June 2013

Antique DOLL Collector June 2013 Vol. 16, No. 5

June 2013 Vol. 16, No. 5 $595 / $695 Canada www.antiquedollcollector.com

Prices Realized by Theriault’s at Auction, April 14, 2013

French Bisque Bébé “H”

By Halopeau

$40,000

German All-Bisque Miniature Animals

German Wooden Dollhouse

by Moritz Gottschalk

$18,500

German Bisque Dollhouse Soldiers in Original Costumes

$1,700

$2,600

Early German Miniature Doll with Sculpted Bonnet

$2,100

German Bisque Dollhouse Soldier with Sculpted Beard

$2,400

French Bisque Block-Letter Bébé by Gaultier

$5,200

Bisque Bébé Brevete, Size 2/0 by Leon Casimir Bru

$11,500

Announcing Theriault’s Marquis Auction featuring the collection of Estelle Johnston and others, July 28th, 2013 in Washington, DC at the Willard Intercontinental. To receive a free color brochure call Small Courtesies, a 148 page catalog featuring over 800-638-0422.

the dollmasters

350 lots from the Evelyn Ackerman collection is still available for $49. To order call 800-638-0422.

P O B o x 1 51 • A n n a p o l i s , M a r y l a n d 2 14 0 4 U S A • T e l e p h o n e 4 1 0 - 2 2 4 - 3 6 5 5 F a x 4 1 0 - 2 2 4 - 2 51 5 • w w w . t h e r i a u l t s . c o m

Visit my website: www.grandmasatticdolls.com 1-2. 14” Bru Modele Bebe #0, perfect pale bisque, outstanding blue p/w eyes, black liner around rims, luscious lashes, early mauve blush under brows & Fr. ant. mohair wig & orig. pate, wears magnificent French ant. Bru aqua silk dress & Fr. aqua silk hat, ant. socks & “signed” EJ shoes w/rosettes. Brevette face First Generation Bru on RARE desirable fully jointed wooden body (including ankles). This is the most desirable & rarest body of the Bru Bebe doll & she is a rare size #0. Has tremendous presence & OUTSTANDING beauty!!!

CALL OR WRITE FOR PRICE

3-4. 11” Kesnter #184 Character, blue sl. eyes, immaculate bisque, magnificent orig. mohair wig.

Wears her full orig. organdy & lace dress, orig. undies, orig. crocheted socks & orig. pink shoes, added ant. bonnet. On orig. Kestner body. An absolute little DARLING in a great cabinet size!! $3250.

7. 8 1/2” Gebruder Kuhnlenz, beautiful blue glass eyes, 2 upper teeth, great bisque & great newer double braided auburn mohair wig, wears her fabulous orig. batiste & lace dress, orig. undies, orig. net socks,leather shoes & beautiful ant. hat. On orig. body w/jointed knees. A little GEM!!!

ONLY $1075.

5-6. 7” Kester All Bisque Barefoot Pouty, mint bisque, beautiful blue sl. eyes & orig. mohair wig, “swivel neck”, “closed mouth”, perfect bisque overall & rare bare feet. Wears orig. batiste dress & added vintage bonnet. Very pouty face & ADORABLE!!! $2675.

9-10. 24” S & H #939 Closed Mouth, mint bisque, huge blue threaded p/w eyes, early “closed dome” head & gorgeous long newer mohair wig.

Wears orig. batiste dress w/beautiful eyelet flower design, crocheted socks & ant. leather shoes. On fabulous early orig. chunky 8 ball st. wrist body (lower arms revarnished years ago).

EXTRAORDINARILLY beautiful!!! $3600.

r Look fo C in D F U me at: gton, DC Washin 9-Aug 1 July 2

8. 4 1/2” Kestner All Bisque, blue sl. eyes, perfect bisque, “swivel neck” & orig. double braided mohair wig, wearing orig. batiste & lace dress & orig. undies. On orig. all bisque body, perfect bisque overall. Looks exactly like a Kestner #260.

Absolutely ADORABLE in this precious teeny size!! $875.

LAYAWAY AVAILABLE

Member UFDC & NADDA (Nat'l Antique Doll Dealers Assn.)

11-12. 23” Kicking Crying Steiner, desirable “closed dome” head, gorgeous blue threaded p/w eyes, early mauve blush under brows, immaculate pale bisque w/delicately blushed cheeks & orig. mohair wig. Wears beautiful orig. batiste & lace baby dress, orig. knitted booties & great added vintage hat. On orig. body, w/keywind and lever. By far the most beautiful I have ever seen. I normally don’t even buy these, but she is STUNNING!!!

ONLY....$3500.

Valerie Fogel's

Beautiful Bebes Attic Finds www.rubylane.com/shop/bebesatticfinds Tel: 425.765.4010 Valerie@beautifulbebes.com Member UFDC & NADDA

Beautiful 20" French Fashion attributed to Francoise Gaultier. Amazing orig human hair wig in elaborate braided upswept style has rare rooted part and is soft and dreamy.

Beautiful head with lovely wide topaz spiral threaded eyes and long sweeping lashes. Pale creamy bisque with gentle peach tinted cheeks and coral glazed lips. Dressed in frothy lace and silk dress with fetching silk and lace cape-let with hidden sleeves. Gusseted kid body. $3600~ 25" RD Bebe with THE LOOK. This beauty has superior artistic rendering of her beautiful face. Her amber eyes are large and lovely, her lips are full; ripe in deep berry shades. She has perfect bisque. Original wood & compo body w orig patina. A sweet mauve silk dress w/ ecru lace & tatted lace bonnet garnished w/ beautiful ribbon & bead fashioned rosette are the perfect compliment to her lovely complexion.

All framed by an extraordinarily lovely long curly wig. $5500~

Impressive 19" FG Fashion has presence with attitude.

Beautiful milky rose bisque; a lovely backdrop for huge blue eyes w/ pale blue centers & sapphire rims. Mademoiselle's features; sweeping lengths of lashes, multi-stroke arched eyebrows in gentle shade of sienna, lush peach lips. Lavish two piece sky blue silk ensemble confection of lovely fitted jacket & long trailing skirt featuring double rows of scalloped ruffles & delicate ecru French lace; tender fabric in places . Orig. long golden mohair wig embellished w/ side braid & ensemble matched bow. Original boots. $4900~

Beautiful example of F6G block letter Bebe. Cerulean blue p.w. eyes darkly framed w lashes & eyeliner. A sweet raspberry mouth with just a hint of tongue tip. Gusseted kid body, bisque arms and wearing factory orig frock of magenta silk w/ ecru lace & matching wired bonnet. Curly blonde mohair wig over cork pate. Her bisque is free of flaws; radiant in both color and texture.

Fabulous origl leather shoes w/ rosettes on the toes. 17" cabinet size. $5900~

Nelling, Inc.

P.O. Box 4327 Burbank CA 91503 Cell: 818-738-4591 Home: 818-562-7839

Member NADDA and UFDC Left-right: 13” Early French paper mache toy, all original, w/ squeeze mechanism that causes arms to move and a cheerful squeak. Excellent cond. $2850.

22” Magnificent and orig. Steiner Gigoteur, early series w/ palest bisque, cobalt eyes and soft decoration.

Wind key, then crying “Mama”, head pivoting, legs moving and arms waving! $4500.

6 1/2” Door of Hope kindergarten child, rare, adorable and all orig. $1975.

BUYING & SELLING QUALITY DOLLS FOR OVER 20 YEARS Visit us at: www.maspinelli.com • e-mail: nellingdolls@gmail.com

published by the Office Staff: Publication and Advertising: Keith Kaonis Editor-in-Chief: Donna C. Kaonis Administration Manager: Lorraine Moricone Phone: 1-888-800-2588 Art/Production: Lisa Ambrose Graphic Designer: Marta Sivakoff Contributors: Michael Canadas, Ursula Mertz, Lynn Murray, Samy Odin, Andy Ourant, David Robinson Subscription Manager: Jim Lance Marketing: Penguin Communications Publications Director: Eric Protter Antique Doll Collector (ISSN 1096-8474) is published monthly by the Puffin Co., LLC, 15 Hillside Place, Northport, NY 11768 Phone: 1-631-261-4100 Periodicals postage paid at Northport, NY. and at additional mailing offices. Contents ©2013 Antique Doll Collector, all rights reserved.

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MOVING?

Important: We need your old address and your new. The Post Office does not forward magazines. Call 1-888-800-2588 or write to us at: P.O. Box 239, Northport, NY 11768.

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ANTIQUE DOLL COLLECTOR

JUNE 2013

Gala Grand Opening of Carmel Doll Shop At last! One and all are cordially invited to attend the Gala Grand Opening of Carmel Doll Shop in our new, and forever home, in Pacific Grove, California. Please come and help us celebrate the completion of nearly three years of extensive restoration to our historic, circa 1902 building.

Be prepared to party with your hosts, the original bad boys Max and Moritz, as they too, will be on hand to celebrate the launch of their digitally remastered 2-DVD boxed-set that includes Mothers Little Angels, along with the never-beforereleased Max and Moritz – The Hollywood Adventure. The boys and their friends will be in attendance, so come join them and enjoy an elegant day of not only delicious refreshments, but also get acquainted with Max’s and Moritz’s new digs.

Mark your calendars for a day of festivities!

Saturday, June 22, 2013 is when all the fun happens at 213 Forest Avenue, Pacific Grove, California.

Bring your doll friends along, and plan to have a whole lot of fun - Max and Moritz style. But please be nice and drop the boys a note to let them know you will be in attendance.

Festivities begin at 11am and will last as long as Max and Moritz do!

Carmel Doll Shop 213 Forest Avenue, Pacific Grove, CA 93950 Michael Canadas and David Robinson (831) 643-1902 Members of UFDC & NADDA Visa/MasterCard/American Express/Layaway • Always Buying, Selling and Trading Fine Antique Dolls

Please visit WWW.CARMELDOLLSHOP.COM Carmel Doll Shop can now be found on Ruby Lane – buying has never been easier!

The Complete Guide to Antique, Vintage and Collectible Dolls

June 2013 Volume 16, Number 5

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36

“THE LANGUAGE OF THE FAN” Flirtation and Love in the Doll Room!

Kathleen Crescuillo A 19th century woman well versed in the art of flirtation could make her intentions known to the gentleman who had captured her heart by certain movements of her fan.

PAPER IS NOT JUST FOR WRITING! by Marina Tagger

A comprehensive look at the production of papier-mache and how it was used for doll making from the early 19th century to 20th century American composition.

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THE LENCI GIRLS – SERIES 110 AND 149 Judy L. Fisher

Perhaps the most beautiful dolls made by Lenci during the golden era, the author uses early catalogs and photos of these two series to show their similarities and subtle changes over the years.

About The Cover Flirting has existed as

long as social interaction between the sexes, yet the methods used to convey interest have changed dramatically. In her article Kathleen Crescuillo discusses the history of the fan and its use to convey romantic intentions. Exquisite fashion dolls enact a tale of love and intrigue using fans to indicate their feelings in this beautiful article.

Cover photo by Kathleen Crescuillo.

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STUDYING DOLLS – AN EVER ENRICHING EXPERIENCE

by Ursula R.Mertz The author discusses Horsman’s “Rosebud Babies” as well as unusual American cloth mama dolls with bisque heads.

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ANTIQUE DOLL COLLECTOR

JUNE 2013

12 Auction Gallery 14 News & Mystery

57 59 60 63

Emporium Book Review Calendar Classified

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THE DOLLS OF MICHAEL LEE LITTLE MAN - BIG HEART

by Margo Delaughter The discovery of a delightful 10-inch Chinese toddler begins a quest for information about the Chinese gentleman who created dolls to help his fellow man.

(212) 787-7279 Quality Antique Dolls by Mail P.O. Box 1410 NY, NY 10023

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1. 14” Elusive ‘E.J.’ Jumeau – a scarce ‘middle period’ Bebe with gentle brows, oversize almond eyes, shaded lids, creamy bisque, faint hl, original 8 ball stiff wrist signed body plus vintage couture and original shoes! Just $3800.

2. Spectacular 24” Patrician Lenci Lady – w/ 2 tags, slender jointed body for sitting, richly attired, heeled shoes and the most artful face ever on a Deco Art Doll. $2200.

3. 18” Gbr. Heubach rare Glass Eye Pouty – more rare than ‘6969’; such sensitivity in this tender squire with iridescent blue eyes, fully brushstroked solid crown and perfect closed lips. So very dear! $2500 .

Return Privilege • Layaways Member UFDC • NADDA

4. Historic Johnny Gruelles – one of three of the documented prototype pairs of pre-Volland dolls handmade

by Johnny Gruelle himself! This ‘signed’ Raggedy Ann comes with a very rare and important early Andy also in its original clothes. Smithsonian caliber dolls with documentation/ provenance. $5000 for the pair.

5. Vintage American charm exudes this unusual 20” Brown American Primitive rag doll, someone’s best friend, with black hair, button eyes and very quaint clothes – a classic! $1495.

6. 16” Early Jumeau Poupée w/ mint Bisque Arms – factory orig. silk couture c. 1860s with earrings and shoes, mint wig in orig. set and a sumptuous luminescent beauty set around her aristocratic blue PW eyes. $4500.

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10. In the rarified company of AT, Bru and Schmitt comes this breathtakingly lovely, rare and 7. 1870’s Simon Halbig Fashion – all original from chapeau and mohair important ‘Block Letter’ F.G. Bebe, an intoxicating bouquet of dewy wig to pretty leather shoes and her bisque, shaded lids, flawless kid fashion body in ornate layers of silk, she’s a spring lily with early PW symmetry and gentle dreamy eyes.

This is the one. $4900. eyes – a 14” beauty! $1750.

11. In 1890’s style Comedia del Arte 8. 11” 1840’s Cabinet China – so is the Rare 6” Kuhnlenz ‘Pierette,’ antique! V part, side paneled waves a slender french style mignonette loop into a coiled bun, original straight leg kid body with the mitten with socket head and glass eyes!

Mint! $1250. hands, vintage silk gown – quite the gem! $1600.

12. One of a kind 30” Important Naïve American Black – fabulous 9. Rare 29” Adelina Patti Mache – lanky Folk Art blue ribbon winner original paint and varnish, a classic 1850’s American presentation with the with orig. paint, exaggerated stiffened fabric features, skin wig, early leather chunky body, original dress, slippers and jewelry plus the romance you love arms w/individual fingers and ring!

A masterpiece! $2500. in these dolls! A rare one! $1495.

Nancy A. Smith Member NADDA and UFDC

Box 462, Natick Mass. 01760-0005 Phone: (508) 545-1424 E-Mail: nasdoll@comcast.net

Two rare 1870’s cloth dolls.

20” Hawkins.

26” Weigand. $2000 each.

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ANTIQUE DOLL COLLECTOR

JUNE 2013

Auction Gallery

Theriault’s April 13 & 14 PO Box 151, Annapolis, MD 21404 U.S. and Canada: 1-800-638-0422. www.theriaults.com

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os Angeles was the venue for two important sales conducted by Theriault’s the weekend of April 13 and 14. Saturday’s auction entitled “Remembering Mama” featured the collection of Barbara Poppenheimer of Mississippi and the archives of the Hobby City Doll and Toy Museum. The Sunday auction, “Small Courtesies” offered the collection of the late Evelyn Ackermann, an artist, designer, author of three esteemed books on dolls and toys and a frequent contributor to this magazine. Below are some highlights of these two sales.

Prices do not include the buyer’s premium.

Remembering Mama

Small Courtesies: The Evelyn Ackerman Collection

Pictured on the cover of the Ackerman book, The Genius of Moritz Gottschalk, this 28 x 28 x 19-inch blue roof wooden dollhouse brought $18,500.

20-inch classic bebe by Leon Casimir Bru with signed Bru shoes, $16,000

Bru Brevete, 18 inches, antique costume and signed Bru shoes, $25,500

27-inch German brown-eyed china, $10,000

Premiere series of E.J.A., marked A 10, 25 inches, c. 1879, $19,500

Petite Bebe by Schmitt et Fils, size 2/0, 11 inches, $7,500 Right: Early portrait bebe by Jumeau, 14 inches, original wig, c. 1878, $9,500 12

ANTIQUE DOLL COLLECTOR

JUNE 2013

Bebe “H” by Halopeau, 13 inches, marked 3/0. $40,000

Schmitt et Fils bebe, 13 inches, antique costume, c. 1882, $8,000

Size 0, Bebe Bru Jne, 9-1/2 inches, $6,500

Block letter bebe by Gaultier, original costume, 12 inches, $5,200 More Auction Gallery on page 56

Theriault’s NEW

Monday Night at the Auctions Upcoming Rendezvous Auctions for June 2013 Collectors are calling Theriault’s new Monday night

mini-auctions (50-75 lots) the best new event for doll

collectors in years. At 7 PM Stuart Holbrook and Luke

Theriault jointly take center-stage to present wonderful dolls in a laughter-filled one hour auction event

beamed right in your living room, courtesy of Proxibid live audio/video feed. Live online bidding is available, as well as telephone bidding and absentee bidding.

June 10, 2013

Rendezvous - Monday Night at the Auctions will feature a general auction of estate antique dolls.

June 17, 2013

Rendezvous - Monday Night at the Auctions will feature a one-owner collection of Sasha dolls.

June 24, 2013

Rendezvous - Monday Night at the Auctions will feature “Big and Little” antique dolls over 30” and under 13”.

To receive notice of every Rendezvous, Monday Night at the Auction, go to www.theriaults.com and register to receive email notices. If you are planning a visit to Annapolis, call Theriault’s at 410-224-3655 or email info@theriaults.com to check the schedule and plan to attend in person.

 the dollmasters P O B o x 151 • A n n a p o l i s , M a r y l a n d 214 0 4 U S A • Te l e p h o n e 410 - 2 2 4 - 3 6 5 5 • Fa x 410 - 2 2 4 - 2 515 • w w w. t h e r i a u l t s . c o m

NEWS

The Victorian Perambulator Museum Celebrates 25 Years July 13 & 14

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ocated in Jefferson, Ohio, the Victorian Perambulator Museum boasts the largest and finest known collection of early wicker baby and doll carriages.

Handmade of natural fibers and fashioned in artistic, intricate and ornate designs and shapes, each carriage is a work of art that embodies the tastes of the Victorian era. The museum also offers children’s toys, games, dolls and other items of playthings of the 19th century.

The anniversary festivities July 13 & 14 will include new exhibits, their new 25th anniversary ornament for purchase, music, door prizes and refreshments. Admission is only $4 during the celebration. For more information call 440-576-9588 or visit www.perambulatormuseum.com

Do You Have a Mystery Doll?

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purchased this doll from a woman whose grandmother had died leaving her a collection. I just love the beautiful coloring in her face. She is totally unmarked and I have found no one who is confident in identifying her. Can you help me? Jan Taylor, email: dollymama45@att.net KY Doll and Toy Museum, 106 West Main Street, Carlisle, KY 40311

NEWS

Toy and Miniature Museum of Kansas City Announces Plans for Museum’s Future as a National Museum

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he Toy and Miniature Museum of Kansas City announces its first public capital campaign with a goal of $9.2 million to achieve three important objectives: improve the museum’s environment, build the endowment, and create a master plan for exhibits and interpretation.

In just the last ten years, 27 toy and doll museums have closed, and with them, an important piece of Americana. The capital campaign will help ensure long-term care of the collection and its availability to the public for study and enjoyment.

Last October, the Toy and Miniature Museum kicked off its 30th anniversary celebration by announcing plans to change the museum’s name to the National Museum of Toys and Miniatures. The name change helps transition the institution from one of Kansas City’s bestkept secrets to the nation’s leading museum of fine-scale, contemporary art miniatures and antique toys. “While we celebrate our 30th anniversary and founders Mary Harris Francis and Barbara Marshall, we are continuing work implementing a strategic plan which honors their important legacy,” said executive director Jamie Berry. “We are enthusiastic about the museum’s future and hope you share in our excitement.”

For more information, call 816.235.8000 or visit www. toyandminiaturemuseum.org.

HAVE YOU SEEN OUR WEBSITE LATELY?

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his pair came into my church flea market. I think they are possibly very thin composition or celluloid, even the ladies in my doll club were not sure of the material. Bodies are cloth and they wear their original clothing.

I would love to know who made them.

I can’t find any marks. Thanks. Donna Sypniewski, email: dolznberz@aol.com Perhaps there is a doll in your collection that you and others have never seen before. Send us a high resolution photo and any information you have to antiquedoll@gmail.com (you may also send a print photo to Antique Doll Collector P.O. Box 39, East Petersburg, PA 17520). If you can identify a mystery doll, write to us at the address or email above.

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ANTIQUE DOLL COLLECTOR

JUNE 2013

It’s where you’ll find ads for auctions not in our print edition – where you can sign up for our sneak peek, a preview of what’s coming in the next issue – check out back issues for sale – renew your subscription – view our calendar of events – and so much more!

WWW.ANTIQUEDOLLCOLLECTOR.COM

Sandy’s Dream Dolls

From Arizona to Texas Sandy Kralovetz

Always Buying Dolls of Quality

For a Houston adventure please visit our spacious location at

Thompson’s Antique Center of Texas

Texas’ largest antique center with over 50 antique dolls and accessories for sale.

9950 Hempstead Road 600 Northwest Mall Houston, TX 77092 602.228.1829 281.339.0269 skayk43@aol.com mailing address: 9825 Moers Rd Houston, Texas 77075 Call for doll information Member UFDC & NADDA

Dressed in her antique wedding gown, this 21-inch Bru Smiler is ready for her June wedding.

She is absolutely beautiful and ready for her new home. She has blue PW eyes and the original blonde wig. Her original dress is displayed in the box beside her.

Marion Maus Specializing in Dolls and Miniatures

Ellicott City, MD • Email mmausantiques@gmail.com Phone 443-838-8565 • Member NADDA, UFDC 16

ANTIQUE DOLL COLLECTOR

JUNE 2013

The

Language of the Fan Kathleen Crescuillo

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n every social interaction between men and women flirtation is an essential part. Unlike the current times of texting, IM, online dating, and social networking, the 19th century Victorian could not easily converse with the opposite sex in public, due to restricting social etiquette. As you know dating was not taken as casually as it is now but rather with the main object to secure a good marriage with a reputable mate. Intensive courtships were usually followed by a socially acceptable marriage. Social etiquette disapproved of explicit sexual advances, but indirect or suggestive intimations may at times been considered acceptable. It was an era where everything was more restrained and left to the imagination. Women’s roles were romanticized, becoming pillars of chaste virtue that should aspire to be perfect wives and mothers. Men were required to appear honorable and polite. A man was only seriously considered as a suitor if he had successful prospects. Current flirting is very similar in many ways to time honored flirting but more blatant in its approach. Banter, blowing a kiss, casual touches, coyness, eye contact, flattery, footsy, giggling, imitating, touching one’s hair, and smiling with eye contact directed to the intended recipient are still behaviors that let one’s interest be known. The messages conveyed on the whole are those of love and attraction. It is the methods used to follow up on these approaches of intent that differ from then and today. A young lady did not want to be too obvious about her flirting and take the chance of comprising her reputation. A feminine body language evolved as a way to indicate secret intensions. Many props such as parasols, gloves, handkerchiefs and fans were used to convey these secret messages of intent. Some actions, no matter the prop used, can have the same meaning; for example, drawing a handkerchief or a fan across the cheek in a practiced way means “I love you”. This form of sign language was published in contemporary etiquette books and magazines. The Original Fanology or Ladies’ Conversation Fan was created by Charles Francis Badini, and published by William Cock in London in 1797. In gesture, in repose, the lady was invariably revealed by the way she managed her fan. At the opera, social events, balls and soirees flirting was allowed, following the strict rules of etiquette. How the lady positioned her fan conveyed a coded message understood by any society gentleman.

The main rules must have been practiced just to remember them, not to mention the young fellows who also had to learn the language of the fan. Not only could a lady use her fan to communicate quick emotions but have whole conversations in a sort of fan Morse code. If a girl didn’t know the correct fan signals then she could make some serious social blunders. The art of fluttering was said to take months to master, many girls and gentlemen doubtlessly spent hours practicing. Women flirted with danger, sending out signals to attract a lover or rebuff him. They enjoyed these dangerous liaisons, where reputations were made and unmade all under public gaze by expressing their heart through the language of the fan.

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ANTIQUE DOLL COLLECTOR

JUNE 2013

The Language of the Fan Carrying in the left hand, open: “Come and talk to me”

Carrying in right hand in front of face: “Follow me”

Gazing pensively at the shut fan: “Why do you misunderstand me?”

Twirling it in the left hand: “We are watched”

Carrying it in the right hand: “You are too willing”

Cover the left ear with the open fan: “Do not betray our secret”

Placing your fan near your heart: ‘I love you”

Twirling in the right hand: “I love another”

Drawing across the cheek: “I love you” Presented shut: “Do you love me?”

Drawing across the eyes: “I am sorry”

Letting it rest on the right cheek: “Yes” Letting it rest on the left cheek: “No” Open and shut: “You are cruel”

Dropping it: “We will be friends” Fanning slowly: “I am married”

Fanning quickly: “I am engaged” With handle to lips: “Kiss me” Open wide: “Wait for me”

Placing it on left ear: “I wish to get rid of you”

Drawing through the hand: “I hate you” Placing behind head: “Don’t forget me” With little finger extended: “Goodbye” Quickly fanning herself: “I love you so much”

Resting the fan on her lips: “I don’t trust you”

Touching tip with fingers: “I wish to speak with you”

The shut fan held to the heart: “You have won my love”

Carrying in left hand in front of face: “Desirous of acquaintance”

Presenting a number of sticks, fan part opened: “At what hour?”

Clasping the hands under the open fan: “Forgive me I pray you”

Shut the fully open fan very slowly: “I promise to marry you”

The shut fan resting on the right eye: “When may I be allowed to see you?”

Fanning herself with her left hand: “Don’t flirt with that woman”

Carrying the fan closed and hanging from her left hand: “I am engaged Carrying the fan closed and hanging from her right hand: “I want to be engaged”

Quickly and impetuously closing the fan: “I am jealous” Half-opening the fan over her face: “We are being watched over”

Texting abbreviations are now used much like the fan flirtations of the past. These are some of the more interesting ones.

Text: BTYCL? (Booty call) Fan: Open fan slightly over heart and flutter it to indicate the time of your rendezvous.

Both mean: I am interested enough for a tryst.

Text: BM&Y (Between me and you) Fan: Cover left ear with closed fan. Both mean: Keep our secret.

Text: MOS (Mother over shoulder) Fan: Fan closed, place tip to lips. Both mean: Hush…we might be overheard.

Text: ILU (I love you) Fan: Place the tip of your fan to your heart. Both mean: I am really interested.

Text: BIH (Burn in hell) Fan: Lower an open fan and point it at the ground. Both mean: I want you to get lost.

Text: TILIS (Tell it like it is) Fan: Place tip of closed fan to nose. Both mean: I mistrust you.

Text: BOOMS (Bored out of my skull) Fan: Yawn behind a closed fan.

Both mean: Your conversation is not stimulating.

Text: GIAR (Give it a rest) Fan: Place your chin on the tip of the fan. Both mean: I don’t believe your compliments.

Text: NFM (Not for me) Fan: Open your fan and make a brushing movement like you are swatting an annoying fly. Both mean: I want to let him down gently.

Text: URH (You are hot) Fan: Open your fan and use it to coquettishly hide your eyes. Both mean: I am interested in you.

ANTIQUE DOLL COLLECTOR

JUNE 2013

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A collection of fans includes several miniatures made by the author.

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he history of the fan goes back to ancient times in Egypt with the use of palm leaves to cool and swat insects. The folding fan arrived in Europe when it was imported from China and Japan by Portugal and Spain, and gradually came into use in most European courts.

By the eighteenth century most countries were making fans of some kind and fan painting had become a recognized craft. Fans were an essential fashion accessory and styles echoed the trends in fashionable dress. As an indispensable part of a woman’s wardrobe, artists increased the number of motifs represented on the fans and used more attractive and fashionable materials. Fans were made as a part of an ensemble sometimes with a piece of fabric from a new gown being put aside to complete the outfit. Decorative styles varied according to the country of origin and changing taste in dress. In France the demand for fans led to the creation of a special guild of master fan makers and workshops. Later in the 18th century France became the principle manufacturer of fashionable fans.

With the arrival of department stores in France, fashionable accessories like the fan were mass produced and available to the less well-off strata in society. Paris became the capital of fashion.

Fans were made from a diverse range of materials: tortoiseshell, ivory, bone, mother of pearl, metal and wood.

They were highly decorated jeweled, carved, pierced, gilded, lacquered, painted, printed or simply left plain.

Depending on a woman’s social status and economical position, a fan could be a work of art.

The folding fan was the most common and convenient style. Folding fans are made up of a set of identical sticks ANTIQUE DOLL COLLECTOR

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with a pleated leaf or separate silk petals. There are two outer sticks or guards that are usually wider, of a more ornate shape and are frequently decorated. A rivet holds the sticks together at the base. Other styles included the Brisé fan, made of touching and overlapping sticks that are linked together at the top with ribbon and a Cockade fan, a simple rigid shape on a handle.

There were many beautiful antique fans created in the past centuries that still survive to be admired and collected. Choice examples of antique fans can be extremely expensive and in demand by the serious collector.

My interest is in collecting antique French Fashion lady dolls and their accessories from the second half of the 19th century. In the 19th century miniature versions of the then current style of fans were created by the number of shops in Paris devoted to doll couture and the fine art of doll accessories. French Fashion lady dolls would mirror their counterparts with a complete toilette of accessories that would always include a fan. These detailed miniatures were equal to the real thing in cost and appeal. A miniature fan that was made for the numerous doll accessory shops is a hard to find item in the world of doll collecting. Ivory or bone cut-work fans with silk ribbon will occasionally appear, but beautiful little working antique fans with delicate hand painted silk leaves or petals presented in a decorated little box, are rare. Of course the rarity of such a desirable gem would be reflected in the cost, thus denying antique fans to most doll collectors including me. I enjoy accessorizing my dolls and creating my own versions of the miniature fans seen in grand collections shown in books, catalogues and occasional viewing at auctions.

M

y meager collection of full sized antique fans is mainly for study and understanding of construction, only two of my miniature brisé cut-work bone fans are antique. I have always admired the fascinating accessories created for the French Fashion lady dolls of the period. Even though I have acquired a few examples of various miniature accessories, I can’t bring myself to comfortably apply my limited doll funds to an accessory that amounts to the cost of a good doll. I feel it is more prudent and fun to make a reproduction of the desired item. Some things like missing shoes are better replaced with reproductions since most of the time they are not viewed under a Fashion doll’s gown anyway. But sometimes that one

irresistible item comes along and I succumb to the temptation. This is always true for me when it comes to parasols, with their turned ivory handles and delicate working frames. I always seem to find and bring home, at least one at each UFDC convention.

With a little ingenuity most accessories can be recreated. The best source for patterns of antique items is La Poupée Modéle which has many instructions for clothing as well as accessories. One such was the inspiration for my latest creation of a working evening fan. I enjoy setting up little vignettes of my dolls to reflect an imagined story or situation. Using the language of the fan helps the dolls depict the secret stories of their doll room lives.

Flirtation and Love in the Doll Room!

T

here was romance in the doll room ever since three French gentlemen dolls arrived in residence! The Parisiennes were all excited about the attentions and affections of these new arrivals. Although many of the gentlemen were “transgender,” they quickly embraced their new roles, preferring their new positions as a few, among the many. The main concern of all was in which cabinets they would reside. A Soirée was arranged to introduce everyone, but only the properly dressed Poupées were invited. The fans were all aflutter with complicated intentions.

Not all affections were reciprocated and that naturally upset the rejected. A few of the ladies had serious physical limitations in their ability to properly convey their intentions using their fans. Even though they were very lovely and beautifully dressed, their failure to properly hold and position

Lanier, René and Gaston arrive at the soirée.

Too Early by Tissout

the fan in the proscribed positions was very frustrating to many.

Some Poupées excelled, due to the multiple jointing that they were endowed with by their creator. Others with their stiff sawdust leaking limbs and clumsy wired fingers could not do more than sadly watch as their hopes were dashed by their articulated coquettish rivals. It is fun to imagine a Jane Austen kind of narrative involving flirtation and love in the doll room.

There was a great deal of attention and excitement from all the unmarried Parisiennes when the three eligible young gentlemen finally arrived at the Soirée being hosted by Cora Pearl, at the renowned courtesan’s Chateau. All eyes were immediately drawn to the rakish Gaston, a very rich aristocrat.

No lady had as yet successfully ensnared his affections, though many had tried. The most handsome gentleman of the three was René, an accomplished Tenor from the popular Grand Opera.

René’s friend Lanier was a dashing young soldier, a hero from the recent Franco Prussian war and instrumental in the defense of Paris in its darkest hour. Due to the ravages of war there were many more young ladies than men, and the ladies were well aware of this deficit.

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The Ladies coquettishly communicated their intentions with their fans from across the room. Chantal was stunned to see René again, a young man she had come to love.

Her happiness was suddenly destroyed when she was told by her father he was an undesirable suitor due to a scandalous situation that he had been involved in.

She hadn’t spoken to René for weeks due to the restrictions her family had imposed on her. When she asked her father for an explanation, he only said that René was not an honorable man. Despite her father’s strident admonitions she was still madly in love and continued to write letters to him.

She felt he had given up on her, since she had not received a single letter back from him in all that time. She did not know that her father had been intercepting the many letters sent by René, nor had he allowed the staff to mail her letters to him.

The ladies flutter their fans to communicate to potential suitors.

Collette, Chantal’s younger cousin, saw both René and Chantal exchange glances. Collette, wanting René’s attentions for herself, had told her Uncle Pierre, Chantal’s father, a rumor that René was responsible for ruining the reputation of Amelia, the young daughter of General Berthaut, a respected friend of his. Though all the details were not known, the girl was sent off to the country to stay with an aunt for several months and everyone knew what that meant. Collette had said that she heard Amelia was seen back stage leaving René’s dressing room several times. The truth was that the one time Amelia was seen backstage she was on the arm of a notorious older man. How she had arranged to be out that late without a chaperone at her age was unexplainable. Colette had foolishly made up a supposition to discredit René. She regretted her actions and was thankful that the made up scandal went no farther than her Uncle’s ear. Colette finally confided her guilt to her cousin Sophie, who admonished her severely.

Collette desired René’s attention for herself.

Sophie drew Chantal aside at the Soiree after she saw René arrive and explained everything so knew. She tried to keep Collette out of it but once the true account was known Chantal realized out that it must have been Colette that had made up the lie. She was both angry and heartbroken that her own dear cousin was responsible for all her anguish. Sophie understood Chantal’s heartbreak having a similar difficult love affair involving her own family. Only recently married to a now successful artist, she had eloped rather than give him up. It was a blessing that her family had finally accepted him and they were reconciled.

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Sophie confided to Chantal that a lie had been told.

René and Lanier took time to settle their nerves and have a light cordial before entering the hall.

René noticed Chantal immediately upon arriving but saw that her family was in attendance and did not want to challenge her father’s decree that he would never be suitable for his daughter. Despite repeated attempts, he was never given an opportunity to speak with her father. René was broken hearted, thinking he had lost Chantal’s love forever. When she did not respond to any of his pleading letters he was afraid that she now hated him. Unsure as to how to proceed, he had confided his dilemma to his good friend Lanier. Lanier was shocked that such a great injustice had been perpetrated against his good friend and told him he would aid in arranging a secret meeting with Chantal to plead his friend’s innocence.

René confides in Lanier.

Chantal desperately wanted to speak to René without her Father’s knowledge. As she was leaving the room, she indicated with her fan that she wanted to talk to him.

René was excited that he would be allowed to speak with Chantal at last. That she would still be willing to speak to him was very encouraging.

Lanier gave him a nod and a smile and they both were surprised when just as she was leaving she turned and flashed him a heart stopping signal Bringing the fan close to her heart, with her fan. He could not Chantal says, “You have won my love.” believe his eyes when he saw that she was saying that she was sorry. Perhaps she had finally learned the truth.

Before he could take a step to meet with her, she discretely made another indication with her fan that he had won her love.

His heart leapt with the joy of knowing that she did not believe the lies, whatever they were, and still loved him.

Chantal uses her fan to express her wish to talk to René.

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From across the room, Lanier watched his friend go to the rendezvous with his true love. He smiled, knowing things would work out and Chantal’s father would come around once the truth was known. Being the aide-de-camp for the General would insure their admittance to see Chantal’s father and allow René to plead his case. Then he turned back to the gathering, looking for the one mademoiselle he was here to see. It was time he attended to another ongoing love affair, his own! Marjorie was standing across the room watching him with a coquettish smile on her lovely lips. Before the war they had been inseparable, dancing at parties and going on many romantic walks in the gardens. He had accompanied her to various events such as the Opera, to see his friend René’s many performances.

It was always his intention to propose but the war had demanded his immediate attention and there was no time for goodbyes when he had to depart suddenly. He had only recently returned to Paris. Having heard she would be here tonight, he wanted to gauge what her feelings toward him might be in person. He was afraid she had forgotten him or found another and did not want to intrude in her life if such was the case.

Lanier searches for Marjorie.

Marjorie signals to Lanier to kiss her.

When Marjorie placed her fan to her lips signaling Lanier to kiss her, he was overjoyed. He glanced around to see if anyone else had noticed the quick flip of her fan as she looked his way.

When he made his way to her side she wordlessly motioned to him that she still loved him after all this time. He wouldn’t make the mistake of waiting any longer to propose; he guided her to the garden thinking of the ring in his pocket, pleased that he was confident in their love.

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Marjorie shyly affirms her love for Lanier.

But let us not forget Gaston! Despite his notorious reputation as a rake, his charming personality made him irresistible to the ladies. He gave each lady his full attention but in truth had no intention of ever settling down. He was very rich and each mademoiselle hoped that she could snare his love. He had grown weary of the competition for his fortune by the sometimes charming but insincere Mademoiselles.

Looking around the room Gaston saw the most beautiful young woman he had ever seen. Even though he attended most social events in Paris, he was sure he had never seen her before. Who was she and where did she come from? He asked a friend and learned her name was Gabrielle, the youngest daughter of a rich industrialist who had just come out that season. Gabrielle had long been aware of Gaston, having seen him many times before, but as a young girl she had gone unnoticed. He looked her way and she boldly folded her fan over her heart as she had learned, in an attempt to get his notice, and profess her love.

The beautiful Gabrielle indicates her love for Gaston by holding her fan near her heart.

Gabrielle and Gaston danced all night, having eyes for no others, to the chagrin of the other Mademoiselles. It got to be very late and Gabrielle’s family was preparing to leave. When she saw Gaston about to depart, she was afraid she would never see him again, and that he would soon forget her. She wanted to invite him to call the following day. When he looked her way she indicated with her fan that she wanted him to wait for her so they could speak, then she glanced shyly to the nearby antechamber. Breaking with all etiquette he followed her, observed by many disappointed and teary eyes. He had never been as attracted to a young lady as he was to Gabrielle; she was so charming and unaffected. Gaston was surprised with feelings he had never felt before. Perhaps this was to be the start of a big change in his life.

Gabrielle indicates that Gaston should wait for her in the antechamber.

The End

Kathleen Crescuillo will be conducting a fan workshop at the UFDC Convention in Washington DC being held July 29-August 1.

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Enjoy the beautiful coastal village of Camden, Maine located on the pristine Penobscot Bay. 49 Bay View Street, Camden, ME 04843 The shop is now open for the season, Monday-Saturday 10-4 or call for an appointment 207-322-4851.

Shop 207-236-4122 Fax 207-236-4377

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Rare old dollhouse soldier 8-1/2” tall $1750.

Child size “Papeterie” set 9” long, 5-1/2” tall complete - $495.

German Christmas tree 10” tall $195.

Early dog bell pull toy (wear) 14” long $295.

3 flower stands 3-3/12” tall - $45 each. 3 window box trellis’ - $125 for all.

Small Steiff animals (we have a huge collection) $25 each.

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Th e Lenci Girls – Series 110 and 149 Judy L. Fisher Rick Fisher, Photographer

1 – Portion of a 1922/23 catalog page – showing forerunners of the future series seen below

5 – 110-28 doll 2 – Dolls from a 1924 catalog page showing Series 110 dolls

3 – Portion of a 1924 catalog page showing Series 149 dolls

4 –Dolls from 1925 catalog showing the 110-28

T

he first American advertisement for Scavini Dolls, better known today as Lenci Dolls, was in the October 1920 issue of Playthings magazine. It showed various character dolls as well as some short chubby little girl dolls that are not what collectors think about today when they hear “this is a Lenci doll.” Although the dolls featured in a very early catalog, most likely from 1922/23, did not have model numbers, they were clearly the forerunners of the more refined dolls seen by 1924 (photos 1, 2 and 3). Interestingly, the costumes were not repeated from the 1922/23 catalog. In later years, this was not the case. Dolls that had popular costumes were often seen for several years in the catalogs.

As noted in photos 2 and 3 from the 1924 catalog, there are now numbers under the ANTIQUE DOLL COLLECTOR

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6 – Late 1925 catalog page showing additional Series 110 dolls

7 – Late 1925 colored catalog page showing a 110-48 28

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pictures of the dolls. The Lenci Company began using this identification system to label the dolls, primarily by face molds and occasionally by height. At this point, most of the dolls became identified with what collectors now refer to as a specific series number. While the company changed some of these in later years, collectors continue to look at these early numbers to identify specific dolls.

Thus, it was the 1924 catalog that introduced the new Series of 109, 110, 159, 149, and 111 dolls. The focus of this article will be on two fabulous Series - 110 and 149, which I will refer to as the “Lenci girls.” By sharing pictures from the early catalogs and photos of these two series, it will become clear to see how these dolls changed over the years and why I’m referring to them as girls rather than Lenci children.

Before continuing to quote catalog years, I do want to mention that in Dorothy Coleman’s 1977 book, Lenci Dolls, she shows images of dolls from what she terms the 1925/1926 catalog. However, an even earlier catalog was discovered that I usually refer to as the early 1925 (photo 4). It contains a few adorable Series 110 dolls. Photo 5 is a doll marked 110-28 and is from this particular catalog. The number 110 indicates the series and the number 28 indicates the costume. Interestingly, she is not seen in a later catalog.

Therefore, I refer to the dolls shown in Coleman’s book as those from late 1925 (photos 6 and 7). Here we see more wonderful Series 110 dolls. Photo 8 shows a 110-48 that was purchased many years ago and restored by a dear friend in Italy. This doll is a very rare doll because we don’t often see Lenci dolls with red hair and blue eyes. The most common was blonde or honey-colored mohair and brown eyes.

9 – Late 1925 catalog page showing a 149-V (top row) 8 – 110-48 doll

10 –149-V doll

11 – 110-74 doll ANTIQUE DOLL COLLECTOR

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12 – 1929 catalog page showing 149-2 and 149-22 dolls

13 – 149-2 doll

Another reason why I separate the two years mentioned in Coleman’s book is that I purchased a copy of a 1926 catalog from Italy. Ironically, this catalog had different dolls featured. In 1926, it appears that the Lenci Company made some significant changes to the dolls. For example, now the Series 110 dolls are 19 inches tall and they have separated fingers except for the middle two. The doll is definitely slimmer and her face has a more girlish than childish appearance. The eyes are almond shape rather than round. The body has become hollow and the foot is sewn to the leg at the ankle. Only six dolls were offered that year. The Series 110 dolls featured in this catalog are the ones that collectors now think of as representing the series.

Series 149 is also seen in the late 1925 catalog (photo 9). These 16 inch dolls are often considered one of the hardest Lenci dolls to identify. The Series 149 depicted young girls that were slightly older and thinner than the other 16-inch doll featured at the same time, which was the Series 159. While the Series 149 appeared in the earlier 1924 catalog, there were only three dolls listed as 149: I, L, and M. One could assume that there were others (A-K) but this seems highly unlikely. Collectors call this another mystery of the Lenci numbering system. By 1925 and 1926 new dolls were added like the one shown in photo 10 – a 149-V in almost mint condition. She was a rare find on eBay. This doll and others are often referred to as dolls dressed for sports. The wonderful Series 110 pictured in photo 11 is also

14 – 149-22 doll 30

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16 – 1929 catalog page showing a 110-68 (top row)

15 – 110-68

considered dressed in a sporty outfit. Her actual number is 110-74 and there is picture of her from the 1929 catalog shown later in photo 17. Interestingly, this is the second 11074 that I’ve been fortunate to own.

Surprisingly, by 1927 the other 16 inch doll, Series 159, was dropped while the series 149 continued with many more new outfits being introduced.

By comparing the dolls in photos 5 and 11, it should be very apparent how the Series 110 changed. Again, the dolls went from 18 inches to 19 inches. Of course, the biggest differences are in the faces and the hands. Just look at the shape of the eyes – round to almond; the hands from mitten-type with the fingers divided by rows of stitching to separated fingers except the middle two. In addition, the earlier dolls are heavier in weight due to the stuffing.

Upon examination of the catalog from 1929 (photo 12), the Series 149 now appears to have changed as well. By looking at the dolls seen earlier in photos 9 and 10, one can see that the faces on the Series 149 dolls are definitely different. The height of the doll is still 16 inches. In photo 13, there is a 149-2, which was also featured in the earlier 1926 catalog.

In photo 14, there is a 149-22. She is dressed in a slightly different version of the patchwork felt design shown in the catalog image. This patchwork or pieced felt technique was used a great deal by Madame Lenci in creating her wonderful outfits. It was also fairly typical of the Lenci

17 – 1929 catalog page showing many 110s including 110-56, 110-61 and 110-74 ANTIQUE DOLL COLLECTOR

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Company to have variations on the outfits.

There were not as many of these sweet Series 149 dolls made over the years but upon closer examination, I feel that the Series 149 with her similar appearance to the larger Series 110 can be considered a little sister.

Again, I’m calling the above dolls the Lenci girls because they have a very feminine, girlish, delicate look, and at the same time, a more sophisticated appearance than the popular 23-inch Series 109 dolls and especially the 17-inch Series 300 dolls, which look more like children. Both of these series are much chunkier in body, especially in the legs.

In Coleman’s book, she lists the approximate costume variations from 1920 to 1930 by the Series number of the dolls. The Series 110 had 130 outfits and the Series 149 had 65, which makes them among the popular dolls of their period. About 20% of the girl dolls were wearing coats and hats. Only a little over 10% of the dolls were dressed as boys. In fact, the doll in photo 15 is an excellent example of a male 110 from the 1929 catalog (photo 16).

The refinement of the dolls and their costumes between 1925 to about 1933 is what I like to term the golden period of the Lenci 18 – 110-56 doll

19 – 110-61 doll

20 – Three Series 149 dolls with Steiff dogs 32

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21 – Two early Series 110 dolls from 1925 (seated) and four later Series 110 dolls from 1927 and 1929

Company. In 1927 and 1929, all the Lenci dolls had wonderful clothing designs (photo 17). The bottom of the shoes usually had a stitched quilted pattern on them. Some wonderful examples of dolls from this period can be seen in photos 18 and 19.

In 1930, the Series 149 underwent a big, but short-lived change – the dolls were smiling and had teeth showing. By 1933, the Series 110 and Series 149 were unfortunately discontinued. The reasons are unknown, but Nancy Lazenby stated in her 2007 book, Lenci: the History of the Dolls, that it could have been declining sales or possibly the need to cut costs during the depression.

As stated in the beginning, these lovely Lenci girls were perhaps the most beautiful dolls made during the golden era (photos 20 and 21). There is definitely a case for pairing the Series 110 and Series 149 together as sisters (photo 22). In Lazenby’s book, she even states that the face on the Series 149 doll is “a smaller version of the Series 110.” I think you will agree after looking at the pictures in this article.

Bibliography Lenci: the History of the Dolls, 2007, Nancy Lazenby Lenci Dolls, 1977, Dorothy Coleman

22 – The sisters - Lenci Girls

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22” CM Depose Tete Jumeau 10, blue pw eyes (right one cracked), HH wig and cork pate, antique shoes & undergarments, repainted hands $4200.

11” Early Wee Paulson “He Loves Me, He Loves Me Not” pedals on stones as is, tagged “We Did It” $325.

27” CM Kestner 128, brown sleep eyes, HH wig w/ plaster pate, antique clothing $2495.

5-1/2” x 3” Steiff fully tagged Joggi groundhog 1958-69, $90.

14” Norah Wellings Scout with hat, P.C.M.P. on shoulder patch, faded blue pants $110.

14” CM 3 Hole Belton Ernst Grossman with Bru look, marked with fancy r 7, spring strung wood body w/ repainted arms & legs, pierced ears, blue stationary eyes, antique shoes, HH wig, little peppering on face $1250.

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16” Terri Lee in tagged cream taffeta dress, dark brown hair, replaced shoes, great face painting $165.

16” Terri Lee honey blond in tagged red & white outfit, holding original daisy $245.

10” Tiny Terri Lee walker body, platinum blonde hair, tagged dress $125.

17” x 10” x 18”H #204 Bliss 1910 Doll House with original litho paper covering (as is on right side and some edges), paint on pillars as is, wonderful two story house with chimney $995.

19” Effanbee Patsy Ann, compo is in great condition, redressed $225.

10” Circ. Bye-lo w/ blue sleep eyes, nice celluloid hands, purple stamped frog body $195.

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8” All Original Schoenhut Barney Google w/ copyright 1922 by King Features Syndicated label on foot $275.

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12” 3 Hole CM French type 137 Belton, blue threaded pw eyes, pierced ears, piece glued left side of neck, hairline, early body with separate ball at top of straight legs $545.

15” Mother, 12 ½” Son, 11 ½” Daughter WPA Dolls ? possibly

by Kansas City WPA Group, girls thumb glued, boys nose has had some work done $750. for 3 dolls Ann Parker of England 11-1/2” “An English Costume of 1852”, blue grey eyed lady dressed in pink w/ parasol $200.

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Paper is not just for writing!

This 9” doll reminds me of Peter the Great, the ruler of the Russian Empire (c. 1672-1725). Head and hands are made of papier mache, body stuffed with excelsior or straw, wool yarn wig. All original with many decorations made of Dresden type metal. Circa early to mid 1800’s, ’’s, possibly made by the J.D. Kestner, Jr.

Early Kestner papier mache with molded carton hat, inserted hair in the back. Michael Canadas and David Robinson Collection

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Rococo lady with molded hair and necklace by Kestner. She is seen in the company’s sample sheets. Michael Canadas and David Robinson Collection

I

by Marina Tagger

remember sculpting a human head in my art class by first shaping a balloon like structure out of papier mache. I carefully mixed glue with other components, cutting strips of paper dipped in sour cream like mixture, followed by a brisk application of saturated strips to a fully inflated balloon. Once dry, I punctured the balloon, leaving a perfectly oval shape in its wake! Application of eyes, ears, mouth and a nose completed my ʻʻwork of artʼ. What a forgiving substance papier mache was to me that day!

The ultimate compound in recycling, papier mache in French literally means “chewed paper”. Other terms are also used to describe this versatile art form, such as “carton pate”, a term coined by Philibert Delorme, “carton moule”, “carton-pierre” and “holzmasse” in German. Composition also encompasses this term.

The components of papier mache are most often comprised of paper pieces, or paper pulp, and at times reinforced with textiles and held together with such things as glue, starch, weeds, rags or wallpaper paste. Some manufacturers used bran, rye, vegetable products, and even broccoli and cauliflower; a favorable mix for the maker, but even with the added ingredients such as potash and garlic for protection, a disastrous one where insects were concerned.

An individual by the name of Matthias Koops of England, held a patent in 1800 for making paper out of straw, hay, thistle, hemp and flax. As did the German doll manufacturer Johann Daniel Kestner Jr. of Germany, who applied for a 1821 patent allowing him to make papier mache products completely devoid of paper, using such items as straw, moss thistle, bark, hey, etc. He must have certainly been inspired by Koopʼs product.

Greiners came in a variety of sizes as evidenced by this tiny 11” example in original costume. Kaonis Collection

An early papier mache wears her original regional style costume, cloth body, 18”. Kaonis Collection

Papier mache soldier with wood body by Kestner.

Michael Canadas and David Robinson Collection

Historically, there were a variety of uses for this strong and durable compound. Papier Mache is very versatile, lending itself to plethora of uses. The earliest known examples of papier mache products are pot lids and helmets from Chinaʼss Han Dynasty (206 B.C.-220 A.D.), who were the inventors of paper itself! Ancient Egypt used “cartonnage”, which consisted of layers of linens or papyrus covered in plaster. The Egyptians made coffins and death masks out of this mixture. Kashmir and Persia had their own uses for papier mache. They produced trays, small painted boxes, etageres (shelves) and various cases. In Europe, in the early 18th century, gilded papier mache was used as a cheaper alternative to a more costly treated plaster or carved wood which was used in architecture.

In 1772, an individual by the name of Henry Clay of Birmingham, England patented a process that treated laminated sheets of paper with linseed oil, which produced a waterproof effect. This invention lead to such sheets being used in the construction of door panels, coaches, or other structural items. Henry Clayʼss invention inspired an individual by the name of Theodore Jennens to patent yet another process in 1847, which entailed steaming and pressing the laminated sheets into various shapes.

The sheets were then used for a variety of manufactured items, such as trays, chair backs and structural panels, which when adhered to metal armature or wood, would present a very sturdy item. The end product was then smoothed and lacquered, or simply finished with a pearl shell veneer.

Russia also produced a large assortment of ornamental and painted papier mache items such as trinket boxes. Some were advertised in a Tiffany & Co. catalogue in 1893.

12” papier mache with hairstyle known as Apollo knot, so-called milliner-style body.

Kaonis Collection

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20” papier mache with long curls, cloth body.

Kaonis Collection

These handsome fellows came into my collection together. The man with the mustache, molded hair and a molded top hat is dressed in his original suit. He is on a carved wooden articulated body, 9 1/2”. His friend is 8” in height; the body feels like stuffed cloth or leather, with wooden arms and legs, all original.

Both were made in the earlier part of the 19th century.

All original Motchsmann type body with squeaker, glass eyes, kid lower arms, 13”. Kaonis Collection 38

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In Ecuador, papier mache built over wooden structures and paper wadding is used for effigies, to represent years past. In America, during the 1800ʼs, one popular item was being made, a papier mache canoe. Very few examples of these paper boats survived, but the best known example was the ʻʻMaria Theresaʼ. It was used by Nathaniel Holmes Bishop to travel from New York to Florida (1874-1875). An account of his adventures can be read in a book entitled Voyage of the Paper Canoe.

Because of the versatility of papier mache, and how it lent itself to strength in construction, it was a popular medium used for doll production. According to The Collectorʼs Encyclopedia of Dolls by Dorothy S., Elizabeth A. and Evelyn J. Coleman, one of the earliest written records of dolls made out of papier mache was found in Histoire Des Jouets Et Jeux Dʼenfants by Fournier. It states that during the reign of Francis I of France, (1515-1547), “...doll makers always used a mixture of clays, paper, and plaster called ʻcarton-pierreʼʼ (literally ʻ“stone pasteboard”). Moreover, according to DʼAllemagne, ʼʼAllemagne, Philibert Delorme said in 1550 that cartonpate (pasteboard dough or papier-mache) was poured into molds for dolls.” Also, in German Papier-Mache Dolls 1760-1860, Christiane Grafnitz, states that, between 1700 and 1820 very special kinds of papier-mache dolls were made from carton moule...which were certainly popular among ordinary people. The head, body and sometimes also the thighs were made in carved wooden or poured hollow plaster moulds in which small pieces of soaked glue paper were layered in a special way. The modeling and painting were usually very simple. Some of these dolls have a merry, naive kind of aura about them.

German Oriental Papier Mache Soldier 12-1/2”. Papier mache head with a flange neck, straw stuffed body with cloth arms, composition hands and legs, and a molded hat, c. late 19th century.

Attributed to J.D. Kestner, of Germany the seated gentleman bears a striking resemblance to Benjamin Franklin. He is jointed at the neck, so that when moved, his head wobbles. 6” in height.

Throughout the 17th, 18th and 19th centuries, toy makers, or “Dockenmacher” in Germany were already well on their way to producing items and dolls made of papier mache based on a variety of patents. Places such as Sonneberg, Rodach, Nuremberg, Neustadt, as well as French and English towns were producing toys. Some of the toys and dolls were molded and finished by individual artists, while others were pressed into plaster or sulphur molds, in two part and three part assembly. The heads were varnished, and some even sported a thin layer of wax, giving the dolls more of a lifelike appearance. The wax-covered dolls are known as “wax-over” dolls.

In the early 1800ʻs, it was noted that by using a pressure process to mold dolls, these same dolls could be mass produced for the market. It is believed that this knowledge came via Paris around 1807 to Sonneberg, laying the ground work for the German doll industry and production. In the 1820ʼs, doll heads of papier mache were being assembled on leather bodies with wooden limbs, wooden articulated bodies, or even cloth bodies, known to collectors today as “milliner’s models” or “coiffure dolls”, with elaborate hairstyles depicting their production time period.

Prominent German doll manufacturers such as Andreas Voit, Johann Friedrich Muller, who was also a trained doll maker and a modeller, Martin Grabner and Johann Daniel Kestner were already established in their trade in the early 1800ʼs, producing dolls and items such as figurines, animals, masks and toys made of papier mache. With the end of Napoleonic Wars, the Continental Blockade and the advent of the Industrial Revolution, export of papier mache goods became predominant. The goods were being exported to such countries as France, England, Russia and America. For example, Andreas Voit sold doll heads with open mouths and bamboo teeth to France, where some were adorned with real hair wigs, elaborate regional costumes, and latest fashions. These dolls were known as “Paris Dolls” or “Pauline” and were exported throughout the world.

Jester, 18”, head and hands are made of papier mache, His body is stuffed, possibly with cotton.

French wool knots embellish his costume and hat which has a functioning bell at the tip. Late 1880’s, ’ ’s, German made, possibly for the French market.

Elderly Lady/Witch, 15”, all original. She has a smiling open closed mouth, with molded teeth, and sports original wire rimmed glasses, mohair wig. The body is cloth, but the arms and legs are made of papier mache/composition compound.

According to one source, these types of heads were also used on mechanical and other classic German toys. German, c. 1890’s. ’ ’s.

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This is one of my favorite characters in my papier mache collection. With incredible molding details, he is believed to have been made by the Kammer & Reinhardt.

Papier mache head, five piece jointed articulated body, of a chubby construction.

He wears his original Dutch outfit with wooden clogs, and is 9” in height, c. early 1900’s. ’’s. The background image is courtesy the Carmel Doll Shop.

12” Dutch Boy with molded black hat, possibly made by Louis Amberg. Composition head, cloth body, with a mitt construction stitched fingers and a separate thumb. His outfit consists of a blue tunic and the pants are a part of his body, c. 1912.

Another of my favorite characters is this German made papier mache googly, 20”. It is dressed as a female, but if one removes the hat, on can see a clearly receding molded hairline. Papier mache head, straw stuffed cloth body, cellluloid hands, composition legs. C. late 1900’s ’ ’s to early 20th century.

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Smiling Dutch Boy, with molded black shoes, composition, jointed at the neck, shoulders and hips. Possibly French, he wears his original clothing and stands 7” in height, c. early 1900’s. ’ ’s.

During the early to mid 1800ʼs, fashion was all the rage. Dolls sported a variety of hairstyles and clothing to exhibit the trends of the decades. Earlier dolls, with their elegant oval faces fancied elaborate hair designs in a variety of styles, while later dolls (c. 1860ʼs), sported more round faces, with shorter hair and curls framing the face.

Male counterparts to the lovely lady dolls also trended their own fashions. The majority of male dolls were dressed in the time period garb, consisting of tight fitting trousers and tail coats in a variety of colors (pre 1860ʼs), and darker tones (post 1860ʼs), as well as military fashions, sporting swords and emblems, or as children. Some were dressed as foreigners from other countries, while others were dressed as jesters, or common people. The mature male exhibited a variety of hairstyles and facial hair, from walrus mustaches and goatees, to basic sideburns, mutton chops and handlebar mustaches.

As the time progressed, the male dolls wore longer, side parted hair, as well as a variety of hats. Top hats became popular in the later part of the 1800ʼs.

In the later part of the 19th century, and the beginning years of the 20th century, various manufacturers such as Kammer and Reinhardt, Cuno and Otto Dressel, as well as other smaller companies manufactured both male and female dolls representing people of all ages, from children to the elderly, as well as caricatures, such as “The Katzenjammer Kids”, based on the cartoonist’s Rudolph Dirks first comic series, published in 1897, depicting unique family adventures of a comical family and their friends.

During the height of papier mache doll production in Europe, the US had its own innovative designer. In 1858, in Philadelphia, PA., Ludwig Greiner, a German born doll manufacturer, patented a papier mache shoulder head. The doll had molded hair and painted

American Composition Boy Scout, c. 1915, maker unknown.

Jointed at the neck and shoulders, wearing finely molded Boy Scouts clothing, a hat and a backpack. He has blue glass eyes, 14.5” in height.

or glass eyes, and came in sizes ranging from 11 to 35 inches in height. The doll sported a “covered wagon” type hair design, which was one with the mold, and generally parted in the middle with curls on the sides.

The earlier molds mostly had black hair, while the molds that were produced in 1872 began exhibiting blonde hair. At the time, there were probably as many blonde haired dolls being produced as there were black haired beauties. These dolls were primarily manufactured with painted eyes, although some are found with glass eyes in various shades of turquoise.

Many of these dolls are found on Lacmann made bodies, and a label with the patent information on the back of the shoulder plate.

By the late 1860ʼs, papier mache production began tapering off in Europe, and falling out of favor with the consumer, although some companies were still producing dolls and items made of this compound.

England was still manufacturing items, while importing many products from China. The market was seeing an overabundance of merchandise made of papier mache, and with new materials being introduced as a replacement, the industry began losing its grip. One of the final manufacturers in England, McCallum and Hodson, closed their doors in 1920.

With changes sweeping throughout Europe, and the advent of WWI, doll imports into the US became more difficult to acquire, giving opportunities for other US companies to begin manufacturing their own dolls. Such companies as E. I. Horsman and Co., who introduced the Billiken doll and the Campbell Kids, Ideal Co. and Effanbeeʼs Patsy were sweeping

This all original composition gentleman is believed to be made by Cuno & Otto Dressel, c. 1900, and is a combination of composition and papier mache. He is fully jointed, including the wrists. 17” in height.

Sibyl, The Fortune Teller Doll, made in Los Angeles, CA., early to mid 1900’s. ’ ’s.

Head and hands are composition.

Her skirt consists of individually inserted paper sheets, with a variety of fortunes in them. I have only seen one other which came with instructions on how to read one’s ’’s fortune, and listed the company as THE SIBYL FORTUNE TELLING DOLL CO., 1738 So. Oxford Ave. Los Angeles, Calif.

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All Original “Nelson Eddy” Doll In Box, papier mache head and a cloth body with mitten type hands, and individually stitched fingers.

The label on the bottom of the box states: “1/12 Dz. 9432/137 Bulgaria $2.75 made in Germany.” Nelson Ackerman Eddy (1901-1967) was a popular American actor and singer, who appeared in musicals during the 1930’s ’’s and 40’s ’ in nightclubs. 13”, circa 1930s.

Papier mache pirate (head, hands and feet), wire jointed at the shoulders, leading down the arms. A harmonica type of a body structure frames his middle. When compressed, he makes a sound and his legs move. All original, 11” c. early 1900’s. ’ ’s.

Maker unknown, probably German.

Papier Mache Winker Boy 7” tall, similar to the pirate in construction. Made fully of papier mache, except for his wire jointed arms, he also has an accordion like middle. Early 1900’s, ’’s, German.

the market in the early 20th century with their composition made dolls.

Composition products are made similar to the papier mache products, using a variety of recipes for their materials and techniques, and made by either pouring the substance into molds or by using the “cold press” method.

These composition dolls became quite popular with the masses, and their production lasted well into the 1950ʼs.

Papier mache items are still in use today, even though they comprise theatrical sets and parade floats, pinatas and arts and crafts movements.

They are still widely used in Mexico to make dolls and figurines, as well as other parts of the world where ease of construction, light weight and low cost are still important. Although the popularity of their golden era is long gone, as collectors, we will continue enjoying our precious dolls and characters of days gone by, and appreciate the craftsmanship and the ingenuity that made papier mache dolls truly special. Happy Collecting!

Unless noted dolls from the author’s collection.

This little fellow reminds me of the German made bisque character dolls. According to Ursula Mertz, an expert on composition dolls, he is American made, c. 1915, maker unknown. He stands at 15” in height, and has a composition head and hands and a cloth jointed body.

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BIBLIOGRAPHY Cieslik, Jurgen & Marianne. German Doll Encyclopedia 1800-1939. Cumberland, Maryland: Hobby House Press, Inc. 1985 Cieslik, Jurgen & Marianne. Button in Ear Steiff The History of Teddy Bear and His Friends. Germany: Satz + Druck gmbh, Dusseldorf. 1989.

Coleman, Dorothy S., Elizabeth A., and Evelyn J. The Collector’s Encyclopedia of Dolls, Volume II. New York, N.Y.: Crown Publishers, Inc. 1986.

Edward, Linda. Eleventh Edition Doll Values Antique to Modern, Paducah, Kentucky: Collector Books. 2011 Grafnitz, Christiane. German Papier-Mâché Dolls, 1760-1860. Germany: Verlag Puppen & Spielzeug. Gert Wohlfarth GmbH. 1994 Mertz, Ursula R. Collector’s Encyclopedia of American Composition Dolls 1900-1950. Paducah, Kentucky: Collector Books. 1999 www.wikipedia.org www.papiermache.co.uk/articles

Phil May Antiques & Collectables Ocean Grove, NJ 732-604-3011

dollmanofog@aol.com

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20 1. a. Wonderful and rare “Dicky Bear” by Steiff –printed velvet paw pads button - very nice condition, c. 1930, 17” - $4750. b. J. Chein USA sand pail - bears at play, c. 1940/1950 - $295 2. Early 8 ball jointed Kestner - square cut metal teeth - marked 12 c. 1880’s - 19” - excellent condition and nicely dressed - $1295 3. Beautiful S&H Santa - totally original - marked “Santa” head and body, approx. 18” - perfect - $1350. b. Early Steiff Monkey - c. 1910 - glass eyes - wool and felt - minor ear repair - 8-1/2” - $295. c. Sand pail marked “Seaside” children at play on the beach (one holding “seaside” pail) Also shows bi-plane and sailboat - 5-1/2” - $445 4. Rare black AT Kestner made for French Market - Paris label - perfect and beautifully dressed - 13” - $4500 5. Orig. Kathe Kruse Series I - excellent condition - unusual orig. outfit - 16” - $3900 6. Lovely “A” series Steiner - flawless bisque - original body finish and wig working Mama/Papa pull strings, approx. 22” - $4500 7. Kamkins - original outfit and great condition - $2200 8. Polar Bear by Deans of England - original button - named Ivy - 18” 9. a. A K * R 116A Character - 13” - great toddler body - excellent bisque and

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outfit - $1800. b. Rare Heubach Character girl #8428 - blue glass sleep eyes 10-1/2” perfect $1750 a. Highly sought after “Cynthia” by Madame Alexander, circa 1940 - original clothes with tag - choice condition - $1195. b. Black Patsy Jr. - 12” - EFFanBEE - 1930’s - wonderful condition (minor repair back of neck) $445 a. Ideal Teddy Bear with twill nose, c. 1905 - nice condition - $1200. b. Bisque Hertwig boy holding Teddy Bear - perfect - $165. c. Bisque girl holding Teddy Bear - perfect - Germany - $165 a. 14” Lenci in folklore costume - tagged - mint condition - great color - $1395. b. Lenci in folklore costume of Brussels - w/label - mint condition - $1395 Bisque head clown riding a bear, beautifully preserved, all orig. $1800 a. (front) 22” K * R 403 - original 8 ball jointed body - unjointed wrists - top of the line model of this classic - long mohair wig and ermine trimmed coat - from the original family - $1350. b. Boy - Sold. c. S & H 949 - open mouth 29-1/2” - exc. cond. - gorgeous outfit made from antique fabric - $1395 Child’s “Teddy Bear Dish Set” - perfect - circa 1905 - Germany - $695 Rarest of the rare Teddy Bear Candy Container - shoe button eyes, c. 1905 - I’ve never seen another - $4750

17. Charming early Teddy Bear Print (child and bear praying) “Appeal for Teddy Bear” 1907 - $350 18. a. “WAVES” by Mdme. Alexander - 15” c. 1940 - very nice condition, original tagged outfit - $695. b. “WAVES” by Mdme. Alexander - c. 1940 - original condition in rare small size, approx. 11” - $750 19. Very rare ebony black Steiner boy in perfect condition - great old outfit, approx. 10” - $5750 20. “Bearkin” made by Eduard Craemer of Thuringia, Germany, c. 1935 for FAO Schwarz, NY. The teddy has its original case and wardrobe with 5 outfits incredibly hard to find in this condition - $4950 21. a. Golliwog by Merrythought of England - original label - excellent condition - 13” - $365. b. Golliwog with label reads: Made in England for Len Art Import Ltd - excellent condition - $365 22. 20” “Baby Bokaye” - perfect flawless bisque and wearing great outfit - $1800 23. EFFanBEE “Anne Shirley” in original rare negligee outfit - 18” - excellent condition - $295 24. Mary Hoyer in original box with stand and 4 beautifully made extra outfits (possibly Molly) - excellent condition - $675

Four all original early Horsman babies, sold for about six years and more. They range in size from ten to eighteen inches.

Studying Dolls – An Ever Enriching Experience

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By Ursula R.Mertz Photos by Christopher Partridge

henever I am able to add an all original doll to my collection I feel fortunate.

Time has stood still and lets me study an item that was created a long time ago. A full page ad placed by E. I. Horsman and Aetna Doll Company of New York City in Playthings Magazine in the April 1920 issue was illustrated with four babies sitting all in a row. They were called “Rosebud Babies.” The new doll in my collection matched the tallest one. What a find! Every so often I would pull out the ad and wish for the other three dolls.

Wouldn’t it be fun to have all four? Patience and diligence does bear fruit. Eventually another all original baby of this series showed up, then another one and just recently, the Christmas present from a friend turned out to be the fourth. I couldn’t believe my good fortune! How lucky! I had all four. The other three were not 44

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as complete as my first doll. Two probably originally had bonnets, and the smallest one had lost her felt shoes. Yet, who would fuss! These toys are almost one hundred years old.

On closer inspection I realized that my dolls did not exactly match the ad illustration. There, three of the dolls feature identical heads, the smallest one’s is different. In my line-up they match by two and two. The markings also do not coincide.

My 14” doll is marked 1914. Two bear no identification and only one is marked E.I.H. © A.D.C., an indication that only this doll had been manufactured around the time of the ad.

Left: Full page ad placed by the E. I. Horsman & Aetna Doll Co., of New York, in Playthings, dated April 1920. The dolls were called Rosebud Babies.

16” Bonnie Babe. Marked: Copr. By // Georgene Averill // 1005-3652 // Germany // 13866/45. Slightly molded, painted hair, blue glass sleep eyes, open mouth with two lower teeth. Old romper, shoes and socks.

Bonnie Baby was produced an a wide, soft stuffed mama doll body with inset crier with composition limbs and stitched hip joints, no shoulder joints.

13” Bisque headed, all original dolly face mama doll sold by Geo. Borgfeldt & Co.

It is well worth the time to study Bonnie Babe’s face. Its crooked smile is most appealing. The eyebrows have been brushed on ever so softly as were the eye lashes. Dimpled cheeks and a double chin were subtly modelled.

It all adds up to a masterful job. Who could not love that face?

13” Marks: K And K // Made in Germany. Bisque shoulder head, brown glass sleep eyes, open mouth with two upper teeth, mohair wig. Short compo arms, stuffed cloth body and limbs, no shoulder joints, stitched hip joints.

It is so easy to display Bonnie Babe in a life like setting.

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18” Gladdie marked: Gladdie // Copyriht By (no “g”) // Helen W. Jensen // Germany // 1005 / 1420 – 36.

Firmly stuffed mama doll body with crier and composition limbs, jointed at shoulders and hips.

Flange head made of Biscoloid, molded, painted blond hair, blue glass sleep eyes, open/closed mouth with painted upper teeth (one painted line). The face is deeply modeled.

Why are these considerations of any consequence?

All collectors are eager to identify and date their new acquisitions. A doll showing the markings “1914,” would be considered to be from that time. Yet, in this case my particular doll was sold six years later and probably beyond. It also proves that manufacturers were not fussy in using available dolly face heads when putting together their collections and in this case calling them Rosebud Babies.

As the ad so aptly stated, these “Horsman Baby Dolls with the Rosebud Head have been the leaders in the doll world for years.” They were of excellent quality. Their cloth bodies well shaped and stuffed firmly with cork. Their shoulder and hip joints fitted snugly and were constructed with hidden disks.

Even though the afore mentioned babies may have been offered for six years and more, things never stand still forever. The bottom of the ad carried the following announcement; “ Horsman Bisque Dolls. The famous Rosebud Model is now being produced in real bisque …”

World War II had ended in 1919, and the formerly very popular German dolly faced, ball jointed bisque dolls that had dominated the market before the war were making a comeback. In the meantime, Georgene Averill, of Averill Manufacturing Company, had introduced her composition mama dolls in 1918. A mama crier was imbedded in their soft stuffed cloth bodies, and they featured stitched hip joints. Advertised as the dolls that walked and talked, sales were slow at first, but by 1922, the new mama dolls were dominating the market. The German dolly faced bisque 46

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dolls would never regain their previous market position.

In 1920, Horsman and other major doll distributors wanted to be sure they retained their strong market position and decided to offer American made mama dolls with German bisque heads. Apparently, these examples were not very popular, as they are hard to locate.

Though offered later, two additional dolls produced with German bisque heads and American made cloth mama doll bodies are worth mentioning. Unlike the previously discussed examples, they featured so called character heads designed by women artists. One of them was Bonnie Babe and the other Gladdie.

Bonnie Babe was created by Georgene Averill for Geo. Borgfeldt and Co. Its soft stuffed cloth body is wide and has stitched hip joints. With its crooked smile and dimpled cheeks, it was and is a favorite. Bonnie Babe was sold in six sizes and was also available in a small size made of all bisque.

In 1929, Helen W. Jensen created Gladdie for Geo. Gorgfeldt & Co. With her wide, infectious smile, she seems to be a tomboy kind of girl. The rarer form of this doll features a bisque head and the more readily available one a head made of a type of pottery called Biscoloid. An entry for 1929 in the German Doll Encyclopedia by the Ciesliks states that Biscoloid was a registered trademark owned by Hertwig & Co., in Germany. Gladdie was offered on the slimmer, firmly stuffed mama doll body with straight legs and jointed hips.

Lucky for today’s collectors, both Bonnie Babe and Gladdie (at least the Biscoloid version) are readily available in today’s collector market.

Blackberry Studio

Margaret Gray Kincaid

Member NADDA and UFDC Cell: 646-709-4340 Margaret.kincaid@gmail.com

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& LOWE

Connie

Jay

See us at the 64th annual UFDC convention in Washington, D.C. July 29 to August 1 at the Washington Hilton.

Wednesday, July 31st is Public Day.

P.O. Box 5206 Lancaster, PA 17606 FAX 717-396-1114 Call Toll Free 1-888-JAY LOWE or (717) 396-9879 Email: big.birds@comcast.net Always Looking to Buy Quality Dolls, Toys, Marklin Doll Carriages or Entire Estates Buy & Sell With ConďŹ dence

Member of UFDC & NADDA

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The Dolls of Michael Lee Little Man - Big Heart

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by Margo Delaughter

s doll collectors we sometimes focus all our attention on the dolls of well-known toy makers. We read articles and books about these dolls and eagerly seek them out at doll shows. Dolls of lesser known makers are often passed over in our enthusiasm to obtain the doll of a well-known doll artist or company. Such is the case I feel with the dolls made by Hong Kong doll maker Michael Lee. This article is written to tell the story of a remarkable man who was a humanitarian as well as a doll maker. Mr. Lee made dolls not for his own profit, but to help his fellowman.

Mr. Lee’s early dolls were made of composition and cloth and dressed in wonderful authentic Chinese clothing. It is these dolls that are featured in this article, but mention is made of his later dolls to show the transition from composition and cloth, to all cloth and finally to cloth and vinyl as he attempted to keep up with the ever changing world of dolls. All of his dolls came with a red and white tag stating that it was a Michael Lee character doll that was made in Hong Kong. Each tag included the doll’s name, a number and his trade mark name “MICALE”. There was also a cloth tag sewn on the body which had the doll’s name and stated that it was made in Hong Kong by Michael Lee. Mr. Lee made dolls from 1947 until the 1990’s.

It was on the website of a doll dealer that I discovered a 10-inch chubby Chinese toddler with a beguiling smile that immediately elicited the same smile on my face. One look at his original Chinese child’s outfit complete with a tiger ear hat and I knew I had to have him. A quick email to the dealer and he was in my possession. The doll’s hang tag as well as a rectangular tag on his body indicated that he was made by Michael Lee of Hong Kong. The body tag was also stamped No. 2 (Photos 1-3). His name was listed as Bow-Bow. The doll has a composition head and composition lower arms and legs. His cloth body is firmly stuffed and on his feet are red painted shoes and white socks. The little outfit is very well made. He wears black pants that are tied at the ankle, a dark blue flowered tunic, a blue apron with a large pocket in front and a tiger eared hat trimmed in white and pink. It is interesting to note that his pants are not really pants as they are open at the crotch as is typical for young Chinese children. Then, much to my surprise, his “twin” appeared on eBay (Photo 4). Naturally, my first Bow-Bow needed a companion so I purchased that doll too. The dolls bear the same name and similar outfits, but the second doll is barefoot and his hat is trimmed in gold. The body tag on this Bow-Bow is different from the first doll (Photo 5) A short time later I viewed an original hang tag that explained the meaning of their name. The tag stated: “Bow-Bow means treasure. He is generally a peasant boy, a native of northern China or district around Yangtze Valley. His padded gown and practical split-bottom pants are of native patterns. His tiger hat symbolizes valor. His apron has a pocket for his playthings. He is a jolly, rosycheeked, healthy little fellow.” He is indeed all of these things!

These dolls began to interest me so I continued to check the eBay doll site in search for more of Michael Lee’s dolls. I was rewarded when his doll DiDi came up for auction (Photo 6). He has no hang tag, but does have a rectangular tag on his body similar to the painted shoe Bow-Bow tag stating that he was made by

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Michael Lee of Hong Kong. The tag also has No. 1 printed on it (Photo 7).

This doll, like Bow-Bow, is 10 inches tall and has a composition head, stuffed cloth body and composition lower arms and legs. He wears a blue silk lined tunic over his yellow silk pants and a short black silk lined jacket. DiDi must represent an older child or adult as his pants are not split-bottom. A replaced black Mandarin hat with a red pompom sits atop his head. His feet have painted white socks and black painted shoes. I believe he depicts a well to do young man or youth in contrast to the peasant boy Bow-Bow. My friend, Cynthia Orgeron, learned about my interest in the Michael Lee dolls so she lent me her doll for my study. Her doll was a girl by the name of “Sampan Girl” (Photo 8). She is dressed in a blue cotton tunic and black pants and is barefoot.

Her body tag shows her name, the Michael Lee trademark and the No. 5 (Photo 9). Her face shows a more pensive look than the boys. She has yarn braids attached to the back of her head as well as painted hair (Photo 10). She too is 10 inches tall. Quite a charming little lady!

A similar girl model is shown with a baby on her back (Photo 11) and is labeled on her hang tag as “Mother & Child” and No. 8. Mother is 10 inches tall and baby’s bent limb body is 4.5 inches seated. Her body has the rectangular “Micale” trademark of Michel Lee. I did not remove the baby to see if she/he was marked.

Mother carries her baby on her back by a suspension band faced with red silk embroidery. She wears a blue and white striped tunic with frog closures and black silk pants. She has two colorful black and orange braids on either side of her head. Baby wears a pink and white shirt and blue cotton short pants. Both dolls have composition heads and lower arms and legs with cloth bodies. Her information tag tells us that she is a Cantonese mother who carries her young “pickaback” in order that her hands may be free to work.

Now that I had seen these delightful dolls, I wanted to know more about Michael Lee and his 50

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5

dolls. My Internet search did not produce much information. However, there was an article about Mr. Lee by Denise Van Patten, author of Official Guide to Dolls, on her website (www. collectdolls.about.com) and another

by Mary Chandler in the now defunct Village Life Magazine, the first e-zine on the Internet. Fortunately for me, I contacted Denise and she was able to supply the names of two other sources for more information. These sources were Anita Sue and Harry Lee Gibson and their son Craig as well as Mattie Genovese. They were all friends of Mr. Lee. These wonderful people were instrumental in giving me the

6

7

information I needed for my article.

They were so pleased that I wanted to tell Mr. Lee’s story. From them I was able to tell the story of a small man with a very big heart filled with love for his fellowman. Mr. Lee was only 4 feet 6 inches tall, but in a sense, he was a giant among his peers.

Michael Lee was born in 1906 in or around Shanghai. His family was quite poor and when he was seven years old American missionaries came to Shanghai. The missionaries told him he could go to school for free if he could pay the $2.00 entry fee. This was a great deal of money for a poor family. However, his mother was able

8

9

10

to pawn most of their possessions so that he could attend school. While attending school he learned English, finished high school and then graduated from college. He taught physical education for eight years even though he knew nothing about the subject! When the Communists took over Shanghai a stranger paid for his transportation to Hong Kong. Mr. Lee never forgot the kindness of this stranger and this event seems to have shaped his life and his dealings with the less fortunate.

Upon arriving in Hong Kong, Mr. Lee lived in a crowded refugee camp where conditions were harsh. In 1947 he left the camp and began to make his dolls. His small apartment at 117 Shanghai Street, Kowloon, Hong Kong was his home and his doll making factory. The dolls were never made in a large factory because Mr. Lee did not make his dolls to become rich. He was content to make enough money in order to help others. One site on the Internet stated he produced about eight dolls a day. He only hired refugees to make his dolls and he allowed them to bring their children with them when

they came to work. Many of these children he later sent to college at his own expense. No mention is made that he had a wife or any children of his own, but he did love children. He was also generous to those living in the refugee camps, however, he only helped them financially when they left the camps. It seems he did this to encourage them to help themselves by working and not to simply accept hand-outs from others.

Mr. Lee was also an actor and played parts in many films. These films included “Operation Dumbo Drop” in which he played the village chief; “Between Heaven and Earth” and the award winning Hong Kong production of “Cage Man”. These accomplishments made him a successful man, but he lived modestly and gave generously to the poor.

His first dolls are the dolls described in this article. The dolls had composition heads, hands and lower legs while his later dolls were

of cloth (Photo 12) and lastly of vinyl. Some of Mr. Lee’s early dolls are on display in the Singapore Toy Museum along with a tribute to him. As we have seen from the early dolls in this article, each doll had a hang tag and a chest sticker with Mr. Lee’s name printed on them. His later dolls had either hang tags or were signed on the foot or back with his name and chop. Mr. Lee made a variety of dolls throughout his career. Some are typical “Chinese people” while others (the cloth variety) included an Australian Outback man, Uncle Sam (made for the American Consulate in Hong Kong), Santa Claus and even a Richard Nixon doll! An exclusive department store in Hong Kong, Lane Crawford, commissioned him to decorate their Christmas display one year and Mr. Lee created some beautiful elves which were well received by the public. His cloth and vinyl dolls were mainly made in the late 1980’s and 1990’s.

Mr. Lee made dolls right up to the time of his death in 1996 at the age of 90. Most of his dolls have

11 ANTIQUE DOLL COLLECTOR

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happy smiling faces and in all his pictures Mr. Lee also has the smile of a happy contented man. In an interview with Mary Chandler, written for the Village Life Magazine, I think he expressed his view for finding happiness in life quite well. He told Mary that he almost became a Communist because communism would take care of everyone. All would work and there would be no poor. The Communist Party he felt could do more to help the masses of poor than just an individual like himself. Then he heard of a group of Quakers in the United States who had come together at a gathering. Each member carried an unlit candle. It was night and very dark. Then each one lit their candle and all the candles together dispersed the darkness. Mr. Lee then told Mary that he could be one candle and help others and everyone else could become a candle and help. His dolls were his way of lighting the way for others and by making them with love he was able to help his fellowman.

When I attend doll shows today or surf the Internet, I look for those other little masterpieces created not just for profit, but for a purpose. All dolls tell a story, some just have a little bit more to tell than others.

I would like to express my thanks to Denise Van Patten who put me in touch with Anita Sue and Harry

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Mr. Lee

Gibson and Mattie Genovese. These wonderful people supplied me with first- hand information of their relationship with Mr. Lee. I also want to thank the Village Life Company (www.villagelife.org) for permission to use the information from the article about Mr. Lee by Mary Chandler for the Village Life Magazine.

SHOW REVIEWS The Northern Ohio Doll & Bear Show Fun Fair April 12 & 13 F N or over thirty years the Northern Ohio Doll & Bear Show has offered a fine array of antique and vintage collectable dolls as well as modern and artists dolls for your enjoyment and consideration. This year was no exception with several hundred in attendance breaking the winter blahs on February 24, 2013 at the Strongsville Holiday Inn in Strongsville, Ohio. Along with the wonderful assortment of dolls the show offers door prizes, doll stringing and professional appraisals. The next show is scheduled for August 18, 2013. Hope to see you there! For more information contact Gail Lemmon at (440) 396-5386 or Lynne Fassinger at (440) 477-7174

Shari McMasters offered her expertise giving appraisals and restringing dolls.

She also presented a wonderful selection of rare antique German character dolls including a Kestner X, Simon and Halbig 949, a Gebruder Heubach 7287 and a painted eye child by Kammer and Reinhardt.

orm Schaut’s Fun Fair delivered what it promised . . . a variety of antiques and collectibles including toys, holiday decorations, general antiques, antique advertising, dolls, teddy bears, folk art, vintage clothing and more, some 250 dealers in all. The former promoter of the “Atlantique City’ Antiques and Collectibles Show, Schaut promoted the show heavily, even attracting several prominent European dealers. At the Saturday morning opening an eager crowd was wrapped around the Lehigh University Field House in Bethlehem, an attractive venue located in this historic town in PA.

Barrois pull toy, $1450. Jay Lowe, Lancaster, PA.

Ron Van Anda, Lititz, PA.

28” German bear, $2500 and c. 1900 Schuco bear, $1200.

Phil May, Ocean Grove, NJ.

An exceptional mint Philadelphia Baby, $4850, Marion Maus, Ellicott City, MD.

A large assortment of beautiful French and German antique dolls was presented by Two Beths Dolls of Cincinnati, Ohio.

Toni and Shari Gordon, former hosts of the show were on hand with a nice selection of Stieff animals and collectables dolls.

This was a special day for them as the celebrated their 45th wedding anniversary. Toni proclaimed there was no better place to celebrate than the doll show.

A collection of Skookums, Gemma Leigh, Pottstown, PA.

Author Ken Yenke was on hand offering appraisals of antique bears and toys. He showed this original American Hecla bear valued at $1500.

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ANTIQUE DOLL COLLECTOR

Specializing in rare and exceptional composition dolls, All Dolled Up presented a wonderful selection of antique and vintage collectable dolls featuring American Children dolls by Effanbee.

JUNE 2013

Barbara Lauver, Mt.Gretna, PA offered this magnificent Steiff bear with early button, c. 1906, for $8200.

Napoleon wind up toy, $2200 and mint papier mache in box, $325. Pat and Rich Garthoeffner, Lititz, PA.

A fabulous Santa and Sleigh with eight (not shown)reindeer.

Nancy McGlammery, Lancaster, PA.

The Tender Years

Deborah Varner • Member UFDC • 303-850-7800 • queenbeev1@comcast.net

NAPERVILLE Doll & Teddy Bear Show  Antique ◆ Vintage ◆ Collectible 

Sunday, June 9, 2013  MARRIOTT HOTEL  (Formerly the Naperville Holiday Inn)

1801 North Naper Blvd. ~ Naperville, IL Directly off I-88 – South on Naperville Rd. Corner of Naper Blvd. & E. Diehl Rd. 1. 6” Kestner 189 googly all bisque DARLING. $1,850.

2. 9” Kestner Pouty Creamy bisque and beautiful silk dress. All orig. $4,100 3. 14” K*R Mein Liebling. Br. eyes and rare sm. cabinet size. $ 5,200 4. 5” Mignonette, all orig. including wig. Soft white bisque. $2,200 5. 9” FS and Co. #1295 toddler. All original plus added French hat, starfish hands $ 1,675.

6. Early 1800s papier mache, pre Greiner milliner’s model, all orig., no repaint, spoon hands and fabulous green shoes, $475

Meet me at the National Doll Festival, July 27-31, Washington, D.C.

New dolls not pictured. Large Hillbilly couple by Ravca from his personal collection, $2450 for the pair. Rare large all bisque #150 Kestner $850. Call for details!

9 am ~ 3 pm Admission $5 12 & Under Free  DOOR PRIZES   FREE APPRAISALS   ONSITE RESTRINGING  Info – Karla Moreland (815) 356-6125 kmorela@ais.net

www.napervilledollshow.com

Manufacturers of Fine Doll Jewelry, Brass Accessories, Miniature Trunks & Hardware 336 Candlewood Lake Road, Brookfield, CT 06804 Phone 203-775-4717 Email: info@catspawonline.com

Visit our website and shop online: www.catspawonline.com Catalog price is $8.95 post paid

Accessorize Your Dolls!

Cats Paw has been in business since 1982 specializing in quality reproductions made from antique originals, and unique old store stock. Our antique reproductions are made by hand using the lost wax technique, and each item is hand finished to achieve an authentic “antique” look. We offer exquisite doll accessories that only look expensive!

• Jewelry • Trunks • Items for the Boudoir • Buttons and Clasps • Purse Frames • Presentation Boxes • Bleuette Accessories & More ANTIQUE DOLL COLLECTOR

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Auction Gallery

continued from p. 12

Preview: James D. Julia, June 21st

J

ames D. Julia Auctions are now preparing for their summer season and kicking things off with two back-to-back auctions with their toy, doll & advertising division and their fine glass & lamp division. The latter of the two starts the event on June 19 & 20 with a two-day sale featuring numerous exquisite Tiffany lamps, French cameo glass, fine art glass, and more. Then on June 21, Julia’s toy, doll & advertising division, led by department head Andrew Truman, will hold their early summer auction with a marvelous array of fresh and exciting merchandise that is sure to delight auction-goers at every level.

In the doll category bidders will be treated to a variety of fine bisque French and German examples.

Highlights include a pair of French fashion dolls that have been in the same family since their original purchase in the late 1800s. A lovely 14” close mouth Jumeau E.J. 5 with brown glass paperweight eyes, a larger 31” Jumeau E. 14 J. and a gorgeous 24” Depose Tete Jumeau 11 from a Texas estate with delicate features, deep blue glass paperweight eyes and original lace trimmed outfit will also be offered.

From a separate Texas collection is a 15” Kestner 245 Hilda toddler with very lifelike features. Other German characters include two Oriental dolls, an 18” Simon & Halbig 1199 adult doll and a 15” Kestner 243 character baby.

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Captivating 13” E. 4 J. Jumeau Depose w/ trunk, outfits & accessories

A lovely 14” Jumeau E.J. 5, part of a generous offering of fine French & German dolls to be sold during Julia’s June 21 auction.

Rare 18” Anqueulle wood body fashion

Charming 15” JDK 245 Hilda toddler James D. Julia, 203 Skowhegan Rd Fairfield, Maine 04937 Tel: 207-453-7125 www.jamesdjulia.com

More Auction Gallery on page 58

SELL A DOLL IN THE

EMPORIUM Purchase of an ad includes FREE internet ad on our website.

Send us a photo or a digital photo of your doll with a description and your check or credit card information.

We do the rest!! Take advantage of this special forum; the cost is only $95 for a 2.4”w x 2.9”h ad space. Antique DOLL Collector, P.O. Box 239, Northport, NY 11768. Phone 1-888-800-2588. Email: antiquedoll@gmail.com

SARA BERNSTEIN DOLLS Visit my website and view Quality Dolls at affordable prices. 100’s of pictures and prices.

732-536-4101 Email santiqbebe@aol.com

www.sarabernsteindolls.com www.sarabernsteindolls.rubylane.com K*R 114 - 21”, closed pouty mouth, blue painted eyes, and original brown mohair wig ( she has the typical wig pulls).

Composition ball jointed body which is excellent except for toe repair on one foot. Factory original clothing. $2900.

Call 215-794-8164 or email alloyd@nni.com. Member UFDC and NADDA. Other photos and dolls may be seen at RubyLane.com/shop/anntiquedolls.

Which American Toy Co. was the largest in the world in 1908?

BABES FROM THE WOODS Faithful reproductions of hand carved Queen Annes, dolls by Izannah Walker, and Early American Cloth Dolls.

Kathy Patterson Ph. 705-489-1046 toysintheattic@ sympatico.ca

www.babesfromthewoods.com

Kathy Libraty’s ANTIQUE DOLLS WWW.RUBYLANE.COM/SHOPS/KATHYLIBRATYSANTIQUES

The A. Schoenhut Co. of Philadelphia, PA!

The Schoenhut Collectors’ Club invites you to JOIN NOW!

Worldwide Membership Annual Convention with Seminars, Buying & Selling, Special Events! ● Quarterly Multi-Page Newsletter ● Guaranteed to be Fun! ● ●

Annual Membership: USA $40 • International $55 Museum $10 WWW.RUBYLANE.COM/SHOPS/KATHYLIBRATYSANTIQUES WWW.KATHYLIBRATYSDOLLS.COM Phone: 718-859-0901 email: Libradolls@aol.com MEMBER: UFDC OR—Buy My Dolls on eBay where I begin most of my antique dolls for just $1—Search seller name kathylibraty.

MORE FRENCH BEBES, FASHIONS, BLACK BISQUE, GERMAN CHARACTERS & DOLLIES, PLUS++++

DOLLS FULLY GUARANTEED IN WRITING - 3 DAY RETURN PRIVILEGE!

ASK ABOUT OUR GENEROUS 8 MONTH LAYAWAY POLICY!

WWW.RUBYLANE.COM/SHOPS/KATHYLIBRATYSANTIQUES

Send to: Schoenhut

Collectors’ Club,

72 Barre Drive Lancaster, PA 17601-3206 Phone 717-569-9697 Email:jwellsjr47@aol.com Visit www.schoenhutcollectorsclub.org ANTIQUE DOLL COLLECTOR

JUNE 2013

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Auction Gallery

continued from p. 56

T

A

lovely Bru bebe, 28 inches, incised Bru Jne 12 (tiny eye flake), original Chevrot style body with label, realized $20,400 at Morphy’s April 27 auction in Denver, PA. In the same auction a long face Jumeau bebe (above right), 26 inches, with original dress and matching hat, brought $14,400.

his very rare portrait lady doll

by Simon & Halbig 152, 20-1/2 inches (52 cm), bisque socket head, on a slim waisted jointed body, elaborate original mohair wig, original dress, underwear, shoes and socks, brought $27,000 at the recent Ladenburger auction in Germany.

A

t Alderfer’s recent auction featuring the estate of Hazel Moyer, this 17” all original 1930’s felt Lenci “Elio” child doll brought $2147.

A

t their April 19 and 20 sale in Newark, Ohio, McMasters Harris Auction sold a rare 4 inch German Kewpie Sailor by Schafer & Vater for $10,700. The 19” Jumeau Portrait Fashion Lady realized $6,380.

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lovely Emile Jumeau doll with pressed bisque head, 19-1/2 inches (50 cm), marked EJ 7, jointed body with fixed wrists, wearing an antique costume, realized approximately $12,000 at the Ladenburger April 12 and 13 auction in Ladenburg, Germany.

We would like to thank the following auction houses for their participation: Alderfer Auction, 501 Fairgrounds Rd, Hatfield, PA 19440 215-393-3023 www.alderferauction.com Ladenburger Spielzeugauktion GmbH, Lustgartenstraße 6, D 68526 www.spielzeugauktion.de McMasters Harris Apple Tree Doll Auctions, 1625 West Church Street Newark, OH 43055 Phone: 800-842-3526 www.mcmastersharris.com Morphy Auctions, 2000 N. Reading Rd, Denver, PA 17517 Phone 717-335-3435 www.morphyauctions.com

BOOK REVIEW

Th e Remarkable Rose Percy SEWING WORKSHOP

March 21-23, 2014

You are invited to be a part of Rose Percy’s first-ever Sewing Workshop, which will be conducted by the renowned doll costumer, and author, Louise Hedrick. Under Louise’s skillful direction, attendees will create Rose’s very favorite walking suit in lined pique – in an ivory shade with black silk soutache decoration. The suit will also include a matching cape, plus a straw chapeau in the manner of Rose Percy’s own.

The ensemble kit will be designed to fit a modern 12” French fashion doll.

The workshop will take place inside the spacious new home of the Carmel Doll Shop, at 213 Forest Avenue in Pacific Grove, California. (831)643-1902

DOLLS ETCETERA The Ruth E. Funk

Private Collection

S

ince her early childhood, dolls have fascinated Ruth E. Funk, now in her nineties. In this beautifully photographed 264page coffee table book she shares her extensive collection of dolls in six chapters: ethnic dolls, fashion, play and antique, miniatures, retablos and nativities, figurines and animals. Dolls are primarily modern to mid-twentieth century, but also include a selection of antique examples.

Prefaced with the story of her journey in doll collecting, it concludes with doll collecting tips and resources. It underscores the author’s philosophy of acquiring dolls you love no matter their investment value, something that should appeal to all doll collectors.

This is the author’s second book, her first, Cloth and Culture, documents her wearable creations, often seen on display at the Ruth Funk Center for Textile Arts and the Florida Institute of Technology.

Hardcover, 264 pages, 500+ photographs, $45.

ISBN 9780983239871

Registered Attendees will Each Receive:

• A Thursday evening Welcome Reception with a very special guest in attendance.

• Three days of personal instruction by master costumer Louise Hedrick and her helpers.

• A complete kit to create Miss Rose Percy’s 2-piece walking suit, plus cape and chapeau.

• Delicious lunches and dinners on Friday, Saturday, and Sunday are included as part of the workshop fee.

• Special shopping suggestions tailored just for doll costumers.

• A special exhibit will be available for viewing: The Art of Soutache which will feature both doll and children’s clothing from the nineteenth century, with many pieces making their debut appearance.

• Morning tour of the incredibly scenic, world famous Monterey Peninsula.

All of the above for $495 – Space is Limited www.carmeldollshop.com

ORDER FORM: RESERVATION FOR THE ROSE PERCY WORKSHOP

Please complete this order form and send with Credit Card information or Check made out to Carmel Doll Shop. $495 Send to: Carmel Doll Shop 213 Forest Ave. Pacific Grove, CA 93950

NAME / PHONE ADDRESS

CITY, STATE, ZIP

CREDIT CARD INFORMATION: CARD#

3 DIGIT SECURITY CODE

EXP. DATE SIGNATURE

ANTIQUE DOLL COLLECTOR

JUNE 2013

59

GAITHERSBURG Antiques Doll Show

HUNDREDS of SELLING TABLES…

JUNE 1&2

The 162nd Eastern National Antique to Modern Doll & *Toy Show 2012 Established 1972

Four Times Each Year

Calendar of Events

Send in your Free Calendar Listing to: Antique Doll Collector, c/o Calendar, P.O. Box 239, Northport, New York 11768 or Email: adcsubs@gmail.com.

If you plan on attending a show, please call the number to verify the date and location as they may change.

2/1-6/22/13. Musee de la PoupeeParis. Ethnicities Dolls Reflecting People New Exhibition. 01 42 72 73 11. www.museedelapoupeeparis.com.

1 Montgomery, AL. Doll Event & Luncheon. Arrowhead Country Club. The Montgomery Area Doll & Toy Club. 334-279-8018.

4/20-10/6/13. Basle, Switzerland.

Special Exhibition. Spielzeug Welten Toy Worlds Museum Basle. www.toy-worlds-museum-basle.ch.

1 Prescott, AZ. Annual Doll Show. Wyndham Garden Hotel.

Lynne Shoblom. 928-713-1909.

Diane Vigne. 928-308-2644. www.PrescottDollshow.com.

June 2013

2 Belleville, IL. Doll & Toy Collectible Show. St. Clair County Fairgrounds Belle-Clair Expo Bldg. Kay Weber.

618-233-0940.

1-2 Bismarck/Mundan, ND. Luncheon & Doll Show. Best Western Seven Seas Hotel.

Bismarck Doll Friends.

Ila Marvel. 701-258-7869.

8 Tucson, AZ. Tucson Doll Guild Luncheon. Green Valley East Social Center. Marti Nelson.

520-393-0502.

1-2 Chartres, France. Dolls & Automata Auction. Galerie De Chartres. +33(0)2 37 88 28 28.

(F) +33(0)2 37 88 28 20. chartres@ galleriedechartres.com. ©

Over 200 Years of Playthings

JUNE 1 - JUNE 2 SAT 10AM to 5PM - SUN 10AM to 3PM UFDC SUN 11AM to 2PM - Hall 4 ST

ND

Admission $8 Good 2 Days Half Price With A Copy Of This Ad

Email us for $2 Discount Coupons and Maps

THE FAIRGROUNDS

16 Chestnut St. Gaithersburg, MD 20877 Building 6 / 4 Exhibit Halls / Air Conditioned and Heated

9 Buena Park, CA. Doll Show featuring Barbie Dolls. Holiday Inn. Sherri Gore. 310-386-4211.

1-2 Gaithersburg, MD. Eastern National Doll Show. Montgomery County Fairgrounds. Bellman Events.

410-357-8451. 443-617-3590.

InfoDOLLS@comcast.net.

9 Naperville, IL. Doll & Teddy Bear Show. Marriott Hotel.

Karla Moreland.

815-356-6125. kmorela@ais.net. www.napervilledollshow.com.

Sunday visit the United Federation of Doll Club’s Inc. in the Learning Room on JUNE 2, 2013 at the ©

12 Miles North West of Washington DC (I-270) Exit 10 to red light, turn left, follow fairgrounds signs.

Hotels: HOLIDAY INN 301.948.8900 HILTON 301.977.8900 Ask for special rates for

162nd Eastern National Antique to Modern Show and Sale in Gaithersburg, MD.

3 International Airports Ronald Reagan Washington National (DCA) Dulles International (IAD) Baltimore / Washington International (BWI)

The featured speaker on June 2 is Val Star. Hear her educational and entertaining lecture “Antique Dolls: Large and Small We Love Them All” at 1 pm.

Bellman Doll Show. Book hotel 30 days before each show

BELLMAN EVENTS 410.357.8451 • 443.617.3590 InfoDOLLS@comcast.net *LIMITED Number of Toys and Games

60

9 Anaheim, CA. Doll Show.

Anaheim Plaza Hotel.

DollFestival@aol.com.

831-438-5349.

ANTIQUE DOLL COLLECTOR

JUNE 2013

Members of UFDC will once again present our doll “show and tell.” See the dolls hear the speakers - have your dolly repaired or restrung - win door prizes!

Come join the dolly fun in Hall 4 on Sunday, June 2.

All events are free and open to all Doll Show Attendees!

UFDC’s Mission: Educate, Preserve and Conserve!

9 Sandwich, MA. Cape Cod Doll Show. American Legion Hall. Yesteryears Doll Study Association. Cynthia Burke.

508-697-5781. Jennifer Sweeneyjaide73@hotmail.com.

12-13 Nashua, NH. Doll Auction.

Holiday Inn. Withington Auction, Inc. 603-478-3232. www.withingtonauction.com.

13 Arcadia, CA. Doll Show. Arcadia Masonic Center. Sandy Kline.

818-368-4648.

15 Chicago, IL. Doll Conference & Competititon. Holiday Inn Chicago/Elk Grove Vlg. PUDDLE organizers. www.puddlestyle.com.

Jane Easterly. 309-299-0486.

15 Westampton, NJ. Dolls at Auction. 700 Highland Drive.

Sweetbriar. 410-275-2094.

Sweetbriar Auctions.

410-275-2094.

19-23 Durham, NC. Doll Convention.

Sheraton Imperial Hotel & Convention Ctr. Down East Doll Show & Conference. www.downeastdollshow.com.

21 Fairfield, ME. Advertising, Toy & Doll Auction. James D. Julia Inc. Andrew Truman or Julie Killam. atruman@jamesdjulia. com. www.jamesdjulia.com.

207-453-7125.

21 Lakeland, FL. Miniature Show.

Hilton Garden Inn. Lakeland Miniature Guild. Pat Gazie 707-733-7988. Carol Kira.

863-646-1354.

22 Beachwood/Cleveland, OH. Luncheon & Doll Show. Hilton Cleveland East/Beachwood. The Cleveland Doll Club.

Pat Dutchman. 440-785-4183.

22 Mt. Pleasant, IA. 11th Annual Benefit for the Bussey Doll Collection. Midwest Old Threshers Museum & Hawkeye Doll Club. Glenna Voyles.

319-367-2614. gvoyles@ iowatelecom.net.

22-23 Puyallup, WA. Doll & Teddy Bear Event. Crossroads. www.dolls4all.com.

22-23 Walnut Creek, CA. Dolls & Collectibles. Rowbear. 831-4385349. DollFestival@aol.com.

24 Los Angeles, CA. The Doll Collection of Alexandra & Sidney Sheldon. Bonhams. +1 978 -283-1518.

Dana.hawkes@bonhams.com.

Jean & Ken Nordquist’s Collectible Doll Co. Gourmet Doll Supplies for the Discriminating Doll Collector

26 Louisville, KY. Madame Alexander Doll Club Convention. Louisville Marriott Downtown. 212-368-1047.

28-29 Darby, MT. Doll & Toy Show.

Darby Community Clubhouse. www.bitterrootbabies.com.

Kay Schrader. 406-360-7214.

29-30 Kansas City, MO. Doll Auction.

KCI Expo Center - Holiday Inn Hotel. Frasher’s. 816-625-3786.

(F) 816-625-6079. frasher@aol.com.

29 Ross, CA. Doll Show & Sale.

Marin Art & Garden Center.

Livermore Pavillion. National Institute of American Doll Artists. www.niada.org . niadachat@yahoo.com.

July 2013

13 Arcadia, CA. Doll Show. Arcadia Masonic Center. Forever Young Antique & Collectible Dolls.

818-368-4648.

*Nordquist Doll Molds *Daisyettes *Bleuette Premiere *Mignonettes *Presentation Displays *Paper Toys for Dolls *Thurlow Patters for Knit & Crochet Outfits *Collectible Doll Fashions

*Finished Crocheted Outfits *Cat’s Paw Doll Jewelry *Feather Trees *Paper Ornaments *Vintage Postcards *Doll Sewing Projects *Leather Doll Shoes *Mohair Doll Wigs *Miniature Accessories Mold & Global Catalogs not shown

13-14 Jefferson, OH. Victorian Perambulator Museum Celebration. 440-576-9588. www.perambulatormuseum.com.

14 Ewing, NJ. Christmas in July Doll & Bear Show. W. Trenton Volunteer Fire Co. No. 1.

Delaware Valley Doll Club of NJ. Michael Szvetkovics.

609-599-1498. www.dvdcnj.org.

Calendar continued on page 63

Complete 5 Catalog Set - $25 ppd.

Includes $15 money back coupon with purchase.

jeannordquistdolls.com Order Desk

1-800-566-6646 Collectible Doll Company P.O. Box 697, Cedar Hill, TX 75106 ANTIQUE DOLL COLLECTOR

JUNE 2013

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Calendar continued from page 61 27-31 Washington, DC. 26th Annual National Doll Festival.

Georgetown University Conference Ctr. & Hotel.

NatlDoll@aol.com.

831-438-5349.

28 Mounds View, MN. Doll & Bear Show. Mermaid Event Center.

C Promotions Plus.

Carol Benson. 507-864-3073. www.CPromotionsPlus.com.

28 Washington, DC. Theriault’s Auction of the Private Collection of Estelle Johnston.

Williard Hotel. 800-638-0422. stuart@theriaults.com. www.theriaults.com.

29-8/1 Washington, DC. Doll Convention. The Washington Hilton. UFDC. 816-891-7040.

August 2013

7 New Orleans, LA. Doll Convention. Hyatt Regency.

National Barbie Doll Collectors.

10 Eagle River, WI. Doll Show.

Kalmar Community Center.

Enchanted Doll Club of the Northwoods. Judith Wainwright. 715-479-7132. jnjdubs@gmail.com.

10 San Diego, CA. Teddy Bear & Doll Show & Sale. Al Bahr Temple. Crossroads. www.dolls4all.com.

10 Vallejo, CA. Doll Show & Sale.

Solano County Fairgrounds.

Nancy Jo Schreeder.

925-229-4190.

11 Hasbrouck Heights, NJ. Summer Doll Show. Hilton Hotel. JMK Shows. Rona or Jesse Kohler. 352-527-6666.

14-16 Nashua, NH. Doll Auction.

Holiday Inn. Withington’s.

603-478-3232 (F) 478-3232. withington@conknet.com.

• Toys • Miniatures • Doll Molds • Supplies •

16-17 Billings, MT. Doll & Toy Show.

Billings Hotel & Convention Ctr. Brian Mogren.

406-723-2176.

17 Olean, NY. Doll Show.

Knights of Columbus Hall.

Wendy Kenyon. 585-466-3037.

17 Peoria, IL. Doll & Bear & Toy Show. Barrack’s Cater Inn. Julie Bronski. 312-919-7135.

17 Roanoke, VA. Doll & Bear Show. Holiday Inn Tanglewood.

Knight Shows & Events.

Howard Knight. 803-783-8049. www.knightshows.com.

24 San Antonio, TX. Doll Show.

Live Oak Civic Center. Dorothy Meredith. 830-606-5868.

25 Mankato, MN. Doll Show & Sale. Best Western. Lady Slipper Doll Club. Carolyn.

952-873-4489.

Nancy Jo’s DOLL SALES

VALLEJO, CA Vallejo Fairgrounds

August 10 2013 Saturday 9 am

For information send SASE (2 stamps) to: Nancy Jo Schreeder, 305 Robinson St., Martinez, CA 94553 Phone 925-229-4190 Fax 925-229-5369

Website: www.nancyjodollsales.com Doll Related Items • Furniture • Clothes • Bears

Dolls & Toys & Bears OH MY! DOLL SHOW & SALE! Sunday September 29, 2013

10am to 4pm - Crowne Plaza Hotel 3131 Campus Drive, Plymouth, MN 55441

Sunday December 8, 2013

31 Portland, OR. Doll & Bear Show. National Guard Armory.

Crossroads. www.dolls4all.com

10am to 4pm - Cape Coral Yacht Club 5819 Driftwood Pkwy, Cape Coral, FL 33904

31 Westampton, NJ. Doll Auction.

Crescent Shrine. Sweetbriar.

Dorothy Hunt. 410-275-2094.

For more info 239-282-9499 www.dollstoysbearsohmy.com

On site Doll Repair & Apprasials Admission: $5 Adults $1 kids 10 & under

ANTIQUE DOLL COLLECTOR

JUNE 2013

63

SARA BERNSTEIN’S DOLLS

• Crocheted and knit socks and clothes for small and large antique dolls and others.

• Can copy old doll clothes from originals (sewing) • Replacement arms and legs for china head dolls • Compo bodies and replacement parts for antique and old dolls • Exact copies made of old bisque dolls and some old compo dolls • Miniature and doll house dolls

106 W. Main St., Carlisle, KY 40311 859-289-3344 10 Sami Court, Englishtown, NJ 07726 Ph. 732-536-4101 Email: santiqbebe@aol.com www.sarabernsteindolls.com www.rubylane.com/shops/sarabernsteindolls

Sherman’s Antiques

& Doll Hospital

1103 6th St. N.W. Winter Haven Florida 33881 We specialize in antique and collectable toys and dolls and also deal in all types of antiques. Our doll doctor has over 20 years experience with all doll services performed on site. We make as well as restore teddy bears too. Our doll doctor can make wigs, clothes or any service your doll may need. We are located in central Florida and opened year around seven days a week. Monday thru Saturday 10 am – 5 pm and Sunday 12 pm – 5 pm. Call 863-956-4333 or 863-221-4035. Email: Jerry@Shermansantiques.net Website: www.shermansantiques.net Member of UFDC and Doll Doctors Association of America

www.HoneyandShars.com New dolls added weekly

Sharon & Ed KoLiBaBa Phone 623/266-2926 or cell 206/295-8585

ANTIQUE DOLL COLLECTOR

The Doll Works Judith Armitstead (781) 334-5577 P.O. Box 195, Lynnfield, MA 01940

Please visit our website for a fine selection of antique dolls, dollhouse dolls, dollhouse miniatures, teddy bears, all bisque dolls, bathing beauties, kewpies, dresser boxes, snow babies, half dolls, and doll accessories at www.thedollworks.net Dollhouse miniatures including Kestner Gentleman with cane

CERTIFIED DOLL APPRAISALS – Doll appraisals online at www.doll-appraisals.com by Certified C.A.G.A. appraiser, for insurance, bankruptcy, divorce, casualty loss, or just to see what a doll is worth, its history, etc.

I can also do appraisals by mail. Victoria Way, P. O. Box 501, Tehachapi, CA 93582. Phone 661-823-7828 or 661-972-7728. Please visit my website at www.doll-appraisals.com or www.antiquedollappraisals.com ANTIQUE dolls and collectibles. LSADSE for color fully illustrated list. 10 month layaway available. Member UFDC & NADDA. Regina A. Steele, 23 Wheatfield DR, Wilmington, DE 19810-4351.

Phone 302-475-5374 Email: RSteele855@aol.com Visit my website: www.ReginaSteele.com ANTIQUE DOLLS – French and German Bisque, All Bisque, Chinas, Limited Ed. Doll Plates. SASE. Ann Lloyd, 5632 S. Deer Run Road, Doylestown, PA 18902.

215-794-8164. Email: alloyd@nni.com RubyLane.com/ shops/anntiquedolls Member NADDA, UFDC

www.TheDollWorks.net

RENEW YOUR SUBSCRIPTION LINKS TO YOUR FAVORITE ADVERTISERS SEARCH OUR BACK ISSUES LIST PATTERNS AND MORE AT: WWW.ANTIQUEDOLLCOLLECTOR.COM

FRIZELLBURG ANTIQUE STORE A quality group shop specializing in dolls, toys

Place Your Ad Here

and holidays. Visit our website today!

a classified marketplace for antique dolls and related merchandise

www.frizellburgantiques.com

ON THE WEB AT:

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Hours: 11-4, Thursday, Friday, Saturday or by appointment.

Custom Made to Order Email: smacmot@gmail.com phone 406-245-7190 leave message

Laura Turner, proprietor, 1909 Old Taneytown Rd., Westminster, MD 21158. Open Thurs- Sun 11-5.

We also carry a quality line of antiques, textiles, furniture and jewelry.

30 years of experience where you can buy or sell with confidence. Call us with your wants, we have an everchanging inventory.

410-848-0664 or 410-875-2850

Copy Ads: 35 cents per word, no limit; $12 minimum Ads with a border and boldface, add $10 to word total BLACK AND WHITE PHOTO ADS we can convert your color ads to black and white 1/12 page ( 2 1/2” h x 2 3/8” w) $40 1/9 page ( 3 3/8” h x 2 3/8” w) $50 FULL COLOR PHOTO ADS 1/9 page ( 3 3/8” h x 2 3/8” w) $125 Please include payment with your ad. Larger ads are considered display ads — call us for information. 1-888-800-2588.

Antique Doll Collector, P.O. Box 239, Northport, NY 11768 Classified ads due no later than the first day of the preceding month of publication. Example: May 1 for the June issue.

JUNE 2013

s ’ i z t i FArntique Dolls UFDC

Large fabulous FG and gorgeous original Tete Jumeau

WE WILL BE AT THE FOLLOWING SHOWS: Gaithersburg, MD June 1 & 2 Naperville, IL June 9 UFDC Convention Salesroom Washington, DC July 23-26

Buying entire collections of antique dolls and dolls of merit.

Email: fritzisantiquedolls@comcast.net

Cell 630-247-1144

Located in Stoudtburg Village 8 N. Village Circle P.O. Box 705 Adamstown, PA 19501 Currently open by appointment or Sundays by chance

Come visit us and experience our charming location and superior selection of French and German dolls. We are always interested in purchasing collections and fine quality dolls.

Telephone: 717-484-1200 • Mobile: 610-662-5473 • Email: ourant@me.com

Now there are two ways to buy great dolls from us...

Becky’s Back Room

Open 24 hours a day / 7 days a week, visit our exclusive shop at BECKYSBACKROOM.RUBYLANE.COM New dolls listed every week!