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Third Annual Press Freedom Gala Set for October 24 Guest Column: Guest column: What Google’s monopoly ruling means for local newspapers By Dean Ridings
Arkansas Press Association
Publisher Weekly Vol.19 | No. 33 | Friday, August 23, 2024 | Serving Press and State Since 1873
Becca Martin-Brown shares thoughts on 35 years covering arts Journalist Becca Martin-Brown retired last month after covering the arts scene in Northwest Arkansas for 35 years, including her final position as arts editor at the Northwest Arkansas DemocratGazette. She recently shared her memorable experiences and her views on art and newspapers with Arkansas Publisher Weekly.
However, the best part has always been being involved in the local arts scene — growing up with Arkansas Public Theatre in Rogers, which is doing professional-quality work as it starts its 39th season; being welcomed through the doors of TheatreSquared when it was brand new; getting to know the folks at Fort Smith Little Theatre, a true community theater in the best sense of the word for 75 years, and the Fort Smith Symphony, which turned 100 in 2023. And writing about the people who make Becca Martin-Brown this area unique — Trout Fishing in America; the Cate Brothers; artist Zeek Taylor; music promoter Brian Crowne... It’s those relationships that are the highlights over 35 years!
Would you share with our readers where you grew up, were educated and your career history? I moved from Kansas to Arkansas to attend the University of Arkansas and to marry into a family whose roots went deep in the Arkansas Ozarks. The important skills of being a decent human being I learned from my in-laws, the late Wayne and June Martin of Pettigrew. The important skills of being a journalist I learned from Jim Morriss, a newspaper icon, after I started work as Lifestyles editor at The Springdale News in 1988. He taught me that journalism is a community service, something you provide with the commitment and regularity of a public utility without grandstanding or expectation of reward. You’ll inevitably fail — and you’ll inevitably make people mad — but if you’re fair and honest and compassionate, you’ll do okay!
How has the “world of art” changed and developed in the region during your career? How would you evaluate the impact of Crystal Bridges on Northwest Arkansas and the entire state?
What attracted you to writing and did that interest develop at a relatively young age? In the same vein, how did your interest in the arts emerge?
In 1992, I saw the Walton Arts Center go from a hole in the ground at the corner of Dickson Street and West Avenue to a regional Mecca for the arts, followed by Crystal Bridges Museum of American Art almost 20 years later. But I also know that before either one existed, University of Arkansas Theatre, Arts Center of the Ozarks, Rogers Little Theatre, the North Arkansas Symphony (now SoNA), the Shiloh Museum of Ozark History, the Rogers Historical Museum and so many more local institutions were laying the foundation for the “big kids” to build upon. Crystal Bridges and the Bentonville Film Festival have undeniably carried our previously well-kept secrets to bigger audiences, but once people arrive in Arkansas, they discover how deep and wide our arts root system runs.
I didn’t intend to be a writer. I intended to be a character actress living in New York City, working on Broadway and eating at the automat I’d seen in Doris Day movies. I pictured myself as The Nurse in “Romeo and Juliet” or Jane Fonda’s repressed suburban mom in “Barefoot in the Park.” When I realized I was in no way that good, I took an opportunity to “apprentice” at my hometown newspaper while I was in junior college and discovered storytelling in print was even more rewarding — and you got paid! What are some of the most memorable highlights of your arts coverage career? I wish I had kept a list of the people I interviewed! I had lunch with Ted Neeley from “Jesus Christ Superstar” and cocktails with Jonathan Frid, who played Barnabas Collins on “Dark Shadows.” I got to chat with wrestler Mick Foley; Tim Conway; Lily Tomlin — I honestly can’t remember a lot of them!
What is the value of various forms of art in any society? Why are they important? The traditional answer is that theater allows us to look at ourselves and our world and learn how to live better in it. And See Becca Martin-Brown page 2
Arkansas Publisher Weekly
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August 23, 2024