March 2004

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March 2OO4 Volume 7, Number 2 s5e5

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$6e5 Canada

w$,w.andqu€dollcoll€cior,com

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To offer dolls in an

. 'lb adapt our auction

atmosphere of respect

services to meet the

and sq,le.

particular needs of each

.

To make each auction

.

.

To understand th€ history and subject of dolls.

]b lieely

fair market for all collectors.

share

this knowledgc with all

/"1

To make every auction

a complete\ oper and

.

To invest ourselves in

every collection. To general public.

develop a $amntce

unique in the industry

.

To give each collcctor

an opportunity to build a "great" collection

idthin

rny budget.

.

(The Gold Ilome Cuarantee) that protects your investmcnt on select dol1s.

To ensure

thrt erch

doll is accurately showcased, beautilully

. 'tb stay true to our nature as a spccialist dolls and childhood

ir

presented, and offcrcd to

It was nearly 35 years ago that Theriault's established the first auction house in the

world to focus only on the subiect of

dolls. Sparked by the visionary ideas of Ceorge and Florence Theriault the

thc grcatcst collectors in the world.

.

.

To remaitt pcrsonally

accessible to collectors

'[o star true to our

naturc as an auctioneer and sell only at auctn,n. never privatel). t'o not .olle.t dolls ourseh,es, in order to prevent a conflict of interest.

ard clients at all times.

.

lb conrnunicatc.

engage and participatc nr

thc conlersalio oI dolls

with collectors worldwide.

company established a set of values and ideas that brought doll collecting into the

forefront of all collectibles and revolutionized an entire industry.

This is still our

mission.

This heritage is why we auction the greatest dolls. And give our consigners

the greatest returns. Thirty-five years later, we continue to set the benchmark.

Theffault's the dollmasters

PO Box

'l5l .

Annapolis, Narll,nd 21404 USA

. toll

tree: 800-638-0422

. iax.4t0,224-25I5 .

v$w.theriaulls.con

NikkiKvilka

=-

(Nilrel

4536 Custer Dive, Har sburg, PA 17110 6maili nik€l€nt€@n*s @ colMsl.n6l

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Pho e 717-236-7148 Fax 717-236-6807

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L.y-.-v.yl, Amdcrn ErpEl, MrErEd.nd Vl.t ec.pt.d, Wllbuy yourdoll3 oulrlgrrl oI sn $.6 roryou on con.lgnm.nl

Checl us our on the web

Enail Ci8i@Aigisdolk..on

rDoh a 4i4i'" qeddq.

Shusg' t

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Northwest Hidway, Chi..go,Il6063l .

5!l-1540 .

SEE US AT TEE EOLLOWTNC 2OU SHOWS: CaU ,or Sprinsiime Sprtials AtlanhouE C'h, Nlshow, Booth 1937, Mar 27 23 St.

Chdl6lL, iov& DollShow, ArnL25

NADDA show &

Aru..

Sale Los Angel€s,

Apnl 24.2s

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(7r3) (3{xr"442-35ss orders only) 6029 N. Ops:Tues..Wed.$r r0'5pr.TluE.10 sp.m.Fril0-6pm.clordsmmdMmNerOHn6P,kRldg€&Nile,3/{nneatoiH,ibm^v.

inth.rt af th, buildir.. Cldn tr all krtat.41t6surys Md pufin nantpa atkn. ChituSolrnds's fin*h.ktk ol Antiqre, Madan dnd QlLatible Dalls, Btfiie, c t,Abxad,Middbton,Ben,Dot,'ou's,trdA.16o;6..Memberu.F.D.c.mdNADDA.CidG.Lryaway.Worldwide$nppnE

Juhdau body, bl pw eyes, posiSlv ori;iml dres, anhquc

b.nnd & shc, $me rep'inl on lower arms & less, snaU

119

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eoo baby

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in blue

Toddler, bl sl ey6, ona m;lEn wi& difrpl6, molded tonBlq 4

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bo!

sp,2

mmtrE r1w/ mboideFd Tinv

& wrr w hdorhl bonnet panti6, bmti6 S19s.

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bot

236

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Kley G Hahn 'Walkure'

28" A bcauti{ul lacc oo a grat ori8iill liiisft 6ody. D..k [loade

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Smor tr Halbg Beauty 23' Ldct sftdlddkad mld *1010 on a kid Lody ettfi lmrbisguc arms.

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vi8, old haby oqdlt and .oligue Lonnei. Blue sleegqts and oPeo

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Crear oiiSinal b.un.lte

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mofi air

rlts,

vi8, lrcvn

pierced cas,

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pouiy.haracrer child wirh glass ey.s

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Ta6g.d drs *J

rubum mol'al. vi8 (rePlaed)

oo, ioi.t.d

Liglrr oatng

comp" hody. Darling unr'que

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and

$2800

On ! v.ry nte kld body sith lover omPo

am. Old coat,

sho*, mohair wig,

aod

Ctamc

flG.

original

OriSimlrrS

bro*n slcep cycs.

$515 12" Kesrner

and

$475

#2ll

baby.

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slcep cyts,

/,gry

oagml hody

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vu[ origi.al {inh[.

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a rare v.rston. Cl"s.d mouth, beautlful

o.iSlnal foil mlst ta8.

26" Kesncr#I54 legs and 6isque

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NADDA West Coast Show, Saturdav Aortl 24rh 6 Sundav Aprll 2$h. LA. Emhssv Suites Find funher daails on the shoo, in thts isue o[ Antique Doll Gllector.

Look for

us at rhe

We buy dolls! One

doll or

lll5

an entirc

collection.

l08rh A"e. N.E., Bellevue, WA 98001-4321

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425 155 1115

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wwv dollart com

-ChteJQlbnnann

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"Simply

*ron"ra*"puffifu Advertisina & Crerrive Dire.tor Keith Kaonis E.litoFin-Chi€f: Doma C. Kaonis A.tminisharionManager LorraineMori.one Art/Prc.ludion: Lisa Amb.ose

Fabulots Fr.nch Dolb nt sbck.

EIA, Poitdits, dif.re t sia.

Graphic D6igne. Brenda Blumb€r8 Contributing Ediror: Lym Murray Sales Repesentative Andy Ourant

B

ying afld Sellit g Fifle Antique Dolls

Cimlation Dire.to. Deni* Kelly

Since 7979

Subs.ription Manager Jim Lanc€ MarletinS: Pen8uin Comuni.ations P{blications Director Enc Proner

Satisfaction G arunteed

Antiqte Dall Collectot IlsSN 1@CU74) is published monthly by the Puffin Co., LLC, 6 Wmdside Avenue, Suite 3)0,

Menber UEDC 11013 Treyburn Dr., Glen Alle& VA 23059

Penodi.als postaSe paid at Northpori, NY. md at additional mailing olfi6. Contents

.opyright 2004, an ndts leserved.

Ph. (804) 364-1328 Fax. (804) 36rl-1329 Ernail address: lindas-antiques@erols.com

Posru,stel Send address chan9es to Aitiqrc Ddli Colle.ror 6 Wodside Avenue, Suite 300,

Subsdiptim

Sigrly Schindall 4600

,{r[iquc i)Olls

NW 2nd Terrace, Boca Raton, FL 33431 Tel: 561-391-1429 12

l(6tterl43. Erly

Ratesr One Year

939.9s; Two Yea6

Gwelv. bsues)

Gwenryjou Issue,

$69.9s.

IiEt clas

Ema,,

"igado,ol"o-

Pah bisqu€ 9301.00

It K6tE 7q@ftll.$100)m

delivery in US add $23 ttr year.

Canada add $27 tEr yed. Europe add $31 per yed. lapm, Australia, New Zealand dd Menco add $33 per yea. South Amenca md Singapoe add $36 pe! ye . Bemuda and South Africa add $41 per yer.Iorei8n subsqiptiore m6t tE paid in U.9 frmds. Crdii .ards a@pted,

Foi info.nation lelated ro advertising, please call (631)261-4100 or FAX (631) 261-9644.

SEE US ON THE WEB AT:

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tlK6h*r29 15"

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I(6tu l{9.

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$mfi

Aniique Doll Colle.tor is noi GtDEible for any ina.tuaci6 in adv€rii*E' cmtent An @li.it€d nanuscnpt must be a.compdied by SASE.

Coll\tu .ena no r6pomibiXty mienal All .iihts includns trmlaii@

Antique DoLl 22 FC (in

skaidtw

sl.

BlIm€y6.

ml)aMdy

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$zqD.m

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6cr such

e rered by the publishs. R€qu6E for p€misions and rep.ints must b€ made in wnti9to Artique DallCollector Cr004 by tbe

N4O\ZING? P,lly Musi. Bd 1.lildftn d rh€tulPi ModE plaF n\€ ZidE and llE dildren mok &ir hsds and [n & baoF to ill.il mmdB T@

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lrnponmr we tred your old ad<lres dd you new. The Po6t Offce dc Dot foruard Se(ond Cla$ Mail. Call l-888-800-2588 or us at 6 Wd}lside Avenue. Suile 300, Northport, New Ydk I 1768,

Mite ro

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yot*tc attend, a* imPffiant a4eLoav of aatt4u.", a,nd,vLnta4e d,oil*. frowe.arl4 c);ua,, dotlv a.ndrpapier mache,

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Are, yow

or

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dv/lreat teni,cP e\d,thP,l< ue-rt feet !

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Je*wy j $15 a rfa$r : New

70 a,vw

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MLLE. BEREUX T{IDE COLLAR SPRINC FROC(

RENoWNED PoL?EEs, REVERED

WOMIN

ladi6 ol Ftnch doll okinr creoted stt i gporyaes thot carlinue to hnu d Bou ding inpacl o calkctots todoyThe leadinS

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MAGICAT MUSTCAL MECHANICALS B! Dotna Kaofln

CNk\ spe.idl erhibit at lost leat s natio nlUFDC .o lion uas a opponuniq tu tieu d o.t erp i ec? s oJ au tama t a.

Cnil

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BEcAssINE:

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\EARS oF FUN! Bt Ant1t tu Tdhhat

Nitttv

nine veo6 ago

,

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H

like .ss

ytiad

oJ

has ihspned o dolls, tols, fgurines,

aid hor*hotd oEeck.

20

Auction Gallery

54

News

64 Book Review 55

Emporium

56

66 Calendar 70 Classified

Ledtning About Anerican Mdde Dolls:

CHANTECLEf,, THE ROOSTER DOLL

By U6uln R. Mttz A rare a d unusral doll,

About the Cover viole e, r dmtre Pnisit ,ht*e$fon the "cotden Age" ol dott f,oking in Etun@. violette pnsonif$ Adelaide Calnte Hwet's Ladeship ol this noM.at W ntbinS lo credk t doll thit @tld spreod lhe are of bq ty. Irti Srnlahrutd colLction, photo Stl S.nt.naw,

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boed on

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dtdtdctet

oeokd b! Erenchnan E.lnond Rastond, Ms not the

ru otoy

success

its

nakery hop.d.

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CHTLDpEN

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Quality Antique Dolls

. . . bY

Mail

Return Privilege ' Layaways Member UFDC and NADDA

dun iu$

a fashion doll, this

NnuE her o rr.l Fh5hal hol-l"m 'n d,eand s.erul ha ichd! 6kd

Sbwn

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h,ve vou s.m a Juneau lhis

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*d**r ",.d --d"; ' learherd'pFRl

A uorr o, ad. 63600

Lth

and

'Iel (212) 787-7279 PO. Box 1410

New York, NY 10023

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'Jtt*r"y

&. Emith

'Brylng anl selling qwlity a \w dolk.

Sryializing h earlg cloth dolk.

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:Phae$o$y5-1424 Jox$o8):)4l51428 e-,71oil

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Member NADDA

(NP 'kanifn D"

22O One,nol'BAon. $25OO

Richard Saxman PO Box 53 YaIIeyForfe PA Te[ 6lGrl5-9Brl

Fa* 6lGll5{331

lgrsl

Email,ricLsax@earthlinl..net Itlember NADDA Q IIFDC

Ri8ht: 18'(45cm) K'R I l7A 'M€in Li.bling' t{750

tar righ!

l4 l/2'(37cm)

6rac€ C!.ey Rockwell bique head Cha.acter w/ wig 13900

Abov€: 18' ({6cm) Ea.t Jum.a, marled 6 8 Ball irint body w/

Pleace

o/.r U

.ir.ight srin. 37800

vLi! our rebste at:

vyr.dihatdr'rrh.nrnrtquer.cotl

BuyWASelw

Antique Dolls, Teddy Bearc Related Antiques

on

o.b

A SPRING OFFERING OF TOYS, BANIIS, DOLLS EI DOORSTOPS &ril

2 at 4 par and April 3 at 9 am PIEgIEI': Entire v/e-ek ol itrtarch 29, 10 am - 5 pm Saturdqy, April 5, st rbti at 7:5O am AUCTTON!

Irolb vfll ta .ncdon

i

on Seturday,

Arrll trd

Thc s6re *ill tcatqrc ll.dly 4OO dols ad doI tumiture ll!6 a 14 pmine t lona 66c @llatoG lncludcd is tlE inporta t dolt @lle.tio! lfom tlie l.te Alberta Ireby, to€cthd with sirlrnfica t etoopin{is lrcn othq privat 6[€c6oB. Featurcd dous include chir6, dotl! Fr6eh a d Gmu bisqoe, Sch@nhut+ sd dolls' lsltio^ dolls, and oanv otn6'

Fuusloi h.rd .ds 6ta!6{s frav be ordcrcd lo. $56. uS d $45. Fdcigl @S bdtr.)

BEPTOTA AUCTIOIIS 214r DeMatco Dr., lrheland, NJ 0A560 ' phone a5ffigzlaa1 Fax 45G6923697 Emaflb r@BertoiaAuctio^s.com' Websrtewww.BertoiaAuctions.com BERTOIA AUCTTON GATLERY is loc.ted 50 n es tuos PhiladerPhia pA and Addiic Citv' NJ .

BERTOIA AUCTTONS a.@pts .b,stee, atrd pIFre bid.linrt with catatog od6 . 10% Buy6 Prenium at aucdo^ 5% sal6 INTERIiET BIDDING will be dnduct d on ttw.Ebavl.tveAuctioG.od hosted bv w.LiveAuctioM.@e LODGING Wi.Ihre Ina Vinetard, N.I 45659G9900 or panada Im, Vircla^d, NJ a5G696JaOO

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Ag9.t,rtW rffir61

GERTLEONARD

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L_t2'; ,,"8,*i:[i1,,,, .

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Phone (909) 599'2723 ta\ (909,5994355 Please visit my website: http://www.eandgantiques.con gert@€andganliques.com

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T1'.dollhI,lord DPMri & F dBrd

10. 26"

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Member UFDC, NADDA

1 year

der\hild

Jonr.d md{Iabod,. tund.tion w.rh ltr onAidlw'A &

r 'n niemriqDedorl$.$2250

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Visa, Mastercard Layaway a Satifaction Guarante€d Dott Stdfld afld Shippihg

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Cambridge, Ohio April

16,

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2fi)4

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SNEAK PREVIEW Ior catalog 100 lot Doll Auction & Reception Preview 7:00 p.m. . Auction 7:55 p.m. ET

April

17, 20(M Catalogued Anti4ue Doll Auction heview - 9:00 a.m. . Auction - ll:00 a.m. ET

April

18, 2004 Treasure Hunt Doll Auction Preview 8:30 a.m. . Auction 10:30 a.m. ET

Consign rrvith us today!

7,-8o(J-442-3526

\

info@mcmastersharris.com wwwmcmastersharris,com 5855 John Glenn Hwy . PO Box 1755 . Cambddge, OH 43725 l -E(n-842-3526 Loc^l 1 40-432-7 400 Shari M. Mcl,tasters

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& Marl N. Hanis

MembenU.F.D.C.

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Mark N. Harris & James McManers. auctioneers. Licensed & Bonded in favor of rhe srate of

5 ohio

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Bonham's Dolls, Dolls Houses and Teddy Bears Wednesday 12 May 2004 at 12noon

+44 r0120 73r

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IMPORTANT DOLL AUCTION Holiday Inn - Nashua, New Hampshire - Exit 4 Off Route 3

& 16 auction will featurc Brus, Jumeaus, Door of Hope, cooglies. French Fashions, Early Toys, Chinas, Papier-Mache, Cloth, German Characters. Barbies. Doll Clo$es, Books, Doll Accessories, And much, much more!!!

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F"mFr' und Spielzeugma*t

Antique Toys from Old Germany Big Toy Auction April 2 - April 3, 2004

a larE€ offerin8 oI 5m pi@s of tin toys (MARKLIN; BING etc,) p6. trains a.d a.cs$ries 0 and 1 we will offer 200 tEaB (sTEIFF, HERRMANN), dollh@*s (Nnmb€rEer dollhouse, 600 Piee

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Ladenburger Spielzeugauktion GmbH

Biedemeier kitcheB, stores and a@ssri6. Y@ 6n find 800 Doll6 from 1750 1920 the ollectim of PeEEy Byford: KATHE KRLISE St€trchnuppchei, KESINER Wunde.kind, HELIBACH laughing child .o.5, A2M 345 BAErA & PROESCHILD 536, HERTEL & SCHWAB 141, KLEY & HAHN 55, HEUBACH Adlon N.. 10735, SIMON & IiALBIG 1302 Geman and Frcnch Bisqle doUs. 115 A, 116 A, 112 101, PumPkinrtad, Qu.en Ame, K&R 109, wmden dolr with accesi€s. wa dolts, papa ma.he, dolls with cloed mouth, automati. doll.

Upon cqu6t we will sd yd our catalog for s4o.m (no @dit crds).

Or you.d visit our catalog on ou website ww.sPielagauktion.de in Gemd or English. All piees arc photographed. The @talog will be av.il.ble at the b€giming of Ma.ch 2004.

our following au.rion on May 14. dd 15, 2004 will in lude *l<iion of elluloid dols md a no limit auctid.

a large

Lustgartenstr 6 D-68526 Ladenbuig Tel.: 001149-6203 / 13014 Fax: O01L49-6203 I 77193

Intemet: www.spielzeugauktion.de E-Mail: Spielzeugauktion@t-oriline.de The .omplete catalog

will

be shown on

ou

website in German and

English.

The town Ladenburg is a lovely town built by the Romans in Germany, near Heidelberg and Mannltein.

,%uclion $allery PREVIEW: Christian Bailly Private Collection Of Automata To Be Auctioned By Theriault's On May 15 In Las Vegas ,'-rhnstian Edilly grew up in Paris in d famil) of colle.toA.

\-DurinB the lc50 s dnd early lqb0s tariq h ai emerg,nS lrom the havoc of WWII, and while many Parisians were selling off their worldly goods often dolls and often to Americans who had begun to thronB ba.k to the City of Lights - the Bailly family had began to .ollect antique objects of their French patrimony. In 1965 young Bailly .ame upon a small cache of old dolls at a stieetseller's siand dudng an early dawn roray to the Paris flea market.

Fascinated by the dolls, their delicate &d poignant faes smudged with attic sool md their little limbs dangling lrom loose stringr he purchased the Broup and thus began his entrance into ihe wo.ld of antique dolls. lt was but a few years later that antique dolls introdu.ed him to the world of antique automat4 and Christian Bailly knew he had found his niche.

Those who know Bailly or who have read his benchmark book, Aulonata, The Coltun varc, 1848{914, universally agree that a keen sense of history and an inviolate respect for those who have gone befo.e are pervasive with the man. Whether he is demons[ating the intri.acies of a delicate, yet complex, system of hma-like movements "born of a happy convergence of artist and artisar! exuberant creativity and exquisite craftsmanship" or describing the "rosy-cheeked nanny taking baby for an outing, the pretty seamstress at pains over her woik, or the monkey chef critically

.dmpl,ng h's sauce and muci ralen aba(l todi.covera miaowing luggkt @ith patttoit loe bdldkcd d sno bkqt child atop o netal pole 139"). Made by RauLl.t about 188A, he wry rare piece is notdble lor ik unique no@hents dnd beitt!.

The 29" Lady

Roullct

a

ks ony the The Flutist by nast elqant and ha dso .piesolthe classic outonaton etu, cntu 188A; leotw$ a po tdit hedd ol on

it

ristttdti

pussy in the saucepan" his love for the objects and their history has always been utmost. (Quotes fiom his book) It was, in fact, Bailly's Artonnta, The Goldd Yean, tirst published in 1982 and now long out of prin! that propelled automata into the reah of serious .ollectinS among a wide cote.ie of aficionados.

During the 1990's he sponsored a series of international exldbits of automata, the most famous being that ai Bagatelle in Paris that French President lacques Chirac, then mayor of Paris, de.lded "exceptional in all regards." Bailly was declared an Expert de le Cour d'Appel for France in his specialty. Durin8 the early 1990's Bailly established an automata boutique in Maniattan d in recent years he has resided at Paris and St. Croir; Switzerland. His pnvate collection is believed to be among the largest in the world.

Intefliewed in his Pdis atelier, Bailly revealed that he was parting with his privaie colle.tion in order to pursue a related inter€st that he has been biewing fo! some time. This is the developmeni of his firm, Olympia, that will €reate exceptional oneof-a-kind n€w automata in the mamei of 17th and 18th century autonaton malers who created unique objects {or royal families

(w\tr.olympia.com). Bailly indicated thathe

,l[ffiltl'il

Th. More.l luneou Tn*e tudel@s chasen by vi.hy fot this .rtttufdindry autotuton. l-re nery lkby WrnS lddy with bbque ptttoit k e ddd. uhiqrdy pldls qltenalely uth hd pury in a Jot this vichy autonatofl, the ounadd b6ket and uith her miniotwe toy th.ntte qan gindo hu s the ha dk arhik in o *tks ol @nplicdted notkis. little da d"nces oc@ the lid,

t

20

chose Theriaulvs to

sell his collection because he felt their compatibility with his own sense ol history and respec or hr<toocaiobjecF. The auction of the Bailly collection of 19th century automata will take pla.e in Las Vegas on May 15, 2004 at The Venetian Hotel. The colle.tion includes nearly 150 superb exampler the largest number of automata ever assembled at auction or exlibit according to everal collectoE. The magnitude of the auction is rivaled by its sher exub€rance. An exotic dancer charms a snake while nealby a circus performer balm.es on one hand and a juggler balances a small performing clown on a rod. The reveLy of 19th century Paris is evidenced in the subject matter of many examples, ianging frorn the magician lady who offeE thre choicee to Phailibois's Glutton and Vichy's Opium Smoker to the extraordinary Smokirg Gentleman by Vichy rdho inappropriately offers his ciSarette to the dandified poodle that sits by his side. A more delicaie slice of life is

Politicoll!

i

.otftct

to

sa! the least, the

dappq Eentle rn is not ofly snoki'tg fi pubtic hinsetf, btt occ6iondtttt olfe^ his cigrrete to thc neaftyaeote.l p@dle.

Th. pNdh inhal$ and dh"les deeply in

Roullet et D.cq ps comnissioned sp€idt potttun bisque heods Iron

ht hen tulury- onel autonoto includinS this harp PloleL lua.ou

30", f,d*ered

B Pifttur|

envisioned in Pierot erenadinS the m@n or in the exquisite lady at her toilette table who tends forward and back while tending to

6fle E i@tcidne appeE in this M@tl outotuton, Pi.tut S.EMdnry hc M@ . T,u n6t tuitt hn* noae ol tlt tuonti. tu@@: its eply to Pidnt b a dduft I'liaring ol its era, .ntl th.r a *$! sticxing out ol its tongre.

Tk ury

ahere are a nmber of Bailly's automata that have special appeal to doll collectoE. The* aie hi8hlighled by a very rare model by Gustav Vi.hy in which a bisque doll with Jumeau Triste head holds two entertainments. In h€r lelt hand is a basket with a puppy; on commmd the basket lid opens, the puppy aries, and then wags his tail. In her ri8ht hand is a miniature toy theatre, on command the curtain rises and acrobats tumble aooss the stage on a tightrope. The automaton plays three tun6 and, according to Christian Bai[y, only one other is known to exist but not having a Triste modelhead bylumeau. There are fruit sellers and mandolin playere and harpisls with portrait fac by Iumeau. There is a handsome black man audst with porirait face by Iuneau. And there is the ext ao.dinary 35" Mephistophel6 bisque .hdacter with a unique portrait head and bisque hands si8ned L.B. for Lambert, circa 1885; the piece came to Chdsti Bailly directly from the Lambert family.

There are sh€pherdesses and harpistr balledMs and flute players, snobbish ladies and Blutionous merr Pieuots and

fruit

sellers. Does a monkey play

the harp? Of course, all the while costumed as an ansbcratic Marqlis with lorgnette. A bla.k man ielarin8 in a rekinS chair counterpoints a riShteous barister who pounds the table.

A woman with a.hi.ken in her market basket marches

Ptette.l os Mtgicid . i the ontinal Roulkt .t thunps utatog, the i2 ' po tuit-hed tady ch@ o ptitltof,

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,9.action S"llety incong.uously next to an elegant lady seated at a piano. A c)own balancing on a stool competes for attention with an or8an grinder man with dancing dolli the ortan Erinder has a unique bisque sculpted face made especially for this model, and only one other example is known to exist. A musical.arouel by Bemrd Freres, once Sraong the waitin8 room of a Swiss train station, twi.ls to the rane of an extraordinary musi. box.

The cotkctiofl uill be on displry in l-as Vegas lat seutul daVs

pliol

to the auctian, and will include lectules and demo strotians

by Mr. Boilly. A s pelb catatog ol the auctioi is auilable in two editions. A hardno ntl, full color catalog, tnde

ol the

Mtk

edition is $59. Ahaldbou d callector's edition,linited to 100 outogtqhed and n nbered copies, with custon bintling and slipcose, is $1s0. To older the catalog or request a lrce colot bf$hurc of the auctio , call 800-fi8-A422 or L,isit

On Sundav, Ma! 16, Thetiault's wiu prcseflt a catala\ued auction of rnrc intiq e dolls fion E rcpeon estotes. Thot catilog is oLiilable fot $39- Subs.tibere to Thuioult s cotalogs receioe 10 nsues hl $189 (within US, inclutliflg postage and Wices rcalized); the s bscliptio luill inclutle both the auto atofl and doll catalogs.

Moro AUCTION GALLERY on poge 60

Nt!

Roa oltet rcu ol outanotot fttetl n@k dnd aan dtl ol th$e nadels dre indtuled i't thc Bailt! auction.

!

ol Baitty\ atetir;

For our Spring 2(X)4 Advertising, Toy & Doll Auction The Toy DMsion charges 096 Commission on Expensive ltems,low commissioa rates on less valueble items. The greatest auction mte ofreturn is dependent upon tie following three 6ctors: 1

.

ow r 35 tel$, Jul i!! h$ c{lhli sh.d . n i m p...xb le repuhrion aor hon sr-y ind p rov. n .rpc disc W. (iliz.thc foiemctcxrts in rs.onsuhrnh. '{ solid rcputrrioh &provcn.xp.dnc mein mlximum rlc ofEturn. 2. Mrictina & Pmorion: Dl.grnt & ptufc$ion:l Fr.s .nixrion^nr.riri ofyour qutrliry g@ds, hish brds.t &lggi6siE mark ii.g, ltili?,rion oainnovfi!. r..nnobgy. This r.sulrs in gart r prii.ip on &.omFtnion. 'Iln tuEins . sr.,tcr rd. ol retum to rou. 3. T.ms: No oie chaE6 lcs thxn our 096 Conhnsion. Tl\n low &mmisiDn t m.ins ! grciter nct !o vou.

R.plbrion & Erp.ri.n..: [or North

To get the greatest rate ofreturn, you need all 3 factors. This can only be found at James D.Julia Auctioneers, Inc. Call today to learn how we can get you the most. Below are exemples &om our most rccent auction:

15",\.7'1.

-a

18" ]l.rlope.ru

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Sold for 512.200

Sokl li,r 513.350

Sold for S32.200

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JrnBI),.ldi,LI c.. ll().tt,^$10, |r;li.1'l,

22

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Evelyn Phillips

Generous Layaways

Member NADDA

17 Loch Lane, Rye Brook, NY 10573

'

(914) 939-4455

'

Member UFDC Fax (914) 9394569

1

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h 1. 24" Fire A Jules Steiner in

exqlisite

antiou€ dothes. Her beautitul bomet fiam'es heranselic face. Gorseous bisque, huge blue paPeMeiSht eYes, and a lovely body, *e hebsite $6000 2. 14 " S H.949. Oneofthoseearly strarght wristed beauties with square at teeth.

Her ongiml clothes and huge eyes add much to her appeal. $2200 3.27'S.H. #7 t9, a la.e "to die fo." as the kids say! This spectacular beauty has her sorgeous spring outftr rs well as a

fabulous.oat wrth original ermine tur pie.e. You must se her luliY onour

4. 15" Iumeau Tete. This litoe chamer in her.ntioue dotted Swiss d.ess is al$ shown iiher fall coat and hat trimmed in antique orly iamb. Fter shoes are marked Paris HeroriSinaltrunk with

two eaha original dresses, undies, a pu6e and Parasol, erc.. goet witi her. she has e\quicite bisque and.olonnS and a darlinq body see webete S6000 6. 12'orecious Masotte with the dre;mrest, bluesteyes€vcr Incredibly b€aurituldressed in anhoue mauve sil\ sarin and French lace

tn;.

She is rhat

darline.abrnet size so soughr afler in

rrfl(h-Bebe

s.

s@ her orher prctures on

our website. $4500 7. 25" magnificent "Bebe Phenix" dsiSned in 1892 bv Henri Alexandre, Paris, for lules Stei;et exeptionaliy beautitul, she is lully artislaied, not the skaiaht les varieti (*e Blue Book). H€r antique dress

isa heasure, topped

8. 10" precrous 'Mystery Ch,ld'' This lrttle one has us ctumpedrAbsolutely darling incEed dearlv Bie. darhns tully art,culared c;mpo body. she s adoEble. and wea6 her ori8,nalchemEe under hPr

carnet.olored wool(oat with

velvet and e.ru French la@ t.im. $1,200 9. 9 1/2" Swivel neck al) bisque by Bahr and Prothchild. Exceptionally Pretty in h.r own ttunx, beiSe with black bands Her clothes are onsrnaland really super. DadinA chubby body. lld lined ne;k. early square et teeth. beautitully f€athered b.ows. and the deatest fac€.

Her sin8le strap shoes have molded bows, a little Eem. S4500

bY an

exquisite chapeau. See website for tull pi.s St000

FOR ADDITIONAL PICTURES OF THESE AND MANY MORE NEW ARRIVALS SEE OUR WEBSITE:http://www.evelynphillipsdolls.com' EmailPouPeessT@aol'com

fi,enor,one{ Qs?tpess,

fi,eoered o/l/omen Stunning poupees attired

in metitulouslv crafted .outur. capture the eye as much now as they did rso (enturiei a8o. ln 'acr. the mo.l popular mid-

1800s product of the "maisons de lrance" was a beautifully modeled bisque or chim head doll on a kid or kid over wood body. With an accent on fashion and plethora of.oordirating accessories- all the "necessaries" a wonan of fortune miSht require it is natural that the proprietors of these prosperous doll-related .on.ems w€re women. Mlle.

Adelaide Huret comes first to mind, althouSh Mlle. Beieux and Mme. Lavall6e-Peronne were quite influential/ as were Mlle.

Rohmer and Mme. Simonne. The talent, expertise md energy of these leading ladies still influence us today.

s'r

Mlle. Huret At the a8e of 1t the course of Adelaide Hurefs life changed abruptly with the sudden passing of her mother. Adelaide, along with her sisters and brother/ were now in the charge of their un le and godfather, Louis Beffa4 while Leopold Huiet, their father maintained his thriving lock-making and mechanical business. Beffara was dnven by a passion for the theater and opera, his definitive research and c.eative pursuits left an impression on Adelaide.

Lspold Huret was higl y regeded for his craft and wrought iion tumiturc whe4 in 1851, he amouced "produ€tion of a completely new kind of articllaled doll witi a porcelain head, patented s.g.d.g." Adelaide actually designed the mechmism dd patmted it. She dis@med the impotance of dolls as educational tools for children md sught to p.ovide examples that were a siBnifica.t improvement over l6s refined ve.sions available at the time. Her "a.ticulaied moulded doll body" was an attempt to milror reality, allow for the possibility of dre$ing the doll and appeal to thoe who facy "deoratbg" a doll. Her oM dtistic talent was evident in the molding of the gutta-perdE bodies md .oupling of her design with mass'produced porcelain heads. In 1455 she won a s€cond pla€e medal in the Pads World's Fair. Her dollt outstanding examples in their cate8ory, were luxury items with high pnces and low prcduchon numbe6.

This remained Adelaide s mdket *Bment even after her older sisiet Leopoldine, ioined the compmy in 1857.

issue

Hurtk

E "GEdte

I

au Sal Santamaura

(ercept where nol€d)

ight lE similat to thc ohe held ot Salo He.tz repotted ifl an Poupg," Mlk. Huret\ pawt fat chitdten pubtiih4l ht o aery btul pqiod in 1865 1866. A pna u6 Mfd.d to ot lu.ly child on prnne uith ht dtrtuagantly odomed doll. While Mrbon Huftt ptoduced only one 45in- iott,ru iflg craflgs nqle to it,E didant nl L\e kcidl n"on@s, ey6, bisque, chino heads . .a d tndarbtedl! the aanationi dro liai.

This son@ ol

'*,t

de ta

i

PI]OIOS COUH'IES]'Y OF

CAA EL

MISHOP

gfffe.,gdiuret

9ilfe.

,Vd;iuret

Con*qt

shc uas

nl

to

M pa$edl,o hod to hmd.'Ih. lstn fspqso put othi o

^tly, tuhde @tk@

she

neau pin tuck d bdt*te

.he n be t te, n d u n de rlhi n gs, atl ed in lne trce,

nin

b.fttins She uo$

taLn

tun flL.l uith wng gtne tu pleBure in tu, e that the

o

ptopd Wn8 lrdy.

to 4

uho "rl@Nd 6diL ltM on ny Wt.clain lipe."

In 1861, Adelaide registered a rider to her 1850 patent of a doll head rotation system and subsequently sued Leontine Rohmel for inlringement. while Rohmer had been offenng mobile heads on her dolls since 185& the system Rohmer used did not prevent the head from turning .ompletely around as did the Hu.et desi8n.

Hure(s approa.h was to orJy pemit poses that were humanly possible. Adelaide stood in staunch defense of her rights and ultimately won the .ae. Her d6i8n inSenuih/ can be futher seen

The

ndt ualtu

add.d

naekiss a d boutique

fne labeled

in the limb articulahons she desoibed in ihat same 1861 rider.

The Huret sisters' endeavors were embraced by Pans' highest social cir.les during the Second Empire. Their dolls bsame synonymous with fine workmanship. At first Huret dolls were not sld with €lothing, but the recognitio. which they commanded soon led to fine dressmakers desigrring outfits for them. Initially, Mlle. Louise Bereux and later Mme. Fdge were seamstresses for these dolls. Both impec.ably .rafted garments which carried the Huret name. This level of quality continued even beyond the departuE of the Huret sisters from rhe comPany in 18&.

Conti uitg silk aelut

itr

qudce,

d*nbk

nbtuibre.l

a b.t@k

ldokhl!

@ith iet bco.ls

e@d hn bltun ktl bo.ly. bstly,6 th. doll uN pla@d in h.r b8 hr sale, sh. is pftsututl '.

-,\

A sinilrl seial tak @ u@en in Poupc." b! rn anonvdousa|tho,.

Mlb

HDnt

hnelf L\ th. ttir.t

PI]O'IO OF AOX 3Y HUBET A}lO CO(oN COi/NIESY OF CAFA'EL I}O.L SHOP

PtAIl

25

fut(h $ereus

Atutd dffi attnbut tl to t*illdhandsdMh. BdM i. lds irdigo, ruuu .nd m 5Jridd cdrtu It i5 m A-tiN .trk icflW,4d htnd in "L Potri,

This

ixk

by Mllc.

piqd,ld

ol krtth@i* cotded

l,rhiowd

BaN Jd

th. Hutct siskts is tutttou, cotton Jabtu in

$et, tuhi.h hc a diniirti@ llorul brcun nd /B6.ts. The plekd sl.MLtt .nd binnat cap.lu bdhr) @ll4t @drt ittltte.l bo.lie.

A fltt d tkin @ntplrr.s th. lo1*.

Cq.lrcrur pti|t

ht

^UnrOffS

Modile"

prttfia, hnn

dbtuide/ed

lte

,Wlied

Ermdt

horlonSd using a

ffis

stitct. Th. blous h6 r Jale pldclet ftont @ik p?'futty hmetl ,nd s.cvttt @tttidSe pteatinE ukidl faisfus it @lband lt. Th. phatinE i3 dl&

ileted tldS @ d8. Wfuthdatit.h E q,i.ik

indqtht

Mlle. Bereux

Loui* l(mie B@u

d in s@loped

to the

was inclined toward the s€wing

protusrion from a young age. The predomin t i.fluence was likely her Iredfather, who was a tailo., althouSh it was het parents' "pdfrnerie" near the hub of the seamstress quaiter where she met the Huret family. Her acquaintance with Adelaide Huret blo6$med into a most productive partnership. Adelaide's imovative dolls requiEd meti.llously oafted wddrob€s. While Adelaide had fecilul visioro of how her oeations should be drcd, she did not poosess $e sewing hlent of Louise. Through t uise's etp€d hind, Adelade's deas came ho Lte. A significant issue (acing Mlle. Bereux at the time was the total abs€ne of ddldleir's fashions. Girls woE the sde intricate styles as their mothe.s that were tailored in smaUer siz6. Boys had only suits like their fathers. Mlle. Bereux saw ihis gaft as too rest ictive for the explo.inS young children do. Her job was to dnss Mlle. Hurers dotls in fashions of the da, but the fiee reign Sivm by Adelaide afforded Lorris€ an oppo.tunity to include whimsy in the Gtumet thus ploducing sme of the most unique styles seen on a Huret. Louise would olten .raft m outfit irorn stories she heard of havels throughout the world. The pncduct was $ taphvating that lhe results have ben referEd !o as a "Evohtim" in not only doll dr€ssmakins but &ildren's dothin8 as well- Her efforts s@n led to childr€rfs gments fashioned

ttmy suc.lssrll years, Mlle. Bereux decided lo part ways the Huret sisters, who wer€ now in business together. On her owo she faced do6€ s.rutiny in a profession that was becoming more competitive. Sh€ took pride in not copying any of the desiSns sh€ had created for the Hurets. Her work received an award at the 1862 Exposition Univerc€lle in london. Mlle. Bereux rebuftud criti€ism about the high mst of her garments, which were

btoi.Lry.

rorl-LTrr: DE ?ouPEt " Po* la CONEECTION de la TOILETTE d.

POUPEES" botdty plxtained Mllc. B.ftrt s c.lling.ait. Shown hde isjy6t on seen? tobe

4@/.d at

Hantu , No 24, ELmtlg{P

Rue de

ooUFIESYOf CAN

cot()R

l(^IE

il, Anof,'sco.l.Ecllor

Inkoduction of the ewin8 machine influen.ed Mlle.

8€reu\'5 businerr by enabl'ng a substanhal rncreas€ in production. At the same time, her doll displays were augmented with tumishings and aU the trimings as had become the vogue. Eventuauy she tumed the parfumerie into a wonderland of toys and miniatures, purchasing porcelain doll parts from the Eugene Barrois firm, acquiring bodies from other distributors and offering dolls dressed in rinery she created.

Society's fNus s@n shifted from the poup6e to the bebe- Ttis new dire{rioa coupled with Mlle. Bereux's advancing years and an expirinS lease on her shop, led to her retirement trom a siSnif icant career as seamstress extrordonair€.

After

wi$

now available for purclase from a booth within her par€nts' perfume shop. Sales flourished despite lhe oshlmes expense.

A ha6e

dt@

conkge wconig ik My thtouSh Patuia bouldttls dighl htu. toa ttl h h lnk d'td thcit noth?b ta l4c aisor'.

JCI{i L ST@OMos IICTURES.

Vot!

E FiVE

9[m e. Zao a (li e - @er o nne Mme. Lavallde-Peronne

had one .onstant

in h.r life: talent and flair as a Eamstress. Doll and .hild worlds merged under the h d of .leanne t€oncie Perome, who arrived in Paris wilh her family from Montpellier in fie southem part of France. She catered to every whim md fancy of little girls and their dollt much to the girls' euphori. delight.

Perhaps Mlle. Peronne's most important endeavor was her association in 1863 with the al des De'noiszlles.leame was extremely skilled and meticulous in her craft, and the fashion sense she displayed in the lournol des Denokcllcs, al adult periodical inspir€d her to launch a child's magazine. As a result of Poupee Modib, M)le. Petoi\e enjoyed famc and lortune that catapulted he. vision to huge popularity. The children of hiSh society.ame in an endless sEeam lo dress their dolls and acquire aI of the acc€ssori6 lftat complemenled the dolls' ward.obes.

Her spirits re..hed new heights when she met Francois Lavallee in 1864. They marned the next year only lo find their happiness sho(-lived- War ravaged Paris and, as leanne and Francois weathered that stom, they were besieged by one of their own that rGulted in Francois' dealh from illness. With life irrevocably changed, Mme. Lavall6e-Perome tumed to her work as a so!r@ of omfo.t. She cme to rely more and more on Mlle. ReSnault, who was in her employ.

Mlle. Regnault becane proficient in makin8 pattems dd olher aspects or the business, which she t@k over after Mme. Lavalld€-Perome's retirement several years later in 1683.

Mme. Lavall6e-Peronne s legacy lies with The Lily Doll. Li,ly was a part ol Ii Poupie Modeie from its inc€ption; the name was imparted to any doll dressed using the magazine pattem. At A La Poupee de Nwmber& Mme. t2vallde-Pemme's shop, orJy 45cm tall dols were sold, be they fixed or swivel head, with the least costly having a wood body covered in kid leather. While dress pattems were sized for lhis doll, any 45cm doll could wear thes€ hocks, as could dolls of other sizes, sine eades were Biven detailed instructims on adiusting pattem!. Lily's appeal faded when bebs came io lhe torefiont and fashion dols no longer held the inteet they onc€ ommanded.

Jou

l,

l,l:

Uy s Wl.$@4Uy t4 okd ou$t sprrll wll ol th.

Mw. Ltooll*-P.@E

M

tng? stnp nenagd

h!

rw hunddl papl. Th. tiw wy to.n inbi@E bB . i^ W.

thrt p!ryod.dlv .ntployzl

ltttdinglnnt pldt. d t@ tuit sitk ilM Evry d.rtil b .tLn ld lo fon th! Uietc @t y @th Mnng ho h.n b b. silk @1t6 4dni8 l@ th*. Lilv *E a god .,tup|. by @*i"t naq$tly by hd @lqpointd ctinoi$.n. ,rurtrr ,,ni, runon s @uacno\ Abou Tlc inbdd .udi.ne hr "L Poqe MdaL" M tittb 8nb iof, 6 thnuSh 12 ra$ 6e8a Gitb ol tk M q.nt run! holB tuin8 at htu- Thit tuEEitu w en ii@llrbk tut riallton AE sb .ltsftstis6u.prtlrin d "...owde/fo ng !,ieads, to *nd yor il sorts 4 WidB ht yort dolls, @ ntct abo ptoride yot with yout dty lEt tuint l.sso6.' cd.oapuE@uRrEsyoFcraa.mrsrop

fi6t patent i.gistded n t3s7 b! L,ohtde Rahn* hcu*d on n@e dt olthe dolb qft$ ondkgs, Thzre wre suryt ents dntl (hdn84 ta th? ni\nnl stbnt;sioh Mde Rohkn's mdh et@nuasJot uturul ilticrktlor. pHo1oscouRrEsyOFcaFMEloonsltop

wat

The

w

The lost potent Rohner relist.r.d in 1858 hr the suireling motion of dolh' heods- The elosft l@ped thtough d stt ll h.lz Etunpl5 ha@ ,1tu ben ftort of the pdk otto.hits to a bar undd the shouldet, per itti/t iide to side heotl tdl sdtu in hant to anchot the cry a tl sauca loi{r, Rroros couBrEsy oF caFMEL Doll srop Jorfld uith d

i

n

fut(fe. fi,otmer

Uniqt

to

RnhM

houinS

,nd curyed htnds uilh

each

ATJTHoRS

chin rtus @e .uwtl fnSd delicatcly htud.

CO[lIcILo

nMent-

Mlle. Rohmer A stroll down Paris' Boulevard Poissoniere in 1857 led to the doors of Mlle- Marie Antoinette Leontine Rohmels dollmaking shop. Mlle. Rohmer, bom in StrasbouiS, returned to Paris with her fanily afte. a move to Russia. Mme. Rohmer, Leontine's mother/ was a proficient seamstress who made a fortune sewins.hildrerfs clothin& and was a profound hfluence on Leontine. Mlle. Rohmer was also highly motivated by her attendance at the Exposition Univerelle in 1855. Her goals and diHtion be.ame clearly evident as she was continuously shivinS to improve manufacture of the PouPde de Modes.

The first patent Mlle. Rohmer applied for dunng this penod addres*d articulaied kid bodies. Later desigG patented included arms of gutta per.ha or rubber on more sphisticated bodies. Rohmers with articulated bodies can be found, although the gutta percha arms are rarely seen. It has been thorized that the tubbei may have deteriorated, with bisque used as a replacement.

Early Rohmers of the late 1850's had shoulder heads.

Rohme$ of the 1860's use a joinl often described as .up and saucer, which turns the head from side to side. Some of the* later versions had inset glass eyes. Another patented Rohmer design was a doll body jointed at the kne€ with strings that pelmitted the legs to maintain a sitting position- Also attributed to Rohmer were bisque and china legs wjth bare feet. This pdticular feature was later duplicated by Gesland.

Even after Leontine Rohher ma[ied Nicolas Francois Vuillaume in 1859, the business continued as a (amily endeavor with lnntine's sister, Fany, and Fany's husbdd, Auguste Reidmeistei. In 1860, a patent was taken out by Reidmeister for "articulated dolls with punched out wheljoint.. turther refininS lhe original Rohmer de\ign.

Reidmeister was a mechanic as was Leontine's husband; Reidmeister contiibuted his expertise at Leontine's tequest and insistence upon a doll body made of zinc. A patent sought for the manufacture of this zinc design caused great strife for the Rohmers. Mlle- Huret believed it to be an infringement on her patent, d the courts ruled in favor of Mlle. Huret. Leontine was ordered not to continue produ.tion of dolls in prespd zin.. while devastated by this loss, she continued to put great effort into promotion o{ her dolls and their wardrobes.

Further loss and sorrow befell the Rohmer family with matriarch Mme. Rohmels passing and the quite unexPected death of sister F y. S@n after, Auguste Reidemeisier and the vuillaume's sought their much-de*rved retirement.

Ultimately, Mlle. Rohmer's influence over the franufadure of dolls was seen not only in France but in the United States, where Charles Fausel received a patent fifty years later for a universal ioint that mi[o.ed the Rohmer desiSn.

R,atl Taking notkn nt/n het otuh handt, atr petite Rohnet runna|es th. shelws ol hrt chino$sen atnone fot o chapear she oluoys @a$ to be propetl! dressl in het red @aol srit.

Pefiaps she shotld hou ttiliad that .olL belU Read! at last

lot on eotly sptiry nott, tiket! in PHOTO COURTESY OF

C{FXEL

the

OOLL

ladifts d6 Tuikti*.

SIiOP

l ti

ed ttv tugnif@t 6tutu ot this dquisite tady. 'Ih..onbitutinn oltdtw. in the ctMl'bti.t otut ta onng tuktl,lbutnlakd- Btutht lin, d@tgh stu is atl6l sight, uhat d d.io 6sh. h.d. qf $€rccqrrrlsY*caF Erm.LsHoP

Mtu. SinbwJ5hio

Mme. Simonne In1834, F.ancois Simonne married Alexandrine Heloise Chauviere, the only daughter of the founder of Au Nain Bleu, and was thrust immediately into the toy trade. All family members were requisitely active in the industry, so Francois' first toy shoP oPened the year he married Heloi*. His business savvy, fo. whatever reason, was not at a level needed for the L su.cessful operation and his store was saved from bankruptcy in 1840 only by interention of his wife s family. The next year, Francois faced a far moie diffiolt tragedy when Heloise died of tuberculosis.

Franois s@n married again. Ca.oline Ambroisine de Saint-Denis was a wealthy aristGrat with many connections in the highest social circles. She possessed excellent organizational skills and ditigent work habits. Now with the new Mme. Simortrle's active and continlred involvement, the Simome firm offered dolls and toys of the finest workmanship. Her shop was lavishly de.orated and quickly expanded. The inventory, required to be impeccable in every detail, encompassed all that any child's hedt .ould ever desire. Aticulated w@d-bodied dolls, be they covered in kid leather or canvat were highly sught after. The firm be.ane known {or doll clothing and accessories of excePtional quality to complement such dolls.

In the height of this fiim's successful years, Mon. Simonne was reputed to be quite ertravagant and.avalier with the proceeds. It was purported that he often gambled at the races. He also gave la.ge sums to his daughter Heloise, and son' .- -,1,:l::.in-law, Mon. Delestang, to whom he had entiusted the management of a toy s store from his first wife's lineage. These large expendihrres finally led Mme. Thi6 Sinonne can dea y Simonne to file fo. divorce and subsequently Sain tull mamgement and be in ntiled os d prodwt oJ ownership of the Simonne firm. Afrer her death, the business was sold to Iules qtirl stanlape blh tliSious Remond, an established merchant in Paris. i.n s. st nhnp6 @te enbedded ntu The Se.ond Empire in France was a time of triumph in the arts and tragedy in war. These tldls' bisque shoaktq plot$. Ctoee women rose to the .hallenges of a tumultuous era with grace. Fortunately, at times, .rt inalion thrcryh tht crystal or hir one revered they could bask in the 8lory of their accomplishments. Indeed, the ladies showed true Passion wls l6ts holditg the hond ol a chiw. for their.raft and a dedication to fine workmanship that never..eases to amaze us. Their Rorhbd\ ct@tbns, ol inptcabk ryrlity rnd g@t bduty, M nntus. mark on the fabulous F.ench lashion dolls of the nineteenth-centurv is an indelible one.

a $

'z.^.:<rfii:i> r.r'l

i,

ftOrc3

COURIESY OF CABMEL DOLL SHOP

llt0N,'lI

r----r

9[me. dimonoe

ls:sltoN1vli

I

tu: &

Rrrrir

t88

I

1)

lPassage Deiorme

gdtS. JOUETS

\ -,-

I

'nt

Ru.

th Rieli

oa

it niSht h@

br.n oidrql by thot

Mrih

drc.tt

Shnoarc,

JoHtL$Om D3IECIB. Top tight:

Rrft

tu

.rds It@

Mtu. SiMn *tqb..lat tl@ ht,untte to be in Pr/it .nuim.

Upo" ct@t i$p,tbn, the srb .ly old.tat re"ds n ir Mol. Situntul busi,6, but @ h@ tu intdtiu iltlta8fu rha rcss! nro€ craos@frtlsY 0f

crfl€.0q!$oP l@lr lady Waed in

Anoth.t

This ftd, pttty .s . pictut, is clely to situnw. R.po,l.dly, wrl, 'fitibut.bl. th. dols M. suntud by E@is Cia.llicr

eeddifS

to

tt nlLnls and roa Mhz sinqw,

dacnng

qeif@tioh9 J

luury, .rtktutie ol ttu ,qutatbn Mtu. SiME aneddoro @GrEsY tr crfla. mt sroP

r€r HotlrMlsxtc8llt @ufcllclr

cohl@ Dodrys,Erah?r'4,!nEr[iJ rn cordlolr 3..* or &e'cbrE, N.rYdk Nc*Yod CM pubrrrrd re 107s.

Hlii

Mdy.

0oe.d0o{.!r6!. tr*Yo't.ihlYd*

Tru!{&d ILE F'zE

FGlhDok Orb.id. [ir.]r!rd

6.P

Pdm. sds, 1963

HqE ft6 rS tlmEP*.

Hohly

Err.ar.apord!,.1 I@,Flm:

lrriB Fle,4 &,r.r. Pr,rm: EdriB0.rrtu vd..llEs) vo

5(1e07) vor

vor 3(1s9a)

a000t),vol 70999)

with spcci.l thanks to th. lasndiots @otks ol Erancois

Th.iw..nd th. rtundont *n resft! ofcan l DoU

Shop.

i

n vl

: ,A

:ii:

l.;i rlr

&Lllu. cBereuxc\fl)id" Collar Epring Jroch.

Pattem & Directions by Janet Frances Hollingsworth Photosraph by Sal Santamdura

I

he pattem and directions on the ,nsert are created from the onSinal Mlle. Bereux dress in the article

by Lori Santamaura in this issue of , NIIQUE DOLL COLTECTOR. This costume is circa 1860. The original dress is shown here in the background and in more detail in Lori's article. The replicated drest in the foreground, is fitted to an antique Rohmer from my doll collection. The onginal dress is made of a fine pique cotton fabric. The print has been replicated in a contemporar/ fabnc from Mini-Magic.It is a lightweight muslin print and requires lining. The original tnm is a densely woven cottotr trim. The copied dress is trimmed in a vintage French lace made of coa6e cotton ym. The style has a raglan sleeve and a wide, shawl collar. The pattem and directions follow this page on an insed. This is an easy pattem to make. It can be done in a day and is a good proiect for a sewing group.

32

a.///b.'%-*,o

-18 inch

)Rohmer circa 186

llection r Hu ret

as h ion

Janet Frances O 2004

The original dress is in ihe article by Lori Santarnau€ in this issue of ANZQUE DOLL COLLECTOR. ]t is also shown with the replicated dress.

MATERIALS

. , . . . . .

1 yard dress fabrrc. Assumes 45 inch wide fabric (solid or print cotton) 1 yard lining (plain white/ivory cotion)

Minimum 1-112 yads of 3/8 inch wide matching or coordinated colton lace for bodice trim on neck, collaa, waist and s eeves.

10 inches 3/8 inch wide cotion twillfor skirt at waist. l\,4atching cotion thread.

5 hooks (4 for Bodice and '1 for Skirt).

OpUonal: 3/4 yard cotton buckram for Crinolette/Petticoai.

This is an easy pattern to sew. An attempt has been made to match the orlginal fabric and him thai was a cotton pique prini with woven cotton trim.

A muslln cotton print, similar in scale lo the orlginal print, was found ihrough i\,4iniMagic. A vintage French cotton lace is used. To compensate for the lighter weight fabric, the dress was llned wiih a plain while cotton. All materials and thread are 1000/o cotton.

This pattern can also be made ln other fabrics such as a silk laffeta or velveleen.

An orrginal marked HLlret dress, of similar style, was made up n a small black and wh te check wlih navy blue corded trim.

lillle. Bereux Wide Collar Spring Frock PATTERN & DIRECTIONS Continued from previous pa This pattern can be made in cotton and other fabrics such

as a silk taffeta or velveleen. An original Hurel dress of similar style was made up in a small black and whiie check with navy blue corded kim.

SEWING TECHNIOUES & CONSTRUCTION The sewing instructions in l\,4ichele Hamilton's book, SEWING VICTORIAN DOLL CLOTHES is highly recommended along with [rona Borger's SEW 4 OOLLS. l\4ACHINE OR HAND STITCHING: The 1860's was a lransition lime between lhe sewing machine and handsewing. The original was done by hand. However, if a machine was avallable, it would have been used. The replicated dress was done by machine and hand-sewing.

PRESSING: Pressing requires a steam iron and a clean pressing cloth to avoid water stains on fabric. (Test lhe iron heat setting on the fabric.) Pressing the garment as it is construcled is essentia lo a finely made ctstume.

For French fashion costumes, pressing is essenlial lo shape the filted bodice and finish the seams. After sowing

used. lf using a colton, carlridge pleating may be possible f the fabric is not too heavy.

Follow the Skirt directions wth the exceptions of the seams. Seams on undergarments should be finished seams. sl.rch as French seams. Dress seams were not finished. Also, the waislband will be made from lhe crinoline fabric with a drawsking, hook and loop closing or button.

The Crino ette lenglh should be 1/2 inch shorter lhan the Skirl including the trim ot ruffle that you may choose to make.

4-BODICE&SLEEVES The Bodice has 6 parls: 1 fronl, 2 back, 1 collar, and 2 sleeves with fabric ruffles. This pattern has "raglan s eeves" - sleeves with ong armhole lines exlending to the neckine.

Constmction rs done as follows:

.

SLEEVES For each sleeve ruffle, place right side of fabric

.

to lining and pin in place. Sew bottom, ouler s€am only. (This will be the finished edge of the rufile.) Clip seam lo ease curve of ruffle, turn

each seam, trim or clip and press.

Nineteenth century doli cloihes were sewn wilh lhe linlng and the fabric as one piece. The wide, "be ha" collar, skirl hem and sleeve ruffle on lhe original costume was conskucled with the lining and material sewn as a facing lo creale a finished look.

PLEASE REAO ALL DIRECTIONS BEFORE

. .

CUTTING THE FABRIC, LAYOUT & CUTTINGt Follow inslructions on patt€rn pieces for straight of grain or b as. Seams are 1/4 inch and are included in paltern.

. .

I.MEASURING&FITTING Trace the paltern lo a piece of muslin and fil to your doll. ln padicular, make a m!slin oflhe Bodice.

Fit Bodice over under garments and skirt. The sewing

sequence follows

lhe

fltling order wilh

the

Crinoletie/pelticoat first, lhen the bodice with ihe skirt lasl.

Styles for Rohmer and Huret fashions of 1860 were more

generously fitlod to that of a pre-teen type body, with a wider waisl, compared lo laler French fgshion dolls wlth th6 tiny waisls and hour-glass hips.

The neckline is higher in the fronl than lhe back. The front comes closer to the doll's neck or chin. The back fits to the lower bisque shoulderplate.

2 - LAYOUT ON PRINT FABRIC When laying out th€ palt€rn on a print, m6ke sur6 to iine up and csnler lh€ collar to the bodice, the sle€vo to th6 sl€eve ruffl6, lhe bodlce and collar to the centor of th€

skirt.

3 CRINOLETTE A Crinolette/Petticoat is optional. The Skirt pattern can be used lo make this. Th€ djff€rence will bo in the gathering. Th€ dress skirt has cartridg€ ploating. lf you ar6 using buckram, nveded 1-1l4 nch pleats are

-

1

After cutting the fabric and lining pieces, baste lining lo fabric tor bodice fronl only, 2 bodice back pieces and sleeve lop on y.

right sides out and press so ihat fabric just slightly overlaps linif g.

Sew lace/trim to ruffe edge.

Gather top of each sleeve ruffle slightly 10 the length of the sleeve circumference where it will

be allached. Pin ruffle lo each sleeve lop fabic and lininq as one.

-

Check that lhe rutfle on each sleeve is even.

Place gathered ruffle on sleeve fabric with fabric sides togelh€r. (For prinls line up sleeve and ruffle print of fabric al the top.) Pin and sew ruffle to sleeve. Trim and press seam.

Sew lace/trim to sl€oves over tho seam that attaches the ruffle to lhe sleeve lop.

Sew bodice froft slde to sleeve sdes. Press and trim seams.

Sew bodico back piece sides to sleeve sides.

Pr€ss and trim s6ams.

SLEEVE ASSEMBLY TO BODICE Fll bodice with sl€€v6s to doll and pln th€ sidE seams under lh6 arm9.

The underarm seams are sewn starting wilh the rufile io make sure thgse line up properly. This seam slarls at the ruffle with the undera.m sle€ve and bodice sides all in one seam.

. . . . . .

Trlm 6nd press. At this point the raw edges of

lhe s€wn bodice and sleeve seams can

be

finished with an overcast stitch.

COLLAR Place righl sido of collar fabric to lining and pin.

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S€w bottom, out6r seam only. This will b€ the collar finished edge

Clip searn to ease curve of collar, turn right sides out and press so that fabricjust slightly overlaps lining.

Fii to doll and pin. The collar pattern is cut generously.

Ths may need to be kimmed.

l\,4ake

sure the colar

edges line up evenly where they come together in the back.

Sew lining side of collar to fabric side of bodice and lop of sleeves at the neck. This leaves a law edge at

.

the neck that will be covered by folding the trim over to hide lhe seam. Take a close look at the original and replca.

(For prints, line up collar with bodice print of fabric at

.

front center.) Make sure the collar seam makes a smooth attachment - no galhers. Trim raw seam edge. lt will be covered later with lace lnm.

BOOICE FIT AND BACK CLOSURE . Flt bodice lo dol and pin back fold- overs and closure where hooks and loops will be mounted. Both sides of the back bodice should fold over twice for a hemmed edge that allows for mountinO of hooks on lhe hem and loops on the hemmed edge. The overlap S,bould only be 1/8 inch. . At the neck, lhere is no ovedap. The collar sid6s should butt up against each other. The overlap is gradually fiiled to the waisi. . (A back closure facing can be done instead of the fold-overs.)

Press and hand-stitch the back bodice hems and the collar hems on each side. Sel aside for later attachmenl to skirt.

Trim and remove basling stitches and oiher threads inside and out.

' .

5

-

SKIRT

The Skirl is a rectangle that is a half-inch longer in the back than front. lt is lined only if fabric is lightweight. lt is hemmed firsl then cartridge pleals are atlached io the twill waistband. The original and replica were constructed with a facing piece as lhe hem. A facng or fold-over hem is

Again, hold up lo doll to make sure of lenglh.

Position this fitting wilh the bodice on the doll so you know where the waist will be. l\4easure hvill tape that will be used to attached the cartridge pleat ng. This will serve as the inner waistband.

Mark or pin final waist lenglh leaving at least a half-inch on each side to fold over.

Cartridge pleat skiri.

CARTRIDGE PLEATING

Cartridge pleating is a method used lo gather a lot of fabric to a much smaller area.

Fold over fabric and lining 1/2 to 3/4 inch. Use a skong thread or double. Sew two rows of evenly spaced running stitches, both on the front and back, no larger lhan 3/8 inch. The first row should be approximately 1/4 inch from top of skirt.

When threads are pulled, even pleats will line

up for attachment to lhe lwill waistband. On€ recommendation is to take ihis in seciions - half or quarters.

Fil and pin to marked twill band so the pleats

are evenly spaced. Secure ends of

pleating

lhreads.

appropriale construction for this period.

When measuring skkt length to the doll, include a 3/4 inch fold-over at the waist for carlridge pleating and 1-'1/2 to 2 ifches for the finished hem with a 1/4 inch fold-over. lf

fabric is limited, a hem facing can be used in anolher fabric such as thg linlng.

Construction is done as followsi Pin hem wilh folded overlap. Finished hgm should be 1-112 to 2 inches.

Hem the skirt bottom leaving 1 to 2 lnches on each side of lh€ back seam open so the back s€am can be sewn ln later.

Measure or fit to doll taking inlo account that the noxl step is lo fold over th6 skirl top for cartridoe pleating.

.

The fabric side of each pleal is sewn to the bottom edge of th€ twil band. Ihe lining or wrong side of fabric pleat is eft hanging on the insde of the dress.

Fold lop of skirt fabric and lining 3/4 inches for cartrldge pl€ating and pross. lf fabric wlth lnlng ls too thick for smooth oleating, trim iining so the fabric folds over it.

.,

SKIRT ASSEMBLY TO BODICE

'

After the pleaiing is done and filted to twill band, fil and pin the bodice to the skirt at the botlom of ihe iwill band. The edge oflhe bodice waist is turned under.

This is sewn so the bodice matches up to the cartridge pleating of the skirt and the twiil band is seen

.

Fit to doll to determine if a hook and oop are required on the skirt below waisi. lf so, mark and sew on.

Make sure all keads on inside and out are neatly trimmed.

s

only on the inside.

. . .

The stitches should aitach the bodice to lhe top of each pleat - where stitched to band.

Press so the steam from the iron relaxes and sets the pleals and smooths out the bodice.

Sew back skirt seam leaving 3-112 inches for back oPening.

'. .

Finish the hem over the back searn.

Make a small bar stitch at lhe boltom of the skirt oPening.

Fil to doll and pin lhe final positioning of the back closure. Finish closure edges and hems in preparation for final trim.

r

Remove ali basting stilches and loose threads inside and out.

6 - TRIM Trim or lace should already be sewn on lhe sleeves. Sew trim on neck, collar edge and at waist. Both edges of each lace piece are hand-sewn in the following mannerl Lace is folded over the raw edge of neck seam and sewn on the outside then the inside. Fold in edges al back closure and sUtch.

Lace is placed on the edge of lhe collar so it extends only 1/8 lnch below edge. lt is stitched on the top and the botlom. Do fot get your stitches too tght or the lriT will starling bunch 19 uo. P.ess afle. sew'ng.

Lace is placed at waist, slitch iop and bottom. Ends at back c osure are folded in and siitched to finish.

.

7

.

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-

CLOSURE Line up and mark placemeni of 4 hooks on right side of back bodice. One al neck and waist and 2 evenly spaced in between.

The closure at the neck butts each side withoul overlap.

The overlap is at the waist gradually transitions from the neck. Fit io doll.

Sew hooks on lhe inside. See your sewing book for how to do lhread loops.

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Starting top left, clockwise: The inside of the bodice including the raglan sleeves with ruffles before side seams are sewn; inside front of dress; bodice with side seams sewn and collar attached; and inside back of dress.

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Rohena and Ziggy Zygarlowski, I40 Caryl Avenue, Yonkers, New York 10705 (914)968-3033 Fax (914)968-4173 CALLTOLLTREE l-800-569-9739

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Rob€na and Ziggy Zygarlowski, l4O Caryl Avenue, Yonlers. New York 10705 (914) 968-3033 Fax (914)9684173. CAI,L TOLL FnEE l-E00-s69-939

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J. DOLL HOUSE Robena and Zggy Zygarlowski, l4o Caryl Avenue, Yonkers, New York 10705 (914) 968-3033 Fax (914) 968 4173 CALL TOLL FREE 1.800.569.9739

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each

Thtee othet wo dctful ]ufieou Fftfich Joshion ladies also join us this month:

early dn*o tlined hand blo||n papenoei4ht aqua - blue eyes - heart

s rrowiing

shaped closed mouth

-

with soff

1. Erceptionally bea tiful - eoer so rare "Pottrait lumeau" - Iooely bisEte anls 21" tall - $7,500. 2. A.lotalle rarc to fruL stfill size lufieau fashion - enormous blue eyes - only 11" tau - $2,495. 3. A othet

tuse shading

lhei &nndrous antique clothing is in eat mi t cotttlition with hand srufi peatls

o

her gown he's L5" afid sheb 14" tall $8,s00. Jor the pair.

wonilro

s

]ufiealtJashion with erceplio al

beauty and amazing eyes - 1.5" tall -

Photos by Ziggy

€"--:6

Liberal Financing Available

Los Angeles hosts >

Progrqirs

.

presented by.

Jim Fcnando & Patricia Gosh

Annual Western Doll Show

11

€

\

Saturday, Aprll 24, 2004

amto5pm

!

Sgrday, April25,2OO4 10-am to 3 pm

.-/

I

Special Exhibit: Miniatures,.. everything under 12 inches

I

Body Shop

r

Admission g5

New Embassy Suites Hotel LAX South 1440 E. lmperial Ave., El Segundo, CA 90245 310-640-3600 or NADDA room Angels Attic Museum.

Sanla Monica, CA

L

I

l\p

fE ,

-7<

"waltzi glashio with Nubian, nusical

Cri dq autonatofl by vihy plays sarelal tu es while the tiny couple danc? to the nusic. Circa 1880s, 23 inehes owall Otgan

autonaton,

u k ou nd ulactuter, appnx.

17 by 12 inch.s. The kshion akes latge

uhile

the seft'ant hol.ls

het ski/t of

the

ci/.les

foor.

Pia o Plalel W Phalibois, with br lu,neou, ptays selretut tunes.

The

ay

Pkoroqnnphed nr

9,,*

head

?.,th*,a

rhr Urired Frdenarion of Dot[ Clubs 2O07 CorvENTioN

Photos Keith Kaonis.

Gail Cook presented her fantastic colection of French automata at the 2003 National UFDC Convention in New Orleans. Automatons were beautitully disptayed in sepa.ate showcases with room for viewers to closely obsese each piece. Althou8h exqlisite to behold, the true magic of an automaton is its movement dd musi.al tue, achieved by winding a key to activate the clockwork motor. An ongoing video presentation solved this, showing each piece in synchronized musical motionT he second half of the 19th century until the advent of World war I is considered the golden age of automatons. It was in a section of Pans known as Marair a center for artisans known tor their frivolous "articles de Paris," ihat automaton making began. At first very expensive, they became more affordable as lhe machinery of mass production made them available to a middle cla$ eager to pur.he the perfed omament and .onversation piece lor the drawing room or parlorThe number of toy manufacturers grew in proportion to the ever increasing numb€.s of families who could afford to indulge their children. In 1864 lhe Almanach du Commerce listed for the firsi hme "tableaux mecaniques" under toy manufactuers.

Unive6al Expositions provided toy and doll mmufacturers m enomous publi. who en,oyed being entenained by lhe latst childEn's playthin8s But were aulomatons rcally toys? Many .ontemporari6 sid no, that they were fd t@ sphisticated for childrerr and were in fact inlended for adults who us€d their children as a pretext for their own

'Gi a

th?

Bitd-" Tht

,

20i T.t.

Automatons were masterpiecs of invention, a uique d imagimtive presentation of scienc€ and art with deli.ate melodies addint enchmtment to their movements.

Althou8h only one name appears on an automatoa they we.e a collective wo.k involving many talented artisanr not least of whi€h were the porcelain €ompanies that made many of the heads. Gail looks for automatons with inteGhng heads made by French or German porcelain firms and assembled in France.

Their slbject matter s€€ms endless; some themes .efle.red everyday life the public's fascination for forei8n l ds and p€oples, while ot}ers drew on the theatre, opera, cabarets and the circus for inspiration.

Writing at the tum of the century one individual wrote that the automatonmaker " must seek,. -. must devi* solutions... must find a way to tulfil1 dreams lhal practical eality often reduces to nothingness. Above all, he must be a clo.kmaker, employing the lools of thai profession. He h6 artisaB who work either at home or in his workshop . . . if everythinS is to be prepared in his workhop, he needs tumerr cuttes, drillers, modellers, moulders (chosen with particular care for the heads), fitters, mechanicr painterr seamstresset B4ause of their €omplicated natu.e and intricacy of parts, very few Patents were registered in coniunction with automatons. Thit in spite of the hiShly competitive environment. One manufacturer explained th€ situation by noting that a work made up of a thousand details elud6 the proedure of registration. lnstead, to dis.ourage imitations .utomalon-mkers coGt tly sought change and novelty, each trying to oltdo the olher.

The popula.ity of automatons was by no means limited to France. They we.e widely exported and.ould be found in Amencan department stores during the late l8oos. By the 1890s automatons acquired a tunctional role as they began to b€ led in department store display windows to attract attention to a product.

By the early twentieth cent!ry electrically-operated automata (there was no need to rewind like a clockwork piece)were in widespread use. This latest imovation was a factor spelling the end o( mo.e delicate .lockwork automatotr. Skicter laws restricting importation into the United States and a Fowing lack of artisans also conkibuted to their demie. Dunng World War I French toy exports were brought to a halt, and after war, it was a different world, one with les.s tolerance

bdy Magicid by

Iu

eau- When the

a tl Dcconps, hcad bv tusician ta$ her @tu|, the cups

nise to r@al thfte dife,ent fgules,

a

a

nonkV, cloun

d doll. This inprcssive piece, c.1880, neasut$ i0 inches o@toll on.l plays hoo lmes.

t3'

-8, c- 1890's-

ircised 2-11.

She is

crfing

for frivolous playthings.

Routtet

Vichv Gustave Vichy is pe.haF the best known of the automata'makeE. He was bom in 1839 and trained by his father aE a dnkmaker.

Gustave's parent' Antoine and Genevi*e, weE also automaton makers; their firm, Vichy & Compagnie was officially founded in 1862 for the "making and selling of tim€pises, mechanical items and m€chanical toys." After Antoin€'s death his widow remarried, but lhe

company flomdered md she declaed bankruptcy in 1865.

In l8el Gustave married Marie Th6rese BurSer, a seamstpss. The same year he is rcgisteied as a mech ic/clockmaker. His business in mechanical toys and musical automata gew rapidly; it was .epord lhat in 1893 he employed 6fte€n men and ten women. His wife was the head of lhe costuming departmeni- Vich/s auromatons covftd a plethora of subjects: comi€ fiSures, elegmt womm attired in ih€ latest fashions, musicians, and clowns. A visitor to the 1878 Universal Exhibition stated, " Monsieur vichy's automata @ distinSuished by the flexibility and precision of their 8stutes as weI as by lhe Sood taste of their .ostum$ md the felicitous choi.e of their accessories. " Gustave's son Henry joined his fa$er's fim and they exhibited togelher at the ChicaSo Exposition in 1E93. In 1896 Henry Vichy went to the Unid States in d attempt to open a branch offie ther€.

Apparently this was not su.Gtul as lhere is no rccord of the firm in this count y. Henry and his wife separated, and, alt}lough Henry retumed to Fran€e in 1900, he no longer worked with his father who never forgave his son.

Gustave vi.hy continued working Etil his death, adapting his automatons to meet the chanSing times. In lh€ edly yeals of lhe

twentieth century he advertised larSesale pieces lhat were purchased by leading departm€nt stores for adveitisinS purposes.

Vi.hy died at the a8e 65 in August 1904, and the following year his widow sld the firm to the company foreman, Au8uste Triboulet.

ffi-nortrr

&

Drcnup:q

Bom in 1829, Jem Roulett came to Paris as a young man a mechmic. Hb opened his first workshop in 1866. In 1879 Roulen's daughter, Henriette, mdried Hetri Emest Decampr a m€chanic and the foreman of Roullet's workshop. The two men's professioMl association did not

md studied to be

officially begin until

1889.

The Chicago Exhibition of 1893 descibes the company as havinS fiJty employees. Iean Roulett retired in the early years of the century, leaving his daughter and son-inlaw rumin8 lhe fim. After his death in 1907 lhey succeeded him. Hetri Emest died in 1909 md Hetuiette, with the help of her childrea continued to run the firm. Like Vichy, they tumed to electric and advertising automata to stay profitable. Ev€ntually the couple's sorr Gstory became the sole director. He continued the family legacy prcducing popular animated displays that were tull of hmor. For a 1925 exhibition he displayed a Santa Claus flying over a Pdisian square. Various animals were repres€nted with coordinated movements including a polar bear enioying a cup of hot chocolate. Caston died in 1972 and his daughter (the great granddaughter of the fouder) took over. As of the late r980s, the company was stitl in operation (and may be still) combining automata with modern day te.hniques for ih€ir activation.

Milknaid w h Cou- unLnoua nanulacturct-

c-

t880

Halbig- The little

gnl

..1880s.

Gitl Sitting on Water Fo ntoin by Ro let A Decanps, pottrait luneau head ma*cd "F",16 iflches, c. 1870s

Peaso t Bo!

the

PiB

b!

Roulett

A

pig the bottb ontl the pis wiggles

its ears. .r0

uith

Deconp' c- 1880, 2l inches ore/all Mo*ed lumuu head. The boy Ripes It plays one tuie-

is

playi g

Lnn,tbenr

il

Eil

Fashbn lady at the Horse Races

by Roullet A Decarnps,22 inches

Uncle Sa nusical auto,nation, head

by Curc andOtto Dt$*l, circd eotly

Bom in l8s4 L€opold Lamb€rt and his family moved to Paris when he was l5 where he begd his p.ofessional life as a clo.kmaker/j€weler.

Fo! a time he worked for Vichy and lhe two weE purporiedly very Sood friendr Vi.hy is recorded as witne$ing the bidh certiffcate of Lamberfs first son.

In 1886 l2opold Lambert opened up his own shop for the making of "automatic and musical mechanical toys; Iuxury arti€les." His wife, Eugene Maria Bourgeois, was a seamstress by trade and was in .harge ot dressing the automata. The company trademark - LB - stood for th€ir namer Lambert and Bouigeois. Lrmbe.t rude on€ of a kind pie.€s as well as pitres that wele done in a *ries; thes€ are typically bebes or lady doUs with heads by ]umeau.

Their.utohal., including those that weE made in larger quantitiB, wer€ beautitully dressed with sumptuous fabrics and accessories.

The fim did well into ea y y€als of 1900s but began to de.line after the fitst d(ade. timbe4 uilike Vichy and Roulett & Decamps, did not hake t}te tiaEihon to electric advertising automata, but remained with his clo.kwork pieces. He advertis€d his pieces in 1919 fo! us€ in display windows, but by thit time, the publiCs feination lay wilh drc n€w novelty of electrical.

1900s,17 inches.

Whistld by Phdthok, ltmeau head. His head goes back and

6

hrth

h. whistlel- Thb was a srycial notd tuade br luneau hr this outomoton, ote thz puckeled lips.

Circa 189Os,27 inchds ordall,

Snoking Pitute with spy g1ds6 W Roulct A Decanps, head natu.l Iuneau. 22 inches ovetall-

Wal\ing Couple b! Custaoe vichy,

heads by Barrois ond

CaultieL c- 1875,23 inches-

1l

-{%

Pknlibois Jean Marie Phalibois was

lisd

foud

1835 and cn be 1863. Irdtialy he speciatized "tableau m6.mique," as well

boE

in directories beginning in

in mehani..l

s(E6 knoM s

musical novelties known as "articles de Padt" (everyday obiecls into which a musical movement was pla.€d). They wer€ also known for their singing bhds perched in foliage, on window boxes, etc. These were put together wilh pieces bou8ht from Bonberns, a ffrm dtal special'zed in singing as

bilds.

You can s€e lh@ automatore by Phalibois in this article that ilu6trate how well he accomplished t]rese charming vignett$, the subFct or subjects typically surounded by a

bvely flower bordE or a mc<overed bower.

In 1878 Pharibois exhibited at the Paris Exhibition whe.e he otrered "mechanical toys with music," which is taken to mearr larger individual pieces of automata. Their sorr Edourard Henry, toot over the company in 1893 rnd by the early 20th cntury was making "animated figurin€s for window displayr driv€n by €lectricity or do*work motor, ff8u..€E and groups of all sizes." In 1925 Henry's son Raymond becme directo! of the company, dd abandoning automata he sold off lhe stock to Caston Decmp9

tl

Fashion doll hand

seuing by Phtlibois, unnarked head, c. 18?,0s, 24 inches olrelall.

,/.

f'D head by

lu

eau, c.1880s

bu

Shephedess by Roullet A Deumps lutttdu. c- 188k. 23 i,rches ouenll

.-Jg ,6G

Lad! Ploling

@i1;). '

Gnil Cook, orya izel

oltheUFDCe ibit, " Magn,j, Musicat

M{ha

cals-'

g-; SOIIDRA IINUEGEN

@,*$*,,

ljnique Anliqug 62 Palm Dr. CamailloCA 93010 Visil our shog Tues.-Sal 10:30_4:30 M€mber NADDA & IJFDC 80s.482-9935 PST sondBh@adelohia.nol wrvwsondral(rusg€I.com

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5. BIue endel Gemd kitchen ra.k with ut@ib . . ....350.m .1800.00 5. Gergene Beloved B€lindy 15" . . . . . . .

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8.

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A gtouping ol Bteuette dolls costutud as Becassine, each

10-5/8" - 11-318" Qz - 29cn) tall.

CautieFl,angueftau sold readynade

Halbig b4be node

me*et circa 1910's. incised only @ith

(ht

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"DEP"

iidicate

cwrighte

. Stonding

'11"

tall, she is

(28cd

.I a

,

nn

*:8,::7zi?

earry,,n re05. the / .(...o the ".^"**,"*. premiere issne ot'La Senan?

deadlie for

By Andral)

(20cd interyrctatiol ol B,ussine is fom a seties comicattip charactel dolls ptoduced by A. Buchelet, cica 1927 - 1931. With conryition head, hands, and leet, on etabolotety batt-ioi ted bodies made oJ steet,

This 8"

Suelre was fast approaching. A plmed contributor to this new wekly publication

of

de

for Catholic Fr€nch s.hoolgirls had failed to deliver a promised feature, and the desperate editors faced a blank page. What to do? In a flash of inspiratiorr writer lacqueline Rivi€re {ripted a comic strip about an awkward counhy girl from Brittany bumbling through her first day as a \erudl in re ele8anl home ol Vadame de Crand.

Air. Illustrat€d by L. Pinchon, the tale of "Bdcassine's Mistake" was a success that led to decades of serialized Bdcassine advenhres, not to nention imuerable licens€d and unticens€d producb including many dolls.

B6cassine has b€en depicted on filn (both live action d imated) and in popular son8. 8ut it is the classic comic-strip stories from l, Senotue de Statte that lon the basis for her longevity. Using the pen Aa,re Ca\ ery, La Senaine editor Maurice Languereau succeeded T Riviere as writer of the scripts. he delighttul illustrations by l.P. 0oseph'Porphyre) Pinchon are livelier than those of that first stnp @dited to L. Pinchon. As €ach senalzed adventure came to an end, the wekly installments were collected into large-fomat, hardcover, conic books knoM in F.ench as "albuns." These 27 books are still in print from Ha&ette/Gautier Lang€ureau (the original publishers), as are countless simpliffed versions retold for younger children.

The essentials ol B6cassine s p€rsona and story are as follows. In her fictional nahve vitlage of Clocher-deeB6casses, in Brittany, it is believed that the size of a person's flos€ indicaies his or h€r in[elliSen€, a larSe noe meam one is very smrt. Sadly, poor baby Annaik Labomez has itty-bitly one. Her uncler comparing her

such dolls

hd

thr

kllouing

stmachs: "MADE

data incised on

th.ir

lN SWTZERLAND.

PA'|ENTS APPLIF.D FOR " Bi.a.xinp'. otiginal costune is nos ! Jelt, uith cotton oprcn dad uadies. (Authot s couectio .)Th! Bucherct eaonpl. shrun has a "Kinpott

Do s" inbot

label

srun inside the skit-

noe lilavorably to the tiny

beaks of the bi.ds that Sive rhe village its Mme, ni.knane the irJat Baca$ine. As lhe child growt her goodMtured dispcition becomes increasingly evident, but so does h€r

lack of sm ts. When Bdcassine has trouble leaming her ABC't her nasty ousiry Marie Quillouch, teaes her. But kindly Uncle Corentin undeEtads how best to leach B6cassine. In a sweet tale.alled "Tte Living Alphabet " he attaches signs with letteis to vdious fam animals and plants (naturally, the lesson is in French; th€ pig wears a "c for "coudrco tlle cow sports a "v" for "vache," etc). In dass tlle n€xt day, the teacher calh upon B€.assine to spell "char (the French word for cat), and she proudly recites, "Couchoa Herbe, Ane, Tomate'i (trffilation: "Pig, Grase Ass, Tomato").

B{6sine's mGt priud posion is her red ubrela She reeives it as a little d e cherishs it that she is reluctmt to get it wet, she wraps it in newspap€r to protect it Irom the IaiD but canies it proudly

girl,

A Cnce Dlayton piper doll lor "Pictotial Bxoieu" , Septenbe| 1932, uos ti ed "Dolly Dingle's wotld

Poddeu\.ki's Polish Retief Fund aided Polish rcfugees in Polis.

O"e prolam allowd then to n nofleY bY rflaking cloth dotls, including Atis 11" BicEsine

Dutin.Worwwat

1,

Madane Hele

o

lln Switsland."

Note the B,lcassite doll Possible that Dnlto the Soiss'mode Bicassine wos nisled by the nark doll b! B chev. (Author's collection )

Flight

bealing o S@iss

QScn). The aindotu'pane plaid ol the aptun indicates thot this Wtialar doll replesents Bicassirc as a child; an adult pe5ion oas also aoailabte- (Coattes!

ftaS.It *ens

o

Unna*ed chnlhoorc, ol plastel, half'dols uith

pine1ft

ski/ts. The sabots @@den shnei arc also plastcL and the l.g- arc bpodcn dtuds Tha'c 10" fgut^ t25cnt Mc oryaftnttv dpstgned to hohl unbrellat in thct uptutsPdl+' atul onc te, an oniinat,ill bundtc tictl to the mok olan atd.

oflin E?t ando.)

ffi

Drultoflb "DolI! Ding\e", costund os Bicdtsiw and

Croce

tddeled ik cost nofl. This 2-3/4"

lgurc

signs

nle

(Lanp: couttesy Ko! DeMottei.

(7cm) is

of

atributed to Hfiley, a Pennsllunia fm known hbe ftnde cast non Doll't

Diigb

in Eflglish

pointing "To Malket".

Do(l: authol s collection.)

tloolstops. Citco lote

1920s - eotly 1930s. ( Au t hor's colle c t ion.

)

B6cassine finds a pla.e working as a erant for Madam€.de Crandbasis for the d;but sinP desribed above, ihis Part oI ihe tale was behg the Air. A; wefas

Euth:An entire generation o{ Po;r French P€as t girlt like B6cassine, had no choice but to leave their family farms and villages -h k .i lfu i'ela'i;;i, to work in the hones of the wealthy- But Becassine is not unhappy. Part oI her iob is to be nursemaid uI tiouIIL tlPt0t 0r y0l[t lltt o(clssltt to little Loulotte. B{assine and Loulotte love each 14e;rl@tr@',blrh4 other dearly. AltlouSh B6cassine often makes td nah- y@;tuB $& a" eros of ,udgement, she always comes out on toP, thanks to her positive outlook. . and Pue luckIt should be noted that, for a country bunPki& Bdcassine Eavels rath€r extmsively (even to the United Statet where she encounte6 American Indims), and dabbles in aI srts of care€6. Ah for the life of a comic strip heroine!

Those who don't read FEnch can certainly aPPre.iate Becassine for her visual aPpeal. She is lrequently drawn burdened with bundles, or shn88lin8 in the wind with.hertrademak red um6r€la lekinS like d OId World veBion of Olive Oyl Enjoym€nt of the albljm is., of course, enhaned by sone comprehension of the texts. Sevdal characte6 have nanes with Phonetic memings, such m Becassine's Slob€hotting frimd Pierre Kirout (rouing stone)and the sPiletul Marie Quinouch (l"'Iarie who squints) Be.assinds oM moniker, while not a liteial translauo4 is based on a sad

rcuslJy the equir alml ol "silly litUe 8()N.'' fln Dul.h p6iblv lhe only non_Fren<h lanSudge in whi.h ilecassre hc been publbhed stle is smetime tnoM 6 l@qe Tontel.r Some aspe.ts oI B€cassine s humor simply do not hmslale well. This is due to her origin as an ethnic ;tereotyp€ with which Americm are unfamiliat and whi.h has all but disappeared even-in

ltmc€. Brittm, on

*t

the northwesi coast of France, develoPed with a

il orlturally aPad from lhe re< of lhe counh-y' Brdtotu, wlih ih.n d'{terent havs. dillerent d.(enl, and di'tinctive lraditioMl co.tume'. made easy tar8ets for ridicul€. He;ce, until quite recently, Bdcassine was resented and desPised in-the region that inrpired her creation But as B!€tons have b{ome more s?histicated, thev have co;ne to regarj the character as a relic that no longer rirys tr11e enough to cause hurt feelin8s +rone Celti, infuence rhat

A 19i4

nru

dd

in Lo Se aifle tu Srzette iflttotlffe,l "a

for ron liend Bicnssine." Thz coin bank urs aIlercd ii a choice ol cost ion or aluninunt se

percions'of equal size a colors." This @as onong the earliest outhoized fswal B[cassiv ptoducts. (Couttesy ol Mot's B@Is, Be*rley, CA.)

onlPttL dt ndtiofled @lors, thk 7-112' (19cn)

aluninum bank has none.

A molded na* on the skitt is illegible. Conbinetl, these

hro lacts possibly suggest that this noy not be faon although it does aPPear to be otd. The bank i Jorned

togeth W ascrcu.

A pait ofpoiflted teod toys, oges unktuun. The 2-318 ' (5cn) fgurc colrying

-,,

oJa

pulchosed as part t bthd pieces, uith situilot

a Soosz wos

Jotn

btoton bases, include a uindtnill, a dog, and a scarecrou)- The

lyrc

,l

2

(6c1n)

1/4"

,nade

uith basket and unbrctto uith one ati ate.l atn-

( Lef :

Authot's collectioh

k

-

Risht: Couttesy of lim Fetnando.)

Choeolate nolk W l2tang Fils apryoql in that comwny's 1934 cntalog. The snallest ol the tfio stank 4-1/4" tallllm), and is na*ed uith the

nu,nbet 3729. The 5" (15en) old is ntnbmtl 3730, and the 7-1/4" (18.,n) style k incised 373L

the i -314" O2d plastb

Ooen

tength

ol

in tourist destinatioN such as Saint-Malo md Ie Mont-Saint-Michel cram their shop windows with aythhg and €verything Bdcassine. Itens are d$igned for the inlant, the child, th€ housewife, and, most recently, expressly for tle coli€.tor. Like Raggedy Ann in the U.S., B6cassine is known and loved in rrance by toddlers and $eat' grandmothers alik€.

As antique doll colectorr we are primarily concemed witl vintage figural items, ard this artide focuses almost

exdsively

otr

obids frde piior to

6

1960-

But it should be noted that Ba.a$ine's likmess ontinus to Srae all sorls of new products. AmonS the liened Boodr now available are dish6, wristwatches, is 21". school supplier garments, waIpapeE, Circa Sinple lathe-tumed uaoden dolls spafl selerul cookie jars, figurines (in naterials 19i0's - 1950's. decades, but all haoe nuch comnonranging from PVC plastic, to painted lead, LEFT: TtE 4.i/4" (12cd) fgtrc uas hu d uith a to fine Goeb€l porcelain), Iridge magnets, lock ofiout troodet sheep (not shown). CENTER: PupPets, snow globs, and more. Nedle$ Thb 9" Q3cm) bank is stamryd " ERANCE." to say, there have b€€n Becassine doUs (8cm) Wncil sharpener RlGllT: A licerced almo6t from the get-go. nade by Vilac, n@ked "Co?yright Hachette G-L ln lhe issues of October 8(h and (G o u t ier- L,a n gueftau ) 1993 ".

7sth, 1908, Lo Smaine de Suzette a two'part sewing pattem so little girls could create a "Costune de B6cassirc" for Bleuefte, the ma8eine's official doll. (lt was part of the publicatio s mission to prepare tuture honemakers by includin8 instructions for projects requiring vanous skills that were traditionally onsidered "wonen's work.") The ma8airc als ra ads for nume.ous ready-nade dress€s lor Bleuette: her pr6t+a-porter Eacasine eNmble could be upgraded to include sabots (wooden shoes) and an unbrella.

Like those spe.ially outfitted Bleuettes, many early B€cassine dolls were simply ordinary dolls sold in Becassine outfiB but there de plenty of exceptions. During World War L in an effort led by Madame Helena Paderewsk4 Polish retugees in P is eamed money by making cloth dolls including two v€rsions of B6cassine adult and as a child. As in the oriSinal artwork, the child B{assine wears a broad white collar and an apron printed with a red windowpane pattem. Her grcwn-up counterpart has a narrow black couar, and her apron is entirely white.

A 1924 ad for m upscale Brusels store, Au Bon Mar&€, featured a wacrcolor illust ation titled "Ma B6cassine" ("My B6cassin€"), showing a toddler kissinS a ra8 doll while not an exact match, this is conceivably a depiction of an actual nask-faced 33m Being a classic, Blcassirc aqeals to adult honemalerc, doll dating from about the same €ra. The doll in question is marked, exept for a a, Mll os to thildrcn- This uintaqe 5" tl3cn) cerunk hmd-pmciled number on on€ foot (16 or 46; it is difficllt to debemine). She is johted in <toDetop salt <htkn. unh a n?tal unbrclla handle, is teddy bear style, and is fimJy stuffed with sawdust d wood shavings. Her head and circa 1940s ot 1950s. fh. tin oJ fumiture uax plobably limbs are of pink cloth, but the torso is of natual muslin. Her dr6s is of Gnton flamel davs fon beh"een the World Wars. The lithoyaphy {fuzy on the outside, flat cotton the inside), with black felt trim. Her cottoFprint apron leaturcs a Blcossin? Iook-alike pl%ed by het 4lection is much like the one seen in *te aforementioned a4 as is the O-shap€d red mouth. The in thz annoire. Guthor's eolbctbn.)

i

j"

r^

as

lla

A anlEn lebcl on thc skii oJ a Reine Deyais doll indicoles thtt she uas sold ot

Reine Degtais'

the Lauis Vuitton store in Paris

D

Custo iztd

tdgs lron

oth.t

prcstigious shops arc also lound on snh dotk. (courtesr ol lin

f$t

The Lery authotized B[casgine do s w?rc roduced W Rzine Desrais, 1949 thtotgh the ecrly

111/2" 69on)

,o

I

-112" Q2cn)

1970's. Auilable in

with

tNl

dtdljes. TIc

(51c ) cnd 16" Glon) tttt.Thz larger basl@t

I

Trdcna* 6u thot's

utma*d.

I2l:

hos

I A tine ol ,d6tcalds and gNn"S cads by Editio"s Ftu'rcesea featrred photo$aphic scdes ol Reine Degrais dolk, su.h B

ukich banslates

Bi.atsine

doll

do

Rtli.@ed

)

Heroiie

c oll e c t io n.

The

), 1950's. (Coultesy

snallt

cloth "L,ouis Vurtb " lobel satn to the skin Authot s collection Riiht: Coun$y ol Inn Fdnondo-)

has a

black felt boots ar€ removable. 192Ys clolh dols stanp€d "Venur" as well as thos€ labeled "Pintel," share very similar oNtructioN (as do erdples from still other French firms), so idotifyinS fiis doll's maker is a challenge. It even s€€lns plausible that this could be th€ cloih Becassim doll advertis€d dunng the early 1920's, without an illushation, in a catalog from lhe Printemps store. Thai doll is b€lieved to have be€n made by SFBI. The adve.tis€d sizes wer€ 26cm and 31cm (10-1/4 and 12-114 inches).

Circa 1927 - 1931, the Swiss fim of A. Buch€rer sold a line of articulabed &inch omic strip fituiEs knom 6 Buos.

Thes€ had durabl€ ball-Finted bodies made of ste€l, with composition heads, hands, and leet. T1l€ s€ries includ€d a B€.assine, with a h€ad s.rlpt that included her distinctive cap. Exampls found h the United States sometimes have Kinport lab€ls *M to the dothinS. Although a few fiSural items were authorized (metal

bahls

t

d other B€caisine toyr were adverhsed in St,t e), no ilolls p€r s€ were liened prior to ri r94q when R€in€ Degrais introduced her authonzed vercion B6cassine. Offered in a wide .ange of sizes, these non-jointed stufH dolls we.e made of silk sto(kinet. They had needles.1rlpled noses and ffnger1 Eyes were painled by hand.

Becassine's haditioMl fro.k was Mdered in Iren wool, ed t immed with black velveteen nbbon. The whit€ cap, aprcI! and Pantaloore were of whibe ottm. W@len legghgs were represend by red and white yam wrapped around the legs (lhis has led to later illustratiotu of the chdacler sporting stiip€d stockings just like RaSgedy Anr's). The dolls were often (possibly always) sold with a wicker basket sewn to their fmgertips. A pap€r heg-ra8 w6 affixed to the basket readin& "t-A VRAIE EECASSINE / Modele Deposd / Haroine d6 Albums." This was the only marking on Reine Degrais dols, with the exceptions of dolls cls0om'tagged for cariagetrade EtaileE su.h 6 Louis Vuitton and Au Nain Bl€u (the latter is still the fanciest toy store in is).

Scmairc de

of

P

o

This colotful ldb€l dppearc the otheruise un.lecoratell box of the AWle Piket doll by Reine Deg/ais-

-t Peift De8rub creat..l

a

Bicas'he boolitg gane, ot

iet

de quittes. Each

pin stands apprcxina telr 10' tall (2s m| Circa 1950's

-

1960's. (Phato

Anae/san Lichtet

hn

ffi, "Bld.tt

fton , He/

IlrunD.dorislechleLco )

Clutching her cabbage, thb " noscot" sized lelt Ianci doll can be displayed hanging by a ]@p stitch.d to the back ol h?/ hzad. She stands 9" tall Q3cn), and is the snallest oJ thrce sizes prcduced citca 1930's 1940's. A cottofl cap, aptun, ind udergarnents @ettic@t and pantaleti, comptete the nostLl lelt outfrt. The @de sh@s ot. ot rMble -6u t hor's colle c t iot. ) Until lecentq, collectorc belidetl thnt tznci's Blcassine knckaffwds natuted as a naneless doll in Frcnch Ptooincial drcss- Howe1,'el in additbt to nore requdtly seet tags, this enmple has i handwitten papd tabet, rccosnizdbly fton Lenct ft ading " Becnsirc" tsicl.

The only crcoted

licdsed Bicassine

ht

the

Andica,t

malket was inttoduced br Georgeft NolElties 1953.

This ng doll has the squarc

t

i

Gearyene d6igns,

ad

stands 15" OScn) tall.

(gcn) specimen is nade of cloth wrapryd arcund wie. The eally (11cd) nn-Utho so d poil is mmarked. Grthot's co ectbn.)

Tl*ll$i

4

112"

staflds 5 -112" (14

A hang+ag fton G@ryde3 1953 Bicassine

do

.

umbrctto is broken of.

This cheaply ade 13" O2.1n) doll retains a papet hd g-tag simply reading, 'IENNY." A cloth label sewn to het skbt sals, in English, "i/Iade in lapan."

The use of English, plus the boldly arched e1tebtuus, suxsest thdt she was p/obably a klAkat ol G@tgerc No"elties oe$ioi oJ Bicassine nade fu the Amencan atket citca 1950's. (couttesy of Poneta Conboq.)

.

r

The earlier eranple

ol

I

7

e

tatel lersion (it kded

diferhg fabrics used 50

The oI this 13' 62cn) osk-laced, 'nako cloth, doU is unknown- This coutd pos1ibq be a doth SFBI Ml adpetised uithott an ustatio . Ttu only na*itg it a penciled flumbet (46, or possiblq 16) on the right foot.

i

( Au tho t's e o I I ec

a

tion.)

l

!ff"in" a/

oqsui'

\Decalsine

ol"o p-duced a sroup of

fou

characters that seern 0o repres€nt

male

t ?ical

rr€Ilch "types," as opposed bo sp€cific cast nembes fron the albums. A policema& a sailor wilh a duffel, an appl€picker, and a d'ef, w€re ea& available in various sizts.

Dr€ssed in wool and cotto,& these stockinet doUs wer€ constsucd mudr like dle R€ine Degrais M(assine. Unlik€ lheir leading lady, they had mouthq the policeman atso had a inustade.'ftey weE sold in phn! 8ray, cardboad

"l

boxes idetrtical to tho6e onlaining Bdcasrine hersefi, and with the !€ry saine glued-on label (a (!lor drawing of B€cas6ine aSainst a ye[ow backF@nd, and *'e same wolds 6 m the hang-hg). Tlis mtire seri6 of dols showcas€d on a line of phol,ographic gr€eting cards and po6l,cards from Editions Fran(ts@ cirEa 195{X.

ws

A hand

ti hl

postcrtl liatt th.

.a

q 19t)0's ilnn$

d

8,i?$nr. id.t ns a fri:.d Jili uder th Christtnr hdThr cord i! trrkctl, A. Novo,2083'. lAnthnr's ..llcctio

)

t

u*inx

Co,tsrruction ol this doll b typicat ol the Lootk ol oarious Ftench

fins

1..

in tht 1920 s, in ludin*

Pintel, Vnts, oitl otherc- All produced sinila y cotgttucted doth do s stut"duith (which cal lxnd ooashaoinss 4un8s twntcn can oe br seen seea ttrcusn thrcugh 4a sput split in tn thts thb do doll'ss teyt te , and wnh with tuddyneantyb joint6, and sinilar hands. This do s hedd does not tu/n. A stuffed tg trcund h$ tum,n! hew tht skitt to hnld its sh,W. Bobbing meftily on a spnng hat urends lrott the top olhet lcgs to the Mlou totso, this 12"

i

f*:xlWitr;tri!:"

I

f.

1

lr

rt

t

s.tializd adwntu6

ho

( CuidoOdin,

Becassine's

Clurcy Ncossirc

has brckzn a

iug,

I-a

Senoine de Suzetk oele collected and reprinte.l in 27 b@k call.d "albuns. The thrcc ti es shM uere frct pudnhed in the 1920's and 19i0's. Toda!, these b@ks orc still in ptint fun Gautitt-lnguucaL the otiginrl

), Circa l920's -1930's51

U n Pn $,e ticerLa- to produe .loth Btrasitr doll\ was acqur red by a firm call€d Minery€, which continued to market the dolls ltuough 1996.

Ihe basic design d construction of their dolls was virtually ide.tical to th@ of Reine Degrair dd unmarked examplE from the two rukd cd sometimes b€ hicky to tell apdt. Later MineNe €xamples are easier to identily. They have acryli. ym, not wool, wrapped around their l€gs.

Very late exmples have eyes that arE prinied d(ale rather thm being hmd painted directly onto the sto&jnet face- In larger sizer the Minere dols are semjoincd, unlike those by Reine DeSrais. Snall Minefle dolls usually caded either a red gingham bundle or m umbElla,lager dols had both. Earlier Minewe umbiellas had metal handles, while later ones Most recently, B6ca$ine dolls have been ofiered by Masport (cloth,

with vinvl he.dsl and b) Ajena (uddly velvetent.

CoEidering how little knowar she is in the United States, it seems

remarkable that B6cassine ev€r rnade ay appear .es from American manufacturers, but there have be€n at least a couple.

Circa 1930, a cast iron figurine of Grace Drayton's popul Dolly Dingle was molded md painted in B6cassine garb. This rare piece is attribut€d to Hubley, a Pmylvania foundry.

In 1953, Georgene Novelties introduced an original all-cloth interpretation of "BECASSINE . . . from PARIS. . . Childrerls Favorite" (to quote the doll's hang-tag).Th6e seam-jointed 14 , 1/2'inch cloth dolls have swivel heads.lh€ nose of the earljest veEion was a.loth-evered krob, while a later version has a nose molded as part of the mask face.

Eut Fran@ will always b€ home to this beloved character. As B6cassine geare up for her 100th birthday next year, Mu#e de la Poupae, in Paris, is already plaminS a cenlemial exhibit featuring all of the dolls

l,

associated with Sem4i,e de Srzelle, including Bleuette, Ros€tte, d Bambino. The first room, with eight showcaes, will preseni B6cassine dolls, albuns and relat€d collechbl6. A wide range of activities Ior collectors and other visitoE will includ€ pro$ams, workshops,

i

s€ninars, book{igning sessionr guided tours and more. The exhibition is slaGd to open in late ]anuary 2005, and run throush mid-lue of tlat year.

Thdk you, B6cassine, for nearly ltil years of laughlerl May you remain you& ad keep us lauShing, for mother cmtury. . . at least!

Ttu uniddnfed doll

/--\

noldcd fue.

Y

Cont'e* in the late 1950's(Photo by Guido Odin, couttesy of Musie de la Pouple, Patis.)

to be cloth,

ul

tz

Clad in a troditional Bdton outft nrch likt BicBsitu's- this 8" (2Acn) celluloid babv uas natle bv

it

this ha d-tinted with a Wear6 Circa 1920 s - 1934's.

ointage photo

ll'

This conposition doll, cica lote 1910's - 1920, stands 7" (18ctn) toll (Photo by Cuido Odin, cowtesy of MusCe de Ia Pouple, Patis.)

A drcw Tabbat pos?s beJore d petmafle t Bicassine nural on the plathnn of the Tuileries meno station in Pais (photo by Barry WolW).

Authol

52

f'r

(Dolls Sondg's cDream '/\lA.\8th$riw qknAd",,t4Z S']Jot

'U;s;t Out Slup

Io'! pn. ,7ht - Sar.

621-9lt-r;79 3^x 62]-9ll5trc €,,oil' skayk43 @aol.com

o, sandysdreamdolls

@

earthlink.net

1)i,it 1ls On the "Wel

www.sandysdreamdolls.com

ry"e

81

1"

,i4^ti1". b A1"A.",'D,lk - 9|i""&-', D,ll

'D'

Aas* ir

At

ern

5r*oi.,.

.Jtiuq

ln7 4i

Silii J.b,k.

'tt 1rtiqft 'Dolk'}l"s

A1a,e

lo.. & ?rir

,R.proin.tb 'Bletk .Br

(D*le*

s

):^"

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To ord€r call toll free l-E88-800-25&l

or

scnd this form ao: Antique Doll Collector, 6 Woodsid€ Ave, Suit€ 300, Northport, NY ll76E Prease send

me-..-

copies of the 16th Blue Book Dolls

valus $19.95 pt,' tNYrtsi|n^

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executives circulated in their ah s casual .hic attire. Opulent pyramids of hors d'oeuvres stood in nook d white gloved

waitels passed chilled ccktails. Ou first hoste$ Biaciously welcomed the guests and bid us go upstaire to meet her pa.tner. we had no difficulty finding her for we could hear her intuctious laughter from the ffrst step.

The occasionwas the 21st Annive.sa.y Celebration of the Kansas City Toy and Miniature Museum. Our hostesses were the Founders of the museum, Mary Harris Francis and Barbara Marshall. More than a birthday, this splendid affair was the grand opening of the newly expanded museum.

Ilre theme of theevenrng waj Mdlbel/s Malbk. in honor ot Calhy and I arry Svacina who donaled lheir e\lencive marble .ollection to the museum. The mllection is housed in the museum's new marble room, a cleverly designed .oom that displays marbles as pemy candy. The harble games, toys md ephemera in the exhibit are €ndlessly fascinating. Many of the silverhaired guests passing ihrough the r@m were heard exclaiming over the meteors and comets, snowflales, pearlies and red devils or bragging about the agates and steely torpedos they had as.hildren. Even tenacious doll and miniature collectore were enthralled by the varied and colortul exhibit that will add to the museum an entire new spher€ of interest fo! children ad adults.

The scope of the Toy and Miniature Museum of Kansas City is tremendous. With iheir dive.sified collectioG, Mrs. Marshall and ME. Frmcis have mased omprehensive displays of doll hous€t miniahrB, dolls, toy vehicles, chil&€rfs dishet tin toys, paper toys md teddy beas.

Both ladies continue to €oll€ct md in iust a short snveEation with eitlpr of them, one comes away with renewed enthusiasm for the hrht for the elusive and unusual don or toy, the exquisite work of a miniaturist, or perhaps thce ftalrehs marbles that werc last seen in the bottom drawer of NEWS @tinued @ page sa

Contentporary Dolls,

Cl,assic

Eryubite matefilb. biginnl hign. Meliculotuly oafd. From R. John Vright Alice tn wonderland nN Ugh sttnfurds tful lb6e artisb a*ibit in tlteir llio i! r l7', tuIy ioi, ed dol mde

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Unll€d ,orld{ide edldon of 7t0. ,1,i75.00

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R.

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vright

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tlildegad Giinzel

r:ch of fiesc mim-porel.itr dolls h a linjl€d edilion of 50.

Th6e de $e n61 of Hildegardb ns, mrller sird dolls.

Loveday vlh b@ is 27 Lll.94900.00

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21216

Learning About American-Made Dolls

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by Ursula R.

D

Mertz

Ds

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Photos Otto Mertz

hildren and adults love old fairy tales. In quite a few of them animals are the main characte.s. These

I

animals usually have some very human haits. In the story "The Hedgehog and the Hare by the Brothers Gnmn, for example, a short legged but .lever hedge hog outsmarts the long legged but very vain hare and wins a foot race. Every country has its own ri.h folklore with similar tales, including Fran.e. Over time, some of these stories have been tumed into theater produ€tions. This was the case with "Chantecler," written by well-known French playwright Edmond Rostand (18681918)- One ofhis playt "Cyrano de Bergerac," a brilliant verse play, became a classic. The 'Chante.ler, first produ.ed in 1910, was his last play. lt was based on an old Fren.h fairy tale about Reynard the Fox and Chantecler ihe Co.kerel. In France the title.ole was played by famous actor, Sacha Guitry. Wlen the pie.e.ame to Ame.ica, the part was taken by Maude Adams, best known at the time for her role in 'Peter Pan.' ln lhis play, the a.tors wore.olorful animal costumes.

Apparenrly Chantecler" was well received in France, and knowin8 that the play was shortly to open in the United States, Amedcan toy manufacturerr such as E. I. Horsman and Hahn & Ambers (possibly others) did not want to miss the.hance of having good sales with a Chantecler doll. They produced one before the play opened in New York, as an editorial piece in the Ap l 1910 issue of Pldytftitrgs seems to indicate: "Chantecler dolls may be had in fiftr. cent sizes. This new number has a yellow plush body trimmed with red and green felt to represent the colors in the rooster's comb and tail. Doll face is made of celluloid and appears in a number or different models. From reports it seems these dolls are having a steady sale. No real craze hasbeen noted yet and probably one will not materialize until ihe famous play is pres€nted in this country in the Fall. Then it all depends on the play. The thealri.al produdion has been given a great deal of Sood newspaper space and the rsent report that Maude Adams is to play rhe part of Chantecler bids fair to both help the play and the Cl'antecler dolls. . . "

t

t

\"1

Heighr 10" (with felt .omb) Marks: None - Celluloid mask face with molded, painted hair, painted blue eyes and cloed mouth. The body is made of plush,leSs of velour, comb, wings and tail of felt. lointed atne.k and hips.

Side view and closeup of the Chantecler

BIRD

CHILDBI "Binl Childrcn

ffi ELtzABErH#oRDCN

Cooct i1rstntion oJ n$ic sheet ,ChatticlceL" conpos?d b! Albett

Gunbte, shtu'its thei |trriion

D

,,.

",s "'r'"'

Dust jrcket illustration ol "Bitd Chikhen" b! Elizabcth Cordon,

Cwtight

1912.

oJ a

In d April 1910, display ad in Pray&uss lhe E. I. Ho6md fim prdlaimed the Chantecler doll to be "The Reigning Craze." This was an over optimistic statement. As happeN quibe often when a piece of folklore is traroplated to other coutry where p€ople are not as familiar with the story, the play was not as well r€ceived as in Pans and it soon closed. The Chantecler dolls must noi have sold that well either as findin8 one for sale today is a rarity. In a Septemb€a 1910 display ad, Hahn & Arnb€rg oater L.uis Amberg & Son) also advertised a Chantecler doll.

aR

-,."

"*]s,Trr#itt

Music publisheB, apparently, were als plamin8 to cash in or this much anticipated play. The Jerome H. Remi.k & Co., of New York and D€lroit published a music sheet enhtled 'Chanticleer (Co.k.A-Doodle.Doo)" RAC, March, Two-Step, composed by Alben Gurnble, CopyriSht 1910, also in Canada dd Mexi.o (s€e itlustration). No words were set to the music. With its athactive color illustiation on the front cove., the husic shet is ertainly atiractive nem to display wilh the doll. (Not€ the different sp€lling: ''Chanticle€r." Tlds was probably done quite intentionally, to avoid copyright

One could only

birds in Elizab€th

childrerrs

challenges.)

The Chanteder doll very much reflects early Amencan doll production practic. ln 1909, the Horsman fim had b€en very sucGtul wilh the introduction of lheir Billika doll. It feahrEd a cornpcition head ed pl6h body

of in

1e10, teddy beas were alt it'. rag.. i"" tt'e ct'i"r.cler, rhe body Ms ;bo made plush and the less or matchins color velour. since rhe doll r€presented people dimal co6tum€, the choic€ of a so-called "mask face" (orny a fac€, not a tull head) was natural. Most hask faG seen at ihe time wer€ made of celluloid and imported frcm G€many. One of these was used for the Chantecler doll. Teddy bear type glass eyes weE applied on lhe side of lhe h€ad to complete the .ealism of a chicken oudit. Tail, winSs and comb werE mad€ of sturdy,.olortul felt. Ttough at the time the Chd[ecier doll

G'l':'-"5;*5.:* l*l:,*;; ",- '''"

---

did not brins rhe expect€d."p".* r'.^ *'" u"i,.g p"ri",li" attractive toy. In a .ollection of early Ameri.m made dolls, it would be a most .oveted item.

The Chantsler story may have iGpired one Amencan althor to .re.te her oM tales inhabited by animals wirh human traits and human faces. Copyrighled two years later, in 19rZ Elzabeth Gordon's "Bird Children" was published. This child.en s book is illustrated with lovely watercolors. A va.iety ofbirds and waterfowl are shown with human faces and smetimB piec€s of humd clothin8. One could only wish that eme of these illustrations had been produ€ed in doll form. In a doll collection, they would make wondertul company for the Chantecler. The book was definitely more successtul than Horsman s doll, as a

".,"iia""re.J;

revised edition was published almost tlu€e decades later, in 1939.

varioG Funt<

R€ferences: issues of Playthings, 1910

and wagnall's New

Encyclopedia, Copylight 1973

-

Coll€.tor's Guid€ to Ho6man DoIs, Identifi cation and Values, 186t1950, by Don leruen (Collector Books, Paducah KY)

F*F:x3""P"#1r".",,."::*:iiir:fri

* *

'\1,

* * * * * * * * * * *

tl2"

* *

wa, $,5m,

Montanari

s2,600.

* tt't

12"

E&ly English

$1,700

Tauflin& $1,950.

"Prine Alb€ri"

* 20 N. Main Stre€t P.O. Box 705, Mullica HiIl, NJ 0E062 |lsul,6 HIl, &, L,qr

12.7

mllg

6E

olPhlr.d.trhh.

. T.t

N.,

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ollRt t96.

* * @tA * $1,750.

B-h_,/ * a6oD or.n lr-,1 * Tlrr fri, a.n n y 6 .rr.b6al (d.r a.ul,{) * Dy

*

NEWS Addin8 Blmour to lhe gala occasion was quen of the silver {@n, GeneMaEhall.

the

Former Hallmek artist loan Grere, the Mother of C,ene, p@nted the mus4m with . gift of her complete @llection of Gene Marshall dolls. Doll designer and biographer, Mel Odom lent additional star qu.lity to the magic of the evening. The dolls were on display in the new temporary exhibit aEa of the museum from October until lanuary.

Unid Federation of Doll Clubs dd the Toy and Miniature Mueum of KaMs City shae a special bond. Mary Harris Francis and Barbara on octobet 21st. he rov aN Mkjatuo unhdav ^ro@uh eat, Nira*harrare a.tiv; and supporrive members Il was the'r monelary gifl that UFm. made il possible for IJFDC ro have a consedahon ldb ar rhe newly eirablished headquarrers rn Kalls City. when lhe United FedeEtion of DoU Club6 meets in Kansas Cit for lheir mual conventioa each UFDC member will have lhe opportunity to visit lhe speciaolar Toy and Miniatuie Museum.

Don't miss this opportunity ...1t will be, simply ngfielus, dahlin9t.

The Toy md Miniature Museum is lo€ated at 5235 Oak Stre€t, Kansas City, Missouri (southeastof the Country Club Plaza.) The hours are wednesday to Saturd.y l0AM 4 PM and Sundays 1PM -4PM. For more information cal616333.2055 or visit the website at www.umkc.edu /htm.

Authot o d UFDC Past Preside,i, Lym Muftay, escotts TLC DoU Touts ol the doll atd toy ol EuoW uch year. She rutk the Tov a ti Miniaturc Museu of Korcas City a,]/lry

or "i;ffiW:iffiyri#;ils

'nuseu,ns the top ten

in

the

uo tl. Fot tour inlonnatio sce the display

ad

in

this issue ol L'isit the ucbsite:

A

I J

Update on Presbvterian Rass

Until /ecentlv il was wYdelv b€lieve that the dolls known 6 P.Gbyterian RaBs were not marked. Cloth doll @llector Lila Carter owns.n example which is st.mped on both the front and back of the body: "Made by the Lad,es Sooety of the PEby. Church of Bucy.us, Ohio".

Clearly not all the dolls we.e stmped, bur if there is one, nodoubt there ar€ olhers waihng to b€ dis.oveedl Thanks Lila!

JI_II\IE5&6,20,()21 The Eastern National

Our 33rd Year

An tntemational Ewent - - . Eatab shed,972

ANTTQfTE

fDOLLS Shorv & Sale

r- Plus +TOYS & +GAMES R Over 5oo Tables ':, '

GAITHERSBURG, MARYLAND

lrontgomery County Agricultural Conte., lnc.

1, ttites North west ot washtngton D.c..

Exlt 1'l otl l-27O to Rl. 355lollow signs.

AoMISSION 56.00 (Good Both Days) Save $1 on 1 Admission wlth 1 copy ol lhls ed. ADC Phone: During Show Hours 1-3Ol-963-3106 Fetum P... l,l6d.d, Ark .l Bor Ofli@ ' L rIED Toy. & G.m..

BUS GROUPS (1O or More ln Group) Call tor lnrormallon aboul 1/2 p.lce ilckets and our nexi 6how

CORRECTIONS

oiganization of doll collectors in the Norld. UFDC ofrers a

We would like to make thr@

of

.o.re.tiom to the article in the February issue, "A Pa$ion for Pa.ian-.. Painted Ladi6,

collectors. dealeB and doll anists. Our magazirc is packed

Tinted Bisque." The followinS dolls were misidentified; the .orrect manufach.rers are

Nith original research anicles. projects. book revie$s and event ness. UFDC rcgional confercnc€s and conventlons.

\o*shops

A .\

exciting doll events of the ) ear. UFDC regional directors N ill help you find a doll club or become a memb€r-at-large.

What arE )ou waiting for? Shake offthe blues.... seminars and

arE the most

Ca*o

f*lk

nq.b by oE C. F. nnV A Co

l^+!

GIFDC gifir;:riiifi:: www ufdc

org

I

\Ln

lhkt dt l

DOLL NEWS

.t t *8 N.b b, A- W r,t'td arxl rlE lzrgd qaaw w

118 etb//ct

tu.

Uniaed Federation of Doll Clubs, Inc.

For membership information contact

prvsundayi.6ti,.ds

NEWS;:*:r".,

Come join the fun with UFDCI W€ are lhe la4est

Norld$ide neh\ork

serurdey 10 am ro s

Cdttt&

w .lotut n ae by tc b.lw l&tory h ffiijq@

rg

letory k Mary r\a a11ot23 tarst @ Mp colLdoE idanw d.lls nad. W th6 Nnttractu@. llary vt abo fhis shaukJekead Ms nade by Khg thki

cxolusirc Lld Ed

b@k

dolls.like

b.

','r

1/,

witing an

in a

anil.

lutie i$ue

on Conta a ol Annqoe Ool

B@hN Caletot

who

!.6d thb chiklikd h.dd nald

with

,%uclion S"ll"ry

.n

nn,,a

tn,, t,r!.

22

PREVIEW: Bertoia Auctions Sells the Collection of

Alberta V. Darby

April

11924-2003)

3

a .mali gift frcm a Srandmothpr f ittle did dnyonF realize that.timuldte trlo a granddaughter would dollcollectinS and

etoration for nearly 50 years. Sometihe during the 193crs, Albe a's gEndmolher gave her *veral dolls that had belonged to her as a chitd. Alberta briefly looked at the dolls and then stored them in a box; after all, there were more important things than a few old dolls dunng the depression. They remained in a box for the next 20 years wherr in 1952 a neighboi called Alberta and said that she and a friend from lhe local doll club were going to set up a antique doll display at the old Woodward and Lothrop's in Washingtorr D.C. md inquired iJ she would lile to assist.

Alberta r€membered her gr dmothels dolls in the box pe.haps they too were antiquesl Ironically, this rather

inauspi.ious invitation would soon stimulate a lifelong hobby of collectin& Epairing and restorinS dolls.

Alberta joined the t ollolo8y Oub of Washh8ton D.C. in 1959 d over the next 45 yeds she held virtualy every pcition from

*cretary to president. She w6 als a judSe md *red on the b@d of dire.to6. Additionall, she was the regional director for Region 11 of the United Federation of Dolls. Alberta gave freely of her time md efforts to aid and assist all membe$ of Federation md as diector she asisted fou clubs in be.oming membere: the Arlingtorr Virsinia Doll So.iety, the Claise

duing her lenure

Ma*y

Doll Club of Virginia the Now and 'Ihen Doll CIub of Freded.ksbu& Virginia and the Blemerhass€n Doll Club of west Virginia. Alberta was also a member of lhe Doll Club of Maryland.

Always willinS to promote dols, she helped Btablish numerous displays throuShout the re8ion in luding the noled Chii.tmas in Wdhington Display at lhe old Post Offie Building. Ihe hiShliSht of de display was having President and Mrs. Reagan attend.

13 inch

snilinp Btu fashion

Alberta worked for more thm 10

yem

Iu

eau lnnx Frce,

ru*sl

14,

titairul dr6s and shB.

flora Iaobs at the

DoIhoN ad

Toy Museum. She also did restoraton ad Epan for the MEm of the City of New York md for the Daughterc of

w6

Revolution. She

Y)

a

mster aafblrE at doll rEstoration

dd

I

lite.ally dressed and Tuin Philad.lphia babi$. sewed doll clo6es for tlousands of dols- Over rlle years many individuals lemed of her wo* in restoration ed brcu8ht their dols to Alberta in hopes that she ould bring them back !o IiIe. Mct of the dols had deteriorated or vrere mishandled and usualy arrived in a seious state of disrepair. Becaus€ of her meti&lous attention to detail, many of these individuals wept when th€y saw their ddldhood dols r€stoed in a Il1amer that fd exceeded then expe€tations. The demand for her expertise was so great that she had an extensive waiting list and often had to retuse n€w Foje.ls.

23 in.h Pottlai|

Iu

eau Fashio

.

Preview: Christie's South Kensington /-hristie's

L-"Il*nt

GenrE bisque compo'ition, early English wares dou t'""*.- ""roruta and more. For iniomation contact Daniel Christie's, 85 Old EromPton Road London SW7

r.-l ,l

23

South Kensin8ton May 25th doll auction wilt a tult arav oI fine dolts, indud in8 French dd

Agnew al

lLD, phone

44 (0) 207 752 3335

\',

dle chi o doll.

c

Sch@htt, AnoW CflziMa tW, nnd shds

1850.

uith onSin l cloth$

I

I 73 inch

Althouqh Aiberla's collection bege with the dolts Siven to her bv her erMd-mother, sheuldmately acquired more thd 4m dou' duri;q her liletime. Her muection is br@d rnd diverse sd would ,pp.rl to *yone's r"'t us rt rcPresmt! dolls of atl clasific'tiffi si'i, *'*""it, a*'*a mosr ofher dotlt with atrentjon to lhe smiksr aetaii usine rauric and ruterials trom the aPProPriate Deriod. Amonp herlvonrB were the china dolls dd S.h@nhut!, i.,*i-t,d, Ui aott". rt u collcction al$ includes e lzamah iryarr<e; a iru 6revete. a rong face Jumeau, Ilane-ryPe5 rashion dols, Germar bisque dolls frcm numercus maleE, and French bisoue dolts bv Steiner and SFBJ. Severalor her doUs wer€ als

featued in th;

Collpcror s

I

iD

tunand Moneille FonY

not,loP?dia oJ Dotls.

Morc recenttv

*e

enjoyed collecting Mary Hoyer dols. Much to the amus€ment of her ors, she would attend Mary Hoyer tea Parties with her frimds,

Cherrv 8ou, Collette Kemealty and Mdie lerguerL among others to dis.lss dolls and PU.ue fellow.hiP The imate of *veral rutue women {ttinP up little plates dd learuPs a( the* tea Parties was a

A fine Vichv .4uilib"kte

aitotuton in

the

otiiul

th4tnul tutrse.

lrr5t ana 6

This @a the

nodel ofee.l bY VicllY

frtu1uith 4snan

nfu.nt

^".,.4 'rh..|tu perkns

h,nnstund and th@ oa or. hand into d

on the sturying tiJLs

hi@f

in thz b6.. a

lardi

,D t ol n6itu .Circa79@-

6nn ;:

Ets,O@ -

2o,oD.

n,,."-"s sufi"*s and iokes at $e Ddby hou*hold' "o** "I Alberta Darb, was 78 yeffi ol a8e at the hme ofher death MF.

ha'rne sucrumH to. urulmt form of lug(ancer. She is st,trred h" h.;hush,nd- Arlo. withwhom she had been maried for 58

isalso.wired by three $N:Charle! Alan ed GIen and srandchndren Couitney d Cody. ln addition to ollectniE dou;shewas also an avid Sdtdenerdd erttuivelv involved h ihe

vlars. _two

she

Sugdtoaf Moutain Antique Aulo Club of Ameri" with her a waff! enSaging Pelsn who was tull of life hu;bmd. Alberta '{as and active up until the time of her death. Her Presence is dePlv mrsd bv her familv and outless f iends. ooe iso aotts pius dott funiturc uitt b. sotd W Bcnoia Auctiorc ifl vinelani tL tlle weeke ol April2-3. EU colot hardittfonnatio" Phoie cooei .qtalogs ruy be ornded lot $35. Fot 85ffi92-1881,

lB

'noe 856-692-8697, oisit arwu.BenoiaAuctions''on

Ater ! lghion

doll

it

otilinil gtm @tdbo, uith e,tdFi1'' Mtdnbe

PREVIEW: Morphy Auctions I I To Sell Antique

Holiday

Decorations .\-a

ri r, . ^t;tl tt'i I

a

l I I :

\Jhofiday

irems frcm the collection of Indid. mlle.tor Dpnnis end

Margdet Haire will be offered for sale April 9 at the Adamstown Antiqu€ Gallery in D€nver PA. Among lhe rarest piees is a 3Ginch working German Santa noddec

Gemm Belsnickels, several rare Heubach, Easte! and Halloween

uoa.notd|o ucrio1,s.eon or ptrE 7r7-3s34i5.

Preview: Wimpole Hall to Sell March 13 fyA ften Dennis Young retired s a builder in the lq70s he V beEan a new carer s a bunds of scdeddoM miniatuF hms ard tunitur€. His mo6t impr€ssi\"e proiect w6 a Wilid ard Mary townhouse bas€d on wimpole Hall in Canbrid8e, Englard. Built at I inch to r foot rale, it is rBpl€nd€nt in every detail from its use of real corEtruction rnaberials sudr as natural

,%uction Sallery Theriault's January auction in Newport Beach, CA reaches $2,000,000 rfwins

Clara and Ella Sedrle5 of Tiffin, Ohio were bom in 1874 and lived lo lhe a8B of95 dd 104, owninS a millinery doe in the early yea6 of the 20th century a.d neither ever marrying. On their tenth birthdays they were given matching French bisque dolls that they.herished throughout their lifetime and passed onto family members after their death!. On january r0, the pair of dolls, alon8 with vintaSe photo8raphs of the sistere and other family memorabilia were $ld at Theriaulfs amuallanuary auction in Newport Beach, Califomia to a delighted collecto. who was thiilled that the h4,o dolls had been kept togethe.. The pair of 14" bebes grac€d the cover of the auction.atalog entitled "Bon-Boro for the Bonnet Ladies of Tiffin" and sold for $38,000.

Other French dolls figured siSnificetly in the auction including a

I

24" bisque porkait b€be by Emile lmeau elling at $lx,om; a 10' bisque bebe by S.hmitt et Fils for $19,500 ad her larger 31" sis[er, for $8,0m. A classic EJ. b€be lhat resided in he. oriainal dol s tf,Dt labeled Helene Revel (presumably the Mme of the doll) w6 $ld with original t ousseau for $2zmo, d m exkaordinary hm {iz bisque mmequin head by t6n Casimi. Bru on odgiml wmden bas€ Mred to $2s,000. CollecroE were especially enamored with the selection of rare polpe6 in the auction in luding an early Huret poupee with original gutta percha body s€llin8 for $25,0m, a woodbodied Lily ftom Madame LavalePercme for $12,000 and a wood-bolied poupe by lumeau for $1zsoo.

Of unusual inter€st in the auction was a collection of extremely rare lgth c€ntury French bon-bon box6, many of which featured exquisite antique dolls who* Mi6 dis8uised a sret imer compa.tment designed fo. u* as. .mdy box. There was a roundbellied Ma.quis in el.bo.ate silk ostume who looked like he had eaten too many chocolates himself that reached $5250, an elegant bisque poupee with elaborate fashion gown for $5750, and . p€tite French bisque poupee that was po6ed in ihe center of a candy store r,ith miniature wrapped boxes for candies selling at $6750. One example ombined the delights of bisque doll, me.hanical

timbers and copper tiles for lhe roof to its impo6ing 6i2E 5 k, 6 ind'es ta[, 6 tuet wide and 3 feet deep. It wiU be au.timed on Saturday, March 13, by

Eilem at the

ed Rm Rhoads Kimbertoa PA

For informatiori phorle

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movement md music, and candy box.It was a bisque Iumeau standing at a toy piano; whm wound, she played the piano and music played; tlE piano lid could be opened ro rcveal its original u* as a candy bo\. ll sold lo viBorous

bidding at $11500.

Miniatue all-bisque dolls continue in popularity.

$5100

was paid for 5" French mignonette with trousseau and box, $4600 for a rare 7" model with bare f@t by Caultier, $sooo for a $r / 2" Fren.h mianonette with jointed elbows; and $3600 for a similar example with unjointed elbows, sliShtly smiling expression, bare feet, and original costumeThis divee sle ale included a rare cloth trio of Percy Poli.€marr Eddie Elf and Pirate Chieftain by vollmd frcm the RaSgedy Ann Stories that soared to $6800, a French mechanical toy .auiaSe with team of goats at $10000, Bleuette #.4 with trunk and trcuss€au at $28m, a 36"cow on wheels for S62m, an unusual pull-toy depictin8 Poli.hinelle ridinS a rooster at $10,000, and an exkaordinary French paper mache rolly dolly with glass eyes that stood a resoundin8 27" tall he sold for $5400.

Coll(toE of Gem bisque chdacter dolls found many *lectioc to whet their appetite. Examples included a 19" laughing character 612 by Be.Smam that sold for S10,000, a rc8uish-eyed Max by Kmmer and Reinhart at $13,000, and a glass-eyed g9 model by Kley and Hahn at $18,000.

Theriault's January premier€ doll and toy auctioB began on F.iday evenina with d auction of antique doll co6tumes.

Following the Saturday auctio[ Sunday saw three additional auctions including the Jane Anderson collections of antique tin p€nny toyr and vinta8e sand pailr along with thei. Di$overy Day audion of dolls. The entire *eekend's auctions totaled iust short of $2 million.

For more information go to: ww.theriaults.com or €all

Theriallf

s at 800-638-0422.

Th! pan

A

6 . Pensiat .turly biqu. .bll ot iE ra d, qnd stoftiont tifed of k tuxd| ib ongintl ,e

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The dolls ftalidl $38.Un. ontinal hnity

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n.tt. G .toth dolh b! the voll4t l ltu abolI 7$1, m.y include Pqc! Poliehdn, Pnak chiel4in ond Edtli. EU Th. rtio *ld hr 568@,

Fru *anpl6 ol th. 612 nodel n tukrl b1t th. Gm,n ltn of c.M. Bet(n nn

dr krtun

to erisl, This 19" dodpk, nade about 1915, btou\ht $10,UX.

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Book Reviews Identifying German

Dolls of the Art Deco Era

Chinas 1840s-1930's

191.0-1940 Collect, Restore, Crcate €t Play

By Mary Colhafi Krombholz

Ifs huly eritinS to finally b€ able to idmtify hany of our chim dolls as to then maker. In her third and latest b@k Mary Krcmbholz shares with readers the results of her extensive .esearch usin8 porcelain shards, sample sheets and marked examples of similar dolls. Mary explains that each factory had a unique signat@... a special way of painting the €yes or mouths. For example Kestner chinas can be reco8nized by a small white highlight in dE iris of the eye, a typi.al smatl pused m@th and ofte& mpainted line betwen the upper and lower lips. Thele dolls may al$ have a painted sript

a

letter F or H. Itrc author discuss€s prevalent characteristi€s of each decade, begiming with 1e,()-1850 and ending with the 1930-1940 period, each e.tion accompanied by an abundanc€ of photqgraphs that illushate popular hairdG d ommentahon of that era. Each don md half doll pictu.€d is attributed to a speciffc porc€lain fa.lory. A160 includ€d is a dupter on male glazed porc€lain dofls, all china dolls and reproductions.

Tl s is a must have book for German china colle.tors!

Iladcooe,. Hobbr House Prcss, $i9-95. stry,l9!!!19!9c!9a or phone 800-554-1,17.

Susanna Otoyan Boudoir doll collectoE will definitely enjoy this tun md infomative new book by Susanna O.oym. The history of dollmakin8 dudng the Art deco eE, influences on the Europem art doll phenomenor! clues to datinS dolls and identifying thei. manufachfeD, b.ief histories of the ompmie who made boudoir

dolle pricin& teminology, repainng and r6toring dollr even making your oun longlimH dolls. . . all lhis and more is covered.

Fabulous picturer intriguing

inJormation, and the story of a glamorous doll wedding party add mioyment to this creative look at an area of doll collectins rapidly arowinA in poplldity.

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Anlique & Vlnlage Dolls Origlinal Art Dolls

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dols ii @lL<rioll dr.t y@ wqild liL io *U in ordd ro einBt h mths doll, I1uIs whil rc deigEd d* Antiq* DoU EMIORruM flr. . . yo tu @U.ctoi Tat! .dvetaSe o{ this sF.ial lotont dE od i5 o! y t60.

Sod s a plrcto o, a digilal plhb o{ }tu doll wi$ a deiptin dd )tu dE l o, @dit

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CA. 0o I Sho* & Sa e. Bsureclion Church Gmeo Dol Club 619.460'4678.

G.llhGbu!, tlD, Anlhu€ Do ls Sho{ t Sale Mon&@ry C.unty Aq,aurir.al Cmter, E. Farcmund!

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Nov 13, 2004

Dolly Day a(hibltors sell Antique + cofiectible dolls, bears, clothes, books, accessc

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Cl" Do Snd i s.re clhlrdh civij Cily 0.a Cluo. 3l &248-a862.

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IdrlZ0o AJdn . [r6a Csknni.l C-k( FBn ts Dot ArtiB. 316{2$3786. il llir.n ., il. Dol Stw. Bo$oB.r od.h Vilrr{e.

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512-r't.9682.

t7 Clftllr, YA DC ID Fh. Mand Duies Dr\lM P,WtioB. 757-130-{736

Cm. IY. oollhoe

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*w.sp*!l*t{.uhion.d.

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13 Ghn

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1'14 Puy.lllp,

WA, 0oll & Toddy

Waslinoion F.i,!runds. Th. 1il-1a

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77t31&7713.

S.&. Ib Proni.+ftlE, Eu.or.5. Ddk Erhb( sab. Pam

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(3a) 4.90.53.13 79.

Sd.Lt .C.odl9Br&b.E nwetr $6lgurxl &6t3+1261. la 0.d \ ll, Miqu€ e Cdbd'U€ Ioy Shd idd.y 13

lm. a&itic Go{{. 5{8.37$9733.

Doll Sho{. T1* HdhM Csr.L JMK ShoE. 352 527 6666. r+2(, Gold.n, c0, 0orl sho* & sale. Joff6Mn c.unty Fang0Jids caor6. 30+79ft a39.

1$21 oirl.nd lS. Dor owtu n Pa lnb@lidll T6& C€nbr. 913-16144t5.

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MEMBER UFDC. MEMBER "SQUARE TRADE" Ebay's GOLD Power Seller asrex

For more dolls visit my site:

httpJ/www.arwantiques.com

Qtehard Wright flntiques Flowing Springs & Hollow Roads, P.O. Box 222 Birchrunville, PA 19421 Located in the h€art of Chester County, PA. 45 minutes west of Philadelphia and

*l

30 miles east ol Adamstown.

Phonet 6L0-a27 -7 M2 F ax 610-827 -7939 EmaiL RWAntiquez@aol.com Shop Hours: Tues-Sat 10am-5pm or by appointment M.mlPr NADDA Tnd TJFDC Richard Wright Proprietor

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We buy antique dolls ol all typcs collectio]ls ot si],slc dolls.

We alsa b y atd scll antiques ol 0ll kindsIn business for foty ycars.

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A prccitlts chrnlcter. K*11'! tlnrsi 117 'Md,t Licbdirl!'is 21 blclts,1L,ith ht\tlt' sl.ct tlles, lnl doseLl p ttt n,('t t,atitinl hqDritio bo.lll rn.l bhrtult tohrir

ni!.55200

DOLL & TEDDY BEAR AUCTION April 24th & 25th 2004 . Denver, PA

F! l.., - l i

I seDsileat ww.villagedollandtoy,com Please visit our

or call to re.cive a lree color calalog.

Eecky a.d Andy Ouranl . P.O. Eor 705 Adamsrown, PA 19501 Phone 717 4&l-1200

inJo@villaSedoll.ndroy.com

Ns @ bi.L Eeyted.

Al ittus sdd tith no t@.

12 bu! prcnnm zoit, 27" ht casi ot chtk, Aurtiow, A dvoutd t

discoutt

SALE TIMES: 10:00 AM Saturday & Sunday PREVIEW TIMES: Friday 6:00-8:00 PM, Saturday & Sunday 8:00{0:00 AM LOCATIONTTo be held atthe Holiday Inn Denver PA. Rle 272, Exit 286 of the PA tumpike (old exit 2l) for re*rvations .atl (717) 336-7541.

Make your iese(ations early.

This oulstanding two day aucaion will oifer over 900 lols in.luding olcr 50 be Patsy family dolls, Fmch and German bisque dolls, Kathe K@, S.hmhut, a lar8e *ledion of lintaSe Aarbi6, o*. 200 lots of vintage and nodem Steiff imls ad i€ddy be.m, Ereat mode.! artist dolls, and mudr more.

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