Raging Fire

Masterworks III fans the flames of musical passion. Artistic Director and Conductor José-Luis Novo explores the power of fire while using orchestral music to speak to stories of darkness and light. “Fire is inextricably linked to the progress of humanity. This evening’s music explores themes of creation, destruction, power, emotion, and passion: all fiery topics!”

Narong Prangcharoen’s Raging Fire tells of humans’ multifaceted relationship with fire, an ancient symbol of power and light. Raging Fire starts with the full orchestra as “a rise of fire”, and finishes with a greatness that depicts the entire world burning. “Somehow, mankind will survive this great fire and find a way to inner peace.”

Prangcharoen, born in Thailand in 1973, is the Dean of the College of Music at Mahidol University in Thailand and Composer-in-Residence for Thailand Philharmonic Orchestra and the Pacific Symphony. He is the recipient of the Guggenheim Fellowship, Barlow Prize, and the Alexander Zemlinsky Prize for Composition. His compositions are known for captivating melodies, effervescent rhythms, brilliant orchestrations, ethereal qualities, and cross-cultural backgrounds.

Jean Sibelius’ Violin Concerto in D minor, composed in 1904 and revised in 1905, is the only concerto by the great and prolific composer. Symphonic in scope and including an extended cadenza for the soloist, the work is noted for its rhapsodic nature and technical fireworks, all of which are dear to violinists.

Recognized as one of the most celebrated violinists of her generation, Elissa Lee Koljonen has thrilled audiences and critics in cities around the world. Ms. Koljonen initially received international acclaim when she became the first recipient of the prestigious Henryk Szeryng Foundation Award and silver medalist of the Carl Flesch International Violin Competition.

Masterworks III is an opportunity to enjoy great symphonic music created and generated by the heat of fire and passion: a passion for music, for playing, and for life. As we consider the emotional genesis of musical composition, we can also imagine and feel the fire that sustains both writer and player, allowing it to consume us, at least just for the moments we are together.