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ANNUAL HALLWALLS AUCTION

DECEMBER 3 â€”7, 2020 ONLINE AT: HALLWALLS.CBO.IO

With Thanks to our AHA! 2020 Sponsors! Buffalo Spree Magazine Symphony Property Management Dent Cannabis Clinic Katalin and Laszlo Mechtler Architectural Resources BuBu Arts Residency Program Paradise Wine Buffalo Gallery Frames

It has been a strange year, tragic for many, merely challenging for us. We had to close our gallery and offices for four months starting in mid March, reopened them again in early July, and may have to close again any day as I write this. Just before we closed in March, we had held our biggest Midwinter’s Drawing Rally ever at the end of February in Asbury Hall, two weeks later Asbury Hall went dark when we did, and we had to make our Midsummer Night’s Drawing Rally in July virtual. And you know what? It worked! Thanks to the creativity and generosity of the participating artists and the ingenuity and hard work of our staff (whom we have been able to keep continuously employed for most of a year now) and Board of Directors, our first ever virtual Drawing Rally was a huge success, not quite as big as February’s live one, but as successful or more so than the majority of live ones we’ve done since 2012. We also postponed our May 28th Annual Hallwalls Auction (AHA!), optimistically thinking we’d be able to do it live in Asbury Hall on December 3rd. No such luck, and here we are, with our first virtual on-line AHA! Encouraged by our success with the July Drawing Rally, and incorporating all kinds of new ideas and technologies cooked up by our crackerjack staff and hands-on Special Events Committee, we think we have another user-friendly, engaging, and fun auction for 2020. I want to thank our staff (especially John, Emily, and Bill for the art, organizing, and tech); all members of the Special Events Committee (which has met weekly, on Zoom, of course), especially its Co-Chairs Elizabeth Licata and Beth Smith; all the artists from near and far who donated artworks; and, if you are reading this, all of you for participating remotely. I hope you enjoy looking at the art, engaging in the fun, and bidding furiously while imbibing holiday cheer responsibly at home. Thank you all. Edmund Cardoni Executive Director

Welcome to a virtual version of AHA! And thanks for bearing with us as we negotiate a situation that requires virtual events. Curator John Massier has once again assembled a stellar group of artworks by some of the most interesting artists ever associated with Hallwalls. It is as exciting an event as we have organized over any of the past five years of this auction. The Special Events committee, after a successful online Drawing Rally in July, has been meeting weekly via Zoom to discuss how we could make a virtual auction easy to negotiate and make sure it truly reflects the spirit of Hallwalls. It is largely due to Emily Tucker, Director of Fundraising, Membership, & Special Events, that AHA! 2020 has that spirit. Thanks, Emily, and thanks, Special Events and Marketing committee members Josh Lawrence, Rob Lynch, Katalin Mechtler, Emily Reynolds, Ben Siegel, and Beth Smith. It’s been great Zooming with you! Thanks, also to our auction sponsors, who ensure AHA!’s success. See you at https://hallwalls.cbo.io Elizabeth Licata Chair Special Events

HALLWALLS BOARD OF DIRECTORS Joshua Lawrence, President, Marketing & Membership Co-Chair Elizabeth Licata, Vice President, Special Events Co-Chair Sean McCabe, Treasurer, Audit & Finance Chair Scott Mercer, Secretary Beth Smith, Immediate Past President, Special Events Co-Chair Brooke Lebouf, Fundraising Chair Abigail Cooke, Planning Chair Emily Reynolds, Marketing & Membership Co-Chair Greg Addo, Julia Bottoms, César Cedano, Madison Georgi Rob Lynch, Katalin Mechtler, Tracy Mendocino, Ben Siegel Renata Toney, Michael Tunkey PRESIDENT’S COUNCIL Bruce Adams, Anita Greer, Don Lawrence, Catherine Linder Spencer, Collette Schoellkopf, Jennifer Gottdiener, Matthew Ryan, Maki Tanigaki Beth Smith, Joshua Lawrence

SPECIAL EVENTS & AUCTION COMMITTEE Elizabeth Licata — Co-Chair Beth Smith — Co-Chair Emily Tucker, Joshua Lawrence, Rob Lynch, John Massier, Katalin Mechtler, Emily Reynolds, Ben Siegel, Beth Smith HALLWALLS STAFF Steve Baczkowski • Music Director Edmund Cardoni • Executive Director Polly Little • Deputy Director for Finance John Massier • Visual Arts Curator Bill Sack • Technical Director & Webmaster Emily Tucker • Director of Fundraising, Membership & Special Events Rebecca Wing • Curatorial Assistant

BRUCE ADAMS

JOZEF BAJUS

KYLE BUTLER

ELLEN CAREY

CHARLES CLOUGH

FASTWÃœRMS

BIFF HENRICH

JOAN LINDER

JAY CARRIER

CARLO CESTA

MARION FALLER

CHAMBLISS GIOBBI

MARLA HLADY

DAVID KULIK

THOMAS LAWSON

JENNIFER MCMACKON

MILTON ROGOVIN

KURT VON VOETSCH

SHEA HEMBREY

RICHARD HUNTINGTON

ROBERT LONGO & CHARLES CLOUGH

MICHAEL MARARIAN

KEVIN NOBLE

WAYNE EDSON BRYAN

KEVIN EI-ICHI DEFOREST

ERIN FINLEY

DAVID KRAMER

KATIE BELL

MICAH LEXIER

JOHN MAGGIOTTO

ARNOLD MESCHES

AURA ROSENBERG

WILLIAM WEGMAN

SARAH SUTTON

LOT 101

Bruce Adams

Extemporal Series: Random 44, 2019 acrylic on paper 22 x 15 inches $750/ $2,800 50

Bruce Adams is best known as a conceptually based figurative painter who references various painting styles. In exploring the act of painting, Adams peels back the layers of meaning inherent in art making and viewing. He has exhibited extensively regionally and internationally, and his work is included in numerous private, corporate, and museum collections including the Albright-Knox Art Gallery, Castellani Museum, UB Anderson Gallery, and Burchfield-Penney Art Center. In 2007 Adams was given an extensive mid-career survey exhibition titled Bruce Adams, Half Life 1980-2006 at the UB Anderson Gallery. In 2016. His body of work titled Myths and Lies was exhibited in a solo exhibition at the Castellani Museum in 2014. www.adams-studio.com

LOT 102

Jozef Bajus

Summer Afternoo, 2017 mixed media 20 x 15 1/4 inches $350 / $1,100

Jozef Bajus is an award winning mixed media artist. Originally, from Slovakia, Bajus received his MFA from the Academy of Fine Arts and Design, (AFAD), Bratislava, Slovakia (1985). During 1990 - 2001 he was Head of Fibers Program at AFAD and since 1990 he has held positions of visiting scholar, instructor, and coordinator at various colleges and programs in the United States and abroad Currently, Bajus is an Associate Professor at SUNY Buffalo State College, Buffalo, New York and serves as the Coordinator of the Fibers/Design Program. His career has earned him numerous prestigious awards and recognition. Recently he has been the recipient of the Langley H. Kenzie Award, BPAC, Buffalo. Bajusâ€™ work has exhibited in numerous one - person, and group exhibitions, nationally and internationally, and is in the collection of many museums, art galleries. His artwork is also included in private collections in Europe, North America, Japan, and China. 15

LOT 103

Katie Bell

Eva, 2020 acrylic, paper, wood, string 10 x 10.5 x 1 inches $250 / $1,000

KATIE BELL is an artist originally from Rockford, Illinois (b. 1985). She received her BA from Knox College (Galesburg, IL) in 2008 where she studied fine art and race and gender studies. She graduated in 2011 from the Rhode Island School of Design (Providence, RI) with an MFA in Painting. Bell has shown her work at a variety of venues, Smack Mellon (Brooklyn, NY), Locust Projects (Miami, FL), Okay Mountain Gallery (Austin), and the deCordova Sculpture Park and Museum (Lincoln, MA). Her work has been written about in BOMB Magazine, Whitewall, Hyperallergic, Artnet, The Chicago Tribune, and Paper Magazine. In 2011 she was an artist in residence at the Marie Walsh Sharpe Art Foundationâ€™s Space Program based in Brooklyn, NY. She was awarded a fellowship in painting by the New York Foundation for the Arts and in 2016 the Saint-Gaudens Memorial Fellowship. Bell lives and works in New York, NY. www.katiebellstudio.com

LOT 104

Wayne Edson Bryan

Filter Test, 1998 enamel and varnish on birch plywood 23 x 31 inches $250 / $1,000

Wayne Edson Bryan was born in Mineola, New York. In 1996, Bryan was featured in a solo show at Hallwalls, and in 2002, his work was featured in a group show, Invisible Archives 1: All That You Can (And Did) Leave Behind. He has many other solo shows, including those at Gallery K in Washington, DC, the Corcoran Gallery, and Brodyâ€™s Gallery, also in Washington. Group shows include those at the Danville Museum of Fine Arts & History in Virginia, the International Museum of Modest Arts in France, and at the American University Museum, Katzen Arts Center, in Washington, DC. Bryan has received many awards, including a Pollock-Krasner Foundation grant, and a Mid-Atlantic/NEA Painting Fellowship. His work is held in the permanent collections of such organizations as the Ronald Reagan Washington National Airport, National Institute of Health, Washington DCâ€™s City Hall Art Collection, and many others.

LOT 105

Kyle Butler

Gloom Gawker, 2020 graphite and acrylic on panel 48 x 36 inches $1,200 / $3,200

Kyle Butler is an artist from Michigan currently living in Buffalo. Butlerâ€™s work has been included in exhibitions at the Albright-Knox Art Gallery, the Burchfield Penney Art Center, Buffalo Arts Studio, Hallwalls Contemporary Arts Center, Nina Freudenheim Gallery, Exhibit A (Corning, NY), and Lost Coast Culture Machine (Fort Bragg, CA). In 2014, Butler was commissioned to execute a large performance piece for Scotiabank Nuit Blanche in Toronto, curated by Heather Pesanti of The Contemporary Austin. He has also been featured in New American Paintings (2010), and is in collections including the Albright-Knox Art Gallery and the Burchfield Penney Art Center. Butler co-curated the Amid/In WNY exhibition series at Hallwalls Contemporary Arts Center (2015/16) and currently curates at Starlight Studio and Art Gallery, an art center that facilitates adults with learning disabilities in realizing creative projects. He received his BFA with a focus in painting from Central Michigan University in 2008 and his MFA in Visual Studies from the University at Buffalo in 2010. www.kylewilliambutler.com 27

LOT 106

Ellen Carey

Dings and Shadows, 2012 color photogram 24 x 20 inches $1,000 / $6,000 8

Ellen Carey (1952-USA) is an educator, guest curator, independent scholar, and photographer-artist, whose experimental and unique pictures have been the subject of 55 one-person exhibitions and in over 400 group ones nationally and internationally (1976-2018), represented in major art and photography museums. Her work has been awarded grantsâ€” NEA and Andy Warhol Foundation for the Visual Arts, she has lectured widely and her work is reproduced in books, brochures, and catalogues. www.ellencareyphotography.com

LOT 107

Jay Carrier

These Things That Scare Us, 2011 mixed media 30 x 22 inches $500/ $1,200 40

Jay Carrier is a visual artist born on Six Nations to Onondaga and Tuscarora parents, who currently lives and works in Niagara Falls, NY and holds a BFA from the University of Illinois-Champlain. Carrier studied painting at The College of Santa Fe, New Mexico As well as participating in the MFA program from the University of Illinois. Carrier has exhibited in many solo and group exhibitions including Hallwalls Contemporary Arts Center, Buffalo, NY, The Castellani Art Museum, Niagara Falls, NY, The Wheelwright Museum in Santa Fe, New Mexico, The Institute of American Indian Arts Museum, Santa Fe, New Mexico, Fenimore House Museum, Cooperstown, New York, Burchfield Penney Art Center, Buffalo, New York, Woodland Cultural Center Museum, Brantford, Ontario, Canada, Chautauqua Center for Visual Arts Gallery, Chautauqua, New York and the Everson Museum in Syracuse, New York. His work can be found in numerous private and public collections.

LOT 108

Carlo Cesta

warmedover, 2020 engraved aluminum 17 x 18 inches $900/ $2,500

Carlo Cesta is a visual artist who lives and works in Toronto, Canada. He graduated from the Ontario College of Art & Design in 1980 and was a featured artist of Perspective 94 at the Art Gallery of Ontario, Toronto, Canada (1996), His exhibitions include: Dalgas Underground, Copenhagen, Denmark (1996), Rococo Tattoo (1997), the Power Plant, Toronto, Canada (1997), Slowdownspeedfreak (2001), the Winnipeg Art Gallery, Winnipeg, Manitoba, Beyond in Western New York (2005), at Hallwalls, Buffalo N.Y., Canadian Club (2005), Canadian Cultural Center, Paris France. He recently completed two public art projects in Toronto; Drift (2013), and a collaborative sculpture with fellow artist Nestor Kruger, Fountaingrove (2014). His work has been included in Form follows Fiction: Art and Artists in Toronto an exhibition at the Art Museum, University of Toronto (2016), Context New York, New York City (2016) and in a solo exhibition entitled 50 Gallons at the Boarding House Gallery at the University of Guelph, Ontario, Canada in (2016). In (2017) he participated in Imago Mundi, Palazzo Loredan, Istituto Veneto di Scienze, Lettere e Arti, Venice, Italy. www.carlocesta.com

LOT 109

Charles Clough

Clufffalo 050, 2015latex on expanded pvc 24 x 32 inches $1,500 / $4,800

Charles Clough was born in Buffalo, New York in 1951. He attended Pratt Institute in Brooklyn, Ontario College of Art in Toronto, University at Buffalo and New York University and has taught at Columbia University and the Rhode Island School of Design. He established his art studio in 1971 and has presented his work in more than 70 solo, and, more than 150 group, exhibitions. He has received grants and fellowships from the New York State Council on the Arts, National Endowment for the Arts, Adolph and Esther Gottlieb Foundation and the Pollock-Krasner Foundation. His works are included in the collections of more than 70 museums, including the Metropolitan Museum of Art, National Gallery of Art and Smithsonian American Art Museum. In 1974 Clough founded Hallwalls Contemporary Art Center, with Robert Longo, Cindy Sherman, Michael Zwack, Nancy Dwyer, Diane Bertolo and others in Buffalo. Most recently, Clough is a recipient of a 2016 Fellowship in the field of Fine Arts from the John Simon Guggenheim Foundation. www.clufff.com 25

LOT 110

Kevin Ei-ichi deForest

The Record Shop (Plunderphonics), 2020 oil and mixed media on record album jacket (double-sided) 12 1/8 x 12 1/8 inches $200 / $250

Kevin Ei-ichi DeForest is a visual and multimedia artist. He was born in Winnipeg, Manitoba to Japanese and Swiss parents. He studied architecture (Bachelor of Environmental Studies, 1983) and fine art (BFA, 1986) at the University of Manitoba before getting an MFA from Concordia University in 1994. He was also a Mombusho (Japan Ministry of Education) scholarship recipient, studying at Kyoto Seika University between 1997 and 1998. Deforest has exhibited nationally and internationally in the United States and Europe. He is currently Associate Professor in the Department of Visual and Aboriginal Art at Brandon University in Brandon, Manitoba. www.kevindeforest.ca

LOT 111

Marion Faller

Lower East Side, NYC 1971 b&w photograph 5 7/8 x 8 3/4 inches $200 / $750

Marion Faller was an accomplished documentary photographer of cultural traditions and public displays celebrating seasonal events, folklore, popular religious customs, and displays of patriotism. She was born Marion Sudol in Passaic, N.J., in 1941 and attended Hunter College, where she received a BA, and the University at Buffalo, where she earned her MFA. She taught both studio and history courses in photography at Hunter, Marymount Manhattan College, Colgate University, and UB. She retired from the latter institution as a professor of photography in 2006. Faller had an impressive career of exhibitions across the United States and fellowships from the New York Foundation for the Arts, CEPA Gallery (Center for Electronic and Photographic Arts), and Light Work. Her photographs are in many public collections including the George Eastman House International Museum of Photography, Walker Art Center, Visual Studies Workshop, Light Work, Fenimore Art Museum, Albright-Knox Art Gallery, Castellani Art Museum of Niagara University, Buffalo Seminary, and Addison Gallery of American Art. In 2001-2002, Faller participated with eight other photographers in a collaborative on-line project known as â€œFlagging Spirits,â€? hosted by the University of Massachusetts, Boston to document patriotic displays of flags after the events of September 11th, 2001. In connection with that project, she offered a statement about the motivation behind her work, with particular focus on her ongoing documentation of flags and patriotic displays that remains relevant for the range of work that she produced both prior to and after this period: In addition to her many solo projects, she was a frequent collaborator with her husband, experimental filmmaker and photographer Hollis Frampton.

LOT 112

Marion Faller

Earth Day—1970 1970 b&w photograph 6.25 x 9 inches $200 / $750

Marion Faller was an accomplished documentary photographer of cultural traditions and public displays celebrating seasonal events, folklore, popular religious customs, and displays of patriotism. She was born Marion Sudol in Passaic, N.J., in 1941 and attended Hunter College, where she received a BA, and the University at Buffalo, where she earned her MFA. She taught both studio and history courses in photography at Hunter, Marymount Manhattan College, Colgate University, and UB. She retired from the latter institution as a professor of photography in 2006. Faller had an impressive career of exhibitions across the United States and fellowships from the New York Foundation for the Arts, CEPA Gallery (Center for Electronic and Photographic Arts), and Light Work. Her photographs are in many public collections including the George Eastman House International Museum of Photography, Walker Art Center, Visual Studies Workshop, Light Work, Fenimore Art Museum, Albright-Knox Art Gallery, Castellani Art Museum of Niagara University, Buffalo Seminary, and Addison Gallery of American Art. In 2001-2002, Faller participated with eight other photographers in a collaborative on-line project known as “Flagging Spirits,” hosted by the University of Massachusetts, Boston to document patriotic displays of flags after the events of September 11th, 2001. In connection with that project, she offered a statement about the motivation behind her work, with particular focus on her ongoing documentation of flags and patriotic displays that remains relevant for the range of work that she produced both prior to and after this period: In addition to her many solo projects, she was a frequent collaborator with her husband, experimental filmmaker and photographer Hollis Frampton.

LOT 113

Marion Faller

Untitled, nd b&w photograph 6 3/8 x 9 7/8 inches $200 / $750

LOT 114

FASTWÜRMS

IBGYBG (ibegoneyoubegone), 2019 Raku ceramic, pine needle reduction 6 x 8.5 x 7 inches $700 / $1,000

Working together since 1979, FASTWÜRMS is well known for their joint authorship, collaborative and multidisciplinary practice. Social exchange and ‘pratiques relationnelles’ best describe the critical focus of their artwork. FASTWÜRMS has taught at the Ontario College of Art and Design and the Toronto School of Art. The artists and many collaborators have exhibited and created public art commissions, performance and interdisciplinary projects across Canada, Europe, Japan, and the United States. Permanent public art commissions include the integrated sculptures of “Turtle Pond” at the Metro Toronto Convention Centre and “Ex Ovo Omnia” at the Macdonald Stewart Art Centre. FASTWRMS artwork can be found in numerous public museums and private collections. https://www.uoguelph.ca/arts/sofam/people/fastwürms

LOT 115

Erin Finley

Education Is A Human Right, 2020 ink, gouache on paper 22 x 18 inches $250 / $500

Erin Finley is a Canadian artist whose work has been exhibited at Hallwalls (Buffalo), Paul Petro (Toronto), Sarah Lawrence (New York), Queen’s University (Kingston), CBGB’s (New York), La Porte Peinte Centre Pour Les Arts (Burgundy), Allegheny College (Pennsylvania) and Femina Potens Gallery (San Francisco). She has received research support from the Canada Council for the Arts, Ontario Arts Council, Toronto Arts Council, University of Calgary, Université du Québec a Montréal, and the Alberta Foundation for the Arts. Erin Finley teaches drawing at OCAD University in Toronto and obtained an MFA from the University of Calgary in 2004. www.erinfinley.com

LOT 116

Chambliss Giobbi

Tiny Arcadia 35, 2016 collage and mixed media 7 x 5 inches $400 / $850

Chambliss Giobbi utilizes the nature of time and simultaneity as a central theme in his fractured, stop-frame collaged images as well as his mutated sculptural Mobius Strips that perpetually return to their origin. He graduated with a BFA in classical music composition and theory from Boston University in 1986 and received NYFA, NEA and Guggenheim Fellowships. He turned exclusively to visual art in 1999. Giobbi has exhibited in numerous museum and gallery group shows, including the National Portrait Gallery, (D.C.), the Katonah Museum of Art, (Katonah, NY), Artists Space, (NYC), the Oakland University Art Museum, (Detroit, MI), the Kohler Art Center, (Sheboygan, WI), the National Academy Museum, (NYC), the Islip Art Museum, (Islip, NY), the Hampden Gallery, (Umass Amherst), Pavel Zoubok Gallery, Arts & Leisure, 101/Exhibit, (Los Angeles), and Gitler &___. Permanent collections include the International Collage Center and the Museo De Bellas Artes in Santander, Spain. His gallery exhibitions include 101/Exhibit, (Los Angeles), MiTO Galeria dâ€™Arte, (Barcelona), HALLWALLS, (Buffalo), Jack The Pelican Presents, (Brooklyn), The Butcherâ€™s Daughter, (Detroit, MI), and Artists Space, (NYC), among others. He has participated in numerous fairs, and was featured in VOLTANY in 2010. His work has been reviewed by the New York Times and has been featured in NYArts Magazine, ArtNet, Art Ltd. Bomb Magazine, SLEEK Magazine, (Berlin), Le Mile Magazine, FlashArt online and video-profiled on ArtInfo.com. www.chamblissgiobbi.com

LOT 117

Chambliss Giobbi

Tiny Arcadia 38, 2016 collage and mixed media 7 x 5 inches $400 / $850

Chambliss Giobbi utilizes the nature of time and simultaneity as a central theme in his fractured, stopframe collaged images as well as his mutated sculptural Mobius Strips that perpetually return to their origin. He graduated with a BFA in classical music composition and theory from Boston University in 1986 and received NYFA, NEA and Guggenheim Fellowships. He turned exclusively to visual art in 1999. Giobbi has exhibited in numerous museum and gallery group shows, including the National Portrait Gallery, (D.C.), the Katonah Museum of Art, (Katonah, NY), Artists Space, (NYC), the Oakland University Art Museum, (Detroit, MI), the Kohler Art Center, (Sheboygan, WI), the National Academy Museum, (NYC), the Islip Art Museum, (Islip, NY), the Hampden Gallery, (Umass Amherst), Pavel Zoubok Gallery, Arts & Leisure, 101/Exhibit, (Los Angeles), and Gitler &___. Permanent collections include the International Collage Center and the Museo De Bellas Artes in Santander, Spain. His gallery exhibitions include 101/ Exhibit, (Los Angeles), MiTO Galeria dâ€™Arte, (Barcelona), HALLWALLS, (Buffalo), Jack The Pelican Presents, (Brooklyn), The Butcherâ€™s Daughter, (Detroit, MI), and Artists Space, (NYC), among others. He has participated in numerous fairs, and was featured in VOLTANY in 2010. His work has been reviewed by the New York Times and has been featured in NYArts Magazine, ArtNet, Art Ltd. Bomb Magazine, SLEEK Magazine, (Berlin), Le Mile Magazine, FlashArt online and video-profiled on ArtInfo.com. 11 www.chamblissgiobbi.com

LOT 118

Chambliss Giobbi

Tiny Arcadian Snow 8, 2016 collage and mixed media 7 x 5 inches $400 / $850

LOT 119

Shea Hembrey

whack, 2019 from the series 10 minute drawings graphite on bristol paper 17 x 14 inches $350 / $1,000 16

American conceptual artist Shea Hembrey is from Hickory Grove, Arkansas. Hembrey received national attention in 2011 with the release of “SEEK”, a biennial of art showcasing the work of 100 artists—all of whom he invented and created the artwork for himself. Hembrey presented this project as a TED speaker in 2011. Shea Hembrey’s work explores our best current understanding of the structure of reality while putting himself in the role of playing trickster. Currently, that exploration questions our contemporary view of the universe as revealed through physics. He approaches art by concentrating on a singular, defined conceptual project where the ideas direct what methods and media he uses. Research is key to all of his creative endeavors while he remains a prolific maker of things. Though always focused on developing new technical skills on his own, he has a varied formal art education. His nine years of studying art at university include a year spent studying Maori art in New Zealand and an M.F.A. from Cornell University. www.sheahembrey.com

LOT 120

Biff Henrich

(no title), 1982 Ektaflex dye diffusiion print AP, 4 x 5 inches $250 / $750

Biff Henrich is a photographer. He received his Master of Fine Arts at University at Buffalo and his Bachelor of Arts at Hiram College in Ohio. Henrich has exhibited nationally at places including the Pyramid Gallery in Rochester, Artistâ€™s Space in New York, the Visual Studies Workshop in Rochester and the Contemporary Arts Museum of Houston. He teaches at University at Buffalo in the Visual Arts Department.

LOT 121

Marla Hlady

Proposition for Tracing a Conversation (study #10), 2004 ink on paper 15 x 11 inches 2.5 x 2.5 inches (drawing) $900/ $1,500

Marla Hlady draws, makes sculpture, works with sites and sounds and sometimes makes video. Hlady’s kinetic sculptures and sound pieces often consist of common objects (such as teapots, cocktail mixers, jars) that are expanded and animated to reveal unexpected sonic and poetic properties often using a system-based approach to composition. She’s shown widely in solo and group shows. She has mounted site works in such places as the fjords of Norway, a grain silo as part of the sound festival Electric Eclectic, an apartment window in Berlin, a tour bus in Ottawa, the Hudson’s Bay department store display window and an empty shell of a building. She also, at times, collaborates. She currently lectures in the Department of Arts, Culture and Media (University of Toronto Scarborough) and is Graduate Faculty in Visual Studies (Daniels Faculty of Architecture, Landscape and Design, University of Toronto). www.marlahlady.com

LOT 122

Richard Huntington

Dog/God, 1987 acrylic and collage on paper 30 x 22 inches $700 / $1,200

Richard Huntington is a painter and writer, and Critic Emeritus at The Buffalo News. His recent solo exhibitions include RE-MIXico (2014) at Casa de Arte, Buffalo, and Cottage Industry (2013), a series of works that parody the paintings of Thomas Kinkade, at Indigo Art, Buffalo. In 2010 his paintings were included in the international biennial Beyond/In WNY: Alternating Currents, organized by the Albright-Knox Art Gallery. A major survey of the artist’s work, Thus I Passe By: Selections from 19702008, was presented by the Castellani Art Museum (2009). Internationally, Huntington’s work has been shown at Carey Berkus, an art space in San Miguel de Allende, Mexico (2008 and 2009); and at the JR Konstallen in Linkoping, Sweden, with Richard Huntington: Halo By Mondrian: (2007). Among other essays, Huntington is the author of “Jackie Felix: Stories Only Half-told” for the Felix retrospective exhibition held at the Burchfield Penney Art Center, Buffalo, NY (2012); and “Falling Beams, Exploding Heads: A Look Back at Artpark” for Artpark: 1974-1984, an exhibition in the University at Buffalo Art Galleries (2010). Huntington holds a Bachelor of Fine Arts from Syracuse University (1961) and a Master of Art and Humanities from State University of New York at Buffalo (1965). richardhuntington.weebly.com 41

LOT 123

David Kramer

As History Happens, 2007 c-print 24 x 20 inches $1,200 / $2,400

A child of the 1970s, David Kramer pulls from that formative decade, re-crafting its lifestyle advertisements and distinctive interior design into paintings, drawings, and installations both nostalgic and ironic. His compositions resemble the advertisements that, as he claims (with the tongue-in-cheek humor that shapes his output), modeled his future: “I felt certain that my future would look a lot like what I was looking at in those ads. […] I am still hoping to grow up and get my hands on those things.” Text is central to Kramer’s work. He overlays what he calls “one-liners” onto his images, revealing the falsity of the idealized vision they present and the disillusionment of adulthood. In Plan (2011), the phrase, “In case of emergency…plan B and C,” frames a still life of whiskey and cigarettes, motifs that appear in many of his works. American, b. 1963, New York, New York

LOT 124

David Kulik

Untitled, 1983 photograph and marker 24 x 20 inches $200 / $500

David Kulik has been active as a photographer and artist for the last 50 years. Born in Butler Pennsylvania, he currently resides in Carlisle Massachusetts, a small rural town near Boston. He holds a BFA from The Pennsylvania State University and an MFA from the State University of New York at Buffalo, both in Photography. From approximately 1977 to 1983 he was affiliated with Hallwalls and CEPA galleries in Buffalo, where he coordinated various exhibition, performance, and visiting artist programs, and was a founding member of their quasi-official post-punk-art-surf-garage house band The Vores. During that time he exhibited regularly — mostly photography, but also sculpture, installation, music, and performance art — while the band was keeping up an active schedule of local gigs, and making frequent trips to New York City to play at legendary venues like CBGB and Max’s Kansas City. He has taught photography as a graduate student at SUNY Buffalo, an Assistant Professor of Art at Daemen College in Amherst NY, and an instructor for a children’s summer photo workshop through CEPA in Buffalo. Some notable places he has exhibited include the Albright Knox Art Gallery in Buffalo NY, Cranbrook Academy of Art in Cranbrook MI, Artists Space and The New Museum in NYC, Washington Project for the Arts in Washington DC, A Space in Toronto Canada, and the Griffin Museum of Photography in Winchester MA. His photographs from the NEA-funded documentary survey project Portrait of Buffalo are in the collection of the Smithsonian American Art Museum.

LOT 125

David Kulik

Untitled, 1983 photograph and marker 24 x 20 inches $200 / $500

LOT 126

Tom Lawson

GZAK, 2013 acrylic on canvas 10 x 10 x 1.5 inches $500 / $1,000

Associated with the Pictures Generation, Thomas Lawson (b. 1951, Glasgow) is invested in the politics of painting. His painterly experiments disrupting image, perception, palette, temporality calls meaning into question. Portraits render mythological and recent historical events and figures in Neo-Surrealist ways. He has shown paintings at Metro Pictures in New York, Anthony Reynolds in London, and David Kordansky Gallery (2012), Richard Kuhlenschmidt and Rosamund Felsen galleries in Los Angeles. Lawson has been the subject of solo exhibitions that include the Dallas Biennial (2014); Participant Inc (2009); LAXART, Los Angeles (2007); Third Eye Centre, Glasgow and Battersea Arts Centre, London (1990); and the La Jolla Museum of Contemporary Art, La Jolla, California (1987). Recent group exhibitions include Ends and Exits: Contemporary Art from the Collections of LACMA and The Broad Art Foundation, Los Angeles County Museum of Art (2013); Made in L.A. 2012, organized by the Hammer Museum and LAXART, Hammer Museum, Los Angeles (2012); and The Pictures Generation: 1974 - 1984, Metropolitan Museum of Art, New York (2009). His work is in the public collections of the Brooklyn Museum, New York; Hammer Museum, Los Angeles; and Tate, London, among other museums. Lawson lives and works in Los Angeles and is the Dean of the School of Art at CalArts, as well as the Editor-in-Chief of East of Borneo. Thomas Lawson is an artist with a diverse, project-driven output. He has exhibited paintings in numerous galleries and museums around the world, from the Metropolitan Museum of Art in New York, to the Hammer Museum and MoCA in Los Angeles, to Magasin in Grenoble, and the Art Gallery of New South Wales, Sydney. Surveys of his work have been organized by the San Diego Museum of Contemporary Art at La Jolla, the CCA in Glasgow, and the Goss-Michael Foundation in Dallas. He has created temporary public works in New York, New Haven, Glasgow, Newcastle and Madrid. He has written extensively about contemporary art for various publications, including Artforum, Flash Art, and Afterall, and an anthology of his writing. www.louise-alexander.com/artist/thomas-lawson/

LOT 127

Micah Lexier

Hands Holding Things #026, 2015 unique inkjet print on archival paper 18 x 12 inches $200 / $500

Micah Lexier is a Toronto-based artist whose activities include making, collecting and organizing. HHT–– 026 _________________________ He has a deep interest in measurement, increment, found imagery and display structures. He has presented over 100 solo exhibitions, participated in more than 200 group exhibitions and has produced fifteen permanent public commissions. In September 2000, Hallwalls hosted Lexier’s solo exhibition, Increment of One, 2. Lexier’s work is in numerous public and corporate collections including The British Museum (London, England), the Contemporary Art Gallery (Sydney, Australia), The Jewish Museum (New York), and The National Gallery of Canada (Ottawa). Micah Lexier is represented by Birch Contemporary, Toronto. micahlexier.com Hands Holding Things #026 is one of a series of unique photographs consisting of the artist holding a found object against a simple white background. There are a number of related images taken of the same object, but each photo is ever so subtlety and incrementally different. The objects in the photographs are culled from Lexier’s extensive archive of found objects, which are the basis of a series of inter-related projects which take the form of vitrine displays, lightboxes, videos and this series of photographs, in which the artist’s hands are as sculptural as the objects they hold. www.micahlexier.com

LOT 128

Joan Linder

Wet Ones, 2019 pen, ink, and watercolor on paper 12 x 16 inches $750 / $1,800

Known for drawings packed with thousands, even hundreds of thousands of tiny, energized marks, Joan Linderâ€™s large-scale images of quotidian subjects finds inspiration from her immediate surroundings through a processes of embodied observation. Past notable exhibitions include the Albright Knox Art Gallery, Buffalo; Kunstahallen Brandts, Odense, Denmark; the Aldrich Museum, the Gwanjgu Art Museum, the Bronx Museum, and the Queens Museum. She has received residency fellowships at Yaddo, Macdowell, Smack Mellon Studios and a Pollock Krasner Foundation grant. Linder is an Associate Professor of Art at University at Buffalo SUNY. www.joanlinder.com

LOT 129

Robert Longo & Charles Clough

Prototype for a Fundraiser for Hallwalls, 1976/2013 cast aluminum 39 x 5 x 1 inches signed/engraved and numbered, edition 10/25 $900/ $2,500

Robert Longo (b. 1953) is an internationally recognized visual artist known for his large-scale works in various media: drawing, sculpture, film, performance and music. He has exhibited extensively at museums through Europe, Asia and the United States, including such venues as the Venice Biennale, Documenta, and the Whitney Biennial. His work is represented in numerous major museum and private collections all over the world, including The Museum of Modern Art, NYC; The Whitney Museum of American Art, NYC; Los Angeles County Museum of Art; Centre Georges Pompidou, Paris; the Albertina, Vienna; and the Tate, London. In 2014, Metro Pictures Gallery and Petzel Gallery simultaneously presented two ambitious companion solo shows, for which he was nominated by the United Section of the International Associate of Art Critics for the “Best show in a commercial space3 in New York.” In 2005, Longo was the recipient of the Goslar Kaiserring for “outstanding achievements in modern art,” and in 2010, he was inducted as Officier de L’ordre des Art et des Lettres by the French Minister of Culture. Longo is also a member and co-founder of the art-rock band The X-Patsys, in which he plays the electric guitar and is joined by his wife, the renowned actress, Barbara Sukowa (vocals) and artist Jon Kessler (guitar). Robert Longo lives and works in New York and is represented by Metro Pictures, NYC; Galerie Hans Mayer, Düsseldorf; Galerie Thaddaeus Ropac, Paris/Salzburg; Capitain Petzel, Berlin, and Emilio Mazzoli, Italy. www.robertlongo.com

LOT 130

John Maggiotto

Bird #1 (Titmouse), 2012 archival pigment print, edition 5/20 12 x 12 inches $450 / $1,150

John Maggiotto is a photographer who lives and works in Hastings on Hudson, New York where he is a member of Upstream Gallery. His recent shows have featured local environmental concerns, such as the Saw Mill and Hudson Rivers, Hillside Woods and migrating birds. The Escaping Birds series is a set of photographs that capture birds just as they arrive or depart from Maggiottoâ€™s hanging feeder. Maggiotto is one of seven children born to Louis and Catherine in Buffalo, New York. After a Jesuit secondary education he went on to the University at Buffalo studying art history and photography under Jack Quinlan, Don Blumberg, and Tyrone Giorgio. Upon graduation he immediately joined the collective of artists at 30 Essex Street, which formed the artistâ€™s space Hallwalls. He was director of Hallwalls from 1978 until he joined the National Endowment for the Arts staff in 1980. His work is in many private and public collections, including the Center for Creative Photography in Tuscon, AZ, the Hudson River Musuem and the Burchfield-Penny Art Center. He is a NY Found. For the Arts fellow in the visual arts. www.maggiotto.com 9

LOT 131

Michael Mararian

Sin Above Lust, 2015 acrylic and vintage paperback covers 30.25 x 14 inches $400 / $1,200

Michael Mararian is a graduate of the Art and Theater program at the University of Bridgeport as well having studied at the Arts Studentâ€™s League in New York City. His work has previously been shown worldwide at Corey Helford Gallery and Thinkspace Gallery in Los Angeles, Bristol City Museum in Bristol England, Galerie Dâ€™Art Yves Laroche in Montreal, Last Rites Gallery in New York City and the Antonia Fraunberg Gallery in Dusseldorf, Germany. Originally from Andover, Massachusetts, Michael currently lives and works in Buffalo, New York. www.michaelmararian.com

LOT 132

Jennifer McMackon

Mohawk, 2003/2020 digitally enlarged photographic collage unique at this scale 24 x 20 inches $400 / $1,000

Jennifer McMackon was born in Canada. She holds an MFA from the University of Victoria, British Columbia, and a BA from the University of Toronto. In addition, she has an AOCA from Ontario College of Art. McMackon was a participant in the Hallwalls Artists in Resident Project (HARP) in 2003, and was featured in a show highlighting her work that year. Other solo shows include those at the Koffler Centre for the Arts in North York, Ontario, the Museum of Contemporary Canadian Art, Robert Birch Gallery and 64 Steps Contemporary Art, all in Toronto, and Konstakuten in Stockholm. Group shows sheâ€™s been a part of include those at the Arts Club of Washington, in Washington, DC, the Taikang Art Museum, Biz Art in Shanghai, the Harbourfront Galleries in Toronto, the Video Programme in La Panaderia, Mexico, and the 16 Beaver Group in New York. Jennifer published a collection of artist essays and pictures based on a blog she maintains called simpleposie. Her video work was included in Lorna Millsâ€™ Ways of Something which has been exhibited far and wide, most notably at the Whitney Museum of American Art. www.jennifermcmackon.org

LOT 133

Arnold Mesches

After Grosz, 1985 pen and ink on paper 7.75 x 8 inches $200 / $500

Arnold Mesches was born in 1923 in the Bronx, New York and was raised in Buffalo, New York. Mesches moved to Los Angeles in 1943 on a scholarship at the Art Center School. In 1945, the FBI opened a file on him targeting him as a subversive communist. He was inspired to create works during the Republican Senator Joseph McCarthy era of the 1950’s. He created many series of “provocative, layered collages composed from his personal FBI file plus news clippings, 1950’s magazine cutouts, personal photographs, and hand written scripts.”[3] Mesches has explored contemporary social and historical issues, informed by world history and his life during the Depression, which also reflect his art. In 1970 he married, Jill Ciment, his seventeen year old student, who was thirty years his junior. Ciment went to become an accomplished novelist and memoirist. They remained happily married until his death. In 1984, he moved to New York City and taught at New York University. He also taught at Parsons College and Rutgers University. He eventually ended up teaching at University of Florida in Gainesville. He has had over 125 solo exhibitions and is represented in places such as the Metropolitan Museum of Arts, the Los Angeles County Museum of Art, the Brooklyn Museum, and the Museum of Modern Art in Sydney, Australia, among others. He died on November 5, 2016 in Gainesville, Florida at the age of 93. www.arnoldmesches.com 17

LOT 134

Kevin Noble

Missile and Space Electronics, 1980 photo on Kodalith filming, gold spray paint 13.75 x 19.25 inches $200 / $500

Kevin Noble was born in Brooklyn in 1952. He moved to Buffalo, NY to attend Buffalo State College in 1973. His first exhibition was at CEPA Gallery. As an active member of Hallwalls Contemporary Arts Center from 1975 to 1980 he had a number of exhibitions there as well as organizing projects and curating exhibitions of other artists work. He was also active with CEPA Gallery and served as Director of CEPA in 1977. He has had exhibitions at Hallwalls, CEPA, Artistsâ€™ Space, NYC, The Kitchen, NYC and the West Belfast Festival, Belfast, Ireland. He is a founding member of the Culture & Conflict Group which organizes projects exploring the role of culture in conflict situations.

LOT 135

Milton Rogovin

Untitled from The Lower West Side Revisited, 1984-86 gelatin silver print 8 x 8 inches inches $500 / $3,500

Milton Rogovin was born in New York City in 1909. He graduated from Columbia University with a degree in optometry and a deep concern for workers’ rights. In 1938 he moved to Buffalo where he established his own optometric practice. Four years later he married Anne Snetsky who, when not mothering their three children and working as a teacher, became Milton’s full time collaborator and assistant. In 1952, because of his interest in workers’ rights and activity in what could be defined as pre-Stalinist communism, Rogovin was called before the House Un-American Activities. The Buffalo Evening News immediately labeled him “Buffalo’s Top Red” and the persecution that followed significantly impacted his business and his family. Rogovin later stated that though his voice had been silenced, he would not be silenced. And so in 1958, Rogovin began making photographs that communicated his social concern. His first series was on Buffalo’s black storefront churches and these images showed both the poverty and the vitality of their environment. Seen by W.E.B. Dubois, the pictures made their way to Minor White and were eventually published in Aperture Magazine in 1962. In 1972, at the age of 63, Rogovin began to photograph Buffalo’s Lower West Side. Turning up on streets ranging from blue collar family neighborhoods to places where it was dangerous to ask too many questions (the reason many of the pictures are un-named). Rogovin photographed indoors and outdoors, individuals and family groups, as he sought to convey the truth of the lives of his subjects and their environment. Returning to this neighborhood for three decades, Rogovin created triptychs and quartets by photographing the same individuals or families with each visit. The result is a collection of photographs which provide an extraordinary look at the passage of time as well as tremendous insight into the lives of diverse ethnic groups including Puerto Rican, African American, Native American, and Italian families over the course of thirty years. Rogovin completed the Lower West Side series at the age of 92. Rogovin’s photographs are now in the permanent collections of over two dozen prominent museums around the world, including the Biblotheque Nationale in Paris, the Museum of Modern Art in New York, the J. Paul Getty Museum in Los Angeles, the Center For Creative Photography at the University of Arizona-Tucson and the Victoria and Albert Museum in London. In 1999, the Library of Congress acquired 1,130 of Rogovin’s master prints, along with his negatives and contact sheets. The irony was not lost on Rogovin that the government that persecuted him in the 1950’s now celebrated his work as a champion of the poor and working class half a century later. www.miltonrogovin.com

LOT 136

Aura Rosenberg

Color Palette #102, 2013 archival pigment print from the series Palettes 11 x 8.5 inches $750 / $1,550

Aura Rosenberg’s work probes sexuality, gender, childhood, artistic identity and historical construction. Her diverse practice draws on photography, video, painting, sculpture, installation and performance. She has published three books of photographs. Head Shots, (StopOver Press 1996) is a series of black/white portraits that examines men seemingly caught in a moment of ecstasy. Berlin Childhood (Steidl/DAAD 2001) is inspired by Walter Benjamin’s chronicle of a bourgeois upbringing in Berlin at the turn of the last century; it reconsiders the people and places Benjamin wrote about from a present-day perspective. Who Am I? What Am I? Where Am I ? (Hatje Cantz 2006) features a series of children’s portraits, each made in collaboration with another artist. Rosenberg’s work has been shown at the Kiev Biennale; The Berlin Biennale; Museum der Moderne, Salzburg; Lehnbachhaus, Munich; Centre D’art Contemporain, Grenoble; MoMA PS1, Long Island City; The Swiss Institute, New York; The Sculpture Center, Long Island City; JOAN, Los Angeles and Galeria Studio, Warsaw. Her series Head Shots was featured in an exhibition at Kunstmuseum Stuttgart that traveled to the Paul Klee Zentrum in Bern, Switzerland. Rosenberg lives in New York City and Berlin. She is represented by Meliksetian Briggs Gallery in Los Angeles and Martos Gallery in New York City and teaches at Pratt Institute and The School of Visual Arts. www.aurarosenberg.com

LOT 137

Sarah Sutton

Tomorrowâ€™s Dust Flares Into Breath, 2015 oil on panel 10 x 8 inches $200 / $800

Sarah Sutton is a painter based in the Ithaca, NY area who is interested in visual perception, biology and speculative futures.She was born in the Appalachian coal mining region of Northeastern Pennsylvania and lived there for the first 11 years of her life. The town that she grew up in rests over flooded anthracite coal mines. She then moved to a suburb of Cleveland, 10 miles from one of the biggest power plants in the world. The cooling towers overtook the landscape. Both places had a lurkingenvironmental threat, yet life marched forward. These early visual landscapes had an impact on her paintings and ideas. In her paintings, the human realm is organized like rhizomatic mycelium, connecting things that arenâ€™t supposed to go together to focus on symbiotic relationships that span time, species and place. Her work has been shown in Europe and across the United States.She attended the Millay Colony artist residency, Santa Fe Art Institute residency funded by the Joan Mitchell Foundation, and has an upcoming residency at Yaddo. www.sarahsutton.net

LOT 138

Kurt Von Voetsch

We’re Gonna Make It, 2020 pencil, acrylic, and wax on paper 25 x 27 inches $350 / $1,000

Kurt Von Voetsch is a graduate of Carnegie Mellon University, in Pittsburgh. Ohio University, in Athens, Ohio, and State University College at Buffalo. Kurt has shown in group, and solo shows since 1987.Local Galleries, and Museums including The Albright Knox Art Gallery, Hall walls, University at Buffalo, Anderson Gallery. Big Orbit, Castellani Art Gallery, Burchfield Penney Art Museum. A-Space in Cleveland ,Rochester Contemporary Art Museum, Rochester Memorial, Youngstown University, Chautauqua Institution. Since Kurt has been in a battle of personal cancer his artwork has been a method of purging fear. Death isn’t the end, it’s a new beginning. Thanks for the memories, Kurt! We would be pleased to offer an artwork by Kurt Von Voetsch in the annual auction any year, but, this year, the inclusion is especially meaningful. As many know, Kurt passed away on October 14 after a long, valiant struggle with brain cancer. I won’t see Kurt again in person, but, like others in Western New York, I have vivid memories of Kurt that will be with me for a long time. We worked together at the Castellani Art Museum from the time he arrived at the museum in 1996 and I left in 1999. I was also aware of his installations at Big Orbit Gallery, the University at Buffalo, and many other projects/exhibitions. Three years of working with someone may not seem like much, but Kurt made almost everything he did a startling experience. His rolling pagoda of installation equipment was remarkable. The black monolith he made to enclose a modest iMac programmed for interpretation was extraordinary. The glassed-in shelving he created to hold ephemera for our Creeley exhibition was elegant and meticulous. Nothing Kurt made or did in his professional life was ordinary. I’d only add that he was kind, thoughtful, and fun to be around, even when he was reading aloud in the break room from the thankfully defunct Weekly World News. Thanks, Kurt; I’m so glad I knew you. — Elizabeth Licata

LOT 139

William Wegman

So Inclined, 2014 pigment print 11 x 8.5 inches AP3, 5 $300 / $750

William Wegman was born in 1943 in Holyoke, Massachusetts. He received a B.F.A. in painting from the Massachusetts College of Art, Boston in 1965 and an M.F.A. in painting from the University of Illinois, Champagne-Urbana in 1967. By the early 70s, Wegman’s work was being exhibited in museums and galleries internationally. In addition to solo shows with Sonnabend Gallery in Paris and New York, Situation Gallery in London and Konrad Fisher Gallery in Dusseldorf, his work was included in such seminal exhibitions as “When Attitudes Become Form,” and “Documenta V” and regularly featured in Interfunktionen, Artforum and Avalanche magazines. It was while he was in Long Beach that Wegman got his dog, a Weimaraner who he named Man Ray, and began a long and fruitful collaboration. Man Ray, known in the art world and beyond for his endearing deadpan presence, became a central figure in Wegman’s photographs and videotapes. When Man Ray died in 1982 he was named “Man of the Year” by the Village Voice. It was not until 1986 that Wegman got a new dog, Fay Ray, and another collaboration began marked by Wegman’s extensive use of the Polaroid 20 x 24 camera. With the birth of Fay’s litter in 1989, Wegman’s cast of grew to include Fay’s offspring — Battina, Crooky and Chundo — and later, their offspring: Battina’s son Chip in 1995, Chip’s son Bobbin in 1999 and Candy and Bobbin’s daughter Penny in 2004. Out of Wegman’s involvement with this cast of characters grew a series of childrens’ books inspired by the dogs’ various acting abilities: Cinderella, Little Red Riding Hood, ABC, Mother Goose, Farm Days, My Town, Surprise Party and Chip Wants a Dog. Wegman has also published a number of books for adults including Man’s Best Friend, Fashion Photographs, William Wegman 20 x 24, The New York Times Bestseller Puppies, Fay, William Wegman: Paintings and the upcoming Being Human, edited by William Ewing and published by Thames and Hudson fall 2017. Wegman has created film and video works for Saturday Night Live and Nickelodeon and his video segments for Sesame Street have appeared regularly since 1989. In 1995, Wegman’s film The Hardly Boys was screened at the Sundance Film Festival. Wegman has been commissioned to create images for a wide range of projects including a fashion campaign for Acne, banners for the Metropolitan Opera and covers for numerous publications including The New Yorker and, most recently, Wallpaper. Wegman has appeared on The Tonight Show with Johnny Carson and with Jay Leno, The David Letterman Show and The Colbert Report. Numerous retrospectives of Wegman’s work have toured Europe, Asia and the United States including at the Walker Art Center, Minneapolis, the Kunstmuseum, Lucerne, the Centre Pompidou, Paris, The Whitney Museum of American Art, the Brooklyn Museum of Art, the Wexner Center for the Arts, Columbus, and Artipelag in Stockholm, Sweden. Being Human, a large scale survey of over thirty years of Wegman’s photographic work was published in fall 2017 (Chronicle/Thames and Hudson). William Wegman lives in New York and Maine where he continues to paint, draw, make videos and take photographs with his dogs Flo and Topper. www. williamwegman.com 7

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