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Fall and Winter 2015–16

Bruno Ceschel, Walter Chandoha, Charlotte Cotton, Jimmy DeSana, Doug DuBois, Walker Evans, Rob Hornstra, Hiroji Kubota, Richard Learoyd, Don McCullin, Alex Majoli, Mary Ellen Mark, Joel Meyerowitz, Sally Mann, Postcards from America, Paolo Pellegrin, Question Bridge, Sebastião Salgado, Arnold van Bruggen


Aperture, a not-for-profit foundation, connects the photo community and its audiences with the most inspiring work, the sharpest ideas, and with each other—in print, in person, and online. From our base in New York, we produce, publish, and present a program of photography projects, locally and internationally, that includes: issues a year of Aperture magazine, our flagship publication presenting the most inspiring images and writing on photography aperture.org/magazine

∞∞ four

than twenty-five new photobooks and books about photography each year aperture.org/books

∞∞ membership programs, offering

unique opportunities to connect with photography aperture.org/join ∞∞ the Summer Open, an open-submission

exhibition held annually aperture.org/summeropen

∞∞ more

growing digital publishing program, including e-books, apps, and a daily blog, as well as online features aperture.org/shop/epubs

issues each year of The PhotoBook Review, cultivating the appreciation of the photobook aperture.org/pbr

∞∞ two

∞∞ a

twenty-five print and other limited editions each year, many by emerging photographers, aimed at collectors and published to support our programs and the photographers we work with aperture.org/prints

∞∞ an annual Portfolio Prize, recognizing

and promoting the most exciting emerging photographers internationally aperture.org/portfolio-prize

∞∞ nearly

annual Paris Photo–Aperture Foundation PhotoBook Awards, with First PhotoBook, PhotoBook of the Year, and Photography Catalogue of the Year categories, recognizing the contribution of photographers’ books to the evolving narrative of photography aperture.org/photobookawards

∞∞ the

∞∞ talks,

workshops, signings, and education events, connecting with our community and reaching out to new audiences every week at our New York gallery and bookstore, and at partner venues aperture.org/talks-tours

Aperture is also responsible for the Paul Strand Archive, managing and promoting the rights and legacy of this key figure of twentieth-century photography, in partnership with the Philadelphia Museum of Art.

Cover Image: Richard Learoyd, Matilda with Flower, 2012 Facing Image: Jessica Eaton, cfaal 340, 2013

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Across Aperture’s programs, we set out to attract recruits to the story of photography with projects that engage, educate, and excite audiences at different stages of their journeys with the medium. This season, that includes new editions of beloved classics by Don McCullin, Mary Ellen Mark, Joel Meyerowitz, and Sebastião Salgado; books that mine photography from unexpected angles (say hello to Walter Chandoha, the now-ninety-four-year-old cat photographer); and valuable additions to the history of photography, such as a major survey of Hiroji Kubota’s illustrious career, the first posthumous book by queer art legend Jimmy DeSana, and a new Masters of Photography title featuring Walker Evans. There are thrilling books of fresh work by Doug DuBois, Paolo Pellegrin, and Alex Majoli, and—launching our partnership with Pier 24 Photography, San Francisco— the latest chapter in Magnum’s Postcards from America project, as well as an exceptional and dramatic album of Richard Learoyd’s studio photographs. We are also extremely proud to inaugurate our alliance with the Hermès Foundation this season, with the exhibition of Kolkata/Calcutta, new work by Patrick Faigenbaum (first presented at the Henri Cartier-Bresson Foundation in Paris earlier this year). Educational ambitions underlie all our work, but some books set out to educate above all, such as the summary of the amazing Question Bridge project, about black male identity in America; Self Publish, Be Happy’s DIY manual to photobookmaking; and Charlotte Cotton’s visual thesis on the new generation of postrepresentational photographers. The title for Cotton’s book is our catchphrase for the season: Photography Is Magic! —Chris Boot, executive director


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A gorgeous reissue of this best-selling photography classic

Exquisite new reproductions of Joel Meyerowitz’s most iconic work

A meditation on coastal light in Cape Cod, with popular appeal

Cape Light

Photographs by Joel Meyerowitz Interview by Bruce K. MacDonald

Cape Light, Joel Meyerowitz’s series of serene and contemplative color photographs taken on Cape Cod, Massachusetts, is one of the most influential and popular photography books of the latter part of the twentieth century. It broke new ground both for color photography and for the medium’s acceptance into the art world. Now, over thirty-five years later, Aperture is pleased to bring back this classic collection in its original form. The book features all the now-iconic images of the original edition, newly remastered and printed as never before. Meyerowitz is a contemporary master of color photography, and through his eyes small-town life on the Cape is imbued once more with a powerful and captivating beauty.

11½ x 9 ¾ in. (26.7 x 22.9 cm) 112 pages 40 four-color images Hardcover

ISBN 978-1-59711-339-7 $45.00/£30.00 October 2015

aperture.org/books


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The comprehensive collection and summary of Richard Learoyd’s unique studio photography

This dramatic volume offers an exceptional experience of Learoyd’s work in book form

Published at the time of Learoyd’s first solo museum exhibition, at the Victoria and Albert, London

Richard Learoyd: Day for Night

Photographs and artist statement by Richard Learoyd

Texts by Martin Barnes and Nancy Gryspeerdt This deluxe, oversized monograph offers a unique and comprehensive collection of Richard Learoyd’s color studio images to date—mostly portraits, but also including exquisite still lifes. The color images are made with one of the most antiquarian of photographic processes: the camera obscura, literally translated from Latin as “dark room.” Learoyd has created a room-sized camera in which the Ilfochrome photographic paper is exposed. The subject is in the adjacent room; a lens connects the two. Light falling on the subject is directly focused onto the photographic paper without an interposing film negative. The result is an entirely grainless image. These larger-than-life images redefine the photographic illusion. Learoyd’s subjects, composed simply and directly, are described with the thinnest plane of focus, recreating and exaggerating the way that the human eye perceives. Copublished with Pier 24 Photography

12 x 14 3/4 in. (30 x 37 cm) 328 pages 160 four-color images  Hardcover with acetate jacket and bellyband

ISBN 978-1-59711-329-8 $150.00/£100.00 September 2015

Exhibition Schedule: Victoria and Albert Museum, London, fall 2015

aperture.org/books


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Mary Ellen Mark’s signature project, significantly expanded and exquisitely produced

With never-before-published images, text by John Irving, and a new essay by Isabel Allende

Compelling story of a thirty-year photographic relationship between Mark and her subject, Tiny

Tiny: Streetwise Revisited Photographs by Mary Ellen Mark

Texts by Isabel Allende, John Irving, and Mary Ellen Mark Excerpts from the films Streetwise and Tiny, by Martin Bell In 1988, Mary Ellen Mark first published her poignant document of a fiercely independent group of homeless and troubled youth who made their way on the streets of Seattle as pimps, prostitutes, panhandlers, and small-time drug dealers. Streetwise received critical acclaim for its honest portrayal of her subjects and introduced us to individuals who were not easily forgotten, including “Tiny” (Erin Blackwell)—a thirteen-year-old prostitute with dreams of a horse farm, diamonds and furs, and a baby of her own. Since meeting Tiny thirty years ago, Mark has continued to photograph her, creating what has become one of Mark’s most significant and long-term projects. Now forty-three, Tiny has ten children and her life has unfolded in unexpected ways, which together speak to poverty, class, race, addiction, and other ongoing and pressing issues. Tiny: Streetwise Revisited provides a powerful education about one of the more complex sides of American life, as well as insight into the unique relationship sustained between artist and subject for over thirty years.

10 x 12 in. (25.4 x 30.48 cm) 176 pages 145 duotone images Hardcover with jacket

ISBN 978-1-59711-262-8 $50.00/£35.00 October 2015

Exhibition Schedule: Norton Museum of Art West Palm Beach, FL December 10, 2015March 20, 2016

aperture.org/books


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The extraordinary life and world travels, spanning over fifty years, of a veteran Magnum photographer

First comprehensive survey of this key Japanese photographer, with four hundred photographs

Kubota’s work presented afresh, with exciting design and previously unpublished photos

Hiroji Kubota

Photographs by Hiroji Kubota Preface by Elliott Erwitt Foreword by Mark Lubell Introductory essay by Alison Nordström

With a career spanning over fifty years, Magnum photographer Hiroji Kubota has spent his life traveling extensively and documenting the world around him. From his coverage of the Black Panther Party in the mid-1960s to his incomparable access to North Korea, Kubota has prolifically captured the histories of diverse cultures throughout the world. This sumptuous visual biography encompasses the best images of his life’s work, broken down into chapters with narrative, illuminating texts throughout. Rooted in his experience of Japan, ravaged by destruction and famine at the end of World War II, Kubota’s work is characterized by a desire to find beauty and honor in human experience. The book includes all his key bodies of work, including his many extended trips to China, Burma, the U.S., North and South Korea, and his home country, Japan.

12 x 9 in. (30.5 x 23.75 cm) 512 pages 400 duotone and four-color images Hardcover with jacket

ISBN 978-1-59711-285-7 $75.00/£50.00 October 2015

Exhibition Schedule: Aperture Gallery, November 18, 2015 – January 14, 2016

aperture.org/books


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Sebastião Salgado’s first book, now reissued with exquisite new reproductions

∞∞

Regarded by critics as one of the great photography books of our time

∞∞

A book that captures the spirit of the Americas, offering an unusual and unmatched perspective

Other Americas

Photographs by Sebastião Salgado

Texts by Claude Nori, Sebastião Salgado, Gonzalo Torrente Ballester, and Alan Riding Other Americas, originally published in France in 1986 and designed by Lélia Wanick Salgado, is Sebastião Salgado’s first book. With forty-nine black-andwhite photographs taken between 1977 and 1984, Salgado’s distilled survey of a continent includes images from Brazil, Ecuador, Bolivia, Peru, Guatemala, and Mexico. The images range in subject, capturing spiritual and religious practices, changing rural landscapes, and intimate domestic life. Each photograph shares a sense of sincere connection—connection between the subject and the photographer, between a population and their homeland, and between Salgado and the audience he seeks to engage. In his text, Alan Riding writes, “Salgado has sought out a lost corner of the Americas and he has made it a prism through which the entire continent can be viewed. A philosophy of life is caught in a look; an entire way of life is frozen in a moment . . .”

9 ½ x 12 ¼ in. (24.1 x 31.1 cm) 127 pages 49 duotone images Hardcover with jacket

ISBN 978-1-59711-336-6 $45.00/£30.00 August 2015

aperture.org/books

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Must-have retrospective book by one of the greatest British photographers of the twentieth century

Don McCullin’s magnum opus and an essential story in the history of photography

Includes profound essay by cultural critic and writer Susan Sontag

Don McCullin

Photographs by Don McCullin Editorial note by Mark Holborn Introduction by Harold Evans Essay by Susan Sontag First published in 2001, Don McCullin’s retrospective, chronological survey offers both an examination of his career and a record of half a century of conflict around the world. Coinciding with McCullin’s eightieth birthday, this expanded edition serves as homage to a photographer who dedicated his life to the front line in a steadfast effort to deliver visual testaments. This expansive publication was first released fourteen years ago, and has remained a seminal book. Since then, McCullin has shed the role of war photographer and photographed widely through Africa, India, the Middle East, and Indonesia— these landscape images are now included in this beautifully printed and updated edition. With text by Mark Holborn, Harold Evans, and Susan Sontag, this is an essential book of photographs and further plants McCullin’s reputation has long been established as one of the greatest photographers of conflict in the last century.

11 1/4 x 12 in. (30 x 29 cm) 352 pages 300 duotone images Hardcover with jacket

ISBN 978-1-59711-342-7 $75.00/£50.00 September 2015 Available only in North America

aperture.org/books


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Features black American men in a conversation about the critical issues of today

An effective tool to stimulate candid dialogue about race and gender identities in America, particularly in classrooms

Question Bridge has excited a broad audience in installations at museums throughout the U.S.

Question Bridge: Black Males in America Edited by Deborah Willis and Natasha L. Logan Introduction by Ambassador Andrew Young Preface by Jesse Williams Additional text by Chris Johnson, Delroy Lindo, Bayeté Ross Smith, Rashid Shabazz, Kamal Sinclair, and Hank Willis Thomas From the award-winning video installation of the same name, Question Bridge assembles a series of questions posed to black men, by and for other black men, along with the corresponding responses and portraits of the participants. While the ostensible subject is black men, the conversation that evolves in these pages is ultimately about the nature of living in a post-Obama, post-Ferguson, post–Voting Rights Act America. Question Bridge is about who we are and what we mean to one another. Most critically, it asks: how can we start to dismantle the myths and misconceptions that have evolved around race and gender in America—and how can we reset the narrative about ourselves?

Copublished with the Campaign for Black Male Achievement

6 3/4 x 7 7/8 in. (17.1 x 20 cm) 256 pages 200 single and four-color images Paperback

ISBN 978-1-59711-335-9 $29.95/£19.95 October 2015

Question Bridge: Black Males in America was made possible, in part, with generous support from the Open Society Foundations

aperture.org/books


Joshua Citarella

Charlie White

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Required reading for anyone interested in contemporary art

Contains work and commentary by eighty leading artists of this genre

An accessible outline of post-Internet photographic art by best-selling author Charlotte Cotton

Photography Is Magic By Charlotte Cotton

With images and text by Michele Abeles, Takaaki Akaishi, Lotta Antonsson, Walead Beshty, Lucas Blalock, Andrey Bogush, Brian Bress, Bianca Brunner, Stefan Burger, Antoine Catala, Phil Chang, Talia Chetrit, Joshua Citarella, Sara Cwynar, Bryan Dooley, Jessica Eaton, Shannon Ebner, Marten Elder, Jason Evans, Sam Falls, Brendan Fowler, Victoria Fu, Daniel Gordon, Darren Harvey-Regan, Leslie Hewitt, Nancy de Holl, John Houck, Rachel de Joode, Farrah Karapetian, Matt Keegan, Annette Kelm, Soo Kim, Yuki Kimura, Josh Kline, Lucas Knipscher, Owen Kydd, Josh Kolbo, Taisuke Koyama, Nico Krebs and Taiyo Onorato, Elad Lassry, Brandon Lattu, John Lehr, Anthony Lepore,

Alexandra Leykauf, Matt Lipps, Florian MaierAichen, Phillip Maisel, Annie MacDonell, Emmeline de Mooij, Carter Mull, Nerhol (Ryuta Iida and Yoshihisa Tanaka), Katja Novitskova, Arthur Ou, Matthew Porter, Timur Si-Qin, Eileen Quinlan, Jon Rafman, Sean Raspet, Clunie Reid, Abigail Reynolds, Will Rogan, Asha Schechter, Hugh Scott-Douglas, Shirana Shahbazi, Daniel Shea, Erin Shirreff, Elisa Sighicelli, Brea Souders, Kate Steciw, Batia Suter, Yosuke Takeda, Miguel Ángel Tornero, Sara VanDerBeek, Artie Vierkant, Anne de Vries, Hannah Whitaker, Charlie White, Lindsey White, Chris Wiley, Letha Wilson, and Amir Zaki

Photography Is Magic draws together current ideas about the use of photography as an invaluable component of the contemporary art world. Edited and with an essay by Charlotte Cotton, this critical publication surveys over eighty artists, all of whom are engaged with experimental ideas concerning photographic practice, as the contemporary landscape is currently being reshaped through digital techniques. We are shown the scope of photographic possibilities in the context of the contemporary creative process. From Michele Abeles and Walead Beshty to Artie Vierkant and Matt Lipps, Cotton has selected artists who are consciously reframing photographic practices using mixed media, appropriation, and a recalibration of analog processes. Photography Is Magic provides the reader with an engaging physical experience and is designed for younger photo aficionados, students, and anyone interested in gaining a deeper understanding of contemporary photography.

8 x 10 1/3 in. (20.32 x 26.29 cm) 384 pages 311 four-color images Paperback with flaps

ISBN 978-1-59711-331-1 $49.95/£35.00 September 2015

aperture.org/books


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Much-anticipated second book by a Guggenheim fellow

A powerful and moving coming-of-age tale about the youth of an Irish town

Photobook meets graphic novel in this innovative mix of forms

My Last Day at Seventeen Photographs by Doug DuBois Illustrations by Patrick Lynch Doug DuBois was first introduced to a group of teenagers from the Russell Heights housing estate while he was an artist-in-residence at the Sirius Arts Centre in Cobh, on the southwest coast of Ireland. He was fascinated by the insular neighborhood, in which “everyone seems to be someone’s cousin, former girlfriend, or spouse. Little can happen there that isn’t seen, discussed, distorted beyond all reason, and fiercely defended against any disapprobation from the outside.” DuBois gained entry when Kevin and Erin (two participants of a workshop he taught) took him to a local hangout spot, opening his eyes to a world of not-quite-adults struggling—publicly and privately—through the last days of their childhood. Over the course of five years, DuBois returned to Russell Heights. People came and left, relationships formed and dissolved, and babies were born. Combining portraits, spontaneous encounters, and collaborative performances, the images in My Last Day at Seventeen exist in a delicate balance between documentary and fiction.

9 3/8 x 111/2 in. (24 x 29.3 cm) 156 pages 79 four-color images Clothbound

ISBN 978-1-59711-313-7 $60.00/£40.00 September 2015

Exhibition Schedule: Crawford Art Gallery, Cork Fall 2015

aperture.org/books


Nicolas Haeni

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A do-it-yourself guide to the self-publishing revolution

∞∞

Richly illustrated, full of personal stories and practical advice for all photobook-makers

∞∞

Created by the guru of Self Publish, Be Happy, Bruno Ceschel

Self Publish, Be Happy: A DIY Photobook Manual and Manifesto By Bruno Ceschel An economic and cultural revolution has shaken the photobook world in the last five years: self-publishing. An army of photographers operating as publishers have had an instrumental role in today’s photobook renaissance. This book offers a do-it-yourself manual and a survey of key examples of self-published success stories, as well as a self-publishing manifesto. The survey offers an overview of the contemporary self-publishing landscape and the case studies themselves will each illustrate a particular theme and genre of self-publishing (such as diary, documentary, or conceptual object). Each will be accompanied by tips and testimonies from the artists who created them. Author Bruno Ceschel, founder of the Self Publish, Be Happy organization, provides a rallying cry for all those involved in the contemporary photobook revolution—a moment in which the photobook, in all its infinitesimal manifestations, has never before been so omnipresent in our cultural landscape, nor so critical to the photographer’s practice.

Copublished with Self Publish, Be Happy

8 1/4 x 10 7/8 in. (21 x 27.6 cm) 512 pages 280 four-color illustrations Paperback

ISBN 978-1-59711-344-1 $29.95/£19.95 October 2015

aperture.org/books

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The latest publication by the master of cat photography, now in his nineties

∞∞

Playful, fun, and cute—the perfect gift for cat lovers of all ages

∞∞

Vintage work that predates the Internet cat craze

Walter Chandoha: The Cat Photographer Photographs by Walter Chandoha Interview by David La Spina and Brittany Hudak Within the genre of commercial animal photography, Walter Chandoha is a master. His photographs of cats in particular have appeared in the pages of National Geographic and Life magazine, as well as been absorbed into the public subconscious via posters, pet-food packaging, T-shirts, and other uses. The Internet is awash with cat pictures, and Chandoha’s cat pictures might be seen as the forefather of them all. In this new publication, Chandoha is interviewed by David La Spina, who has been working with the artist and his family to bring his unique archive to public attention, primarily via the New York Times and New York Times Magazine.

7 1/4 x 10 in. (18.4 x 25.4 cm) 112 pages 50 four-color and 5 halftone illustrations Hardcover

ISBN 978-1-59711-330-4 $29.95/£19.95 October 2015

aperture.org/books

∞∞


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A major rediscovery of early ’80s Downtown artist Jimmy DeSana

Suburban is the first book of DeSana’s work to be published since his death in 1990

Features his most distinct series, edited by Laurie Simmons and Dan Nadel

Jimmy DeSana: Suburban Photographs by Jimmy DeSana

Edited by Dan Nadel and Laurie Simmons Essay by Elisabeth Sussman Memoir by Laurie Simmons This surreally lyrical, sexually charged book collects Jimmy DeSana’s earlier work, made from the late 1970s through 1980s. For his series Suburban, DeSana staged photos of nude subjects in various evocative poses, entwined with everyday objects and lit with gel-covered tungsten lights. Of this series, DeSana told Laurie Simmons, his contemporary and longtime roommate, “I don’t really think of that work as erotic. I think of the body almost as an object . . . I think I de-eroticized a lot of it. Particularly in that period, but that is the way the suburbs are in a sense.” Interest in DeSana is at a renewed high: Salon 94 represents his estate and mounted a well-received exhibition in 2012, and art and photography from the early 1980s are enjoying a renaissance across all media. There is a special interest now in queer artists and the legacy of a generation destroyed by AIDS, with regard to contemporary photography and queer culture. Jimmy DeSana: Suburban is an essential contribution to this evolving canon.

Copublished with Salon 94

8 7/8 x 11 in. (22.6 x 27.9 cm) 96 pages 45 four-color images Hardcover

ISBN 978-1-59711-341-0 $45.00/£30.00 October 2015

A limited-edition print from the Estate of Jimmy DeSana is available.

aperture.org/books


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Aperture’s best-selling series, refreshed for a new generation of photography lovers

Expert, accessible introductions to the photographers everyone should know

Beautiful, collectible books, priced for the best value on the photography shelves

Aperture Masters of Photography

Walker Evans

Photographs by Walker Evans Introduction and commentary by David Campany

Walker Evans helped define documentary photography and is considered one of the most influential artists of the twentieth century. He captured the American experience from the late 1920s to the early 1970s with graceful articulation. From 1935 to 1937, he captured rural America during the Great Depression while working for the Farm Security Administration. His enduring appreciation for inanimate objects and the vernacular as subject matter is evident in his photographs of shop windows, rural churches, billboards, architecture, and displays of American culture as he saw it. Included in this publication is a new, insightful text by historian David Campany, presenting this definitive work to new audiences. Other books in the series include: – Berenice Abbott – Henri Cartier-Bresson – Dorothea Lange – Paul Strand For more information, see p. 46.

8 x 8 in. (20.3 x 20.3 cm) 96 pages 43 duotone and four-color images Hardcover with jacket

ISBN 978-1-59711-343-4 $18.95/£12.00 November 2015

aperture.org/books


Donovan Wylie

Martin Parr

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By an all-star group of Magnum photographers, including Jim Goldberg, Martin Parr, Susan Meiselas, and Alec Soth

The latest installment of the critically acclaimed Postcards from America project

Uniquely designed and produced in a limited edition, each copy includes an original print

Rochester 585/716

A Postcards from America Project Photographs by Chien-Chi Chang, Jim Goldberg, Bruce Gilden, Susan Meiselas, Martin Parr, Paolo Pellegrin, Alessandra Sanguinetti, Alec Soth, Larry Towell, Alex Webb, and Donovan Wylie Texts by Cornelius Eady, Marie Howe, Chris Klatell, Nathan Lyons, and Laura Wexler In 2012, the Eastman Kodak Company declared bankruptcy. That same year, a group of photographers from Magnum Photos—Jim Goldberg, Bruce Gilden, Susan Meiselas, Martin Parr, Paolo Pellegrin, Alessandra Sanguinetti, Alec Soth, Larry Towell, Alex Webb, and Donovan Wylie, plus Chien-Chi Chang, who documented the process in audio and video—established a temporary base of operations in Rochester, New York, former home to the once-dominant manufacturer of photographic film. Their goal: to create a documentary archive of that city’s culture, landscape, and photographic institutions, and to investigate a community of picture-makers. Over the course of almost three weeks, photographers worked to create a visual record of the city and its people at a time of significant transition. Nathan Lyons, founding director of the Visual Studies Workshop, describes the result as “not only a major documentary project, but a celebration of photography within the city that had for years been a center of imaging technologies.” Copublished with Pier 24 Photography

8 1/2 x 11 in. (21.6 x 28 cm) 452 pages 1000 four-color and blackand-white images Paperback

ISBN 978-1-59711-340-3 $75.00/£50.00 September 2015

Each copy includes a digital C-print

aperture.org/books


New, smaller edition

The Sochi Project: An Atlas of War and Tourism in the Caucasus Photographs by Rob Hornstra Texts by Arnold van Bruggen ∞∞

Best-selling, critically acclaimed book is back in print in an affordably priced, smaller-sized edition

∞∞

Offers fascinating perspective on the geopolitical tensions that define the former Soviet bloc region surrounding Sochi, Russia

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Designed by award-winning Dutch design studio Kummer & Herrman, long-time collaborators with The Sochi Project

This new, smaller-sized edition of The Sochi Project: An Atlas of War and Tourism in the Caucasus is the capstone of the award-winning collaborative project. From 2009 through 2013, photographer Rob Hornstra and journalist Arnold van Bruggen traveled to Sochi, Russia, and the surrounding Caucasus, returning repeatedly to this isolated and incredibly complicated region in the midst of its preparations for the 2014 Winter Olympics. Together, the images and texts unpack the complex, multivalent story of this contested region, remaining all the more relevant for the insight they provide into the “true face of Russia” following the Olympics, the annexation of Crimea, the conflict in Ukraine, and the brutal murder of Boris Nemtsov. Hornstra’s photographic approach combines the best of slow-form documentary storytelling with portraiture, found photographs, and other visual elements collected over the course of their travels. Van Bruggen contributes a series of engaging stories about the people, the land, and its turbulent history. Designed by Sochi Project collaborators Kummer & Herrman, this volume is a contemporary masterpiece of photography and journalism in the tradition of James Agee and Walker Evans. In 2014, the book received the Dutch Doc Photo Award, Dutch Design Award for Communication, and Canon Prize for Innovative Photojournalism.

8 1/2 x 10 3/8 in. (21.6 x 26.4 cm) 392 pages plus 16 inserts 287 four-color images Hardcover

ISBN 978-1-59711-334-2 $65.00/£40.00 September 2015

Copublished with The Sochi Project 32


Now available in paperback

Immediate Family Photographs by Sally Mann

Afterword by Reynolds Price

Re-origination of a contemporary classic, with new reproductions by master duotone separator Robert J. Hennessey

First published in 1992, this best-seller has been in print continuously since its release

Regarded by critics as one of the great photography books of our time

First published in 1992, Immediate Family has been lauded by critics as one of the great photography books of our time, and among the most influential. Taken against the Arcadian backdrop of her woodland summer home in Virginia, Sally Mann’s extraordinary, intimate photographs of her children reveal truths that embody the individuality of her own family yet ultimately take on a universal quality. With sublime dignity, acute wit, and feral grace, Sally Mann’s pictures explore the eternal struggle between the child’s simultaneous dependence and quest for autonomy—the holding on and the breaking away. This is the stuff of which Greek dramas are made: impatience, terror, self-discovery, self-doubt, pain, vulnerability, role-playing, and a sense of immortality, all of which converge in these astonishing photographs. This reissue of Immediate Family has been printed using new scans and separations from Mann’s original prints, which were taken with an 8-by-10-inch view camera, rendering them with a freshness and sumptuousness true to the original edition.

11 x 9 1/2 in. (27.9 x 24.1 cm) 88 pages 60 black-and-white images

Paperback with flaps ISBN 978-1-59711-255-0 $35.00/£19.50 September 2015

Hardcover with jacket ISBN 978-1-59711-254-3 $50.00/£35.00


ed itio n lim ite d

Congo Photographs by Paolo Pellegrin and Alex Majoli Literary works by Alain Mabanckou ∞

An essential limited edition for all those passionate about documentary and contemporary photography

The results of a unique and original partnership between two leading Magnum photographers

A bold and thrilling object, designed by award-winning designer Yolanda Cuomo

In this sumptuously printed, large-format publication, distinguished Magnum photographers Paolo Pellegrin and Alex Majoli present a collaborative document of the Congo and its people. Bringing together the best of each photographer’s personal styles as well as experimental forays into abstraction and collage, this volume captures what Alain Mabanckou describes as a full range of the landscape, “from urban scenes to great forests and back, reflecting the way it is in most African societies today.” With no captions or individual photo credits, the densely printed images—presented on fullbleed pages, as gatefolds, or as double-spread gatefolds—become wholly immersive. The proceeds of the sale of this book go to Lynx for Hope, a non-profit dedicated to cultural development programs.

15 1/4 x 11 1/2 in. (38.7 x 29.2 cm) 260 pages 202 duotone and 56 four-color images Hardcover with box and booklet

ISBN 978-1-59711-325-0 $300.00/£200.00 July 2015

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g in m co up n tio bi hi ex

Patrick Faigenbaum: Kolkata/Calcutta Aperture Gallery, September 16 - November 7, 2015 Since opening in 2003, the Henri Cartier-Bresson Foundation has organized the biannual Henri Cartier-Bresson Award as a way to enable photographers to create major new bodies of work. The winner of the award in 2013 was French photographer Patrick Faigenbaum for his project Kolkata/ Calcutta, and the resulting exhibition of new pictures was first shown at the HCB Foundation, Paris, in May 2015. This exhibition will now travel to Aperture Gallery, New York, courtesy of the Hermès Foundation, whose support makes the HCB Award possible. This presentation inaugurates Aperture Foundation’s new alliance with the Hermès Foundation. For this series, Faigenbaum focused on the former capital of the British Indian Empire. He explored the historical layers of the city, while engaging with and being informed by the work of contemporary Calcuttan painter and collage and embroidery artist, Shreyasi Chatterjee. Patrick Faigenbaum (born in 1954) is a major figure of contemporary European photography. Since his 1970s portraits of Florentine aristocrats, he has used both black and white and color to create “portraits” of cities that include people, landscapes, and objects. His photography is imprinted with his affinity for classical culture and painting. Among many exhibitions of his work, Faigenbaum was the subject of a twenty-five-year survey of his work at the Vancouver Art Gallery, 2013, curated by Kathleen S. Bartels and Jeff Wall. He lives in Paris, where he has taught at the École nationale supérieure des beaux-arts since 2001.


Re ev qui er re d in yon re ph ter e ad ot es ser ing og te io f ra d in usl or ph y y

Aperture Magazine Edited by Michael Famighetti

Aperture is a sophisticated guide to the world of contemporary photography that combines the finest writing with inspiring photographic portfolios. Presenting fresh perspectives accessible to the photo practitioner and the culturally curious alike, each issue examines one theme at the heart of contemporary photography, explored in two sections: Words, focused on ideas, interviews, and debate, and Pictures, offering an immersive selection of portfolios. Columns include Redux, The Collectors, Curriculum, and Object Lessons. The Fall edition, “The Interview Issue,” features in-depth conversations with a selection of influential photographers of an older generation who continue to produce and publish, about their lifelong engagement with photography. The Winter issue, “Performance,” looks at how photography can be conceived as a live performance, in addition to considering the medium’s essential role in the history of performance-based art. Single issues: $24.95/£14.00 One-year subscription (4 issues): $75.00 Two-year subscription (8 issues): $124.00 Kindle, Nook, and Zinio digital subscriptions (4 issues): $25.00 Aperture 220: Fall 2015 978-1-59711-323-6 Aperture 221: Winter 2015 978-1-59711-324-3

Now available: Every Issue. Ever. The Aperture Magazine Digital Archive aperture.org/archive 36


aperture.org/magazine

Takashi Homma


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Recently Published

Aperture Masters of Photography: Berenice Abbott 8 x 8 in. (20.3 x 20.3 cm) 96 pages, 42 duotone images HB $18.95/£12.00 ISBN 978-1-59711-312-0

Sama Alshaibi: Sand Rushes In Edited and with an interview by Isabella Ellaheh Hughes 9 1/2 x 12 1/2 in. (24.1 x 31.8 cm) 112 pages, 108 four-color images and video stills CB $80.00/£50.00 ISBN 978-1-59711-308-3

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Aperture Masters of Photography: Henri Cartier-Bresson

Florence Henri: Mirror of the Avant-Gardes, 1927–40

8 x 8 in. (20.3 x 20.3 cm) 96 pages, 42 duotone images HB $19.95/£12.95 ISBN 978-1-59711-287-1

9 x 11 in. (23 x 28 cm) 224 pages, 200 duotone images HC $65.00/£40.00 ISBN 978-1-59711-332-8

Photographs by Pieter Hugo Short story by Ben Okri 11 3/4 x 9 1/4 in. (29.8 x 23.5 cm) 164 pages, 80 four-color images CB $75.00/£45.00 Trade edition ISBN 978-1-59711-301-4

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The Photography Workshop Series: Mary Ellen Mark on the Portrait and the Moment

Kin

The Years Shall Run Like Rabbits

The Mysterious Opacity of Other Beings

Photographs by Hellen van Meene 8 3/4 x 11 in. (22.2 x 27.9 cm) 256 pages, ca. 250 four-color images HC $75.00/£50.00 ISBN 978-1-59711-317-5

Photographs by Richard Misrach 17 x 12 7/8 in. (43.2 x 32.7 cm) 88 pages, 86 four-color images HC $80.00/£50.00 ISBN 978-1-59711-327-4

Playground

The Chinese Photobook

Uncommon Places: The Complete Works

Photographs by James Mollison Foreword by Jon Ronson 9 2/5 x 11 3/5 in. (24 x 32 cm) 136 pages, 59 four-color images HC $50.00/£30.00 978-1-59711-307-6

Edited by Martin Parr and WassinkLundgren 11 3/8 x 12 7/8 in. (29 x 32.7 cm) 472 pages, ca. 1,000 four-color images HC $150.00/£100.00 978-1-59711-228-4

Photographs by Stephen Shore 12 7/8 x 10 1/4 in. (32.76 x 25.9 cm) 208 pages, 176 four-color images HC $65.00 978-1-59711-303-8 U.S. & Canada only

7 1/2

x 10 in. (19 x 25.4 cm) 128 pages, 50 duotone and four-color images PB $29.95/£19.95 ISBN 978-1-59711-316-8

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Brush Fires in the Social Landscape

Photographs by Edward Weston 8 1/4 x 9 3/4 in. (20.9 x 24.76 cm) 112 pages, 64 duotone images HC $45.00/£29.95 ISBN 978-1-59711-310-6

Photographs by David Wojnarowicz 7 x 9 in. (18.3 x 23.4 cm) 240 pages,130 four-color and duotone images HC $55.00/£35.00 ISBN 978-1-59711-294-9

Untitled: Diane Arbus 11 x 14 in. (27.9 x 35.6 cm) 112 pages, 52 images HC $75.00/£45.00 978-1-59711-190-4

Diane Arbus: Monograph 9 3/4 x 11 in. (23.5 x 27.9 cm) 182 pages, 82 images HC $60.00/£40.00 978-1-59711-174-4 PB $39.95/£25.00 978-1-59711-175-1

Site Specific Olivo Barbieri 9 3/4 x 13 2/3 in. (24.9 x 34 cm) 184 pages, 126 images HC $75.00/£50.00 978-1-59711-229-1

Stonework and Lime Kilns Bernd and Hilla Becher 10 5/8 x 11 3/4 in. (27 x 29 cm) 244 pages, 232 images HC $85.00/£55.00 978-1-59711-252-9

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Diane Arbus: Magazine Work 9 2/5 x 11 in. (23.2 x 27.9 cm) 176 pages, 146 images PB $35.00/£19.95 978-0-89381-233-1

The Flame of Recognition

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Monographs

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10 x 13 in. (25.4 x 33 cm) 156 pages, 85 color and duotone images CB $65.00/£40.00 ISBN 978-1-59711-314-4

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This Is Mars Edited and designed by Xavier Barral 13 3/4 x 111/2 in. (35.4 x 30.2 cm) 272 pages, 150 images HC $100.00/£65.00 978-1-59711-258-1

aperture.org/books

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Muse: Photographs by Mickalene Thomas

Other Rooms Jo Ann Callis 8 1/2 x 11 in. (21 x 27.3 cm) 80 pages, 45 images HC $65.00/£40.00 978-1-59711-275-8

Kodachromes William Christenberry 9 2/5 x 11 2/5 in. (23.9 x 29 cm) 176 pages, 115 images HC $65.00/£45.00 978-1-59711-147-8


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Subway Bruce Davidson 11 2/5 x 11 3/5 inches 144 pages,118 images HC $65.00 978-1-59711-194-2

Paris•New York•Shanghai Hans Eijkelboom 10 1/2 x 8 1/4 in. (26.7 x 21 cm) 240 pages, 1,256 images HC $55.00/£32.00 978-1-59711-044-0

Sketch of Paris JH Engström 8 1/2 x 11 2/3 in. (21 x 27.5 cm) 314 pages, 250 images PB $65.00/£45.00 978-1-59711-253-6

Storms Mitch Dobrowner 13 x 10 in. (35.2 x 25.7 cm) 96 pages, 51 images HC $50.00/£30.00 978-1-59711-230-7

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Occupied Territory Lynne Cohen 12 x 9 3/5 in. (30.5 x 24.4 cm) 144 pages, 110 images HC $60.00/£40.00 978-1-59711-145-4

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The Last Book Reinier Gerritsen 61/2 x 9 in. (16.5 x 22.75 cm) 240 pages, 45 images and a visual index HC $65.00/£40.00 978-1-59711-270-3

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This Equals That Jason Fulford and Tamara Shopsin 7 3/4 x 7 3/4 in. (19.7 x 19.7 cm) 80 pages, 40 images HC $19.95/£12.95 978-1-59711-288-8

The Notion of Family LaToya Ruby Frazier 9 1/2 x 10 3/4 in. (24.1 x 27.3 cm) 156 pages 100 images and 32 video stills CB $60.00/£40.00 978-1-59711-248-2

Gail Albert Halaban: Paris Views 15 x 13 in. (38.1 x 33 cm) 120 pages, 60 images HC $79.95/£50.00 978-1-59711-302-1

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The Ballad of Sexual Dependency Nan Goldin 10 x 9 in. (25.4 x 22.9 cm) 148 pages, 126 images PB $35.00/£19.50 978-1-59711-210-9 HC $50.00/£35.00 978-1-59711-208-6

The Pond John Gossage 11 3/4 x 11 in. (29.8 x 27.9 cm) 108 pages, 52 images HC $65.00/£45.00 978-1-59711-132-4

Emmet Gowin 9 1/2 x 11 4/5 (24 x 30 cm) 240 pages, 180 images HC $69.95/£45.00 978-1-95711-2611

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Sawdust Mountain Eirik Johnson 11x 11 in. (27.9 x 27.9 cm) 144 pages, 70 images HC $50.00/£32.00 978-1-59711-091-4

Ametsuchi Rinko Kawauchi 9 2/5 x 12 1/4 in. (24 x 31 cm) 80 pages, 40 images HC $80.00/£50.00 978-1-59711-216-1

Illuminance Rinko Kawauchi 8 1/2 x 11 in. (21.6 x 28 cm) 176 pages, 125 images HC $60.00/£40.00 978-1-59711-144-7

Gypsies Josef Koudelka 9 1/2 x 12 1/2 in. (24.1 x 31.8 cm) 224 pages, 109 images HC $85.00 978-1-59711-177-5 U.S. and Canada only

Exiles Josef Koudelka 11 3/4 x 10 5/8 in. (29.8 x 27 cm) 180 pages, 77 images HC $65.00 978-1-59711-269-7

Koudelka Josef Koudelka 11 7/16 x 11 in. (29.5 x 28.5 cm) 276 pages, 161 images HC $75.00 978-1-59711-030-3 U.S. and Canada only

Invasion 68: Prague Josef Koudelka 9 5/8 x 12 5/8 in. (24.5 x 32 cm) 296 pages, 244 images PB $60.00 978-1-59711-068-6 U.S. and Canada only

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Wall Josef Koudelka 14 3/4 x 10 1/4 in. (37.5 x 26.4 cm) 120 pages, 54 images HC $60.00/£40.00 978-1-59711-241-3 U.S. and Canada only

Aperture Masters of Photography: Dorothea Lange 8 x 8 in. (20.3 x 20.3 cm) 96 pages, 42 images HC $18.95/£12.00 978-1-59711-295-6

Sergio Larrain

8 1/4 x 111/2 in. (21 cm x 29.2 cm) 400 pages, 372 images HC $100.00 978-1-59711-259-8

U.S. and Canada only

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Kamaitachi Eikoh Hosoe 9 1/2 x 12 3/4 in. (24.1 x 32.4 cm) 112 pages, 48 images HC $60.00/£40.00 978-1-59711-121-8

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Model American Katy Grannan 9 7/8 x 11 1/2 in. (25.1 x 29.2 cm) 112 pages, 70 images HC $40.00/£22.00 978-1-931788-81-6


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Jeff Chien-Hsing Liao: New York 16 1/2 x 13 3/8 in. (41.1 x 33.9 cm) 160 pages, 100 images HC $95.00/£60.00 978-1-59711-279-6

The Bikeriders Danny Lyon 61/4 x 9 1/4 in. (15.9 x 23.5 cm) 94 pages, 48 images HC $35.00/£22.95 978-1-59711-264-2

Immediate Family Sally Mann 11 x 9 1/2 in. (27.9 x 24.1 cm) 88 pages, 60 images HC $50.00/£35.00 978-1-59711-254-3

101 Tragedies of Enrique Metinides 8 1/2 x 10 3/8 in. (21.6 x 26.4 cm) 184 pages, 150 images HC $50.00/£35.00 978-1-59711-211-6

Legacy: The Preservation of Wilderness in New York City Parks Joel Meyerowitz 12 x 10 1/2 in. (30.5 x 26.7 cm) 300 pages, 250 images HC $65.00/£45.00 978-1-59711-122-5

Destroy This Memory Richard Misrach 15 x 11 1/2 in. (38.1 x 29.2 cm) 140 pages, 70 images HC $65.00/£45.00 978-1-59711-163-8

Petrochemical America Richard Misrach and Kate Orff 240 pages, 150 images 11 7/8 x 9 1/4 in. (29.9 x 23.5 cm) PB $39.95/£25.00 978-1-59711-277-2 13 1/2 x 10 1/2 in. (34.3 x 26.7 cm) HC $80.00/£50.00 978-1-59711-191-1

Lisette Model 12 x 15 in. (30.5 x 38.1 cm) 112 pages, 54 images HC $50.00/£27.50 978-1-59711-049-5

Labyrinth: Daido Moriyama 11 3/4 x 13 3/4 in. (29.8 x 34.9 cm) 304 pages, 300 images PB $80.00/£50.00 978-1-59711-217-8

Zwelethu Mthethwa 11 3/4 x 10 in. (29.8 x 25.4 cm) 120 pages, 75 images HC $55.00/£45.00 978-1-59711-113-3

Earth to Sky: Among Africa’s Elephants, A Species in Crisis Michael Nichols 11 3/4 x 8 3/8 in. (29.8 x 21.7 cm) 192 pages, 2 gatefolds, 215 images 42 HC $49.95/£29.95 978-1-59711-243-7

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Events Ashore An-My Lê 13 x 10 1/2 in. (33 x 26.7 cm) 192 pages plus 2 gatefolds, 125 images CB $89.95/£60.00 978-1-59711-299-4

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Invisible: Covert Operations and Classified Landscapes Trevor Paglen 9 1/2 x 10 3/4 in. (24.1 x 27.3 cm) 160 pages, 69 images HC $49.95/£32.00 978-1-59711-130-0

Life’s a Beach Martin Parr 8 1/4 x 6 in. (30 x 15.25 cm) 80 pages, 100 images HC $25.00/£16.95 978-1-59711-213-0

aperture.org/books

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Erwin Olaf: Volume II 10 x 13 in. (25.4 x 33 cm) 112 pages, 75 images CB $65.00/£40.00 978-1-59711-298-7

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City Stages Matthew Pillsbury 11 1/2 x 8 1/2 in. (21x 29.2 cm) 128 pages, 75 images HC $65.00/£45.00 978-1-59711-237-6

Touching Strangers Richard Renaldi 9 x 11 1/2 in. (22.9 x 29.2 cm) 120 pages, 71 images HC $45.00/£30.00 978-1-59711-249-9

Office Romance Kathy Ryan 5 3/8 x 8 in. (13.7 x 20.3 cm) 160 pages, 132 images HC $29.95/£19.95 978-1-59711-304-5

Workers Sebastião Salgado 9 3/4 x 13 in. (24.8 x 33 cm) 400 pages, 346 images HC $100.00 978-0-89381-525-7 U.S. and Canada only

Stephen Shore: Survey 11 3/4 x 9 ½ in. (30 x 24 cm) 300 pages, 250 images HC $65.00/£40.00 978-1-59711-309-0

Paul Strand in Mexico Text by James Krippner 11 3/8 x 12 7/8 in. (28.9 x 32.7 cm) 356 pages, 435 images HC $75.00/£50.00 978-1-59711-137-9

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The Non-Conformists Martin Parr 8 x 9 1/2 in. (20.3 x 24.1 cm) 168 pages, 124 images HC $45.00/£30.00 978-1-59711-245-1

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Amelia and the Animals Robin Schwartz 8 1/2 x 10 3/4 in. (21.6 x 27.3 cm) 144 pages, 75 images HC $39.95/£25.00 978-1-59711-278-9

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The Last Day of Summer Jock Sturges 9 1/2 x 11 in. (24.1 x 28.9 cm) 96 pages, 60 images HC $45.00/£25.00 978-0-89381-494-6 PB $35.00/£19.95 978-0-89381-538-7


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Aperture Masters of Photography: Paul Strand 8 x 8 in. (20.3 x 20.3 cm) 96 pages, 42 images HC $18.95/£12.00 978-1-59711-286-4

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Southwest Paul Strand 9 1/2 x 11 3/8 in. (24.1 x 29 cm) 112 pages, 95 images HC $50.00/£27.50 978-1-931788-46-5

The Garden at Orgeval Paul Strand 8 x 10 3/8 in. (20.5 x 26.4 cm) 96 pages, 45 images HC $45.00/£30.00 978-1-59711-124-9

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Chewing Gum and Chocolate Shomei Tomatsu 10 x 12 in. (25.4 x 30.5 cm) 216 pages, 125 images HC $80.00/£50.00 978-1-59711-250-5

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Is This Place Great or What Brian Ulrich 9 3/4 x 11 1/4 in. (24.8 x 28.6 cm) 144 pages, 95 images HC $50.00/£32.50 978-1-59711-192-8

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Afghanistan Larry Towell

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Notes Jock Sturges 9 x 9 in. (22.9 x 22.9 cm) 96 pages, 92 images HC $39.95/£25.00 978-1-931788-47-2

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11 x 15 in. (27.94 x 38.1 cm) 192 pages, 350 duotone and four-color images HC $150.00/£100.00 978-1-59711-266-6

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Misty Dawn: Portrait of a Muse Jock Sturges 10 x 11 in. (25.4 x 27.9 cm) 168 pages, 100 images HC $50.00/£32.00 978-1-59711-074-7

Penelope Umbrico (photographs) 9 1/2 x 10 3/4 in. (24.1 x 27.3 cm) 172 pages,100 images HC $65.00/£40.00 978-1-59711-171-3

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The Suffering of Light Alex Webb 13 1/2 x 12 in. (34.3 x 30.5 cm) 204 pages,115 images HC $65.00 978-1-59711-173-7 U.S. and Canada only

James Welling: Monograph 9 1/2 x 111/2 in. (24.1 x 29.2 cm) 256 pages, 250 images HC $80.00/£50.00 978-1-59711-209-3

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Anthologies The Open Road David Campany 10 x 111/2 in. (25.4 x 29.2 cm) 336 pages, ca. 248 images HC $65.00/£40.00 978-1-59711-240-6

Color Rush: Seventy-Five Years of Color Photography in America Katherine A. Bussard and Lisa Hostetler 9 1/2 x 111/2 in. (24.13 x 29.21 cm) 244 pages, ca. 200 images HC $60.00/£40.00 978-1-59711-226-0

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The Dutch Photobook Frits Gierstberg and Rik Suermondt 9 1/2 x 11 in. (24 x 28 cm) 240 pages, 620 images HC $75.00/£50.00 978-1-59711-200-0

The Edge of Vision: The Rise of Abstraction in Photography Lyle Rexer 8 x 10 in. (20.3 x 25.4 cm) 292 pages, 180 images PB $35.00/£25.00 978-1-59711-242-0

The Latin American Photobook Horacio Fernández 9 x 12 in. (24 x 30 cm) 256 pages, 350 images HC $75.00/£45.00 978-1-59711-189-8

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The New York Times Magazine Photographs Edited by Kathy Ryan 9 1/2 x 111/2 in. (24.1 x 29.2 cm) 448 pages, 500 images HC $75.00/£50.00 978-1-59711-146-1

Photographic Memory Verna Posever Curtis 9 1/2 x 11 1/2 in. (24.1 x 29.2 cm) 288 pages, 350 images HC $75.00/£45.00 978-1-59711-131-7

reGeneration2 William A. Ewing 9 x 10 5/8 in. (22.9 x 27 cm) 224 pages, 208 images PB $39.95 978-1-59711-160-7 U.S. and Canada only

Photo Art Uta Grosenick and Thomas Seeling 8 1/4 x 10 in. (21 x 26.4 cm) 512 pages, 565 images PB $55.00 978-1-59711-062-4 U.S. and Canada only

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The Photographer’s Playbook: 307 Assignments and Ideas Edited by Jason Fulford and Gregory Halpern 6 x 9 in. (15.2 x 22.8 cm) 440 pages, 26 black-and-white images PB $29.95/£19.95 978-1-59711-247-5

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The Unseen Eye W. M. Hunt 10 1/4 x 11 in. (26 x 28 cm) 320 pages, 370 images HC $75.00 978-1-59711-193-5 U.S. and Canada only


backlist highlights

The Photography Workshop Series

Todd Hido on Landscapes, Interiors, and the Nude 7 1/2 x 10 in. (19 x 25.4 cm) 128 pages, 60 images PB $29.95/£19.95 978-1-59711-297-0

Aperture Masters of Photography Series

Dorothea Lange 8 x 8 in. (20.3 x 20.3 cm) 96 pages, 42 duotone images PB $18.95/£12.00 978-1-59711-295-6

Mary Ellen Mark on the Portrait and the Moment

Larry Fink on Composition and Improvisation

7 1/2 x 10 in. (19 x 25.4 cm) 128 pages, 50 duotone and four-color images PB $29.95/£19.95 ISBN 978-1-59711-316-8

7 1/2 x 10 in. (19 x 25.4 cm) 128 pages PB $29.95/£19.95 978-1-59711-273-4

Alex Webb and Rebecca Norris Webb on Street Photography and the Poetic Image 7 1/2 x 10 in. (19 x 25.4 cm) 128 pages PB $29.95/£19.95 978-1-59711-257-4

Berenice Abbott 8 x 8 in. (20.3 x 20.3 cm) 96 pages, 42 duotone images PB $18.95/£12.00 978-1-59711-312-0

Paul Strand 8 x 8 in. (20.3 x 20.3 cm) 96 pages, 42 duotone images PB $18.95/£12.00 978-1-59711-286-4

Henri Cartier-Bresson 8 x 8 in. (20.3 x 20.3 cm) 96 pages, 42 duotone images PB $18.95/£12.00 978-1-59711-287-1

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Essays Along Some Rivers Robert Adams 5 1/2 x 8 1/4 in. (14 x 21 cm) 112 pages, 28 images HC $24.95/£13.95 978-1-59711-004-4

Beauty in Photography Robert Adams 5 1/2 x 8 1/4 in. (14 x 21 cm) 112 pages, 23 images PB $16.95/£9.99 978-0-89381-368-0

Why People Photograph Robert Adams 5 1/2 x 8 1/4 in. (14 x 21 cm) 189 pages, 29 images PB $16.95/£9.99 978-0-89381-603-2

Diane Arbus: A Chronology 6 1/2 x 8 in. (16.5 x 20.32 cm) 192 pages PB $29.95/£19.95 978-1-59711-179-9

Aperture Magazine Anthology: The Minor White Years, 1952–1976 Edited by Peter C. Bunnell 6 3/8 x 9 3/8 in. (16.2 x 23.8 cm) 456 pages, 150 images HC $39.95/£25.00 978-1-59711-196-6

The Mind’s Eye Henri Cartier-Bresson 5 1/4 x 8 1/4 in. (13.3 x 21 cm) 112 pages, 11 images HC $19.95/£12.50 978-0-89381-875-3

Photography Changes Everything Marvin Heiferman 7 x 10 in. (17.8 x 25.4 cm) 356 pages, 250 images PB $39.95/£25.00 978-1-59711-199-7

Aperture Ideas

The Pleasures of Good Photographs Essays by Gerry Badger 6 x 8 1/2 in. (15.2 x 21.6 cm) 224 pages,36 images  $29.95/£16.95 978-1-59711-139-3

Understanding a Photograph John Berger 6 x 8½ in. (15.2 x 21.6 cm) 175 pages, 26 images $24.95

Available in North America only 978-1-59711-256-7


backlist highlights

Inside the Photograph: Writings on Twentieth-Century Photography Essays by Peter C. Bunnell 5 1/2 x 8 1/2 in. (14 x 21.6 cm) 288 pages, 43 images  $19.95/£12.95 978-1-59711-104-1

Photography After Frank Essays by Philip Gefter 6 x 81/2 in. (15.2 x 21.6 cm) 224 pages, 75 images  $29.95/£16.95 978-1-59711-095-2

Light Matters: Writings on Photography Essays by Vicki Goldberg 5 1/2 x 8 1/2 in. (14 x 21.6 cm) 248 pages, 27 images $19.95/£12.95 978-59711-165-2

Crisis of the Real Essays by Andy Grundberg 6 1/2 x 9 ¼ in. (16.5 x 23.5 cm) 292 pages, 44 images  $19.95/£12.95 978-1-59711-140-9 

Between the Eyes: Essays on Photography and Politics By David Levi Strauss 5 1/2 x 81/4 in. (14 x 21 cm) 208 pages, 47 images $19.95/£12.95 978-1-59711-214-7

Words Not Spent Today Buy Smaller Images Tomorrow By David Levi Strauss 5 1/4 x 8 1/4 in. (13.3 x 21 cm) 112 pages, 11 images HC $19.95/£12.50 978-0-89381-875-3

Core Curriculum: Writings on Photography Essays by Tod Papageorge 6 x 81/2 in. (15.2 x 21.6 cm) 208 pages, 50 images $29.95/£18.95 978-1-59711-172-0

Bending the Frame: Photojournalism, Documentary, and the Citizen By Fred Ritchin 6 x 8 1/2 in. (15.2 x 21.6 cm) 176 pages, 40 images  $19.95/£12.95 978-1-59711-120-1

In Our Own Image Essays by Fred Ritchin 6 1/2 x 9 1/2 in. (16.5 x 23.5 cm) 164 pages, 38 images $16.95/£9.95 978-1-59711-164-5

The Pleasures of Good Photographs Gerry Badger 36 images iBook $16.99 978-1-59711-222-2

Merce Cunningham: 65 Years David Vaughan iPad app $14.99 978-1-59711-188-1

E-Books and Apps

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Photography After Frank Philip Gefter 75 images iBook $16.99 978-1-59711-221-5

Bending the Frame: Photojournalism, Documentary, and the Citizen Fred Ritchin 40 images iBook $16.99 978-1-59711-292-5

Moving Mountains (1850–2012) Photographs by Penelope Umbrico iPad app: Free 978-1-59711-267-3

fre

Words Without Pictures Edited by Charlotte Cotton and Alex Klein iBook $11.99 978-1-59711-187-4

Core Curriculum: Writings on Photography Tod Papageorge 33 images iBook $16.99 978-1-59711-223-9

e


Jane Mount, Ideal Bookshelf #845: Ivan Vartanian, 2015; from The Photobook Review 008

The PhotoBook Review The PhotoBook Review is a biannual newsprint journal published by Aperture and dedicated to the consideration of the photobook. Every issue is guided by a different guest editor, and features interviews, essays, reviews, proďŹ les, and specially commissioned centerfolds by photographers, designers, publishers, writers, and others who are passionate about the photobook. Issue 008, released in spring 2015, was edited by Ivan Vartanian, Tokyo-based

independent curator and author.

Subscribers to Aperture magazine receive copies of The PhotoBook Review with each Summer and Winter issue. Other availability: The U.S. edition is distributed at Aperture Gallery and Bookstore, New York. The European edition is primarily available onsite at Paris Photo. Select content is also available online at aperture.org/pbr. 50


Aperture, a not-for-profit foundation, connects the photo community and its audiences with the most inspiring work, the sharpest ideas, and with each other—in print, in person, and online. For individual orders of Aperture titles and to subscribe to Aperture magazine, visit aperture.org Aperture Foundation 547 West 27th Street, 4th Floor New York, N.Y. 10001

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Aperture Fall and Winter 2015-16 Catalogue  

Aperture Fall and Winter 2015-16 Catalogue  

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