Arghavan H. - Art & Design Portfolio

Portfolio Interior Designer

Product Designer

Art Consultant

Art Production Designer

Arghavan Hatamabadi

About Me A passionate Interior, Product, Art Production Designer, Entrepreneur and Co-Founder of JuxtaPiece. I was born in Tehran, Iran and raised in Dubai for the past twenty years. On the creative side, I am a pianist and have a great interest in pottery and drawing. I strive to become the leading women entrepreneur that contributes to make a positive impact to the society.

Education & Awards E: Masters in Executive MBA – [2022 – 2024] Hult Business School | Dubai E: Bachelor of Interior Design [2011 - 2015] American University of Sharjah | Sharjah E: High School Diploma [2005 - 2011] The Winchester School | Dubai, UAE

A: Ahead Awards - 2023 Best Event Space - Sol Beach A: Commercial Interior Design Award - 2023 Best Art in Restaurant, Hospitality and Airport - Gastronomy A: Interior Design MAD (Motivation, Attitude and Dedication Award) A: Chancellors List Bronze Metal A: Consecutive Deans Awards A: Top 10 Startup Award

Work Experience W: Senior Art Production Designer [02/2019 – Present] - Capsule Arts

In Capsule Arts, as Senior Art Production Designer, I have been performing the following duties & responsibilities: - Responsible to develop an in-depth understanding of project scope and budgets ensuring all project deliverables are met for each project.

- Liaise and communicate with client to establish their visualisation requirements into a unique impression; and develop exceptional concepts into proposals that convey the artwork vision.

- Work directly with multiple artists and suppliers to design, develop and produce or source all artworks and curated accessories required for project execution, whilst continually monitoring production timelines and progress ensuring due dates are met.

- Actively research ideas, materials, techniques, suppliers, factories and manufacturers for art production solutions.

- Establish and select the appropriate production method that is considerate of the project timeline and budget.

- Develop technical specifications and drawings in order to execute the production of the artworks and accessories - Co-ordinate the review and approvals process for technical drawings and sample prototypes between the artist/supplier and the client. Always carry-out an internal review to ensure feedback is respected and that the work is carried out for optimum outcome.

- Provide detailed project status reports and updates to the client as required throughout the project.

- Coordinate and manage the artwork/accessories shipment or delivery in order to achieve expected delivery timelines.

- Responsible to monitor the installation team and provide supervision on site for project install and styling.

- Carry out timely handover completion inspections with the client and ensure that required procedures are followed for approvals by creating and issuing completion certificates and documentation.

- Responsible for line managing junior staff members.

- Guide and mentor junior members in their projects.

W: Designer & Co-Founder [03/2017 – 10/2018] - JuxtaPiece FZC

In JuxtaPiece, as a Co-Founder and Product Designer, I have been performing the following duties & responsibilities: -

Attending networking events to acquire new projects Pitching the company profile and products to various potential clients Conceptual product designs and specifying suitable material finishes Preparing realistic product renderings/visuals using 3D software Contractor and vendor sourcing Designing as per the client’s budget Preparing preliminary product samples Supervising production phase and quality control Social media administrator

W: Interior Designer [10/2015 - 05/2016]- RAW Interior Design

In Splyce, as an Interior Designer, I have been assigned the following duties and responsibilities: -

Defining and communicating project requirements with the design team Interpreting customer’s needs using 2D and 3D drawings Designing projects from concept to completion Space and layout planning using 2D plans Preparing construction drawings Furniture sourcing and defining material palettes Preparing 3D renderings and realistic visuals of the interior space Supervising and coordinating with suppliers and contractors Site visits and supervising work progress

W: Freelance Interior Designer [07/2015 - Present]- Tasneem

General Maintenace & Contracting In Tasneem, as an Interior Designer, I have been assigned the following duties and responsibilities: -

Site visits and analysis Space and layout planning using 2D drawings Preparing Submission Drawings Obtaining approvals from governmental departments Preparing quotations and invoices

Technical Skills

Personal Skills

RHINOCEROS

Sketchup

Creative Thinker

Presenter

Attention to Detail

Team Worker

Farsi

Photoshop

InDesign

Content Generator

Innovator

Organisation

Ownership

English

3DS MAX

AUTOCAD

Communication

Client Service

Illustrator

VRAY

Researching Skills

Hard Worker

Languages

Arabic

2

112

Art Art Consultant Art Production Designer

Project Lead

Projects

01.

02.

03.

04.

05.

06.

07.

Marina Mall | Abudhabi

One Za’abeel | Dubai

The Royal Atlantis | Dubai

SO Uptown | Dubai

Sol Beach | Egypt

Waldorf Astoria | Kuwait

Vida Emirates Hills | Dubai

4

112

Marina Mall, AbuDhabi Shopping Mall Developer Architecture Firm Art Consultant

National Investment Corporation KKD Capsule Arts

Approach As you traverse the city’s boulevards in both the heat of summer and the chill of winter, the desert landscape transforms into a vibrant tapestry of native flowers, adorning the scenery with hues of red, yellow, lavender, violet, and orange.

Among these blooms, the UAE’s national flower, the Tribulus, shines brilliantly in its yellow splendor, symbolizing unity and brotherhood. Its delicate, feminine appearance is a hallmark of the desert.

Beyond visuals, a multi-sensory experience awaits, engaging touch, sight, and sound, drawing inspiration from Abu Dhabi’s serene lakes to create an oasis of mental tranquility and a reconnection with nature’s essence.

Our design draws inspiration from the graceful Tribulus flower, capturing its imperfectly round, ruffled petals and the interplay between petals and leaves. The composition is dynamic and whimsical, influenced by the wind’s gentle touch, while materiality and texture are crafted with careful attention, translating delicate organic lines into marble carvings. Subtle color gradients, inspired by the city’s blooms, adorn acrylic sheets. Water becomes a sensory element, echoing petal forms and adding tranquility. It seamlessly integrates with the architectural canvas of the tent and truss, combining acrylic hues with reflective steel mirrors to create intricate reflections. In essence, our design encapsulates the essence of nature’s beauty in solid materials, evoking elegance and serenity.

6

112

B

B

B

GENERAL NOTES:

A

301

301

•

1

21

B

2

B

B

B

A

Use chemical anchoring system M12 system Use chemicalM12 anchoring A Drill marble holes on site holes - afteron alignement support with frame Drill marble site - after with alignement support frame REV. No.

C

3242

OWNER:

CONSULTANT:

CONSULTANT:

Main Atrium LAND KEY:

SECTOR NO:

AW-01

967

A

A

930

A

GENERAL NOTES: •

2

609

B

GENERAL NOTES: •

For the 360° view refer to 3D model

DRAWING TITLE:

A

GENERAL NOTES:

4412

2

B

672

REV. No. DRAWING NO: REVISION NO: MASTER DEVELOPER:

REVISION NO:

SCALE:

VIEW A

OWNER:

S355J2G3

1:50 1

3

CORRIAN POND 3 STAND 2 1

3

S355J2G3 100352 CORRIAN POND 3 STAND

S355J2G3

2

CORRIAN POND 3 STAND 1 1

2

S355J2G3 1003 1 CORRIAN POND 3 STAND

S355J2G3

1

1

CORRIEN POND 3 PETAL

1

1

CORRIEN POND 3 PETAL

DRAWING SIZE: Qty

Pos

Description

Qty

Pos

CORRIEN POND 1 1 PETAL 3 CORRIEN POND 1 PETAL

1

2

CORRIAN POND 2 S355J2G3 1 STAND 2 1CORRIAN POND STAND 1 2

10017 S355J2G3

10017

1 0.

1 0.

1

1

CORRIAN POND 1 S355J2G3 1 STAND 1 1CORRIAN POND STAND 1 1

1001 S355J2G3

1001 CONSULTANT:

5.5

5.5

Qty

Pos

Drawing Material no. Rev.

Comment g Drawing no. Rev. WeightComment

Description Qty Pos

Material Description

DETAIL B SCALE 1 : 10

Drill holes on site - after alignement Drill with holes support on site frame - after

CO

Weight

CONSULTANT: PROJECT NAME:

PROJECT NAME:

ZO

Marina Mall, Abu Dhabi

g ZONE:

SE

PROJECT NAME:

4349

4349

SECTION A-A Main Atrium Marina Mall, Abu Dhabi

Marina Mall, Abu Dhabi SECTOR NO: ZONE:

PLOT NO:

Marina Mall 4 | CORAN POND 4 Main Atrium 14 Main Atrium 14 PROJECT DESCRIPTION: SECTOR NO:

407

SECTOR NO:

Comm Material OW

PR

3

DETAIL B SCALE 1 : 10

MaterialDescription Drawing no. Rev.

Use chemical anchoring M12 system Use chemical anchoring A2

ZONE:

3434

434 1941

S355J2G3 100223 CORRIAN POND 3 STAND

OFFICIAL USE ONLY: OFFICIAL USE ONLY: CONSULTANT:

1

DETAIL B SCALE 1 : 10

3434

3 | CORAN POND 3

1

CORRIAN POND 3 STAND 3 1

OWNER:

4323

VIEW A

RE

M 1

OFFICIAL USE ONLY: OFFICIAL USE ONLY:

15°

•

2

1199_Marina Mall_Abu Dhabi Mall_Abu Dhabi A2 1199_Marina

1000

4323

4412

GE

For the 360° view refer to 3D model

PROJECT ID: OWNER:

15°

LA

-

AW-01

10014 DETAIL D 10014 DETAIL D SCALE 1 : 10 SCALE 1 : 10 SCALE: Use chemical anchoring 100 M12 system SUBMISSION DATE: REV. SUBMISSION DATE: 100 No. VIEW A VIEW A Use chemical anchoring M12 system Drill holes on site - after alignement 2 .0 .2023 1:50 REV. No. with support frame2 .0 .2023 MASTER DEVELOPER: Drill holes on site - after alignement with support frame MASTER DEVELOPER: PROJECT ID: DRAWING SIZE: 1000

PLOT NO:

• For thePOND 360° view refer toAN 3D model ORR AN ASSEMBLY ORR POND ASSEMBLY

Use chemical anchoring M12 system Drill holes on site - after alignement with supportDRAWING frame NO: 672

PLOT NO:

PROJECT DESCRIPTION: PROJECT DESCRIPTION:

DRAWING TITLE:

2

Main Atrium

984 Marina Mall Marina Mall -

984

A

2

LAND KEY:

SECTOR NO: 1773

1773

SCALE 1 : 10

Marina Mall, Abu DhabiMall, Abu Dhabi Marina

967

LAND KEY:

SECTION B-B

SCALE 1 : 10

ZONE:

2 | CORAN POND 2

Use chemicalUse anchoring M12 system M12 system chemical anchoring Drill marble holes site -holes after on alignement with support frame Drill on marble site - after alignement with support frame

SECTION B-B

930

1 | CORAN POND 1

A

3

PROJECT NAME:

ZONE:

SECTION B-B SECTION B-B

A

2

2846

OWNER:

PROJECT NAME: 3242

3801

1145

3 4

Use chemical anchoring systemanchoring M12 system UseM12 chemical Drill holes on site - after alignement with- support frame Drill holes on site after alignement

DETAIL C DETAIL C SCALE 1 : 10 SCALE 1 : 10 3801

2

REV. No.

D

2846

4136

C

4 A

MASTER DEVELOPER:MASTER DEVELOPER:

D

1145

GENERAL NOTES:

For the 360° view refer to For 3D the model • 360° view refer to 3D model

PLOT NO:

-

Marina Mall

PLOT NO:

AW-01

SECTION A-A

P

-

D

-

536

536

LA

GENERAL NOTES:

GENERAL NOTES:

15

A

1

A

•

For the 360° view refer to 3D model

15

•

1

A

For the 360° view refer to 3D model

A

GE

1

Marble joint lines

Marble joint lines

REV. No.

Marble joint lines

MASTER DEVELOPER:

Use chemical anchoring M12 Use system chemical anchoring M12 system Use chemical anchoring M12 system Drill marble holes on site - after Drill alignement marble holes with onsupport site - after frame alignementRE Drill marble holes on site - after alignement with support frame M Waterproof test to be done on each connection area

Use chemical anchoring M12 system • Hole made marble petal Drill marble holestoonbe site - afteronthe alignement with support frame • Hole tobe bedone used to allow connection Waterproof test to onfor each connection area of OWNER: structure mounting for corrien petal

OWNER:

5315

Hole to be made onthe marble petal Hole to be used for to allow connection of structure mounting for corrien petal

5315

• •

2736

2736

PROJECT NAME:

PROJECT NAME:

97

97

O

CONSULTANT:

CONSULTANT:

Marina Mall, Abu Dhabi

5407

4046

4046

DETAILSECTOR B NO: DETAIL B PLOT NO: SCALE 1 : 10 Marina Mall SCALE 1 : 10

-

Marina Mall

2 | MARBLE SEATING 02

B

DRAWING TITLE:

15

15

SUBMISSION DATE:

SCALE:

Marble joint line Marble joint line

COG=407

PROJECT ID:

DRAWING SIZE:

A

SU

A2 1

1

OFFICIAL USE ONLY:

A

PR

11

O

OFFICIAL USE ONLY:

85°

A VIEW A REV.VIEW No. REV. No. 1 2 MARBLE SEATING 1 Marble 1 2 MARBLE SEATING 1 Marble 10010 2 31.0 Use chemical M12 1000 system Use1chemical anchoring M12anchoring system MASTER DEVELOPER: 1 1 MARBLE SEATING 1 STAND S355J2G3 MASTER2 DEVELOPER: 1 MARBLE SEATING 1 STAND S355J2G3 0.7 Drill marble holes on site after alignement with support frame DrillQtymarble holes on site after alignement with support frame Qty Pos Description Material Pos Description Material Drawing no. Rev. Comment Weight Waterproof be done on each connection area Waterproof test to be donetest onto each connection area

10010

Use chemical anchoring Use chemical M12 system anchoring M12 system O Drill marble holes on Drillsite marble - afterholes alignement on site - with aftersupport alignement framewith Waterproof test toWaterproof be done ontest each to be connection done on each area connectio

2 31.0

1000

2 0.7

Drawing no. Rev.

Comment

Weight 1 2

MARBLE SEAT 1

1

1

MARBLE SEAT 2 STAND

Qty

Pos

Description

Marble

0 0.0 10013

S355J2G3 1 1 MARBLE SEAT 100122 STAND

S355J2G3

355.10012

Qty

Marble 1 2

MARBLE SEAT 100131

Comment Material

Weight Drawing

Pos Material

Drawing Description no. Rev.

OWNER:

4905

2949

DR

1:50

DRAWING SIZE:

1199_Marina Mall_Abu Dhabi

A2

OFFICIAL USE ONLY:

CONSULTANT:

PROJECT NAME:

DETAIL B DETAIL B SCALE 1 : 10 SCALE 1 : 10 (Typical connection (Typical Frameconnection - marble) Frame - marble)

CONSULTANT:

PROJECT NAME:

Marina Marina Mall, Abu DhabiMall, Abu Dhabi

Marble joint lines Marble joint lines

ZONE:

ZONE:

2

Main Atrium SECTOR NO:

SECTOR NO:

3860

2 .0 .2023

1

OWNER:

3860

SCALE:

SUBMISSION DATE:

85°

DETAIL B DETAIL B SCALE 1 : 10 SCALE 1 : 10

1000

4905

471

VIEW A

1VIEW A

D

REVISION NO:

DRAWING NO:

1:50

• For model the 360° view refer to 3D model For the 360° view refer to 3D

OFFICIAL USE ONLY:

A

A

471

15

PROJECT ID: GENERAL NOTES: GENERAL NOTES:1199_Marina Mall_Abu Dhabi •

COG=407

COG NO: REVISION

1000

16.1

MARBLE SEAT 1 ASSEMBLY

° 155

155

COG DRAWING NO:

2 .0 .2023

16.1

P

DRAWING TITLE:

MARBLE SEAT 1 ASSEMBLY

COG

COG

B

LAND KEY:

LAND KEY:

°

B

SE

AW-01

AW-01

B

ZO

-

PROJECT DESCRIPTION:

PROJECT DESCRIPTION:

1 | MARBLE SEATING 01

PR

Main Atrium

DETAIL BMain Atrium SCALE 1 : 10 SECTOR NO: PLOT NO:

2569 DETAIL B SCALE 1 : 10 5407

CO

Marina Mall, Abu Dhabi

ZONE:

ZONE:

300

300 2569

•

1

REV. No.

Marble joint lines

MASTER DEVELOPER:

120°

15

COG

COG

120°

2949

LAND KEY:

LAND KEY:

PLOT NO:

Marina Mall Marina Mall 3188

PROJECT DESCRIPTION: PROJECT DESCRIPTION:

2

Main Atrium PLOT NO:

COG

-

COG

B

B

3188

AW-01 AW-01 4 | MARBLE POND 02

3 | MARBLE POND 01 DRAWING TITLE:

DRAWING TITLE:

MARBLE POND 2 ASSEMBLY MARBLE POND 2 ASSEMBLY

8

112

LAND KEY:

1058

460

793

14°

2823

R7990

GENERAL NOTES:

568

750

8

4

•

For the 360° view refer to 3D model

17

1

7

5

10

16

1 6

A

3 5

3 | ACRYLIC SUPPORT STRUCTURE - SIDE VIEW 02

REV. No. MASTER DEVELOPER:

1058

460

9 10

14

460

7 17

568

14°

1 | ACRYLIC SUPPORT STRUCTURE - SIDE VIEW 01

R7990 CONSULTANT:

15

16

1058 750

460 13

11

10

12

793

14°

2

8

OWNER:

13

16

793

1058

90°

1998

2

PROJECT NAME:

VIEW A

ZONE:

A WELD NOTE:

793

14°

• • • •

Unless noted otherwise all weld joints shall all arround welded.

Welds shall be partial penetration but welds: or Total weld penetration shall be e ual to plate thic ness minus 2 mm.

Where A not indicated filled weld to be used weld height a=0 7 t

568 8

17

1

7

5

10

16

6

SECTOR NO:

750

Weld operator shell be ualified in accordance with: EN 287 ISO 9606

•

All welds shall be in accordance: EN ISO 15614-1 (For steel)

6

1998

5312

90°

14

200 100 10 mm

87.6

2

16

TUBE

S355J2G3

10028-16

200 100 10 mm

25.1

1

15

TUBE

S355J2G3

10028-15

200 100 10 mm

14.8

1

14

TUBE

S355J2G3

10028-14

200 100 10 mm

6.9

2

13

PLATE

S355J2G3

10028-13

10 mm

1

12

PLATE

S355J2G3

10028-12

15 mm

10.4

1

11

PLATE

S355J2G3

10028-11

15 mm

10.7

2

10

PLATE

S355J2G3

10028-10

15 mm

6.5

PROJECT ID:

1

9

PLATE

S355J2G3

10028-09

10 mm

10.7

1199_Marina Mall_Abu Dhabi

1

8

PLATE

S355J2G3

10028-08

10 mm

16.7

1

7

PLATE

S355J2G3

10028-07

10 mm

1

6

PLATE

S355J2G3

10028-06

10 mm

8.3

1

5

PLATE

S355J2G3

10028-05

10 mm

10.9

1

4

PLATE

S355J2G3

10028-04

10 mm

3.0

1

3

10 mm

11.1

1

2

10 mm

11.5

1

1

ty. Pos.

2823 1

PLATE

7

S355J2G3 S355J2G3

5

S355J2G3

Description

10028-03

10

10028-02

16

10028-01

Material

90°

10028-17

10 mm

Drawing No Rev

1002

0.7

SUBMISSION 8 14 DATE: 7

SCALE:

2 .0 .2023

8

17 1 7 2823 4 | ACRYLIC SUPPORT STRUCTURE - PLAN VIEW

5

10

16

1

2

1

1

Qty

Pos

13

10

16

13

10

12 9

5

13

11

1:20

10

17 DRAWING 15 16 SIZE:

WELD NOTE:

A2

10

16

13

12

• Unless noted 13 otherwise all weld joints11 shall all arround welded. or 8 14 7 • Welds shall be partial penetration but welds: • Total weld penetration shall be e ual to plate thic ness minus 2 mm.

• Where not indicated filled weld to be used weld height a=0 7 t WELD NOTE: OFFICIAL USE ONLY: 17 15 16

OFFICIAL USE ONLY:

(t - thic ness of thinner memeber within the weld joint)

•

• • • • • •

247.0

Comment

16

10 3 9

17 REVISION 15 16 NO:

DRAWING NO:

Weight •

2 | ACRYLIC LAYERS - TOP VIEW

PETALS STAND

7

S355J2G3

90°

1998 1998

5312 VIEW A 4472

A RYL 8

TUBE

PLATE

59 1

17

PLATE

3

4 DRAWING TITLE:

8.3

R7990

1 6

1

17

-

Marina Mall

A

8

5

AW-01

•

2823

3

4

PLOT NO:

PROJECT DESCRIPTION:

(t - thic ness of thinner memeber within the weld joint)

•

1

Main Atrium 5 | ACRYLIC SUPPORT STRUCTURE - PLAN VIEW

4 | ACRYLIC SUPPORT STRUCTURE - SIDE VIEW 03 750 568

2823

R7990

4

Marina Mall, Abu Dhabi

12 10 welded.

Unless noted otherwise all weld joints shall 11 all arround Weld operator shell13be ualified in accordance with: EN 287 ISO 9606 Welds shall be partial penetration but welds: or Total weld penetration shall be e ual to plate thic ness minus 2 mm.

All welds shall be in accordance: 15614-1 steel) Where not indicated filled weld toEN beISO used weld(For height a=0 7 t (t WELD - thic ness of thinner memeber within the weld joint) NOTE:

• TUBE

Weld operator shell be ualified in accordance with: EN 287welded.

ISO 9606 • Unless noted otherwise all weld joints shall 17 S355J2G3 10028-17 200all 100arround 10 mm 87.6 ACR LIC PETALS STAND 1 1002 522.

6 | ACRYLIC SUPPORT STRUCTURE PERSPECTIVE • -Welds shall be partial penetration but welds: or25.1 2 16 TUBE S355J2G3 10028-16 200 100 10 mm • All bepenetration in accordance: EN e ISOual 15614-1 (Forthic steel) ACR LIC PETAL • welds Totalshall weld shall be to plate ness minus 2 m 1 15 TUBE S355J2G3 10028-15 200 100 10 mm 14.8 • Where not indicated filled weld to be used weld height a=0 7 t

Description

1

14

TUBE

2

13

PLATE

Material Drawing no.

Rev. Comment S355J2G3 10028-14 200 100 10 mm (t - thic ness of thinner memeber within the weld joint)

•

S355J2G3

10028-13

10 mm

Weig 6.9 0.7

mm.

LAND KEY:

GENERAL NOTES: •

For the 360° view refer to 3D model

REV. No. MASTER DEVELOPER:

PG

OWNER:

CONSULTANT:

”

”

PROJECT NAME:

Marina Mall, Abu Dhabi

ZONE:

Main Atrium SECTOR NO:

PLOT NO:

1 | OVERALL MarinaSECTION Mall WITH MEP

PROJECT DESCRIPTION:

AW-01

10

112

12

112

Marina Mall, AbuDhabi Shopping Mall Developer Architecture Firm Art Consultant

National Investment Corporation KKD Capsule Arts

Approach Abu Dhabi, a city known for its distinctive beauty with Ghaf, Saxual, and Mangrove trees, each contributing to the desert’s narrative. The Ghaf tree, an emblem of the UAE, symbolizes stability with its sinuous trunk and rounded canopy, while Mangrove parks offer urban oases for nature enthusiasts.

Drawing inspiration from the native trees, this artistic endeavor seamlessly weaves elements, a tapestry of shapes and forms in homage to nature’s own design. Through the alchemy of dappled shadows, organic contours, and sinuous movements, the installation seeks to illuminate both direct and indirect encounters with the natural world. It transforms this environment into a theater where nature’s poetry unfurls in the language of shadow and light.

We bring our artistic concept to life through skilled craftsmanship. Using brass sheets, we mold and shape them into delicate leaf forms, inspired by nature’s grace. These leaves feature intricate patterns akin to the Ghaf leaves and are suspended from the skylight. They create a captivating interplay of light and shadow during the day and an enchanting dance of light and shadow at night.

This transformation of the space blends nature’s beauty with human creativity, offering a mesmerizing experience for all.

14

112

LAND KEY :

1200

1200 LAND KEY :

GENERAL NOTES : All 3D dimensions are subject to slight variation as per the manual fabrication methodology All 3D dimensions are subject to slight variation as per the manual fabrication methodology

GENERAL NOTES :

827

827

GENERAL NOTES : ALL MATERIALS ARE GR. S276 Finish as per client (TBC) XX XX

XXXXX XXX XXXXX

XXXXX XXX XXXXX

FLATTENED OUTLINE TO BE LASER CUT IN 1MM BRASS FLATTENED OUTLINE TO BE LASER CUT IN 1MM BRASS REV. NO.00

XX/XX/XXXX

XX/XX/XXXX

REV. NO.00

DESCRIPTION

Date

MASTER DEVELOPER : DESCRIPTION

Date

1736

2400

XX

1736

1850

1850

2400

MASTER DEVELOPER :

BRASS LEAVES IN 1 MM BRASS LEAVES IN 1THICKNESS MM SUSPENDED THICKNESS SUSPENDED BY 2MM STAINLESS STEEL BY 2MM STAINLESSWIRE STEEL FROM CUSTOM MADE WIRE FROM CUSTOM MADE BEAM CLAMPS BEAM CLAMPS

REV. NO.00

OWNER:

MASTER DEVELOPER :

OWNER:

MAJOR FOLD LINE

XXXXX XXX XXX

DESCRIPTION

MAJOR FOLD LINE CONSULTANT : CONSULTANT :

OWNER:

ROTATING ELEMENT (1MM BRASS) ROTATING ELEMENT (1MM BRASS) PROJECT NAME : PROJECT NAME :

Marina Mall, Abu Dhabi Marina Mall, Abu Dhabi

TOP VIEW01 - PLAN VIEW 1 | PETAL TOP VIEW

FLATTENED VIEW (WITH PERFORATIONS) 2 | PETAL 01VIEW - UNROLLED FLATTENED (WITH SURFACE PERFORATIONS)

CONSULTANT :

ZONE : ZONE :

Jewelry Corridor

Jewelry Corridor SECTOR NO :

SECTOR NO :

PLOT NO :

PLOT NO : INSERT ZONE

INSERT PLOT NO

INSERT ZONE

INSERT PLOT NO

LAND KEY : PROJECT DESCRIPTION :

1200

AW-03

1200

PROJECT DESCRIPTION : LAND KEY :

PROJECT NAME :

AW-03

Marina Mall, Abu Dhabi

SWR ASSEMBLY 3:OFF PER LEAF

DETAIL-1

DRAWING TITLE :

DRAWING TITLE : GENERAL NOTES :

1488

1488 1030

Jewelry Corridor

GENERAL NOTES :

MODULE 1

All 3D dimensions are subject slight variation as per the manual All 3D dimensions are subject to slight variation as perto the manual fabrication methodologyfabrication methodology

MODULE 1

DRAWING NO : DRAWING NO :

462

SUBMISSION DATE :

PROJECT ID :

NTS

XXXXX XXX XXXXX NTS

XX/XX/XXXX

XX/XX/XXXX DRAWING SIZE :

DRAWING SIZE : DU22-00380 REV. NO.00 DESCRIPTION DESCRIPTION

DU22-00380 MASTER DEVELOPER :MASTER DEVELOPER : OFFICIAL USE ONLY :

SWR ASSEMBLY 1:OFF PER LEAF

A1

A1

Date

Date

2400

2400

OFFICIAL USE ONLY :

PERSPECTIVE VIEW PERSPECTIVE VIEW

NAME MODULE 1 (L)

1850

AW-03

SCALE :

SCALE :

XXXXX XXXXX XXXXX

PROJECT DESCRIPTION :

A

A

SUBMISSION DATE :

13/02/2023

XX 13/02/2023

REV. NO.00

REVISION NO:

REVISION NO:

DU23-00380-D001

DU23-00380-D001

PROJECT ID :

SECTOR NO :

INSERT ZONE

1030 FLATTENED TO IN BE1MM LASER CUT IN 1MM BRASS FLATTENED OUTLINE TO BE OUTLINE LASER CUT BRASS

1850

ZONE :

NAME APPROXIMATE LENGTH TOTAL QUANTITY MAJOR FOLD LINE OFFICIAL USE ONLY : MAJOR FOLD LINE APPROXIMATE LENGTH TOTAL QUANTITY MODULE 1 (L) 1850mm

1850mm

DRAWING TITLE :

FIXING DETALS

4

4

1650mm MODULE 1 (M) 1650mm 1 1100mm MODULE 1 (S) 1100mm MODULE 1 (S) ROTATING ELEMENT ROTATING (1MMELEMENT BRASS) (1MM BRASS)1

BRASS LEAVES BRASS IN 1 MMLEAVES IN 1 MM THICKNESS SUSPENDED THICKNESS SUSPENDED BY 2MM STAINLESS STEEL BY 2MM STAINLESS STEEL WIRE FROM WIRE FROM CUSTOM MADE CUSTOM MADE BEAM CLAMPS BEAM CLAMPS

DETAIL-2

OFFICIAL USE ONLY :

1

OWNER:

DRAWING NO :

OWNER:

DU23-00380-D001

MODULE 1 (M)

1

SUBMISSION DATE : CONSULTANT :

CONSULTANT :

13/02/2023 PROJECT ID :

DU22-00380 OFFICIAL USE ONLY : PROJECT NAME :

PROJECT NAME :

Marina Mall, Abu Dhabi Marina Mall, Abu Dhabi

TOP VIEW TOP VIEW

3 | PETAL 02 - PLAN VIEW

FLATTENED PERFORATIONS) FLATTENED VIEW VIEW (WITH(WITH PERFORATIONS)

ZONE :

4 | PETAL 02 - UNROLLED SURFACE

OFFICIAL USE ONLY :

ZONE :

Jewelry Corridor

11 | INSTALLATION METHODOLOGY - BLOW-UP DETAIL Jewelry Corridor

SECTOR NO :

SECTOR NO : PLOT NO :

PLOT NO :

INSERT ZONE

INSERT ZONE INSERT PLOT NO

INSERT PLOT NO

PROJECT : PROJECT DESCRIPTION : LANDDESCRIPTION KEY :

AW-03

1200

1200

1850

1850

LAND KEY :

AW-03

DRAWING TITLE :

LAND KEY :

1200

1200

1200

DRAWING TITLE : GENERAL NOTES :

1273MODULE 2 MODULE 2

GENERAL NOTES :

All 3D dimensions are subject to slight variation as per the manual fabrication methodology

DRAWING NO :

DRAWING NO : REVISION NO:

SUBMISSION DATE : : SCALE

13/02/2023

13/02/2023

PROJECT ID :

PROJECT ID :

DU22-00380

DU22-00380 REV. NO.00

A

FLATTENED OUTLINE TO BE LASER CUT IN FLATTENED 1MM BRASS OUTLINE TO BE LASER CUT IN 1MM BRASS

SCALE :

NTS

NTS

DRAWING SIZE :

DRAWING SIZE :

XX

XXXXX XXX XXXXX

DESCRIPTION

All 3D dimensions are subject to slight variation as per the manual All 3D dimensions are subject to slight variation as per the manual fabrication methodology fabrication methodology

REVISION NO:

DU23-00380-D001DU23-00380-D001 A SUBMISSION DATE :

XX/XX/XXXX XX

A1

A1

MODULE 2 (S) MODULE 2 (S)

1100mm

1650mm

1

1

1100mm

1

1

2400

MAJOR FOLD LINE

OWNER:

CONSULTANT :

ROTATING ELEMENT (1MM BRASS)

DESCRIPTION

REV. Date NO.00

XXXXX XXX XXXXX

XX/XX/XXXX

DESCRIPTION

MASTER DEVELOPER :

MASTER DEVELOPER :

OWNER:

OWNER:

CONSULTANT :

CONSULTANT :

PROJECT NAME :

PROJECT NAME :

MAJOR FOLD LINE

ROTATING ELEMENT (1MM BRASS)

FLATT

Date

2400

1650mm

2

1850

MODULE 2 (M) MODULE 2 (M)

2

1850

1850mm

XX/XX/XXXX XX

FLATTENED OUTLINE TO BE LASER CUT IN 1MM BRASS REV. NO.00

2400

OFFICIAL USE ONLY : OFFICIAL USE ONLY :

APPROXIMATE LENGTH TOTAL QUANTITY APPROXIMATE LENGTH TOTAL QUANTITY 1850mm

1850

2400

NAME

1850

1850

NAME

MODULE 2 (L) MODULE 2 (L)

XXXXX XXX XXXXX

Date

MASTER DEVELOPER : OFFICIAL USE ONLY : OFFICIAL USE ONLY :

PERSPECTIVE PERSPECTIVE VIEW VIEW

GENERAL NOTES :

857

857

2400

1273

1112

MAJOR FOLD LINE

ROTATING ELEMENT (1MM BRASS)

MAJO

ROTAT

PROJECT NAME :

Marina Mall, Abu Dhabi Marina Mall, Abu Dhabi

TOP VIEW

5 | PETAL 03 - PLAN VIEW

FLATTENED VIEW (WITH PERFORATIONS) TOP VIEW TOP VIEW 6 | PETAL 03 - UNROLLED SURFACE 7 | PETAL 04 - PLAN VIEW

ZONE :

Marina Mall, Abu Dhabi

FLATTENED VIEW FLATTENED (WITH PERFORATIONS) VIEW (WITH PERFORATIONS) TOP VIEW TOP VIEW ZONE :

Jewelry Corridor

8 | PETAL 04 - UNROLLED SURFACE

SECTOR NO :

PLOT NO :

INSERT ZONE

INSERT PLOT NO

ZONE :

9 | PETAL 05 - PLAN VIEW Jewelry Corridor

VIEW (WITH PER FLATTENED VIEW (WITHFLATTENED PERFORATIONS) 10 | PETAL 05 - UNROLLED SURFACE

Jewelry Corridor

SECTOR NO :

PLOT NO :

INSERT ZONE

INSERT PLOT NO INSERT ZONE

SECTOR NO :

PROJECT DESCRIPTION :

AW-03

1850

1850 DRAWING TITLE :

PROJECT DESCRIPTION :

PROJECT DESCRIPTION :

AW-03

AW-03

PLOT NO :

INSERT PLOT NO

A

6

SK14/

PLAN VIEW

A

SECTION A-A'

2 | SECTION VIEW

1 | REFLECTED CEILNG PLAN

1:100 LAND KEY :

LAND KEY :

GENERAL NOTES :

GENERAL NOTES :

GENERAL NO

ALL MATERIALS ARE GR. S276 Finish as per client (TBC)

ALL MATERIALS ARE GR. S276 Finish as per client (TBC)

ALL MATERIA Finish as per c

XX

XXXXX XXX XXXXX

A

REV. NO.00

XX/XX/XXXX

DESCRIPTION

Date

SK14/

6

OWNER:

CONSULTANT :

PROJECT NAME :

Marina Mall, Abu Dhabi

ZONE :

Jewelry Corridor

SECTION A-A'

1:100

MASTER DEVELOPER :

SECTOR NO :

PLOT NO :

INSERT ZONE

INSERT PLOT NO

PROJECT DESCRIPTION :

AW-03

DRAWING TITLE :

DU23-00380-D001 SUBMISSION DATE :

XX

REV. NO.00

XXXXX XXX XXXXX

XX/XX/XXXX

DESCRIPTION

XX

Date

REV. NO.00

MASTER DEVELOPER :

MASTER DEVE

OWNER:

OWNER:

CONSULTANT :

CONSULTANT

PROJECT NAME :

PROJECT NAM

Marina Mall, Abu Dhabi

Marina Ma

ZONE :

ZONE :

Jewelry Corridor

Jewelry Corr

SECTOR NO :

PLOT NO :

INSERT ZONE

INSERT PLOT NO

SECTOR NO :

INSERT ZON

PROJECT DESCRIPTION :

PROJECT DES

AW-03

AW-03

DRAWING TIT

RIGGING DETALS

REVISION NO:

DRAWING NO :

A

DU23-00380-D001

SCALE :

13/02/2023

NTS

PROJECT ID :

DRAWING SIZE :

DU22-00380

A

DRAWING TITLE :

RIGGING DETALS

DRAWING NO :

SUBMISSION DATE :

A1

OFFICIAL USE ONLY :

RIGGIN

REVISION NO:

A

DU23-003

SCALE :

13/02/2023

NTS

PROJECT ID :

DRAWING SIZE :

DU22-00380

DRAWING NO

SUBMISSION

13/02/2023

A1

PROJECT ID :

DU22-003

OFFICIAL USE ONLY :

OFFICIAL USE ONLY :

3 | ARC SECTION 1,2,3 AND 4

LAND KEY :

OFFICIAL USE

OFFICIAL USE ONLY :

4 | ARC SECTION 5,6,7 AND 8

OFFICIAL USE

5 | ARC SECTION 9,10,11 AND 12 16

112

One Za’abeel - Dunes Sculpture 5* Luxury Hotel and Resort Developer Architecture Firm Interior Designer Project Management Art Consultant Artist Fabricator

Ithra Kerzner Nikken Sekkei LW MACE Capsule Arts Art Painting Lab Walnut TMA

Approach In the Arabian desert, Arabian culture is shaped by the legacy of ancient Bedouins and imprints of camel caravans, connecting the past and future through iconic sand dunes that symbolize a thriving civilization’s enduring spirit.

This organic masterpiece seamlessly integrates with the architectural canvas, mirroring the layered sands of the horizon with bold, graceful gestures and gentle undulations. Some dunes exude an elegant simplicity, while others assert their grandeur, commanding the space and inviting unique encounters at every turn.

This installation promises a one-of-a-kind experience, where each dune unfolds a distinct narrative in its pursuit of artistic excellence.

The sculpture integrates subtle hand carved ripples, echoing the beauty of sand dunes, with their natural form, texture, and undulations reminiscent of the desert landscape. A surface finish adorned with intricate, hand-carved ripple markings.

Crafted from authentic sand, it captures the ethereal charm of sand grains and the ever-shifting interplay of light and shadow, a captivating spectacle as day turns into night. This combination creates a visually striking and harmonious piece that invites visitors to interact with its smooth, tactile surface, merging human creativity with the dynamic desert landscape.

REFERENCE DRAWINGS

DWG NO.

JOB NO.

DWG NO.

1

1

AD

AF

AG

AH

AI

1- BUILD ONE (1) SAND DUNES FROM MATERIAL AS SHOWN. 2- VERIFY LOCATION WITH CLIENT PRIOR TO FINAL. APPLICATION / INSTALLATION. 3- ALL STEEL MEMBERS TO BE S275 GRADE. 4- ALL UNITS ARE IN MM UNO. 5- DO NOT SCALE THE DRAWINGS. 6- ALL DIMENSIONS TO BE VERIFIED ON SITE PRIOR INSTALLATION. 7- SAND DUNES TOP SURFACE IS NOT ACCESSIBLE AT ALL TIME. 8- ALL STEEL MEMBERS MUST BE RUST-PROOFED BY GLAVANIZING OR APPLYING IRON OXIDE AND EPOXY LAYER. 9- THE CLADDING IS A 5MM THK "A1" FRP TO ADHERE TO APPROVED MATERIAL BY CLIENT .

10 - MINIMUM SIZE OF WELD IS 4 MM OTHERWISE NOTED.

2

S

3

NE

#

5

DU

NOTES :

DUNES # 3

16

KEY PLAN:

2

NOTES:   

THE DRAWING IS IN MILLIMETERS. ALL DIMENSIONS ARE TO BE VERIFIED ON SITE. THIS DRAWING SHALL NOT BE SCALED; ONLY WRITTEN DIMENSIONS ARE TO BE FOLLOWED. THIS DRAWING SHALL BE READ IN CONJUNCTION WITH OTHER RELEVANT ARCHITECTURAL, STRUCTURAL, MECHANICAL AND ELECTRICAL DRAWINGS AND ALL RELEVANT SPECIFICATION SECTIONS.

3

4

DU

NE

S

#

2

4

5

5

DUNES # 6 17

6

18

6

1

SAND DUNE OVERALL - FRP TOP VIEW

1 | SAND DUNE OVERALL - FRP TOP VIEW ID-03-00003

1 : 50

7

7

1235

8

ES

#

5

582

3844

8

586

DUNES # 3

3 | 3D VIEW 2 - SAND DUNE #3

16 SEPTEMBER 2022

C0

REVISIONS

DATE

REV NO.

9

PRINCIPAL ARCHITECT

1589

1869

1141

2 | ELEVATION 01 - SAND DUNE #5

ISSUE FOR CONSTRUCTION

ARCHITECT

598

16 9

2999 1772

N DU

ASSOCIATE ARCHITECT

ARCHITECTURAL DESIGN APPROVED BY

904

CHECKED BY DRAWN BY

2

REVIEWED BY

#

1424

790

PROJECT:

2598

NE

S

One Za'abeel 2nd Zaa'beel Road P.O.Box 333888 Dubai, UAE

DU

10

CLIENT:

1

One Za’abeel LLC DIFC Gate Village Bldg.7, 6th floor P.O.Box. 333888 Dubai, UAE

PROJECT MANAGER:

3159

3167

MACE International

LEAD CONSULTANT:

652

929

DUNES # 6 11

Aspect Tower Business Bay, Executive Towers Level 21, Office No. 2104 PO Box 26518,Dubai

2849

1

17

ARCHITECT OF RECORD: WSP Middle East PO Box 7497 Dubai, UAE

18

681 SUB-CONTRACTOR

3681

ADIRONDACK STUDIOS Adirondack Scenic Inc FZE PO Box 263822, LIU 15, RA/07, Warehouse AB08 JAFZA, Dubai, UAE www.adkstudios.com

4 | ELEVATION 02 - SAND DUNE #5

12

2 ID-03-00003

A

5 | SECTION 01 - SAND DUNE #5

6 | 3D VIEW 2 - SAND DUNE #5

FIRST FLOOR ARRIVAL & RECEPTION OVERALL PLAN VIEW

N

SAND DUNE OVERALL - STEEL FRAME PLAN VIEW AND SETTING OUT

STATUS:

1 : 50

B

C

7 | 3D VIEW 01 - SANDDUNE #6

D

PODIUM A

TITLE:

E

F

G

H

I

J

K

L

M

8 | 3D VIEW 1 - SAND DUNE #2

N

O

1

ISSUE FOR CONSTRUCTION

SCALE

JOB NO.

DWG NO.

NA

OZ3I3I7

OZ3I3I7-ZL0335-DWG-PA-1F-ID-03-00003

P

REV NO.

Q

18

112

C0

20

112

The Royal Atlantis - Dubai Ulta Luxury Resort Gastronomy | F & B Developer Architecture Firm Interior Designer Project Management Art Consultant Artist

Kerzner International Kohn Pedersen Fox G.A Group TIME Capsule Arts Gary Yong, Lama Khatib Mahnaz K. Mira Mortada

Approach In the realm of artistic expression, we embarked on a creative journey imbued with graphic, robust, market-style elements that seamlessly integrate with our all-day dining concept. Our artworks are thoughtfully curated to pay homage to the diverse food stations present, featuring striking and substantial graphic elements that truly command attention.

Within this artistic tapestry, one can expect to encounter an array of largescale murals, framed 2D artworks, and captivating 3D wall installations, each meticulously crafted to evoke the essence of a bustling marketplace.

Veggie Head The artwork is a portrait wall installation at the Gastronomy restaurant, representing the ‘fruits and vegetables’ zone.

It features meticulously arranged faux vegetables and fruits, with over 2,500 of them crafted to look real using GRP molds. This creation showcases exceptional artistry and craftsmanship, offering a visually captivating and immersive experience for diners.

1

DETAIL 1 B

VARIES

BLOWUP ELEVATION 1

KEYPLAN

1060

55

40

55

55

*

*

*

*

dixell

SET

*

FRUIT FACE BRACKET SUPP KEYPLAN

*

25

150

25

150

25

100

25

150

261

General Notes:

BRACKET SETTING OUT FRUIT FACE

SECTION B-B

.\CA-3509_Character Sketch.png

SCALE1:30

DO NOT SCALE FROM THE DRAWINGS.

ALL DIMENSIONS ARE IN MILLIMETERS OTHER STATED.

DISCREPANCY IN DIMENSIONS/GRAPHICS IN T MUST BE CLARIFIED PRIOR TO FABRICATION, AND INSTALLATION ON SITE, IF ANY.

REFERNCE DWG. NO: Drawing No.:

Rev.

Date

20 10

309

3570

SCALE1:60

EL

THESE CONCEPTS, DESIGNS, IDEAS AND DRA THE SOLE PROPERTY OF MINT CREATIVE PRO AND PROTECTED BY COPYRIGHT OWNERSHIP CIRCUMSTANCES THESE ARE TO BE USED BY WITHOUT THE WRITTEN CONSENT AND APPR MANAGEMENT.

5099

2300

40x40x3mm thk MS FRUIT FACE BACK-UP FRAME

BRACKET SUPPORT

SECTION A-A

STYRO FOAM STATUS BOX:

Approved Approved as noted.

Revise & resubmit.

Rejected.

Date:

FRUIT LAYER AS PER DESCRIPTION

25

350

5099

FOR PRESENTATION PURPOSE ONLY

30

2300

Signature:

309

CLEAR STRUCTURAL SILICON * *

*

*

*

*

*

*

*

*

FRUIT BLOW UP ELEVATION

REFERNCE DWG. NO:

20 10

887

70

100

WIRE MESH

SCALE1:4

EXISTING WALL

261 55

25

100

BRACKET SETTING OUT

FOR PRESENTATION PURPOSE ONLY

SCALE1:30

* *

Rev.

Date

02

05-07-2022

03

08-8-2022

04

08-09-2022

AUX

llexid

dixell

SET

* *

*

309

3

*

5099

AUX

dixell

*

General Notes:

SET

* ISSUED FOR APPROVAL

*

ISSUED FOR APROVAL *

*

XUA

TES

ISSUED FOR APPROVAL

ARTIFICIAL FRUIT W/ WIRE MESH AND STYROFOAM ARTWORKS 5 | SIDE SECTION AS BACKING

*

*

*

*

llexid

*EXISTING WALL

±152 ±152 eq eq

THESE CONCEPTS, DESIGNS, IDEAS AND DR THE SOLE PROPERTY OF MINT CREATIVE PR AND PROTECTED BY COPYRIGHT OWNERSH CIRCUMSTANCES THESE ARE TO BE USED B WITHOUT THE WRITTEN CONSENT AND APP MANAGEMENT.

*

20 10 STYRO FOAM

3MM THK PLATE

Client:

ALL DIMENSIONS ARE IN MILLIMETERS OTHE STATED.

DISCREPANCY IN DIMENSIONS/GRAPHICS IN MUST BE CLARIFIED PRIOR TO FABRICATION AND INSTALLATION ON SITE, IF ANY.

20

30x30x1.5mm THK

REFERNCE DWG. NO

FRUIT FACE BRACKET SUPPORT

DETAIL 2

198

DO NOT SCALE FROM THE DRAWINGS.

A

SCALE1:75

ROYAL ATLANTIS RESORT & RESIDENCES

45

FRUIT LAYER AS PER DESCRIPTION

.\CA-3509_Character Ske

Ø12mm ANCHOR BOLT

Description *

ELEVATION

48

SCALE1:4 Ø12mm ANCHOR BOLT

KEYPLAN

150x150x8mm THK MS FRUIT FACE BRACKET SUPPORT

Date:

Project:

25

DETAIL 3 SECTION B-B 4 | SIDE SECTION

130

*

150

100 25

150

SCALE1:5

* SCALE1:20

25

150

SCALE1:4

350 XUA

*

25

150 100

Di

3570

466

Signature:

AS SHOWN

887

40x40x3mm thk MS FRUIT FACE BACK-UP FRAME

Approved Approved as noted.

Revise & resubmit.

Rejected.

TES

*

55

25

40

25

100

25

55

25 25

GRP FRUIT FACE SCALE1:60

40

100

1060

1060

55

FRUIT BLOW UP

150x150x8mm THK MS FRUIT HANGING OFFACE BRACKET BEFORE HANGING OF 3 | SIDE AFTER SECTION AA SUPPORT

SECTION A-A

865

VARIES

40x40x3mm thk MS FRUIT FACE BACK-UP FRAME

Ø12mm ANCHOR BOLT

2300

30x30x1.5mm THK MS FRUIT FACE BACK-UP FRAME

STYRO FOAM

STYRO FOAM

GRP FRUIT FACE

25

AFTER HANGING 20 OF GRP FRUIT FACE BLOWUP ELEVATION 1

B

150

EXISTING

FRUIT FACE BACK-UP FRAME

STYRO FOAM

DETAIL 1

DETAIL 3

WIRE MESH UNDER WALL CONCRETE ARTIFICIAL FRUIT

(Bright Eco 2835 120 LED 12V Waterproof -Warm White)

Scale:

-

MCP-CA-DES-SHD-2021-00

FRUIT FACE BRACKET SUPPORT

STATUS BOX:

Checked by:

RAPHEAL

Drawing No.:

2257

BLOWUP ELEVATION 1

ARTIFICIAL FRUIT W/ WIRE MESH AND STYROFOAM AS BACKING

Date:

WIRE MESH UNDER ARTIFICIAL 40x40x3mm FRUIT thk MS

DETAIL 2

STRIP LED LIGHT FIXED AROUND PERIMETER C

Drawn by:

05/27/2022

Doc. Type:

A

Drawing Title:

119

STYRO FOAM

225

40

15

78

Date 6310

Creative Productio

DETAIL 3

FRUIT FACE BRACKET SUPPORT

349

130 12

15

DETAIL 3

Rev.

Drawing No.:

Contractor:

*

A

ALL DIMENSIONS ARE IN MILLIMETERS OTHERWISE STATED.

60

5099

CLEAR STRUCTURAL SILICON

*

20

DISCREPANCY IN DIMENSIONS/GRAPHICS IN THIS DWG. SCALE1:5 MUST BE CLARIFIED PRIOR TO FABRICATION, EXECUTION SCALE1:75 AND INSTALLATION ON SITE, IF ANY.

100 155

150

55

ARTIFICIAL 20

*

*

llexid

FRUIT LOCATION/ARRANGEM -

DO NOT SCALE FROM THE DRAWINGS.

C

ISSUED FOR APP

Drawing Content:

2 | RENDERED FRUIT ELEVATION

466

FRUIT BLOW UP

*

STYRO FOAM

DETAIL 2 100

*

THESE CONCEPTS, DESIGNS, IDEAS AND DRAWINGS ARE THE SOLE PROPERTY OF MINT CREATIVE PRODUCTION AND PROTECTED BY COPYRIGHT OWNERSHIP. UNDER NO CIRCUMSTANCES THESE ARE TO BE USED BY ANY PARTY WITHOUT THE WRITTEN CONSENT AND APPROVAL OF MINT MANAGEMENT. PAPER SIZE : A3 - 420mm x 297mm (16.5"x11.7")

40

55

WIRE MESH

600

General Notes:

VARIES

(Bright Eco 2835 120 LED 12V Waterproof FRUIT FACE FRUIT LAYER AS PER BRACKET SUPPORT -Warm White)

ORE HANGING RP FRUIT FACE 350

*

±152 ±152 eq eq

*

SCALE1:75

199

STRIP LED LIGHT FIXED AROUND PERIMETER

40x40x3mm thk MS FRUIT FACE BACK-UP FRAME

FRUIT FACE BRACKET SUPPORT

SCALE1:5

llexid

30

30

STYRO FOAM

90

LOW UP

*

XUA

TES

*

FRUIT FACE BRACKET SUPPORT

STYRO FOAM40

130

DESCRIPTION

3570

*

100

20 10

FRUIT

1410

*

VARIES

B

130

STYRO FOAM

55

*

**

A

ELEVATION

WIRE MESH

FFL

* *

371

CLEAR STRUCTURAL SILICON

*

*

25

25

FRUIT SCALE1:30 LAYER AS PER DESCRIPTION

*

30

100

119

N B-B

*

225

25

50

CFL

*

371

*

*

150

NG OUT

SET

ISSUED FOR APP

349

dixell

150

25

AUX

llexid

*

25

100

25 150

100 25

1 | ELEVATION

*

*

1410

*

55

1060

XUA

TES

40

55

*

ISSUED FOR AP

------

(Bright Eco 283 LED 12V Water -Warm White)

XUA

WIRE MESH

*

1410

*

SET

-------

ARTWORKS ROYAL ATLANTIS RESORT & RE

TES

1410

*

AUX

dixell

Descriptio

08-17-2022

Client:

SET

1060

*

SET

350

*

ARIES

dixell

Date

02 03 04

Project:

1060

AUX

llexid

Rev.

STRIP LED LIGHT F AROUND PERIME

AUX

dixell

XUA

TES

40

AUX

llexid

3570

100

25

100

25 25

119

25

BEFORE HANGING OF GRP FRUIT FACE

BLOWUP ELEVATION 1

*

55

100

25

2257

25

150

6310

HANGING OF RUIT FACE

40

*

A 100

1060

XUA

TES

150

EXISTING CONCRETE WALL

40x40x3mm th FRUIT FACE BACK-UP FRAM

261

DETAIL 3

C 887

22

Drawing No.:

112

Rev.

Date

ODE NO. A-3505_ Rev3 SLICE, SLICE BABY

THE ANSWER IS ALWAYS PIZZA

YOU CAN’T

YOU’RE A REAL PIZZA WORK YOU’VE STOLEN A PIZZA MY HEART

MAKE EVERYONE HAPPY, YOU’RE NOT PIZZA

APPENDIX PIZZA IS ALWAYS A GOOD IDEA

IN CRUST, WE TRUST

LOVE AT FIRST BITE

ODE NO. A-3505_ Rev3

APPENDIX

Wood

1 | ELEVATION A

Fig. 3: Indicative elevation of artwork.

Overall Size | w 3800mm x h 2145mm Text on paddles to read: 1. The answer is always pizza. 2. You can’t make everyone happy, you’re not pizza. 3. You’re a real pizza work. 4. Slice, slice baby. 5. You’ve stolen a pizza my heart. 6.Pizza is always a good idea. 7. Love at first bite. 8. In crust, we trust.

Note | Installation on wall by appointed contractor with guidance of art supplier.

Note | All dimensions are in mm.

3

1

6

5

4

Fig. 4: Elevation showing installation points.

Note | All dimensions are in mm.

7

2 | ELEVATION B

8

9

10

Fig. 4: Elevation showing installation points.

Note | All dimensions are in mm.

2 Wood paddles 1 | 406 x 914 mm (wxh)

5 | 300 x 554 mm (wxh)

9 | 432 x 178 mm (wxh)

2 | 356 x 914 mm (wxh)

6 | 265 x 160 mm (wxh)

10 | 305 x 178 mm (wxh)

3 | 305 x 406 mm (wxh)

7 | 356 x 381 mm (wxh)

11 | 432 x 152 mm (wxh)

4 | 350.5 x 566 mm (wxh)

8 | 432 x 178 mm (wxh)

Fig. 4: Pizza paddles dimensions.

Note | All dimensions are in mm.

Capsule Arts & Frames LLC | P.O. Box 37348, Dubai, UAE | T +9714 446 5444 | F +9714 446 5439 | E hello@capsulearts.com

3 | ELEVATION C

Fig.5: Elevation showing installation points.

© CAPSULE ARTS

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The Royal Atlantis - Dubai Ulta Luxury Resort Dinner by Heston Blumenthal | F&B Developer Architecture Firm Interior Designer Project Management Art Consultant Artist

Kerzner International Kohn Pedersen Fox Bates Smart Architects TIME Capsule Arts Rebel 3D

Approach A series of artworks and accessories that pay homage to both Hampton Court Palace and Heston’s culinary style. The objective was to craft an immersive dining environment that accentuates the innovative aspects of Heston’s cuisine while also incorporating elements that honor his meticulous approach to cooking.

The restaurant’s interior design transports guests on a historical journey through medieval Britain, featuring woodwork paneling adorned with intricate characters and motifs inspired

by Hampton Court Palace. Trompe l’oeils depicting pathways leading to the Palace gardens and Tudor-inspired patterns woven into the tapestry carpets seamlessly blend with the restaurant’s overarching medieval ambiance.

The curated collection of integrated artwork and accessories deepens the historical and traditional atmosphere within the restaurant, imbuing the overall dining experience with a heightened sense of heritage and culture.

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The Royal Atlantis - Dubai Ulta Luxury Resort Little Venice Cake Company Developer Architecture Firm Interior Designer Project Management Art Consultant Artist

Kerzner International Kohn Pedersen Fox G.A Group TIME Capsule Arts Big Art Co

Approach An unparalleled experience in a world of couture cakes. The art narrative reflects upon the key features and attributes of Mich Turner’s Little Venice cake shop.

The narrative keeps into consideration a marriage between the elements of the British Interior Design amalgamated with the famous Parisian patisserie.

In alignment with the brand values, the artwork inspiration will build upon a heritage and distinct personalized experience.

The artwork selections will highlight the rich history of the brand by featuring Mich Turner’s achievements such the prestigious MBE award and her contribution to the arts industry. Moreover, bespoke bone china accessories will be featured along with the artworks to create a bespoke composition. Eclectic framing styles are added to reference traditional English style elements while using a subdued color palette.

In celebrating the art of couture cakes, the artworks will explore the artistic aspects of the brand by referencing key attributes such as craftsmanship, intricate details and artistic versatility that further emphasize the delicate practice.

CODE NO. ART-02 CODE NO. ART-02

CODE NO. ART-02

APPENDIX

Fig. 0: Indicative front ele verall Si e: 200 mm ote - All dimensions are - Installation to be d

APPENDIX APPENDIX 2 | ARTWORK IMAGE

1 | I450 PHOTO COMPILATION

Fig. Final . Final Artwor Image Image Fig Artwor

0 photo compilation Fig Fig . .0 photo compilation

a er

20 mm protr sion

a er 2 30 mm protr sion

Consultant Arghavan Hatamabadi Consultant Arghavan Hatamabadi

a er 3

0 mm protr sion

a er

0 mm protr sion

Revision Rv02 Rv02 Revision

Date 24.02.2022 24.02.202 Date

Capsule Arts & Frames LLC | P.O. Box 37348, Dubai, UAE | T +9714 446 5444 | F +9714 446 5439 | E hello@capsulearts.com Capsule Arts & Frames LLC | P.O. Box 37348, Dubai, UAE | T +9714 446 5444 | F +9714 446 5439 | E hello@capsulearts.com © CAPSULE ARTS © CAPSULE ARTS

Fig 6: Edge to Edge print on MDF Fig 6: Edge to Edge print on MDF

Fig 7. Installation Reference - 6mm rods Fig 7. Installation Reference - 6mm rods

3 | ARTWORK ELEVATION 4 | SECTION VIEW Fig. 0: Indicative front elevation of artwor .

Fig. : Indicative side elev verall Si e: 200 mm 00 mm ote - All dimensions are in mm. Indicated installation heights to be cross-veri ed onverall site. Si e: 200 mm ote ltant.

- All dimensions are - Installation to be done b appointed installation team with g idance of art cons

- Installation to be d

a er

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a er 2 30 mm protr sion a er 3

0 mm protr sion

a er

0 mm protr sion

Consultant Arghavan Hata

Capsule Arts & Fra

30 5 | 3D :RENDER - FRONT VIEW Fig. Indicative side elevation of artwor .

6 | 3D RENDER - SIDE VIEW

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The Royal Atlantis - Dubai Ulta Luxury Resort Malibu - F&B Developer Architecture Firm Interior Designer Project Management Art Consultant Artist

Kerzner International Kohn Pedersen Fox G.A Group TIME Capsule Arts Gary Yong,

Approach A contemporary art package that harmonized with the West Coast surfing theme, evoking the spirit of the 1950s, 1960s, and 1970s. To achieve this, we embraced a lively color palette inspired by the ocean, featuring shades of greens, blues, pinks, and whites. Additionally, we incorporated eye-catching neon light boxes, playful swimming fins, and a mural resembling Route 66 signage on the wall.

Renowned contemporary graffiti artist Gary Yong was enlisted to produce wall art, which involved the hand-painting of reclaimed surfboards in vibrant colors adorned with beach-themed quotes.

We also strategically placed weathered wood signage with faux rust throughout the space to infuse it with a laid-back and beachy ambiance.

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The Royal Atlantis - Dubai Ulta Luxury Resort Developer Architecture Firm Interior Designer Project Management Art Consultant Artist

Kerzner International Kohn Pedersen Fox G.A Group TIME Capsule Arts Andrea Pramuk, Fernando Mastrangelo, Laura Esteban, Mareo Rodriguez Nino Yuniardi Serena Garcia,

Approach The project, themed “wonders of the sea,” incorporated over 230 artworks and 3,300 accessories throughout Atlantis The Royal, including its celebrity restaurants.

Inspired by the brand’s aquarium connection, it aimed to create captivating art installations resembling underwater portals. These pieces used a curated color palette for dynamic reflective effects.

The art played with scale and movement, featuring grand paintings, layered works, ceramics, and wooden pieces with gold finishes. Bold colors complemented subdued tones, maintaining the hotel’s sophisticated atmosphere.

The art and accessories, meticulously chosen and placed, serve as the ultimate enhancement to the hotel’s ultra-luxurious aesthetic, truly putting the finishing touches on a masterpiece.

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The Royal Atlantis - Dubai Ulta Luxury Resort Spa Developer Architecture Firm Interior Designer Project Management Art Consultant Artist

Kerzner International Kohn Pedersen Fox G.A Group TIME Capsule Arts Pascale Girardin, Fernando Mastrangelo Fos Ceramiche Christina Watka

Approach The project, themed “wonders of the sea,” incorporated over 230 artworks and 3,300 accessories throughout Atlantis The Royal, including its celebrity restaurants.

Inspired by the brand’s aquarium connection, it aimed to create captivating art installations resembling underwater portals. These pieces used a curated color palette for dynamic reflective effects. The art played with scale and movement, featuring grand paintings, layered works, ceramics, and wooden pieces with gold finishes. Bold colors complemented subdued tones, maintaining the hotel’s sophisticated atmosphere.

The art and accessories, meticulously chosen and placed, serve as the ultimate enhancement to the hotel’s ultra-luxurious aesthetic, truly putting the finishing touches on a masterpiece.

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SC

The Royal Atlantis - Dubai Ulta Luxury Resort La Mar by Gastón Acurio, Developer Architecture Firm Interior Designer Project Management Art Consultant Artist Neville

Kerzner International Kohn Pedersen Fox JBI TIME Capsule Arts Stephanie Cynthia Malamud Jennifer Prichard Alessandra Fabre Repetto

Approach La Mar by Gastón Acurio pays homage to the rich tapestry of Peruvian gastronomy, a celebration of its authentic and diverse flavors. Within the confines of our menu, patrons embark on a sensory journey through Peru’s captivating cultural and culinary landscape. It’s an odyssey that embraces the timeless elegance of traditional seafood ceviche and the mesmerizing allure of whole fish, each lovingly prepared in the fiery embrace of a charcoal-fired oven.

Notable commissioned artworks included a mesmerizing dyed fishing net

by Stephanie Neville, evoking waves, Cynthia Malamud’s richly woven textile artwork at the entrance, and Alessandra Fabre Repetto’s intricate circular spanish book page pods, along with wall sculptures featuring porcelain leaves. These pieces collectively elevated the restaurant’s ambiance to artistic excellence.

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SO/Uptown Dubai Contemporary luxury lifestyle hotel Developer Architecture Firm Interior Designer Project Management Art Consultant Artist

DMCC Adrian Smith & Gordon Gill Woods Bagot Turner International Capsule Arts Lama Khatib

Approach An innovative and artistic experience that redefines the luxury as you step through the doors of SO/ Uptown Dubai transported to an unexpected world where you become immersed in a mesmerizing kaleidoscope of experiences that transcend conventional boundaries.

The journey begins with a captivating encounter with nature, where origami birds gracefully flit and vanish amidst a surreal and vibrant tapestry of lush foliage and Renaissance blossoms. A masterpiece that challenges conventions with its striking and captivating design, adorning the lobby’s towering columns, reaching a towering 10 meters in height, and employing lenticular technology.

Towards the lifts, guests move through a tunnel like space where at the end a sculpture of abroad figure inspired by Laocoön–a legend in Greek and Roman mythology, emerges from the stone.

As you step into the corridors, doors are enigmatically veiled with golden accents, and classical statues undergo a metamorphosis into contemporary polygonal forms. This visually captivating presentation marks a pivotal moment in the guest’s hotel journey, encouraging them to engage in a runway-like exhibition, in line with the hotel’s dedication to crafting an immersive and experiential environment.

or Reproduced in an without the express written

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1 : 12

313 87

OUTLINE OF CREMEA MARFIL STONE FINISHED (BY OTHERS)

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545

206 2000

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3mm

106 TYP.

445

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182

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365

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655

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FRAME DETAILS

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H-ART-01-02

12mm

1753

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SIDE VIEW

DRAWING # 00

03/08/22

H-ART-01-02

5 | SIDE VIEW

WALL CONNECTION TYPE - 1 (REFER TO DWG. H-ART-01-02.01 FOR DETAIL)

SHOP DRAWING

WALL CONNECTION TY (REFER TO DWG. H-ART-01-02.01 FOR DE 00

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H-ART-01-02 SIZE: 2000(H)x1753(W)x503(D) ESTIMATED WEIGHT: 120.0 Kg WALL CONNECTION TYPE - 2

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313 2. Estimated Weight: 120.0 Kg 3. All Framing to be Galvanized Mild Steel.

03/08/22 OUTLINE OF CREMEA MARFIL DATE 4. All tube ends to be capped with fully welded min. 3mm plate except STONE FINISHED (BY OTHERS) SHOPDRAW PHASE where welded to a flange plate.

5. All Hardware to be stainless steel grade 316 unless otherwise noted.

JP DRAWN 6. All Welds to have full penetration, for instances of varying material thickness weld size to match thinnest wall of adjoining member.

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Sol Beach Arrival Experience Temporary Outdoor Event Space Developer Interior Designer Art Consultant

Emaar Misr Lulie Fisher Design Studio Capsule Arts

Approach Sun-soaked days with sunset waves in a fun interactive atmosphere overlooking the beautiful view of the coastline with warm prevailing winds and sailing boats in the Mediterranean combined with the local palm trees create an unforgettable experience.

The Sol Beach Club creates an experiential summer activation for day and night visitors to socialize with family and friends featured by the charming white sand on the beach complemented with the colours of the sea.

The journey begins with a captivating way-finding installation guiding visitors to the entrance, where they are welcomed by a flock of birds and an undulating ceiling that hints at the windscape.

Interactive fabric weaves stories around the breathtaking view, transitioning seamlessly into Instagram-worthy reflections. The experience continues with immersive suspended installations, evoking waves and water droplets, leading to a whimsical tunnel.

Outdoors, the coastal theme comes to life with clusters of blue and white windmills adorning the beach areas. Additionally, suspended installations with colorful fabric and a melodious wind chime create an enchanting atmosphere, where nature and art harmonize to invite guests on a voyage of wonder and imagination.

NATURE AND SOUND

OVER AND UNDER WATER

COASTLINE

REFLECTION

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Waldorf Astoria Kuwait Luxury 5* Hotel Developer Architecture Firm Interior Designer Art Consultant Artist

Mabanee LW Design LW Design Capsule Arts Ranim Orouk

Approach The curated collection of artworks and accessories offers abstract interpretations of Kuwait’s past, present, and future, creating an authentic guest experience centered on storytelling. It highlights Kuwait’s role in trade history, from maritime navigation and ancient routes to the contemporary significance of the petroleum industry, all while blending elements of the modern skyline.

Within the enchanting confines of the peacock alley, a grand sculpture awaits, an artistic homage to Kuwait’s cherished symbol—the Saker Falcon. This sculpture is not just a creation; it is a journey, evolving from its conceptual genesis through the intricate phases of design, finally culminating in its resplendent presence. Every aspect of its surface was carefully formed and bent by the hands of skilled artisans to give birth to a fluid texture, each gesture a testament to the power of human craftsmanship.

Crafted from steel, this sculpture adopts an enchanting fluid form, skillfully transformed into an embodiment of timeless elegance through a brass finish adorned with antique accents. It shimmers with a brilliance that defies time, mirroring the falcon’s grace and strength. Hovering over the fountain’s gentle embrace, the sculpture seems to defy gravity as it delicately submerges into the water, a poetic interplay of elements that further enriches the experience within this sacred space

1 | PLAN VIEW

2 | ELEVATION VIEW

3 | SECTION VIEW AND DETAIL

4 | SIDE VIEW

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Vida Emirates Hills Luxury 5* Hotel Developer Architecture Firm Interior Designer Art Consultant Artist

Approach

Emaar DAR Lulie Fisher Design Studio Capsule Arts Anita Krol, Anais Landes, Caroline Wall, Caroyl La B., Lama K. Lise Gonthier, Kim Knoll, Sandra F. Stephanie N., 2 Hand Textiles, Vione E.

Our creative inspiration stems from the interplay of people and places, weaving a mosaic of urban life. We aimed to capture Dubai’s dynamic population shift, drawing from textures and layers, with a neutral palette reflecting the city’s diverse inhabitants and its evolving landscape.

Upon stepping into the hotel’s arrival lobby, you’re welcomed by a mesmerizing installation portraying the graceful movement of birds. Antique photographs of Dubai by Anita Van Der Krol complement portraits of Sheikh, signifying the city’s evolution and the aspirations of its leaders. Throughout the hotel and residences, Anais Landes’ unique glass mosaic and lime-coated artworks reflect Dubai’s architectural evolution. Lise Gonthier’s glass sculptures, displayed with striking photographs by Sandra Ferreira, further enrich the artistic experience, celebrating the city’s aesthetic layers and growth.

In every corner, our artistic creations resonate with Dubai’s ever-evolving spirit.

1 | REFLECTED CEILING PLAN

3 | DETAIL BLOW-UP

2 | SIDE VIEW

4 | FRONT VIEW

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ID Interior Designer

Projects

01.

02.

03.

04.

The American Air streamer Conceptual Project The Pod Hotel Conceptual Project The Brick Wall Design Build The Reclaimed Wall Design Build

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The American Air streamer Medium Course Professor

Digital IDE 302 Maria Mortera

Objective A Renovation of an American Air streamer is assigned for this project.

The renovation is based on the client ad their required zones ad activities in the space. The client for this project is a two band twin brother and sister that play the violin, Banjo and Harmonica. Therefore, it should be taken into consideration the appropriate type of space suitable for such client.

Approach The main concern in this project was the lack of space and the required needs and wants of two individuals.

The space has to be as compact as possible in order to accommodate the activities needed and the living/ working environment suitable for the siblings. Hidden storages and foldable furniture have been used to maintain their needs while to save up on the existing space. In addition to that, the use of materiality was primarily used to convey a sense of cosiness and comfort. The combination of wood planks and steel finish are portrayed in a contemporary way. The grain of the wood plank is in the longitudinal direction of the air streamer, in order to convey continuity and motion in response to the moving trailer.

[ LEGEND ] 1 BATHROOM / TOILET

5 SEATING SPACE

2 STORAGE SPACE

6 TV CONSOLE / FILM STORAGE

3 GALLERY SPACE / STORAGE

7 SLEEPING SPACE

4 KITCHEN SPACE

1 | RENDERED FLOOR PLAN

2 | RENDERED SECTION AA

4 | UNROLLED ELEVATION

3 | SIDE SECTION BB

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The Lobby/Reception Medium Course Professor

Digital IDE 401 Camilo Cerro

Objective The lobby of the hotel should provide a welcoming feeling to the visitors through the use of materials and colors. Moreover, there should be aspects in the space that grab the attention of the visitors and distinguishes the space amongst other places. The entrance of the space should help in leading the visitors into the space. It’s important to consider natural lighting and make the best use of it.

Approach The lobby of the ‘Bijou Hotel’ provides a welcoming atmosphere through the use of wood as the primary material. Wood has been used in the drop ceiling, the reception counter, and wall panels. This helps in enhancing the coziness of the space. Also, the design of the reception counter helps in directing the visitors to the space through the use of a sharp angle. A contemporary feel to the space is visible in the lighting fixtures used for the ceiling and the LED recessed lighting in between the panel strips.

Moreover, the heritage of the location is enhanced through the use of modern mashrabiya panels that filter natural sunlight through the space.

1 | CONSTRUCTION FLOOR PLAN

2 | REFLECTED CEILING PLAN

62 62 112

3 | DETAIL PLAN

4 | ELEVATION 01

5 | ELEVATION 02

6 | ELEVATION 03

7 | ELEVATION 04

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The Pod Hallway Medium Course Professor

Digital IDE 401 Camilo Cerro

Objective The Pod Hallway is not only used as a means of transition for the users of the hotel to enter and exit their Pod rooms. However, it can also serve as a means of socialization for the members of the hotel. The screenings help in zoning the hallway into socializing spaces such as reading spaces, vending machines for providing amenities and other socializing activities. The hallway should not only serve as a means of circulation rather it should be more than just two walls facing each other.

Approach The Hallway of the pod hotel serves as a socializing space as well as circulation. The wooden mashrabiya screenings lead the visitors into the space through the use of angles that point inward and outward into the space. The traditional mashrabiya patterns are enhanced through the use of LED panels that are illuminated. The panels facing the rooms provide a space to accommodate several activities and also provide a seating space for socializing.

14 | CONSTRUCTION FLOOR PLAN

15 | REFLECTED CEILING PLAN

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16 | DETAIL SECTION

17 | DETAIL ELEVATION

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The Pod Room Medium Course Professor

Digital Studio V Camilo Cerro

Objective The Pod room had to be compact enough for a short term stay. A room that would accommodate the basic amenities and needs of a short term stay. However, ADA rules were always maintained and considered. Also, due to its compact space, the use of hidden storages is necessary to compensate for the small area of the space. Moreover, the use of windows and glass can help in providing natural sunlight into the space and provide a view to the space.

Approach This room has a Japanese aesthetics, with low built-in bed, and a very neutral color palette. However, a contemporary touch of glass and LED lights has enhanced the experience of the space into a more modern feel. The space accommodates a lot of storage for basic amenities of the users. Moreover, the use of full height glass and natural sunlight helps in perceiving the space to be larger. Certain elements such as plants and water attract the users of the space and provides a cosy feeling to the space.

18 | CONSTRUCTION PLAN

19 | RCP PLAN

20 | FINISHED FLOOR PLAN

21 | INTERIOR ELEVATION A

22 | INTERIOR ELEVATION B

23 | INTERIOR ELEVATION C

24 | INTERIOR ELEVATION D

25 | INTERIOR ELEVATION E

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C O L O R

P O D

WHITE PAINTED GLASS

HERMAN MILLER FURNITURE EAMES MOLDED SHELL SIDE CHAIR

MAROON COLOR FABRIC | CHAIR UPHOLSETRY

P A L E T T E

R O O M F I X T U R E S A N D M A T E R I A L S

1000 LED-REM BY PHYLIPS LIGHOLIER CONTACT: (508) 579-8131

WHITE WOODEN PARQUET FLOORING

OAK WOOD | BED AND CUPBOARD FINISH

12mm RECESSED LED STRIP LIGHT

B A T H R O O M F I X T U R E S A N D M A T E R I A L S

VICTORIA MODEL BY ROCA CONTACT: (+971)43804000

Product ID: 874640581 BLUE GLASS MOSAIC GLASS WALL TILE

HIDE AND SEAT MODEL BY ROCA CONATCT: (+971)43804000

WASH BASIN AND MIRROR BY ROCA CONATCT: (+971)43804000

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The Terrace Medium Course Professor

Digital Studio V Camilo Cerro

Objective A terrace of a ‘Pod Hotel’ is similar to any terrace of a hotel. However, there are certain rules that need to be maintained. One-third of the terrace floor needs to be occupied with certain necessities for heating/cooling, electricity and etc. Also, only a small segment of the terrace can be openroof since the climate of the location isn’t suitable to open door spaces. It’s important to create a relaxing and socializing atmosphere as it has the potential of both.

Approach The terrace of the ‘Bijou Hotel’ follows the certain rules required to maintain the basic needs of the hotel according to its location. There is an extension of the restaurant in the top floor terrace that provides drinks for the visitors both indoor and outdoor.

The wooden strips allow visibility to the exterior view as it’s a necessary aspect of a terrace. In the exterior space, there is a fountain in between the pathway that divides the seating spaces and acts as a focal point to the space. The interior and exterior space is linked with the bar table that is enclosed using a glass door in order to allow visibility all the way through the space.

26 | CONSTRUCTION FLOOR PLAN

27 | REFLECTED CEILING PLAN

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28 | DETAIL PLAN

29 | ELEVATION 01

30 | ELEVATION 02

31 | ELEVATION 03

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32 | LONGITUDINAL SECTION A | ALL FLOORS

33 | LONGITUDINAL SECTION B | ALL FLOORS

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The Brick Wall Medium Course Professor

Digital and Physical IDE 202 + ARC 202 George Newlands

Objective Design-built projects allows students to experiment while building.

A group of students worked together on several aspects of the brick wall.

It’s important to first design through different forms of digital medium and initially build using the available materials. The brick wall design was finalised and selected from an architecture student ‘Yasmin Hamad’. Furthermore, following the constructive documents, the brick wall was built in a period of one week.

Approach The idea of building a ‘Brick Wall’ evolved from the previous semester of collaborated design studio between architecture and interior design students. It’s fascinating to be able to use a traditional material such as brick to transform spaces into contemporary interiors and architecture. The students went through every stage of building the brick wall. Starting with the foundation, mixing the cement, creating mortar for laying down the bricks and building the entire wall. It was a great experience for students to understand how elements are put together in reality and the practicality level that needs to maintain throughout the design stage.

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The Reclaimed Wall Medium Course Professor

Digital IDE 402 Daniel Chavez

Design Team: Abrar Albaba Aisha Bin Nassar Albert Kolambel Amal Taryam Arghavan Hatamabadi Carmen Sibai Hafsa Tameez Hanin Hazeem Haya Salama Lujain Rizk Maryanne Owais Nada Salem Reem Helal Zainab Zayed Objective Interior Design- Build studio senior project is an installation piece built of waste wood provided by Bee’ah. The challenge was to redesign and build the Dean’s reception area at CAADAUS. It is a very high profile area as the leaders of this school are located there.

Approach As a group we decided to use recycled material as the primary component. Bee’ah kindly provided us with recycled wood that was available i their facilities and essentially this became the basis of our project.

Through careful construction and design on our part, this resulted in ‘ The Reclaimed Wall’.

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[ BEFORE ]

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SITE PLAN

1 DEANS OFFICE

LIGHT INSTALLATION

4 CONSTRUCTION DETAIL WALL ELEVATION

2 WITH LIGHTS

PENDENT DETAIL

3 CONSTRUCTION

LIGHTING DIAGRAM

6 VOID SYSTEM

ELEVATION 01

7 CONSTRUCTION DETAIL

EXPLODED AXON

5 CONSTRUCTION DETAIL

WALL SECTION

8 DETAIL

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JUXTAPIECE Entrepreneur

Product Designer

Co-Founder

Projects

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05.

The Portrait Collection

Sheraa Giveaways

Bee’ah Giveaways

Sharjah Ladies Club

Sharjah Asset Management

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The Sheikhs Portrait Medium Course Professor

Digital and Physical IDE 402 | Arghavan Hatamabadi and Hanin Hazeem Daniel Chavez

Objective The idea behind producing his highnesses portraits, the ruler of UAE , Sheikh Khalifa bin Zayed Al Nahyan , and the ruler of Sharjah , Sheikh Sultan bin Mohammad al Qasimi was to primarily re-create the existing ruler portraits that are placed commonly in almost all locations. The portraits are produced using a system that can be used to produce varying artworks in various contexts.

[ BEFORE ]

Approach Every portraits consists of more than 2000 wood pieces that are meticulously put together to form the portraits. The portraits consists of four different types of wood types and there have been different sizes in wood pieces with varying depths to provide a 3D effect to the normal 2D portraits. The portraits were successfully produced using two other students’ help in the final finishes of the portrait. The portrait of his highness Sheikh Dr. Sultan Bin Mohammad Al Qasimi, has been gifted to him. A prize of 100,000 dirham has been gifted by him as a token of appreciation to the students who worked of the portrait. [ AFTER ]

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Sheikha Bodour Al Qasimi Medium Team

Natural Wood Arghavan H. Hanin Hazeem

Objective A remarkable fusion of traditional craftsmanship and contemporary innovation unfolds in the creation of a portrait of Her Highness Sheikh Bodour bint Sultan bin Muhammad Al Qasimi. The primary goal of this endeavor was to refine the methodology and adeptly command every facet of the artistic creation process.

Approach The process involves the handcrafting of four distinct types of wood—walnut, maple, mahogany, and beech—each carefully selected for its unique grain and hue. Employing a grid system, this intricate mosaic of wood comes together, weaving a stunning portrayal that captures the grace and essence of Her Highness. This method not only pays homage to the natural elegance of wood but also represents an unparalleled tribute to the esteemed figure it portrays.

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Maraya Art Center Design Studio Designers

Juxtapiece

Arghavan H. Hanin H.

Objective Commissioned by the esteemed Maraya Art Center, a revered nonprofit art space nestled within Al Qasba, Sharjah, an extraordinary project unfolded. The task at hand was to craft a portrait of the esteemed ruler of Sharjah, Sheikh Dr. Sultan bin Muhammad Al Qasimi, to grace their office space.

Approach Embracing a distinctive artistic concept, the portrait emerged through an innovative approach, solely employing pure, unaltered natural wood. Moreover, a walnut veneer background has been used to add an exclusive touch to her highness’s portrait. It consists of 6000 wooden pieces (maple, beech, mahogany and walnut) that are meticulously put together to form the portrait. This method not only paid homage to the ruler but also harmonized the rich tradition of woodcraft with a modern artistic vision, perfectly reflecting the values and essence of the Maraya Art Center.

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Smart Dubai Office, Dubai Interior Design Fit-out Contractor Design Studio Designers

DWP Summertown Interiors Juxtapiece

Arghavan H. Hanin H.

Objective Embarking on a project for Smart Dubai, an initiative rooted in the visionary ambition of His Highness Sheikh Mohammed bin Rashid Al Maktoum to foster the world’s happiest city, was an honor. This government entity, devoted to orchestrating an efficient and seamless city experience, entrusted us with the creation of two distinctive artworks.

Approach The first piece encapsulated the unity of three influential rulers, Khalifa bin Zayed Al Nahyan, Mohammed bin Rashid, and Hamdan bin Mohammed Al Maktoum, unified within one frame and placed in the main reception. Through a unique design, perforations in the artwork emitted light, symbolizing the city’s radiant transformation.

The second artwork graced the main boardroom, depicting the captivating skyline of Dubai. Both pieces were meticulously handcrafted, employing a method that utilized four types of natural wood, showcasing the city’s beauty and embodying its grandeur within the Smart Dubai domain.

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Sheraa Entrepreneurship Center Design Studio Designers

Objective

Juxtapiece

Arghavan H. Hanin H.

To provide Sheraa, an entrepreneurship catalyst in the UAE, with distinctive corporate gifts for their grand launch event, embodying the spirit of support and empowerment they offer to budding entrepreneurs.

As the first project for JuxtaPiece, the responsibility was to design and produce over 100 high-quality products, reflecting Sheraa’s symbolic brand concept, and initiate an eco-friendly packaging endeavor.

Approach We embarked on crafting participation trophies and VIP sponsor gifts, drawing inspiration from Sheraa’s sail metaphor. The team meticulously designed keeping in mind wood as the primary material and handassembled the products, alongside pioneering their first eco-friendly packaging using cardboard material. Navigating through multiple contractors for the packaging, the endeavor culminated in JuxtaPiece’s nomination to join Sheraa’s accelerator program, marking a significant leap in their entrepreneurial journey.

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Sheraa Entrepreneurship Center Design Studio Designers

Objective

Juxtapiece

Arghavan H. Hanin H.

In our initial meeting with ‘Bee’ah’, an environmental waste management company in Sharjah, we were tasked with creating innovative invitation cards for the ‘Sharjah Environmental Awareness Award’ event. Our aim extended beyond traditional cards; we envisioned a design that symbolized environmental consciousness and actively engaged recipients.

Approach Upon receiving this eco-centric concept, embraced by ‘Bee’ah’, we developed a concept that aligned with the brand objectives. A leaf droplet-inspired wooden planter, not only as an invitation but also as a call to action for guests to nurture a plant, aligning with the event’s environmental theme and building anticipation for the upcoming event. Post-event, the resounding success was evident, endorsed by the ‘Green Sheikh’ of Sharjah, and marked by a remarkable increase in event attendance.

Our pride in contributing to this achievement is amplified by our collaboration with ‘Bee’ah’.

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Sheraa Ladies Club Design Studio Designers

Juxtapiece

Arghavan H. Hanin H.

Objective To design an exclusive and functional keepsake for the Sharjah Ladies Club’s sponsors, integrating their logo in a unique manner, while embracing sustainable design focusing on providing educational activities for privileged women.

Approach In response to the Sharjah Ladies Club’s quest for a distinctive and meaningful gift for their sponsors, we designed an exceptional desk organizer, harmonizing functionality with sustainability. This bespoke creation seamlessly integrated the club’s logo, artfully etched in wood, mirroring the serene coastal landscape where the club resides. The meticulously designed organizer, fashioned with wooden dividers embodying the logo, catered to the diverse storage needs of sponsors, blending modernity with traditional material. The packaging design was no less thoughtful, revealing the product through cleverly designed slits that echoed the wooden structure, emphasizing eco-friendliness with recyclable materials. This bold gesture mirrored the club’s commitment to both honoring sponsors and nurturing an environmentally conscious ethos.

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Sharjah Asset Management Design Studio Designers

Juxtapiece

Arghavan H. Hanin H.

Objective To design and deliver a personalized book holder within our premade collection, inspired by the Home Library project championed

by Her Highness Sheikha Bodour Al Qasimi, which distributed 2.1 million books to 42,000 families. The product embodies a contemporary compact home library concept, accommodating various book sizes and featuring the Sharjah skyline in Kufic handwriting, honoring Sharjah as the World Book Capital in 2019.

Approach Responding to the client’s enthusiasm for the product, they requested specific customizations to express gratitude to their sponsors and partners. Emphasizing our adaptable services, ensuring products are tailored to individual client needs, we assured the client of our capability to modify the design.

Upon presenting and gaining approval for the final product sample, we swiftly initiated the production phase to meet the client’s unique specifications.

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PUBLICATIONS

Sharjah TV

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Interior Designer

Product Designer

Art Consultant

Art Production Designer

Arghavan Hatamabadi