3 DANCES

THREE DANCES FOR SOLO CLARINET I

Clarinet in B 

 

   

4

Adagio 

    

 

  

    

    

         

7

     

13

                    5

 

19

   

   

22



 

25



 

 



   

 







 



 







       



 

 





   

       











             3

   

       

 

 

       

 





 

 

 

 

   

  

               3

16



       

    







          

          

10

 

Ari Ben-Shabetai

  

  

 



 



   



2

   

27

        

3

  

29

 

5



accel. . . . . . poco . . . . a . . . . poco                                                             

32

                   

37



piu mosso 

35

      3

 

 

    

5

     

             3



piu

3

3

   

      

       

 



piu



   





    

5

 



3  



 

    

                       3



 



        5

     



5

                                               

 40         

5

 

 



 

    3

 





  5

3

    cresc.           5

            3

2



 



  

5



     

   

           

42

3

       

5





3

                              

46

49

   



cresc.

        

Adagio 

    

54

  



           

 

52



 





5

3

   

rit.

 

   

 

 5

 





 

 



 

 

 3



 

  3

5

3



      

6

piu

    

  

  

3







 

 

 



 

  







3



  

  

 

  

                   

3

 



   

piu

44

5

   

            



3



meno

3

    

 



 piu  

3





    

 

THREE DANCES FOR SOLO CLARINET II

               

Clarinet in B 



        

4

   

7

  5

                                                

        

18

    

    

 

 

   

  



 

             3

              

 

 

3

  

    

          

      

      

           3

 

  

7

11

15

 

     

9

      

          

        

Ari Ben-Shabetai

cresc.

 

       

                 3

4

 

      3     

         

               21                                           

2

                                                        

24





 

                                                             32                                                    28

                             

36

   

 

                

                     40                                 

44

 

                  





       







 





              48                                        5

3





















                                                 

52

                                                                       

56

                                         3                       

60

        64    

           

   





                                



67

70



 

        

  





  





                3

                         

6

 



   

THREE DANCES FOR SOLO CLARINET III Ari Ben-Shabetai Free, 1 cm = apx. 1"

Clarinet in B 

 

      

      

                                   5



   



    

6

 

7

8









  

                    

                           



 

   

                              

              

          



 

               

 7

 

                  

 

        



2

 

   

9



  

   

10

           

                           

                           

12





 

           

     

11



       

       

8

       

      

    