rarity, importance, medium, provenance, exhibition history, literature or historical relevance. Except as required by local law any warranty of any kind is excluded by this paragraph.

7. Limited Warranty Subject to the terms and conditions of this paragraph, the Seller warrants for the period of thirty days from the date of the sale that any property described in this catalogue (noting such description may be amended by any saleroom notice or announcement) which is stated without qualification to be the work of a named author or authorship is authentic and not a forgery. The term “Author” or “authorship” refers to the creator of the property or to the period, culture, source, or origin as the case may be, with which the creation of such property is identified in the catalogue.

The warranty is subject to the following: i)

ii)

iii)

it does not apply where a) the catalogue description or saleroom notice corresponded to the generally accepted opinion of scholars and experts at the date of the sale or fairly indicated that there was a conflict of opinions, or b) correct identification of a lot can be demonstrated only by means of a scientific process not generally accepted for use until after publication of the catalogue or a process which at the date of the publication of the catalogue was unreasonably expensive or impractical or likely to have caused damage to the property. the benefits of the warranty are not assignable and shall apply only to the original buyer of the lot as shown on the invoice originally issued by Artvisory when the lot was sold at Auction. the Original Buyer must have remained the owner of the lot without disposing of any interest in it to any third party

iv) The Buyer’s sole and exclusive remedy against the Seller in place of any other remedy which might be available, is the cancellation of the sale and the refund of the original purchase price paid for the lot less the buyers premium which is non refundable.

Neither the Seller nor Artvisory will be liable for

v)

any special, incidental nor consequential damages including, without limitation, loss of profits not for interest.

Overseas buyers and buyers non-resident in Australia will not be charged GST on both hammer price and premiums under the following conditions:

The Buyer must give written notice of claim to us within thirty days of the date of the Auction. The Seller shall have the right, to require the Buyer to obtain two written opinions by recognised experts in the field, mutually acceptable to the Buyer and Artvisory to decide whether or not to cancel the sale under warranty.

1.

The items are exported through a Artvisory approved freight company including Australia Post

2.

The items are exported within 60 days of the date of the sale

The invoice supplied by Artvisory for purchases will be regarded as a Tax invoice for GST purposes.

vi) the Buyer must return the lot to Seller in the same condition that it was purchased.

14. Resale Royalty Scheme

8. Severability

Under the legal obligations of the Resale Royalty Scheme for Visual Artists Act 2009, sellers must provide the following information to comply with the act:

If any part of these Conditions of Sale is found by any court to be invalid, illegal or unenforceable, that part shall be discounted and the rest of the Conditions shall continue to be valid to the fullest extent permitted by law.

9. Copyright The copyright of all images, illustrations and written material produced by Artvisory relating to a lot including the contents of this catalogue, is and shall remain the property at all times of Artvisory and shall not be used by the Buyer, nor by anyone else without our prior written consent. Artvisory and the Seller make no representation or warranty that the Buyer of a property will acquire any copyright or other reproduction rights in it.

10. Law and Jurisdiction These terms and conditions and any matters concerned with the foregoing fall within the exclusive jurisdiction of the courts of the state in which the auction is held.

11. Pre-Sale Estimates Artvisory publishes with each catalogue our opinion as to the estimated price range for each lot. These estimates are approximate prices only and are not intended to be definitive. They are prepared well in advance of the sale and may be subject to revision. Interested parties should contact Artvisory prior to auction for updated pre-sale estimates and starting prices.

12. Sale results Artvisory will provide auction results, which will be available as soon as possible after the sale. Results will include buyer’s premium. These results will be posted at www.artvisory.com.au.

13. Goods and Service Tax In accordance with A New Tax System (Goods and Services Tax) Act 1999 Artvisory Auctions will collect on behalf of the Australian tax office (ATO) a Goods and Service Tax (GST) of 10% on all applicable transactions.

GST is applicable on the hammer price in the case where the seller is selling property that is owned by an entity registered for GST. GST is also applicable on the hammer price in the case where the seller is not an Australian resident. These lots are denoted by a dagger symbol † placed next to the estimate.

GST is also applicable on the buyer’s premium.

•

was the artwork acquired after 8 June 2010?

•

is the sale/reserve price (including GST) $1,000 or more?

•

is the artist from Australia or a country listed in the Regulations to the Act?

•

is the artist alive, or deceased less than 70 years?

The seller: i)

acknowledges that he or she understands his or her legal obligations under the Resale Royalty for Visual Artists Act 2009 (the Act);

ii)

undertakes to comply with all requirements of the Act, including by providing its agent, the company, with accurate information sufficient for compliance with sections 28 and 29 of the Act;

iii)

undertakes to indemnify the company for any loss incurred by the company as a result of the vendor’s failure to comply with any of the vendor’s legal obligations under the Act; and

iv) acknowledges that if he or she fails to comply with any of his or her legal obligations under the Act, the company may provide the vendor’s name and contact details to Copyright Agency Limited (CAL).

Lots subject to payment of the Resale Royalty Scheme will be denoted by the §. The Australian Resale Royalty is a flat rate of 5% on the hammer price (including GST).

The Australian Resale Royalty is payable by the buyer in addition to the buyers premium plus any applicable GST.

ASIAN ART SPECIALISTS 310 Toorak Road South Yarra Victoria 3141 +61 3 9826 4039 | www.artivsory.com.au