Pastor of the Endless Flock
Armando Bayolo
for solo harp Olibel Music
Armando Bayolo
Pastor of the Endless Flock
An Unholy Masque after José Saramago for solo harp
Visitatio I--Pacems flovem--Paraousia--Occidere agnus--Visitatio II: Dimissis messiam-Canticum Sancti Meretricis--Paraousia: Colloqui in Nebula--Visitatio III: Decipi in Cruce
Written in the spring of 2022 in Laurel, Maryland and Florissant, Missouri. Commissioned by Danielle Kuntz (consortium leader), Kathryn Andrews, Margot Box Bingham, Kristina Finch, Elisa Greco, Chen Yu-Huang, Michelle Lundy and made possible in part by a grant from the Literature Committee of the International Harp Society.
Duration: approx. 22 minutes
Performance Note
It may be necessary to tune low c-flat and d natural on the lowest two strings of the harp. Note that there are no pedal changes throughout the piece.
Program Note
In his novel, O Evangelio segundo Jesus Cristo (The Gospel According to Jesus Christ) (1991), José Saramago retells the familiar story of the Christian gospels in a new light. Often satirical, wickedly funny and sardonic, but ultimately humane, the novel paints Jesus as a flawed human being adopted by God (who is characterized as an ultra-rich, pompously self-aggrandizing nouveau-riche) to make Him the most popular and ultimate deity. Jesus goes along with this for a while, but ultimately chooses to die in order to stop God’s plan (he doesn’t succeed).
Perhaps most fascinating, however, is the character of Pastor. A mysterious and contradictory shepherd (who might be the angel of the annunciation and is most definitely The Devil), Pastor is the young Jesus’ early mentor before he meets God. He is also the only person, besides Mary Magdalene, that tells Jesus the truth.
When Danielle Kuntz and I worked out a project on which to collaborate, I immediately suggested a kind of “tone poem” on this novel (which I was re-reading at the time). The harp has been associated since biblical times with the figure of King David, composer of the psalms, and himself a shepherd in his youth. The idea of having a sympathetic Satan figure who is also a shepherd presented an opportunity to write a large work for harp that purposefully goes against the traditional character of the instrument without veering into unfamiliar territory or using too many extended techniques.
I call Pastor of the Endless Flock an “unholy masque,” a form from Medieval and Renaissance England meant for dancing (and I would love to see the piece choreographed some day). It owes a lot, also, to the titanic ballades of Frederic Chopin and the sonatas (and Dante Symphony) of Franz Liszt. There are changing moods and interconnected sections divided by three “visitations” depicting important moments at which Pastor turns up in the novel (the annunciation, tending the flock and mentoring Jesus in the desert, and at the foot of the cross). There is no plot, per se. Only impressions of the characters and the plot of Saramago’s retelling. It is, thus, a commentary on a commentary.
Pastor of the Endless Flock was made possible in part by a grant from the Literature Committee of the International Harp Society, and the generosity of Danielle Kuntz, Kathryn Andrews, Margot Box Bingham (whose participation, as a former student of mine long ago, delights me particularly), Kristina Finch, Elisa Greco, Chen Yu-Huang, and Michelle Lundy. It was written in the spring of 2022 in Laurel, Maryland and Florissant, Missouri.
Made possible in part by a grant from the Literature Committee of the International Harp Society
PastoroftheEndlessFlock
An Unholy Masque after José Saramago
for Danielle Kuntz for solo harp
ArmandoBayolo
Harp D,C,B,E,F,G,A Threatening...ormaybenot(=44/=88) VisitatioI long long Hp. 8 Hp. 13 Hp. 17
©2022,ArmandoBayolo.Allrightsreserved.
Hp. 20 Hp. 24 Hp. 28 3 Hp. 30 2
Hp. 33 Hp. 35 Hp. 37 3 Hp. 39 3 12 3
Hp. 41 pres de la table Hp. 43 PascensFlovem Hp. 47 Hp. 52 Ord. cantabile 4
Hp. 56 Hp. 60 Hp. 65 poco a poco crescendo Hp. 68 5
Hp. 71 Hp. 74 Hp. 77 3 Hp. 80 cresc. 6
Hp. 83 Hp. 86 rolls should always be quick Hp. 89 Hp. 92 3 7
Hp. 94 3 3 Hp. 96 6 6 Hp. 98 Hp. 101 8
Hp. 104 Hp. 107 Hp. 109 Hp. 112
(5x.
9
Repeat long enough to be annoying, then add one more repetition!
min.)
Hp. 115 haughty! pres de la table Paraousia 3 3 ord. Hp. 118 Hp. 120 3 3 Hp. 123 3 3 3 3 3 3 10
Hp. 126 3 3 Hp. 129 Hp. 132 pres de la table Hp. 136 ord. 11
Hp. 140 3 sub. 3 3 3 3 Hp. 143 sub. Hp. 147 Hp. 151 3 3 sub. 3 3 12
Hp. 153 Hp. 155 Hp. 158 Hp. 162 OccidereAgnus 13
Hp. 166 = Hp. 168 Hp. 170 Hp. 171 14
Hp. 173 Hp. 175 6 6 Hp. 177 6 6 6 Hp. 179 6 3 6 6 6 15
Hp. 181 6 6 6 6 Hp. 182 6 6 6 6 Hp. 183 Hp. 186 = = 16
"You have learned nothing. Begone with you!"
Hp. 189 Hp. 193
Hp. 197 Hp. 201 17
VisitatioII:DimissisMessiam
Hp. 204 Hp. 207 Hp. 212 3 3 3 Hp. 214 3 3 3 18
Hp. 216 6 5 3 5 Hp. 218 3 pres de la table Hp. 221 QuasiRecitativo,MoltoRubato accel. rit. Hp. 226 a tempo accel. rit. 19
Hp. 231 3 a tempo accel. molto rit. Hp. 236 HoldBack(=60) 3 Hp. 242 Ord. Hp. 246 Lyrically.Withrubato(72-80) CanticumSanctiMeretricis 20
Hp. 251 3 Hp. 254 Hp. 257 Hp. 260 21
Hp. 263 Hp. 266 Hp. 269 Hp. 272 molto rit. a tempo 22
Hp. 275 Hp. 277 Hp. 280 loco Hp. 283 23
Hp. 286 Hp. 290 Hp. 293 Hp. 297 24
Paraousia:Colloqui
Hp. 301 Hp. 304 3 3
inNebula
HeavierthanBefore(=72) 3 3 Hp. 307 3 3 Hp. 312 3 3 25
Slightly
Hp. 316 3 3 TempoI(88) Hp. 320 Hp. 324 Hp. 328 26
Hp. 332 Hp. 336 3 accelerando Hp. 340 Hp. 342 WithUrgency(=104) 3 3 27
Hp. 345 Hp. 347 3 3 Hp. 349 Hp. 352 28
Hp. 355 Hp. 358 Hp. 361 Hp. 364 29
Hp. 367 Hp. 370 Hp. 374 Hp. 378 30
Hp. 383 TempoI(88)
DecipiinCruce Hp. 386 rit. Hp. 390 poco a poco 3 3 crescendo SlowlyatFirst(=66) accelerando 3 3 3 3 Hp. 393 3 3 3 3 TempoI(88) 31
VisitatioIII:
Hp. 396 Hp. 399 3 3 Hp. 402 3 3 3 3 Hp. 405 32
Hp. 408 Hp. 411 gliss. Hp. 413 5 3 3 Hp. 417 33
Hp. 421 Hp. 424 Hp. 427 Hp. 430 HOLD THE SILENCE!!!! 34