The Contents of Rosemont,Woollahra,Sydney.The property of Lady Burrell and Family, Sunday June 5

The Contents of Rosemont, Woollahra, Sydney The Property of Lady Burrell and Family

Auction • Sunday 5 June 2022

Specialists Single-Owner Auctions Paul Sumner Sandy Bruce Chinese and Asian Arts Luke Guan Ray Tregaskis Victoria Tregaskis Allan Rae Indigenous Australian Art Shaun Dennison Arts of the Middle East Dr Susan Scollay design + decoration & Interior Decorator Auctions Amanda Swanson

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The Contents of Rosemont, Woollahra, Sydney The Property of Lady Burrell and Family

AUCTION

Sunday 5 June 2022, 2.00pm

AUCTION VENUE

NCJW Hall Level 1/111 Queen St, Woollahra NSW 2025

VIEWING

Thursday 2 June

11am–5pm

Friday 3 June

11am–5pm

Saturday 4 June

11am–5pm

VIEWING VENUE

Rosemont, 14 Rosemont Avenue, Woollahra, Sydney 2025

COLLECTIONS

Monday 6 June

11am–5pm

Tuesday 7 June

11am–5pm

Wednesday 8 June

11am–5pm

ONLINE

View catalogue and bid online at www.artvisory.com.au

SPECIALIST ENQUIRIES

Paul Sumner 0412 337 827 paul@artvisory.com.au

ADMINISTRATION ENQUIRIES

Amanda Swanson 0414 592 234 amanda@artvisory.com.au

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How to Bid at our Auctions Catalogues and Viewing

Buyers Premium

Auction catalogues can be viewed on the Artvisory website www.artvisory.com.au approximately three weeks prior to the published date of an Auction.

Artvisory charges a Buyers Premium of 24% plus GST on the hammer price of all Auction items unless otherwise stipulated.

If a printed catalogue has been produced for an Auction, it will be available complimentary at Artvisory, 310 Toorak Road, South Yarra 3141.

Bidding

The Auction viewing is open to the public and generally takes place during the three days prior to the Auction date, from 11am-5pm at the advertised location/s in the Auction catalogue.

Live Bidding

Artvisory offers four options for bidding at our Auctions:

The Lot/ Catalogue descriptions provide the overall information of an item including size, date or age, medium, attribution, quantity and if known, provenance.

If this is your first-time bidding with Artvisory you will be required to register with us, and we suggest that you arrive at the Auction with your pre-filled registration form (available to download and print from our website) and you will then receive your bidding number at the Auction. To facilitate this please bring along your Government issued photo identification, such as a driver’s licence or passport as this is the only form of identification that will be accepted.

Estimates

Please make sure you register in the name you want your final invoice to be made out to as invoices once issued cannot be changed, and in certain cases a deposit may be required before you can bid.

Lot Descriptions

The estimate accompanies each lot in the printed and online catalogue. This estimate takes into consideration the quality, condition, rarity, condition and provenance of the item. Each estimate also has a reserve, and the reserve is the undisclosed and confidential amount set at or below the low estimate. Please note the reserve will never exceed the low estimate at Artvisory, however many lots are sold without a reserve.

Condition Reports Condition reports supplement the lot/ catalogue description and focus on the condition of the item. We strongly advise obtaining a condition report if you are unable to view the lot in person. Condition reports and additional images are available to view as part of the auction item listing at Invaluable.com

Symbols Occasionally a symbol is printed next to a lot number in the catalogue, this indicates a special clause that is associated with the sale of that item.

Please refer to the Terms and Conditions for specific symbol meanings and information.

Online Bidding Online bidding via Invaluable.com allows you to bid via the internet in real time, whilst also allowing you to view the live feed of the Auction.

Please register for this service with Invaluable.com at least 24 hours prior to the Auction to ensure you do not miss your lot.

Invaluable.com charges a 5% fee on any successful lots purchased which will be added to your final invoice.

Please note if you have not bid with Artvisory previously, then Government issued photo identification verifying your name and address will be also be required before you can be approved to bid with Artvisory via the Invaluable.com site, and in certain cases a deposit may be required before you can bid.

Please note Artvisory cannot be held responsible for any errors that occur with internet connectivity during an auction or buyer bidding errors.

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Telephone Bidding

Payment and Collection

Complimentary telephone bidding is available at all our live Auctions, and involves an Artvisory representative calling you approximately 3–5 lots in advance of your nominated lot and you then instruct them to bid on your behalf.

If you are successful with your bid/s your invoice will be emailed to you immediately after the Auction finishes.

Telephone Bids must be requested at least 24 hours prior to the commencement of the Auction and are provided on a first come first served basis, as the number of phone lines available are limited.

See our website to download and complete a telephone bidding form and please note if this is your first time bidding with Artvisory we will require a clear, scanned copy of Government issued photo identification such as a drivers licence or current passport verifying your name and address and in certain cases a deposit may be required before you can bid.

Absentee Bidding Absentee bidding offers convenience if you are unable to attend an Auction in person, bid over the telephone, or if you wish to stick to your budget.

An absentee bid should be set at the maximum amount you wish to bid on the lot/s you are interested in purchasing. Should the lot/s be knocked down at an amount lower than the bid recorded on your form, the lot will be sold to you for the lesser hammer price plus buyers premium. If identical bids are received for the same lot, then the first bid received by Artvisory will take precedence.

Absentee bids must be received by Artvisory at least 24 hours prior to the Auction commencing and the Company cannot be held responsible for activating any late bids that are received.

See our website to download and complete an absentee bidding form and please note if this is your first time bidding with Artvisory we will require a clear, scanned copy of Government issued photo identification such as a drivers licence or current passport verifying your name and address and in certain cases a deposit may be required before you can bid.

You will pay the hammer price, plus the Buyers Premium of 24% plus GST on each lot, together with any additional charges such as GST on hammer or the Artist Resale Royalty if applicable.

As per our terms and conditions, payments must be made in full by three (3) days after the Auction as printed in the catalogue.

Personal, Company and Bank cheques are not accepted unless prior approval has been sought.

We accept Direct Deposit into the Company Trust Account, Eftpos (up to your daily limit) or credit card in person with the following merchant fee applicable (1.8% for Visa, Mastercard and American Express) Cash payments must be deposited direct to the Company Trust account via any Commonwealth Bank Branch, and goods can be released upon supplying the deposit receipt.

All payment options and Company Trust Account details are included on the invoice that is emailed to you after the Auction if you are a successful bidder.

All items must be paid for in full and collected within the collection times advertised for each individual Auction. If items are not collected within this time frame then Artvisory reserves the right to charge removal, storage and release fees.

Packing and Delivery Artvisory recommends Pack and Send for all packing and interstate and international deliveries and we are happy to help co-ordinate this for you with Pack and Send.

Regarding larger items such as furniture and large artworks, we have a list of recommended specialist carriers for local, interstate and international deliveries that we can provide to buyers and this will be sent to you with your invoice if you are successful at the auction.

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Thomas 3rd Lord Denman (1874-1954) painted by Mark Milbanke ( 1875-1927)

Lady Denman (1884-1954) painted by Sir William Nicholson (British 1872-1949)

The public will get a very rare chance to see inside one of Sydney's most famed private residences when the contents of historic home, Rosemont, are auctioned on June 5 in Sydney, with a public viewing at 14 Rosemont Avenue, Woollahra from Thursday 2 June to Saturday 4 June, 11am-5pm daily.

In the 1930s, it was bought by Lady Hannah Lloyd Jones (wife of David Jones chairman, Sir Charles Lloyd Jones), who held lavish parties attended by prominent VIPs, including Sir Robert Menzies, Prince Philip, Noel Coward, Danny Kaye, Elizabeth Arden and Helena Rubinstein.

The home of Lady Burrell and her late husband Sir Raymond Burrell and their family since 1983, this exciting auction will see Rosemont's contents up for auction, including rare and beautiful art and antiques, as well as gracious home furnishings.

Sir John Raymond Burrell succeeded as the 9th Baronet Raymond of Valentine House, co. Essex [G.B., 1774] on May 4, 1985, and held the office of Deputy Lieutenant (D.L.) in 2000. While his family's ancestral seat is Knepp Castle in West Sussex, he and Lady Burrell purchased Rosemont in the 1980s.

Rosemont was recently sold for AUD$45M, setting a real estate record for the suburb of Woollahra and a new benchmark for Sydney's non-waterfront trophy homes. The historic mansion was built in 1857 by merchant banker and politician Alexander Campbell and was the centrepiece of Sydney's high society for over a century.

The 3000sqm property is one of Woollahra's most significant private landholdings. During its 164-year history, it was owned by some of Sydney's most prominent business and political figures, including businessman Sir Samuel Sydney Cohen, financier Sir John Joseph Garvan, and Sir Charles and Lady Mackellar, parents of Australian poet Dorothea Mackellar.

Sir Raymond and Lady Burrell purchased Rosemont at a mortgagee sale in 1983, which planned for the house to be subdivided into a series of apartments. In the following years, the Burrells carried out significant renovations – completely changing the entrance to the house, creating a wonderful garden and a usable family home.

Sir Raymond Burrell’s family history in Australia spans back to 1911. His grandfather – Lord Denman (3rd Baron Denman) served as the fifth Governor-General of Australia, in office from 1911 to 1914. On 12 March 1913, Lord Denman inaugurated the site of the future national capital and Lady Denman formally announced its name, Canberra.

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1 A set of eight fine quality figured-walnut dining chairs in the Queen Anne style, English, 19th century standards 99cm high and seats 52cm wide, armchair 102cm high and 75cm wide across the arms $4,000–6,000

2 A Chinese gilt blue-scale ground vase painted with coral coloured swimming carp, Kangxi style, 19th century 46cm high $1,500–2,500

3 A very decorative painted pinewood single-door cupboard, Austrian dated 1861 170cm high, 110cm wide, 55cm deep $1,500–2,000

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4 An extremely fine quality gilt-bronze mounted mahogany centre-table, French circa 1880 134cm wide, 74cm high, 74cm deep $8,000–12,000

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5 A pair of ormolu mounted green marble table lamps, French, 19th century with pleated silk shades 68cm high $3,000–5,000

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6 A fine and very impressive featherbanded George I walnut chest-on-chest, English, early 18th century 184cm high, 108cm wide, 57cm deep $8,000–12,000

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7 JOHN WILLIAM LEWIN, BRITISH/AUSTRALIA (1770-1819) A Natural History of the Birds of New-South-Wales London 1822 26 plates, marble-boards and red Morocco spine. A combination copy of some 1822 engravings and with some restrikes done

by Quaritch in London, Printed for J.H Bohte 4 York street Covent-Garden by G Schulze, 13 Poland Street. 1822.

Folio 39 x 29.5cm $8,000–12,000 7

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8 A fine Regency reeded six-leg mahogany sideboard of Gillows quality, English circa 1810 185cm wide, 95cm high, 75cm deep $4,000–6,000 8 (Detail)

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9 CIRCLE OF MELCHIOR DE HONDECOETER (1636-1695)

Peacocks and Fowl oil on canvas 153 x 194cm PROVENANCE

Cadogan Gallery London, via Robert Holden bought as "Melchior de Hondecoeter and studio" for 29,900 pounds on 11 June 1986 (including commissions) $40,000–60,000

Melchior d'Hondecoeter was a much celebrated Dutch animalier painter and he was born in 1635 at Utrecht and died in Amsterdam in 1695. He painted virtually exclusively bird subjects, usually exotic or game, in parklike landscapes. Hondecoeter's paintings featured geese (Brent goose, Egyptian goose and Red-breasted goose), fieldfares, partridges, pigeons, ducks, northern cardinal, magpies and peacocks, but also African grey crowned cranes, Asian sarus cranes, Indonesian yellow-crested cockatoos, Indonesian purple-naped lory and grey-headed lovebirds from Madagascar. Very few of his pictures are dated, around twenty of them, though more are signed.

His masterpieces are at The Hague, Soestdijk and at Amsterdam (The Floating Feather), but there are fine examples in the Wallace Collection and Belton House in England, and in the public galleries of Berlin, Budapest, Caen, Cologne, Copenhagen, Detroit, Dresden, Dublin, Florence, Glasgow, Hanover, Karlsruhe, Kassel, London, Lyon, Lille, Melbourne, Montpellier, Munich, Paris, Poltava, Riga, Rotterdam, Rouen, Stuttgart, Schwerin, Vaduz, Warsaw and Vienna.

The largest Hondecoeter exhibition to date was held in Berlin in 2010, where 18 of his works were shown at the Neue Nationalgalerie.

Melchior d’Hondecoeter’s autograph work of this image called ‘The Pair of Peacocks’ is in the Academy of Fine Arts Vienna (Kunste Wein).

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10 PAUL SANDBY ENGLISH (CIRCA 1730-1809)

A Prospect of Bolton Hall, Wensleydale, North Yorkshire oil on canvas signed lower right 147 x 235cm PROVENANCE

By Descent Charles Powlett 5th Duke of Bolton Offered Sotheby’s London July 9 1986 British paintings 1500-1850 Lot 83 for 60,000-80,000 pounds but went unsold.

Acquired by Sir Raymond and Lady Burrell via Robert Holden, London, 7 August 1986, for 40,000 pounds. $40,000–60,000

Paul Sandby RA (1731 – 7 November 1809) was an English map-maker turned landscape painter who, along with his older brother Thomas, became one of the founding members of the Royal Academy London in 1768.

Following the suppression of the Jacobite rebellion of 1745, Sandby was employed to assist in the military survey of new roads of the northern and western parts of the Scottish Highlands.While undertaking this commission, which included preparing designs for new bridges and fortifications, he began producing watercolour landscapes documenting the changes in Scotland since the rebellion, and making sketches of Scottish events such as the hanging in Edinburgh of soldier-turned-forger John Young in 1751 He left his post with the survey in 1751, and spent some time living with his brother, who had been appointed Deputy Ranger of Windsor Great Park. There he assisted his brother, and made a series of drawings of the castle, the town, and its neighbourhood, which were purchased by Sir Joseph Banks. His skills were applauded by fellow artists such as Thomas Gainsborough: if one wanted "Real views from nature in this country", declared Gainsborough in 1764, there was no better artist than Sandby” He also etched a large number of plates after his own drawings, a hundred of which (including views of Edinburgh) were published in a volume in 1765. In 1760 he issued twelve etchings of The Cries of London.

It is not recorded how long Sandby lived with his brother at Windsor, but he is said to have spent part of each year in London, and much of his time was probably spent on sketching excursions.

In 1760 he contributed to the first exhibition of the Society of Artists.

He exhibited regularly with the society until the foundation of the Royal Academy eight years later, and was one of its first directors when it was incorporated in 1765. In 1768, he was appointed chief drawing master to the Royal Military Academy at Woolwich, a position he retained until 1799.

On the formation of the Royal Academy in the same year he was one of the 28 founder-members nominated by George III. Sandby made extensive journeys around Britain and Ireland, sketching scenery and ancient monuments. He made his first recorded visit to Wales in 1770, later (1773) touring south Wales with Sir Joseph Banks, resulting in the 1775 publication of XII Views in South Wales and a further 12 views the following year, part of a 48-plate series depicting Welsh scenery commissioned by Banks.

He died at his house in Paddington on 7 November 1809, and was buried in the burial ground of St Georges Hanover Square. He was described in his obituaries as "the father of modern landscape painting"

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11 JACOB KNYFF (1639-1681)

The British Fleet off Sheerness oil on canvas 108 x 176cm PROVENANCE

Acquired by Sir Raymond and Lady Burrell, via Robert Holden London, at Sotheby’s London British Paintings (1500-1850), 9 July 1986, Lot 11 for 27,460.00 pounds (including commissions) $40,000–60,000

The artist Jacob Knyff was born in Haarlem, the son of Wouter Knyff. By 1670 he had a studio in Paris and he moved to England in 1672, one of the many Dutch artists who were encouraged to come to England by Charles II's proclamation promising work in that country. He remained in England until his death in 1681 aged 42.

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12 An impressive and fine quality Italian giltwood and gesso eight-light chandelier, Italian, 18/19th century approximately 110cm from the bottom to the top of the carved pediment, approximately 130cm wide across the arms $3,000–5,000

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13 A very impressive pair of very tall Aubusson tapestry wall panels, French, 18th/19th century 380cm high, 106cm wide $3,000–5,000

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14 A cut crystal and gilt metal table lamp, French, circa 1900 86cm high including pleated silk shade $300–500

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15 A pair of fine quality George IV giltbronze and crystal three-light candelabra, English, circa 1825 43cm high, 27cm wide $2,000–3,000

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16 A fine quality walnut and marquetry bombé fall-front bureau, Dutch, circa 1770 118cm wide, 67cm deep, 108cm high $5,000–8,000

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17 A very fine inlaid and carved Neo-Classical mahogany breakfront library bookcase, English or Irish, circa 1785 295cm high, 254cm wide, 62cm deep $25,000–35,000

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18 A rare and highly decorative set of six Chinese export paintings, showing the trading ports of China, circa 19th century approx 72 x 135cm $4,000–6,000

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19 A set of four Chinese painted panels, Qing dynasty, 19th century watercolour on paper, framed 256 x 76cm with frames 260 x 80cm $3,000–5,000

20 An impressive painted wood and wire mesh aviary 300cm high and each of 6 sides are 92cm wide $2,000–4,000

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21 A rare garniture of three Arita blue and white lidded vases, Japanese, 17th century bears trade label for Woods Wilson Ltd, London.

48cm high $6,000–9,000

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22 A Georgian style chinoiserie red lacquered bureau-bookcase, Italian, circa 1920 210cm high, 90cm wide, 48cm deep $1,000–1,500

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A Gothic revival carved stone pedestal font, French or English, 19th century 76cm high, 62cm wide

A pair of large metal and glass hanging lanterns, French, early 20th century $1,000–1,500

$1,000–1,500

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25 A graduated set of three Japanese bronze cranes, Meiji period (1868–1912) 113cm high and 60cm high $1,000–1,500

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26 A George III mahogany campaign secretaire-chest, English, circa 1810 110cm high, 117cm wide, 63cm deep $700–1,000

27 A good pair of Jacobean style oak side chairs with upholstered seats and back rails 87cm high, 52cm wide $800–1,200

28 A good George II oak lowboy, English, 18th century 73cm high, 92cm wide, 44cm deep $1,500–2,500

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29 UNKNOWN ARTIST (ITALIAN SCHOOL, 18TH/19TH CENTURY)

Classical Landscape with Figures oil on panel 142 x 174cm $5,000–8,000

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30 An impressive pair of Victorian composite stone recumbent lions, English, 19th century 50cm high, 110cm long PROVENANCE

Acquired in England via Robert Holden, London $3,000–5,000

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31 A rare George III mahogany architect's table, English circa 1770 100cm wide, 66cm deep, 79cm high $3,000–5,000

32 An appealing George I walnut lowboy, English, early 18th century 73cm high, 83cm wide, 51cm deep $2,000–4,000

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33 A fine pair of painted ceramic figures of parrots

by Anne Gordon, Australian dated 1982 29cm high $800–1,200

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34 A fine pair of painted ceramic figures of storks

by Anne Gordon, Australian, dated 1982 34 and 32cm high $1,500–2,500

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35 A Queen Anne walnut side table, English, 18th century and later 74cm deep, 94cm wide, 70cm high $1,500–2,500

36 A well proportioned Charles II yew-wood and oak geometric design chest of four drawers, English, circa 1700 92cm high, 100cm wide, 56cm deep $2,000–4,000

37 A Louis XV style Boulle mantel clock signed Testu, Paris, French, 19th century 43cm high $1,000–1,500

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38 A rare gilt-metal mounted horse measuring stick and cane, inscribed Sir Mortimer Sinclair KBE Milton Hill, Berks.

95cm long $400–600

39 A George I mahogany silver-table, English, 18th century and later 71cm high, 74cm wide, 46cm deep $300–500

40 A very decorative pair of gilt-wood and mirrored table lamps, Italian, 18th/19th century each with cream silk shades 48cm high including shades $800–1,200

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41 An Edwardian carved walnut armchair, English, circa 1900 covered in red printed cotton fabric 87cm high, 67cm wide, 65cm deep $300–500

42 A pair of large ivory-piped red linen sofas 240cm wide, 105cm deep, 70cm high $3,000–5,000

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43 SOPHIE CAPE (BORN 1975)

Encountering what cannot be foreseen, 2015 ink, acrylic, charcoal, blood and soil on canvas 200 x 299cm $15,000–20,000

Sophie Cape is a leading contemporary artist who is represented by Olsen Gallery, Sydney. www.olsengallery.com This work was acquired from Olsen Gallery and was exhibited: Sophie Cape, An Unending Shadow, Olsen Gallery, Sydney, 10–28 February 2016

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44 Four finely painted decoy ducks signed Jadai Feng and dated 1978 approximately 24cm-30cm long $300–500

45 A gilt and black lacquer octagonal work-box, Chinese export, first half of the early 19th century 29cm wide, 14.5cm high $200–300

46 An unusual black lacquer and porcelain mounted gilt table cabinet, Japanese, late Meiji period (1868-1912) 29cm wide, 32cm high $400–800

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47 Four decoratively painted tole-ware jardinières 20–28cm wide $300–500

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48 A Chinese Chippendale mahogany tea or card table, English, 18th century 91cm wide, 74cm high, 46cm deep $4,000–6,000

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49 A rare George II mahogany architect’s table, English circa 1750 98cm wide, 70cm deep, 72cm high $3,000–5,000

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A pair of Italian faience stacked cushion-form stools or tables 35cm tall, 52cm wide

A pair of contemporary black lacquered bedside tables, 66cm high, 76cm wide, 54cm deep

$400–600

$400–600

A pair of ivory glove stretchers, a matching button hook and a hair-brush, English, circa 1900 various $100–200

Part 2 The following lots are all illustrated online at www.artvisory.com.au 51 A pair of resin classical urns on pedestals 137cm high

55 An Imari ceramic table lamp with two dogs around the base and green card shade 64cm high $100–200

A Victorian double-pedestal pine partner’s desk, English, 19th century 136cm wide, 106cm deep, 77cm high

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$600–1,000

$400–600

53 A Georgian mahogany toilet mirror, English, circa 1810 44cm high, 46cm wide $100–200

A small brass carriage clock, French, 19th century 8cm high $100–150

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$400–600

Two elm and ash ladder back armchairs, English 18th/19th century each with a woven rush seat 106 and 108cm high

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60 A pair of brass twist column candlesticks, English, 19th century as lamps 51cm $200–300

57 A pair of Imari pattern vase lamps with pleated silk shades 64cm high $150–200

61 A lounge armchair fully upholstered in beige fabric 62cm high, 83cm wide, 93cm deep $150–250

62 A cream and pale blue and floral painted blanket chest 112cm wide, 60cm deep, 51cm high $200–400

63 A pair of very pretty French cream painted faux bamboo armchairs 80cm high, 52cm wide, 40cm deep $400–600

64 A George III inlaid mahogany wardrobe, English, circa 1810 208cm high, 130cm wide, 66cm deep $600–1,000

65 Two large Chinese style porcelain vases, branded Alifield 47cm high $200–400 50

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66 A black-painted wrought iron garden seat 77cm high, 144cm wide $300–500

67 A good quality Charles II style walnut armchair, English, 19th century 143cm high, 72cm wide across the arms $500–800

70 ARTIST UNKNOWN (ENGLISH, 18TH CENTURY) A view of Esher in Surrey the seat of the late St Hon Henry Peltham esq and a view of the Walton Bridge Venus's Temple in the garden of Sir Francis Dashwood at West Wycombe pair of coloured steel engravings The first published according to an act of Parliament 1759 the second printed for Robert Sayer in Fleet street.

31 x 44cm

73 A Meissen porcelain ornithological coffee-pot and cover, German, 19th century, 25cm high $300–500

74 A porcelain three-legged ornithological coffee-pot and cover, German, 19th century painted with birds and insects 30cm high

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$100–200

$200–300

A Georgian mahogany sofa table, English, circa 1810 and later 72cm high, 98cm wide, 60cm deep

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$800–1,200

A domed top blackwood box, Tasmanian, circa 1920 23cm wide

Two modern blue and white jardinières and a modern multi-coloured jardinière, 16cm, 25cm and 23cm high

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$100–150

$100–150

A Chinese style famille-rose armorial jardinière and two similar pierced plates 15cm high and 23cm diameter

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A small Dutch style gilt metal ceiling light, French, 19th century approx 40cm high

A circular pine decorators table with pink throw cover 135cm diameter

$300–500

$100–200

$150–200

77 A flower-painted porcelain oval serving dish, German, circa 1920 34cm wide $30–50

78 Two clear glass vases and a cut glass bowl 30cm and 36cm high and bowl 21cm diameter $20–40

79 A pair of circular ribbed planters with palm trees 50cm high, 73cm diameter $300–500

80 A set of three very decorative contemporary Asian metal figures of deer 111cm and 87cm high $1,000–1,500 66

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A Queen-Anne style walnut bedside chest-of-drawers 73cm high, 71cm wide, 41cm deep

A modern wrought metal and timber dining table 200cm long, 77cm high, 90cm wide

$300–500

$400–600

A brass adjustable floor lamp, English, 19th century with pleated silk shade 170cm high $400–600

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A large armchair covered in floral patterned linen fabric loose covers 80cm high, 95cm wide, 107cm deep

A set of six modern caned dining chairs

$200–400

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83 A white painted overmantel mirror 170cm high, 146cm wide

Two painted wood doorstops in the form of a sheep and a koala approx. 30cm high

Four Chinese carved red amber carvings, Qing dynasty, 19th century of Shou Lao, Two coiled dragons, elephant with rider, and a seated immortal, all on carved stands 15cm, 11cm, 9cm and 12cm high including stands

$80–120

$400–600

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A chrome and glass float-glass bell shaped ceiling light approx. 80cm high

A Ming style red ground vase, Chinese, 20th century 45cm high

$300–500

PROVENANCE

$300–500

$300–500

84 A pair of Portuguese porcelain square candlesticks 41cm high $50–100

85 A Chinese camphorwood blanket box decorated with carved bands of lotus flowers 102cm wide, 50cm deep, 52cm high

Emac and Lawton, Botany, Sydney, 2002 93

$300–500

A nest of two walnut occasional tables, English, early 20th century largest 63cm high, 58cm wide

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$100–200

$300–500

86 An early Victorian mahogany bow-front chest-of-drawers, English, circa 1840 100cm wide, 54cm deep, 110cm high $500–800

87 A cut glass chandelier, French circa 1940 approx 68cm tall $500–800

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A pair of good quality gilt bronze ceiling-lights, French, 19th century approx 50cm high $1,000–1,500

A pair of cut crystal knopped and faceted table candlesticks, English, 19th century together with a similar smaller example 30cm high and 27cm high

A brass doorstop in the form of a cherub 46cm high

$400–600

$150–200

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A brass floor lamp with three animal paw feet and pleated silk shade, English, 19th century 163cm high

A George III mahogany armchair, English, 18th century in the Chippendale style with a tapestry covered seat 92cm high, 66cm wide across the arms $300–500

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$400–600

102 A pair of pink linen covered armchairs 78cm high, 103cm deep, 97cm wide $300–500

96 A stained beech circular decorator's table with an Indian patterned throw 110cm diameter, 72cm high $100–200

103 A Sheraton style mahogany lamp table, English, circa 1810 75cm high, 60cm wide, 41cm deep $400–600

53

104

112

A Georgian style brass studded and green leather covered library folding ladder, English, 20th century 206cm high and 31cm wide when open and 240cm tall when folded

A green velour upholstered recliner armchair 100cm high, 87cm wide

$1,000–1,500

105 Fine Bird Books 1700-1900 by Sacheverell Sitwell Handasyde Buchanan and James Fisher Collins and Van Nostrand London New York 1953 no 187 of an edition of 295 Marble boards and red Morocco spine folio 50 x 36cm $500–800

106 A turquoise-blue glass ribbed ovoid vase 30cm high $200–400

107 A collection of antiquarian books $400–600

108 A brass lantern clock, English 19th century in the 17th century manner, inscribed Thomas Barrett in Canterbury 36cm high, 14cm wide $400–600

109 A collection of books relating to the visual arts $400–600

110 A famille-rose enamel circular plate, Chinese Qianlong period, 18th century 23cm diameter $150–250

111 A collection of books mostly novels $200–400

$50–100

113 A Staffordshire pottery flat back castle, English, 19th century 33cm high $300–500

114 A small Indian bone and brass circular box and cover in the form of a flower-head 6cm high, 7cm diameter $200–300

115 A small Japanese lacquer and simulated bamboo étagère, French, 19th century 77cm high, 55cm wide $100–150

116 AFTER G CRUIKSHANK

Monstrosities of 1819 a pair of coloured prints 21 x 32cm $100–200

117 A Chippendale style mahogany low foot-stool with a floral upholstered top.

87cm wide, 38cm deep $200–400

118 A William and Mary style mahogany stool with a needlework covered seat 45cm high, 46cm wide, 38cm deep $400–600

119 An Edwardian carved walnut chair 89cm high $100–200

120 PAUL JONES (1921-1997) A pair of botanical prints, Tryon Gallery editions London edition numbers 152/150 and 170/250 paper size 64 x 46cm $100–200

121 A pair of gilt metal Empire style dolphin lamps, 19th century 55cm high $400–600

122 A George III style mahogany stool with a padded upholstered top 48cm high, 153cm wide $400–600

123 A pair of Louis XV period gilt bronze candlesticks converted to lamps, French, 18th century 41cm high $500–800

124 A red upholstered three-seater sofa and various scatter cushions 188cm wide, 99cm deep, 80cm high $200–300

125 A pair of Victorian Staffordshire pottery figurines of Scottish Highland hunters on horseback 37cm high $200–300

126 A pair of Staffordshire pottery spaniels, English, circa 1880 31cm high $200–300

54

127

132

137

A pair of Staffordshire type pottery jugs in the form of Cavalier spaniels 25cm high

A Chinese mustard and olive green glazed planter 50cm high

A pair of circular ribbed planters with palm trees 50cm high, 73cm diameter

$150–200

$300–500

$300–500

128

133

138

A Chinese floral and bird painted polychrome bowl, Qianlong period, Chinese, 18th century 36cm diameter, 15.5cm high

A Chinese mustard and olive green glazed planter 50cm high

A pair of circular ribbed planters with palm trees 50cm high, 73cm diameter

$1,000–1,500

$300–500

$300–500

129

134

139

A re-constituted stone pedestal urn 45cm high

A collection of various ceramic and reconstituted stone planters and plants in plastic pots various sizes

A white painted metal framed mirror 62cm high, 110cm wide

$400–600

140

$300–500

130 A Chinese mustard and olive green glazed planter 50cm high $300–500

131 A Chinese mustard and olive green glazed planter 50cm high $300–500

135 A Chinese mustard and olive green glazed planter 50cm high $300–500

136 A Chinese mustard and olive green glazed planter 50cm high $300–500

$100–200

A small black metal hanging lantern $80–120

141 A pair of bronze effect resin figures of a classical boy and girl 130cm high $300–500

142 Various cane outdoor furniture, including a cane seating unit and an armchair various sizes $200–300

127

128

55

56

143

151

159

A Royal Copenhagen white glazed centrepiece in the form of three putti holding a bowl aloft 25cm high

A large cream and blue painted wardrobe 212cm high, 165cm wide, 67cm deep

An Edwardian mahogany Wellington chest, fitted with seven drawers.

108cm high, 61cm wide, 40cm deep

$200–300

$100–200

144 A Lladro porcelain figurine, Couple of Doves, released 1971, catalogue #1168, designed by Antonio Ballester 12.5cm high 145 A Queen Anne style walnut three panel folding toilet mirror 76cm high, 90cm wide $100–200

146 A red-ground Turkoman rug, circa 1920 270 x 153cm $500–1,000

147 A fully upholstered armchair, covered in floral patterned fabric 86cm high, 77cm wide, 71cm deep $300–500

148 A cream and yellow painted standard lamp with pleated silk shade 185cm high $300–500

149 A Staffordshire painted pottery figure of a recumbent animal, English, circa 1810 17cm long, 10cm high $200–400

150 A set of six Victorian walnut dining chairs, French 19th century with tapestry seat 98cm high, 46cm wide $400–600

$500–800

152 A large silvered wood bevelled glass wall mirror 110cm high, 80cm wide $200–300

153 A blanc-de-chine dog-of-foe table lamp, Chinese, circa 1920 63cm high $200–300

154 A pair of white painted candlestick form table-lights, with chintz shades 70cm high $100–150

160 A Victorian mahogany bow-front chest of drawers, English, 19th century 98m wide, 100cm high, 50cm deep $500–800

161 A Chinese blue and white table lamp with card shade 72cm high $80–120

162 An Edwardian hardwood cabinet 137cm high, 128cm wide, 58cm deep $80–120

155 A large Portmerion pottery Botanic garden pattern ceramic flower vase 25cm high

163

$100–200

$200–400

156

164

Four pieces of Continental floral and bird painted ceramics various sizes

A Kashmiri carved wood work-box 36cm long

A large white painted display cabinet 236cm high, 130cm wide, 36cm deep

$100–200

$100–200

157 A George III mahogany side chair in the Hepplewhite manner, English, 19th century 95cm high

165 A modern lacquered work box of rectangular form and with a gilded armorial to the lid 30cm wide, 13cm high $100–200

$200–400

158 A framed topographical map, The County of Sussex, 1799

by Thomas Gream, six folds 38cm high, 60cm wide $300–500

166 A virtual pair of small rosewood bone inlaid side-tables, 59cm high, 31cm wide $300–500

57

167

173

181

A Jacobean style carved oak bench stool, English 19th century with cane and tapestry cushion seat 91cm wide, 27cm high

A pair of glass and metal table candlesticks with storm shades 34cm high

A large blue and white ceramic vase, Japanese, Meiji period, 19th century 56cm high

$100–200

$300–500

174

182

A pair of brass column adjustable reading lamps, with pleated silk circular conical shades 144cm high

A vintage Oak Tree Series American Pixie Pin Game 54 x 27cm

$200–400

$150–250

175

183

A pair of red and cream wool tapestry antelope design cushions approximately 42cm square

A pair of Meissen porcelain floral, bird and insect painted plates with moulded decoration, German, 19th century blue crossed swords marks 25cm diameter

$200–400

168 A set of three French cream-painted wood chandeliers; one with five-lights and two with three-lights. approximately 46cm tall from top to base of the central column $500–800

169 A pair of matching ivory-piped red linen ottomans approx 85cm square and 40cm high $800–1,200

170 L ROSS (AUSTRALIAN, LATE 19TH/EARLY 20TH CENTURY)

Kookaburra watercolour signed lower right 43 x 38cm $300–500

171 A good quality brass floor-lamp, English, circa 1920 with ivory card circular shade 180cm high $200–400

172 A pair of good quality generous armchairs on tapered wood legs with casters and covered in pale-gold linen 80cm wide, 80cm deep, 100cm high $600–1,000

$200–300

176 A pair of red and black and ivory grid design cut velvet cushions and five other scatter cushions grid designed ones approximately 55cm square and the others various sizes

$200–300

184 A Chinese polychrome painted ceramic jardinière and stand 42cm diameter, 34 cm high

$200–300

$150–250

177

185

A modern Australian specimen timber parquetry octagonal chess table, 20th century 60cm wide, 58cm high

A Moroccan orange glazed ceramic bowl and cover with metal mounts 13cm diameter

$200–400

$50–80

178

186

Four red geometric star and grid design cushions approximately 50cm square

A Crown Staffordshire porcelain model of a sulphur crested cockatoo by J T Jones 36cm high

$200–400

$200–300

179

187

A pair of brass lions paw doorstops, English 19th century 38cm high

A large four-seater settee covered in floral chintz 280cm wide, 76cm high, 87cm deep

$300–500

$1,000–1,500

180

188

An extremely large sisal rug 940 x 345cm

A matching square ottoman 65cm square, 41cm high

$800–1,200

$150–250

58

189

193

202

A very attractive large faux bamboo two-mirror door wardrobe, French, 19th century 235cm high, 164cm wide, 57cm deep

A circular planter

A pair of Indonesian teak sofas with squab cushions 230cm wide, 70cm deep, 82cm high

$1,000–1,500

194

190 A Chinese floral decorated foot-bath jardinière 20cm high, 40cm wide $150–200

191 A Chinese floral decorated foot-bath jardinière 20cm high, 40cm wide $150–200

192 A pair of Chinese mustard and olive green glazed jardinières, one decorated with a dragon the other with water-plants $300–500

$200–400

A pair of circular ribbed planters 50cm high, 73cm diameter $500–800

195 A pair of circular ribbed planters 50cm high, 73cm diameter $500–800

196 A Chinese brown glazed jardinière, a reeded circular pedestal planter and a circular planter 28cm high, 36cm high and 42cm high $200–400

197 A circular ribbed planter 50cm high, 73cm diameter $150–250

198 A Weber Q BBQ 80cm wide, 95cm high $150–200

199 A set of six wooden dining chairs 88cm high $100–150

200

$700–1,000

203 A set of four Indonesian teak garden chairs with squab cushions 90cm high, 95cm tall, 72cm wide $400–600

204 An Indonesian marble top circular table 122cm diameter, 48cm high $200–400

205 A set of eight hoop back chairs with squab cushion seats 78cm high, 58cm wide $500–800

206 Two yellow painted turned wood table lamps.

64cm high $200–300

207 A Jacobean style oak metamorphic settle/table, English, circa 1910 120cm wide, 43cm deep and approximately 120cm tall when open $300–500

208

An Australian cedar table, circa 1880 178cm long, 105cm wide, 76cm high

A Caucasian flat weave kilim, decorated with brown and blue diamond shaped lozenges 270 x 100cm

$150–200

$200–400

201

209

An Australian cedar table, circa 1880 153cm long, 91cm deep, 76cm high

A George I style walnut bedside chest of drawers 72cm wide, 72cm high, 43cm deep

$150–200

$300–500

189

59

60

210

215

222

A fine silver-gilt christening mug, marks rubbed, maker Joseph Angel, London 1818 weight 5¾ozs 9cm high

A sterling silver pepper grinder, maker N L, London 1973 7cm high

A set of four matching small toast racks, maker Walker & Hall, Sheffield 1903, weight 12ozs 12.5cm long, 10cm high

$100–100

$200

216

223

A sterling silver pepper caster maker R C, London 1929, Weight 3½ozs 11cm high, 8cm long

A pair of cauldron salts and mustard pot, with blue glass liner, maker, C & R C, London 1919 Salts weight 5ozs, 4.5cm high, 6cm diameter Mustard weight 4ozs, 6cm high, 5cm diameter

$100–200

$200

217

224

A pierced circular small mustard pot, with a blue glass liner, maker Haseler Bros, Birmingham 1905 weight 1½ozs 6cm high

A tall open work silver vase/bowl, probably by Neresheimer, Hanau, late 19th century weight 5ozs 9cm high

$300

211 Four silver-plated sauce ladles in the Old English pattern $30–50

212 A pedestal bon-bon dish, English, early 20th century seemingly unmarked weight: 4ozs 14cm diameter $20–40

213 A pair of baluster pepperettes, maker’s marks rubbed, weight 4ozs 9cm high $80–120

214 An incomplete cased set of eight coffee spoons, the fitted case for ‘David Anderson’ marked variously ‘Norway’ etc.

11cm long $20–40

$150–200

$80–120

218 An oval bowl of bombé form, inscribed: Andrew John Burrell … September 1974; maker Henry Frazer, London 1902, weight 7¼ oz 6cm high, 11cm long $200

219 A sterling silver marrow scoop, maker’s marks rubbed, English 18th century $80–120

225 A twin handled footed bowl maker Welby & Welby, marks rubbed, London circa 1910, weight 14ozs 9cm high, 12cm diameter $200–300

226 A thistle-shaped christening mug, engraved: Presented by his godpapa, May 1835, maker the Barnards, London 1834 weight 5½ozs 10cm high $200–300

220 A sterling silver pierce work circular bon-bon dish weight: 8ozs 16cm diameter $200

227 A cased openwork condiment set all with blue glass liners, maker E S Barnsley & Co the spoon and mustard by Thomas Hayes; Birmingham 1896 $200–300

221 A silver-plated lobed circular fruit basket, English, 19th century 32cm $100–200

228 A small three-piece tea service, maker William Aitken, Birmingham 1906 weight 13ozs gross Teapot 12cm high $400

210

61

62

229

233

237

A pair of oval bon-bon dishes, maker Saunders & Shepherd, Birmingham 1901, weight 11½ozs 19cm long, 8cm long

A large octagonal sugar caster in the George I baluster style maker, G & Co Ltd, London 1980 19cm high

A fine pierced silver-gilt swing handle basket, maker William Plummer, London 1777 weight 28¼ozs basket 29cm x 35cm

$300

$400

230 A sterling silver table bell, maker: James Unitt Parkes, London 1903 weight 14ozs 14cm high

$800–1,200

234 A pair of oval sauce boats in the George III style maker Nathan & Hayes, Chestew 1902 and 1903 weight 16ozs 11cm high, 16.5cm long $500

$400

231 A Queen Anne Britannia standard mug, engraved D over I * M; the body with two worn crests,maker’s mark rubbed, conceivably Vaughan Peake, London 1702 weight 8¾ozs 11cm high $300

232 A cased set of dessert knives and forks, maker Goldsmiths & Silversmiths Company, London 1902 and 1903 engraved D below a Baron’s coronet comprising: 18 knives 18 forks $200

240

235 A three-piece compressed oval form tea service, maker T E Atkins.

Teapot: Birmingham 1909 Sugar and Milk: Birmingham 1908, with motto J’Avance, combined weight 40ozs $300

238 A pair of substantial George II cast candlesticks, maker Craig & Neville, London 1742. weight: 55ozs the bases inscribed ‘Thos Denman Esq MP from his mother Feb 23 1822" 24cm high $1,500–2,000

239 A silver-plated Corinthian column lamp with plated silk shade 55cm high $300–500

236 A fine pierced silver-gilt swing handle basket, maker Hester Bateman, London 1780 weight 23ozs basket 25.5cm x 34.5cm, height over handle 28cm

240

$800–1,200

$400–800

A large Jacobean style carved oak bench stool, English, 19th century with cane seat 153cm wide, 48cm high

63

64

241 A pair of Staffordshire white pottery poodles.

19th century 15cm high $200–400

249 HOSSEIN FALLAHI (1938– )

256 ARTIST UNKNOWN

Battle scene with warriors on horseback miniature on ivory 7 x 17cm

pair of abstract paintings on canvas board aluminium backboards 60 x 41cm

$200–300

$100–200

250

257 PHIL SHAW

242 A pair of small white ceramic Staffordshire pottery poodles 7cm high $100–200

A pair of ribbed circular ceramic jardinières, Italian, 20th century 23cm high $50–100

243 Three silk needlework panels depicting birds comprising a pheasant, peacock and flycatcher, Chinese, 19th century 26 x 42cm and 38 x 28cm $200–400

244 A set of six cane chairs with squab cushion seats $300–500

245 A pair of circular ribbed planters 50cm high, 73cm diameter $500–800

251 A four-fold paper screen, French, 19th century 194cm high, 183cm wide $500–800

252 A 19th century Venetian octagonal mirror with foliate etched borders 106cm high, 76cm wide $800–1,200

253 A fourteen-light brass chandelier, Continental, 19th century approx 110cm drop and 100cm wide $2,000–3,000

246 A pair of circular ribbed planters 50cm high, 73cm diameter

254

$500–800

A finely carved early 19th century French provincial exotic wood armoire 230cm high, 145cm wide, 64cm deep

247

$3,000–5,000

A pair of circular ribbed planters 50cm high, 73cm diameter $500–800

255 DAVID BROMLEY (BORN 1960)

Nude 248 KATHERINE WIPFLER

Winter scene with cabin oil on board signed lower right 22 x 29cm $100–200

oil on hessian canvas signed lower right 61 x 44cm $1,000–2,000

Terra Incognita 8 colour edition on archival paper Edition no 4/45 signed titled and dated 2010 in pencil to margin 118 x 50cm PROVENANCE

Rebecca Hossack Gallery London $100–200

258 GEMMA LYNCH

Memory Scorch oil/mixed media on canvas 135 x 200cm PROVENANCE

Libby Edwards Gallery Sydney $500–1,000

259 STEPHEN NOTHLING

Headwater 2005 oil on canvas 108 x 152cm PROVENANCE

Eva Breuer Gallery Sydney $500–1,000

END OF CATALOGUED LOTS Please note: There will be an addendum for extra general household lots that will not be in the catalogue or listed on invaluable.com See Artvisory for this list.

We look forward to seeing you at our new address 310 TOORAK ROAD SOUTH YARRA, VIC 3141

ENTRIES INVITED

Fine Chinese, Japanese & Asian Arts Auction November 2022, Melbourne

We are now inviting quality entries to our November auction, which will include fine Chinese, Japanese and South East Asian Arts.

National Enquiries Luke Guan luke@artvisory.com.au 0455 891 888 Expert Panel: Ray Tregaskis, Vicki Tregaskis, Allan Rae, Luke Guan Illustrated: An exceptional finely carved Chinese Zitan brush-washer, Qianlong Period (1735-1796).

Est: AUD14,000–16,000. Sold: AUD34,000+BP (Aug 29, 2021)

IMPORTANT AUCTION ANNOUNCEMENT

The Entire Stock in Trade of John Dunn Antiques, Melbourne This will be one of the most significant auctions ever held in Australia of Fine and Rare European Antiques and Works of Art dating from 1500–1800.

Auction August 2022

Enquiries Paul Sumner 0412 337 827 paul@artvisory.com.au

68

Absentee Bid Form 310 Toorak Road South Yarra VIC 3141 +61 3 9826 4039 www.artvisory.com.au

In order to register to bid with Artvisory, please complete this form, scan and email to accounts@artvisory.com.au Auction Title: Name (please print clearly): Email Address (for invoicing & correspondence): Telephone (mobile):

Telephone (home/work):

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Post Code

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Please tick here if you do not want to receive special invitations and online auction catalogues by email.

We value your privacy and will not disclose your details to any third party. You may request that your details are removed from our database at any time.

If you have not previously purchased with Artvisory, please scan your photo ID (either a drivers licence or passport) and email to accounts@artvisory.com.au Lot Number (in order)

Catalogue Description

Cover Bid Not including buyer’s premium or GST (where applicable)

(please print clearly)

A$ A$ A$ A$ A$ A$ A$ A$ A$ A$ A$

I authorise Artvisory to register bids on a per lot basis up to the maximum price I have indicated for each lot. I will not hold Artvisory responsible for any errors that occur.

I understand that if my bid is successful, the purchase price will be the sum of my final bid plus the buyer’s premium of 24% plus GST of the final hammer price plus any GST payable on the hammer price, as indicated in the catalogue. GST will be charged on the buyer’s premium. If the lot is denoted by the † symbol, GST will be charged the whole amount (hammer price + GST). If the Resale Royalty Scheme is applicable 5% will be charged on the hammer price only. The Resale Royalty Scheme is denoted by the § symbol in the catalogue. Your invoice will be emailed to the supplied email address immediately after the auction has finished and will contain all details pertaining to payment and collection.

I have read and accepted Artvisory’s terms and conditions as printed in the catalogue and online at www.artvisory.com.au. Bids will not be processed unless this form is signed.

Signature

Date

Bidder Number (Office Use Only)

69

Telephone Bid Form 310 Toorak Road South Yarra VIC 3141 +61 3 9826 4039 www.artvisory.com.au

In order to register to bid with Artvisory, please complete this form, scan and email to accounts@artvisory.com.au Auction Title: Name (please print clearly): Email Address (for invoicing & correspondence): Telephone (mobile):

Telephone (home/work):

Invoice address (PO Box not accepted): City

State

Post Code

Country

Please tick here if you do not want to receive special invitations and online auction catalogues by email.

We value your privacy and will not disclose your details to any third party. You may request that your details are removed from our database at any time.

If you have not previously purchased with Artvisory, please scan your photo ID (either a drivers licence or passport) and email to accounts@artvisory.com.au Lot Number (in order)

Catalogue Description

Cover Bid Not including buyer’s premium or GST (where applicable)

(please print clearly)

A$ A$ A$ A$ A$ A$ A$ A$ A$ A$ A$

I authorise Artvisory to register bids on a per lot basis up to the maximum price I have indicated for each lot. I will not hold Artvisory responsible for any errors that occur.

I understand that if my bid is successful, the purchase price will be the sum of my final bid plus the buyer’s premium of 24% plus GST of the final hammer price plus any GST payable on the hammer price, as indicated in the catalogue. GST will be charged on the buyer’s premium. If the lot is denoted by the † symbol, GST will be charged the whole amount (hammer price + GST). If the Resale Royalty Scheme is applicable 5% will be charged on the hammer price only. The Resale Royalty Scheme is denoted by the § symbol in the catalogue. Your invoice will be emailed to the supplied email address immediately after the auction has finished and will contain all details pertaining to payment and collection.

I have read and accepted Artvisory’s terms and conditions as printed in the catalogue and online at www.artvisory.com.au. Bids will not be processed unless this form is signed.

Signature

Date

Bidder Number (Office Use Only)

70

Terms and Conditions of Sale The terms and conditions of sale listed here contain the policies of Artvisory Pty Ltd. They are the terms on which Artvisory Pty Ltd and the Seller contract with the Buyer.

They may be amended by printed Saleroom Notices or oral announcements made before and during the sale. By bidding at auction you agree to be bound by these terms.

b)

1. Background to the Terms used in these Conditions The conditions that are listed below contain terms that are used regularly and may need explanation. They are as follows: “the Buyer” means the person with the highest bid accepted by the Auctioneer “the Lot” means any item depicted within the sale for auction and in particular the item or items described against any lot number in the catalogue. “the Hammer price” means the amount of the highest bid accepted by the auctioneer in relation to a lot

Images are measured height by width (sight size).

Illustrations are provided only as a guide and should not be relied upon as a true representation of colour or condition. Images are not shown at a standard scale. Mention is rarely made of frames (which may be provided as supplementary images on the website) which do not form part of the lot as described in the printed catalogue.

“the Buyers Premium” means the charge payable by the Buyer to the auction house as a percentage of the hammer price. “the Reserve” means the lowest amount at which Artvisory has agreed with the Seller that the lot can be sold.

“Forgery” means an item constituting an imitation originally conceived and executed as a whole, with a fraudulent intention to deceive as to authorship, origin, age, period, culture or source, where the correct description as to such matters is not reflected by the description in the catalogue. Accordingly no lot shall be capable of being a forgery by reason of any damage or restoration work of any kind (Including re-painting). “the insured value” means the amount that Artvisory in its absolute discretion from time to time shall consider the value for which a lot should be covered for insurance (whether or not insurance is arranged by Artvisory.)

Catalogue and other Descriptions All statements by Artvisory in the catalogue entry for the property or in the condition report, or made orally or in writing elsewhere, are statements of opinion and are not to be relied upon as statements of fact.

Such statements do not constitute a representation, warranty or assumption of liability by Artvisory of any kind. References in the catalogue entry to the condition report to damage or restoration are for guidance only and should be evaluated by personal inspection by the bidder or a knowledgeable representative. The absence of such a reference does not imply that an item is free from defects or restoration, nor does a reference to particular defects imply the absence of any others. Estimates of the selling price should not be relied on as a statement that this is the price at which the item will sell or it’s value for any other purpose. Neither Artvisory nor The Seller is responsible for any errors or omissions in the catalogue or any supplemental material.

c)

Buyers Responsibility All property is sold “as is” without representation or warranty of any kind by Artvisory or the Seller.

Buyers are responsible for satisfying themselves concerning the condition of the property and the matters referred to in the catalogue by requesting a condition report No lot to be rejected if, subsequent to the sale, it has been immersed in liquid or treated by any other process unless the Auctioneer’s permission to subject the lot to such immersion or treatment has first been obtained in writing.

2. Artvisory Auctions as Agent Except as otherwise stated Artvisory Pty Ltd acts as agent for the Seller.

4. At the Sale

The contract for the sale of the property is therefore made between the Seller and the Buyer.

a)

Refusal of Admission Artvisory reserves the right at our complete discretion to refuse admission to the auction premises or participation in any auction and to reject any bid.

b)

Registration before Bidding Any prospective new buyer must complete and sign a registration form and provide photo-identification before bidding. Artvisory may request bank, trade or other financial references to substantiate this registration.

3. Before the Sale Examination of Property Prospective Buyers are strongly advised to examine in person any property in which they are interested before the Auction takes place. Neither Artvisory nor the Seller provides any guarantee in relation to the nature of the property apart from the Limited warranty in the paragraph below.

The property is otherwise sold “AS IS”

Bidding as a Principal When making a bid, a bidder is accepting personal liability to pay the purchase price including the buyers premium and all applicable taxes, plus all other applicable charges, unless it has been explicitly agreed in writing with Artvisory before the commencement of the sale that the bidder is acting as agent on behalf of an identified third party acceptable to Artvisory and that Artvisory will only look to the principal for payment.

d)

International Registrations All International clients not known to Artvisory will be required to scan through an accredited form of photo identification and pay a deposit at our discretion in cleared funds into Artvisory’s account at least 24 hours before the commencement of the auction. Bids will not be accepted without this deposit. Artvisory also reserves the right to request any additional forms of identification prior to registering an overseas bid.

This deposit can be made using a credit card, however the balance of any purchase price in excess of $5,000 can not be charged to this card without prior arrangement.

This deposit is redeemable against any auction purchase.

e)

Absentee bids Artvisory will use reasonable efforts to execute written bids delivered to us AT LEAST 24 Hours before the sale for the convenience of those clients who are unable to attend the auction in person. If we receive identical written bids on a particular lot, and at the auction these are the highest bids on that lot, then the lot will be sold to the person whose written bid was received and accepted first. Execution of written bids is a free service undertaken subject to other commitments at the time of the sale and we do not accept liability for failing to execute a written bid or for errors or omissions which may arise. It is the bidder’s responsibility to check with Artvisory after the auction if they were successful. Unlimited or “Buy” bids will not be accepted.

f)

Telephone bids Priority will be given to overseas and interstate bidders. Please refer to the catalogue for the Telephone Bids form. Arrangements for this service must be confirmed AT LEAST 24 HOURS PRIOR to the auction commencing. Artvisory accepts no responsibility whatsoever for any errors or failure to execute bids. In telephone bidding the buyer agrees to be bound by all terms and conditions listed here and accepts that Artvisory cannot be held responsible for any miscommunications in the process. The success of telephone bidding cannot be guaranteed due to circumstances that are unforeseen.

Buyers should be aware of the risk and accept the consequences should contact be unsuccessful at the time of Auction. You must advise Artvisory of the lots in question and you will be assumed to be a buyer at the minimum price of 75% of estimate (ie. reserve) for all such lots. Artvisory will advise Telephone Bidders who have registered at least 24 hours before the auction of any relevant changes to descriptions, withdrawals or any other sale room notices.

Foreign buyers should note that all transactions are in Australian dollars so there may be a small exchange rate risk. The costs associated with acquiring a good certificate will be carried by the purchaser. If the item turns out to be forged or otherwise incorrectly described, all reasonable costs will be borne by the vendor.

All values expressed in Artvisory Pty Ltd catalogues (in any format) are in Australian Dollars (AU$). All bids, “hammer price”, “reserves”, “Buyers Premium” and other expressions of value are understood by all parties to be in Australian Dollars (AU$) unless otherwise specified.

a)

c)

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G) Online Bidding Artvisory offers an online bidding service via Invaluable.com. When bidding online the buyer agrees to be bound by all terms and conditions listed here by Artvisory and agrees to pay any fees charged in regard to any purchases made via Invaluable.com.

Artvisory accepts no responsibility for any errors, failure to execute bids or any other miscommunications regarding this process. It is the online bidder’s responsibility to ensure the accuracy of the relevant information regarding bids, lot numbers and contact details.

5. After the Sale a)

Buyers Premium In addition to the hammer price, the buyer agrees to pay to Artvisory the buyer's premium. The buyer’s premium is 24% of the hammer price plus GST. (Goods and Services Tax) where applicable.

b)

Payment and passing of title The buyer must pay to the company trust account managed by KK Partners Pty Ltd Chartered Accountants the full amount due (comprising the hammer price, buyer's premium and any applicable taxes and GST) not later than 3 days after the auction date.

H) Reserves Unless otherwise indicated, all lots are offered subject to a reserve, which is the confidential minimum price below which the Lot will not be sold. The reserve will not exceed the low estimate printed in the catalogue. The auctioneer may open the bidding on any Lot below the reserve by placing a bid on behalf of the Seller. The auctioneer may continue to bid on behalf of seller up to the amount of the reserve, either by placing consecutive bids or by placing bids in response to other bidders.

I)

J)

The buyer will not acquire title for the lot until Artvisory receives full payment in cleared funds, and no goods under any circumstances will be released without confirmation of cleared funds received.

This applies even if the buyer wishes to send items interstate or overseas.

Payment can be made by direct transfer, cash (not exceeding $5,000AUD, if wishing to pay more than $5,000AUD then this must be deposited directly into the company trust account and bank receipt supplied) and Eftpos (please check your daily limit).

Payments can also be made by credit card in person with a 1.3% (inc GST) merchant fee for Visa and Mastercard and 2% (inc GST) for American Express.

Credit card payments where the card-holder is not present, can not be accepted unless a scanned image of the card and signature is supplied (that corresponds with the supplied signature on the bidding or registration forms). Personal cheques are only accepted with prior arrangement and funds must be cleared before goods will be released. Bank cheques are subject to three days clearance.

Auctioneers Discretion The Auctioneer has the right at his absolute and sole discretion to refuse any bid, to advance the bidding in such a manner as he may decide, to withdraw or divide any lot, to combine any two or more lots and, in the case or error or dispute and whether during or after the sale, to determine the successful bidder, to continue the bidding, to cancel the sale or to re-offer and resell the item in dispute. If any dispute arises after the sale, then Artvisory’s sale record is conclusive.

Successful bid and passing of risk Subject to the auctioneer’s discretion, the highest bidder accepted by the auctioneer will be the buyer and the striking of his hammer marks the acceptance of the highest bid and the conclusion of a contract for sale between the Seller and the Buyer. Risk and responsibility for the lot (including frames or glass where relevant) passes immediately to the Buyer.

The buyer is responsible for any bank fees and charges applicable for the transfer of funds into Artvisory’s company trust account. c)

K) Indicative Bidding steps, etc.

Artvisory reserves the right to refuse any bid, withdraw any lot from sale, to place a reserve on any lot and to advance the bidding according to the following, at the auctioneers discretion: Increment Amount

Dollar Range

$20

$0–$500

$50

$500–$1,000

$100

$1,000–$2,000

$200

$2,000–$5,000

$500

$5,000–$10,000

$1,000

$10,000–$20,000

$2,000

$20,000–$50,000

$5,000

$50,000–$100,000

$10,000

$100,000–$200,000

$20,000

$200,000–$500,000

$50,000

$500,000–$1,000,000

Absentee bids must follow these increments and any bids that don’t follow the steps will be rounded up to the nearest acceptable bid.

Collection of Purchases & Insurance Artvisory is entitled to retain items sold until all amounts due to us have been received in full in good cleared funds. Subject to this, the Buyer shall collect purchased lots within 3 days from the date of the sale unless otherwise agreed in writing between Artvisory and the Buyer.

At the fall of the hammer, insurance is the responsibility of the purchaser.

d)

e)

Packing, Handling and shipping Artvisory will be able to suggest local, national and international carriers and takes no responsibility whatsoever for the actions of any recommended third party carrier. Artvisory can pack and handle goods purchased at the auction by agreement, however will take no responsibility for damage, a charge may be made for this service. All packing, shipping, insurance, postage & associated charges will be borne by the purchaser.

Cultural heritage Export Licences Unless otherwise agreed by us in writing, the fact that the buyer wishes to apply for an export licence does not affect his or her obligation to make full payment immediately, nor our right to charge interest or storage charges on late payment. It is the Buyer’s responsibility to check Australia’s Protection of Moveable Cultural Heritage Act 1986 before purchase. If the Buyer requests Artvisory to apply

for an export licence then we shall be entitled to charge a fee for this service. We shall not be obliged to rescind a sale nor to refund any interest or other expenses incurred by the Buyer where payment is made by the Buyer in circumstances where an export licence is not granted. f)

Remedies for non-payment If the Buyer fails to make full payment immediately, Artvisory is entitled to exercise one or more of the following rights or remedies (in addition to asserting any other rights or remedies available under the law) i)

to charge interest at such a rate as we shall reasonably decide

ii)

to hold the defaulting Buyer liable for the total amount due and to commence legal proceedings for it’s recovery along with interest, legal fees and costs to the fullest extent permitted under applicable law

iii)

to cancel the sale

iv) to resell the property publicly or privately on such terms as we see fit v)

to pay the Seller an amount up to the net proceeds payable in respect of the amount bid by the defaulting Buyer. In these circumstances the defaulting Buyer can have no claim upon Artvisory in the event that the item(s) are sold for an amount greater than the original invoiced amount.

vi) to set off against any amounts which Artvisory may owe the Buyer in any other transactions, the outstanding amount remaining unpaid by the Buyer. vii) where several amounts are owed by the Buyer to us, in respect of different transactions, to apply any amount paid to discharge any amount owed in respect of any particular transaction, whether or not the Buyer so directs. viii) to reject at any future auction any bids made by or on behalf of the Buyer or to obtain a deposit from the Buyer prior to accepting any bids. ix) to exercise all the rights and remedies of a person holding security over any property in our possession owned by the Buyer whether by way of pledge, security interest or in any other way, to the fullest extent permitted by the law of the place where such property is located. The Buyer will be deemed to have been granted such security to us and we may retain such property as collateral security for such Buyer’s obligations to us. x)

to take such other action as Artvisory deem necessary or appropriate If we do sell the property under paragraph (iv), then the defaulting Buyer shall be liable for payment of any deficiency between the total amount originally due to us and the price obtained upon reselling as well as for all costs, expenses, damages, legal fees and commissions and premiums of whatever kinds associated with both sales or otherwise arising from the default.

If we pay any amount to the Seller under paragraph (v) the Buyer acknowledges that Artvisory shall have all of the rights of the Seller, however arising, to pursue the Buyer for such amount.

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g)

Failure to collect purchases Where purchases are not collected within 3 days from the sale date, whether or not payment has been made, we shall be permitted to remove the property to a warehouse at the buyer’s expense, and only release the items after payment in full has been made of removal, storage handling, insurance and any other costs incurred, together with payment of all other amounts due to us.

6. Extent of Artvisory Liability Artvisory agrees to refund the purchase price in the circumstances of the Limited Warranty set out in paragraph 7 below. Apart from that, neither the Seller nor we, nor any of our employees or agents are responsible for the correctness of any statement of whatever kind concerning any lot, whether written or oral, nor for any other errors or omissions in description or for any faults or defects in any lots. Except as stated in paragraph 7 below, neither the Seller ourselves, our officers, agents or employees give any representation warranty or guarantee or assume any liability of any kind in respect of any lot with regard to merchantability, fitness for a particular purpose, description, size, quality, condition, attribution, authenticity, rarity, importance, medium, provenance, exhibition history, literature or historical relevance. Except as required by local law any warranty of any kind is excluded by this paragraph.

7. Limited Warranty Subject to the terms and conditions of this paragraph, the Seller warrants for the period of thirty days from the date of the sale that any property described in this catalogue (noting such description may be amended by any saleroom notice or announcement) which is stated without qualification to be the work of a named author or authorship is authentic and not a forgery. The term “Author” or “authorship” refers to the creator of the property or to the period, culture, source, or origin as the case may be, with which the creation of such property is identified in the catalogue.

The warranty is subject to the following: i)

ii)

iii)

it does not apply where a) the catalogue description or saleroom notice corresponded to the generally accepted opinion of scholars and experts at the date of the sale or fairly indicated that there was a conflict of opinions, or b) correct identification of a lot can be demonstrated only by means of a scientific process not generally accepted for use until after publication of the catalogue or a process which at the date of the publication of the catalogue was unreasonably expensive or impractical or likely to have caused damage to the property. the benefits of the warranty are not assignable and shall apply only to the original buyer of the lot as shown on the invoice originally issued by Artvisory when the lot was sold at Auction. the Original Buyer must have remained the owner of the lot without disposing of any interest in it to any third party

iv) The Buyer’s sole and exclusive remedy against the Seller in place of any other remedy which might be available, is the cancellation of the sale and the refund of the original purchase price paid for the lot less the buyers premium which is non refundable.

Neither the Seller nor Artvisory will be liable for

v)

any special, incidental nor consequential damages including, without limitation, loss of profits not for interest.

Overseas buyers and buyers non-resident in Australia will not be charged GST on both hammer price and premiums under the following conditions:

The Buyer must give written notice of claim to us within thirty days of the date of the Auction. The Seller shall have the right, to require the Buyer to obtain two written opinions by recognised experts in the field, mutually acceptable to the Buyer and Artvisory to decide whether or not to cancel the sale under warranty.

1.

The items are exported through a Artvisory approved freight company including Australia Post

2.

The items are exported within 60 days of the date of the sale

The invoice supplied by Artvisory for purchases will be regarded as a Tax invoice for GST purposes.

vi) the Buyer must return the lot to Seller in the same condition that it was purchased.

14. Resale Royalty Scheme

8. Severability

Under the legal obligations of the Resale Royalty Scheme for Visual Artists Act 2009, sellers must provide the following information to comply with the act:

If any part of these Conditions of Sale is found by any court to be invalid, illegal or unenforceable, that part shall be discounted and the rest of the Conditions shall continue to be valid to the fullest extent permitted by law.

9. Copyright The copyright of all images, illustrations and written material produced by Artvisory relating to a lot including the contents of this catalogue, is and shall remain the property at all times of Artvisory and shall not be used by the Buyer, nor by anyone else without our prior written consent. Artvisory and the Seller make no representation or warranty that the Buyer of a property will acquire any copyright or other reproduction rights in it.

10. Law and Jurisdiction These terms and conditions and any matters concerned with the foregoing fall within the exclusive jurisdiction of the courts of the state in which the auction is held.

11. Pre-Sale Estimates Artvisory publishes with each catalogue our opinion as to the estimated price range for each lot. These estimates are approximate prices only and are not intended to be definitive. They are prepared well in advance of the sale and may be subject to revision. Interested parties should contact Artvisory prior to auction for updated pre-sale estimates and starting prices.

12. Sale results Artvisory will provide auction results, which will be available as soon as possible after the sale. Results will include buyer’s premium. These results will be posted at www.artvisory.com.au.

13. Goods and Service Tax In accordance with A New Tax System (Goods and Services Tax) Act 1999 Artvisory Auctions will collect on behalf of the Australian tax office (ATO) a Goods and Service Tax (GST) of 10% on all applicable transactions.

GST is applicable on the hammer price in the case where the seller is selling property that is owned by an entity registered for GST. GST is also applicable on the hammer price in the case where the seller is not an Australian resident. These lots are denoted by a dagger symbol † placed next to the estimate.

GST is also applicable on the buyer’s premium.

•

was the artwork acquired after 8 June 2010?

•

is the sale/reserve price (including GST) $1,000 or more?

•

is the artist from Australia or a country listed in the Regulations to the Act?

•

is the artist alive, or deceased less than 70 years?

The seller: i)

acknowledges that he or she understands his or her legal obligations under the Resale Royalty for Visual Artists Act 2009 (the Act);

ii)

undertakes to comply with all requirements of the Act, including by providing its agent, the company, with accurate information sufficient for compliance with sections 28 and 29 of the Act;

iii)

undertakes to indemnify the company for any loss incurred by the company as a result of the vendor’s failure to comply with any of the vendor’s legal obligations under the Act; and

iv) acknowledges that if he or she fails to comply with any of his or her legal obligations under the Act, the company may provide the vendor’s name and contact details to Copyright Agency Limited (CAL).

Lots subject to payment of the Resale Royalty Scheme will be denoted by the §. The Australian Resale Royalty is a flat rate of 5% on the hammer price (including GST).

The Australian Resale Royalty is payable by the buyer in addition to the buyers premium plus any applicable GST.

SINGLE OWNER AUCTION SPECIALISTS 310 Toorak Road South Yarra Victoria 3141 +61 3 9826 4039 | www.artivsory.com.au