INT_62_ANNA_BENGTSSON_REFORM_AND_REHABILITATE

R&R WORKBOOK BY: ANNA BENGTSSON

Photography by William Ong | Professional Image Photographer

Content

4

Research In this chapter I research different areas that revolves around my project. Aswell as a couple of analysis.

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Purpose & Concept Here I go into the purpose and use of my building and presenting my concept and ideas around this.

Development

I present my development in different areas and explain how I have been inspired by nature and biomimicry to solve problems and develop design ideas with this in mind.

42

Proposed Design This part I present my first stage of layout design and thinking. The circulation and then going into some mood/material board and also furniture pieces that I want to include.

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R & R Wo r k b o o k

Reform & Rehabilitate

B

rief )

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Anna M. Bengtsson Interior Architect Student

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3

Sustainability & Biomimicry

S

ustainable architecture and envi-

taking the time and natural resources needed

ronmental issues are now a part of

into consideration from the very early stages

the agenda for businesses, as well as

of the project, entering the context in the most

local and international communities.

natural way possible, planning ahead by mak-

And people can’t get enough of it. The word

ing the space and materials employed com-

“sustainability” and the expression “sustain-

pletely reusable.

able architecture” are spreading in the world of design and architecture for two main reasons: functional and formal. Any object that is

SOCIAL SUSTAINABILITY

considered sustainable must show ecological

“Social sustainability occurs when the formal

awareness, therefore its functionality must be

and informal processes; systems; structures;

tied to its relationship with the environment

and relationships actively support the capaci-

through its appearance.

ty of current and future generations to create healthy and livable communities. Socially

Sustainable architecture designs and con-

sustainable communities are equitable, diverse,

structs buildings in order to limit their en-

connected and democratic and provide a good

vironmental impact, with the objectives of

quality of life.” – WACOSS, Western Australia

achieving energy efficiency, positive impacts

Council of Social Services

on health, comfort and improved liveability for inhabitants; all of this can be achieved

Social sustainability is “a process for creating

through the implementation of appropriate

sustainable successful places that promote

technologies within the building. Sustainable architecture means being able to satisfy consumers’ requests,

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R & R Wo r k b o o k

B

iomimcry is a field of science

the various components of an environment in-

that aims to solve human prob-

teract with each other on the urban scale. These

lems through the study of natural

levels provide guideline for designers who want

designs, processes and systems

to use biomimicry for enhancing building per-

(El-Zeiny, 2012, Kennedy et al., 2015). Since

formance and sustainability.

nature has the ability to adapt to environ-

rect.com/science/article/pii/S2095263519300470

https://www.sciencedi-

mental changes, we can make buildings sustainable and environmentally adaptive

Circularity, sustainability, regenerative design

by mimicking the living and natural systems

— it all means that the things we humans make

(Badarnah Kadri, 2012). There are three levels

become a force for restoring air, water, and soil

of biomimicry in architecture: the organism,

instead of degrading it. Nature uses structure to

behavior and ecosystem (Zari, 2007). On the

change functions and also uses passive forms of

organism level, the architecture looks to the

energy, whereas our inventions use brute force

organism itself and applies its form, shape or

like mining ancient carbon and a multitude of

structure to a building. Biomimicry on the

harmful chemicals. We can create conditions

behavioral level involves mimicking how an

conducive to life, just like nature does.

organism interacts, fit in and integrates with its surrounding environment. Biomimicry on

“When we look at what is truly sustainable, the

the ecosystem level involves mimicking how

only real model that has worked over long periods of time is the natural world.�-Janine Benyus

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5

The Tower 6

R & R Wo r k b o o k

History of the Beacon

T

he Torre de Lagos is a watchtow-

It was the same or produced the same effect,

er or beacon tower, cataloged

although with less accuracy, than our current

by the Ministry of Education,

communication systems.

Culture and Sport as a Property

of Cultural Interest since 1993. It is located in

Located on a high promontory of 40 m. Alti-

Lagos, in the municipality of VĂŠlez-MĂĄlaga,

tude above the urban core of Lagos, in front

(Malaga province , Andalusia , Spain).

of Cerro de la Molineta and next to the N-340 road, this 13 meter high tower with a 7,5 meter

The beacon was called the fire that was lit

diameter has a conical plant shape. Its con-

successively in high places to give some

struction was carried out after the Christian

warning throughout an entire province,

conquest, probably at the beginning of the 17th

coast, etc.

century and it was based on stone masonry from the terrain and lime mortar.

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7

Velez-Malaga

V

élez, is the Centre of an agricul-

Situated less than an hour to the east of Malaga

tural region known for its straw-

airport, well connected by public transport and

berries and vineyards, which pro-

within easy driving distance of a number of

duce the muscatel grapes from

surrounding villages, towns and cities, one of

which the famous Málaga wines are made.

Velez-Malaga’s strongest suits is its accessibility.

The town is a Centre for the processing of olive oil and sugar cane.

Vélez Málaga is the largest municipality in the eastern part of the Costa del Sol, with more

8

It was once said that ‘if you can’t find it in

than 150 square kilometers of territory and al-

Velez, you can’t find it in the whole of Malaga’

most 25 kilometers of coastline. Its population

and this still rings true today. Despite its size,

resides among the scattered nuclei of Almayate,

Velez-Malaga is home to a conveniently wide

Cajiz, Valle-Niza, Benajarafe, Chilches, Lagos,

range of shops and businesses from one-off

Mezquitilla, Trapiche and Triana, although its

independent boutiques to lawyers, doctors

main nuclei are Vélez Málaga, Torre del Mar

and dentists.

and Caleta de Vélez.

R & R Wo r k b o o k

“Vélez-Málaga is authentic and very Spanish. Tourism is slower than in the west of Málaga, with a good balance between the numbers of locals and foreigners. What’s remarkable is the presence of lots of creative and artistic people from all over the world!” – Prisca Sinay (El Toko).

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e | Summer ti me tim er |S m m

w | 360° view ° vie 60 |3

ter Win

Wind direction

Win te r

e | Winter tim e tim

| 36 0° v ie w

ummer tim e| e|S Su tim er

me Winter t im r ti te

w ie

| 360° view | 36 0° iew v vie ° 0 w 6 | |3

min ox 16 Torr

36 0 °v

time W nter in Wi

Situated by the ocean there are plenty of water nearby. Giving fresher air and providing cold winds. At the same time reflecting more light.

Plantation area Lagos village Main site Restaurants School Location of building Highway Road access

It is situated on top of a hill, with 360 degree view of both moutains, ocean and communities.

Pedestrian & Bicycle access

und is limes Ma t e rial under g ro tone

R & R Wo r k b o o k

mer time | Su Sum m m

e

There are nearby buildings and communities. They are situated far enough away to make the site private and sound proof. Nothing shades the buildings or stops the wind.

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Sum m er

e| tim

Combing with car: Easy access with cars and trucks. Wide roads that makes it easier to get through.

Arriving with Bicycle: From the communities there are smaller roads leading to the site. Accessable for both bicycle and pedestrians.

And for Pedestrians: From the communities there are smaller roads leading to the site. Accessable for both bicycle and pedestrians.

e r tim me um

w | 360° v i 0° vie e w| | 36

Vélez-Má laga 20 min

|3 6

w vie 0°

0° 6 3

view 360 360° ° vi | ew w e i v

n away

Site Analysis

A

ccessibility:

There are nearby buildings and communities.

• Coming with car: Easy

They are situated far enough away to make the

access with cars and trucks.

site private and sound proof. Nothing shades

Wide roads that makes it

the buildings or stops the wind.

easier to get through.

• Arriving with Bicycle: From the

Situated by the ocean there are plenty of water

communities there are smaller roads

nearby. Giving fresher air and providing cold

leading to the site. Accessible for both

winds. At the same time reflecting more light.

bicycle and pedestrians.

• And for Pedestrians: From the

It is situated on top of a hill, with 360 degree

communities there are smaller roads

view of both mountains, ocean and communi-

leading to the site. Accessible for both

ties.

bicycle and pedestrians.

Its exposed to sun all hours of the day.

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11

Social Analysis

“

Velez-Málaga is authentic and very Spanish. Tourism is slower than in the west of Málaga, with a good balance between the numbers of locals and foreigners. 90.8% of the people living in Velez-Malaga municipal are Spanish. 73,362 to be exact. The official foreign population of the whole Velez-Málaga accounts for 9.22% of the population. In

total, over 100 different nationalities can be found in Velez-Málaga.

The Autonomous Community of Andalusia continues to have the highest unemployment rate in Spain: 21.83 %, compared to the national average of 13.92 %. Youth unemployment currently stands at 49.9 % in Andalusian (25+years) which is alarmingly high.

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R & R Wo r k b o o k

GENDER

51% of the total population is WOMEN. There are 41,404 females of the total 81,643 population.

AGE GROUPS

63,9 % of the population is between the age 18-64. 20,1 % is between 1-17 years old and 16% are 65 years or above.

FAMILIES

There are 31,655 families around the area.

Velez Malaga is the capital of the Axarquia area in Malaga, arranged 1 kilometer inland from the shore of Torre del Mar and 26 kilometers from the city of Malaga.It sits on the panoramic detour of Sun and Avocado, which takes after the sunny, white washed towns, whose horticultural terrains deliver succulent avocados. https://www.immo-

abroad.com/blog/world/europe/spain/andalusia-costa-del-sol/velez-malaga

“Vélez-Málaga is authentic and very Spanish. Tourism is slower than in the west of Málaga, with a good balance between the numbers of locals and foreigners.

What’s remarkable is the presence of lots of creative and artistic people from all over the world!” – Prisca Sinay (El Toko).

https://www.spainbuddy.com/moving-to-spain-moving-to-velez-malaga/

Interview with a real estate agent Would the area not suit certain types of people, i.e. are there any possible downsides?

- The only demographic that might find this area slightly lacking is the younger adults, that will maybe be unsatisfied with the night life on offer.

What proportion of the local population are Spanish?

- I would percent.

say

around

75-80

GENDER

49% of the total population is MEN. There are 40,239 men of the total 81,643 population.

UNEMPLYMENT AND EDUCATION

Youth unemployment currently stands at 30.90 in Spain, 2020. The avarage unemplyment rate for all ages 2019 was 14.7%.

What are your favorite things to do in the area?

-Lots of good restaurants and bars. The beach is also very nice.

-Hansen Real Estate, Andreas

NATIONALITIES

90.8% of the people living in Velez-Malaga municipal are Spanish. 73,362 to be exact.

FORIGNERS

it was once said that ‘if you can’t find it in Velez, you can’t find it in the whole of Malaga’ and this still rings true today. Despite its size, Velez-Malaga is home to a conveniently wide range of shops and businesses from one-off independent boutiques to lawyers, doctors and dentists.

Vélez, is the centre of an agricultural region known for its strawberries and vineyards, which produce the muscatel grapes from which the famous Málaga wines are made.

The town is a centre for the processing of olive oil and sugar cane.

The official foreign population of the whole Vélez-Málaga accounts for 9.22% of the population.

• Moroccan – 1,433 • British – 1,323 • Romanian – 1,280 But in total, over 100 different nationalities can be found in Vélez-Málaga.

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The Tower An

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R & R Wo r k b o o k

nalysis

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Restoration Strategy

1

Intervention Is a process that activates the potential or repressed meaning of a specific place through a process of uncovering, clarification and interpretation. Intervention can be destructive as much as it can be constructive. When a contaminated building is intervened upon it is usually a process of clarifying or translating the infection, a surgical procedure using robust measures to stitch together the old with the new use.

2

Insertion Is a process that establishes an intense relationship between the original building and its adaptation and yet allows the character of each to exist in a strong independent manner. When new elements are inserted alongside old buildings the contrast between the previous use and the new function could be described as a process of ‘cleaning’ or ‘healing’ contaminated spaces.

2

Installation Heightens the awareness of an existing building and successfully combines the new and old without compromising or interfering with each other. Installation can be used to make a short sharp shocking statement in the form of a powerful comment on the contamination of a host space.

Brooker and Stone have divided the remodeling strategy based on how the new structure attached to the existing building. In the mentioned order, installation is the process that the new elements exist independently from the building.

Brooker, G. and Stone, S. (2004). Rereadings: Interior architecture and the design principles of remodeling existing buildings. London: RIBA Enterprises.

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R & R Wo r k b o o k

My chosing

I

nsertion.

For me it was very clear that i wanted to bring a new purpose to

this beautiful tower so that it could live on for many more years. But I did not want to restrict the access for tourists or just visitors, this would have been hard if I choose to go with the intervention strategy.

One more important aspect was that this tower is historically marked. This means I cannot really touch it in any way. There for I choose insertion, this allows me to give the tower a new purpose and a new way of seeing it.

And also to create a new structure that connects with the tower in a more non direct way.

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PRODUCED BY AN AUTODESK STUDENT VERSION

The

Tower

• on the cliff N

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R & R Wo r k b o o k

The New Volume, 1467 square m Form follows old form

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The

Final

• Function 20

R & R Wo r k b o o k

Networking Center Business & Human Networking Center

N

etworking is the exchange of in-

There are many advantages to networking—of the

formation and ideas among people

many potential gains to be made, the sharing of

with a common profession or special

knowledge is the most beneficial.

interest, usually in an informal social

setting. Networking often begins with a single point

Networking can help with job searching or finding

of common ground.

out what you want to work with. It can inspire and create new entrepreneurs.

Networking is used by professionals to expand their circles of acquaintances, to find out about job

A networking center will benefit Velez-Malaga in

opportunities in their fields, and to increase their

many ways, lowering unemployment, spreading

awareness of news and trends in their fields or in

knowledge and pushing/inspiring young people to

the greater world. Networking might allow you

become a passionated entrepreneur. I want to create

to create awareness of or keep abreast of the latest

a networking center not only for professionals but

trends or technology in your industry. A network

for all so that we can share and inspire more people

can also provide you with professional mentors or

into becoming entrepreneur and their best self.

contacts who might be able to assist you with prob-

https://www.investopedia.com/terms/n/networking.asp

lems you might need help with.

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Water & Element Water is fluid, water is in motion. Water nourishes life as long as it is in motion. Water that sits still, stagnates and grows putrid. It is the element of constant movement, but slow and steady movement, swirling inside each one of us. Water pushes us forward... Just like networking does.

An element is a fundamental (pure) form of matter that cannot be broken down to a simpler form. Elements are made up of particles called atoms. An atom is the smallest unit of any element.

We are atoms and together we create an element.

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R & R Wo r k b o o k

Life centered design Life-centered

Design starts from the premise (or

world view) that everything is connected, human beings are not separate from the planet that we all live, including the biggest climate systems, and therefore everything in one way or another effects everything else — even if we can’t identify that. Life-centered Design means contributing to all living systems in a way that not only “does no harm” but actively helps them survive and thrive.

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The

Final

• Concept 24

R & R Wo r k b o o k

Element

H

ow do we humans relate to water as

also understand water as a powerful teacher as we

an elemental energy? Let’s start with

stretch our minds a bit and get to know water more

“what is water?”...

intimately as an elemental energy.

Feminine, emotion, MOVEMENT, TRANSFOR-

WATER ELEMENT (Spirit and soul)

MATION, cleanses, creates, sculpts, holds, SUP-

Water is fluid, water is in motion. Water nourishes

PORTS, quenches, rocks, crashes, carries, reflects

life as long as it is in motion. Water that sits still,

… all words that describe ways we experience

stagnates and grows putrid. It is the element of con-

water.

stant movement, but slow and steady movement,

We often think about water as soft and yielding, we

swirling inside each one of us. Water pushes us

envision it in its feminine nature. We see it reflect-

forward... Just like networking does.

ing back what is, much like a mirror, helping us to better see our true nature, our true colors. We feel

AN ATOM OF THE ELEMENT (Science)

it holding us afloat, gently lolling on warm waves

An element is a fundamental (pure) form of matter

as we relax in its embrace. We imagine it, as we feel

that cannot be broken down to a simpler form.

life force energy moving through us, much like a

Elements are made up of particles called atoms. An

river of light, vibrant and alive. We relate to water

atom is the smallest unit of any element. We are

quite naturally as a metaphor for many good and

atoms and together we create an element.

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The new trend: Life centered Design

L

ife-centered Design starts from the premise (or world view) that everything is connected, human beings are not separate from the planet that we all live, including the biggest

climate systems, and therefore everything in one way or another effects everything else — even if we can’t identify that. Life-centered Design means contributing to all living systems in a way that not only “does no harm” but actively helps them survive and thrive.

https://medium.com/@cassierobinson/beyond-human-centred-designto-501a994f3123

We currently live in almost 100% the opposite of Life Centered Design, and have created a society made for single use, where the lifespan of objects and the impact of their death is an afterthought to profit. For example in grocery stores in Japan, bananas are sold individually wrapped with labels and tags. Bananas are already in the wrapped it the world’s most perfect packaging — their skin. Instead of an additive approach, Life Centered Design asks how can it design as well as nature does to create products and services that compliment the ecosystems we live in instead of creating extra work for it.

For years, the use of user-centered and human-centered design has often separated people from ecosystems. Now, designers must address people as part of an ecosystem rather than at the center of everything.

This means designing for two sets of values: personal and collective.

https://trends.fjordnet.com/trends/life-centered-design

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Unlike human-centered design, life-centered design

Life-centered design requires an expansion of our

prioritizes the health and future of the greater eco-

Scope of responsibilities and ethical considerations

system, often using nature for design inspiration.

for the longer term health of society, the economy,

For those in people-centered fields or industries, this

and not just people but our entire living planet.

means re-framing the idea of the ‘user’ as not just humans, but all living things.

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27

Develompent

S

tarting with the most basic shape, a perfect square. Adding curves from water and turning

it into a circle. Which also is the

(pic 1)

When connecting the tower with the new volume it was clear that I wanted to put the tower inside this new volume. Resulting in a donut shaped volume (pic 2) placed on the ground.

Allowing movement outside the volume and inside, around the

PRODUCED BY AN AUTODESK STUDENT VERSION

beacon.

PRODUCED BY AN AUTODESK STUDENT VERSION

Though this was blocking the viewers to see the tower from o down the volume into the ground. (Pic 3)Creating a roof that for passive ventilation strategies which I will talk about in lat

Having a building underground means difficulty accessing it.

that goes from ground level down to the ground floor. ( pic 4

R & R Wo r k b o o k PRODUCED BY AN AUTODESK STUDENT VERSION

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PRODUCED BY AN AUTODESK STUDENT VERSION

shape of the tower.

outside the building. But now we could not utilize the roof as a look out point either. My solution to this was to lower merges to the ground, so that it can be utilized as a look out spot both for tower and ocean view.

This NOISREV TNEDUTis S Kalso SEDOTUbeneficial A NA YB DECUDORP er slides.

This I solved by creating two ends and then lowering down one end to the same level as the floor. Creating a ramp

NOISREV TNEDUTS KSEDOTUA NA YB DECUDORP

4)

PRODUCED BY AN AUTODESK STUDENT VERSION

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The

Volume

• Base shape 30

R & R Wo r k b o o k

Low Environmental Impact & Low blockage

I

t was critical that my new volume was not to

For my buildings shape I chose the nautilus shell

interrupt this beautiful historical tower in any

“golden spiral�. The purest form on earth (pic 2).

way. So my sustainable strategy for this was

There is a reason why architects have adopted spi-

to use sub-grade design, resulting in low en-

rals so often in their designs- they are the lowest

vironmental impact and in addition low blockage.

energy configurations which are spontaneously

This allows us to coexist with the native landscape

created. The flow, patterns and symmetry of spi-

and habitat. Sub-grade design comes with an array

rals are extremely appealing to the eye and can be

of problems which I will address in the next page and

found on many pillars and staircases all over the

also how I solve them with the help of biomimicry.

world. Spirals are seen in water, wind, shells and if you look closely, it appears in everything in nature.

In

the development image (pic 1) you see how I

The purpose of the spiral was to create a ramp down

am merging the ground with the roof of my build-

to access the building. Life centered design means

ing. If one is standing on the ground you will

adapting every aspect of the volume to every life.

have a bustling landscape with no interruptions.

Development render, low environmental impact and low blockage (pic 1)

Nautilus spiral in a scientific approach (as one element) (pic 2)

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Natural ventilation and thermal regulation with biomimicry

M

any animals dig dens for protection from weather, disasters, or predators, and this behavior may have allowed some species to survive

when others have died out. I will translate this into my building with sub-grade design. Allowing thermo-regulation for the building. Keeping the building cold during hot days and warm during cold days and nights.

A problem with underground buildings is the natural light. It can not reach far inside the building which results in a dark and claustrophobic atmosphere.

My strategy for this is the use of lowered down atrium. Atrium and courtyards are frequently incorporated into sub-grade designs to provide access, to Create outdoor rooms, and to introduce natural light. But also to help with natural ventilation. All underground homes need well-designed ventilation systems to control indoor air quality and humidity.

For this I am also inspired by animal dens. To be specific, the prairie dogs burrows. The way that a prairie dog builds the openings to its burrow helps to harness wind energy from the windy plains and create passive ventilation through the burrow’s tunnels.

With my spiral like building, it will trap wind, swirl it around through water (at the bottom) that cools it and then pushing it into the building. The air will pass through the rooms and warm air will rise and go out through chimneys or on ventilation on top of windows.

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R & R Wo r k b o o k

One of the greatest benefits of underground living

conventional housing. Unlike conventional homes,

is energy efficiency. The earth’s subsurface tempera-

they can be built on steep surfaces and can maximize

ture remains stable, so underground dwellings bene-

space in small areas by going below the ground. In

fit from geothermal mass and heat exchange, staying

addition the materials excavated in construction can

cool in the summer and warm in the winter. This

be used in the building process. Underground hous-

saves around 80% in energy costs. FINALLY, un-

es have less surface area so fewer building materials

derground houses blend with the natural landscape,

are used, and maintenance costs are lower. They are

and have minimum impact on the local ecology.

also wind, fire and earthquake resistant, providing

This is not only aesthetically pleasing but ensures

a secure and safe environment in extreme weather.

that the maximum habitat is left alone for wildlife.

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UCED BY AN AUTODESK STUDENT VERSION

Underground houses have many advantages over

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Development

R

eaching the inside, the most important part. Creating a flow, a movement that will reflect how we as people are moving forward and becoming our new self. Our better self. Finding new ways to live and learn through the importance of networking.

I wanted the interior to repeat itself like the nautilus shell, representing the forward

movement we are making in here. So I created two paths, one indoor and one outdoor. (Having in mind corona pandemic at this point as well) The outdoor path follows the atrium that is created around the tower. Joined by a water pond surrounding the tower. You will be able to access all rooms directly or indirectly. Both via sliding doors or standard doors. In the interior corridor there will be windows separating the different rooms from the corridor. Creating a more open atmosphere. By this stage I was figuring out where I wanted my windows and doors in the outer structure. I knew where the building was coming out of the ground and hanging over the cliff side, and I wanted everything to match perfectly. Leading you into the next slide.

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R & R Wo r k b o o k

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Colours & Materials

C

olor is an integral element of our world, not just in the natural environment but also in the man-made architectural environment. Color always played a role

in the human evolutionary process. The environment and its colors are perceived, and the brain processes and judges what it perceives on an objective and subjective basis. Psychological influence, communication, information, and effects on the psyche are aspects of our perceptual judgment processes.

MATERIALS When addressing sustainability in architecture, it’s important that the choice of building materials doesn’t have a negative impact on the environment. Recycled materials such as reclaimed cardboard tubes can help to reduce the energy consumption that goes into manufacturing new materials. When older buildings are demolished, usable wood and other materials is usually reclaimed and renewed, allowing these materials to be retrofit and serve a new purpose, together with old doors, windows, mantels and hardware. When looking at new materials for sustainable buildings, those that can be rapidly renewed, such as bamboo, are good options. Bamboo can be harvested for commercial use after just six years, which is a rapid reduction when compared to timber.

When possible, sustainable architecture uses materials that are found at the building site itself, reducing the need for energy-intensive transport or the manufacture of additional material. For example, if trees are being cut down to make way for the building, these should be employed as part of the building itself.

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R & R Wo r k b o o k

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S 38

uppliers are chosen carefully with sustainability on many levels in mind. Material, transportation, production and quality wise. Long lasting both in material and style is important to maintain a sustainable interior. Ergonomic plays a huge part and the same for sound absorbent materials. A healthy environment for all living things.

R & R Wo r k b o o k

C

ardboard tubes are so commonplace that we may no longer even notice them.

The material is part of modern life and is being produced for a multitude of industrial applications and consumer products.

Such as the fabric industry. This results in a lot of left over tubes that you can re use in other purposes. These tubes are low-cost, 100% recyclable and environmentally sustainable option, but also have the mechanical properties required to withstand structural loads.

Because it is lightweight, it does not require very sturdy foundations, reducing construction time and cost.

B

endable concrete. ECC. Whit borrowed ideas from nacre, also known as mother of pearl, the

iridescent material on the inside of abalone shells, this concrete came alive.

It can adjust its own thermal capacity, so that it stores more heat when the outside temperature is high, keeping building interiors cool. It also cleans the air. Embedded nano-titanium particles in the composite break down pollutants into harmless substance via reactions catalyzed by sunlight.

It is self healing, for example, when it is damaged, the hairline cracks that form can undergo healing just through exposure to water and air.

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39

The Element Open areas combined with private rooms. A terrace was added after the windows and doors where in place. A space which you can open up completely both to the south (ocean) and to the center ( the tower). Creating this indoor outdoor atmosphere. Merging you with nature. It is 100% handicap accessible and designed for all living things on earth.

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41

Access points Coming back to the movement of the building and the different paths and entrances you can take.

Either down the ramp/stairs (yellow) , via the stairs in the tunnel (red) or the terrace that merges into the ground (green). Handicap path is a clean path and easy to go around. Covering 100% of the

PRODUCED BY AN AUTODESK STUDENT VERSION

building. (Purple)

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R & R Wo r k b o o k

Entrance via terrace

Entrance from parking via tunnel

Entrance from handicap parking via stairs/ramp

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43

The Reception 114 Square meter

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•

Y

ou are greeted by an elegant entrance with plenty of space for meet-ups and waiting. A round reception created with cardboard tubes is the center of the space. Working together with dif-

ferent seating areas. One is a simple bench facing the windows out to the tower, another is some lounge chairs for a smaller group and the third is

parametric designed seat-

ing that decorates the wall and stretches into the hallway.

Double set of doors when coming through the stairs in the tunnel takes away the noise from the traffic outside.

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45

The Reception •

Open and welcoming space with a round receptio

Visualization board

T

ones of nature is the only way to describe it. Warm hugging colors that brings nature inside. Ma

features for ceiling, seating and doors. The flowy parametric wall to the right in the picture mov

Bolon flooring creating a durable, easy cleaned and maintained surface. Structural pillar

ing the seating to the left. To the right (pic 1) was the inspiration for this area, highlighting cardb

46

R & R Wo r k b o o k

on desk.

Inspiration board (Pic 1)

atched with carefully chosen and reclaimed wood

ves you forward, into the building. Just like water.

rs is integrated as a decorative element hold-

board tubes, wood features and natural colors.

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47

B

athrooms are clean and simple. One for handicap access and three smaller ones.

Staff bathroom

will be located in the storage underneath the ramp.

Bathrooms have an easy access from all the different areas with space for waiting (standing in line if needed). It is sound proof due to sound insulation in the hollow space of cardboard tubes that the walls are made and decorated by.

48

The

toilet

wall,

having

R & R Wo r k b o o k

and

sink

space

is

behind

merged it

for

with pipes

the

cardboard

and

sewage.

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N

The Bathrooms • 2.8 Square meter

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49

The Bathrooms •

Cardboard tubes with soundproof insulation Visualization boards

50

R & R Wo r k b o o k

R

aw

cardboard

ural shops proof

look

of

around insulin

material all. the for

with

the

Reclaimed area. a

Filled

most

from

natfabric

with

sound-

comfortable

space.

Pendants in earthy tones warms up the space and matched

with a round mirror. A small table or stool will be found in the bathrooms together with magazines and candles. Bolon flooring here as well for easy maintenance and cleaning.

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51

The Office 28 Square meter

S

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•

taff

office

seating. books in

the

holding

Here in

a

wall.

they large

kitchen, can

store

integrated

Maximum

desk

and

lounge

documents shelving

storage

and

system

opportunities.

Big windows facing the atrium and tower letting in a lot of natural light even tho it is situated underground. To access the outdoor you pass the reception towards the ramp.

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The Office •

A bookshelf wall creates a different atmosphere

Visualization board

54

R & R Wo r k b o o k

e.

T

he bookshelf is not only there to be functional.

It

comes

with

a

beautiful

appear-

ance. A organized office is a happy office.

Here is plenty of space for books, magazines, documents and papers. Matched with a interesting flooring from bolon which reflects light and creates texture under your feat. The flooring pattern is inspired by the water and patterns in nature. Adding depth and tranquility.

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55

First Meeting Room 50 Square meter

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•

A

meeting

room

is

well

needed

when

talking

about networking. A space to share ideas, but mostly

to

share

knowledge.

Computer

class-

es held my you people of this new technical

area that teaches the elderly how to use them. Or a mentoring class for people trying to find new jobs or inspiration.

There is room for everything and the space is changeable to every situation. Here you can have a private meeting or even two different groups can share the space and work together.

Easy access from the atrium or indirectly from the hallway.

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57

First Meeting Room •

Raw cardboard tubes forms the walls inside.

Visualization board

58

R & R Wo r k b o o k

W

alls decorated with cardboard tubes, filled with insulation keeps the volume low. A big table that you can add desk space on or take away. ( Joyn table from Vitra is

changeable and surface can be added or taken away) Proper office chairs are utilized for ergonomics and comfort mixed with well famous series 7 side chairs for a more simple chair but that has ergonomics and durability. Computers are present but can easily be taken into storage when needed.

Over the desk hangs big lamps in a rusty orange red color

that brighten up the space, matched with two different colored cabinets for storage. A big screen is present for presentations, pitches and idea sharing. It always comes in handy in a meeting room.

Bolon flooring makes the room dura-

ble and always clean and fresh. Looking like new forever.

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Lounge Area 128 Square meter

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•

W

alking through the hallway from the reception you will finally arrive to the lounge area.

Here you can access the outdoor terrace facing south, that will have plenty of seating

view and sun. There are seating for larger groups or group of two.

A space that has the proper indoor outdoor feeling, because of the sliding doors facing south out to the ocean view and also sliding doors facing inside towards the beautiful tower and atrium. A wooden wall with a big hole separates the hallway from the lounge area. But not blocking the view from the outside.

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R & R Wo r k b o o k

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61

Lounge Area •

Sustainable and re-used wood is applied to ceiling Visualization board

Image 1 Image 2

A

ceiling feature is applied to play

light and necessary wires and pip

eas but still lets light and view thr

breeze coming in that has been col

water, mountains in the far back and an amaz

If you need to stretch you legs I suggest to take

other, its easy to move around and you see mov and mostly, enjoying every view.

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R & R Wo r k b o o k

features and a decorative wall.

y with different heights of the space. Also working as sound absorption (acoustics) and hiding spot-

pes. A playful and tranquil setting with different kinds of seating is offered. Curtains that separates ar-

rough.

IMAGE 1 shows the view towards the atrium with the sliding doors opened up, you can feel the

led of by the water around the tower. IMAGE 2 is facing south towards the ocean and a 180 degree view of

zing coast line. The wooden wall with hole in it works as a focus point as well. Instagramable is the word.

a walk around the tower or quickly accessing the roof through the stairs ramp. Everything connects with each

vement everywhere. Just like water, wind and progression. This place is the place to move forward, never stop

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Activity Room 64 Square meter

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•

M

oving on to the activity room. again,

recycled

or

reclaimed

Featuring cardboard

tubes . Such an important sustainable material that can manage high pressure and

can be filled with insulation acoustic material or wires.

The platform that shapes this room contains a big platform with a smaller area that works as a step up. The smaller platform sits on top of the bigger one and works as a separate area for maybe a group of people that want to sit alone. Around the platform is space to move around easily.

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65

Activity Room •

Cardboard tubes in its raw look, filled with sound p

Inspiration board

Visualization board

A

bright ing

ideas

and

Natural

tones,

ing

atrium

the

setting and

movement

big and

with

playful

to

“life

hacks”.

T

to

life.

windows tower

The

facing

displays

th a

ing board for example. And of course

66

R & R Wo r k b o o k

f

proof insulation to keep the noise inside.

ones

of

Theater yellow

he

full

yellow.

classes bigger

hallway view

of

This

and

room

brainstorming.

platform

that the

is

is

is

and

in

everyone,

Charades

merged

directly

tower

for

with

contact

activities

a

and

children other

smaller

with

outdoor.

playful

one

sliding A

having

big

in

and

play active

fish-bone

doors screen

a

facing to

use

date

and

games

patterned

south. for

that

windows or

shar-

brings

reclaimed

Big

videos,

parents

as

a

joy

wood.

facdraw-

bolon flooring with acoustic features that absorbs shock and keeps the room in nice sound level

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67

Second Meeting Room 64 Square meter

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•

A

second meeting room or as I call it, the brainstorming room. Walls are covered in panels and shelves for the old school library feeling. For storage and a beautiful appearance. Windows merges

with the panel wall and the same for the door. A big table in the middle that you can separate and create two different areas.

Acoustic panels in the ceiling keeps the noise down. The area have direct access to the atrium for a more open space to brainstorm in. Letting the creativity move forward.

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69

Second Meeting Room •

Green panels with integrated shelves covers all the

Insipration board

Visualization board

A

big and high meeting roo

to easier move it around a

the room. A bolon floorin

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R & R Wo r k b o o k

e walls, giving it a library feeling.

m table with stools that brings you up a bit. Combined with lintex white board in a wooden frame and on wheels

and works also as a room divider. Here you see the green panel wall with shelving in some parts that surrounds

ng with movement from water in it absorbs noise and reflects light. Big windows facing the hallway lets light in.

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71

Lé Café 173 Square meter

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•

T

he cafe is built with a platform, that brings you to a higher level giving you a better view and creates a playful setting. A ramp is

available

both

um and also from the hallway.

coming

from

the

atri-

Accessible for everyone.

Cafe is opened up towards the ocean in south and the atrium in north. A mix of different table sizes and seating

is

available.

The

cafe

is

created

with

cardboard

tubes located on the wall opposite to the cafe counter.

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R & R Wo r k b o o k

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73

Lé Café •

Natural materials lay the base, matched with co Visualization board

Access teracce from the cafe through sliding doors that can be open up completely (Image 1)

W

ith big and

ting with co

tic panels, li

Cafe connec

ceives products from local sto

You can access the teracce thro

have opened up both south and

connects everything together. T

74

R & R Wo r k b o o k

olourful furniture with tones from nature.

beautiful windows facing both north and south you have plenty of natural light coming in. A bight set-

olored furniture and natural materials. Ceiling features a grid system in recycled wood that holds acous-

ights and hides away pipes and wires. A open setting with the possibility to adapt to bigger groups as well.

cts with the lounge area through the hallway, so that you can utilize both for cafe seating.

The cafe re-

ores and bakeries for everyday sales. Storage is situated underneath the ramp with fridges and freezers available.

ough big sliding doors to merge teracce with cafe seating, (see image 1). Here you can also see how it looks when you

d north. To create an indoor outdoor space just like in the lounge area. These are the center points in the building that

The big elements.

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The Library 64 Square meter

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•

P

eace and tranquility marks the space for the library.

A shelving system that has the function of shelves but then turns into a ceiling feature that hugs the space.

A skeleton like fixing. Its spacious with big windows facing out towards the atrium, letting this reflected sunlight to enter the room in a dreamy way. And windows towards the hallway that is lit up by sunlight coming in from the terrace in the cafe.

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R & R Wo r k b o o k

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The Library •

Wooden shelves transforming into ceiling feature

Library Image 1

Inspiration board

T

his

skeleton

stead rial

li

of

walls

for

sofas

Shelves full of books decorate

put above the ceiling fixtures areas of seating.

78

R & R Wo r k b o o k

es that looks skeleton like.

Visualization board

ike

s

element

lightens and

up

surrounds the

armchair

the

space

atmosphere mixed

with

(see

and

lets

wooden

image

1).

A

calm

light

through

chairs

gives

but you

area still

to

read

and

separates

plenty

of

focus.

the

different

areas.

Curtains Soft

seating

in-

mateoptions.

es the walls and connects everything together. You can almost see the calm movements in here. Acoustic panels are

s keeps noise down as well as for bolon flooring with acoustic properties. Rugs decorating the floor marks different

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Social Areas & Hallways 175 Square meter

Social area (pic 1)

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•

H

allways represent the movement of the building, therefor I designed parametric seating that stretches up on the wall and along the hallway walls.

It can be utilized as seating,

tables and shelves depending on what area it connects to.

This social area (see pic 1) can be used as extra desk seating or small meeting-spaces for less private occations. There are curtains that can seperate the space between the two meeting tables . Windows facing the atrium and tower lets natural light in but also the windows in the ceiling up to the rooftop. These windows are also chimneys for warm air to go out.

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81

Social areas & Hallways •

82

Parametric walls creates seating, tables and shelving alon

R & R Wo r k b o o k

ng the hallways.

P

arametric walls in recycled wood mixed with cardboard tube walls and fixtures creates a playful setting. Representing movement and progression.

Throughout the hallway there will be cabinets for

storage and for people to put their arts and crafts for exhibition.

Where ever you will go there will be seating, small stor-

age and space to exhibit your work. The people inside creates the space. The atoms form the element.

Bolon flooring is durable and can withstand heavy traffic without being affected. Long lasting and easy to clean helps with the interior environment. It also reflects light so make it even brighter. The flooring comes in a wide range of designs and colors that you will see throughout the building.

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83

Event Hall 198 Square meter

E

vent hall, for lectures, motivational speakers or business events and groups that need a bigger space. Its a place that changes for every occasion.

A storage space for this room only makes it possi-

ble to change everything around. From one event to another.

The ceiling is a small grid system of wooden beams with

windows

facing

the

sky

to

let

in

extra

natu-

ral light. These windows have the function of a chimney as well that lets warm air out. You will also have natural light coming in from the windows facing the atrium.

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R & R Wo r k b o o k

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•

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85

Event Hall •

A space that is designed to adapt to the needs of

Auditorium style seating (circle 2)

Inspiration board

Auditorium style seating (circle 2)

Visualization board

S 86

R & R Wo r k b o o k

torage space and bathroom is created from cardboard tub

cle 1) divides the room into different areas. You can stil

ment with multiply benches that you can fold out and tu

flooring, making it durable and quiet. A mix of differen

the user.

Curved partition walls (circle 1)

bes to keeps the costs low and adds depth to the walls. A semi circle of tubes in a wooden frame (see cir-

ll see through this element, it is more of a divider than a wall. Another element in this room is a ele-

urn into a auditorium style seating for when someone is holding a speech, (see circle 2). Bolon stands for

nt furniture will be available, seating, cabinets for exposition and storage as well as mirrors and lamps.

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87

PRODUCED BY AN AUTODESK STUDENT VERSION

CEILING DETAILS

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PRODUCED BY AN AUTODESK STUDENT VERSION

PRODUCED BY AN AUTODESK STUDENT VERSION

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R & R Wo r k b o o k

Big grid system in ceiling (Image 1)

Small grid system in event hall ceiling (Image 2)

T

he ceiling in some areas are wooden beams in a big grid system (see image 1).

Lowering the ceiling hight and covers important wiring and pipes that is not nice to see. Spotlights are integrated in the structure. The ceiling in the event hall (see image 2) is a smaller grid system with tube lights between the ceil-

ing and the fixture. The windows in the roof is placed accordingly to the ceiling features.

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The outdoors 145 Square meter

A

thin line between indoor and outdoor is created with this big sliding doors with windows. This merges the volumes together , both with each other by with nature as well. Its fluidly, tranquility and progression.

Hallways that brings you forward inside but also outside. Giving you side

and

the

possibility to

outside.

Blurring

navigate the

lines

through of

the

building

outdoor and

in-

indoor.

The atrium is the center of the whole volume, connecting you to every indoor space and outdoor areas such as the roof and terrace. Just like the ants connect all their tunnels underground to be able to access every room fast and it doesn’t matter from where you are. Its efficient.

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R & R Wo r k b o o k

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•

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91

The Outdoors •

View points both facing the ocean and the historic

Y

ou wont see the line between the roof and the landscape, they merge together and wo

as one. As one big element that benefits from each other. The landscape continues al

the roof. A natural view point towards the historical tower and the coast line. The a

um working as a light source and helping with passive ventilation. It flows and it mo

The

new

tion

by creating a networking center and

volume

gives

a

new

purpose

to

the

also

the

tower,

keeping

look out

The exposed walls are covered in a double facade element

the

function

communication

fu

by utilizing the

r

that connects the walls to

land. In the next slide I will explain more about the double facade system and how it wo

92

R & R Wo r k b o o k

cal tower.

orks

long

atri-

oves.

unc-

roof.

the

orks.

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Double Facade Vertical Wood Slats

T

he site is exposed to sunlight all sun hours of the day. Resulting in heating of the building. By already having the building underground helps with the cooling but

to reduce it even further an help with energy efficiency I chose to apply a double facade inspired by cacti.

Nature has solved the heating problem by equipping many cacti with cooling ribs (see pic 2). These shade the cactus’s surface against the scorching sun and simultaneously improve heat radiation. The alternating planes of light and shade of the vertical cooling ribs of the torch thistle produce rising and falling air currents, which improve heat radiation.

I chose to represent the cactus ribs with recycled wood slats (see pic 1) that will shade the concrete walls behind. But this also allows the concrete to still clean the air from pollution and self heal by getting exposed to water and air. The natural wooden slats merges the building with the land it sits on.

Vertical wood slats as a second facade (pic 1)

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Cactus close up showing cooling ribs (pic 2)

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The Ramp-Staircase

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N

onummy nibh euismod tincdunt ut laoreet dolore magna aliquam erat volutpat.

Ut wisi enim ad minim veniam, quis nostrud exerci tationullamcorper suscipit lobortis nisl utaliquip ex ea commodo consequat. Duis autem vel eum iriure dolor in hendrerit in vulputate velit esse molestie consequat.

Lorem ipsum dolor sit amet, cons ectetuer adipiscing elit, sed diam nonummy nibh euismod tincidunt ut laoreet dolore mag na aliquam erat volupat. Ut wisi enim ad minim veniam, quis nostrud exetation ulla mcorper suscipit lobonisl ut aliquip com modo consequat.

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The Roof • Ecrylic Tubes, 800mm high

A

playful setting with acrylic tubes that is inspired by the base of a tree and represents a “cut off” forest that you walk through. These are placed strategically according to the setting inside the building and the amout of natural light in those areas.

These tubes have multiply functions, a circular ventilation system & allows natural light to

enter the buidling. It can be utilized as a playground for children, tables or just as art.

Recycled acrylic such as Ecocrylic® is sustainable and an especially green choice in the acrylic world. The recycled acrylic is just as crystal clear, colourfast and UV resistant as the non-recycled variants. The great advantage of this material is that it can be recycled time and time again and can be reused. It is a circular material.

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16

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87

,7

58

38

10

10

8,3

2

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99

Sun shades

T

o be able to utilize the green roof as a look out point, for picnics and research it is vital to have shade that creates a comfortable space. For this I looked into natural

protection. Personally, physalis is my favorite fruit, its thin shell around protects a delicate fruit/seed.

After the fruit is ready the shell dries and whats left is its skeleton surrounding the fruit. Such a beautiful protection that is more visual protection than physical hard shell protection that many other seeds have.

I wanted to use this beautiful visual protection for my sun shades. Creating a structure that lets visuals and sunlight to go though but for the structure to still match the heavy volume that both existing and new volume has.

100

R & R Wo r k b o o k

This wooden structure allows sun to pene-

But most importantly the view of the tower. I want-

trate and creates a nice shade pattern. When

ed the new volume to inherit the function of the

walking

old tower so that the tower can live on even further.

sun

underneath

patches

mixed

you with

will

go

through

shaded

patches.

It was important that the roof was usable through

Now you have the look out function but also

out the day so that you can enjoy the ocean view.

a 360 degree view of the tower in close up.

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R & R Wo r k b o o k

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Ventilation & Windows

SION

A

PRODUCED BY AN AUTODESK STUDENT VERSION

PRODUCED BY AN AUTODESK STUDENT VERSION

Storage

T VERSION

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PRODUCED BY AN AUTODESK STUDEN T VER

PRODUCED BY AN AUTODESK STUDENT VERSION PRODUCED BY AN AUTODESK STUDENT VERSION

PRODUCED BY AN AUTODESK STUDENT VERSION

PROD

R & R Wo r k b o o k

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Stairs & Ramp

The Lookout

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S

ection showing the stairs with integrated ramp bringing you down to the ground floor. Underneath this is the storage facility with fridge and freezer, staff bathroom and overall storage.

Inside the atrium you can clearly see the outdoor corridor together with the wa-

ter pond and then the ground with the tower that stands on top.

From the outdoor corridor

you have direct or indirect access to all the areas. All areas have windows facing into the atrium.

Further on to the right we see how the building sticks out from the cliff side, this is also where the terrace is situated, almost like a floating terrace. On top of the building there is a glass railing to keep it safe. Here is the look out point where you can see the whole coastal line . You also have a 360 degree view of the tower.

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The Library

SION

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NOISREV TNEDUTS KSEDOTUA NA YB DECUDORP

AUTODESK STUDENT VERSION

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B PRODUCED BY AN AUTODESK STUDENT VERSION

KSEDOTUA NA YB DECUDORP

Air In NOISREV TNEDUTS KSEDOTUA NA YB DECUDORP

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T VERSION

ODESK STUDENT VERSION

ere you can see how the building sits in the ground and are leveled with the landscape.

To the right you have the reception and to the left you have the library. You can now also see the glass railing on top of the building that is there for safety reasons.

NOISREV TNEDUTS KSEDOTUA NA YB DECUDORP

H

The roof NisOIlevel with the ground SREV TNEDUTS KSEDOTUA NA YB DEC

Air Out

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