July 2013

Antique DOLL Collector July 2013 Vol. 16, No. 6

July 2013 Vol. 16, No. 6 $595 / $695 Canada www.antiquedollcollector.com

An Important Marquis Cataloged Doll Auction, Sunday, July 28, 2013 Washington, D.C. at the historic Willard Hotel Preview 9 AM. Auction begins at 11 AM “In the Company of the Gentleman Bespoken” Highlighted by Part I of the

dolls bear blue ribbon awards

superb private collection of Estelle

from UFDC national conventions.

Johnston of Atlanta, Georgia, meticulously collected over a half

The auction also features other

century, with notable attention to

important and very fine antique

originality of historic costuming.

dolls from other long-held

The collection includes remarkable

private collections including the

early dolls that are virtually

rare French doll collection of

unfound today. (A sample of the

Grace Pope of Fresno, California

significant dolls from the Estelle

and the private collection of

Johnston collection are shown in

To order catalog call 800-638-0422.

a feature article in this magazine).

Arlene and the late Don Jensen of Kenosha, Wisconsin, noted

Estelle Johnston’s passion for dolls is both aesthetic

author, researcher, and lecturer on the subject of

and academic. She has been a highlight lecturer

American composition and celebrity dolls.

and Exhibit Chairman for UFDC, performed conservation work for the Strong Museum and her numerous articles have appeared in Antique Doll Collector, Doll News and Doll Reader. Many of her

Special Note: The Jensen Collection will be presented in a special session beginning approximately 5 PM.

the dollmasters P O B ox 1 5 1 • A n n ap o l i s , M a r y l a n d 2 1 4 0 4 U S A • To l l - f r e e : 8 0 0 - 6 3 8 - 0 4 2 2 • Fa x : 4 1 0 - 2 2 4 - 2 5 1 5 • w w w. t h e r i au l t s . c o m

The 450 lot auction catalog, comprising 180 pages in full color, can be ordered for $59 by calling 410-224-3655 or visiting www.theriaults.com.

To view all of the dolls in the auction visit www.theriaults. com and click on the button for Proxibid (after July 10).

Collectors are urged to attend this important auction event to bid in person. Absentee, live telephone and live internet bidding are also available. For more information, call 800638-0422 (or 410-224-3655) or email info@theriaults.com.

To view more dolls to be auctioned from the Estelle Johnston Collection see pages 18-22 of this issue.

the dollmasters

r Look fo C in D F U me at: gton, DC Washin 9-Aug 1 July 2

Joyce Kekatos e-mail: joycedolls@aol.com I buy dolls and sell on consignment.

Visit my website: www.grandmasatticdolls.com

2137 Tomlinson Avenue, Bronx, NY 10461 home: 718-863-0373 cell: 917-859-2446

21” “Triste #9 (Long Face) Jumeau Bebe, immaculate very pale bisque, blue p/w eyes, mauve under brows, “applied ears”, orig. mohair wig & pate & orig. “head coil”. “ALL FACTORY orig.” wearing pale aqua challis dress adorned w/rosettes & ribbons, gorgeous orig. hat, orig. undies, socks & “signed” Jumeau shoes & ant. bracelet. Head marked #9 on orig. early “signed” Jumeau 8 ball str. wrist body. The “smallest” of the Long Face Jumeaux & is absolutely STUNNING!!! Out of a private collection!!! $27,500.

16 1/2” E. 7 J. Jumeau Bebe, perfect pale pressed bisque, orig.”head coil”, blue threaded p/w eyes w/ early mauve blush under brows, luscious lashes, orig. mohair wig & pate. Wears ant. FACTORY Jumeau dress, ant. undies, ant. Fr. shoes, ant. crocheted socks & magnificent FACTORY Jumeau velvet hat w/plume.

On orig. early st. wrist Jumeau body. Tremendous presence & an absolute KNOCKOUT!!! $8875.

14” Tete Jumeau #5 Bebe, immaculate pale bisque, huge blue p/w eyes, luscious lashes, orig. “head coil”, orig. mohair wig & pate, wears magnificent “factory original” pink silk, thin wool & lace Jumeau dress, gorgeous matching slip & undies, orig. crocheted socks & stunning “Presentation” Jumeau shoes “signed” in gold leaf w/ rosettes, orig. Jumeau earrings & Au Bon Marche hat.

Has it all!!! On orig. “signed” Jumeau body. This Bebe is absolutely AMAZING!!! An OUTSTANDING example with great originality!!! $9550.

LAYAWAY AVAILABLE • Member UFDC & NADDA (Nat'l Antique Doll Dealers Assn.)

RARE 12” K * R 107 “Carl” Character, mint bisque, light blue intaglio eyes, orig. HH wig & pate, wears darling orig. 3 pc. cotton striped boys suit, added ant. hat, ant. leather low boots.

On orig. K * R body, (tiny chip on thumb...not noticeable). Has huge pouting mouth, first out of mold deep modeling. Out of my own collection & has provenance. The most AMAZING adorable “Carl” EVER!!! $15,000.

13” Tete Jumeau O/Mo. Bebe, beautiful bulging blue p/w eyes, luscious lashes, mint pale bisque, 4 upper teeth, gorgeous orig. mohair wig & pate. Wears stunning pink silk & lace dress covered with fine ant. netting adorned w/pink silk ribbons, ant. undies & GREAT ant. Fr. hat, crocheted socks & ant. shoes. On orig. “signed” Jumeau body. Great cabinet size and the most beautiful huge expressive blue eyes. She is a MAGNIFICENT BEAUTY!!! $3275.

9” A.M. #310 “Just Me”, gorgeous side glancing blue sl. eyes, immaculate pale bisque, full orig. mohair wig & pate, wears “factory” orig. dress, undies, shoes & socks, an added ant. hat.

“Signed” head & on orig. “Just Me” body in fabulous orig. condition. Great large size & absolutely ADORABLE!!! $1995

RARE 11-1/2” K * R 109 “Elise” Character, perfect bisque, blue side glancing intaglio eyes, orig. mohair wig & pate, wears magnificent batiste & lace orig. dress w/ribbons & embroidery, orig. undies, orig. shoes & stockings. On orig.

K * R body, great condition! Fabulous deep modeling. Out of my collection w/ provenance. Absolutely OUTSTANDING adorable Character!!! $11,500.

15 1/2” Horsman Bonnie Babe Baby, big blue sl. eyes, perfect eye wax, painted hair, same face as small Bonnie Babe. Her modeling is fabulous, 2 molded lower teeth & molded tongue, just like the small ones, deep modeling. She is all smiles!!! Orig. stuffed body w/ compo. arms & legs, perfect bisque head. Wears darling little orig. ant. pink romper & ant. lace hat. I believe her body has been revarnished years ago, but looks great. She is very rare & absolutely DARLING!!! Sure to make you smile. $995.

Nelling, Inc.

P.O. Box 4327 Burbank CA 91503 Cell: 818-738-4591 Home: 818-562-7839

Member NADDA and UFDC

Tell the truth…

Where would you like to be July 22 - 25?

A. Doing laundry B. At the gym

C. In Washington D.C. at the UFDC National Convention buying dolls!

There is no wrong answer, but we are going with C! Hope to see you there!

Exhibiting: July 22 - 25 - UFDC National Convention Salesroom, Washington D.C., Washington Hilton Hotel BUYING & SELLING QUALITY DOLLS FOR OVER 20 YEARS

Visit us at: www.maspinelli.com • e-mail: nellingdolls@gmail.com

published by the Office Staff: Publication and Advertising: Keith Kaonis Editor-in-Chief: Donna C. Kaonis Administration Manager: Lorraine Moricone Phone: 1-888-800-2588 Art/Production: Lisa Ambrose Graphic Designer: Marta Sivakoff Contributors: Michael Canadas, Ursula Mertz, Lynn Murray, Samy Odin, Andy Ourant, David Robinson Subscription Manager: Jim Lance Marketing: Penguin Communications Publications Director: Eric Protter Antique Doll Collector (ISSN 1096-8474) is published monthly by the Puffin Co., LLC, 15 Hillside Place, Northport, NY 11768 Phone: 1-631-261-4100 Periodicals postage paid at Northport, NY. and at additional mailing offices. Contents ©2013 Antique Doll Collector, all rights reserved.

Postmaster: Send address changes to Antique Doll Collector, P.O. Box 239, Northport, NY 11768.

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MOVING?

Important: We need your old address and your new. The Post Office does not forward magazines. Call 1-888-800-2588 or write to us at: P.O. Box 239, Northport, NY 11768.

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ANTIQUE DOLL COLLECTOR

JULY 2013

Carmel Doll Shop This Summer we will be taking part in the 2013 National Doll Festival in Washington D.C.

Please visit us Saturday July 27, through Wednesday July 31, at the Georgetown University Hotel and Conference Center

3800 Reservoir Road - In The Heart of Historic Georgetown University

We would love to see you there!

Michael Canadas and David Robinson (831) 643-1902 Members of UFDC & NADDA • Carmel Doll Shop 213 Forest Avenue, Pacific Grove, CA 93950 Visa/MasterCard/American Express/Layaway • Always Buying, Selling and Trading Fine Antique Dolls Please visit WWW.CARMELDOLLSHOP.COM • Carmel Doll Shop can now be found on Ruby Lane – buying has never been easier!

The Complete Guide to Antique, Vintage and Collectible Dolls

18

LEGENDARY COLLECTION OF ESTELLE JOHNSTON to be Auctioned by Theriault’s on July 28 in Washington D.C.

42

THE LEGENDARY PATSY by Jane Foster

One of America’s best-loved dolls shows off her family.

24

THE ENCHANTING TROUSSEAU OF CHIFFONNETTE A CLASSIC HURET DRESS

by Sylvia Mac Neil Bretelles, meaning braces or suspenders, were a classic component of the Huret dress. Variations and embellishments, such as soutache, create a special look.

Fashion doll collectors will want to try the author’s simple pattern.

July 2013 Volume 16, Number 6

33

ALSACE, FRANCE: HISTORY, DOLLS, AND BELOVED UNCLE HANSI

By Elizabeth K. Schmahl The French hero known as Uncle Hansi is an integral part of Alsatian history. Enjoy his story along with an amazing collection of dolls dressed in the traditional costume of Alsace.

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TRAVELING HOUSE: AN 18TH CENTURY SPANISH DOLLHOUSE

About The Cover

During the rein of Napoleon III the richness of attire was at its height. A classic style made for child dolls by Huret was the waistband and coordinating bretelle. Master seamstress Sylvia Mac Neil discusses the prevailing fashions of the era and their implementation as seen in numerous fashion plates from the Journal Des Demoiselles and Godey’s Lady’s Book.

Chiffonnette models examples of the classic Huret dress and an easy-to-follow pattern for a bretelle will delight viewers.

6

ANTIQUE DOLL COLLECTOR

JULY 2013

by Elizabeth Bentley Hamilton An eighteenth century Spanish dollhouse is luxuriant with brilliant color and exquisite furnishings.

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Emporium Mystery News Auction Gallery Calendar Classified

(212) 787-7279 P.O. Box 1410 NY, NY 10023

Quality Antique Dolls by Mail Return Privilege • Layaways Member UFDC • NADDA 1. How angelic is this rare 12” JDK 247 ‘Hilda’s Sister’ in so scarce a cabinet size. Its creamy bisque, gentle round pools of blue eyes and baby fine original mohair wig express her innocence – all in miniature antique silk finery such as you’ve never seen! $1250

2. What exuberance flows from the big happy heart of this unusual pint size K * R 116A at only 13” long! The gurgling open/closed mouth w/ molded tongue, deep dancing dimples cast in dewy sheen and twinkling brown eyes capture such joy. $1200 2

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ke Gbr. 3. Lifeli – as if y b a B h Heubac self, this 11” a doll it ure, with a tall fig ty all its li persona it among ns a c , n w o lls to your do ght li e d ’s e everyon s 11” circ.

It . y c n and fa has a unique le head n possib expressio only in its ! ced size pronoun int. $895 m d n Signed a xample mint, 4” e ee 150 or fr signed $ ase of the h w/ purc ” example 11

6. 20” Puppenfabrik ‘208’ Toddler – happy boy with round face, shiny shoebutton eyes, tousled caracul wig and playful dimpled smile with tongue sticking out. A pip! $595 7. 18” “Burggrub Baby” – this jubilant character has vibrant blue eyes! What a lively expression so outstanding in color and oily bisque, plus a great dimpled body with fat folds in delightful vintage dress. $525 8. This Choice 15” Bahr and Proschild 620 Character was a special order design of superior quality. With delicate bisque, big trusting round 6 eyes and a unique genteel nature. A pet. $575 9. 18” Smiling Baby Girl – this Morimura Baby with sparkling blue eyes, broad smile with 4 teeth and rosy dimpled cheeks has a great body and very pretty original dress! $375 10. 20” Heirloom JDK 226 more scarce than many other Kestner models, he has the original set grey/ blue Kestner eyes, very fine quality bisque and of course the original body, plaster pate and 26” long 10 antique gowns, etc.! $650

5. Is a 15 Toddler ” All Bisque It is whe big enough? ! elegantl n its y proport io exceptio ned and n is this ra ally fine as jointed li rity with delicate mbs! His fe pink com atures and buttersc plexion with o his stren tch hair belie reserve! gth and $1200

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4. This compelling 16” signed Kestner ‘Hilda’ is such an eloquent exponent of the mold! The meticulous symmetry of the modeling is spellbinding as is the direct uncompromised honesty of her knowing blue eyes. Her tender gentle bisque radiates a peaceful beauty from within. $1895

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11. 20” Outstanding ‘Hanna’ Toddler – desirable name doll from S.P.B.H. in an unusually large size with such delicate breathy bisque molded into a sensitive heart shaped face w/ impish eyes, original lashes and wig too plus her original period ensemble – all mint! $895 12. 14” K * R ‘Kaiser Baby’ – the first character doll ever produced, this classic, in the premiere edition size, has the original K*R body with flawless quality complexion and the rarer brown eyes.

A must! $425 13. 22” Seldom seen Cuno and Otto Dressel grown baby girl about to speak w/long auburn curls, thoughtful maturing expression and very special Dressel body with jointed hands.

Lifelike! $525

Quality Antique Dolls by Mail

(212) 787-7279

P.O. Box 1410 • NY, NY 10023

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14. 1937 Mme Alexander 15” McGuffy Ana – all original with close mouth, braids, label and hat. Excellent! $375 Tiny Terri Lee – mint in original box with label, packaging and fancy lid! $295 15. Schoenhut Roly Poly - scarce baby version with sticker; cute and a great accessory! $495 Rare 11” Schoenhut Toddler – excellent, no repaint, smallest size and vintage clothes too! $750 16. What Fun! 16” Popeye and Olive Oyl – he unplayed, still has cap and pipe! Go Navy! $275 Olive – early rare hard rubber version with orig. dress. Oh Popeye! $295 Both $450 17. 8” Brown Hanna Toddler – in box w/ tissue and orig.

Hawaiian costume w/ long hair and lei $275 Scarce Brown Heubach – mint, top quality and signed $275 18. 10” Mengersgereuth ‘828’ Character – such a pretty one, molded bows in her hair smiling mouth w/ ptd teeth, toddler body and period playsuit. $395 19. Rare Size 25” tall Simon Halbig Lady – mint 1159 with factory wig w/ hang curls, unusual light filled PW eyes w/ lashes, mint signed lady body, gorgeously made ensemble includes purse and ostrich feather hat! $2250 (See #42) 20. Being a deluxe model, this gentle 13” lad has the original mint, signed Dressel fully jtd. body found on some of the Gbr. Heubach Pouty ‘6970’ and he features those tender blue/grey glass eyes too! Just $1750 (see #29) 21. 15” 1920’s FnB ‘Mary Lee’ mint! With hip length curls, early tin sleep eyes/lashes, factory clothes, great color! $295 15” Schoenhut ‘Miss Dolly’ w/ Sleep Eyes – factory union suit beneath such fine original clothes, factory leather shoes w/ holes, orig. signed pate and no touchups! $595

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22. 14” Mint DeFuisseau Character – unique Belgium bisque head doll with complex modeling, great coloring plus all original clothes. $495 23. 5” Rare Bent Knee Kestner – jointed all bisque child, can sit in chair w/ feet down, all orig. fancy clothes and hip length wig! $650 Mint Sitting All Bisque – adorable, with stunning quality and mint mohair tresses. $275 24. Xmas in July – Mini doll size ornaments in orig. East German box. $95 Snow Children, Santas and Babies $75-$125 each, 8” E. Heubach Babies – chubby, sleep eyes characters! $210 each. Too cute!

25. Big Hair Babes – 12” Cameo ‘Bundie’ by Joe Kallus, signed and mint! $295 8” Betty unusual red head with orig. hang tag! $150 26. 3” All Bisque Baby w/ jointed limbs, probably Kestner, mint $145 6” Barefoot Kestner All Bisque – fancy factory wig, original clothes, cobalt sleep eyes, lip line, some petty flaws, just $1800 27. 13” Gbr. Heubach Piano Baby, fully signed; 10” c. head! 5” $295. Mermaid. $75

Quality Antique Dolls by Mail

(212) 787-7279

P.O. Box 1410 • NY, NY 10023

28&35. 16” Kestner Bru “Mariner” “Mariner – earliest of pale bisques, closed mouth tiny carved teeth, darling PW eyes, mint Schmitt style body, perfectly sea worth in her striking couture! $3500.

A prize catch!

29. 13” Sensitive Glass Eye Heubach Pouty $ 1750 (see #20) 30. ‘Wow’ is this really mint, 15” fully dressed Supersize Byelo with its 12” c. head and the signed K&W compo body. Rare brown eyes too!

Have one? $650 31&34. Large, mint and beautifully dressed is this choice 14” Dressel Lady 1469 with her heart shaped face, factory wig and those beguiling original ‘green’ sleep eyes and lashes! $2750 32&33. 13” Simon Halbig 1469 – sparkling crisp features on this dreamy sea maiden with crystal blue eyes w/lashes, gorgeous vintage silk layered ensemble and mohair tresses! $ 3250 34. See # 31 35. See # 28 36. Precious little 12” Dressel Child rarity on her fully jtd. signed Dressel body, raw silk dress and factory orig. heeled leather shoes and fancy underclothes! $595 37. Exquisite Dressel and Kister Model standing 12-1/2” tall with fully extended graceful arms and legs, stunning detail and drama! $750

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38. Heubach ‘Beach Baby’ - 7” chubby, signed mint and very scarce sporting the Edwardian bathing cap! $595 39. Hot sand can’t stop this 9-1/2” Borgfeldt 252 Googly with Kewpie style molded top knot and desirable chubby toddler body with starfish hands! $1100 40. 12-1/2” Very Rare Beach Baby Heubach – mint with bathing cap, striped trunks and shovel! Important yet fun! $1500 41. 5” Mint Victorian ‘Naughty’ – with the original detailed silk and lace negligee and store label! $750 Hertwig ‘naughty’ girl rolling up skirt $175 Asstd. jointed children with Molded Clothes $75 to $150 42. Rare large 25” Halbig 1159 Lady – mint $2250 (see #19) 43. 19” K * R 128 Toddler – a great celluloid flirt with glass eyes, naughty lids and lashes, original wig and clothes. Mint $350

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17 Loch Lane, Rye Brook, NY 10573 • (914) 939-4455 • Fax (914) 939-4569 Accepted Email: poupees57@aol.com • Generous Layaways Member NADDA • Member U.F.D.C.

25 inches of total magnificence. This super rare wood bodied, “Poupee Bois,” a spectacular Jumeau French Fashion, spent her life in sumptuous royal splendor.

Her exceptional body is totally flexible with multiple joints on her arms and legs. Her stand was crafted especially for her and is responsible for the regal stance. She was costumed by Jim Fernando, a nationally known doll expert and costumer, in a luscious deep brown satin, with blue embroidered flowers and exceptional pale ecru lace. Touches like the faux diamond comb atop her original full gorgeous wig, cork pate, antique beaded bag and beautiful antique slippers, we couldn’t stop taking pictures. We’ll answer all questions, please call.

Please see our website or call for more details, and lots more pictures www.evelynphillipsdolls.com

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ANTIQUE DOLL COLLECTOR

JULY 2013

Photography by Paula Claydon

Jay & LOWE

1) 17” Nippon Oriental baby w/fixed glass brown eyes on a jointed composition baby body. Dressed in appropriate oriental clothing, this is a doll that is seldom found especially in such a large size! $950 2) 11” Heubach 8420 character girl on a jointed composition body w/blue glass sleep eyes and dressed in her original provincial clothing. This doll was from a New Jersey collector who primarily purchased dolls in the late 1940`s - the early 1970`s from Margaret Whitton, Grace Dyar, Maureen Popp and other well known old time dealers. Beautiful bisque, excellent original finish to the compo body, slight scuff to doll’s left cheek. $950 3) 9” German bisque headed Candy Container in excellent all original condition.

Marked on rear of head MOA/Made in Germany, the doll stands on a circular candy box with the underside of candy box having a paper label: Huyler`s. the doll is dressed in her elaborate original cotton & lace dress. $325 4) An all original example of an early American tin toy from the 1880`s manufactured

by Althof Bergmann. A clockwork girl on a velocipede, the head is a pressed linen with an “Alice” style hairdo. When the toy is wound it will run forward and give the illusion of the young lady steering as it twists and turns about. $1250 5) 12” kid bodied marked shoulder head Heubach boy. He is on his original leatherette type body but clothing of more recent vintage. A character face with blue intaglio eyes and molded hair. $135 6) 11” Heubach 6969 character girl on a fully jointed composition body. Beautiful pale bisque with blue glass sleep eyes and quite possibly her original clothing. A wonderful cabinet sized character ready to join your collection! $1100 7) 12” Simon & Halbig 1358 black character girl. This doll was only made as a mulatto, such as this example, or with a dark black skin tone. Smooth even bisque with brown glass sleep eyes and still retaining her original curly short black mohair wig & pate. A very desirable doll, she is on a fully jointed composition body (old repaint) and dressed in appropriate antique clothing. $2950 8) A Roullet & Decamp automation featuring a Simon & Halbig lady doll (mold # 1159) at her dressing table. When activated she will raise her right hand with the powder puff, twist & lower her head then raise her left hand with a mirror to view herself all the while a 2 tune music box plays appropriate melodies. The dressing table & lady stand atop of a velvet covered wooden box that contains the music and mechanism. In excellent working condition! $2950

Connie

P.O. Box 5206 Lancaster, PA 17606 FAX 717-396-1114 Call Toll Free 1-888-JAY LOWE or (717) 396-9879 Email: big.birds@comcast.net

Always Looking to Buy Quality Dolls, Toys, Marklin Doll Carriages or Entire Estates Buy & Sell With Confidence Member of UFDC & NADDA

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ANTIQUE DOLL COLLECTOR

JULY 2013

Valerie alerie Fogel's

Beautiful Bebes Attic Finds www.rubylane.com/shop/bebesatticfinds Tel: 425.765.4010 Valerie@beautifulbebes.com Member UFDC & NADDA

15” Wood Body Bru Empress Eugenie Smiling Fashion ~ Fabulous soft face with striking spiral blue eyes, perfect creamy bisque, original blonde wig with long curls dressed in fantastic walking suit and antique sage silk bonnet. Very sought after wood body with swivel waist and articulated ankles. Not shown: Additional teal blue silk ensemble, delicate blouse, slippers, white wear, trunk. $11,250~

Circle Dot Bru Bebe stands at 17 inches of utter charm and a hint of mischief. This is a spectacular Bebe with exceptional fine bisque, huge spiral threaded cinnamon colored eyes with beautiful sweeping lashes and softly feathered brows. Her modeling is crisp and the artist hand is evident in the pale palate of colors that have been used. Long curly mohair wig over orig. pate, original signed Bru Jne shoes, fabulous white pique dress w/ eyelet lace trim. Exceptional doll!

Please call for details & pricing!

With the innocent guile of a small child... we are delighted to present this superb Bebe Bru Jeune 7 from the golden era of Leon Casimir Bru. This luscious Bebe has perfect bisque from head to perfect hands.

Her precious face is clear and sweetly tinted in shades of honey and palest rose, accented by beautiful spiral threaded amber paper weight eyes. She is radiant in an original French auburn mohair wig and a lovely lace bonnet that is pure confection.

She has beautiful full lips and molded tongue. She wears original Bru Shoes and is dressed in a blue and cream frock in an enfantine style that highlights her tender look. Please call or email for details~

Gorgeous doe-eyed 17” Bebe Mascotte by May Freres. Very rare to find in this beautiful mold.

Beautiful bisque, huge dramatic eyes, expertly rendered with fine application of soft feathered brows, sweeping lashes and tender rose accents of lips and nostrils.

Dressed in precious antique silk Bebe dress and sweet straw bonnet over mohair wig. $6900~ Parasol available; $295~

Fantastic 25” Depose 11 from Maison Jumeau~ Gorgeous creamy bisque, stellar couture ensemble with lush antique silk and wax flowers. Pale, dreamy, expressive face w/ hypnotic spiral threaded blue eyes. Straight wrists, marked Jumeau body.

Please call for details~

s ’ i z t FArnitique Dolls

UFDC

Buying entire collections of antique dolls and dolls of merit.

Email: fritzisantiquedolls@comcast.net

The very rare Kestner 208 with blue glass sleep eyes & original blonde mohair wig. She is 17” and in exceptional condition.

We will be at the fantastic UFDC Convention “A Capital Affair” July 29th thru Aug 1st. Public day is Wed July 31st, 12 to 7pm at the Washington Hilton, 1919 Connecticut Ave NW, Washington DC. We are bringing some great dolls including French & rare characters.

Find us in booths 609&611 (first booths to left on the wall) Fritzi’s cell# 630-247-1144 Rick’ cell# 630-247-1219

Sandy’s Dream Dolls Sandy Kralovetz Stop by my booth #705 at UFDC Nationals

Always Buying Dolls of Quality

For a Houston adventure please visit our spacious location at

Thompson’s Antique Center of Texas

Texas’ largest antique center with over 50 antique dolls and accessories for sale.

9950 Hempstead Road 600 Northwest Mall Houston, TX 77092 602.228.1829 281.339.0269 skayk43@aol.com mailing address: 9825 Moers Rd Houston, Texas 77075 Call for doll information Member UFDC & NADDA

16

ANTIQUE DOLL COLLECTOR

JULY 2013

Legendary Collection of Estelle Johnston to be

Collectors dream of finding dolls in perfectly-preserved condition, and this gorgeous Gesland-bodied poupee in totally-original couturier costume, will meet all expectations.

She stands a regal 23” tall.

English wooden dolls from the late 1700s were sought by Estelle Johnston during her London years.

Among her favorites has been this splendid 23”example.

Parisian automaton maker, Jean Phalibois, specialized in imaginative and luxurious vignette scenes under glass domes. This extremely rare example, of which others are not known, features a soothsayer and young child, with beautiful movements and fine music.

T

The fashionably-costumed wax ladies of Lafitte-Desirat of Paris were designed with special posing to accentuate their styles. Three are offered in the auction.

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ANTIQUE DOLL COLLECTOR

JULY 2013

he path toward doll collecting is seldom direct.

You begin by mapping a well-traveled route to discover the dolls of your own memory, and then meander, casually, at first, and later, quite deliberately, into the quest for dolls of other places, other times, and other styles. So it has been with the collecting life of Estelle Johnston.

Born in Montreal, Estelle’s early life set the path for her interest in dolls and costuming, as her favored past-times were making clothes for paper dolls, while watching her mother make a complete trousseau for her Deanna Durbin doll. Her later childhood, after the death of both parents, was spent near Boston in the care of an aunt, and in attendance at Bryn Mawr College where studies in the history of art gave focus to her early childhood interest in dolls and fashion.

Then, living in London in the early 1950s, she and her husband motorcycled 9000 miles overall Europe where she saw “a young man in the festival costume of Normandy, bull fighting in Barcelona, Italians in medieval attire, women in the early morning at the railroad station in Salonika with shoulder yokes carrying milk pails, peasants in Yugoslavia with their feet wrapped in cloths like the pictures in my fairy tale

Auctioned by Theriault’s on July 28 in Washington D.C.

The name doll of the famous Parisian doll boutique, A la Poupee de Nuremberg, owned by Madame Lavallee-Peronne was “Lily”. Lily was written about year after year in La Poupee Modele, Modele and young Parisian daughters were urged to visit the boutique to choose new fashions and accessories for their doll. Evidently, Alice LeFort did just that, for her name appears on the brass label of the accompanying trunk, and the trousseau of Lily is extensive and luxurious.

Two all original wood-bodied chinas, 7.5,” have been beautifully preserved under glass domes.

Known as “staatdamen”, the elegant dames of fine German cities, were created in doll form by wax makers such as Dressel. With distinctive faces, unusual bodies with fancily painted gloves and boots, the ladies are exquisitely costumed, and rarely found.

The Welsh peddler lady (whose head was made in the Grodnertal region) presents her well-laden tray with sewing goods, a sampler, and even tiny Grodnertal dolls. She is one of eight wonderful peddler dolls that are included in the collection.

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In 1852 Queen Victoria bought the Balmoral Castle in Scotland, creating a frenzy for all things Scottish in England. The famous London wax dollmakers presented dolls in Scottish costume, for example, although few were as richly costumed as this 30” lad.

As though her costume was not wonderful enough, the early French poupee has a secret. Her body, in near mint condition, was made by the Parisian shoe-maker, Pierre Clement, whose artistry in forming leather designs was put to good use in his construct of a hollow leather poupee body. So very rare!

The delicacy of the tiny English wax costume dolls, mid-19th century, is as fine as the dolls are rare. Their maker remains a mystery, but their distinctive and charming appeal is not.

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Before Leon Casimir Bru deposed his smiling face model with initial markings, he created his beautiful lady, also with initial markings, and slightly smiling. A luxury 22” size, impeccably-preserved with fabulous costume.

books of childhood…all of this was enlarging my fascination with the different peoples of the world and the many ways of clothing”.

It was upon her return to America, living in Atlanta, that Estelle’s pathway to dolls became clear. “A trip to Maggie Valley [North Carolina] where I discovered Gaynell Denson’s amazing doll museum bowled me over…now what some had been telling me clicked and I wanted antique dolls.”

So began a half century in the pursuit of antique dolls with particular attention on originality of costume and artistic modeling of face and figure. Estelle recalls a return to London during the mid-1960s where she spent weeks visiting every museum available by train. “We flew to London with typical air luggage and returned by ship with countless trunks,” mostly filled with antique doll treasures.

Estelle Johnston’s passion for dolls is both aesthetic and academic. She has been a highlight lecturer and Exhibit Chairman for UFDC, performed conservation work for the Strong Museum and her numerous articles have appeared in Antique DOLL Collector, Doll News and Doll Reader.. Many of her dolls bear blue ribbon awards from UFDC national conventions.

After nearly a half century in her Atlanta home at the top of its own meandering drive, Estelle Johnston is parting with both her home and a

Paper mache dolls by both German and French makers have been a special favorite of Estelle Johnston. Shown here are a couple in traditional folklore costume, she in the very special wedding attire of a Normandy bride.

At a grand 19�, the Grodnertal lady has outstanding painting of curls around her face, and wears her original costume.

French bisque poupees have been a special favorite of Estelle Johnston, and her passion for fashion has led to her acquisition of very fine models in original costumes. Too, the costumes are often disguising the rare body style hidden beneath, many with articulated wooden bodies, others with exquisite bisque arms and hands.

From a wonderful group of early paper mache dolls in the Estelle Johnston collection.

The beauty of the English wax lady is enhanced by her fine original costume.

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Estelle Johnston’s collection is highlighted by superb lady dolls in all mediums. Her models of sculpted hair bisque dolls ranks among the finest, as seen by this lady with extraordinary detail of decoration of hair, bodice, jewelry and with glass eyes.

Regal upright head and aristocratic throat draw one to this doll, and then her rare hair style is the coup de grace.

She stands 20”.

major portion of her illustrious collection, to begin a new stage of her life in California. A few dolls are traveling with her to her new home. The majority of the dolls from the 50year collection will be offered by Theriault’s at an important cataloged auction “In the Company of the Gentleman Bespoken” on July 28 in Washington D.C. In parting with her dolls, Estelle notes, “Although one’s taste can shift with time, the love of dolls has never left me, and I continue to believe that we are very lucky in this passion which has so many avenues to explore”. Meandering paths, indeed.

The catalog is named “In the Company of the Gentleman Bespoken” in homage to Estelle Johnston’s passion for fashion, with a nuanced play on the word bespoken, suggesting either the traditional British word for

Left: Every little detail of the 22” Grodnertal lady is original, layer upon layer of costume, and exquisite painting.

Right: An old paper label on the back states “Peasant Wedding Grodnertal,” aptly describing the meticulously-carved wedding party with hand-painted costumes sits down to a grand feast. At 14”l, with figures measuring about 3”, it is surely a work of art.

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From the early 1800s, the 21” lady has a regal presence that is charmingly accented by her somewhat-whimsical painting of hair and rosy cheeks. All-original, she wears an exceptional embroidered silk costume and is preserved in a fine early hand-decorated box.

elegant custom tailoring or simply a hint that the gentleman is spoken for. Featured on the catalog cover is a French poupee in the costume of a Parisian gentleman in elaborate evening wear, inspired by the 1865 painting “Dinner at the Tuileries” by Henri Baron. The 450 lot catalog opens with the rare Clement-body poupee and continues through page after page of rare treasures, the likes of which are rarely to be found today. For more details about the auction and for photographs of additional dolls see Theriault’s fold-out advertisement on the inside cover, visit www.theriaults.com or call to request a free brochure. The 180 page print catalog, a collector’s keep-sake book, will be available mid-July for $59 including priority shipping and after-sale prices. The auction will be available for viewing online at www.theriaults.com after July 5. For more information call 800-638-0422 or email info@theriaults.com.

The

Enchanting Trousseau of Chiffonnette: I

Journal Des Demoiselles, 1868. “Toilette “Toilette for a little girl. --- Dress in alpaca. Coat in broadcloth ornamented with bands and lappets bordered in velvet. Hat made of velvet.” This fashion plate depicts a little girl, accompanied by two ladies, attending a fair or bazaar. She wears a charming, tailored coat, garnished with narrow bands over the shoulders, falling in short lappets with pendent tassels, all trimmed with narrow velvet ribbon. She is eagerly trying to take a peek at the exciting toys and dolls for sale here. We can see a lady doll wearing a folklorique costume from Normandy, a dandy Polichinelle, and another lady doll, somewhat simply dressed, holding a toy animal. Who can resist this engraving, reminiscent of antique fairs and street markets held in Paris today, such as the famous fairs, Bastille and Saint Sulpice. Each vender has a stall, or stand, almost like a small, separate wooden shop, complete with a floor and roof, painted in the requisite shade of dark green seen throughout the city in park benches and fences, reminding one of the nineteenth century fairs, in all their glory and excitement.

The only detail missing today is the decorative frieze on the top; no doubt it was painted in red and yellow, maybe with an occasional touch of blue, and surely, the stand itself was painted in the dark green color we see today.

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n Paris, under Napoleon III, 1852 – 1870, when the city teemed with pomp and splendor beyond description, the delirium of vanity and extreme richness of attire was at its height. There existed a swarm of dazzling creatures, all full of charm and beauty, who buzzed merrily in a world where fashionable inventions and feminine adornment were lavished upon every member of society.

Following their love of exhibition and luxury, fair young demoiselles delighted in the loveliness not only of their attire, but also the showy splendor of the attire of their dolls. Naturally enough, doll clothing followed the current modes of dress. Unique doll couturiers and dressmakers ruled over this miniature world, keeping pace with the vagaries of fashion. They excelled in the art of creating those thousand and one charming fripperies and pretty trifles that necessarily made up a fashionable doll’s trousseau. Specialty doll and toy shops catered to the happiness of children, featuring the most delightful frivolities and expensive baubles ever to grace their realm.

Fashion was as fickle as the wind, and every season witnessed the introduction of ever-changing novelties in dress.

Among the eccentric whimsicalities of the moment, certain details in style reigned supreme. One in particular which has become a classic for the child dolls made by firms such as Huret and Rohmer was the passion for pointed waistbands and coordinating bretelles.

Waistbands fitting close to the figure, with high points before and behind, were set on skirts rendered full with laid in plaits and gathers. A number of variations were seen to suit every whim and fancy in the world of doll raiment.

Some waistbands, in front, were pointed at the top as well as towards the bottom, and often, this was repeated in the back.

A Classic Huret Dress Simple yet beautiful were those pointed only in front, continuing quite straight to the back, where the ends were either butted together or were lapped over and fastened at the back, usually with hooks and loops, or thread loops.

Varieties in the shape and style of bretelles were also seen. The word bretelle is the same as the French word, bretelle, meaning braces or suspenders.

The fashion of having a band passing over the shoulders and attaching to the waistband can be seen in fashion plates as early as the 1830s and 1840s, in ladies’ and young girls’ aprons, as well as young boys’ trousers. The style adopted for boys’ suspenders were virtually narrow bretelles, with one or two cross bands, or traverses, connecting the two bretelles, and set upon trousers which were full, with side pleats at the waist.

Aprons were found in an endless array of designs. Their bretelles could be slightly rounded or somewhat pointed atop the shoulders, and were attached to the waistband, which was either pointed or straight, with the addition of one or two traverses. These aprons, meant to be decorative rather than utilitarian, were pretty, little fancies made up in silks, often black, elegantly trimmed with ribbons and garnitures, edged with a frill of lace, and most often featured pockets. They obtained a considerable amount of favor, especially for morning wear at home, and were included as part of an ensemble.

Later, in the 1840s, continuing into the 1860s, a design feature closely resembling bretelles was made of the same material as the dress. In French, often, during this period, they were referred to as revers, meaning lapels.

Being shaped like bretelles, they narrowed to a point at the waist, and were sewn onto the dress, rather than remaining separate. They extended to the waist directly in the center, or were

by Sylvia Mac Neil

A pretty, little number in crisp, plaid taffeta, following the dictates of plaid mania in the realm of fashion. Shades of deep green and blue with bands of soft lavender, all beribboned in the narrowest, black velvet. The Tartanic Mania raged furiously in Paris for every article of dress, with children wearing the gayest which could be purchased.

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A simple black dress is garnished with red, silk passementerie in a delightful arrangement, destined to meet with success.

It is set along the edge of the pointed waistband and bretelles, accented with picot loops of black lace underneath.

Soutache embroidery had the advantage of serving for a second dress, because it could be unpicked entirely from the first. This black wool soutache was removed from a child’s dress.

The designs so rich and elegant, soutache was considered one of the most beautiful ornaments upon a dress, here on woven windowpane plaid.

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positioned a bit further apart. The space between them could be unadorned, or trimmed to correspond with the dress, or often remained open, with two or three separate traverses, the front of the chemisette showing underneath. During the 1850s and 1860s, on white dresses of uncomplicated cambric or unpretending muslins, bretelles were slightly gathered, sometimes on a cord, and sewn to the bodice. Their richness existed solely in the simplicity and tastefulness of the needlework with which they were ornamented, and were among those which have excited most admiration in the doll world. Another type, one which was the easiest and most unique, was made with broad bands of ribbon disposed over the shoulders, in the style of bretelles. The same ribbon was used elsewhere on the dress, such as horizontal rows around the skirt, or bows set about on the dress, on the shoulders with descending streamers, or at the waist, with long, uttering ends. The history is long and diverse, gathered from many different sources, culminating in the bretelles featured in the pattern presented here.

As to bretelles on doll clothing, the classic ones were perfectly charming with a point at the top of the shoulder, becoming slimmer and continuing to the waistband where they were sewn underneath. Very much in favor were those which were notched on the shoulder, creating two, sharp points, often accented with bows of ribbon. A pretty effect was achieved by lengthening the bretelles enough to come to the waist on top of the waistband, where they were then sewn. Still others were exceedingly graceful with long lappets in front and at the back, rounded at the bottom and hanging loosely over the fullness of the skirts.

Much taste and skill was displayed in the choice of fabrics and trims used to create these stylish additions to a doll’s toilette. Perhaps the most sought after fabric, one which was favored above everything else, was crisp, silk taffeta.

Another fabric, a model of elegance

Godey’s Lady’s Book, July, 1857.

“Fig. 4. --- Party dress for a little girl from eight to twelve; the skirt of plain cherry colored silk, with three rows of broad net fringe set on flat and plain; peasant waist of spotted muslin in plaits, over which is a narrow bretelle of the same silk as the skirt, with three rows of narrow black velvet, edged by a fall of fringe. Fig. 7. --- Infant’s dress of cambric needlework; it has a bretelle waist, sash, and short flat shoulder knots.”

Journal Des Demoiselles, 1857. “Fourth figure.--Little girl seven or eight years old. --- Dress made up in fabric of green wool and silk; the revers on the bodice, the basques and the double pagoda sleeves are ornamented with bands of moiré of the same color as the dress; on the bodice the opening left by the two revers is filled with little traverses of ruched ribbon.”

Journal Des Demoiselles, 1860. “Little girl. --- Dotted muslin with three ruffles bordered with velvet or taffeta, with narrow black lace; bodice plain, short puffed sleeves, bretelles in velvet or taffeta, like the skirt; bows in her hair.”

Journal Des Demoiselles, 1861. “Little girl. --- Dress of taffeta, garnished with ruffles forming an apron in front, and descending on both sides like a tunic, and continuing on the bodice like bretelles; chemisette with puffed sleeves in muslin.”

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Journal Des Demoiselles, 1862. “Toilet of a little girl. --- Dress in poplin, ornamented with a band of taffeta, bordered on both sides with ruching, bodice neckline low-cut. English sash.”

Journal Des Demoiselles, 1864. “Toilets from Madame Charpentier.

Toilet for a little girl. --- Dress in taffeta; belt with points with bretelles garnished, like the skirt, with crinkled fringe surmounted with a ruche.

--- Chemisette in muslin with puffs; short puffed sleeves.”

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of the period was the ever-changing shot silk, or changeable silk. In a lavish abundance of color, two or three contrasting shades were reflected, where once all was uniform. Ensembles made up in white cotton always looked fresh, white being decidedly the prettiest for summer wear. Heavier cottons such as pique, and others having a woven texture, were much used. Regarding colors, all the tints as varying as those of sea and sky, those hues as light and brilliant as the petals of flowers, and foliage greens of every shade, were endlessly produced in textiles. Shades of royal purple and lavender, pale or deep blues and reds were in vogue, as well as old favorites such as the fawns, grays and browns. The color black was ubiquitous, found in some form in nearly every fabric, and was always considered to be modish and elegant, especially when garnished with a smart, bold color, or a pale, soft tint.

Embellishments were as varied as the imagination of the couturier. Without exception, narrow, black velvet ribbon was highest in favor. Other colors were especially striking when chosen to highlight one of the tones in a plaid or figured material. Wider ribbon of satin or taffeta, with a bordering of woven satin, were popular, especially when pleated with narrow side or box pleats. One of the sensations of the time was the much adored and universally adopted braiding with soutache. The very badge of fashion, intricate and fanciful designs were formed of narrow soutache, usually of silk but sometimes seen in wool, in red, black or white, red being decidedly the most popular.

To suit the most exacting tastes was narrow, silk fringe, often with a decorative heading featuring simple, geometric designs, or intricate patterns of flowers. The caprice for fancy was displayed in the most attractive braids, formed of coils and curlicues of silk, with tufts of velvet or twists of chenille, often accented with jet or crystal beads. Garnitures were set in all the correct places, along the edges of the waistband and bretelles, forming a simple yet stylish bordering, and on the skirt disposed transversely near the hemline.

Such was the fashion of the day. Though couturiers cannot indulge in all the oscillations of haute couture, still we like to have a peep at what is going on in the fantasie world of doll fashion, and catch fresh ideas for making up new toilettes.

The photos of Chiffonnette in this article are excerpted from Sylvia Mac Neil’s book, The Enchanting Trousseau of Chiffonnette. Available to this year’s UFDC’s registrants, it may also be ordered from the author. Approximately 300 pages of photos of Chiffonnette, including many views of each outfit as well as information on each, it is intended for viewing pleasure and enjoyment of classic Huret clothing. Email Sylvia at jimsyl@aol.com

Godey’s Lady’s Book, August, 1864. “Figure 3. --- Child’s dress of green silk, trimmed with two narrow ruffles and ruchings of the silk. Waistband and bretelles trimmed to correspond. The white waist is caught in flutes at the neck, by running a narrow velvet through eyelets placed at regular intervals.”

Journal Des Demoiselles, 1864.

“Toilets from Madam Deplanche. Baby two or three years old.

--- Dress of pique, embroidered in red soutache. Low neckline; narrow belt and bretelles.”

Journal Des Demoiselles, 1865.

“Toilet for a little girl.

--- Skirt in foulard ornamented with squares of velvet transversed by a straight band of velvet. --- Chemisette in muslin, garnished with valencienne entredeux.”

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CONSTRUCTION

This pattern ďŹ ts a 17 inch to 18 inch doll. Make your favorite skirt of the period, either pleated or gathered; the waistband and the bretelles can be made with the fabric remaining. As for trims, choose whichever suits your fancy. Both pieces are fully lined in glazed cotton, resulting in construction which is quick and easy. First, the side seams on the waistband are sewn separately, on the lining and the fabric.

Then, the right sides of the lining and fabric are placed together and sewn, from the center back edge, continuing all along the top, and down the center back. The seams are clipped on the point, and turned to the right side.

Now, attach the trims. The bottom edge is folded to the inside.

A cotton tape measuring ½ inch wide is basted along the fold, the ends being folded under slightly, and basted in place. The skirt is then whipped onto the waistband. On the side seams, sew two, small cross stitches to secure the tape onto the seams.

The bretelles, with right sides together, are sewn along the two long edges. They are then turned right side out, and trimmed.

Next, attach the bretelles to the waistband, as indicated on the pattern. Small stitches along the edges secure them in place.

The waistband fastens with three, small hooks sewn inside on the right, to be hooked to corresponding thread loops placed on the outside on the left.

1. The bottom edge of the finished waistband is folded to the inside.

2.A cotton tape is basted along the fold, the ends turned under slightly.

4.Two, small cross stitches secure the tape at the seams. The bretelles are sewn into place with small stitches all around.

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3.The skirt and waistband are whipped together.

5.The waistband fastens with three, small hooks on the right, on the inside, and three, thread loops on the outside, on the left.

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18” Lenci Tennis Boy 110 Series, blonde mohair wig, brown eyes, felt top & pants, leather shoes, tennis racket, LS embroidered on top $1850.

19” SFBJ Pierrot 301 All Original in net dress, black satin hat, white shoes, mohair wig, blue sleep eyes $795.

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23” Lenci Girl all original 109 Series, 1920’s in green felt appliquéd dress & shoes, organdy unders, blonde mohair wig in original style, brown painted eyes, great personality $2995.

4-3/4” Pair of 292 Kestner Googlie’s all original in Swedish costumes, mohair wigs, blue glass eyes $1595.

20” Incised Depose Jumeau 9 on working Mama pull-string body, blue pw eyes, applied pierced ears $6650.

21” #189-12 Handwerck on early 8 ball body, brown sleep eyes, HH wig, pierced ears, wonderful sculpting $850.

11-1/2” CM Kestner #128, brown sleep eyes, original plaster pate & HH wig $750. 3-1/2” German All Bisque doll Sold

8” Pair of German Bing Cloth Dolls 1921-32, blue painted eyes, original outfits $495.

18” FG 4 Fashion, Francois Gaultier, blue pw eyes, kid body w/ gusseted legs, pierced ears, HH wig, antique clothing $2150.

8-1/2” x 6” x 8” Pouty Heubach possible #7602 pull string mechanical, when pulled doll lays down in bed with toy rattle, marked Heubach in square, works great $550.

12” #7604 Laughing/ Smiling Heubach Boy with open mouth & 2 lower teeth, blue intaglio eyes, molded painted hair, bj body $425.

14” Farnell King George VI in Royal Highlanders Uniform, all original with wonderful detailing, complete w/ sword marked Kobenhaun (handle glued) $375.

49” L x 36” h x 24” w Wicker Carriage w/ original interior (slight staining) and working umbrella, fabulous piece $325.

37-1/2” S & H 1249 Santa 17, wonderfully molded and painted, blue sleep eyes, hands repainted, 1 tooth repaired $2250.

27” Simon & Halbig 1078 13, brown sleep eyes, pierced ears, HH wig, antique hat $675.

11” Steiff Leo Lion with jointed head and legs $275. 10” Norah Wellings with turban, tagged on foot $65. 10” Steiff Oseili Rabbit, mohair w/jointed head, felt apron $155. 17” Steiff Jocko Monkey jointed arms and head, glass eyes $275.

22-1/2” Simon and Halbig 1079, blue sleep eyes, pierced ears, antique undergarments & shoes, 4 left fingers repaired $495. 16-1/2” #43 K star R, S & H on flapper body, blue flirty eyes, pierced ears $425.

24” K star R 122 baby, brown sleep eyes, repair on foot and fingers, sweet doll $495.

10” Norah Wellings Scottish doll tagged on foot $79.95 13-1/2” Schuco Yes- No Monkey, tails mohair missing, toe & thumb had mending $99.95

20” O/M Jumeau #10, blue pw eyes, pierced ears, few wig pulls, paint rub on nose & cheeks, hand paint as is $1495.

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9” wonderful Portrait Jumeau original shoes and chemise $9500.

14 German tramp art stations of the cross - each are 8-1/4” tall x 4-1/4” wide and double sided with glass covering the old prints. $795.

Artist Bear signed Jamie L. Henry ‘94 22” long, jointed. Great accessories $195.

James Hastrich corner room box - furniture sold separately 20-1/2” wide x 9-1/4” tall. $550.

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Antique German horse and wagon - horse 8” long x 9-1/2” tall.

Wagon (without poles) is 11-1/2” long - $425.

Large scale German drop front desk 9-1/4” tall x 5-1/2” wide - $395.

ALSACE, FRANCE:

History, Dolls, and Beloved Uncle Hansi

By Elizabeth K. Schmahl

1. Circa 1882 5” bisque swivel neck French mignonette. Courtesy Theriault’s

T

he different regions of France have historically provided the doll world with some of the most varied and delightfully costumed dolls. Specifically, the traditional costume from the Alsace region is one of the most recognizable French outfits. Often a favorite among doll collectors, the Alsatian costume from the 19th and early 20th centuries is stunningly bold and vibrant.

For example, this circa 1882 5” bisque swivel neck French mignonette proudly wears the traditional costume of her native Alsace, complete with her traditional large black hair bow (photo 1). But in order to fully appreciate the dolls dressed in the folklore costume of Alsace, one must first understand their cultural and historical poignancy.

The costume of Alsace represents something much more profound than simply a regional costume. It represents the sense of national pride, sentimentality, and patriotism that beat in the heart of every French Alsatian during a very tumultuous time in the region’s history, namely from 1871 to the end of World War I.

2. “En Alsace!” by Georges Bertin Scott

Alsace is a region in eastern France near the German border and plentiful in desirable resources. After the Franco-Prussian War in 1871, Germany occupied Alsace, which was not returned to France until the end of World War I. This Great War was a difficult time for much of Alsace. The occupation of this region forced Alsatians to give up their native French language, customs, and laws in favor of those of Germany. This led some Alsatians to flee to Paris and even to other countries. However, other citizens of Alsace sympathetic to France remained in their beloved homeland and continued to hold their heads high with an immense sense of strength and unity. The plight of the Alsatians and their struggle to maintain hope was frequently a subject for political illustrators, artists, and Alsatian sympathizers. For example, this postcard of a 1914 sketch called, “En Alsace!” by Georges Bertin Scott (photo 2) depicts a French soldier tenderly consoling an Alsatian woman. Scott was a successful Parisian artist, military illustrator and reporter for the magazine, ANTIQUE DOLL COLLECTOR

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3. Above: Circa 1910s doll from the Parisian firm S.F.B.J. 4. Left, Alsace-born writer, illustrator, dollmaker, and French hero Jean Jacques Waltz, lovingly known as “Oncle Hansi” 5. Below, 1915 postcard

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L’Illustration. In the foreground of the sketch, Scott captures the anguish of the ”Alsacienne” (ie, Alsatian woman) while behind her, French soldiers instill hope as they continue to fight for the region’s freedom. This same melange of sadness and hopefulness can almost be felt in this circa 1910s doll example from the Parisian firm S.F.B.J. (photo 3) She measures 8.5” tall and has a bisque head marked, “60” made from Jumeau molds.

She has a composition body and human hair wig. She is all original and wears her typical folklore costume. Underneath all the flair and elaborateness of her costume, her closed mouth and dark eyes almost reveal a secret sadness and pain. And yet, she holds her head up high and wears her costume boldly and proudly, hoping for a better tomorrow!

During these tumultuous war-torn years, perhaps no artist embodied the virtues of unwavering Alsatian patriotism and hope more than the Alsace-born writer, illustrator, dollmaker, and French hero Jean Jacques Waltz, lovingly known as “Oncle Hansi” (Uncle Hansi) (photo 4). Born in 1873 in the Alsatian town of Colmar, the artist Hansi was a true French patriot who wanted Alsace to remain French. In the years that surrounded World War I, he served in the French army and was regarded as an Alsatian hero. But he became best known for his political satires and caricatures. Hansi’s illustrations centered upon the theme of Alsatian strength, pride, and patriotism in spite of German oppression.

His illustrations were published by the Parisian company P.J. Gallais & Cie and his postcards and books were sold through department stores such as Le Printemps.

These postcards illustrated Hansi’s genuine heartfelt love for Alsace and concern for the plight of its people. For example, in this 1915 postcard, (photo 5) two Alsatian children are saluting a French soldier as a biplane and bombs fill the sky. Hansi’s beloved town of Colmar is visible in the background. A close-up postcard of Colmar (photo 6) shows the buildings are full of bomb holes and yet the French flags still fly proudly! In another postcard, (photo 7) an Alsatian woman gives a gift of a doll to a baby. The caption reads, “Son Premier Jouet” (His First Toy) and the doll is dressed as a French soldier. Hansi is perhaps best known for the illustrations of his beloved Alsatian characters, Gretel and Yerri. (photos 8,9) These fictional characters captured the unrelenting will, spirit, hopefulness, and devotion to France that embodied the Alsatian youth of this era.

Finally, in 1917, that hopefulness became a reality when France recaptured Alsace. To commemorate this landmark event, Hansi’s

7. An Alsatian woman gives a gift of a doll to a baby.

6. Postcard of Colmar shows the buildings are full of bomb holes and yet the French flags still fly proudly.

8-9. Hansi is perhaps best known for the illustrations of his beloved Alsatian characters, Gretel (above) and Yerri (left).

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10-11. Hansi’s publishing company, P.J. Gallais & Cie, produced and marketed these 7.5” Gretel and Yerri character dolls. They are made of a terra-cotta-like substance called, “Prialytine.” Their original boxes say, “First Prize Contest of French and Ally dolls in Paris 1917”. They each hold a flag that reads, “Vive la France!”

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publishing company, P.J. Gallais & Cie, produced and marketed the Gretel and Yerri characters as dolls (photo 10). The dolls are 7.5 inches tall and are made of a terra-cotta-like substance called “Prialytine.” The dolls are considered Googlieeyed dolls with their side-glancing, hand painted eyes. They have yarn hair and silk and wool clothing. Their original boxes say, “First Prize Contest of French and Ally dolls in Paris 1917” (photo 11). They each hold a flag that reads, “Vive la France!” Their boxes bear the same Hansi illustrations on the front as the 1916 postcards.

The Gretel and Yerri dolls were now a symbol of immense pride in their Alsace victory! Hansi continued illustrating through World War II when Germany yet again briefly occupied Alsace.

He died in 1951, his artwork and his legend remaining a strong part of Alsace history.

Regaining control of Alsace during the early part of the 20th century was an important commitment to all of France. The region was the birthplace of the French national anthem centuries earlier and a symbol of national pride. As such, many French doll companies outside of Alsace sold dolls dressed in the region’s costume. For example, this 8” bisque head Alsacienne made by S.F.B.J. is simply marked “12/0” (photo 12). She wears her original paper tag marked, “Fabrication Français Eden Bébé.”

She wears a blue cotton shawl, felt lace-up bodice, black bow, white cotton apron and red skirt. She has a straw-like wig, most likely made for cost reasons, due to limited availability of materials during this period of time.

The costume of Alsatian women consisted of a large bow in their hair called a “nœud.”

This tiny little French Lilliputien all-bisque doll made in 1912 by S.F.B.J. proudly shows off her large black bow atop her tiny swivel-neck head (photo 13). The Alsace bow, a tradition that began in the 1800s, grew larger and larger over the years. The growth in size of the Alsace bow is said to have symbolized the growing sense of Alsatian nationalism. In this antique photo of an Alsacienne circa 1870s, the lady’s bow is relatively small in proportion to her head (photo 14). This later postcard, circa 1910s, shows an Alsacienne with a huge bow, nearly triple in size from the previous generations! (photo 15) Some Alsatian bows were said to have grown to nearly 3 feet wide in size!

The large “nœud” also defined the Alsatian woman. For many women of Alsace, the bow represented their individual religion and even their marriage status. Black bows were frequently worn

by Protestant women and unmarried Catholic girls. Pictured is a lovely 8” tall celluloid doll, circa 1950s made by the French company Petitcolin, who proudly wears her large red bow as a symbol of her Catholic faith (photo 16). Her outfit, most likely dressed by the La Minor company, is heavily sequined and embroidered. It is also interesting to

12. This 8” bisque head Alsacienne made by S.F.B.J. is simply marked “12/0”.

She wears her original paper tag marked, “Fabrication Français Eden Bébé.”

13. This French Lilliputien all-bisque with swivel-neck made in 1912 by S.F.B.J. proudly shows off her large black bow.

14. In this antique photo of an Alsacienne circa 1870s, the lady’s bow is relatively small in proportion to her head.

15. Postcard, circa 1910s, shows an Alsacienne with a huge bow, nearly triple in size from the previous generations!

16. A lovely 8” tall celluloid doll, circa 1950s, made by the French company Petitcolin, who proudly wears her large red bow as a symbol of her Catholic faith. Courtesy plastickingdom/etsy ANTIQUE DOLL COLLECTOR

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17. This example of an original child’s bow prominently displays this round multicolored symbol of French patriotism.

18. This 9” bisque head Unis France 301 doll with a Bleuette face wears her Alsace costume, including her large bow adorned with the tricolor coquarde.

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note the embroidered stork on the front of her skirt. The stork has traditionally been a symbol of Alsace. Over the centuries, storks were visible on the rooftops in Alsace.

Today, however, the storks are a protected species in Alsace as their populations are dwindling. It is believed that the origins of a stork bringing a “bundle of joy” may have originated with early Alsace folklore. In these legends, a family would place a treat on the window sill in hopes the stork would bring a new arrival to the family in exchange for the treat!

After the Franco-Prussian War in 1871, when Alsace fell to become part of the German Empire, a small tricolor rosette or “coquarde” began to appear on the Alsace bow. The red, white, and blue color of the French flag stood out upon the black background of the nœud, almost in defiance, as if to say, “this land will forever belong to France!” This example of an original child’s bow prominently displays this round multicolored symbol of French patriotism (photo 17). This 9” bisque head Unis France 301 doll with a Bleuette face wears her Alsace costume, including her large bow adorned with the tricolor coquarde (photo 18).

Smaller versions of dolls dressed in Alsace costumes were also manufactured. This 4” all-bisque doll simply marked, “0 ½” is a tiny example of a girl from Alsace (photo 19). Less expensive to produce, her costume is simpler, although she still proudly dons the Alsace bow with rosette. Being that Alsace is rich in agriculture, this little dolly tends to her German Putz sheep on her farm.

This 18” character face beauty is referred to as Lanternier “La Favorite” by the company Limoges (photo 20). Limoges was a company in the Limousin region in the mid-western part of France. She has a bisque head with pierced ears and a smiling disposition and has a composition body. Her clothing is made of silk and cotton. Her Alsace bow is quite large and pronounced.

Another distinctive feature of the typical Alsace lady’s attire was the lace-up “corselet”. The Alsatian woman’s corselet typically laced in front with hooks and was often heavily embroidered and decorated with sequins.

The Alsace outfit also included an empire-waist skirt found in red, blue, and green as well as an apron in a variety of colors, most commonly, white and black.

They wore shawls with fringe and embroidery. While the shawl was at first functional for the sake of keeping warm, in later years, the shawl became a decorative addition to the costume.

The years immediately after World War I were very joyous for the Alsace people. In this postcard, (photo 21) a little girl pretends to greet a French soldier and says, “Be welcome in our home, little soldier of France.

Thanks to you, our Alsace sings liberation!” This precious 8” doll by CIJ (La Companie Industrielle du Jouet), circa 1920s, (photo 22) looks so happy now that her cherished land has been returned to France! She has a composition-like head marked, “FRANCE” and a cheerful demeanor with her darling rosy cheeks! Her black apron is imprinted with flowers.

19. 4” all-bisque doll simply marked, “0 ½”

20. 18” character face beauty is referred to as Lanternier “La Favorite” by the company Limoges.

21. In this postcard, (left) a little girl pretends to greet a French soldier and says, “Be welcome in our home, little soldier of France. Thanks to you, our Alsace sings liberation!”

22. Right, 8” doll by CIJ (La Companie Industrielle du Jouet), circa 1920s

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23. 17” cloth doll by Poupées Raynal.

Courtesy Theriault’s

24. S.F.B.J. 60 Paris 8/0 Bleuette with outfit from 1915 La Semaine de Suzette pattern.

A 17” cloth example of a happy Alsatian girl was made

by Poupées Raynal circa 1928 (photo 23). She also wears a decorated floral apron and her large Alsace black coiffe with rosette. She wears blonde mohair braids and has celluloid hands.

Dolls in Alsatian dress were immensely popular both in France as well as to foreign tourists. They came in all different forms – paper, cloth, celluloid, bisque, etc.

Interestingly, during WWI and WWII, the dolls dressed in Alsace costumes were also used for charitable purposes, as they were sold to raise money to help the young little orphans of France, many of whom lost their families during the wars. Even S.F.B.J.’s Bleuette had a pattern for an Alsace dress! This SFBJ 60 Paris 8/0 Bleuette is wearing an Alsatian outfit made from the 1915 La Semaine de Suzette pattern (photo 24) . It consists of a five-piece outfit with blouse, shirt, apron, corselet, and bow. The Alsatian theme was also found on food packaging like the toy-sized little box of Alsatian cookies that Bleuette is holding!

Alsatian-dressed dolls were also popular in other countries. During the first half of the 1900s, many Alsatians immigrated to other countries such as the United States to begin life anew. As such, the Alsatian costume became very recognizable as a costume specific to

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25. 15” Mollye’s doll.

France. Beginning in 1938, for example, the American “Molly’es International Doll Company” created a series of “International Costumed Dolls”. This example of a 15” Mollye’s doll was marketed as “France” and proudly represents her region of Alsace (photo 25).

This sweet little vintage 1940s doll was made in Argentina but wears a variation of the French Alsace costume (photo 26).

Her costume was likely influenced by the fact that there was a large influx of Alsatian immigrants into Argentina during the tumultuous years between the Franco-Prussian War and both World Wars. The people who left France for Argentina were referred to as “French Argentine.”

The doll measures 7” tall. The doll’s tag reads, “65% Cotton 35% Virgin Wool Imported By Schmidt Bros, Inc Boston, Mass Industria Argentina.”

The Alsace costume embodied the culture of the region. It lifted the spirits and reflected a confidence that times would again one day be better. The costume symbolized the immense courage and patriotism of the Alsace people during decades of unrest and hard-fought struggles. As we collect and appreciate dolls in Alsatian costumes, we realize that their clothing is not merely simply beautiful to admire… we realize that the costumes symbolize those who stood proudly in honor and respect not only for the battle weary Alsace, but for the heart and soul of war-torn France.

26. 1940s doll made in Argentina.

The Legendary Patsy

by Jane Foster Photos by Kim McBurney

Patsy publications from the 1930’s.

Composition Patsy introduced in 1928.

T

he all composition doll Patsy was introduced in 1928 by Efffanbee Doll Company, co-owned by partners, Hugo Baum and Bernard E. Fleischaker. In 1927 she was advertised as “Mimi,” but her name was soon changed to “Patsy.”

Some sources state that Patsy was formerly named “Mimi” after the famous movie personality, Clara Bow. Then Effanbee discovered that “Mimi” was a trademark name used by another doll company. “Patsy” was already a name in the Effanbee line for a mama doll. So they renamed the Patsy mama doll, “Marilee,” and “Mimi” became “Patsy.”

Around this time there was an Irish pilot, James Fitzmaurice, who crossed the Atlantic from east to west. He was honored at a celebration in New York City. He had a seven-year-old daughter 42

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name Patsy who was presented with a “Patsy” doll by a city official. It has been said that Effanbee, at that time, indicated that they had named “Patsy” for this little girl.

Patsy’s past contains several stories about her name change. I don’t think we can be sure which ones have more validity, but we do know that for the parents who could afford the luxury of buying their little girls a doll in the 1930’s, Patsy was often chosen.

Pretty Patsy was designed by the distinguished doll sculptor, Herr Bernard Lipfert. Lipfert designed many dolls for different companies, including Ideal’s Shirley Temple, but he considered Patsy to be his greatest achievement. In Patsy Doll Family Encyclopedia Volume 1, Patricia N. Schoonmaker states “Joan Amundsen reported on visiting the Lipferts at home where they had moved in the early 1940’s to Westbury,

Patsy greeting card from 1930’s.

Long Island. The studio was set up in the large sun porch on the second floor. The artist retired in about 1964 due to arthritis but had kept his studio just as it was. Joan was allowed to explore the artist’s attic which she termed a doll collector’s paradise. The most striking object she saw was a lifesize model head of the Patsy doll with soulful puppy eyes and a rosebud mouth.” Lipfert had died on January 6, 1974.

While Patsy was introduced in 1928, the composition Shirley Temple doll was not introduced until 1934. Interestingly, in doll memorabilia there are found several photographs of the child star Shirley with a Patsy doll.

Patsy and the bisque Armand Marseille doll “Just Me” are very similar. It is believed that there is a very good reason for this. One of the doll companies Bernard Lipfert worked for in Germany was Armand Marseille. After coming to the United States in 1912 he marketed his designs to several manufacturers. After he designed the mold for what would become the very popular toddler doll Patsy, Effanbee bought the model, and the Patsy Family was born.

The Vogue Company reintroduced the “Just Me” dolls in later years. The Vogue Doll Company also made clothes for the Patsy dolls in the 1930’s. Other companies that made clothes for the Patsy Family were Niko, Glad Togs, and Molly’es.

Fleischaker and Baum (Effanbee) were very successful with their advertising. They employed various ladies to play “Aunt Patsy.” “Aunt Patsy” would visit department stores and meet with groups of little girls. The programs she would present would be interesting to the children, and they would be actively involved. Parents liked her little gatherings because in them “Aunt Patsy” emphasized such things as good manners and safety. Of course, information would be given about the latest in Effanbee’s line of Patsy Dolls. In conjunction there was a Patsy Doll Club the children could join. Patsy’s popularity inspired two children’s story books, “Patsy for Keeps” by Esther Merriam Ames, published in 1932 and “Patsy Ann”, 1935, by Mona Reed King.

Composition Patsy’s were approximately 14 inches tall with a molded red or brown hairstyle. The red hairstyle was more prevalent. Some had a molded hairband; some had mohair or human hair (wigs were introduced in 1933). Most had brown painted eyes; it is much rarer to find a painted blue-eyed Patsy. Side-glancing eyes were much more common than centered eyes. Later she was made with sleep eyes. She wore a gold heartshaped paper tag on her wrist or a gold heart-shaped bracelet. The

Patsy’s boyfriend was the delightful Skippy.

Just Me by Armand Marseille shares many characteristics with Patsy.

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22-inch Patsy Lou A parade of Patsyettes, 9 inches.

paper tag had the specific doll’s name and “Effanbee” on it. The gold heart-shaped bracelet read “Effanbee Durable Dolls.” Some of the dolls had original buttons/pins. The Patsy dolls were marked across their shoulders with their names and patent numbers. Some were marked on the head also.

Patsy had a bendable right arm and movable neck joint.

Her head which could tilt and movable limbs helped her to stand with a striking pose, or possibly even without a stand. In doll reference books she is often shown holding a small stuffed animal; some of her taller sisters are shown holding a small Patsy doll – very cute! Wee Patsy with her rigid neck was the exception. She was introduced in 1934 and was marketed as “The Fairy Princess” in Colleen Moore’s doll house. Colleen Moore was an actress and toured the country with her doll house, raising funds for children’s charities.

Another interesting thing about Patsy is that she was the first doll to have extra outfits and accessories that could be purchased. Mamas and little mamas enjoyed this, and so did department and dime stores. There was even a selection of Patsy greeting cards that were available. Patsy wore a variety of clothes – dresses, fur coats, beach outfits; one Patsy even wore an aviator’s uniform which may have been inspired by the story of the Irish pilot and his daughter, which was shared at the beginning of this article.

Several Patsy dolls were costumed in felt coat ensembles.

Perhaps, in making this fashion statement Effanbee was attempting to compete with the Lenci Doll Company, who was producing felt dolls during the Patsy period. There were some Patsies with roller skates. A few were made with magnets in their hands; two of these dolls could be posed as dancing partners. My personal favorites were the 44

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Patsykins – marked Patsy Jr.

frilly organdy dresses with matching bonnets.

Speaking of her sisters, which were introduced from 1928 through the decade of the 1930’s, they were Patsy Mae-29 inches, Patsy Ruth-26 inches, Patsy Lou-22 inches, Patsy Ann-19 inches, Patsy Joan-16 inches, Patsykins-11 inches, Patsyette-9 inches, Patsy Baby-12 inches, Patsy Babyette-8 inches, Baby Tinyette-6 inches, and Wee Patsy-5 1/2 inches. Patsy Baby was advertised and sold as “Patsy Babykin;” but she was marked as “Patsy Baby.”

“Patsykins” was first named “Patsy Jr.,” but was changed.

The thinking was that “Patsy Jr.” sounded too much like a boy’s name. The mold had already been made, so even though after this she was referred to as “Patsykins,” the marking on this doll is “Patsy Jr.” The Tinyettes sometimes came as twins, triplets, or quintuplets. The Effanbee quintuplets were marketed to compete with Madame Alexander’s Dionne Quintuplets. The doll company also made a straight-legged version of the tinyette toddler

1946 Patsy Joan

Wee Patsy lacked the moveable neck joint.

12-inch Patsy Baby

which was 7 to 8 1/2 inches. Some of the Patsy dolls were dressed in alpine clothing of the Tyrolean style because of a musical production that was famous at the time called the “White Horse Inn.” Effanbee also made some Patsy dolls with a historical twist – the colonial Patsyette pair of George and Martha Washington. Oh, and let’s not forget the winsome little Skippy, Patsy’s boyfriend. He was introduced in 1929 and was modeled after Skippy, the cartoon character.

Around 1935 Effanbee decided to make slimmer-bodied dolls to add to the Patsy Family. The older sisters were Patricia Ruth-27 inches, Patricia Lou-24 inches, Patricia Ann-20 inches, Patricia Joan-17 inches, and Patricia-14-1/2 inches. Also there was a “Patricia-Kin” made that was 11-1/2 inches. Her head was a new design by Effanbee. She still looked like Patsy, but she appeared to be smiling just a bit. They made the Patricia dolls to keep up with some of the other doll companies that were making the slimmer dolls rather than the toddler types. Fleischaker and Baum were always on top of the latest doll trends.

Variants of the Patsy doll were made such as 19-inch Tousel Head Patsy Ann with the Effanbee Lovums doll head and Another big sister, Patsy Joan is 16 inches.

Effanbee Mary Ann with a Patsy body. In 1935 Effanbee introduced the Anne Shirley doll with braids. Anne Shirley was the well known character from the movie “Anne of Green Gables.” Effanbee used different variants of the Patsy doll for their Anne Shirley doll.

Due to the popularity of Patsy several other companies made dolls with very similar features. Some of these include “Mitzi” by Maxine Doll Company, “Marilyn” by Acme Toy, “Peaches” by Averill, “Phyllis” by Bouton Woolf, “Sue” by Horsman, “Mary Ann” by Gerling, “Ritzi” by Natural Doll, “Mazie” by Regal, “Sally” by American Character, and “Betty” by Madame Alexander.

In 1946 Effanbee made a composition Patsy Joan with a different hairstyle. Her marking was Examples of the 19-inch Patsy Ann. ANTIQUE DOLL COLLECTOR

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spelled “EFFandBEE.” There was a Patsy doll made in 1959 that looked nothing like the original Patsy. She was made of vinyl and had freckles; but she is marked “Patsy Ann” and made by Effanbee.

Several different people took over control of Effanbee Doll Company in later years and offered different versions of “Patsy.” For example, Robert Tonner reintroduced the Patsy doll in 2003. These vinyl dolls had the same face and little mouth and although some were well-received, they were not as popular as the cute composition Patsy of the 1930’s, who has a special place in many doll collections today.

References: Patricia Schoonmaker, “Encyclopedia of Patsy Dolls”-Volumes 1 and 2 John Axe, “Collectible Patsy Dolls and Patsy-types,” Various articles by Don Jenson and Patsy Moyer.

The Big Sisters Patsy Mae and Patricia Ruth. Patsy’s sisters were introduced beginning in 1928 through the 1930’s.

The doll dressed in blue is the 29-inch Patsy Mae.

American Character Sally, a Patsy type, was one of many competitors.

Valentine’s/Virginia Aris at the

Princeton Doll and Toy Museum Hopewell, New Jersey

Telephone: (609) 333-8600 E J – call for details

7 ½” Googly jointed $4,200

Glass-eyed papier mache $3,000

Email: virginiaaris@aol.com

www.princetondollandtoy.org

French Fashion Doll $4,000

Heubach Screamer $2,500

Lenci Child $595

BE SURE TO SEE US AT THE UFDC CONVENTION SALESROOM

Welcome to the Doll Shop

The Legacy Doll Museum is hosting it’s 6th annual doll event Friday night September 27th (lecture on baptismal dresses) 7:00pm at the museum and annual doll sale (starting at 12;00pm) Saturday September 28th. Hundreds of new items will be offered for sale.

Doll Museum

Vist our website www.legacydollmuseum.com

3206 6th Avenue North, Billings, Montana 59101 • 406-252-0041 Summer hours are 12:30-4:30pm Wed-Sat starting June 26th and ending September 1st 2013

Blackberry Studio Oh Dear, Oh Dear!

What shall we take to Convention!

Margaret Gray Kincaid

Member NADDA and UFDC Cell: 646-709-4340 Margaret.kincaid@gmail.com

Size 2 Dep with box of clothes $1650. Size 0 FG girl with original trunk $3250.

Size 3 Jumeau ED with original trunk of clothes, $8500. See you all there.

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TRAVELING HOUSE An 18th Century Spanish Dollhouse

by Elizabeth Bentley Hamilton

A wide open view shows the red and gold detail around the doors leading to the balconies as well as the interior of the house itself.

The open cover panel reveals the front of the house with its blue and gold balconies, and stable entrance below.

With the cover panel hinges locked in place, the house is ready to travel.

I

n October of 2012, with some excitement, I purchased an intriguing 18th century Spanish dollhouse from Susan Singer, owner of Lucy’s Doll House in Camden, Maine. It had belonged to her good friend, the late Lucy Morgan, collector and founder of Lucy’s Doll House.

Standing on its four metal feet, this rectangular box-shaped house measures 31” in height, 19 1/2” in width unopened, and is 20 1/4” deep.

Made of a sturdy wood, the outside is covered in weather-beaten red heavy paper similar to wallpaper, having decorative gold designs in the four corners of its sides. A front cover panel hooked in place explains the title “Traveling House”, as it secures the contents and protects the house, thereby making it easy to carry without the usual metal handles.

Decorative black metal clasps and hinges attach the protective cover to the front of the house, while others attach the front with its slim glass-encased long doors, balconies, and detailed exterior, to the house itself. The interior walls are of cartone, made from carefully applied layers of pulp, painted with great detail. The ceilings are covered with elaborately painted papers, whereas the flooring has various types ANTIQUE DOLL COLLECTOR

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The top floor is luxuriant with brilliant colors, elaborate decorations and giltwood furniture.

Below left, on her way to the chapel, mother prepares to take her prayer book and rosary from the table under the large crystal chandelier with its blue candles.

Below right, a fulltester bed dressed in melting silk with gold trim stands in the bedroom, separated from the reception area by sliding glass doors.

The hand-fashioned highly decorated child’s bed contains its original wooden baby in her fragile silk dress.

of painted coverings. As Lucy had the house electrified, when the lights are on the rich colors and details are remarkable, especially in a house from the 1700s!

The interior of the house is divided into three floors, unequal in height. The top floor has a very high ceiling, a small hallway leading to a painted closed door, and a bedroom encased in a partition having sliding glass doors! A reception area with walls painted in vibrant tones of Spanish blue, and flooring made to emulate rosa inferno marble, complete the upper level.

A lovely statue of the Madonna and Child from a later date, and a rose colored china vase stand on a giltwood shelf in the bedroom, above which was an empty nail. My grandmother’s antique garnet cross is a perfect fit. The fulltester bed, dressed in rosy-red silk with gold threads used

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for the pattern and trim, is probably from the 1800s, as are the chairs, console and table in the reception area. Above the table in that area hangs a large, beautiful crystal chandelier with blue candles, the very first item I unpacked when the house arrived! A Meissen china cupid stands beneath it.

On the left wall of the reception area are very old little shells balanced on wooden shelves. In the center is an early painted metal shadow box containing the cut-out figure of an angel in flowing robes. A fragile tapestry bell pull hangs on the far wall.

A small carved ivory chair stands near a half-tester child’s bed from the 18th century. Shaped, sewn and decorated by hand with obvious love and care, this beautiful bed from the mid to late 1700s, with its pearls, gold threads and fringe, is completely charming. Nestled atop the decorated sheets is a

Left, an ornate clock and a somewhat frayed tapestry bell-pull adorn the wall above the elaborate handmade chest, which contained the painting of St. Rita of Cascia.

Center, a close-up of the delicate painting of St. Rita of Casica so carefully trimmed with gold threadwork, shows the symbolism which aided in its identification.

Bottom, a short hallway and the kitchen are located behind the dining room which contains four rare quill chairs with old velvet seats and one child’s chair with a seat of feathers. The chairs appear to be tall as the second floor ceilings are quite low.

very early wooden baby wearing her original decorated dress. Hovering nearby is her Niñera, a papier-mache doll wearing her original clothing and coral beads, ready to tend to her little charge. Knowing her baby will be well-cared for, Mother prepares to take her antique prayer book, printed in Spanish, and rosary with her to Chapel, to pray for the safe return of her husband from his journey. She, too, is an early papier-mache, wearing her original dress of green and gold melting silk. Her long, flat heeled shoes are painted blue. Both she and the nursemaid were added to the house from my collection.

Not far from the half-tester, and similar in materials and workmanship, is a highly decorated trunk, in which I found a delicate painting of St. Rita of Cascia, edged in gold thread. Having died in 1457, by the 1700s devotion to St. Rita became widespread. Due to numerous miracles attributed to her intercession, she is known throughout Spain as “La Abogada de Imposibles,” the advocate of desperate cases. In many churches roses are blessed on her Feast Day, May 22nd, due to the recorded account of her request for a rose from her garden, as she lay bedridden the winter before her death. One perfect rose was found blooming on an otherwise dormant bush covered with snow.

The uncorrupted body of this holy Augustinian nun rests in a glass coffin inside the Basilica of Cascia. The rectangular painting is of

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Left-right: A glimpse of the kitchen with its Spanish tile papers, carefully crafted stove and hood.

An early engraving of St. Louis de Gonzaga hangs on the wall of the far hallway which leads to a small reading room with numerous candles for light.

Below, other examples of quill chairs may be seen in the dollhouse collection of the Victoria and Albert Museum in London.

St. Rita peacefully at rest, with a garland of roses above her, her crucifix by her side, and one red rose at her feet.

The middle floor has a low ceiling and begins with a short hallway containing a hand-made bench fashioned with dark painted crossed sticks, which support a lightly padded red velvet seat. A large, very old mirror is firmly attached to the far wall.

The dining room floor is papered in a Spanish tile pattern, and is covered in the middle by a gold color old velvet rug, which matches the tablecloth. The table is set with two striped glass goblets and a large crystal candelabra, a companion to the one on a low table in front of a scenic mural on the left wall. Next to the mural is an imaginative bell pull made from various types of trim. Four wonderful rare quill chairs with gold fabric seats, from the 1700s, surround the table. It was considered a pleasant pastime for ladies of nobility to make such delights as these quill chairs, and other handmade items as found in this house. A large entranceway in the back wall provides a view into the kitchen with its stove and hood, large brass kettle, earthenware, and wall papers of small sized Spanish tile. When closed, curtains properly shield the kitchen from view.

A door in the right wall opens into a hallway with two examples of Spanish religious art, each encased in a decorative metal frame. The first, above a table with two glass-beaded candlesticks, is an engraving of St. Louis de Gonzaga. Once a member of the Spanish Royal Court, he took a vow of poverty and became a Jesuit priest. He was only 23 when he died in 1591, from helping victims of the plague, often carrying them 52

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on his back from the streets to the hospital. Nearby, a wide frame on the second piece contains a painting of the Blessed Virgin Mary, on tile. The hall ends with a small room, and not knowing its purpose, I turned it into a quiet reading room with a chair, books on a table, and candles for light.

A metal lantern, Spanish in design, hangs from the high ceiling of the stable below, in which no detail was overlooked. A wall with three wide openings between two columns separates the front from the back. There is a raised level with a door and railing, ending in steps leading to the front area. A trough under the railing runs the length of the upper level. The last opening contains a stall with a rack of dyed excelsior for hay on the back wall, with bits of hay scattered on the bare floor.

Spanish tile papers complete the flooring for the upper and main levels. While decorative papers are on the walls of the upper level, those of the main area are painted as large stone blocks. Just as the inside of the front door continues the theme of the floors above, the stable theme continues with a large curved central opening having two wooden doors, and a small window with grill work on each side. The only inhabitant is a friendly horse structured of wood, stuffed with excelsior, and covered with a wavy brushed material. He has a mane of human hair, a tail of horse hair, glass eyes and a slightly open mouth.

Two wax dolls dating from 1765 must certainly have been placed in the house by its original owner. Despite the melting silk of the wife’s stylish dress, she and her husband are in amazingly good condition. Molded as an elderly couple, dressed in their original period clothing, they compliment each other perfectly.

Jean & Ken Nordquist’s Collectible Doll Co. Gourmet Doll Supplies for the Discriminating Doll Collector

The stable (above) on the lower level with its water trough, hay stack, cooling down brush and bucket is home to an excelsior packed horse with a human hair mane and a horsehair tail.

*Nordquist Doll Molds *Daisyettes *Bleuette Premiere *Mignonettes *Presentation Displays *Paper Toys for Dolls *Thurlow Patters for Knit & Crochet Outfits *Collectible Doll Fashions

The noble wax dolls from 1765 (left), dressed in their original finery, pay a rare visit to the stable.

With her walking stick in hand, she has come to visit her husband who, still holding his pitchfork, has just put fresh hay in the rack. Having once been an accomplished horseman, but now no longer able to ride, this noble gentleman enjoys an occasional visit to the stable. A wisp of white hair is visible beneath his tri-corner hat. His coat of dark blue with wide cuffs is trimmed in gold braid. He wears a neck scarf above his shirt, and a red waistcoat with four buttons, trimmed with gold stitching.

A work apron protects his dark blue knee breeches, which are partially covered by long wool stockings. Sturdy black shoes complete his attire. A favorite uncle, he and his wife are visiting their niece while her husband is away.

Under her thin linen day cap, his wife’s hair is still blonde. Her overdress of green silk has wide lapels, 3/4 length narrow sleeves, and is fitted to the waist. Open in the front, it reveals a full underskirt of red, yellow and green plaid. Her sleeves and lapels are edged in lace. A red silk bow decorates each lapel. Her stomacher, with its long lines and red lacing, provides the desired pinched-in waist, so fashionable in her day. Petticoats and greatly stuffed pantelettes give the wide-hipped look also demanded by fashion. Slender black boots secure her footing. Wearing their original finery, she and her husband truly do bring the past to the present.

In an effort to learn more about the history of “Traveling House”, I contacted Susan Singer, who told me Lucy Morgan had purchased it years ago from Michael Canadas of Carmel Doll Shop in California. He remembered it well, and said the house came from Madrid, Spain, but unfortunately its provenance was unknown.

He called it a “time capsule”, for although the outside showed some of the ravages of time, the inside was still vibrant in color and undamaged in content – a treasure from the past.

*Finished Crocheted Outfits *Cat’s Paw Doll Jewelry *Feather Trees *Paper Ornaments *Vintage Postcards *Doll Sewing Projects *Leather Doll Shoes *Mohair Doll Wigs *Miniature Accessories Mold & Global Catalogs not shown

Complete 5 Catalog Set - $25 ppd.

Includes $15 money back coupon with purchase.

jeannordquistdolls.com Order Desk

1-800-566-6646 Collectible Doll Company P.O. Box 697, Cedar Hill, TX 75106 ANTIQUE DOLL COLLECTOR

JULY 2013

53

SELL A DOLL IN THE

EMPORIUM BABES FROM THE WOODS

K * R Simon Halbig 116/A 15” open mouth, sleep br. eyes, perfect head and body. $985 Judy Crawford 419-874-6690

Faithful reproductions of hand carved Queen Annes, dolls by Izannah Walker, and Early American Cloth Dolls.

Kathy Patterson Ph. 705-489-1046 toysintheattic@ sympatico.ca

www.babesfromthewoods.com SARA BERNSTEIN DOLLS

BILD LILLIS FOR SALE

Kathy Libraty’s ANTIQUE DOLLS

WWW.RUBYLANE.COM/SHOPS/KATHYLIBRATYSANTIQUES

11-1/2” and 7-1/2”

Visit my website and view Quality Dolls at affordable prices. 100’s of pictures and prices.

Extremely nice condition, 7-1/2” in floral Hong Kong Lilli dress with original swimsuit underneath, orig. poodle; 11-1/2” in reproduction dress with orig. poodle, price negotiable.

732-536-4101 Email santiqbebe@aol.com

www.sarabernsteindolls.com www.sarabernsteindolls.rubylane.com

OR—Buy My Dolls on eBay where I begin most of my antique dolls for just $1—Search seller name kathylibraty.

8 MONTH LAYAWAY PLAN AVAILABLE

WWW.RUBYLANE.COM/SHOPS/KATHYLIBRATYSANTIQUES

Emporium Ads.

Purchase of an ad includes FREE internet ad on our website.

Send us a photo or a digital photo of your doll with a description and your check or credit card information.

We do the rest!! Take advantage of this special forum; the cost is only $95 for a 2.4”w x 2.9”h ad space.

Antique DOLL Collector, P.O. Box 239, Northport, NY 11768.

Phone 1-888-800-2588.

Email: antiquedoll@gmail.com

Email: art@fireweedgallery.com Irene Randolph, PO Box 320, Homer AK 99603 Member: UFDC, NADDA

www.rubylane.com/ shop/fireweedgallery

ANTIQUE DOLL COLLECTOR

WWW.KATHYLIBRATYSDOLLS.COM

Phone: 718-859-0901 email: Libradolls@aol.com MEMBER: UFDC

NEW! LARGER Size

Display French Fashion hats on these antique styled 4” or 6” hat stands.

Each is painted ebony in color with gold banding, crowned with vintage black velvet fabric and braid trim. The fabric crown keeps hat from slipping off! Size choice $35 each plus $4 shipping.

54

Call Sammie 205-413-7535.

Email Sammiewonder@gmail.com

JULY 2013

Do You Have a Mystery Doll?

T

he UFDC Competition Room has a whole new category for “mystery dolls.” The “Antique DOLL Collector” magazine has a section every month featuring a “mystery doll.” These efforts are in hopes that someone will be able to identify the doll sitting in front of them or pictured in the magazine. All that is very well and good, but how do you pack up a 38” doll to take to Convention? What if you cannot even identify the material from which the doll is made?

I have such a quandary to puzzle through. Listed under “paper mache,” I bought my “mystery” on eBay, paying less than $100 for her. I had judged paper mache dolls, but I had never seen the likes of her particular countenance.

When I received her, I was astonished, first of all, by her size.

She is huge! She is so big, she has to sit on a table with my giant Greiners. And she seems to sit back and relax in my office, with her light smile, as if she were enjoying my frustration over who she is, what she is, and when she was made.

First of all, she does not feel like paper mache. She seems in better “shape” than my other big paper maches. Crazing is so slight that it isn’t really perceptible except upon close examination.

Her legs and feet are like none I’ve seen in this category of doll, presumably paper mache. Her clothing looks neither new or terribly old. Her hair is less detailed than any paper mache I have seen.

I sent pictures of her to several prominent dealers. One of them said she had no idea, but maybe she was from the 30’s to 40’s. Another suggested, quite tentatively, that she might be rubber! I even posted her on the antique doll discussion group on Facebook. No response.

Now, I throw my questions about my puzzle of a doll to all of you readers. Study the pictures. Read the text. Please, please, if anyone knows the answers to my “mystery,” the “What is she?”

“Who is she?” “Of what material is she made?” contact me at modollies62@hotmail.com

C

an you help me identify these dolls? The first is a wax-over composition-type, 19-1/2 inches with no markings. She has kid-covered hands and arms, a cloth stuffed body; the eyes do not blink. I believe her dress to be original.

My other unidentified doll has a bisque head.

Although she has no markings I think she may be French as the clothes that came with her have French labels and buttons. Her hair is original but unfortunately chopped off by some young owner. Her body is kid covered, hands are porcelain. She is 21 inches tall. Please call Noonie, 541-343-2898 (west coast) Perhaps there is a doll in your collection that you and others have never seen before.

Send us a high resolution photo and any information you have to antiquedoll@gmail. com (you may also send a print photo to Antique Doll Collector P.O. Box 39, East Petersburg, PA 17520). If you can identify a mystery doll, write to us at the address or email above.

ANTIQUE DOLL COLLECTOR

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NEWS I

Rendevous, Monday Nights and Theriault’s

t’s Monday night and you know what that means. Endless hours of TV sports or some silly reality show. And the whole boring, busy week stretching ahead of you before you can meet with friends about your favorite subject: dolls. Theriault’s has the perfect panacea for this. It’s their latest auction venue, Rendezvous, Monday Night at the Auctions.

“It’s just a little doll fun to see you though the week”, says Luke Theriault who designed the auction concept and conducts the auction in team with raconteur Stuart Holbrook in an irreverent and fun-filled hour – while meanwhile beautiful dolls are auctioned. The auction, which is conducted in Theriault’s headquarter’s office in Annapolis, MD, begins at 7 PM and is designed to last just one hour (“Well, okay, we run over”, says Luke Theriault) with the presentation and auctioning of 50-70 lots.

Due to limited space only 12 people can attend in person (open to all, but advance call-in reservations are needed). And there are many other ways to bid: absentee bids, live telephone bidding, live internet bidding.

Attending bidders come to the party early for pre-auction refreshments and conviviality, and when the auction begins, Internet bidders join the party with a live audio and video feed, and an hour of banter, laughter and trivia all the while great dolls are being auctioned. Some Monday night auctions are designated “theme nights”, such as the recent Caribbean night, and the upcoming Tyrolean night on June 17 in step with a collection of Sasha dolls. “It’s the closest we can come to live television entertainment, and still combine the thrill of auction fun”, says

Stuart Holbrook. One collector, who has “tuned in” to every auction put it more simply, “Now it’s my time!”

One collector who has attended each and every Rendezvous auction says, “I plan my whole week around this. The laughs carry me through the chores of the rest of the week. It’s edgy, a bit offthe-wall, and it’s great fun to see this team of brothers laughing at themselves, and encouraging us in the great fun of dolls.”

To receive notice of every Rendezvous, Monday Night at the Auction, go to www.theriaults.com and register to receive email notices. If you are planning a visit to Annapolis, call Theriault’s at 420-224-3655 or email info@theriaults.com to check the schedule and plan to attend in person.

In Our Memories Don Jensen

F

ellow doll collector, researcher and writer, Don Jensen, passed away unexpectedly on May 23, 2013, at his home in Kenosha. He was born on September 23, 1934, in Racine and grew up there. He attended UW-Madison, where he earned his Bachelors and Masters degrees in Business Administration. Don served two years in the US Army. On his return he worked as a news director for WAXO-AM. In 1963, he joined the Kenosha News as a journalist and retired after a 34-year career. In the 1970’s, Don was president of the Newspaper Guild. He was a member of Friends of the Kenosha Museum and the WGTD Theatre, where he exercised his announcing voice in radio dramas. His love of radio extended to a hobby in short wave.

In retirement Don remained just as active. For years he was a member of the Kenosha Historical Society and became an authority on Kenosha County history. He led history tours and presented re-enactments based on Real Kenoshans of the past and also published a book on Kenosha history. He had regular columns in Communications World and Elementary Electronics.

Don also was very interested in genealogy and researched his family roots in Denmark and his wife Arlene’s in Norway.

When Don and wife Arlene were given a family doll, a new world opened up to them. Soon, both of them were active doll collectors, researchers and writers on the subject.

Don’s two reference books on Horsman dolls stand out. Over 56

ANTIQUE DOLL COLLECTOR

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a period of more than 30 years he wrote numerous articles on many subjects published in Antique DOLL Collector Doll News and other Collector, doll magazines.

Together with Arlene he was an associate editor of Doll News for two years, and they received the UFDC Award of Merit. At National conventions, he presented many programs and seminars. The couple chaired the modern competitive exhibit for several years, served as judges and organized the highlight tours for a number of conventions.

Don and Arlene also presented programs to local doll clubs. In spite of all his accomplishments, Don was always a gentle and approachable person. He was a true friend, always willing to freely share and help where help was needed. He will be sorely missed and certainly never forgotten.

Submitted by Ursula R. Mertz

The Tender Years

17” Incised Jumeau mkd. Depose Jumeau 7. All original. All orig. body finish in excellent condition. Creamy pale bisque w/soft blushing. Bl. eyes. Pensive. TAKE ME HOME LOOK! A real treasure 8,250

Deborah Varner • Member UFDC • 303-850-7800 • queenbeev1@comcast.net

WWW .THETENDERYEARS.NET

14” Jumeau Dep. All orig. Added Fr. mint hat. CM with tongue. Bulging bl. eyes. 3,600.

Not pictured. Gorgeous br. haired 10” Steiner A. Pierced ears. CM. All orig., 7,400 and 10” Couture French Tete Jumeau. Pristine and completely original. Has orig. cork pate w/intact head coil. 11,350

8” All bisque 908 type, all original.

Painted blk. heels, dark br. eyes.

Sweet open mouth and soft blushing.

So much doll in a small package.

Fabulous! 3,450.

26” S&H 1279. Huge brown glass eyes. OM. Abundant curls in orig. wig. Beautiful blushing. Wearing a pink satin dress with lace overlay & tons of lace and embroidery.

Wonderful Fr. hat. 6,500

ANTIQUE DOLL COLLECTOR

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57

Auction Gallery

A

t the recent Auction Team Breker in sale in Germany a collection of belle époque musical automata included the work of luxury Parisian toymakers Gustav Vichy and Leopold Lambert. Vichy’s bewitching Japanese Mask Seller with her original embroidered kimono and twirling paper sold for $52,640 while another exotic figure, the Narghile Smoker by Lambert brought $17,600. Other highlights included a Whistling Boy by Phalibois for $17,600 and a delightful Clown Magician, also by Vichy, $19,200. Bringing a world record was the Apple 1 computer from 1976 which brought $660,000.

A

rare Bebe Triste

by Jumeau, size 16, with pressed bisque head, blue paperweight eyes and fixed wrists sold for approximately $18,000 at the June 1 sale conducted by Chartres auction.

We would like to thank the following auction houses for their participation:

T

his pair of George III English wooden dolls, circa 1780, 9-1/2 inches tall with inset enamel eyes, carved wooden lower arms and fingers, legs jointed at the hips, sold for $16,827 at Bonham’s in Oxford on May 21.

58

ANTIQUE DOLL COLLECTOR

JULY 2013

A

porcelain Huret poupee (circa 1855) with leather body and bisque arms, 14 inches, wearing antique clothing, brought approximately $8700 at Francois Theimer’s May 25th auction in Paris.

Auction Team Breker, Otto-Hahn-Str. 10, 50997 Cologne, Germany phone +49/2236/38 43 40 www.Breker.com Bonhams, Montpelier St, London SW7 1HH www.bonhams.com Galerie De Chartres, 10, rue Clauade Bernard, ZA Du Coudray BP 70129 - 28003 Chartres Cedex, www.ivoire.france.fr Theimer, 4 rue des Cavaliers 89130 Toucy, France www.theimer.fr

TOYS • DOLLS • BLOCKS HUMPTY DUMPTY CIRCUS TEDDY ROOSEVELT SAFARI FARM SETS • TARGET GAMES TENTS • WAGONS • PIANOS BUILDING SETS • POND BOATS R O LY S • C O M I C F I G U R E S QUACKY DOODLES • & MORE! The Schoenhut Collectors’ Club invites you to JOIN NOW!

Worldwide Membership Annual Convention with Seminars, Buying & Selling, Special Events! ● Quarterly Multi-Page Newsletter ● Guaranteed to be Fun! ● ●

Annual Membership: USA $40 • International $55 Museum $10 Send to: Schoenhut

Collectors’ Club,

72 Barre Drive Lancaster, PA 17601-3206 Phone 717-569-9697 Email:jwellsjr47@aol.com Visit www.schoenhutcollectorsclub.org

ANTIQUE DOLL COLLECTOR

JULY 2013

59

GAITHERSBURG Antiques Doll Show

HUNDREDS of SELLING TABLES…

SEPT. 14-15 The 163rd Eastern National Antique to Modern Doll & *Toy Show 2013 Established 1972

Four Times Each Year

©

Over 200 Years of Playthings

SEPT 14 - SEPT 15 SAT 10AM to 5PM - SUN 10AM to 3PM UFDC SUN 11AM to 2PM - Hall 4 Admission $8 Good 2 Days Free Admission With A Copy Of This Ad Email us for Free Coupons and Maps

THE FAIRGROUNDS

16 Chestnut St. Gaithersburg, MD 20877 Building 6 / 4 Exhibit Halls / Air Conditioned and Heated

12 Miles North West of Washington DC (I-270) Exit 10 to red light, turn left, follow fairgrounds signs.

Hotels: HOLIDAY INN 301.948.8900 HILTON 301.977.8900 Ask for special rates for Bellman Doll Show. Book hotel 30 days before each show

3 International Airports Ronald Reagan Washington National (DCA) Dulles International (IAD) Baltimore / Washington International (BWI)

BELLMAN EVENTS 410.357.8451 • 443.617.3590 InfoDOLLS@comcast.net *LIMITED Number of Toys and Games

60

ANTIQUE DOLL COLLECTOR

JULY 2013

Calendar of Events

Send in your Free Calendar Listing to: Antique Doll Collector, c/o Calendar, P.O. Box 239, Northport, New York 11768 or Email: adcsubs@gmail.com.

If you plan on attending a show, please call the number to verify the date and location as they may change.

4/20-10/6/13. Basle, Switzerland. Special Exhibition.

Spielzeug Welten Toy Worlds Museum Basle. www.toy-worlds-museum-basle.ch.

July

8 Annapolis, MD. Rendezvous Auction. Theriault’s Headquarters. Theriault’s. 410-224-3655.

(F) 410-224-2515. www.theriaults.com.

13 Arcadia, CA. Doll Show. Arcadia Masonic Center.

Forever Young Antique & Collectible Dolls.

818-368-4648.

13-14 Jefferson, OH. Victorian Perambulator Museum Celebration. 440-576-9588. www.perambulatormuseum.com.

14 Ewing, NJ. Christmas in July Doll & Bear Show.

W. Trenton Volunteer Fire Co. No. 1. Delaware Valley Doll Club of NJ. 609-599-1498. 609-5888127. www.dvdcnj.org.

19 Annapolis, MD. Ten2Go Auction. Sheraton.

Theriault’s Headquarters. Theriault’s. 410-224-3655.

(F) 410-224-2515. www.theriaults.com.

27 Austin, TX. Toy Show. Norris Conference Center.

Austin Doerr. 512-371-3550.

27-31 Washington, DC. 26th Annual National Doll Festival. Georgetown University Conference Center & Hotel. NatlDoll@aol.com. 831-438-5349.

28 Mounds View, MN. Doll & Bear Show. Mermaid Event Center. C Promotions Plus. Carol Benson.

507-864-3073. www.CPromotionsPlus.com.

28 Washington, DC. Theriault’s Auction of the Private Collection of Estelle Johnston. Williard Hotel. 800-638-0422. stuart@theriaults.com. www.theriaults.com.

29-8/1 Washington, DC. Doll Convention. The Washington Hilton. UFDC. 816-891-7040.

August

7 New Orleans, LA. Doll Convention. Hyatt Regency. National Barbie Doll Collectors.

10 Eagle River, WI. Doll Show. Kalmar Community Center. Enchanted Doll Club of the Northwoods.

Judith Wainwright. 715-479-7132. jnjdubs@gmail.com.

10 San Diego, CA. Teddy Bear & Doll Show. Al Bahr Temple. Crossroads. www.dolls4all.com.

10 Vallejo, CA. Doll Show & Sale. Vallejo Fairgrounds. Nancy Jo Schreeder. 925-229-4190.

(F) 925-229-5369. www.nancyjodollsales.com.

11 Hasbrouck Heights, NJ. Summer Doll Show.

Hilton Hotel. JMK Shows. Rona or Jesse Kohler.

352-527-6666.

12 Annapolis, MD. Rendezvous Auction. Theriault’s Headquarters. Theriault’s. 410-224-3655.

(F) 410-224-2515. www.theriaults.com.

15-17 Nashua, NH. Dolls at Auction. Holiday Inn. Withington’s. 603-478-3232. withington@conknet. com. www.withingtonauction.com.

16-17 Billings, MT. Doll & Toy Show. Billings Hotel & Convention Ctr. Brian Mogren. 406-723-2176.

17-19 Annapolis, MD. Theriault Doll Auctions.

Sheraton. 410-224-2515. (F) 410-224-2515. www.theriaults.com.

17 Olean, NY. Doll Show. Knights of Columbus Hall.

Wendy Kenyon. 585-466-3037.

17 Peoria, IL. Doll & Bear & Toy Show. Barrack’s Cater Inn. Julie Bronski. 312-919-7135.

17 Roanoke, VA. Doll & Bear Show. Holiday Inn Tanglewood. Knight Shows & Events. Howard Knight. 803-783-8049. www.knightshows.com.

24 San Antonio, TX. Doll Show. Live Oak Civic Center. Dorothy Meredith. 830-606-5868.

25 No. Mankato, MN. Doll Show & Sale. Best Western. Lady Slipper Doll Club. Carolyn.

952-873-4489. 507-334-0431.

31 Portland, OR. Doll & Bear Show. National Guard Armory. Crossroads. www.dolls4all.com 31 Westampton, NJ. Doll Auction. Crescent Shrine. Sweetbriar. Dorothy Hunt. 410-275-2094.

SweetbriarAuctions.com.

September

7-8 Greenwood Village, CO. Doll Show & Sale.

Doubletree Hotel. Denver Museum of Miniatures, Dolls & Toys. Deanna Thomas. 303-651-6856. gcthoma@juno.com.

Sunday visit the United Federation of Doll Club’s Inc. in the Learning Room on SEPT 15, 2013 at the ©

163rd Eastern National Antique to Modern Show and Sale in Gaithersburg, MD. Members of UFDC will once again present our doll “show and tell.” See the dolls hear the speakers - have your dolly repaired or restrung - win door prizes!

The featured speakers - to be announced - will be educational and entertaining.

Come join the dolly fun in Hall 4 on Sunday, September 15th.

All events are free and open to all Doll Show Attendees!

Email for information: Director, Region 11 at BSConsultants@aol.com UFDC’s Mission: Educate, Preserve and Conserve!

ANTIQUE DOLLS

Manufacturers of Fine Doll Jewelry, Brass Accessories, Miniature Trunks & Hardware 336 Candlewood Lake Road, Brookfield, CT 06804 Phone 203-775-4717 Email: info@catspawonline.com

Visit our website and shop online: www.catspawonline.com Catalog price is $8.95 post paid

Accessorize Your Dolls!

Cats Paw has been in business since 1982 specializing in quality reproductions made from antique originals, and unique old store stock. Our antique reproductions are made by hand using the lost wax technique, and each item is hand finished to achieve an authentic “antique” look. We offer exquisite doll accessories that only look expensive!

• Jewelry • Trunks • Items for the Boudoir • Buttons and Clasps • Purse Frames • Presentation Boxes • Bleuette Accessories & More

7 Salisbury, NC. Doll Show. Salisbury Civic Center.

Knight Southeastern Doll & Bear Shows.

803-783-8049. www.knightshows.com.

7 Santa Cruz, CA. Doll & Bear Show. Hotel Paradox.

National Doll Festival. 831-438-5349.

7 Talbott, TN. Doll & Bear Show. W. Hamblen County Volunteer Fire Dept. Gail Twine.

865-475-3323.

8 Buena Park, CA. Doll Show. Holiday Inn. Sherri Gore. 310-386-4211.

8 Houston, TX. Doll Show. Double Tree Hotel.

First Houston Doll Club. Carolyn Johnson.

409-945-2796.

8 Maquoketa, IA. Doll & Toy Show. Jackson County Fairgrounds. Sherryl Newton. www.

Easterniowadollshows.com. 319-610-3534.

8 Valparaiso, IN. Doll & Bear & Miniature Show.

Porter County Expo Center. Valparaiso Dolls & Friends. Vera Johnson. 219-476-7384.

11-14 Manchester, NH. Modern Doll Convention.

Radisson Hotel. Modern Doll Collectors. Dodie Vaughn. 763-634-2614.

12-14 Wenatchee, WA. UFDC Regional Conference.

The Coast Wenatchee Center Hotel. Registration required. Wenatchee Valley Doll Club. Yvonne Green. 509-663-7991.

14 Florence, SC. Doll & Toy Show. Ramada Inn. Pee Dee Doll Club. Lynn Benjamin. 843-610-9215.

14-15 Gaithersburg, MD. Doll Show. Montgomery County Fairgrounds. Bellman Events. 410-357-8451.

443-617-3590. infoDOLLS@comcast.net.

14 Las Cruces, NM. Doll Show. Columbus Conference Center. Dona Ana Doll Club. Gloria Sanders.

575-523-1413.

14 Louisville, KY. Doll Show. Holiday Inn Hurstbourne. Knight Southeastern Doll & Bear Shows. 803-783-8049. www.knightshows.com 15 Anaheim, CA. Doll & Bear Show. Anaheim Plaza Hotel. National Doll Festival. 831-438-5349.

15 Cambridge, ONT. Doll Show. Armenian Community Ctr. Maple Leaf Doll Club. mapleleafdollclub@rogers.com. Wade.

905-526-7718.

15 Covington, KY. Doll Show. Radisson Hotel.

Triple Crown Doll Club. 513-376-1670.

16 Annapolis, MD. Rendezvous Auction. Theriault’s Headquarters. Theriault’s. 410-224-3655.

(F) 410-224-2515. www.theriaults.com.

21 Beaverton, OR. Doll Show. Beaverton Elks.

Fashion Doll Club of Oregon. Julie. 503-816-3966.

21 Lawrenceville, PA. Doll Show. Lawrenceville Fire Dept. Brian Laurel. 750-537-2253.

21 Lewiston, ID. Doll Show. Lewis-Clark State College. Lewis-Clark Doll Club. Carmen Moxley.

509-758-5487. smglawson@gmail.com.

21 Roseville, CA. Doll & Bear Show. Placer County Fairgrounds. Crossroads. Dorothy Drake.

775-348-7713.

21 San Diego, CA. Doll Show. Al Bahr Temple.

Delightful Dolls of Southern California.

619-265-0443.

22 Countryside, IL. Doll Show. William Tell Holiday Inn. Julie Bronski. 312-919-7135. ILDollShows@ aol.com. www.illinoisdollshows.com.

26-28 Albany, NY. Doll Convention. Desmond Hotel.

R. John Wright Dolls, Inc. Amy Cannistraci.

802-447-7072. www.rjohnwright.com.

August 17 Roanoke, VA Holiday Inn Tanglewood September 7 Salisbury, NC Civic Center September 14 Louisville, KY Holiday Inn Hurstbourne Check website for shows:

www.knightshows.com Ph. 803-783-8049

KNIGHT SE DOLL SHOWS

27-28 Golden/Denver, CO. Doll Show. Jefferson County Fairgrounds. Lorella Farmer.

303-988-8591.

28 Asheville/Fletcher, NC. Doll Show. WNC Agricultural Ctr. Fairgrounds. Land O’Sky Doll Club. 828-883-4899.

28 Fresno, CA. Doll Show. Hope Lutheran Community Center. San Joaquin Valley Doll Club. Shirley. 559-930-6595.

28 Huntsville, AL. Doll Show. Jaycees Building.

Twickenham Doll Club. 256-479-3251.

Twickenhamdollclub@earthlink.net 28 Pleasanton, CA. Doll Show. County Fairgrounds. www.hermanshows.com 29 Edmonton, Alberta. Dolls & Teddy Bears & Toys Show. Alberta Aviation Museum. Doll Club of Edmonton. Kathy. 780-485-3025.

29 Fort Wayne, IN. Doll & Bear Show. The Lantern.

B&L Promotions. Linda Mangold. 419-228-4657.

29 Plymouth, MN. Doll Jamboree. Crowne Plaza Hotel Minneapolis West. Cindy Prince.

612-720-3628. Cindyprince46@earthlink.net 30 Annapolis, MD. Rendezvous Auction. Theriault’s Headquarters. Theriault’s. 410-224-3655.

(F) 410-224-2515. www.theriaults.com.

October

20 Toledo, OH. Doll Show. Stranahan Great Hall. Sandy Bullock. 734-282-0152.

Sandy4085@hotmail.com.

ANTIQUE DOLL COLLECTOR

JULY 2013

61

VICTORIAN RETREAT Antique Doll Shop

GRAND OPENING This lovely shop is located in the historic Lawler/Heathering House overlooking beautiful downtown Prescott. You will find beautiful German and French dolls, accessories and treasures galore!

Member of UFDC & NADDA

Open by appointment only. Please call Lynne Shoblom at 928-445-5908 or 928-713-1909. Ask about “A Day in Prescott!” We are joining with Bayberry’s Antique Dolls to create a memorable day of antique and doll shopping!

223 E. Union St., Prescott, AZ 86303

www.victorianretreat.rubylane.com • Toys • Miniatures • Doll Molds • Supplies •

Vallejo Fairgrounds

Edison Talking Dolls WANTED

Saturday 9 am

Music Museum

Nancy Jo’s DOLL SALES

VALLEJO, CA August 10 2013

For information send SASE (2 stamps) to: Nancy Jo Schreeder, 305 Robinson St., Martinez, CA 94553 Phone 925-229-4190 Fax 925-229-5369

Website: www.nancyjodollsales.com Doll Related Items • Furniture • Clothes • Bears

ON THE WEB AT:

www.HoneyandShars.com New dolls added weekly

Sharon & Ed KoLiBaBa Phone 623/266-2926 or cell 206/295-8585

Any Condition Doug Burnett 816-210-3684

Edisondoll@yahoo.com

SARA BERNSTEIN’S DOLLS

• Crocheted and knit socks and clothes for small and large antique dolls and others.

• Can copy old doll clothes from originals (sewing) • Replacement arms and legs for china head dolls • Compo bodies and replacement parts for antique and old dolls • Exact copies made of old bisque dolls and some old compo dolls • Miniature and doll house dolls

106 W. Main St., Carlisle, KY 40311 859-289-3344 10 Sami Court, Englishtown, NJ 07726 Ph. 732-536-4101 Email: santiqbebe@aol.com www.sarabernsteindolls.com www.rubylane.com/shops/sarabernsteindolls

Sherman’s Antiques

& Doll Hospital

1103 6th St. N.W. Winter Haven Florida 33881 We specialize in antique and collectable toys and dolls and also deal in all types of antiques. Our doll doctor has over 20 years experience with all doll services performed on site. We make as well as restore teddy bears too. Our doll doctor can make wigs, clothes or any service your doll may need. We are located in central Florida and opened year around seven days a week. Monday thru Saturday 10 am – 5 pm and Sunday 12 pm – 5 pm. Call 863-956-4333 or 863-221-4035. Email: Jerry@Shermansantiques.net Website: www.shermansantiques.net Member of UFDC and Doll Doctors Association of America

FRIZELLBURG ANTIQUE STORE A quality group shop specializing in dolls, toys and holidays. Visit our website today!

www.frizellburgantiques.com Laura Turner, proprietor, 1909 Old Taneytown Rd., Westminster, MD 21158. Open Thurs- Sun 11-5.

We also carry a quality line of antiques, textiles, furniture and jewelry.

30 years of experience where you can buy or sell with confidence. Call us with your wants, we have an ever-changing inventory.

410-848-0664 or 410-875-2850

Hours: 11-4, Thursday, Friday, Saturday or by appointment.

The Doll Works Judith Armitstead (781) 334-5577 P.O. Box 195, Lynnfield, MA 01940

Please visit our website for a fine selection of antique dolls, dollhouse dolls, dollhouse miniatures, teddy bears, all bisque dolls, bathing beauties, kewpies, dresser boxes, snow babies, half dolls, and doll accessories at www.thedollworks.net

Custom Made to Order Email: smacmot@gmail.com phone 406-245-7190 leave message CERTIFIED DOLL APPRAISALS – Doll appraisals online at www.doll-appraisals.com by Certified C.A.G.A. appraiser, for insurance, bankruptcy, divorce, casualty loss, or just to see what a doll is worth, its history, etc.

I can also do appraisals by mail. Victoria Way, P. O. Box 501, Tehachapi, CA 93582. Phone 661-823-7828 or 661-972-7728. Please visit my website at www.doll-appraisals.com or www.antiquedollappraisals.com ANTIQUE dolls and collectibles. LSADSE for color fully illustrated list. 10 month layaway available. Member UFDC & NADDA. Regina A. Steele, 23 Wheatfield DR, Wilmington, DE 19810-4351.

Phone 302-475-5374 Email: RSteele855@aol.com Visit my website: www.ReginaSteele.com ANTIQUE DOLLS – French and German Bisque, All Bisque, Chinas, Limited Ed. Doll Plates. SASE. Ann Lloyd, 5632 S. Deer Run Road, Doylestown, PA 18902.

215-794-8164. Email: alloyd@nni.com RubyLane.com/ shops/anntiquedolls Member NADDA, UFDC

German Kewpies Playing Mandolin

www.TheDollWorks.net

HAVE YOU SEEN OUR WEBSITE LATELY?

RENEW YOUR SUBSCRIPTION LINKS TO YOUR FAVORITE ADVERTISERS SEARCH OUR BACK ISSUES LIST PATTERNS AND MORE AT: WWW.ANTIQUEDOLLCOLLECTOR.COM

Place Your Ad Here a classified marketplace for antique dolls and related merchandise Copy Ads: 35 cents per word, no limit; $12 minimum Ads with a border and boldface, add $10 to word total

It’s where you’ll find ads for auctions not in our print edition – where you can sign up for our sneak peek, a preview of what’s coming in the next issue – check out back issues for sale – renew your subscription – view our calendar of events – and so much more!

WWW.ANTIQUEDOLLCOLLECTOR.COM

BLACK AND WHITE PHOTO ADS we can convert your color ads to black and white 1/12 page ( 2 1/2” h x 2 3/8” w) $40 1/9 page ( 3 3/8” h x 2 3/8” w) $50 FULL COLOR PHOTO ADS 1/9 page ( 3 3/8” h x 2 3/8” w) $125 Please include payment with your ad. Larger ads are considered display ads — call us for information. 1-888-800-2588.

Antique Doll Collector, P.O. Box 239, Northport, NY 11768 Classified ads due no later than the first day of the preceding month of publication. Example: May 1 for the June issue.

Ashley's Dolls & Antiquities

Billye Harris • 723 NC Hwy 61 South, Whitsett, NC 27377 • (336) 266-2608 • Website: AshleysDolls.com • E-mail: AshleysDolls@gmail Visit us on Rubylane.com/shops/Ashleysdollsandantiquities All major credit cards welcome: Amex, MC, Visa, Discover • Generous Layaways • Member UFDC

Located in Stoudtburg Village 8 N. Village Circle P.O. Box 705 Adamstown, PA 19501 Currently open by appointment or Sundays by chance

Come visit us and experience our charming location and superior selection of French and German dolls. We are always interested in purchasing collections and fine quality dolls.

Telephone: 717-484-1200 • Mobile: 610-662-5473 • Email: ourant@me.com

Now there are two ways to buy great dolls from us...

Becky’s Back Room

Open 24 hours a day / 7 days a week, visit our exclusive shop at BECKYSBACKROOM.RUBYLANE.COM New dolls listed every week!