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Media-Space 1981-1986

Page 32

MIS DIA = SPACKE COMPENDIUM

JUDY CHAMBERS PETER CLEMESHA ANNE GRAHAM BRIAN McKAY LINDSAY PARKHILL NEIL SULLIVAN PAUL THOMAS ALLAN VIZENTS

6-6-82


/S

At


every

exposed

square

four

set

sea

as

was

confined

by

the

reality

pr

ma

' w

arran

' true

their

are

descript

conditioning

Another

of

appears

beach,

w

clear

result

Preconceptions

emerges

a

the

no

by

idea

c

c

fi

marke

wave

submerged

writing

But,

there

weed

initial

The

fa

every

in

corner

out

alignment

of

the

out

nearest

boundary

not

The

-

Film

not

the

to

-

stones

4

Ponies

not

one

is

if

as

crest,

a

them

crest

fre

SI

A

wave

MAY

¢

3


Grawn

of of

the

heacr,

Considerations:

bhe

on

2byY

i S

camer.

OF

thre

of

srr

the

ote

.

tes

the

the

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bed

ring

Saqnars

he Lifts &e

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Focusing

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get eee ee mee et

maninuls

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the

the

oe

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to

ule

how

squares

finder

view

of

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on

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eras

re ve eer are rere


erence

orreetion

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a

on

film

compromise

Image athe ey

and

result

needed

?

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OL

ao

square y

the

3: came ra

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drawing

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in

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concept

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tetre Clanesha WORKS

(1) (2)

"The Meal Photographs "Falter" Cover for

(3)

Vienna

(4)

"Zap"

(5)

(6)

A

car

taken a

INCLUDED

in

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>

Perth

on"

and

Vienese

extended.

1970

paper.

1978 1978

game

idea

"Testing" A piece writen

that for

a

became

a

long

performance

in

project Perth

"Water colour, Joke and Landscape Commentary Works as yet not completly developed

80/81 82

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a

WARNING- SMOKING 1S A HEALTH HAZARD

\

is

te,

i

i

? i '

i

‘evry?

y

a

The litter of Consumer Packaging and its use by Manufacturing Companies to advertise their goods is noticeable in the environment. The possiable Tax allowance to companies for non-returnable packaging by Governments is worth thinking about In all this may become necessary to engage in a kind of mental shift when viewing litter encouraged by Governments and Manufacturers.

We

iwo acer <u

tue

:

wa

ov suo

-

KL ANoscape CoMinenTARY

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MEDIA-SPACE

47 MALCOLM ST. WEST PERTH WESTERN AUSTRALIA, 6605 THIS WORK VISUAL

COUNCIL

ARTS

HAS

BEEN

BOARD

ASSISTED OF THE

BY THE

AUSTRALIA

dried

for

fodder


43


FOUR

BY

WORKS

LINDSAY

PARKHILL.


44


ebjeet-maker CONFRONTATION

(looking)

You

know

Why

don't

what

I

know

you

look

confrontation

conservative

consideration

looking

lying

at

the

wall

lips

awake

lieing

about

ethics

is

honesty

the

love

the

pest

of

the

instigation

policy

few

~

inquisition

not

presents not

is

aesthetics

investigation

con

me?

imitation

blubbering

not

like

passed

I

glomerate

con

condominium

cunt

-—

front -

front

-

ation -

action.

submission

(an

audio-tape

released

~ thankyou

Jasper

(Johns)

* thankyou

Laurie

(Anderson)

by

Media

Space

May

1982)


4b


-

'

SUNDAY

=e.

wis gas

a

47 MALCOLM ST. WESTERN AUSTRALIA,

Ni ein

TIMES

:

OF

DE

a=

in the’ sundra

IN THE

Uv

THIS

O © o O

venessa redgrave was i n town, FEBRUARY 28 1 9 42 THE ‘PERTH! WAS SUNK

time

=~on

ON

same

4a %

I FOUND

-,

the

=m

Balyeat ... Perth one of the world's beauty spots.

FEBRUARY

strai ts

sere,

Todd

Ken

®

eS

WS

out

28 198 2

about town

.

ETE

year?—

-

.

a

‘ AOU

ULMER

gitls

it at

CU LARA

very

wasn’t all. The CEREAL

seemed

ashore. like that

themselves we stepped

falling over yhen

be

us

girls

Pipkin, officers told

the

rould about the WA capital voted as Number One leisure spot by 73 per cent of the 40,000 R and R visitors last

So what’s so special

home.” Clerk Phil 2l: “The

at

Continued from previous page and the girls much prettier than those

®

Tarnaski,

bars

were

19

to

Barry

clerk

difficult

TEV

had

as

is

some

as home

drink-

twice

back

ULLAL

ing games with the Australian Navy bovs and they won ever: one. Perth is the place I'd choose fora long vacation if was out of the Navy.”

We

strong

beer

fe

by

at Perth's

:

Clerk Troy Wilson. 20. “Australians drink more ligio: than we do and the

... amazed cleanliness.

ERO

The view from up there is really something.”

sure wish we had Kings Park back home in Michigan.

UCR

\

Goble tee knocked “out _ the hospitality.

great. Everyone seemed to be buying us drinks. -And I

“The

Bryan

Ken

Todd

know.”

but to

Personnel

nice get

and

Pipkin... girls nice, but difficult to get to know.

Kevin Collins . .. relaxed easy-going atmosphere.

Phil

of invasion strong sailors and marines in Perth this year.

wave second in the of an expected 50,000-

hit

at Perth’s week

sailors

This

6000

Barry ... amazed cleanliness.

Goble ... knocked the hospitality

nice but difficult to Continued from previous page get to know.” clerk and the girls much Personnel Bryan Tarnaski, 19 those than prettier were bars at home.” “The Everyone Clerk Phil Pipkin, great. officers “The 21: seemed to be buying girls the us I And drinks. told us falling had we wish sure be would over themselves Kings Park back when we stepped in Michigan. home ashore. It wasn't from up view The like that at all. The there is really some-~ girls thing.” seemed very RLOUGLLELEGAU HU EQUUNACEHUUC LEER OE UHC EA YER EY CECE ESCO

Kevin Collins ... relaxed and easy-going atmosphere,

John

HE

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47


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45


I

WISH

I

COULD

PAINT

YOU

A

PICTURE


J AM The

SITTING nearest

it is side,

on

the

my

DOWN wall

TYPING. ie

about

only fractionally ig a window which

right-hand

wall

behind

side

me.

a

seems

The

third

of

a metre

in

front

of

me,

closer than the one on my left handat this perpendicular point.The wall

to

ceiling

be

the

would

same

be

distance

about

half

away thts

as

dimension above my head,about two and a half metres.My eye is about a metre and a quarter abeve the floor -I am level sitting down typing. Neil

Sullivan.


List

of

work Thomas

Paul

P1.2.

Drawings

attempting

P

3.

4.

to

Two

making

an

P

Text

5.6.

7.8.9.

nothing

at

another

prints

of

the

and the

to

from

Extracts

P 42.136

Notes

P

Photographs

ones

which

could

be

from

manipulated. three

books

work

rough

"Journey

notes

from

for

text.

from

"Waiting for nothing". "tangible space"

for

the

construction,

concepte

the

P7

book

artist

original

environment

nowhere".

where

photocopy

photographs

P 10.11.

space

first

look

Extracts

ih.

the

environment

developing

P

from

from

string

video

defines

of the

moving

through

reflection

of

image.

P 15.16.17. A spacial experiment with two dancers. P48. An extract from "Visible nothing". P19.

figure

From

in

a

set

of

work

experimenting

with

a

space.

P

206

Stills

from

video

P

24.

As

P

22.6

Extract

from

P

23.6

Drawing

out

,

stated

Media the

space

work

dimensions

March

of

a

to

room

May.

on

video

P

2k.

Roughs

P

25.4

Mystery

P

26.

Quotations,

Interjections,

Projections.

P

27.

Roughs

Audio

Media

publication, process

for and from

Audio

Media

space

beauty

tape

publication

September and

dated

Visual

14

June

84

.%3.82

Space

Visual

in

84

84


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4

Creation

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abstaction

Realizations of being confined. Restricted by walls, colours, design , localities. Being dictated to, not reflectd by your environment. The mobilty of constructing 4 continunm. Maring the environment your decisions. Being the environment. shaping things around you. Manipulaing spaces . Relating the internal to the external. Attempting to see the total through the distortion of the structure. Book

2

Security

and

insecurity

through

to

selfawareness

Static security is no security. Escaping tne need to find you.e Becoming materially absorbed. Discovering the insecurit;, of flux. Confronting change. Forcing the creation of problems. reaffirming creativity. Move by the direction of change. identify with diversity. making this your environment. Book

3

Abstration

and

seifawareness

through

Perceing manipulated spaces. knowledge through visual swareness. Delimiting senses. Using insecurity as :nowledge. Finding materials are only sources. Contemplating the materialized mind. Sensing the total. Confronting nothingness. Confronting Jou. Being at the point of imbalance.

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WHITE

WILDERNESS

FOLICY

Introduction:

ef

in

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relationship

It

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theory

nature a

in

Western

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4976

Lassus,


83


WHITE

WILDERNESS

Project

Outline:

Research

4

areas:

IDENTIFICATION: as

a

model,

and

an

the

The

the

re-inforces

area

under Great

Swan

fear

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84


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47 MALCOLM ST. WEST PERTH WESTERN AUSTRALIA, 6005


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33


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off

floor.

into

can oot

estrained

Chair glasses are of

is of

used

as

bolted water

evynerience.

to

Subject

enters

‘passing glass

drinks

of of

ject ing.

draws

are

and

water

about

metephors are

disaster, time’!

wall

vositioned

They

carefvlly

Variation:

to

simple

Subject

a

chair:

H

=3

&

vertically.

sits

on

a

and

Chair curtaiin,

has

for

some

time

Subject

then

begins

and

glass

to

around two

legs.

to

considered nosition base

slasses

Two These

accidental

so

deliberate

revealine

and

threat

chair

curtein

front

transitional,

constent

returns

the

fragil

venerel,

position. in

inches

under

for

in

uncer

six

on

imverfeot,

sneak,

in

a

waiting

to resch motion. under

or

for Subject

Leg,

drawString.

before

asnects

Sub-

reaching/drink-


restrained

Chair to

sit

The A

is

chair

bolted

to

wall

chair

by

climbing

on

balfanced

wall

that

train

or

farm

chair:

at

to

Window

past

in

a

animals

on

wall

be

window.

(Copper

tubing

floor).

or

Subject to

costure,

The

level

table

and

upright. with

the

at

chair:

glass.

the

pvroblem

legs

people

ss

in

manner

assumes

during

disconnected

with

looks

wall.

.

at

and

oressure

an 3s

hose.

is

returns

room.

time

Subject

to

move

sitting

and

assumes

treck

room.

water.

Subject

Subject

to

and

contains

then

‘balfance'

position

ay ?

positions

remaining

in

with

z

garden a

green enters

chair

uo

tav

is

a

‘collected!

aspects

of

located

on

vlastic room

and

against

2

; glass

attitude.

A and

water

chair

the

dealing

peasous

below.

ds from

which of

a

grasning/toying

table

is

and

conviest-heieht,

water

in

Sound

Kneels

subject

at

Subject

and

chair

of

hand

of

lifts

wall

on.

legs

the

on

through

amounts

one

floor

sits one

the

tap

taps

glass

crossed,

the

in

a

table,

with the

the

vassing

room on

into

assumes

The

eolled

positioned

legs.

Subject

actions,

reality a

of

factories

two

down

walking

hand

tnat

these

inserted

and

or

on

sitting

),

Author

cows

chair

finally

& moderate

takes

be

houses a

vehicle-

pattern

Should

‘bal¥anced'

is

anvroaches

of

required.

transport

approaches

is

are

repetitive

rod

table

Subject

shoes-on-floor

attemots

window.

posture:

cocasionally

with

position.

public

Alternatively,

chair

manner,

Subject

‘drinking!

The

Subject

props

manner.

Subject

deals

looking

a

uneven

ct

chair

in

wall-paper

aluminium

test-and-reaction

fabricated

paper.

to

heleht.

wall.

a

manual,

illustrated.

the

difficult

that

has

seductively

face

a

Various

appears

bus.

rolling

continued:

e

The

hose

is

turns

wall

with

a


101


“A

Useing

the

door:

‘outside’.

There

however,

the

and

from

or

there.

Some and

Subject

makes

many

attemots

and

hands

(Another

ston

wide

cars

un-concerned.

degs

nothing

door

some

feet

‘outside’.

is

opens

(fainter)

distance.

body

Subject

to

entire

room.)

Subject nowever

the

outside

dealing

with

are

neither about

and

look

barking

opperating

on

Subject

is

traffic

to

to'door

form.

deliberate

barking,

dogs

mechinery

Subject is

enough

in

parts

of

finishes ‘impatient!

waiting.

mechinery

The is

still

audible.

Subject

is

Nailing

vaper:

with

is

the

Subject

leaves

attemotiing

space

on

a

to

lawn.

Subject

leaves

vassing

through

yellow space

naper. on

the

in

is

typical

raking

‘world’. leaves.

into

a

Breeze

this

attemot

mkes

frame,

on

breeze.

These

are

A

breeze

re-distributa¥ive

rave leaves

the

Lawn.

the

camere

Subject nailed

to

vattern.

chalked

continues returns ground

is

dealing Subject

rectangle

quite to end

futile.

record

with

of leaves

leaves

cover

the

of chalxed


102


Transitional

Chair

the

should

3 rides thout bus

seat,

various to

the

bus

is

in

itself. They

themselves, pattebn

as

or

The

to

passenger

to

as

The

is

going

chair

through

the

devices

@

and

uohill

for

mimics

the

background

are

mundane

nart

as

in

emnloyed

audience

intanghble

descrete

on

facing

One

viewer.

nlaying

passenger

the

movements, associate

windows going a

seen

break

are

uhbidentifiable

imolies

the

a vital

travelers

is

body

trys

be

time.

Various

on

hill,

nart

messengers, Journesps,

and

of

the

carrying

in

a

circular,

repetition.

idea

through

can

form

the

moving

states.

are

on

traveling.

no

always

bus

They

is

and

back

the

level

bus

Time

action

peonle

action.

of

the

up

the

blurred-motion

The

One

vroned

that

moving.

as

throNén

piece

te

direction

swimming,

revetitive

disructions

leaning,

provellinge

body

with

included

as

and

sonewhere from

through

movement

shanes

relief

circle

blow-uns

forms.

who

the

vrogress.

is

not

cirle

is

Various

or

One

uphill.

must

as

various

feel

moving.

like

The

close

at

nand

oneself-none

of

the

screens ik)

in

Chair

contradiction tut

never

arriving.

lem as the

an

of

exolAnation

vieces i

@lwavs

of

the

exvanded fill

the

isolatins of

the

work.

nugzle to

The

together include

cvacksround. dom

viewer

ote

lecations.? where

busses

selection.

s directly

at

camera

vosition

(at

the

meant

is to

included

sot

Himself.

Corners in

is

above

viewer).

“us

would

turn,

nor


103


it'S a wishbone of provocation

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104


ce

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(THESE

something VESTIGIAL remains:

ORPHANS

a gondola

over

each

microsecond

5

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a clavichord a movement

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106


PROPOSAL

"RIGHT

A department store density shopping area shops, learn-to-drive

fact

opens

with

OFF"

‘business' opens in an available shopfront in a high experiencing a level of decay: pawn shoos, opportunity schools, etc. The "business! is designed to fail, in

a closing-down

or

bankruptcy

sale.

Products

are

available

inside the shop, however the items for sale are non-functional, satirical and priced in an irrational manner, either too expensive or ridiculously cheap. The makers are in fact artists who are participating in the project. Ideology: The proposal is seen as an investigation of culture in Western Australia, it's prejudices, demons, gods, the veculiarities of life that are intrinsic to this time and space. The attitude is satrical or humorous, pokes fun at common conceptions held by various groups in the social structure, and attempts to shift, change or focus the identity of Western Australia on itself. The vehicle is the shop itself, the products and the interaction in selling those products. The model imploys humor that questions

ideals, attacks prejudices and alters the commonplace withovt drawing obvious conclusions. Where necessary it makes diametrically opposed conclusions

olausible

and

wonder

or comvincing. why

he

is

The

laughing.

"shopper"

in the model will

Iaugh

at him/herself

General fields in the model: Migrancy, mining, colonialism, featurisn, consumerism, npolitical, social, enviornmental, historical, spiritual... The physical model: A believable shon, sign out fro t, areas within designed to dispense vroducts in a typical manner- vostcard stands, magazine racks, shelves, etc. A typical cachier area, possible turnstile, red light overhead on stand, "Express line," a non-functional cash register that mimics a

computer

register

in

robot

fashion,

emitting

svoradic

bleeping

noise.

The

area should have some element of the cointerfeit. The register itself is a constant irratation for the cashier. The cash drawer jumps open for no appsrent reason. Muzak is audible with periodic o t:ursts of special sales, animals lost or meaningless chimes. This could be a tave loop and should

repeat

itself

system

and

sculptors the

products

Theater

or

often

interested

olfactory

enough in

to

be

irritating.

enviornmental

possibilities,

themselves.

proformance:

All

sales

or

Some

altered

although

personel,

these

areas

reality,

may

cashier,

should

be

including

very

store

well

designed the

emanate

'detective',

sound

by

from etc.,

olay a part in altering the experience. They are dressed in tynical uniforms, but role playing is employed to discourage or alter »otential sales. l. The cashier claims that the items were mismarked, are actually 59 times as costly. 2. The salesperson claims the item is the ‘ast one in stock, can not be sold and issues a phony raincheck, or trys to get a higher price through any negotiating tactic short of violence. 3. The salesverson refuses to sell the vroduct because she "likes it," or it was oromised to the Perth “oo, or the manufacturer has recalled the entire line because it was found to be contributing to the spread of dieback. 4. The manager is NOT available: requests to see the manager will be delt with in a forthright manner. The customer will be given a photocopy of a mad of King's Park. The map wil? be currently dated and rubber stamped with a small Goanna footprint indicating the current location of the manager.


107


in Advertisements to make known the

Media involvement: afforded or donated

Ll.

in

and

to baffel

designed the

listed

is

number

phone

A

opening

aimless

slamming

and

an advert,

in

the

undermine

a

is

which

(Sound

flies

barking,

dogs

message

recorded

well-being.

caller's

doors,

various

of

be exploited.

can also

Mail

products/services.

of certain

radio, whatever can be newspapers, shop's existence and the availability

effects-

buzzing

etc.

circles,

Services of a dubious nature could be offered through adverts or mailers: A lawn killing service to beat the summer heat. A bore drilling service that offers to tap the neighbor's swimming pool. ("The Sidewinder") A filter system to balance bore water salinity through the addition of pepper. A complete

item

the

in

low-maintenance

with

yard

Product lines: Wearing apparel: I.

b) ce}

d)

footy

thongs-Kimberley

a) Altered

that

service

landscaping

Altered shoes-high heel, disco to the front of the sole.

e) The

Totally worn

Line™:

"Pre-owned

a) b)

c} d) e)

use

Could

"found

Duchamp

Marcel

with

style,

out

cloth,

packaged

as new,

nothing

pair,

socks-one

of

a

such

as

Kangaroo

items

glued

and

removed

heel

the

clothing

object"

resin.

clastic

chips

and

fish

used

tires,

heel

lacky band

and

studs

with

thongs

complete with holes and threadbare matched. Souvenirs, postcards, etc.:

duplicates.

plastic

restrainer, instructions for use, etc. rubber Umbrellas made out of palm fromds, paper, etc. An entire dress rack of clothes dipped in

growing

every

replace

to

offers

paw

backscratchers. "Senic" views of Perth-postcards that explore non-—senic views or reality in the city, complete with rubber-stamped back- "Having Include fold-out multi-views a wonderful time, wish you were here." with hand painted photodyes in off colors. innocuous television news and Media personalities, The "STARS"photographs taken off the television screen. weather people, Meps for those in Perth who would like to see certain areas of the

city

eliminated.

Magazines

preach

the

reports

and

emu-proof

that

fence,

claim

dingos

to

reveal

found

to

the

be

"truth".

attacking

(How

market

emus

rooting up spuds, etc. rinping-off lettuce and carrots, gardens, but Clothes hoist that pops out of a suitcase-miniature, Travel aids: Comes vith an optional hairdryer large enough for socks and undies. to sneed the process. Household aids:

a)

Flysprays

that

are

flame-throwers

in

aarisol

wipe

cans,

out

entire

family groups of flies in one firey sweep. one that takes six slices of bread and oroduces a Jaffle irons: and Camping irons that double as fly-sprayers, boxlike Jaffle. diala producing irons thet are disvosable or self-distruct after a-number Jaffles. Hardware: Heat-sealed bags nails, etc. Exploit the packaging of screws, a) b)

b} c)

with one nail inside, and Useless and dubious items

(TE

as

plugs

Completely

for

the

drain

disassembled

highly overpriced. also similarly packaged

holes

everyday

in flower

items

such

pots.) as

and

door

identified locks,

each

part


packaged

d)

and

sold

separately.

A ridiculous

be neatly packaged and displayed on racks. Bulk items: Plastic buckets of nails, filled and bent. A plastic glove nearby and plastic

Sporting

equiptment:

a) Rear vision Auto supplies: a) Ultraviolet

mirror

for

fog

aerisol

in

skin

divers, can-

array

complete

prevents

sun

and eliminates venitian blinds and fans, also auto activities as it fills the interior with New products: displayed as coming soon from RIGHT drawings in the shop or adverts: a}

b}

of

rubbish

could

with bags

water, rusting for bulk purchase.

with

wiper

scortched

blade. upholstery

good for X~rated impenetrable murk. OFF in posters or

Cool Breeze cigarettes— new technological wonder filter-a cut-away view of exposed filter revealing a bizarre aray of ducts, micro pumps operated by mouth suction, laberinthian baffel chambers and quasi-~pheneumatic blowers. Conversion kit for autos—- enables the owner to use the defunct

rail line underbody

from Freo of car.

to

Perth.

Actual

train

wheels

that

fold

out

from

General

l.

Finance-whether or not the project is profit orientated. It would seem that if it is designed as a business doomed to failure, that it would indeed not even cover opperating expenses. In keeping with the it is suggested that businesses that try to succeed, ideology, however, fail, and those that are off-putting or insulting to sensitive and intelligent people, inevitably succeed. Therefore, failure should be treated as a mockery, knowing full well that this is the route to obvious success. it should be determined Since the business will sueceed through failure,

that

a percentage

of

profits

are

to

be

retained

by

the

business

for

expenses, and the remainder is to be dispersed to contributing artists, whether or not their work sells. The three initial organizers are Richard Thorman, Chris Constable and Allan Vizents. The project is invitational . A full scale attack is to be launched through all channels of the community, media, etc., involving artists and non-artists in a barrage of satirical madness, during the festival of Perth, 1980. The model exists for two weeks, then disappears without trace.

Alvan

Vizents,

RICHT

OFF

(479

ee


109


E MEDIA-SPAC T PERTH

47 MALCOLM ST. WES WESTERN AUSTRALIA,

No.

ASSISTANCE:

1

6005

of Twenty

VISUAL

ARTS

BOARD

CANON

COPIER

OF

THE

AUSTRALIA

AUSTRALIA PTY.

LTD.

COUNCIL


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