ArtsAlive
Autumn 2019 Sharing our creative culture
On the cover:
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“Seasonal Pass of Color” is a batik by Barbara Kieffer Rowe who integrates the beauty of the Black Hills into innovative multimedia artwork. See more of her work at www.barbarakiefferrowe.com. The cover image is part of the Artists of the Black Hills 14th Annual Exhibition on display through November 30 at the Dahl Arts Center in Rapid City. See the story on page 13.
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inside 4
6 7 Autumn 2019 Volume 22, Issue 1
Arts Alive South Dakota is published by Arts South Dakota PO Box 2496 Sioux Falls, SD 57101-2496 605-252-5979
Send story ideas, arts photos or article submissions to Thurman & Thurman, Arts Alive editors, by emailing tandt@sio.midco.net. Page 2
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CAIRNS workshop shares cultural touchstones Four chosen to receive SDAC Artist Fellowships
Vermillion students play Edinburgh Fringe Festival
Charlotte Carver remembered by her peers
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South Dakota’s legacy of hoop dancing
Artists chosen for 2019 Prairie Art Showcase
calendar
Arts Advocacy Day at the Legislature in Pierre: February 12, 2020 State Arts Conference in Rapid City: May 14-16, 2020 Arts Education Institute in Aberdeen: July 13-16, 2020
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ENDLESS POSSIBILITIES fortheartsinSouthDakota By Michael Orlove, Director of State, Regional & Local Partnerships, National Endowment for the Arts
s I sat on my flight back to Washington, DC, from South Dakota, I couldn’t help but marvel at the vast and beautiful landscape that I had the privilege to travel this past week. Thanks to my colleague Patrick Baker, executive director of the South Dakota Arts Council, we covered a good deal of ground—832 miles to be exact— visiting a total of nine cities, towns and tribal communities in just three days. With meetings in Sioux Falls, Brookings, Faulkton, Eagle Butte, Pierre, Porcupine, Pine Ridge and Rapid City, it was an incredible introduction to the state for a first-timer. It would be nearly impossible to recount all of the conversations, meetings and encounters that took place but I return home with a strong impression that the arts are well integrated into the everyday life of South Dakotans. You appreciate it driving through on the interstate—the bales of hay dotting the landscape reminding me of the extraordinary work of Harvey Dunn that I experienced at the South Dakota Art Museum in Brookings. You see it as you pass through small towns like Faulkton and observe murals on towering grain elevators from several miles away. You understand it when you talk to arts champions like Julie, Rita, Stacy and Jane who hail from Yankton, De Smet, Aberdeen and Sisseton and speak proudly about serving their communities as the leaders—sometimes as volunteers—of their local arts councils. You experience it touring through exhibitions like the Red Cloud Indian Art Show at the Heritage Center in the Pine Ridge Reservation or taking in the art lining the walls of the Capitol Building in Pierre. You are overwhelmed by its presence, importance and mission when visiting Cheyenne River Youth Project in Eagle Butte. You are inspired by it when visiting with the team at Thunder Valley Community Development Corporation in Porcupine and learning about the innovative projects that First Peoples Fund has initiated like the Rolling Rez Arts mobile arts space. The arts are omnipresent in South Dakota and these arts leaders are helping shape, define, inspire and guide arts and culture throughout the state. I am grateful to all those I had the chance to meet along the way. Special thanks to Jim Speirs and Andrew Reinartz of Arts South Dakota and to Janet Brown for encouraging my visit and helping arrange my first day in Sioux Falls. I was truly amazed at how—in a state that is predominately rural—the arts play a central role in everyday life. I couldn’t be more proud of the National Endowment for the Arts’ work with the South Dakota Arts Council and all the individual grants we make each year throughout the state. I leave South Dakota with many visual memories of the natural beauty of the state and also of my very first glimpse of South Dakota Artist Laureate Dale Lamphere’s sculpture Arc of Dreams as a reminder that there are endless possibilities for the arts in South Dakota.
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Editor’s note:
In his current role, Michael Orlove directs National Endowment for the Arts funding and other assistance to 56 state and jurisdictional arts agencies, six regional arts agencies and local arts agencies across the country. For seven years, he was the Endowment’s director of Artist Communities and Presenting & Multidisciplinary Works. Orlove recently spent time touring South Dakota and meeting arts leaders across the state.
Above, front row from left, Stacy Braun, Janet Brown, Michael Orlove, Julie Amsberry, Rita Anderson and Jane Rasmussen. Back row, Patrick Baker, Jim Speirs and Andrew Reinartz. The group met with Orlove in Sioux Falls. At left, Michael Orlove, Julie Garreau and Jerica Widow-Rivers of CRYP, and Patrick Baker in the Keya Café at Cheyenne River Youth Project, Eagle Butte.
www.ArtsCouncil.sd.gov
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En Route to Lakota understanding Workshop shares cultural touchstones Arts South Dakota partnered with CAIRNS, the Center for American Indian Research and Native Studies, for En Route, a three-day traveling workshop led by Dr. Craig Howe and CAIRNS educators on Native Lands and Arts June 24-26. The idea of being “en route” grows from the premise that peoples and places are interwoven in a complex relationship. The geographic focus of the workshop was a small portion of the traditional homelands of the Lakota people, including Mato Paha (Bear Butte), Cankpe Opi (Wounded Knee), Wasun Niya (Wind Cave) and Pe’Sla (Reynolds Prairie). The intention of the workshop structure was to encourage critical thinking about the intersections of Lakota history, culture, land and art on the one hand, and non-Lakota perspectives of important places and events on the other. The goal is always for a more nuanced awareness of the broader historical and contemporary relationships between American Indians and non-Indians, through an experience of Lakota arts, land and culture.
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En Route: a framework of respect By Altman Studeny
e picked up the printmaker Roger Broer somewhere alongside the highway out of Hill City. He was just standing there amongst the granite, waiting for our bus to come so that he might show us Pe’Sla, one of the seven sites sacred to Lakotas in the cosmological landscape of the Black Hills. The bus turned onto back roads and drove miles deeper into the close pine forest until the land unexpectedly opened up and we were there. In his book God Is Red, author and historian Vine Deloria, Jr. delineates between European and Indigenous systems of belief along the question of time. In the Western tradition, there once was a time when everything was good—way back in the Garden of Eden—but the first of us did some bad things and so it goes: if we do the right things now, maybe those good times will come back. Native American religion, however, is on the whole tied more strongly to places—places that have borne witness to heroic deeds and foolish missteps from the era of Long Ago to today. Those sites and their long memories remind one how to behave and how to avoid misbehavior, how to bond oneself to the deep history of a specific ecosystem, and that the land itself was there before us and will be there long after we’re gone. The power of En Route comes from standing in those locations that figure in the very story of creation itself and being reminded that they were also witness to the problematic narrative of American expansionism, to court battles for recognition of sovereignty throughout the 20th Century, through the reclamation of Lakota identity, and that they are still there to watch over the successes and struggles of our own complex moment. As an artist and one who cares about a more thoughtful, inclusive South Dakota, it heartens me to know that some 30 people got on a bus together of their own accord to challenge deeply held assumptions and strive for a more nuanced understanding of the state’s cultural heritage. As Dr. Howe stresses, one can not jump to Lakota star knowledge without first being able to name even a single tribal capital. En Route provides a framework of respect: how to be students rather than tourists. Like the best sacred sites, Pe’Sla is unassuming—a few quartz boulders in an expanse of prairie. Some folks from the bus scattered tobacco, others tried to identify wildflowers, and Jackie pointed out where her grandmother taught her that timpsila grows. And then, of course, one comes to the rocks themselves: shining white and sitting where they’ve sat since the Earth heaved up and made the Hills as something new. Roger said they call down lightning—the ground was scattered with such shards as bolts blast off. “If you have a problem,” he added, “if you need something, tell it to the rocks. They’ll listen.” He’s right, of course. How could they not?
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Altman Studeny is an artist living and working in Spearfish. His practice addresses questions of midwestern mythology and regional responsibility in cultural creation with a strong emphasis on fostering inclusiveness through collaborative art making. Studeny has worked as a teaching artist with the South Dakota Arts Council since 2008.
Top photo above, the En Route group heard from Gift Shop Manager/Buyer Carmen Fourd at the Red Cloud Indian School Art Gallery. Center photo above, Executive Director Ivan Sorbel addresses the participants at the Pine Ridge Chamber of Commerce in Kyle. Bottom photo above, Dr. Craig Howe describes the Lakota based architecture of “Wingsprings,” which is home, retreat and the base for CAIRNS. Photo on facing page shows the group at the Red Shirt Table Overlook in the Stronghold Unit of the Badlands. Photo courtesy of Dr. Craig Howe.
www.ArtsSouthDakota.org
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Artist Fellows Excellence in artistic achievement recognized with Fellowships
In her fourth year as assistant professor of clarinet at Northern State University, Audrey Miller is a passionate and versatile musician, bringing expertise in both classical and contemporary performance styles into her playing. She performs in a trio for clarinet, soprano and piano that presented Life on the Edge at the 2019 International Clarinet Convention in Knoxville, TN. Miller spent the past two summers performing chamber music as an invited guest artist at the Saarburg International Chamber Music Festival and she premiered a piece for oboe and clarinet at Arizona State University. Miller plans to apply her grant to commissioning new compositions for the clarinet and to a recital tour throughout the region. Page 6
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outh Dakota is enriched by a strong statewide community of artists—creating, producing, pushing the envelope of our cultural understanding and forging links between past and future artists. One role of the South Dakota Arts Council is to nurture, encourage and recognize our state’s artists, as well as to make their work better known around South Dakota and the world. One of the ways in which the state arts agency acknowledges artistic achievement is through the Artist Fellowship grants. This year, four Artist Fellowships of $5,000 were awarded to South Dakota artists of exceptional talent to recognize past artistic achievement and encourage future artistic growth. In reviewing applications, panelists considered the quality of the applicant’s work, the record of professional activity and achievement, how the Artist Fellowship would contribute to the artist’s professional growth and career at this time and each artist’s potential for contribution to higher standards for the arts in South Dakota. Recipients of the 2019 South Dakota Artist Fellowships are musicians Audrey Miller and Yi-Chun Lin, sculptor Becky Grismer and traditional artist Kevin Locke.
Yi-Chun Lin, the viola principal of South Dakota Symphony Orchestra, is also the founder of the Sioux Falls Chamber Music Collective. She successfully launched several artistic collaborations and chamber music series with different artists and musicians to encourage collaborations between artists/musicians and to bridge arts disciplines. Lin created the Latte series at Queen City Bakery in Sioux Falls to give fun performances regularly to introduce different types of music to audiences in a friendly environment easily accessible to everyone. With her fellowship, Lin plans to create artistic presentations with other creative minds, and continue developing her own professional growth while sharing with the community.
Living and working in the Black Hills, Becky Grismer’s work revolves around themes relating to her interest in human attributes and natural surroundings. Grismer’s work includes hybrid forms that exist in places of transition— the in-between spaces in life. Primarily a sculptor, she uses natural materials such as tree bark, stone and clay, but also works in a variety of media to create two-dimensional works. Grismer said the Artist Fellowship will make a significant impact on her career by helping complete studio upgrades planned for this year, having her recent body of work professionally photographed and continuing to create and exhibit. See an interview with Grismer on page 8 of this issue.
www.ArtsCouncil.sd.gov
For the past 40 years, Kevin Locke has demonstrated, organized and taught Lakota hoop dance and Indigenous flute making and playing workshops in the Standing Rock community, across South Dakota, throughout the United States and around the world. Locke’s workshops are geared toward social change for rural Indigenous populations, and primarily youth, with a goal to reconnect them with their ancestral spiritual heritage, specifically in the Dakotas. The Artist Fellowship will allow Locke to contribute to bridging the gaps in advancing human civilization. Read more about Locke and the Lakota hoop dance in a story by former SDAC Folk Arts Consultant Josh Chrysler on page 11.
Vermillion students play Edinburgh Fringe Festival Begley takes mime show to international arts expo When theater artist and educator Mary Begley responded to an application sent her by the American High School Theater Festival over a year ago, she didn’t know it would lead to two trips to Edinburgh, Scotland and the experience of a lifetime. Begley, who has taught theater at Vermillion High School for 19 years, had been recommended, along with her high school theater program, to the national organization which selects a handful of U.S. secondary schools to participate in the Edinburgh Fringe Festival, the world’s largest performing arts festival. Created 72 years ago to celebrate the diversity of the arts in the Scots capital, the Fringe Festival is three weeks of theater—mounting 3,841 shows in every available space in Edinburgh—along with art and music. “I completed the application materials in 2018 and we were selected to participate in the 2019 program,” Begley said. “I was invited to spend a week at the 2018 Fringe Festival to prepare for our experience this year.” Begley, who was accompanied on her scouting mission by her daughter Ariel, a theater professional from Minneapolis, learned two important lessons on her trip to Edinburgh. “Taking in as many shows as we could at the 2018 Festival, we discovered that you can’t rely on the quality of sound,” she said. “You also have to take an entire show overseas in a suitcase. Those two ideas shaped our decision to do a movement show.” Begley, one of the founders of Discovery Mime Theater, had extensive experience in creating a play without words. Working with her students, Begley wrote Antics, four vignettes centered around ants, with costumes largely constructed of balloons, which travel small and inflate to create antennae and other colorful ant parts. Writing the play was only one step in preparing for the 2019 Edinburgh Fringe Festival. There was fundraising—a lot of fundraising, which the Vermillion community supported completely, Begley said—along with rehearsals for Antics in the middle of the normal high school schedule. Finally, on July 27, the troupe flew into London for a few days of sightseeing before traveling to Edinburgh for four performances on an assigned stage. As one of the 35 casts selected by the American High School Theater Festival, the Vermillion group was
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treated to a range of experiences. They participated in an acting workshop at the Royal Shakespeare Company and saw a performance at the historic Globe Theater before embarking on a ten-hour bus ride to Edinburgh. “We were extremely well cared for,” Begley said. “The American High School Theater Festival provided rehearsal spaces, meals and rooms in dorms at the University of Edinburgh. And we had time to see tons of other performances in addition to staging ours.” During the two weeks of their stay in Edinburgh, the Vermillion group was expected to promote their show with flyers and streetside performances on the Royal Mile—which led to one of the highlights of the trip. “We were on city bus, going to a performance, when one of our cast saw a man reading The Scotsman, the local daily paper, with our picture on the front,” Begley said. “When we got off the bus, we bought a paper and there we were, in color, performing our show on the front page of the national newspaper.” Begley said the experience was a career highlight for her, as well as a testimony to the quality and hard work of the Vermillion theater students. “The trip was a theater artist’s dream and, as an educator, it allowed me to share that dream with others and see their world expand,” she said. “As with any adventure, the road wasn’t always smooth, but, as every storyteller knows, smooth By the end of the two roads don’t weeks I had rescued a student’s foot make for very from being eaten by an escalator; good drama.” recovered a lost wallet, phone and room key; herded kids on and off buses to watch over 20 performances from around the world; helped arrange a first-time meeting between a student and her Scottish relatives; discovered that ice cream is an essential part of the adolescent diet and haggis isn’t; escorted the ill down from the peak of an ancient volcano; found out that both students and bathrooms are difficult to find in castles, and watched Vermillion teens shine with pride as they performed the world premiere of “Antics.”
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—Mary Begley
Connecting
with nature
A conversation with Artist Fellowship recipient Becky Grismer South Dakota Arts Council Fellow Becky Grismer was born and raised in eastern South Dakota. After receiving her B.A. in Fine Art from Northern State University, she lived and worked in St. Paul, MN for several years before returning to South Dakota. Grismer has exhibited her work in both solo and group shows. Her work has been included in public collections and can be found in private collections throughout the world. Grismer currently creates her art in Spearfish.
Arts Alive: How has nature and your relationship to the natural world shaped you as an artist and as a person? Becky Grismer: I use natural materials directly in my
process and the characteristics of those materials inspire me and point me in new directions. I use plants to dye the paper for my mixed media wall pieces. I search for tree bark, stones, dried seeds and berries that I can use to create my sculptures. Nature has shaped me as a person by making me feel connected to the world around me in a significant way. With trees, I’ve found something that I have so much in common with, like meeting a new friend and growing a meaningful relationship with them. Touching earth/clay/plants makes me feel grounded and calm. It helps me remember that I’m organic material that is part of the earth. You don’t feel like that if you touch something plastic.
How will this Fellowship affect you and your work?
The Fellowship will allow a lot of things to happen, but one big thing is that it will help me work more efficiently. I’m in the process of renovating a larger studio space. My current space doesn’t allow for multiple work spaces and doesn’t accommodate the size of the work I’m making now, so it slows me down. Once I move into the new space, I can open up my studio to the community, and that will hopefully open up doors for other people, too. The Fellowship will allow me to take extra time in my studio practice to experiment. Also, my recent body of work has really large pieces and now I will be able to physically transport my large sculptures to other places in and out of the state.
Sculptures by Grismer, as well as her two-dimensional works, installed at the Dahl Arts Center in Rapid City. Photo by Skott Chandler.
I thought it was so beautiful, especially when they got to the stage where all of the bark was gone and they were bleached white from the sun. I think all of those things about the landscape seeped in and grew with me. South Dakota was where I attended college and learned all of the foundational skills I use to create my art. Well, I think I plainly just keep going. Keep doing what I’m doing—practicing and trying to grow my technical skills, experimenting, paying attention to the things that stand out to me in the world, volunteering in the South Dakota arts community and continuing to focus on telling my own story. Hopefully that results in genuine expressions of myself that people can connect with.
Has growing up in South Dakota affected your art?
I spent a lot of time playing in tree patches as a kid. I also remember on the way to my grandparents’ house near Onaka and Aberdeen always looking for shelterbelts along the way where I could make a fort if I ever ran away from home. I was really drawn to flooded areas and liked watching the gradual changes as the trees died and became very stark looking.
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Where do you go from here as an artist?
www.ArtsCouncil.sd.gov
I was very fortunate to receive an Artist Career Development Grant from the Arts Council when I was starting out, and I wouldn’t be where I am without that help. The Arts Council grants are investing in South Dakota artists, and I’ve gotten to experience just how important that can be for an artist—and how those investments create positive ripples that extend outward into the world.
—Becky Grismer
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he passing of Charlotte Carver in early September at the age of 97 seemed like the end of an era for many in the South Dakota arts community. As the founding executive director of the South Dakota Arts Council, Charlotte was a friend of governors, a creator of programs and a valiant—and forceful—defender of the arts in her home state. For over a half century, she was a hands-on arts advocate, and worked tirelessly for the arts in Sioux Falls after her retirement from the state arts agency. Anyone who has worked in the arts during the past 50 years has a memory to share or a story to tell about Charlotte Carver. We remember Charlotte and honor her service in this issue with the words of those who knew her best.
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Charloe Carver shaped the arts in South Dakota
“Charlotte Carver was the right person at the right time for the arts in South Dakota. Her vision and determination shaped programs that continue to help the arts flourish more than 50 years later. Charlotte never quit challenging, questioning and caring about the arts—and she would expect no less from us.” —Jane Rasmussen, Sisseton
“Charlotte championed community arts councils. She traveled the state encouraging their formation after federal funding became available with the new National Endowment for the Arts in the mid-1960s. In 1983 she started the process that led to the Community Arts Council Network. Reorganized several times since then, it still serves that continuing need. Charlotte was truly an arts visionary for South Dakota.” —Ruth Brennan, Rapid City
“I had the privilege of working with and learning from Charlotte Carver after Ethel Hunstad shared the idea of starting the Aberdeen Arts Council. It was my delightful adventure to work with Charlotte in establishing an advocacy group and serving many years on the Arts Council. Charlotte brought the importance of the arts to the lives of everyone in South Dakota.” —Bea Premack, Aberdeen “For the arts in South Dakota, Charlotte set a foundation of hard work and integrity that informs and inspires the present. I remain grateful for her clear vision and firm support.” —Mary Wipf, Deadwood
“My admiration grew over the years as I witnessed Charlotte’s tireless energy and unwavering support of the arts. The arts and culture of South Dakota would look significantly different today without her vision and leadership. To the end, Charlotte was never afraid to offer her opinion, and the state of the arts in South Dakota is better because she did.” —Michael Pangburn, Pierre
“Even before I came to the Aberdeen Area Arts Council, I knew of Charlotte. The words “arts in South Dakota” were hardly spoken without Charlotte’s name being mentioned. She was interested in everything that involved the arts. Whether you were the largest organization in the state or the tiniest, it didn’t matter—she wanted to know what you were doing to make a difference. She has left an enormous footprint on the arts in the region.” —Stacy Braun, Aberdeen
“When I met Charlotte in 1983, she was already a legend in the field—admired, respected and even occasionally feared—for her determination, grit and intellect. Charlotte was passionate about the arts, and about the beneficial impacts creativity could bring to communities. She was a loyal colleague, an inspiring role model and always, always, always a candid and direct counselor and mentor. Without her lifetime of work, South Dakota and the Midwest would be a much poorer place.” —David Fraher, Arts Midwest Page 9
ARTS EDUCATION INSTITUTE logs record attendance
Students learn new techniques on Arts Education Institute Day 2 in the Form Thrown Altered workshop with Gratia Brown at Northern State University.
Initial Band Directors gathering achieves success Music educators perform under the direction of Dr. Rolf Olson in “Band New Music Reading Session 8” during the inaugural South Dakota Band Directors Institute.
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The 20th anniversary edition of the annual Arts Education Institute set new records for participation, according to organizer Shari Kosel from Arts South Dakota. “This was an exciting year for AEI,” she said. “With 82 people attending 18 workshops led by 13 dynamic instructors, we had a kaleidoscope of arts and educational dialogue all over the Northern State University campus.” The record numbers enrolled were one indication of the quality of AEI, and post-institute evaluations recorded 66 participants ranking the experience as excellent. Over half that number expressed an interest in expanding the annual event to additional days, with requests for future workshops in more music classes, advanced printmaking and even more elementary school level projects. Participants were enthusiastic in their overall comments, with remarks such as “In four days, I’ve planned my entire year’s curriculum,” and “I am very content with how much I learned and the amount of hands-on time I got, it was a great experience.” In its first year, the Band Directors Institute, held concurrently with AEI, attracted 30 music educators, 23 of whom took advantage of the academic credit available. The evaluatory comments from attendees show that the program is a success, with a bright future in coming years. “This was excellent! I look forward to the institute growing and expanding.” “This was an awesome experience to learn and grow as an educator as well as meet new people! Great band lit, learning instrument specifics to help in my teaching.” “LOVE! Great head start on planning for upcoming year!”
Photo by Josh Chrysler.
For the Lakota people, the arts, music and dance enable us to connect with reality. It pulls us back to the real. Kevin Locke
—Kevin Locke
South Dakota’s legacy of hoop dancing
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By Josh Chrysler, former SD Folk Arts Consultant
n a previous Arts Alive column, I discussed our creative aging program, Art For Life, and the fact that arts and healthcare professionals are starting to recognize the connections between an active engagement in the arts and healthy individuals and healthy communities. While this may be a relatively new focus in the arts administration world, in many Native cultures, this has been understood all along. In Lakota culture, the arts have always been considered integral to a healthy lifestyle. The hoop dance in particular, is a healing practice. Over the past year or so, I’ve had the privilege of spending time with a number of South Dakota hoop dancers, learning about this traditional art form and its history and legacy in the state. Throughout this project, I worked with Kevin Locke of Wakpala, a 1990 National Heritage Fellow; the Chief Eagle family in Kyle, including Dallas Chief Eagle and his daughters Starr Chief Eagle and Delacina Chief Eagle; Jackie Bird of Bushnell, one of the first women to hoop dance; Jack Ovitt of Rapid City, who was an active hoop dancer in the 70s, and Leonard Crow Dog, who hoop danced as a young man before his political and spiritual prominence. The hoop dance is a representational dance form with a collection of hoops that are made into shapes by the dancer to represent parts of the natural world. Although there is now a Hoop Dance World Championship every year in Arizona, Kevin Locke stresses that the hoop dance is not mere entertainment. “In the dominant immigrant culture, music is often categorized as entertainment,” Locke said. “It is used to escape one’s everyday, mundane reality. In traditional Indigenous culture, one could say that music and the arts in general are used for the opposite purpose—to connect with reality.” This is the message of the hoop dance: connection with reality, healing, wholeness and unity. Locke expands on this, describing the hoop dance as a choreographed prayer.
“The hoop dance comes from the real universe, it is like a prayer, us being restored to that,” he said. “The symbolism of the hoop represents harmony, balance and unity. It represents all things good and all things holy. So our prayer [of the hoop dance], is to be restored to that.” The hoop dance is, in and of itself, a healing practice, so providing an opportunity for traditional art, such as hoop dancing, to thrive is not only an important part of the South Dakota Arts Council’s mission to preserve traditional arts and culture—it is integral to the health and well-being of our communities. The interviews I conducted about hoop dancing will join the rest of the South Dakota Arts Council’s Folk & Traditional Arts Program collection at the State Archives at the South Dakota Cultural Heritage Center in Pierre. Starr Chief Eagle
www.ArtsCouncil.sd.gov
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Jana Anderson’s “Blueprint of Obscurity.”
Penumbra exhibition at the Washington Pavilion
Penumbra, a solo exhibition of recent work by Jana Anderson, is open through December 8 in the Visual Arts Center Contemporary Gallery at the Washington Pavilion in downtown Sioux Falls. The exhibition takes its title from the astronomy term, penumbra, meaning the shadow cast by the earth or moon over an area experiencing a partial eclipse. Anderson’s abstracted collages explore the idea of partial obscurity and cast shadows through a combination of imagery involving the internal body and the external universe. The abstractions presented are central compositions that utilize layering of materials and haptic surface quality. Her paintings at times feel like looking through the lens of a microscope, and at other times looking through a telescope. Anderson finds the separation between these two experiences of micro and macro to be collapsing ever closer. Anderson grew up in Sioux Falls and currently lives and works in Philadelphia. She has exhibited work at the Grunwald Gallery of Art and the Blueline Gallery at Untitled Light, both in Bloomington, IN, as well as The Painting Center in New York and the Minneapolis Groveland Gallery. For more information, visit the Washington Pavilion online at www.washingtonpavilion.org.
Artists selected for 2019 Prairie Art Showcase Twenty-seven South Dakota artists will exhibit their talent at the Prairie Art Showcase, held in conjunction with the annual Governor’s Invitational Pheasant Hunt. The Prairie Art Showcase is open for public viewing on Saturday, October 26, 10 am-4 pm at the Ramkota Hotel and Conference Center in Pierre. “The Prairie Art Showcase gives us the opportunity to bring the wide range of South Dakota art and the skills of our state’s artists to a new audience,” said Patrick Baker, director of the South Dakota Arts Council. “Business leaders from across the nation attend the Governor’s Hunt, expecting to experience the best of our state—and the Prairie Art Showcase gives them and their families a cultural overview of South Dakota.” The diverse selection of artists who will display and sell their work include Earl McNeil-Larson, Mission Hill; Pat Brown, Fort Pierre; Heather Kallhoff, Watertown; Dawn Rasmussen, Kadoka; Jim Schoon, Vivian; Lynda Larson, Minnetonka, MN; Larry Wold, Armour; Mark Anderson, Sioux Falls; Jae Csongradi, Pierre; Russ Duerksen, Sioux Falls; Susan Hartenhoff Haygood, Garretson; Nicole Heitzman, Parkston; Teri McTighe, Faith; Adam Oswald, Harrisburg; Josh Spies, Sioux Falls; Judy Thompson, Orange City, IA; Sharon Welch, Pierre; Kevin Aker, Rapid City; Cristen Roghair, Okaton; Deb Burckhard, Kimball; Frank Denton, Beresford; Barb Hallberg, Nemo; Chickie Harristhal, Nemo; Dave Huebner, Bushnell; Linda Meyer, Lead; Marilyn Nipe, Watertown, and Clark Martinek, Mitchell. For additional information about the Prairie Art Showcase, contact Kate Vandel with the South Dakota Arts Council at 605-773-3301 or kathryn.vandel@state.sd.us. Page 12
www.ArtsSouthDakota.org
Many of the artists from the 2018 Prairie Art Showcase, pictured above, will be returning for this year’s exhibition.
he unique gift of Harvey Dunn for portraying people in diverse situations—from prairie gardens to the shell-shattered villages of World War I—is on display at the South Dakota Art Museum in Harvey Dunn: Imagining Others. Dunn, the son of homesteaders, studied under the tutelage of Ada Caldwell at South Dakota Agricultural College. With the support and encouragement of Caldwell, he continued his studies at the Chicago Art Institute. Dunn became a successful illustrator and teacher, and was one of eight illustrators selected as an official artist for the American Expeditionary Forces during WWI. The South Dakota Art Museum’s Dunn Collection is significant in that it consists of prairie paintings that have become the pride of South Dakota and contains illustrations featured in the Saturday Evening Post and WWI paintings inspired by his contribution to the American Expeditionary Forces. Dunn’s works are nationally regarded not only for their contribution to American illustration, but more specifically, to their documentation of the emotions of early prairie life. The South Dakota Art Museum cares for the world’s largest Harvey Dunn collection with 144 paintings, prints and drawings. In all his works, Harvey Dunn desired to go beyond the mere depiction of physical likeness, stating: “The spirit is the only thing that is true about anything. So the expression of this spirit—that is the main thing.” This exhibition celebrates Dunn’s desire to fully and deeply render truths about humanity. His instruction to students is a fitting lesson: “Feel your picture, get into it, be the character you are painting. Feel his joys, his sorrows, think him, put yourself in his shoes.” The South Dakota Art Museum is open Monday-Friday 10-5, Saturday 10-4 and Sunday 12-4 pm. For more information, visit www.southdakotaartmuseum.com.
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Dunn people on view at South Dakota Art Museum
“Harvey Dunn: Imagining Others,” on display at the South Dakota Art Museum in Brookings through May 3, 2020.
Dahl Arts Center showcases Artists of the Black Hills The diversity of art produced in western South Dakota is on display in the Artists of the Black Hills 14th Annual Exhibition, showing through November 30 in the Sen. Stan Adelstein & Lynda K. Clark Gallery at the Dahl Arts Center in downtown Rapid City. Artists of the Black Hills is an organization of professional artists, artisans, and galleries who joined together with the common goal of presenting and promoting the Black Hills region as an art destination. Each of the members has been juried into the organization by a selection committee made up of a cross-section of the artists representing the entire body of the membership. The intent of the organization is to make evident the large pool of artistic talent in the Black Hills area and the impact that art has made—and continues to make—on the quality of life in the Black Hills. The 14th annual Artists of the Black Hills show spotlights the work of over 30 individual members whose artwork includes numerous different mediums and styles of painting, sculpting, pastels, photography, printmaking, jewelry, collage and assemblage. For more information, visit www.artistsoftheblackhills.com. The exhibition is generously sponsored by South Dakota Arts Council and Rapid City Arts Council. For more on this show, or other activities at the Dahl Arts Center, go to www.thedahl.org.
At right, Mary B. Hunt’s “Rooster Tails.”
www.ArtsCouncil.sd.gov
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hitting the high notes Arts South Dakota, a nonprofit, nonpartisan organization, enriches the lives of South Dakotans and their visitors, by advancing the arts through service, education and advocacy.
Board of Directors
Dale Lamphere, Sturgis, Chair Stacy Braun, Aberdeen, Vice Chair Katie Hunhoff, Yankton, Secretary Brian Hildebrant, Brookings, Treasurer Brian Bonde, Sioux Falls, Past Chair Representative Scyller Borglum, Rapid City Richard “Dick” Brown, Custer Julie Garreau, Eagle Butte and Rapid City Senator Troy Heinert, Mission Dr. Craig Howe, Martin Dr. Alan LaFave, Valley City, ND Katrina Lehr-McKinney, Sioux Falls Kenny Putnam, Rapid City Shelley Stingley, Sioux Falls
Staff
Jim Speirs, Executive Director jim@ArtsSouthDakota.org 605-252-5979, Ext. 0
Shari Kosel, Program & Communications Director shari@ArtsSouthDakota.org 605-252-5979, Ext. 1 Andrew Reinartz, Community Development Director andrew@ArtsSouthDakota.org 605-252-5979, Ext. 2
PO Box 2496, Sioux Falls, SD 57101-2496 Phone: 605-252-5979 Email: info@ArtsSouthDakota.org Website: www.ArtsSouthDakota.org Follow us on Facebook, Twitter and Instagram @ArtsSD and YouTube.
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There’s no substitute for coming together By Jim Speirs, Executive Director, Arts South Dakota
This past summer, Arts South Dakota co-hosted a number of Arts Happy Hours around the state, from Hill City to Aberdeen and from Yankton to Faulkton. Situated in popular local after-hours gathering spots, the events brought neighbors together in an informal atmosphere to share ideas, concerns, program successes and the spirit of collaboration. In Hill City, a stronger connection with city government and the local Chamber of Commerce resulted from Happy Hour conversations, while the Yankton gathering brought together local arts advocates and college leadership to plan new collaborative efforts. The Aberdeen Happy Hour introduced interested local educators to the Arts Education Institute thanks to an art exhibition by an AEI participant. In Faulkton, famous for its murals, new ideas for public art came together at a Happy Hour meeting with artist Zach DeBoer. These meetings, and countless others held in communities throughout the state, have two things in common: leadership by involved, active community volunteers and face-to-face conversation among a diverse group of local citizens who care about the quality of life in their community. By being in the same room, showing hometown support and exchanging viewpoints with neighbors, local residents make things happen. Other Arts Happy Hours are planned for this fall and winter, as community arts councils partner with Arts South Dakota to keep the conversations going. If you’d like to open a dialogue about the arts and cultural traditions in your hometown, we’d like to help out. Just contact me at jim@ArtsSouthDakota.org and we’ll get things started. Even if your community doesn’t host an Arts Happy Hour, there are opportunities for you to add your voice to the creative conversation. Local arts councils need your input—and your participation—to build a better community. Whether you are a community volunteer, an educator, artist or arts advocate, you will find Arts South Dakota ready to discuss your ideas, concerns or advocacy issues. Visit our website at www.ArtsSouthDakota.org for contact information, program schedules and more cultural touchstones.
www.ArtsSouthDakota.org
hree South Dakotans have joined the Arts South Dakota board of directors. With expertise in the performing arts, creative youth development and STEM education, the new board members bring a wealth of talent and experience to Arts South Dakota and its statewide mission. “Advocacy, activity and strong arts connections are the common characteristics of our new board members,” said Jim Speirs, executive director of Arts South Dakota. “Their energy, connections to our state’s cultural heritage and personal creative talents bring new capacity to Arts South Dakota.”
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Creative leaders join Arts South Dakota board
Black Hills native Kenny Putnam’s combined careers in musical performance and visual arts reflect the talent and scope of creativity in South Dakota. He currently owns and operates Image Up Creative Services in Rapid City, imaging artwork and restoring photographs and documents for individuals and institutions. Putnam has, and is performing with popular South Dakota bands that include Red Willow, South Dakota Acoustic Christmas, The Song Pilots, Campfire Concerto and Cowboy Christmas, and his original artwork was recently selected for the Art for State Buildings collection by the South Dakota Arts Council. Putnam was a recipient of the Rapid City Chamber of Commerce Legacy Award, a Rushmore Faces Award, and was inducted into the South Dakota Friends of Traditional Music Hall of Fame, the South Dakota Country Music Hall of Fame and the Legends of Country Music Hall of Fame. Julie Garreau is the founder and executive director of the Cheyenne River Youth Project (CRYP) in Eagle Butte. A Bush Fellow, she also has earned a Bush Prize for Innovation, and has received both the Spirit of Dakota Award and the Presidential Points of Light Award. In 2019, Garreau was a recipient of Americans for the Arts’ Arts Education Award, and also accepted the National Center for American Indian Enterprise Development’s Tim Wapato Public Advocate of the Year Award. Committed to creating culturally relevant, sustainable and effective programming for Cheyenne River youth and community members of all ages, Garreau leads CRYP’s Waniyetu Wowapi Lakota Youth Arts & Culture Institute, incorporating a public art park and the annual RedCan invitational graffiti jam, and an innovative art internship program. In 2017, CRYP’s RedCan won the Robert E. Gard Award from Americans for the Arts, and in 2019, it was one of 50 projects honored through Americans for the Arts’ Public Art Network Year in Review program. In 2018, South Dakota State Legislator Scyller Borglum earned her Ph.D. in geological engineering from the South Dakota School of Mines, culminating a career and academic trajectory that started with a minor in Scandinavian language and included a theology degree as well as a job in the North Dakota oil fields. While earning her Ph.D. at Mines, the Montana native served as a role model to young Women in Science and Engineering (WiSE) students on campus, offering coffee talks on such topics as time management and study habits. Known for her communication skills and outgoing personality, Borglum also spoke to more than 700 middle school girls visiting campus for the Women in Science Conference, initiating interactions to encourage other young women to open their minds to careers in the Science, Technology, Engineering and Mathematics (STEM) fields.
Call for proposals
Be part of the 2020 State Arts Conference
The 2020 State Arts Conference is scheduled for May 14-16 in Rapid City—and you can be part of the action. In addition to creative Black Hills cultural excursions, on-site artists and performers and a chance to network with community arts leaders from all across the state, the conference is planning for workshops and breakout sessions that will enhance the arts in every community. Proposals for workshops and sessions are being accepted by Arts South Dakota through November 1 for presentations that will make next year’s State Arts Conference one of the best ever. If you have a creative idea or a presentation of interest to artists, arts administrators and volunteers, arts educators or advocates, contact Shari Kosel at shari@ArtsSouthDakota.org, or visit https://artssouthdakota.org/2020-state-arts-conference/ before November 1.
www.ArtsSouthDakota.org
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vision for the arts A partnership worth celebrating A state agency of the Department of Tourism
Kristi Noem, Governor James D. Hagen, Secretary
South Dakota Arts Council
Mary Bordeaux, Rapid City, Chair Laura Diddle, Brookings, Vice Chair Dohui Kim, Sioux Falls, Treasurer Keith BraveHeart, Kyle, Secretary Lynne Byrne, Sioux Falls Brian Bonde, Sioux Falls John Mogen, Sioux Falls Jane Rasmussen, Sisseton Lee Ann Roripaugh, Vermillion Nan Venhuizen, Sioux Falls James L. Walker, Bath
Staff
Patrick Baker, Director Rebecca Cruse, Deputy Director Kathryn Vandel, Arts Program Coordinator Anne Hatch, Folk Arts Consultant 711 E. Wells Ave., Pierre, SD 57501-3369 In-State Toll Free: 1-800-952-3625 Email: sdac@state.sd.us Website: www.artscouncil.sd.gov Follow us on Facebook and Twitter @SouthDakotaArts
South Dakota Arts Council receives support from the State of South Dakota, through the Department of Tourism, and the National Endowment for the Arts, a federal agency.
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By Patrick Baker, Director, South Dakota Arts Council
In 2016 when I first visited the offices of the National Endowment for the Arts in Washington, DC, I was struck by the agency’s name in big three-dimensional block letters with a brushed-steel finish protruding from the back wall of the reception area. It may seem odd, but my first thought was of my childhood days of happily watching “Sesame Street” and hearing that daily announcement that included “… brought to you by the National Endowment for the Arts.” Those were much simpler times for me, without a doubt, and perhaps for the country. But it’s reassuring to know at least one thing hasn’t changed in decades: “Art Works,” just as the National Endowment for the Arts logo asserts. Art does work. It brings communities together. It educates. It allows people to express themselves in universal ways. It drives economic development. It entertains. It inspires. It builds common ground. It enhances and preserves culture. It provides a framework for existential pondering. It soothes. It empowers. And that’s just scratching the surface. As director of the South Dakota Arts Council, I’m proud of what we accomplish annually when it comes to serving South Dakotans and their communities through the arts. In our most recently completed fiscal year, our agency awarded 474 grants through a $1.36 million grants and special initiatives budget, reaching over one million people, including more than 326,000 youth and involving about 9,300 artists. Other South Dakotans, local governments, businesses, foundations, institutions and schools must also believe in the arts because they kicked in an additional $19.48 million in local cash matching funds to support these arts opportunities. Whether we’re helping support efforts to carry on traditional art forms from one generation to the next, to offer students exposure to art forms and teaching artists that might otherwise be inaccessible, to help develop the skills and careers of artists, to provide art as therapy for residents of institutions or to simply help brighten the sights and sounds of a community—it would be impossible without our partnership with the National Endowment for the Arts. By statute, at least 40% of the Endowment’s annual budget goes to U.S. states and territories to support regional arts agencies and to be used for arts projects and programming determined at the local level. In South Dakota, several organizations receive even more support from the National Endowment for the Arts through direct grants. As Michael Orlove, director of state, regional and local partnerships at the National Endowment for the Arts, and I logged more than 800 miles on the odometer this summer, traveling from one community to the next, it didn’t feel at all like a chore. It was a privilege to show him just a sampling of some of the incredible impact his federal agency has had on our state. Art works, and with necessary public investment from the National Endowment for the Arts and the South Dakota Legislature, we can continue to make sure it works hard for South Dakotans.
www.ArtsCouncil.sd.gov
The South Dakota Arts Council held its summer meeting in Poetry Series winner. Her second, “Year of the Snake,” was named Spearfish during the Matthews Opera House & Arts Center’s winner of the Association of Asian American Studies Book Award. annual Festival in the Park. Roripaugh studied music, earning a Bachelor of Music in The meeting was the first for newly-appointed Arts Council piano performance and a Master of Music in music history member Lee Ann Roripaugh, editor-inbefore earning her MFA in creative chief of the South Dakota Review and writing from Indiana University. In state Poet Laureate from 2015-2019. addition to her poetry collections, Roripaugh directs the creative writing Roripaugh has had hundreds of program at the University of South published works of poetry, essays, Dakota in Vermillion. She has received stories, interviews and research. a Bush Foundation Artist Fellowship, During the summer meeting, the Frederick Manfred Award from the council member Mary Bordeaux was Western Literature Association, the elected as the Arts Council’s new chair. Randall Jarrell International Poetry Prize, Bordeaux, a council appointee since an Academy of American Poets prize 2011, is Vice President of Programs and Fellowship Awards from the South and Operations at First People’s Fund Dakota Arts Council in 2011 and 2018. and co-owner of Racing Magpie in Her fifth and most recent downtown Rapid City. Also elected to collection of poetry, “Tsunami vs. the executive committee positions on the Fukushima 50,” was released in 2019. Council were Laura Diddle as vice chair Her first collection, “Beyond Heart and Keith BraveHeart as secretary. Lee Ann Roripaugh Mountain,” was selected as a National Dohui Kim was re-elected as treasurer.
Arts Council welcomes new appointee, elects
new leadership
Photo courtesy of Ray J. Hillenbrand family.
Verschoor to retire from South Dakota Art Museum
Remembering Ray Hillenbrand
The South Dakota arts community lost a great friend recently with the passing of Ray Hillenbrand, longtime owner of the Prairie Edge gallery and a dedicated advocate for the arts in our state. Prairie Edge won a Governor’s Award in 2013 for Outstanding Support by an Organization or Business. Hillenbrand committed himself to making his community and state a better place. He will be missed throughout South Dakota.
fter 20 years as director of the South Dakota Art Museum, Lynn Verschoor will retire at the close of 2019. Highlights of her two decades at the museum include artist collaborations, the Public Art Program, the creation of a museum studies minor at South Dakota State University, collaborations with the Center for American Indian Research and Native Studies, expanding the South Dakota Art Museum collection, Brookings Kite Festival and the Harvey Dunn Paint Out. Verschoor has also been active in creating the Visual Thinking Strategies program and numerous outreach and education programs across the state and region. With the near constant rotation of featured exhibits, programs, outreach and education, funding concerns and just the day to day business of running a museum, the life of a museum director can be stressful, but Verschoor is quick to credit her staff with making her job so joyful. “Every morning when I walk in the building, I feel so lucky,” Verschoor said. “I am surrounded by art every day. It’s so invigorating and makes me feel so good. I have the best job in the state, and I get to work with such great people. I just love Lynn Verschoor shares the museum collection. the interaction with visitors—watching them engage is so rewarding. When school groups come in and the children’s eyes light up, it’s magical—the pure joy of discovery.” While 20 years at the museum have created some very memorable moments, it’s not the extraordinary that Verschoor will miss most, but the casual, everyday exchanges. “I’m going to miss the people—staff, students, museum guild members,” she said. “Everyone is so kind, helpful and generous. I will miss SDSU staff as well, they have all be extremely helpful, patient and kind. Everyone has been amazing, and I couldn’t have done my job without their thoughtful support.”
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www.ArtsCouncil.sd.gov
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A fond farewell and a warm welcome at Arts Midwest conference
he growth of the arts— pointing out that he has and access to great cultural outlasted nine National programming—depends Endowment for the Arts upon the partnerships chairmen during his tenure at forged among South Dakota Arts Midwest. communities, the state’s arts Conference attendees organizations and regional arts also offered an enthusiastic providers. For the past 30 years, welcome to the agency’s new Arts Midwest has been a strong President and CEO, Torrie Allen. partner in that effort. Allen joins Arts Midwest with The Arts Midwest annual more than 30 years of conference in September bid a experience in the performing fond farewell to retiring longarts, broadcast media and arts time President and CEO David administration. He brings Fraher, who led the regional arts extensive development, organization for more than 35 marketing and leadership Torrie Allen, left, congratulates retiring President and CEO David Fraher. years. Fraher first came to the experience to the regional arts Photo by Terry Gilliam, courtesy of Arts Midwest. Midwest as executive director of organization and a commitment the Affiliated State Arts Agencies of the Upper Midwest, the to using creativity and imagination in arts administration. Allen predecessor organization to Arts Midwest, in 1983, after having will build on the organization’s long and successful track record spent seven years in leadership roles with the Wyoming Arts of developing and stewarding innovative business practices to Council and at the Western States Arts Federation. He credits deliver creative and cultural experiences to communities across his time in that region with forging a deep understanding of the its nine member states. less accessible, more sparsely populated areas of our country. In FY18, Arts Midwest’s artistic programming served 8,513 Arts leaders from the region and across the nation, youth and 7,763 adults from 12 communities across South including National Endowment for the Arts Chairman Mary Dakota. The organization’s professional development activities Anne Carter, gathered in Minneapolis to congratulate Fraher served 15 individuals from 9 cultural organizations. In total, Arts and thank him for his contributions to the arts field. Carter Midwest leveraged $16,198 in state dues to provide $109,140 introduced Fraher as the “Grandfather of the Arts,” and thanked in programs and services during the past year, resulting in a him for his innovative thinking, leadership and guidance, 674% return on investment.
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BROOKINGS
rated as one of America’s most arts-vibrant cities
The Children’s Museum of South Dakota.
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The National Center for Arts Research at Southern Methodist University in Dallas has released its fifth annual Arts Vibrancy Index Report, which ranks more than 900 communities across the nation, examining the level of supply, demand and government support for the arts. Based on the new research, Brookings is ranked the seventh most arts-vibrant small-sized community in America. The rankings are based on per capita data and the report highlights elements that make the ranked communities unique. The Brookings spotlight mentions South Dakota State University, South Dakota Art Museum, Children’s Museum of South Dakota, the Ritz Art Gallery and numerous murals created by local artists in downtown Brookings as part of the city’s Urban Canvas arts engagement initiative. According to the report, the performing arts scene in Brookings is enriched by the Brookings Chamber Music Society, the Brookings Area Community Band, Woodbine Productions and the Swiftel Center, which hosts big name music concerts. Brookings is also home to the Prairie Repertory Theatre, the Brookings Community Theatre and the SDSU theater department, as well as the SDSU Performing Arts Center. The Brookings Arts Council encourages community connections through the arts by supporting awareness, appreciation and participation. Brookings ranks third in federal arts dollars per capita and fifth in arts and culture employees. “Our community is grateful to be recognized for the emphasis it puts on the importance of a diverse and robust arts scene,” said Ashley Ragsdale, executive director of the Brookings Arts Council. “The City of Brookings and community members understand that having a vibrant arts scene drives part of the Brookings economy and contributes to the overall well being, individual self esteem and quality of life in Brookings.”
www.ArtsCouncil.sd.gov
Arts South Dakota Sponsors July, 2018 - August, 2019
$0 to $999 South Dakota Art Education Association South Dakota Humanities Council $1,000 to $1,999 Black Hills Energy Dacotah Bank
$2,000 to $2,999 Bank West Delta Dental of South Dakota $3,000+ First PREMIER Bank
In-Kind Donations July, 2018 - August, 2019
Dale Lamphere, Sturgis Lemonly, Sioux Falls Thurman & Thurman, Sioux Falls
Organizational Members July, 2018 - August, 2019
Thank you to the following business and organizational members who have come alongside Arts South Dakota as partners, sharing our mission to improve the lives of all South Dakotans through creative communities and artistic expression.
Aberdeen Area Arts Council Augustana University Visual & Performing Arts Black Hills Playhouse Center for American Indian Research and Native Study Con Brio Studio Creative Care LLC Custer Area Arts Council D. C. Lamphere Studio Dacotah Bank Dacotah Prairie Museum Dakota Artists Guild Dakota State University Dalesburg Heritage Delta Dental of South Dakota Downtown Sioux Falls, Inc. Faulkton Area Arts Council Great Plains Watercolor Society Green Ink Gallery & Studios Handbags by Hammer Herseth Ranch Hill City Area Arts Council Historic Lead Deadwood Arts Center Hot Pink Ink Johns & Kosel Law, LLC Jon Crane Watercolors Matthews Opera House & Arts Center National Music Museum Northern Fort Playhouse Packard Group LLC Periaktos Productions, LLC Reptile Gardens Sanford Arts Program SculptureWalk Sioux Falls SD Friends of Traditional Music SD Music Educators Association Shrine of Democracy Chorus Sioux Falls Jazz & Blues Society Sisseton Area Arts Council South Dakota Art Museum South Dakota Magazine South Dakota Symphony Orchestra Southeast Properties
Springs Area Council of the Arts Sturgis Area Arts Council The Center for Western Studies, Augustana University Vermillion Area Arts Council Warrior’s Work & Ben West Gallery Washington Pavilion of Arts and Science Wolf Bronze Yankton Area Arts
Individual Donors July, 2018 -August, 2019
Arts South Dakota sincerely thanks the generosity of the following arts advocates. Their donations lead the way in advocating for a creative South Dakota.
$0 to $99 Anonymous Maria Arana, Phoenix, AZ Phil and Jill Baker, Sioux Falls Linda Balfany, Yankton Nancy Anne Barker, Hot Springs Linda J. Bartholomew, Faulkton Jana Bastian, Belle Fourche Anne Beckwith, Fort Pierre Don and Janet Beeman, Vermillion Angela Behrends, Madison Chuck Bennis Melanie and Norman Bliss, Sioux Falls Margaret Blomberg Sally Blomster, Wetonka Dave and Linda Bonde, Fort Pierre Liz Bowling, Canton John E. Brockelsby, Rapid City Gratia Brown, Valley City, ND Rosemary C. Buchmann, Martin Susan Burgard, Pierre Susan W. Callahan, Rapid City Rod Carlson Sarah and Richard Carlson, Lead Iva Carter, Rapid City Linda Clement, Sioux Falls Kay R. Coddington, Sioux Falls Caitlin Collier, Vermillion Tami Comp, Winner Ron and Rachel Conkling, Flandreau Mike and Judy Connor, Sioux Falls Janet B. Cronin, Gettysburg Nate Dally Ann and Tim Deckert, Rapid City Scott Decksheimer Margaret Denton, Brookings Nancy Dickinson, Sioux Falls Lawrence Diggs, Roslyn Marcia Donnan Mitchell, Hill City Don and Mary Downs, Rapid City Darlene Dulitz, Webster Robert Dunwoody, Ethan Verna L. Edinger, Plankinton Beverly Daniel English, Sioux Falls Patrick Feeley Ellen Fockler, Reno, NV Laurel Foster, Aberdeen David J. Fraher, Minneapolis, MN Barry W. Furze, Sturgis Bette Gerberding, Brookings Carol Cook Geu, Vermillion Chaya Gordon-Bland, Vermillion Larry Green, Madison Jerry and Jackie Hanson, Sioux Falls Rosemarie Hanssen, Sisseton Melodi Hardaway, Mitchell Steve and Monica Harding, Pierre Crystal Harper, Aberdeen Harry and Helen Harryman, Pierre Rick Hauffe Melissa M. Hauschild-Mork, Brookings
Donna Hazelwood, Madison Connie Herring, Sioux Falls Susan Hines, Rapid City Roxanne Hinze, Aberdeen Josh and Rose Ann Hofland, Sioux Falls Dennis Hopfinger and Carolyn Clague, Brookings Jon Hovland, Sioux Falls Ken Hoyne Katie Hunhoff,* Yankton Rick and Patt Hustead, Wall Larry and Hilea Hutchinson, Spearfish Steve Jackson Charles J. Johnson, Madison Jill Johnson Brian Jones, Miller Randy Jones Becky Kandyil, Duluth, GA Paula Manley and Jim Knutson, Spearfish Doriekay Koska, Watertown Marilyn Kratz, Yankton Darla Drew Lerdal, Rapid City Beverly Letsche, St. Lawrence Harry Lynch Mary Jo Marcy, Custer Cindy Marohl, Sisseton Joseph and Norma McFadden, Houston, TX Jim McKinney, Brookings Nivisha Mehta Sheri Meister Kent and Zindie Meyers, Spearfish Jay and Beverly Mickelson, Pierre Deborah Mitchell, Rapid City Jody and Jim Moritz, Faulkton Rodney and Marla Mosiman, Onida Mike and Kathi Mueller, Pierre Russell Nash, Pierre John Nelson, Sioux Falls Sandra Nelson, Pierre Sandra Newman, Rapid City Sonja Niles Nancy Olive, Sioux Falls Jami Olson, Spearfish Phyllis Packard, Vermillion Ann Parker Weckwerth Steve Payne Estelle Reierson Pearson, Sisseton William T. Peterson, Canton Bea and Herschel Premack, Aberdeen Sharon Prendergast, Sisseton Will Prines Betsy Rice, Sioux Falls Susan K. Ripple, Rapid City Tania Robinson, Grandview, MO Larry Rohrer, Beresford Monte and Fran Rougemont, Roslyn Francie Ruebel-Albert, Sturgis John Rychtarik, Brookings Lea Ann Schramm, Yankton Chuck and Bonny Schroyer, Pierre Martha Schumacher Elizabeth Schutt, Watertown Carol Schwarzenberg, Rapid City Marica Shannon, Mitchell Craig Sherman, Yankton Lisa Shoemaker, Rapid City Susanne Skyrm, Vermillion Vance and Virginia Sneve, Rapid City Janet Speirs, Hot Springs Mark and Rose Speirs, Deadwood Wyatt Stahl Sue Stone Linda Stuerman-Purrington, Brookings Scott Tarpley D’Anne Thompson, Box Elder Judith Thompson, Orange City, IA Lori Thompson Rose Marie Tornow, Sioux Falls Dennis and Julie Walkins, Spearfish Cheryl Whetham, Hill City Gavin Wigg Cheryl Wilder, Spearfish Linda and Jon Wiley, Spearfish Norma and Jerry Wilson, Vermillion Michael Winger, Pierre Milo Winter, Rapid City Phyllis Wipf, Spearfish Barbara Wood, Fort Pierre Carol Wright, Sioux Falls Terry Zerfas
$100 to $249 Helen Arnold Steve and Nancy Babbitt, Rapid City Patrick and Jennifer Baker, Pierre John Banasiak, Vermillion Margaret Downie Banks, Vermillion John and Anne Barlow, Rapid City LeEtta Bennett, Salem Darlis Berkenpas and Boyd Bristow, Sioux Falls Bonnie Bjork, Rapid City Bill J. and Jane Bobzin, Yankton Anne Bodman and Andrew Hollander, Sturgis Greg Boris and Joan Reddy, Sioux Falls Stacy Braun,* Aberdeen Ruth Brennan, Rapid City Roger and Merlene Broer, Hill City Martha Brost, Sioux Falls Allen and Gloria Brown, Dell Rapids Dick and Ginger Carstensen, Sturgis Bob Carter Jim and Deann Clark, Sioux Falls Diane Colborn, Berkeley, CA Paul and Mary Ellen Connelly, Sioux Falls Marty Davidsohn, Sioux Falls Beth Deiter, Faulkton DeVee and Kevin Dietz, Sturgis Kara Dirkson, Sioux Falls Kris and Steve Egger, Sioux Falls Doug and Justine Estes, Rapid City Carla Fauske and Peter Lieberman, Sioux Falls Van and Barbara Fishback, Brookings Cathy Frederickson, Tea Trygve Fredrickson, Sioux Falls Jacquelyn and Peter Fuller, Lead Karen A. Gerdes, Fort Pierre Kathie and Rudy Gerstner, Yankton Christine Goldsmith, Mobridge Jeff Hallem, Pierre Phil and Kiki Hegg, Sioux Falls Amy Hofer Vetch, Freeman E. James and Kathleen Hood, Spearfish Craig Howe,* Martin Mildred K. Hugghins, Brookings Regina and Dale Jahr, Rapid City Terry and Sandi Jaspers, Sisseton Corliss and Anne Johnson, Sioux Falls Larry and Mary Jo Johnson, Pierre Phil and Diana Kappen, Sioux Falls Karen and Keith Kinder, Brookings Joe and Shari Kosel, Lead Merle and Virginia Larson, Yankton Gerry Berger Law, Clear Lake Mark Law, Clear Lake Katrina Lehr-McKinney,* Sioux Falls Christine Leichtnam, Rapid City Deanna B. Lien, Rapid City Carolyn Lindekugel-Manlove, Custer Larry and Debera Lucas, Pickstown Larry and Gail Lyngstad, Pierre John R. McIntyre, Sioux Falls Doug and Mary Miller, Brookings Janice Nicolay, Sioux Falls Hollis and Marilyn Nipe, Watertown Jeanette Noel Beemer, Pierre James and Marilyn Nyberg, Yankton Marcia and Marvin Olnes, Yankton Karen Gundersen Olson, Rapid City Jessie Park, Hartford John and Mary Pennington, Sioux Falls Scott and Maryanne Petersen, Sioux Falls Ken and Lavonne Pickering, Pierre Tamara Pier, Rapid City Ellen Plocek, Spearfish Linnea and Kenny Putnam,* Rapid City Larry and Barb Rehfeld, Sioux Falls Andrew and Rosanne Reinartz, Sioux Falls Roger and Mary Jo Renner, Yankton David Reynolds, Brookings Patrick Roseland, Rapid City Randall and Teri Royer, Pierre Kristi Saxlund, Sioux Falls Daniel and Rebecca Schenk, Fort Pierre Jeff and Katie Scherschligt, Sioux Falls
www.ArtsSouthDakota.org
Lonnie Schumacher, Fort Pierre Miles and Vickie Schumacher, Sioux Falls Jacqueline Sly, Rapid City Don Smith Janet and Lloyd Sohl, Fort Polk, LA Clayton and Anella Southwick, Rapid City James W. Speirs, Rapid City Gary and Nan Steinley, Spearfish Mark Stemwedel, Brookings Shelley Stingley,* Sioux Falls Lesta and Mike Turchen, Hill City Kate and Andy Vandel, Pierre Dan VanDover, Aberdeen Karyn Veenis, Sioux Falls Lynn Verschoor, Brookings Jeffrey L. Viken, Rapid City James Walker and Jerry Oligmmeller, Bath Merritt and Pamela Warren, Brookings Robert and Kathleen Webb, Aberdeen Larry Zikmund, Sioux Falls Mary and Mark Zimmerman, Deadwood Steve and Sandy Zinter, Fort Pierre
$250 to $499 Jim and Glenna Books, Rapid City Sue and Dick Brown,* Custer Charlotte Carver, Sioux Falls Mary and Kurt Cogswell, Brookings William V. Fischer, Fort Pierre Elizabeth Freer and Michael Headley, Spearfish Lawrence and Suzanne Fuller, Sioux Falls Bruce and Nancy Halverson, Sioux Falls Brian Hildebrant* and Laura Diddle, Brookings Dody and Boyd Hopkins, Sioux Falls James and Ardis Johnson, Brookings Dick and Cindy Koch, Sioux Falls Dale Lamphere,* Sturgis Ellen and Tom Lee, Pierre Edith Lien, Spearfish Patrick and Bobbi McGowan, Sioux Falls Larry and Diane Ness, Yankton Michael Pangburn, Pierre Jim and Sandy Szana, Pierre Norman and Kathleen West, Yankton Ron and Glenda Woodburn, Pierre Steven Zellmer and Kitty Kinsman, Rapid City
$500 to $999 Stanford and Lynda Adelstein, Rapid City Kaija and Brian Bonde,* Sioux Falls Lynne and Bill Byrne, Sioux Falls Dan and Arlene Kirby, Sioux Falls Jim and Kara Mathis, Sioux Falls John and Jane Rasmussen, Sisseton Kay Reinartz, Sioux Falls Jim and Jill Speirs, Sioux Falls
$1000+ Janet Brown, Sioux Falls
* Denotes Arts South Dakota Board Member.
Arts South Dakota is in part supported through the generous grant support of the South Dakota Arts Council, the Bush Foundation and the South Dakota Community Foundation.
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Arts South Dakota
PO Box 2496 Sioux Falls, SD 57101-2496
Arts South Dakota, a nonproďŹ t, nonpartisan organization, enriches the lives of South Dakotans and their visitors, by advancing the arts through service, education and advocacy.
Join us in our efforts to keep the arts strong and vibrant today and tomorrow. Your donation to Arts South Dakota will enable us to continue our work for the arts—and will keep Arts Alive coming directly to your mailbox. Please join Arts South Dakota today. Give securely online at
www.ArtsSouthDakota.org to help grow the arts in our state.