The Collection of Adrian Burr and Peter Tatham - Vol. 1

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Amazing role models

EXHIBITING QUALITY LANDSCAPES

NEW ZEALAND'S FINEST LUXURY PROPERTIES

THE ELMS PENTHOUSE LAKE HAYES

www.luxuryrealestate.co.nz/Q58

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CLOSEBURN STATION QUEENSTOWN

www.luxuryrealestate.co.nz/Q59 QUEENSTOWN Terry Spice +64 21 755 889 terry@luxuryrealestate.co.nz

Nick Horton +64 21 530 000 nick@luxuryrealestate.co.nz luxuryrealestate.co.nz

BWX Productions 2021

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AUCKLAND: 28 October to 14 November WELLINGTON: 4 to 21 November CHRISTCHURCH: 29 October to 14 November DUNEDIN: 5 to 21 November HAMILTON: 11 November to 5 December TAURANGA: 18 November to 5 December HAWKE’S BAY: 18 November to 5 December NEW PLYMOUTH: 18 November to 5 December PALMERSTON NORTH: 19 November to 5 December MASTERTON: 19 November to 1 December NELSON: 11 November to 2 December TIMARU: 11 to 21 November GORE: 11 to 21 November

generously supported by Art+Object

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Since opening its doors fifteen years ago Art + Object has consistently been the auction house of choice for the country’s leading art collectors.

For an extensive auction archive please visit artandobject.co.nz

2021 The Collection of Adrian Burr and Peter Tatham

2019 Beyond the Lens: The Gerard and Marti Friedlander Collection

2018 The Collection of Frank and Lyn Corner

2017 The Estate of Michael Illingworth

2018 All Possible Worlds – The Peter James Smith Collection

2017 The Collection of Glenn Schaeffer

2010 Selected Photographs from the Estate of Brian Brake

2017 The Collection of Anne Coney

2015 The Ron Sang Collection

2016 The Real Art Roadshow

2012 The Les and Milly Paris Collection

2007 The Bev and Murray Gow Collection

2015 The Collection of Dame Judith te Tomairangi o te Aroha Binney and Sebastian Black

2011 The Michael Seresin Collection of International Black and White Photography

2016 The Tim and Shearer Francis Collection: a life, and love, in New Zealand art

ART + OBJECT IS THE COUNTRY'S LEADING VALUER OF FINE & APPLIED ART We are regularly commissioned to undertake largescale and complex valuation advice to museums and public institutions as well to private collectors. In the last twelve months we have undertaken important valuation mandates for: Eastern Southland Gallery, The Govett-Brewster Art Gallery / Len Lye Centre, Dunedin Public Art Gallery, Christchurch Art Gallery Te Puna o Waiwhetū, Te Manawa Museum of Art, Science and Heritage, The Wallace Arts Trust, The University of Auckland, Tāmaki Paenga Hira The Auckland War Memorial Museum, Auckland Council Te Kaunihera o Tāmaki Makaurau, Heritage New Zealand Pouhere Taonga, Tauranga Art Gallery Toi Tauranga, Rotorua Museum Te Whare Taonga o Te Arawa and The Suter Art Gallery Te Aratoi o Whakatū.

To discuss commissioning an Art+Object valuation contact:

Leigh Melville Managing Director

Ben Plumbly Director Art

+64 9 354 4646 +64 21 406 678 leigh@artandobject.co.nz

+64 9 354 4646 +64 21 222 8183 ben@artandobject.co.nz

Photo: Graham Dainty

Bill Culbert, Bebop 2013.

Furniture, fluorescent tubes, electrical components, wire, sheet glass. Collection of Christchurch Art Gallery Te Puna o Waiwhetū.

Purchased with assistance from Gabrielle Tasman and the Christchurch Art Gallery Trust, 2014.

AUCTION HIGHLIGHTS IMPORTANT PAINTINGS & CONTEMPORARY ART

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Art+Object’s August auction of Important Paintings and Contemporary Art proved to be one of our most successful yet, with a sale total of over $3.4 million and sales by volume of 73%.

New auction records were set for a number of artists including Fiona Pardington, Peter Stichbury, Robert Ellis, Tony de Lautour, Sam Mitchell, Gregor Kregar and Seung Yul Oh.

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Fiona Pardington Davis Kea Wings (Above) realised $133 300 a new record price for the artist at auction

Don Binney Te Henga realised $240 240

30 Peter Stichbury Vita Ventra, 1978 realised $91 290 a new record price for the artist at auction

41 Rita Angus The Eclipse realised $96 100

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56 Colin McCahon Comet (F1, F2, F3) realised $318 330

57 Michael Parekowhai Koura (Kapa Haka) realised $216 200 a new record price for the artist at auction

46 Charles Tole Haystacks realised $42 600

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IMPORTANT PAINTINGS CONTEMPORARY ART Gordon is a very important artist, whose real value is not even remotely appreciated here, yet. However, one day that will change. And those koru works will be much sought-after.

— Peter McLeavey

Ben Plumbly Director Art +64 9 354 4646 +64 21 222 8183 ben@artandobject.co.nz

Peter McLeavey in August/September 1971.

Image courtesy of the McLeavey family.

CONSIGNMENTS NOW INVITED

07.12.21

Gordon Walters Koru acrylic and PVA on canvas, 1971 1830 x 1380mm $650 000 – $950 000

Provenance From the collection of Peter McLeavey and the McLeavey family, Wellington.

14.12.21

RARE BOOKS & MANUSCRIPTS

Art+Object’s final rare book auction for the year will be held on 14 December and further consignments are now invited.

Of major importance are a series of letters written by Private Thomas Burgess, Royal Marine written while abroad the HMS Beagle on its epic voyage of discovery round the world in 1831–1835.

Other important early consignments include rare pre-treaty letters and documents relating to early New Zealand including a number of letters concerning John Bumby, a Wesleyan missionary who arrived in New Zealand in 1839, and was drowned on the Hokianga Harbour in 1840.

These include a rare undocumented broadside from James Busby’s Store at Victoria, Waitangi, listing merchandise for sale circa 1840.

ENTRIES INVITED Auction: Wednesday 14 8 December Wednesday December at 12.00pm

Enquiries: Pam Plumbly pam@artandobject.co.nz +64 21 448 200

Henry Nottidge Moseley Manuscript Diary – H.M. S. Challenger.

A manuscript diary compiled by H. N. Moseley [1844–1891], naturalist aboard H.M. S. Challenger.

Realised $78,000 May 2020

The Art+Object mobile app is now live and available for download via the App store. Available for IOS and Android, the Art+Object app grants on-the-go access to our auctions allowing collectors to stream the auction and bid remotely in real time. You can now find, research, and enter the saleroom without using a third party platform. Please note users pay no additional fees for bidding via the app, meaning parity for all bidders at Art+Object.

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AUCTION The Collection of Adrian Burr and Peter Tatham Thursday 4 November at 6.30ĭĪ 3 Abbey Street, Newton, Auckland

PREVIEW Tuesday 26 October 5.30ĭĪ – 7.30ĭĪ

VIEWING Wednesday 27 October Thursday 28 October Friday 29 October Saturday 30 October Sunday 31 October Monday 1 November Tuesday 2 November Wednesday 3 November Thursday 4 November

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PUBLIC PROGRAMME

Saturday 30 October, 3.00ĭĪ Bookending Greatness – two paintings by Colin McCahon Floor talk by Peter Simpson Please join us as leading Colin McCahon scholar and author Peter Simpson takes an in-depth look at the collection of works by Colin McCahon at the heart of the Adrian Burr and Peter Tatham Collection.

Simpson will pay particular attention to the late, great masterpiece St Matthew’s Lightning. The collection is almost unprecedented privately in WKDW LW DđRUGV VWXGHQWV RI 0F&DKRQ V ZRUNV WKH RSSRUWXQLW\ WR FRQVLGHU WZR FUXFLDO ZRUNV LQ WKH DUWLVW V RHXYUH DW ERWK WKH EHJLQQLQJ DQG HQG RI KLV FDUHHU Peter Simpson is a writer, curator and editor who lives in Auckland. His publications on Colin McCahon include Candles in a Dark Room: James K. Baxter and Colin McCahon (AAG, 1996), Answering Hark: McCahon/Caselberg (Potton 2001), Colin McCahon: The Titirangi Years 1953–59 (AUP, 2007), Patron and Painter: Charles Brasch and Colin McCahon (Hocken, 2010), and a chapter in Bloomsbury South: The Arts in Christchurch 1933–53 (AUP, 2016). He has also curated four exhibitions on McCahon. He UHFHLYHG WKH 3ULPH 0LQLVWHU V $ZDUG IRU /LWHUDU\ $FKLHYHPHQW LQ QRQ oFWLRQ LQ ,Q 2019 he completed the landmark two volume publication Colin McCahon: There is Only One Direction Vol I. 1919 – 1959 WR FRLQFLGH ZLWK WKH FHQWHQDU\ RI 0F&DKRQ V ELUWK

Saturday 30 October, 4.00ĭĪ From the Empire Tavern to Versailles: An Enduring Relationship Floor talk by John Gow -RKQ *RZ oUVW PHW $GULDQ %XUU DQG 3HWHU 7DWKDP LQ WKH HDUO\ V He worked increasingly closely with them both, assisting in identifying and procuring major New Zealand and international works of art and actively helping them shape and build their collection as their ambitions and scope increased over the decades. Hear him discuss the two collectors, his thoughts on how the New Zealand art world has changed over the course of his time as Director of Gow Langsford Gallery, and the role a dealer can play in VKDSLQJ D SULYDWH FROOHFWRU V WDVWHV DQG DPELWLRQV -RKQ *RZ 01=0 RSHQHG *RZ /DQJVIRUG *DOOHU\ LQ ZLWK KLV EXVLQHVV partner Gary Langsford in a converted gas station in the Auckland suburb of Grey Lynn. He has mounted over 500 exhibitions since and has sat on several advisory boards including the Spark Art Trust, the Mackelvie Trust Board, The Northern Club Art Committee and the Britomart Arts Trust.

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CONDITIONS OF SALE

IMPORTANT ADVICE FOR BUYERS

Please note: it is assumed that all bidders at auction have read and agreed to the conditions described on this page. Art+Object directors are available during the auction viewing to clarify any questions you may have.

1. Registration: Only registered bidders may bid at auction. You are required to complete a bidding card or absentee bidding form prior to the auction giving your correct name, address and telephone contact and supplementary information such as email addresses that you may wish to supply to Art+Object.

2. Bidding: The highest bidder will be the purchaser subject to the auctioneer accepting the winning bid and any vendor’s reserve having been reached.

The auctioneer has the right to refuse any bid. If this takes place or in the event of a dispute the auctioneer may call for bids at the previous lowest bid and proceed from this point. Bids advance at sums decreed by the auctioneer unless signaled otherwise by the auctioneer. No bids may be retracted. The auctioneer retains the right to bid on behalf of the vendor up to the reserve figure.

3. Reserve: Lots are offered and sold subject to the vendor’s reserve price being met.

4. Lots offered and sold as described and viewed: Art+Object makes all attempts to accurately describe and catalogue lots offered for sale.

Notwithstanding this neither the vendor nor Art+Object accepts any liability for errors of description or faults and imperfections whether described in writing or verbally. This applies to questions of authenticity and quality of the item. Buyers are deemed to have inspected the item thoroughly and proceed on their own judgment. The act of bidding is agreed by the buyer to be an indication that they are satisfied on all counts regarding condition and authenticity.

5. Buyers premium: The purchaser by bidding acknowledges their acceptance of a buyers premium of 18% + GST to be added to the hammer price in the event of a successful sale at auction.

6. Art+Object is an agent for a vendor: A+O has the right to conduct the sale of an item on behalf of a vendor. This may include withdrawing an item from sale for any reason.

7. Payment: Successful bidders are required to make full payment immediately post sale – being either the day of the sale or the following day. If for any reason payment is delayed then a 20% deposit is required immediately and the balance to 100% required within 3 working days of the sale date. We accept payment via Eftpos, cash (under $5000.00) and direct credit. Visa and MasterCard credit cards are accepted, however a surcharge of 2.5% will be added. Payments over $10,000.00 must be made by direct credit to our bank account. Our bank details for deposits are 12-3107-0062934-00. Please use your buyer number as transaction reference. Please refer to point 7 of the Conditions of Sale in the catalogue for a detailed description of payment terms.

8. Failure to make payment: If a purchaser fails to make payment as outlined in point 7 above Art+Object may without any advice to the purchaser exercise its right to: a) rescind or stop the sale, b) re offer the lot for sale to an underbidder or at auction. Art+Object reserves the right to pursue the purchaser for any difference in sale proceeds if this course of action is chosen, c) to pursue legal remedy for breach of contract.

9. Collection of goods: Purchased items are to be removed from Art+Object premises immediately after payment or clearance of cheques. Absentee bidders must make provision for the uplifting of purchased items (see instructions on the facing page).

10. Bidders obligations: The act of bidding means all bidders acknowledge that they are personally responsible for payment if they are the successful bidder.

This includes all registered absentee or telephone bidders. Bidders acting as an agent for a third party must obtain written authority from Art+Object and provide written instructions from any represented party and their express commitment to pay all funds relating to a successful bid by their nominated agent.

11. Bids under reserve & highest subject bids: When the highest bid is below the vendor’s reserve this work may be announced by the auctioneer as sold ‘subject to vendor’s authority’ or some similar phrase. The effect of this announcement is to signify that the highest bidder will be the purchaser at the bid price if the vendor accepts this price. If this highest bid is accepted then the purchaser has entered a contract to purchase the item at the bid price plus any relevant buyers premium.

The following information does not form part of the conditions of sale, however buyers, particularly first time bidders are recommended to read these notes.

A. Bidding at auction: Please ensure your instructions to the auctioneer are clear and easily understood. It is well to understand that during a busy sale with multiple bidders the auctioneer may not be able to see all bids at all times. It is recommended that you raise your bidding number clearly and without hesitation. If your bid is made in error or you have misunderstood the bidding level please advise the auctioneer immediately of your error – prior to the hammer falling. Please note that if you have made a bid and the hammer has fallen and you are the highest bidder you have entered a binding contract to purchase an item at the bid price. New bidders in particular are advised to make themselves known to the sale auctioneer who will assist you with any questions about the conduct of the auction.

B. Absentee bidding: Art+Object welcomes absentee bids once the necessary authority has been completed and lodged with Art+Object. A+O will do all it can to ensure bids are lodged on your behalf but accepts no liability for failure to carry out these bids. See the Absentee bidding form in this catalogue for information on lodging absentee bids.

These are accepted up to 2 hours prior to the published auction commencement.

C. Telephone bids: The same conditions apply to telephone bids. It is highly preferable to bid over a landline as the vagaries of cellphone connections may result in disappointment. You will be telephoned prior to your indicated lot arising in the catalogue order. If the phone is engaged or connection impossible the sale will proceed without your bidding. At times during an auction the bidding can be frenetic so you need to be sure you give clear instructions to the person executing your bids. The auctioneer will endeavour to cater to the requirements of phone bidders but cannot wait for a phone bid so your prompt participation is requested.

D. New Zealand dollars: All estimates in this catalogue are in New Zealand dollars. The amount to be paid by successful bidders on the payment date is the New Zealand dollar amount stated on the purchaser invoice. Exchange rate variations are at the risk of the purchaser.

ABSENTEE & PHONE BID FORM Auction No. 164 The Collection of Adrian Burr and Peter Tatham 4 November 2021 and 6 November 2021

This completed and signed form authorises Art+Object to bid on my behalf at the above mentioned auction for the following lots up to prices indicated below. These bids are to be executed at the lowest price levels possible.

Lot no.

I understand that if successful I will purchase the lot or lots at or below the prices listed on this form and the listed buyers premium for this sale (18%) and GST on the buyers premium.

I warrant also that I have read and understood and agree to comply with the conditions of sale as printed in the catalogue.

Lot Description

Payment and Delivery: Art+Object will advise me as soon as is practical that I am the successful bidder of the lot or lots described above.

I agree to pay immediately on receipt of this advice. Payment will be by Eftpos, cash (under $5000.00) or direct credit. I understand that there is a 2.5% surcharge for payment by Visa or MasterCard credit cards. I understand that payments over $10,000.00 must be made by direct credit to Art+Object’s bank account as shown on the invoice.

Please indicate as appropriate by ticking the box:

Bid maximum in New Zealand dollars (for absentee bids only)

I will arrange for collection or dispatch of my purchases. If Art+Object is instructed by me to arrange for packing and dispatch of goods I agree to pay any costs incurred by Art+Object. Note: Art+Object requests that these shipping arrangements are made prior to the auction date to ensure prompt delivery processing.

PHONE BID

MR/MRS/MS: FIRST NAME:

SURNAME:

ADDRESS: HOME PHONE:

MOBILE:

BUSINESS PHONE:

EMAIL:

Signed as agreed:

To register for Absentee or Phone Bidding this form must be lodged with Art+Object by 2pm on the day of the published sale time in one of three ways: 1. Email a printed, signed and scanned form to Art+Object: info@artandobject.co.nz 2. Fax a completed form to Art+Object: +64 9 354 4645 3. Post a form to Art+Object, PO Box 68345 Wellesley Street, Auckland 1141, New Zealand

ABSENTEE BID

ARTIST INDEX Allen, Jim

26

Bambury, Stephen 69, 70 Beattie, Basil 65 Binney, Don 11 Bourdon, Robert 103 Casebere, James 66 Charteris, Chris 72, 73, 74, 75, 76 Chilcott, Gavin 14, 15, 16 Clark, Russell 20, 21, 22, 23, 24 Coates, Isaac 17, 18 Corbeletto, Chiara 100 Cotton, Shane 45, 46, 47 Creed, Martin 31 Crooks, Daniel 30 Dashper, Julian 36, 37, 38 De Lautour, Tony 98 Dibble, Paul 1, 32, 33, 34, 35 Earle, Kathleen 40 Edgar, John 9, 10 Fomison, Tony 19, 42 Fraser, Jaqueline 81 Frizzell, Dick 91, 92, 93 George, Darryn 56, 57 Gimblett, Max 60, 61, 62, 63, 64 Green, Ayesha 6 Guy, Natalie 95, 96 Hammond, Bill 67, 68, 88 Hitchens, Ivon 27 Hodgkins, Francis 54 Ingham, Alan 25 Innes, Callum 82 Kerr, Suzanne 106, 107, 108 s Killeen, Richaed 55 MacAlister, Molly 4, 5 Macleod, Euan 78 Maddox, Allen 79 Marsh, Dame Ngaio 39 McCahon, Colin 41, 48, 49, 50, 51, McIntyre, Raymond 52 Millar, Judy 87 Mirrayarrngka Makalmakaliyarrngk, Paula Paul 109 Mitchell, Dane 85 O’Connor, Denis

89, 90

Parekōwhai, Michael 43, 44 Parker, John 58 Pick, Séraphine 80 Price, Phil 71 Pule, John 7 Reddaway, Richard 77 Reihana, Lisa 84 Reynolds, John 97 Roet, Lisa 2, 3 Ross Smith, Barry 110

Selman, Martin 94 Sheehan, Joe 8 Smither, Michael 13 Stringer, Terry 104 Taccetti, Gui 105 Thornley, Geoff 83 Twiss, Greer 101, 102 Upritchard, Francis Verdcourt, Ann

86

59

Walters, Gordon 28 Watson, Harry 99 Wood, Christopher 53 Woollaston, Toss 12 Zavros, Michael

29