Architecture Portfolio

BERNARD AND ANNE SPITZER SCHOOL OF ARCHITECTURE AT THE CITY COLLEGE OF NEW YORK

A R C H I T E C T U R E P

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ARLIND PULASHI

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TABLE OF CONTENTS

Studio 1________________________________________________________________________________ 6-11

Studio 2________________________________________________________________________________ 14-17

Studio 3________________________________________________________________________________ 20-27

Studio 4________________________________________________________________________________ 30-39

Studio 5________________________________________________________________________________ 42-47

Studio 6________________________________________________________________________________ 50-55

Studio 7________________________________________________________________________________ 58-67

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TIMOTHY COLLINS FALL 2016

500 LINES RICHARD SERRA TORQUED ELLIPSE MAX ERNST MASTER BEDROOM

500 LINES

In this exercise our professor tasked us to use 500 lines to create space, and find new discoveries within our work.

After a series of exercises, we studied Richard Meier’s work in New Jersey. We were assigned to study and analyze his work weather it was conceptual or built, we had to use the 500 lines to express his architecture through plan, section and other means that dissects his work to another dimension of design within the rules of the 500 lines.

Through our work with Richard Meier, we delve in deeper into the architectural context of our work. Picking the most interesting moment from our drawing we had to draw plans sections and axonometircs.

Richard Meier World Trade Center Concept (2003)

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TIMOTHY COLLINS FALL 2016

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RICHARD SERRA TORQUED ELLIPSE

With this exercise we surveyed the large sculptures created by Richard Serra located at the Dia Beacon museum. Using these measurements we were assigned to draw a plan and section of the ellipse.

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MAX ERNST MASTER BEDROOM

Studying the Master Bedroom painting by Max Ernest we had to create a tectonic armature from the painting based on scale, depth and dimension.

With my project I took the walls and separated them based on the point of view of the painting. This made me think of the inviable armature that you couldn’t see in the original painting. With the model and drawings the inadvisable armature that is holding up the walls of the original painting are exposed in my interpretation of the painting.

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QUARDEEN LEWIS ALLEN SPRING 2017

ENVIRONMENTAL SHELTER

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SHELTER COLOMBIA

Designing a shelter in the rain forest of Tutunendo, the forest and nature play a large factor to shelter against. With my design it will help to experience a whole new way of living in the forest. The steps outside can be used to rest on during a flood so one can experience the river. Due to the home being on stilts it helps from the water to enter inside and makes the floor around 12 feet above the ground. There are many stilts that are structurally held by trusses that run along the side of the structure.

When inside the structure you are guided to a curved floor that leads to a ladder that goes to the roof. The first set of “furniture� are a set of blocks that get larger as they go towards the platform. The platform is a small space with two sides, the way to interact with the space is to crouch down.

The space inside is a unique design that changes the way you move, think, see and interact with new experiences.

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QUARDEEN LEWIS ALLEN SPRING 2017

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SRJDAN JOVANOIC WEISS FALL 2017

SOUTH BRONX INTERVENTION 2068

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SOUTH BRONX INTERVENTION 2068

With this project we started off as a group of 3 for the research and site data. Our professor assigned us Iakov Chernikhov, a constructive artist from the 1920’s with his art depicting how future structure may look 100 years down from his time line.

ELEVATION FACING NORTH

From that point, we were assigned to design in the south Bronx, choosing a site of our choice and recreating it in our imagine of 2068. My idea was a dystopia future with overpopulation across the southern Bronx, by creating a large housing structure over the highway, this allowed me to think how future cars will move through the highway.

Iakov Chernikhov Constructivism Architecture

SECTIONAL AXONOMETRIC

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TOP VIEW

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SRJDAN JOVANOIC WEISS FALL 2017

2068 MAJOR DEEGAN APT. COMPLEX INTERVENTION

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ELEVATION SOUTH BRONX

example of a flying car in 2068

MODULATION AXONOMETRIC

SKIN: WHITE REINFORCED CONCRETE

THE ROADS WILL HOUSE AN ENERGY SYSTEM THAT WOULD DISTRIBUTE TO THE COMPLEX AND POWER THINGS SUCH AS HEAT, LIGHTS, AND OTHER ELECTRIC CURRENTS THAT RUN THROUGH EACH APARTMENT. THE WAY THE ROAD WORKS IS WHEN EACH CAR PASSES THROUGH THE ROAD ITS PRESSURE SENSITIVE AND WOULD DIRECT POWER TO THE HOMES OF THE COMPLEX TO SAVE ENERGY DUE TO THE SHORTAGE OF OIL DURING THE NEXT 50 YEARS.

ELEVATORS: HIGH-TECH A.I. ELEVATORS TUNNEL: Dampening & deadening materials Door seals & sweeps Flooring underlayments Soundproofing installation products Quiet Batt Soundproofing Insulation Sound isolation systems Soundproofing barriers BRIDGES: CONNECTING ALMOST ALL THE FLOORS BETWEEN THE TWO PARALLEL STRUCTURES. APARTMENTS: TWO DIFFERENT SIZES FOR EXPENDABILITY IN THE TYPES OF RESIDENCES. 950 SQ FT FOR THE CROSSING STRUCTURES, AND 1400 SQ FT FOR THE PARALLEL STRUCTURE.

STRUCTURE SYSTEM: THE BUILDING IS MADE OUT OF LIGHT STEAL FOR STRENGTH AND DURABILITY.

EXPLODED AXONOMETRIC

EACH HOME WOULD FEATURE AN A.I. WALL AND WILL HELP THE RESIDENCE THROUGH THEIR DAILY LIVES AS THEY INHABIT THE SPACE IN THE COMPLEX, WEATHER IT WOULD BE FOR COOKING CLEANING AND PERSONAL WORK THE HOME. IT WILL FEEL MORE LIKE A LIVING ENTITY. THE A.I. WILL BECOME A LARGE FACTOR IN THE FUTURE AND WILL DOMINATE TECHNOLOGY AND HOW PEOPLE LIVE THEIR LIVES.

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Group Partners: Juan Isaza and Justin Relf

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NANDINI BAGCHEE SPRING 2018

KATSURA IMPERIAL VILLA ANALYSIS

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KATSURA IMPERIAL VILLA Katsurachō, Kyoto, Japan 1615 -1663 A.D

KATSURA IMPERIAL VILLA

In this studio we are introduced into analysis with in the structures and architecture of the past. I was assigned the Katusra Imperial Villa. The first part of the project was to work in groups and find the drawings for the Villa in books, and other media. Then we split after the group work and find a particular part of the villa that we find interesting and further Analyze those components architecturally.

BOUNDERIES IN NATURE “The wood-carver can fashion whatever he will.

Yet his products are but toys of the moment, to be glanced at in jest, not fashioned according to any precept or law. When times change, the carver too will change his style and make new trifles to hit the fancy of the passing day. But there is another kind of artist, who sets more soberly about his work, striving to give real beauty to the things which men actually useand to give to them the shape which tradition has ordained. This maker of real things must not for a moment be confused with the maker of idle toys.”

Murasaki Shikibu, The Tale of Genji

Partner work: Marylin Pena

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NANDINI BAGCHEE SPRING 2018

SHOIKEN

GEPPARO

SHOKINTEI

SHOKATEI

ONRINDO

Partner work: Marylin Pena

SCALE 1/8”= 1’

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Partner work: Conor Incledon

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KATSURA IMPERIAL VILLA COMPLEX ELEVATION, SECTIONS AND PLAN

KATSURA EAST WEST ELEVATION

OLD SHOIN EAST WEST SECTION

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OLD SHOIN EAST WEST SECTION

SERVANTS QUARTERS EAST WEST SECTION

OLD SHOIN NORTH SOUTH SECTION

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NEW GOTAN NORTH SOUTH SECTION

OLD SHOIN AT KATSURA IMPERIAL VILLA JOINERY ANALYSIS

ROOF STRUCTURE CONNECTION 1

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ROOF STRUCTURE CONNECTION 2

RAFTER TO ROOF CONNECTION 1

RAFTER TO ROOF CONNECTION 2

FLOOR TO STILT CONNECTION

INTERIOR DOORS

TATAMI MATS

EXTERIOR DOORS

SLIDING DOORS TRACK

VERNDA DOORS

FLOOR STRUCTURE AXONOMETRIC

WALL JOINERY CONNECTION DETAIL

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WALL JOINERY CONNECTION DETAIL

FLOOR STRUCTURE AXONOMETRIC

ROOF STRUCTURE

HANGING CEILING

ROOF STRUCTURE CONNECTION TO PARTITION

WALLS

OPEN EXO. WALL AXONOMETRIC

TATAMI MATS

FLOOR STRUCTURE

STILTS / PARTITIONS

SECOND ROOM EXPLODED AXONOMTERIC

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JACOB ALSPECTOR FALL 2018

ASSEMBLIES WORK SPACE, KITCHEN, BATHROOM AND STAIRS

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TRANSLUCENT LUXURY

D3

The approach to this studio was to create 4 different spaces in a existing site with a predetermined structure. The gaol for the studio was for each one of us to design 4 spaces from the inside out. This included a workspace, bathroom, kitchen and stairs. Showcasing different details and how all of these 4 sections come together.

D1

DETAIL 1

3" = 1'-0"

D1

D3

DETAIL 3

4" = 1'-0"

D2

S

MAIN STAIRS SECTION

1/2" = 1'-0"

D2

DETAIL 2

3" = 1'-0"

OPEN SPACE

A

MAIN STAIRS AXONOMETRIC WITH HIDDEN LINES

1/2" = 1'-0"

BATHROOM S 1

KITCHEN

A

A

AXONOMETRIC AXONOMETRIC STAIRS STAIRS A 3/4" = 1'-0" 3/4" = 1'-0"

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JACOB ALSPECTOR FALL 2018

MAIN STAIRS AXONOMETRIC

1/2" = 1'-0"

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3RD FLOOR PLAN

1/2" = 1'-0"

D1

STRINGER TO I-BEAM CONNECTION

3" = 1'-0"

S 3

D2

TREAD TO STRINGER CONNECTION

3" = 1'-0"

S 4 S 5

D3

GUARD CONNECTION

4" = 1'-0"

S 6

D0

P

1ST FLOOR PLAN

S 1 1/2" = 1'-0"

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2ND FLOOR WORK SPACE PLAN

S 1 1/2" = 1'-0"

P

3RD FLOOR PLAN KITCHEN AND BATHROOM

GLASS CONNECTION TO EGRESS

4" = 1'-0"

S 2

1/2" = 1'-0"

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2" BY 2-1/2" STAINLESS STEEL FRAME

1" GLASS DOOR PAINTED BLACK TRANSLUCENT GLASS

MAGNETIC PUSH HINGE 3 4"

GLASS CABINET PAINTED BLACK

D4

KITCHEN DETAIL PUSH DOOR

WATER PROOFING SEALANT

6" = 1'-0"

D5

BATHTUB GLASS DETAIL

3" = 1'-0"

D5

S5

1" BATHROOM WALL GLASS (OPAQUE)

KITCHEN / BATHROOM SECTION

3/4" = 1'-0"

1-21" GLOSSY GLASS COUNTER TOP

T- METAL SUPPORT

D6

1" TEMPERED GLASS SHELF 3 4"

STEEL SUPPORT

MAGNETIC PUSH HINGE 1" GLASS DOOR PAINTED BLACK

D6

S4

KITCHEN/ BATHROOM SECTION

BATHROOM SHELF DETAIL

D7

4" = 1'-0"

KITCHEN COUNTER TOP CONNECTION

3/4"" = 1'-0"

2" BY 5" METAL STEEL CHANNEL 1-21"

GLOSSY GLASS COUNTER TOP

3 4"

SHEET ROCK

STEEL SUPPORT 1" FINISH STUCCO

1-21" TEMPERED GLASS SHELF

T- METAL SUPPORT

D9

D4 D8

1" PAINTED GLASS (BLACK)

C- CHANNEL

D7

D8

S3

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KITCHEN/ BATHROOM SECTION

5" = 1'-0"

3/4" = 1'-0"

ISLAND COUNTER TOP DETAIL

5" = 1'-0"

D9

BAR SHELF DETAIL

5" = 1'-0"

S6

STAIRS SECTION

1/2" = 1'-0"

S1

SECTION 1

1/2" = 1'-0"

S2

SECTION 2

1/2" = 1'-0"

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HENRY GROSMAN SPRING 2019

AQUATIC CENTER

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AQUATIC CENTER

The project from here on out was to set the focus on the aquatic center that the teams of 2 were suppose to develop for the rest of the semester. The site of the project is set on Coney island, Brooklyn New York. After conducting a site visit the most prominent piece if information coming out of that trio was that the board walk was right against the site and it gave a lot of us the opportunity to use it to our advantage when thinking about design and circulation.

By looking back at our pink foam models we looked at the strongest set of qualities and how they gave us the forms we intended to create. This outlook further advanced the discussion on how we should design the aquatic center, and what rules are going to be applied to our initial design and how to we iterate going forward.

The program consists of two large pools, a competition pool and a training pool all with specific area of measurement.

Other programs that had to be put into the project later on were the mechanical rooms, storage rooms, bathrooms, changing rooms, circulation areas, stands and offices.

Going into this first step of design we had to think about how to make our pink foam models into massing models, that could fit two pools inside. We kept the language in our most successful intact and brought it over into the first stages of the aquatic center.

PROJECT PARTNER: MAHDI ALKAIFI

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HENRY GROSMAN SPRING 2019

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EATING AREA OFFICE

OFFICE

MEN'S STAFF LOCKER ROOM

OFFICE BATH DOWN

UP

DOWN

UP

WOMEN'S STAFF LOCKER ROOM

BATH

TRAINING POOL 2000 SQ FEET

TRAINING POOL 2000 SQ FEET

DOWN

DOWN

DOWN

DOWN

TRAINING AREA

TRAINING AREA

DOWN

DOWN

DOWN

DOWN

WEST ENTRANCE

WEST ENTRANCE

LOUNGE AREA

UP

LOUNGE AREA

MIDDLE COLONNADE

MIDDLE COLONNADE

MEN'S BATHROOM

MIDDLE COLONNADE

STANDS

UP

MIDDLE COLONNADE

MEN'S CHANGING ROOM

MECHANICAL ROOM

STORAGE ROOM

WOMEN'S CHANGING ROOM

WOMEN'S BATHROOM HALLWAY

STANDS

HALLWAY

HALLWAY

STANDS

A SEC.

A

COLONNADE

COLONNADE

SEC.

COLONNADE

COLONNADE COMPETITION POOL 100' X 50'

COMPETITION POOL 100' X 50'

HALLWAY

HALLWAY

COMPETITION POOL 100' X 50'

UP BATH

UP DOWN

BATH

UP

COLONNADE

DOWN

B

B SEC.

COLONNADE

SEC.

OFFICE

INTERIOR ENTRANCE

INTERIOR ENTRANCE

OFFICE

HALLWAY

OFFICE

OFFICE

UP

BATH

MEN'S BATHROOM

OFFICE

WOMEN'S BATHROOM STORAGE ROOM

EATING LOUNGE OFFICE OFFICE

COMP. POOL MECHANICAL ROOM

BOARD WALK ENTRANCE COLONNADE EXTENDED BOARD WALK

BOARD WALK ENTRANCE COLONNADE EXTENDED BOARD WALK

MEN'S CHANGING ROOM

EXISTING BOARD WALK

EXISTING BOARD WALK

80' WIDE

80' WIDE

WOMEN'S CHANGING ROOM

BASEMENT PLAN SCALE: 1/16"=1'-0"

D SEC.

D SEC.

C SEC.

C SEC.

GROUND FLOOR PLAN SCALE: 1/16"=1'-0"

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SECOND FLOOR PLAN SCALE: 1/16"=1'-0"

2 PLAN

1 PLAN

0 PLAN

D1

D2

SECOND FLOOR 8'

FIRST FLOOR 6'

GROUND 0'

SECOND FLOOR 8' POOL LEVEL -10'

COMPETITION POOL 50' X 100'

FIRST FLOOR 6'

GROUND 0'

POOL LEVEL -10'

SECTION C SCALE: 1/16"=1'-0"

SECTION A

C

A

SCALE: 1/16"=1'-0"

SEC.

SEC.

D3

SECTION D

D

SCALE: 1/16"=1'-0"

SEC.

D1

D2

SECOND FLOOR 8' SECOND FLOOR 8' SECOND FLOOR 8'

FIRST FLOOR 6' FIRST FLOOR 6' FIRST FLOOR 6'

GROUND 0' GROUND 0' GROUND 0'

POOLPOOL LEVELLEVEL -10' -10' POOL LEVEL -10'

COMPETITION POOL 50' X 100'

D3

SECTION C SCALE: 1/16"=1'-0"

SECTION C SCALE: 1/16"=1'-0"

C SEC.

SECTION D SCALE: SECTION A1/16"=1'-0"

C

A

SCALE: 1/16"=1'-0"

SEC.

D SEC.

SEC.

D1

D2

SECOND FLOOR 8'

FIRST FLOOR 6'

GROUND 0'

SECOND FLOOR 8' POOL LEVEL -10'

FIRST FLOOR 6'

COMPETITION POOL 50' X 100'

GROUND 0'

POOL LEVEL -10'

SECTION C SCALE: 1/16"=1'-0"

SECTION A

C

A

SCALE: 1/16"=1'-0"

SEC.

SECTION C SCALE: 1/16"=1'-0"

SEC.

C SEC.

SECOND FLOOR 8'

FIRST FLOOR 6'

GROUND 0'

POOL LEVEL -10'

SECTION C SCALE: 1/16"=1'-0"

C SEC.

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glulam rib tie bolt steel plate

D1

steel angle

STRUCTURAL TEE

bent steel plate

glulam rib

tension rod tension cap

STEEL HANGER PLATE

steel water gutter embedded into glulam

steel plate welded to hss sealant

mullion embedded into glulam

GLULAM

etfe enclosure

STEEL HANGER PLATE FOR STRINGER

STRINGER WOODEN STANDS

KNIFE PLATE INSERTION 2" BOLTS

KNIFE PLATE

steel tension rod tension rod cap

expansion joint

hss 6" x 6"

splice connection

air tube feeding to the etfe

metal string tie down poured in place concrete corrugated steel decking 2" rigid insulation finished panel clips

water proofing 3 8"

sheathing

led lights inside etfe

hat channel slate panel finish

steel plate welded to hss

rib to floor and roof detail SCALE: 1-1/2"=1'-0"

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reflective film

ETFE TO GLULAM DETAIL D2 DETAIL

SCALE:

3"=1'-0"

D1 DETAIL

RIB TO FOUNDATION DETAIL 3 SCALE: 1/2"=1'-0"

D3 DETAIL

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FABIAN LLONCH FALL 2019

HOUSING FOR HOMELESS VETERANS

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HOUSING FOR HOMELESS

MASSING CONCEPT

360'

Housing projects are always a difficult task for architects and developers. But, throughout the years homelessness has gone up throughout the 5 boroughs to an all time high. As architects we can help design for a specific group of people in need and in school a project of this caliber is always helpful to set us students towards the right direction on terms of housing and affordability.

100'

70'

BATHROOM

KITCHEN

CLOSET

FIRST FLOOR 1/16" = 1'-0"

CLOSET

72'

26'- 4"

BEDROOM

LIVING ROOM

THE LOOP PROCESS

THIRD FLOOR 1/16" = 1'-0"

In this studio our professor assigned two sites, we split the class in half. Half in Bed-sty in Brooklyn and the other half set in east Harlem. The projects were individual and each student followed all the FAR rules and regulations set in their site. The professor made the studio feel real with process and practicality.

19' - 11"

UNIT FLOOR PLAN

1/4" = 1'-0"

AXONOMETRIC VIEW

FOURTH FLOOR 1/16" = 1'-0"

BATHROOM

KITCHEN

Another important note is that each student chose a homeless user a specific type of homeless group. For example, drug abusers, homeless mothers, homeless immigrants etc. The user that I went with was homeless veterans. It started with research and based on the data I based by design on what I felt was best for homeless veterans. Including a program that is integrated into the housing structure.

CLOSET

24'- 6"

BEDROOM

LIVING ROOM

FIFTH FLOOR 1/16" = 1'-0"

20' - 9"

UNIT FLOOR PLAN 2

INFINITI LOOP

CIRCULATION

Designing the recreational space to circulate within where the user can walk around and come back to where the started and not interfere with the housing.

The recreational center can be accessed from the first floor and can extends to the sixth floor, so that the space does not interfere with the housing.

1/4" = 1'-0"

SIXTH FLOOR 1/16" = 1'-0"

5'

36"

12"

EXPLODED AXONOMETRIC

34'-1" 24'

UNRAVEL THE LOOP By unraveling the loop, the decisions for the different areas can be made with the zoning laws and other dimensions.

the units are integrated around the loop, making for interesting sectors. a set back to every other unit for a balcony space.

MASS RENDER

elevators egress stairs recreational centers main stairs housing

PROGRAMING AXONOMETRIC VIEW

N SITE PLAN 1/64" = 1'-0"

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UNIT MASSING

FABIAN LLONCH FALL 2019

the units are integrated around the loop, making for interesting sectors. a set back to every other unit for a balcony space.

elevators egress stairs recreational centers main stairs housing

THE LOOP PROCESS RECREATIONAL CENTER

INFINITI LOOP

CIRCULATION

Designing the recreational space to circulate within where the user can walk around and come back to where the started and not interfere with the housing.

The recreational center can be accessed from the first floor and can extends to the sixth floor, so that the space does not interfere with the housing.

HOUSING UNITS 5'

36"

12"

34'-1" 24'

UNRAVEL THE LOOP By unraveling the loop, the decisions for the different areas can be made with the zoning laws and other dimensions.

UNIT MASSING the units are integrated around the loop, making for interesting sectors. a set back to every other unit for a balcony space.

EXPLODED AXONOMETRIC

elevators egress stairs recreational centers main stairs housing

CIRCULATION

AXONOMETRIC HOUSING UNITS SURROUNDS THE LOOP

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section 1

BEDROOM

BEDROOM

CLOSET

CLOSET

KITCHEN

BATHROOM

KITCHEN BATHROOM BEDROOM

BEDROOM

CLOSET

CLOSET

ONE BEDROOM UNIT 3/32" = 1'-0"

ONE BEDROOM UNIT WITH BALCONY 3/32" = 1'-0" KITCHEN

BATHROOM

KITCHEN

up

BATHROOM

EGRESS up

up

up ONE BEDROOM UNIT 3/32" = 1'-0"

ONE BEDROOM UNIT WITH BALCONY 3/32" = 1'-0"

up

EGRESS up

BEDROOM

up

down

up

up BEDROOM

CLOSET

CLOSET

BEDROOM

up

down

BEDROOM

KITCHEN

BATHROOM

KITCHEN

up

BATHROOM CLOSET

CLOSET

meditation/ yoga area KITCHEN

BATHROOM

KITCHEN

up

BATHROOM

meditation/ yoga area

ONE BEDROOM UNIT 3/32" = 1'-0"

WORK OUT GYM down

ONE BEDROOM UNIT WITH BALCONY 3/32" = 1'-0"

ONE BEDROOM UNIT 3/32" = 1'-0"

WORK OUT GYM

ONE BEDROOM UNIT WITH BALCONY 3/32" = 1'-0"

janitor closet

maintenance room

down

janitor closet

maintenance room desk area

maintenance room

up up

up up

ENTRANCE

CORE elev.

CORE elev.

elev.

elev.

CLOSET

maintenance room

FULTON STREET

FULTON STREET

desk area

down

BATHROOM

down

up

open to below

CORE

BATHROOM BATHROOM

up

down

up

CLOSET CLOSET

BATHROOM

up

down

ENTRANCE

CLOSET

down

open to below

CORE

CORE

down

CORE KITCHEN KITCHEN

elev.

elev.

elev.

elev.

up down

up

elev.

elev.

elev.

KITCHEN

KITCHEN

elev.

down

down

down

CORNER CONDITION UNIT 3/32" = 1'-0"

CORNER CONDITION UNIT 3/32" = 1'-0"

CORNER CONDITION UNIT 3/32" = 1'-0"

up

CORNER CONDITION UNIT 3/32" = 1'-0"

up

SECTION 2

SECTION 2 CLOSET

CLOSET

BATHROOM

BATHROOM STUDIO ROOM

STUDIO ROOM

CLOSET

CLOSET

BATHROOM

BATHROOM STUDIO ROOM

STUDIO ROOM KITCHEN KITCHEN

OPEN GYMNASIUM KITCHEN

open to below

open to below

KITCHEN

CORNER CONDITION UNIT WITH BALCONY 3/32" = 1'-0"

CORNER CONDITION UNIT WITH BALCONY 3/32" = 1'-0"

OPEN GYMNASIUM open to below

open to below

CORNER CONDITION UNIT WITH BALCONY 3/32" = 1'-0"

CORNER CONDITION UNIT WITH BALCONY 3/32" = 1'-0"

KITCHEN

KITCHEN

STUDIO ROOM

STUDIO ROOM

BATHROOM

BATHROOM

CLOSET

CLOSET

KITCHEN

KITCHEN

up

EGRESS

EGRESS

BALCONY

BALCONY

EGRESS

STUDIO ROOM

STUDIO ROOM

BATHROOM

CORNER CONDITION UNIT WITH BALCONY 3/32" = 1'-0"

BATHROOM

CORNER CONDITION UNIT WITH BALCONY 3/32" = 1'-0"

CLOSET

GROUND FLOOR PLAN 1/16" = 1'-0"

2ND FLOOR FLOOR PLAN 1/16" = 1'-0"

up

EGRESS

SARATOGA AV.

EGRESS

CLOSET

3RD FLOOR PLAN 1/16" = 1'-0" BALCONY

BALCONY

EGRESS

KITCHEN

KITCHEN

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CORNER CONDITION UNIT WITH BALCONY 3/32" = 1'-0" STUDIO ROOM

BATHROOM

CORNER CONDITION UNIT WITH BALCONY 3/32" = 1'-0" STUDIO ROOM BATHROOM

1/16" = 1'-0"

1/16" = 1'-0"

1/16" = 1'-0"

2ND FLOOR FLOOR PLAN 1/16" = 1'-0"

GROUND FLOOR PLAN 1/16" = 1'-0"

SARATOGA AV.

3RD FLOOR PLAN 1/16" = 1'-0" KITCHEN

KITCHEN

SARATOGA AV. KITCHEN

KITCHEN STUDIO ROOM

BATHROOM

STUDIO ROOM

BATHROOM

CLOSET

CLOSET

STUDIO ROOM

BATHROOM

STUDIO ROOM

BATHROOM

CLOSET

CLOSET

down

POOL

CORNER CONDITION UNITS 3/32" = 1'-0"

open to below

open to below

CORNER CONDITION UNITS 3/32" = 1'-0"

down

POOL

CORNER CONDITION UNITS 3/32" = 1'-0"

open to below

open to below

down

down

CORNER CONDITION UNITS 3/32" = 1'-0"

down

up

BATHROOM

KITCHEN

down

down

KITCHEN

BATHROOM

down

up CLOSET

CLOSET

down

EGRESS

BATHROOM

KITCHEN

up

up

up

KITCHEN

BATHROOM

BEDROOM

LIVING ROOM BEDROOM

LIVING ROOM

CLOSET

CLOSET

down

EGRESS up

up

up

BEDROOM LIVING ROOM BEDROOM

LIVING ROOM

ONE BEDROOM UNIT 3/32" = 1'-0"

ONE BEDROOM UNIT WITH BALCONY 3/32" = 1'-0"

ONE BEDROOM UNIT 3/32" = 1'-0"

open to below

ONE BEDROOM UNIT WITH BALCONY 3/32" = 1'-0"

BATHROOM

open to below

CLOSET

CLOSET

down down

up

LIVING ROOM

down

BATHROOM

up

up

down

CORE

CORE elev.

elev.

elev.

down

elev.

elev. up

up

elev.

LIVING ROOM

down up

down

LIVING ROOM

CORE

CORE elev.

CLOSET

CLOSET

down

elev.

LIVING ROOM

elev.

ONE BEDROOM UNIT WITH BALCONY 3/32" = 1'-0"

ONE BEDROOM UNIT 3/32" = 1'-0"

elev.

elev.

elev.

ONE BEDROOM UNIT 3/32" = 1'-0"

ONE BEDROOM UNIT WITH BALCONY 3/32" = 1'-0"

CLOSET

CLOSET

BATHROOM

BATHROOM

CLOSET

CLOSET

CLOSET CLOSET

BATHROOM

BATHROOM BEDROOM 2

KITCHEN BEDROOM 1

LIVING ROOM

CLOSET

CLOSET BEDROOM 2

BALCONYKITCHEN

BEDROOM 1

LIVING ROOM

CLOSET

CLOSET

BALCONY

BATHROOM

BATHROOM

CLOSET

CLOSET CLOSET BEDROOM 2

KITCHEN BEDROOM 1

LIVING ROOM

EGRESS

EGRESS

CLOSET

BATHROOM

BATHROOM

EGRESS CLOSET

CLOSET

BALCONY

BEDROOM 2

KITCHEN

LIVING ROOM

4TH FLOOR PLAN 1/16" = 1'-0"

EGRESS

5TH FLOOR PLAN 1/16" = 1'-0"

EGRESS

6TH FLOOR PLAN 1/16" = 1'-0"

EGRESS

BEDROOM 1

MARKET RATE UNITS 1/8" = 1'-0"

BALCONY

4TH FLOOR PLAN 1/16" = 1'-0"

5TH FLOOR PLAN 1/16" = 1'-0"

6TH FLOOR PLAN 1/16" = 1'-0"

MARKET RATE UNITS 1/8" = 1'-0"

61

hull

t

stree

FULTON STREET

FULTON STREET MAIN STRUCTURE AXO.

the 6th floor the bricks are at their furthest point

-COLUMNS -BEAMS -ETFE CURTAIN WALL MULLIONS -STRUCTURAL TRUSSES -ETFE PILLOWS

wall detail 1-1/2" = 1'-0"

SARATOGA AV.

ROOF

GLASS

herkimer street

herkimer street

COLUMNS AND MAIN TRUSSES

CURTAIN WALL MULLIONS ROOF BEAMS

6TH FLOOR BEAMS

section 2

1/16" = 1'-0"

section 1

1/16" = 1'-0"

5TH FLOOR BEAMS BEDFORD-STUYVESANT SITE PLAN

MAIN STRUCTURE AXO.

1/32" = 1'-0"

4TH FLOOR BEAMS

3RD FLOOR BEAMS

N BEDFORD-STUYVESANT SITE PLAN

1/128" = 1'-0"

brick tie backs double glazing

2ND FLOOR BEAMS

S 1

roof

standard brick custom brick veneer

BEAM AND COLUMN LAYOUT PLAN

sixth floor

fifth floor

forth floor

third floor

second floor

window sill

finish floor

Window mullion

5" concrete flooring

ground floor

ELEVATION 1 AS THE FACADE MOVES UP THE SPACING BETWEEN THE BRICKS GET LARGER FROM FLOOR TO FLOOR

1/16" = 1'=0"

batting insulation

5" beam steel angle hss tube

steel angle

air tube etfe mullion air tube

12" beam

4th and 5th floors the brick starts to expose the back

etfe pillow reflective film

truss 5' deep

S 2

16" column roof

sixth floor

fifth floor

forth floor

third floor

2nd and 3rd floor bricks start to separate

second floor

ground floor

ELEVATION 2

MAIN STRUCTURE AXO.

the 6th floor the bricks are at their furthest point

62

wall detail 1-1/2" = 1'-0"

-COLUMNS -BEAMS -ETFE CURTAIN WALL MULLIONS -STRUCTURAL TRUSSES -ETFE PILLOWS

1/16" = 1'=0"

roosevelt place

SARATOGA AV.

louis place

dewey place

ETFE PILLOWS

MAIN STRUCTURE AXO.

the 6th floor the bricks are at their furthest point

-COLUMNS -BEAMS -ETFE CURTAIN WALL MULLIONS -STRUCTURAL TRUSSES -ETFE PILLOWS

wall detail 1-1/2" = 1'-0"

TOGA SARA

N

AV.

hull

hull

t

stree

t

stree

FULTON STREET

FULTON STREET

SARATOGA AV.

herkimer street

herkimer street

1/16" = 1'-0"

BEDFORD-STUYVESANT SITE PLAN

roosevelt place

section 1

SARATOGA AV.

1/16" = 1'-0"

louis place

dewey place

section 2

1/32" = 1'-0"

N BEDFORD-STUYVESANT SITE PLAN

1/128" = 1'-0"

63 S

64

65

66

67

ARLIND PULASHI

68

apulashi@gmail.com