Art of installations part 1

ARTE E TECNICHE DELL’INSTALLAZIONE Parte Prima: L’installazione prima dell’avvento del mezzo video

L’INSTALLAZIONE (anni 60-70) • Confronto tra spazio estetico e spazio sociale.

• Superamento della concezione dell’opera come forma costruita, autocentrata e sostanzialmente autonoma dal contesto • Il centro è occupato dal pubblico: il ruolo attivo dello spettatore nel tempo e nello spazio.

• Non indica una tecnica o un medium espressivo, ma il rapporto tra opere realizzate con diversi media e lo spazio destinato ad accoglierle, sia esso la galleria o un ambiente esterno.

• Attraversa quasi tutte le correnti e i movimenti moderni e contemporanei dell’arte.

• Site specific

Gesamtkunstwerk

L’opera totale

BAUHAUS 1919-1925 Weimar 1925-1932 Dessau 1932-1933 Berlino

Walter Gropius

sede Dessau

OSCAR SCHLEMMER l'azione teatrale come la "pratica" dell'equazione tra attore e spazio

Figure in Space with Plane Geometry and Spatial Delineations.

Schlemmer's stage diagram for Gesture Dance,Bauhaus, 1926

Brecht. "Mother Courage" 1939

Mayakovsky's BANYA "Bathhouse" 1930

Le futurisme 20 febbraio del 1909 primo manifesto teorico del futurismo, fatto pubblicare da Filippo Tommaso Marinetti in Le Figaro – prima pagina

’Cabaret Voltaire’ in Zurich February 1916.

Two poster poems, 1918

by Raoul Hausmann

Typographic poem "L’inconnu" from the year 1918

by Raoul Hausmann

CLUB DADA founded in Berlin (1918 - 1923)

Invitation to an exhibition of works of the French Dada artist Francis Pacabia, 1920

Kurt Schwitter’s "Gesetztes Bildgedicht/Arranged Picture Poem", created in 1922

Typographic photomontage, 1922

"Die Scheuche", a joint work of Kurt Schwitters, Käte Steinitz and Theo von Doesburg Lajos Kassak, „Geräusche/Sounds“, 1920

"Dada-Rundschau" by Hannah Höch, photomontage, 1920

Kurt Schwitters, the critic, 1921

Raoul Hausmann The Art Critic 1919-20

"Dada-Cino" 1920 in Geneva

by Raoul Hausmann,

Hannah Hoch, Cut with the Kitchen Knife Through the First Epoch of the Weimar Beer-Belly Culture, 1919.

Kurt Schwitters, Merzbau, 1924-37

Ready-made

Marcel Duchamp, Bottle Rack (1914).

Marcel Duchamp's Fountain, 1917

Man Ray Il Detournment ovvero il metodo dello staniamento surrealista

Cast iron and nails 1921

L'Enigme d'Isidore Ducasse 1920

VĂŠnus restaurĂŠe 1936

Spazialismo 1947 Lucio Fontana

L’informale materico Alberto Burri 1949 SZ1

Il Grande Cretto Alberto Burri.

Gibellina 1968

Yves Klein, "Le Vide," Galerie Iris Clert, Paris, 1958

ARMAN Le Plein, 1960

Image Credit: © Marcel Duchamp, Mile of String, 1942, New York In 1942, Andre Breton organised a retrospective exhibition of Surrealist art in New York: First Papers of Surrealism. For the vernissage Marcel Duchamp created this installation – a gigantic web – called the Mile of String. He and Breton furthermore arranged for a number of children to ball in the room thereby making it very difficult for the guests to see the paintings.

LO SPAZIO MINIMALISTA

Morris: untitled L-beams, 1965 (stainless steel, each 96 x 96 x 24") with work by Sol LeWitt on the walls

Sol Lewitt: Cube Structure based on Nine Modules (Floor/wall piece #9), 1976-7

Judd: untitled, 1969 (stainless steel and blue plexiglass, ten units, total 172 x 40 x 31")

Sol Lewitt

DONALD JUDD, UNTITLED (1972).

Judd Untitled 1976

NUOVO REALISMO E LAND ART L’inizio dell’arte SITE SPECIFIC

Christo - Le diable 1963

materiali vari, cm 122x100x66 Mart, collezione Ileana Sonnabend, Rovereto

Robert Smithson, Spiral Jetty (Great Salt Lake, Utah, 1970).

Richard Serra, Tilted Arc (1981-9).

Running Fence Christo sculpture 1972-76 (Earthwork)

Christo, Surrounded Islands Project (collage, 1981).

Christo, Project for Wrapped Reichstag (collage, 1994).

Wrapped Reichstag, Berlin, 1971-95

POP ART: LA SOCIETA’ DEL CONSUMO OGGETTO D’ARTE

Andy Warhol Sleep 1963

Perfomance & Happening

Yves Klein, International Klein Blue (IKB), 1958

Jim Dine The Crash #2 1960

Jim Dine The Crash #5 1960

Jim Dine The End of the Crash 1960

Gutai Bijutsu Kyokai (Gutai Art Association) formed in 1954 in Osaka

by Yoshihara Jiro, Kanayma Akira, Murakami Saburo, Shiraga Kazuo, Shimamoto Shozo

Performance art

Joseph Beuys From the Eurasien Staff 1973

Gilbert & George A Portrait of the Artists as Young Men 1970

Bruce Nauman a 1970

FLUXUS: L’ARTE COME IMPEGNO SOCIALE IMPORTARE L’ARTE NELLA VITA SOCIALE Vs La VITA REALE NELL’ARTE DEL MOVIMENTO POP

1963

Fluxus Street Theatre by George Maciunas, Copyright: Š 2007 Gilbert and Lila Silverman Fluxus Collection Foundation, Detroit.

George Maciunas: The Dream of Fluxus

Joseph Beuys: The Pack

Allan Kaprow: Push and Pull

Nam Jun Paik: TV Cello

Wolf Vostell: Decollage

Portapak

Sony CV-2400 Video Rover

1967

Guy Debord ÂťIch liebe meine Kamera, weil ich es liebe zu lebenÂŤ