Architectural Portfolio, Anish Perumal

Architecture

PORTFOLIO

ANISH PERUMAL

4th Year B.Arch RV College Of Architecture

2019-2024

S KI LLS Beginner

Intermediate ProÞcient

Expert

Autocad Revit Sketchup Rhinoceros Grasshopper Ladybug

ANISH PERUMAL

Enscape

4th Year Architecture Student

Lumion Relux Photoshop Illustrator InDesign Excel Powerpoint MS Access Video Editing E-mail : anishperumal007@gmail.com

Hand Drafting Model Making Watercolour Diagramming

ED UCAT I ON Bachelors of Architecture R V College Of Architecture Bangalore, Karnataka 2019-2024

1st and 2nd year PUC, PCM+ Computers Ryan International Pre University College, Yelahanka, Bangalore, Karnataka 2017-2019

Grade

Ryan Intern Yelahanka, 2014-2017

CO -CUR RI CULA R AC TIV ITI ES

LA NG UAGE Understand

Speak

Read and Write

English Hindi Bangla Marathi

Editorial team In KALPA

I am in the editorial team for KALPA, 3rd Edition 2022-23

Lunchtime debate 2.0

I participated in the lunchtime debate 2022

Panels Committee in Dimensions 15

Kannada Telugu Russian

I was part of the core panels committee 2023

Graphics Committee Dimensions 14

I helped design the brochure for Dimensions 14 2022

CO MPET I TIO N S A N D W O R KS HOPS Solar Decathlon India

Non Destructive Testing Workshop

Transparence 17.0

Furniture Workshop by Haffele

Envisage

Shell structures Workshop

Tensile Structures

Design Advance

EX TR A CUR RI CU LA R A CT IVIT I ES

O THE R I N TE RE ST S

Conducted an installation competition for KALPA

Reading

Numismatics

Participated in 8 Model United Nation Competitions

Music

Linguistics

Learning Slide Guitar

Painting

Geopolitics

Trained in Hindustani Classical Music and cleared the Praveshika Course

History and Alternate History

Trained in Playing Tabla Learnt Rabindra Sangeet

CHRO N OL OGY OF A CA DE MI C PRO JEC TS Versatile Market

Staggered Housing Literature Street Student Housing

OfÞce and Public

SEMESTER : 3

SEMESTER : 4

SEMESTER : 5

Public Space

Campus of Interaction Educational

Shanti Van

The Etheral Panaroma

SEMESTER : 7

SEMESTER : 7

Interior Design

Public, Retail

SEMESTER : 6

8th to 10th ICSE

Grade 4th to 7th ICSE

Grade 1st to 3rd CBSE

national School, , Bangalore, Karnataka

Podar International School, Kalyan, Mumbai, Maharashtra 2010-2014

Holy Faith English School, Ambernath, Mumbai, Maharashtra 2007-2010

VERSATILE MARKET Architectural Design Semester 3

STAGGERED HOUSING Architectural Design Semester 4

LITERATURE STREET Architectural Design Semester 5

CAMPUS OF INTERACTION Architectural Design Semester 6

THE ETHERAL PANAROMA Architectural Design Semester 8

SHANTI VAN Interior Design Semester 7

WORKING DRAWING Working Drawing Semester 5 to 6

MMBC

Materials and Methods in Building Construction Semester 3 to 7

ELECTIVE WORK

Environment Responsive Architecture; Lighting Design; Culture and built environment; Solar Decathlon Entry Semester 3 to 7

MISCELLANEOUS Personal Interest Works

VERSATILE MARKET

STUDIO

ARCHITECTURAL DESIGN

SEMESTER

FACULTY

Madhuri Rao |Deepa Suriyaprakash| Edgar Demello | Mansi S

3

The Project is dictated by an intent to achieve a ßexible space which has multiple functional cycles throughout the day. It starts off as a place for a fresh produce market and as that comes to an end, the sell able remains of the produce are sold off in a fodder market. When evening dawns, it becomes a space for people to assemble and also hosts a small ßower retail area and with nightfall, it converts itself through modular partitions into a shelter for the homeless who sleep on the streets. The building lives multiple lives and instead of dominating the space, recedes into the background and lets its foremost ornament take force, namely, the users and the liveliness of the functions within.

The building also has vaults for safekeeping of House Keys for the people of the neighborhood, holding in its heart the memories and aspirations of the neighborhood.

Built Up area: 300 Sq m

ANISH PERUMAL | RVCA Batch 2024

STUDIO BRIEF This studio attempts to re-look at student housing as an organised residential community that harbours shared student community beliefs, diverse living spaces and contemporary architectural language. Prominent habitable spaces and their qualitative needs are as mentioned below: Living spaces: The various living spaces should address the following three parameters: Privacy; Individuality; Flexibility Common Amenities: Various common amenities and their spill out areas should create opportunities for community interaction and promote community engagement and participation.

Common areas: Common areas such as courtyards, transitional areas, spillout areas, OAT etc., To be incorporated as per climatic response and encourage community engagement and interaction.

Site Area: 5167.00 Sq m Built Up Area: 4800.00 Sq m

STAGGERED HOUSING Studio Architectural Design Semester 4 Faculty

Dr.Mahalakshmi Karnad |Megha Nanaiah| Gaurav Sareen | Jagriti Jhunjhunwala

VISION STATEMENT Housing is All about the house, one’s house is the most important place in one’s life, then Why should a strict hierarchy allude that one unit is more important than the others. hence the project uses split levels, staggered proÞles to break the notion of hierarchy and to provide ample spaces for interactions between the residents.

Another important factor is interaction,keeping in mind the important role the activities of Debate, Extempore, Discussion and Deliberation play in building a healthy student community and society in general. Hence the project also encompasses various levels of interactions, from small scale between units to the central discussion court around which all the public functions are distributed. While, on the other hand of the spectrum of interaction lies the idea of privacy, and hence the project tries to balance the idea of ensuring interaction and ensuring privacy.

ANISH PERUMAL | RVCA Batch 2024

CONCEPT SKETCHES

Common Areas Around the court and Discussion court around preexisting cluster meandering around it, Clusters tree and the idea of thoroughfare shaped to capture wind

Split levels forming terraces and spill outs

Service cores acting as Þxed points around which the units are tied

GROUND FLOOR PLAN

ANISH PERUMAL | RVCA Batch 2024

In order to bring in visual harmony within the varied composition of units, the fenestrations are used as a regular element taking inspiration from Moshe SaÞde’s Habitat 67. Because the walls were made of exposed laterite, the lintel and sill would be seen on the elevation and hence instead of a part lintel and sill which would look haphazard, the use of through lintels and sills form two bands on the elevation of each unit, in between these bands, the fenestrations of width 600, 1200 or 1800 mm are placed. On the southern and western walls, Wooden battens are used to form shading devices while in the north and east slab overhangs are utilised for the same.

ANISH PERUMAL | RVCA Batch 2024

STUDIO BRIEF ‘We have to change our lifestyles’ seems to be the reverberating mantra across the globe in the recent past, with most of us trying to implement it, being conÞned to our dwelling in the middle of the pandemic.

But, now that most of us are out in the open, we often try and look at the idea of public space around us through the speculative lens of ‘what if’. Here lies the agenda of negotiating the idea of work-play. What are the spatial notions of work and play, and how do we position the idea of blurring their boundaries and look at the two typologies with a renewed interest?

This studio will seek to explore more of such questions that could be potentially be answered through the language of space-making. We sure hope that you will Þnd this attempt exciting too!

Site: Basava Samiti, Bangalore Site Area: 4698.00 sq m Built Up area: 4380.00 sq m

LITERATURE STREET Studio Architectural Design Semester 5 Faculty

Pankaj Shivarama|Pramod Jaiswal| Prakash S|Abhinaya Gnana

VISION STATEMENT Reading Writing and Discussion has been fundamental to evolution of society and I personally believe that reading helps one organise thoughts and ideas and Þnd inspiration.

In the present day, Reading books has mutated into many forms like E-books and Audio books. And as a result, the practices of physical reading, book clubs and such are a rapidly diminishing one in the present day. With that is going down the practices of discussions, Debates and extempores even in work spaces.

Through my intervention I want to bring forward the Idea of discussion, debates, extempore and to draw people to the joys of occasional physical reading and discussing what they read about with others to help create a healthy community and society.

ANISH PERUMAL | RVCA Batch 2024

The site chosen for the project was the site of the currently existing Basava Samiti near Chalukya Hotel. It is a triangular island with roads on three sides, all of which are busy arterial roads.

The surrounding neighborhood having the Planetarium, Prestige towers, and multiple public functions including a school meant that the project was situated in a place with immense public force and need for interactive places

CONCEPT SKETCHES Hence The project tries to draw from the idea of the street in the Indian context and tries to make the circulation spine a zone for interaction CONCEPT OF STREETS

A LITERARY STREET

DISCUSSION AND SEMINARS WRITING AND DRAFTS PUBLISHING LIBRARY AND RETAIL

This street also lifts itself up sectionally through the Open air Theatre and the grand staircase along the double height space Along this street, tied in a sequence is the whole process of creating a piece of literature which imparts the project it’s literary character, which Culminates in the Water tank which houses a library and book retail in the plaza in front

GROUND FLOOR PLAN

ANISH PERUMAL | RVCA Batch 2024

The Elevation tries to encompass the concept of Work and play in it. The triangular nature of the site and the climatic consideration of self shading dictated a staggered western Facade, The Column and beam framing each staggered mass gives the facade a regular geometric rhythm like one’s work while from this rhythm rises the space frame over the play areas on split steel columns, giving the facade vitality that comes from the idea of play.

With that wooden battens act as shading devices and their orientation and placement imparts different textures to the facade

FIRST FLOOR PLAN

ANISH PERUMAL | RVCA Batch 2024

STUDIO BRIEF Objective: To understand the role of built environments of increasing complexity by: a) Intrinsic factors: Size, Volume, levels, functional spaces b) External forces: Site, Approach, trafÞc, ecology, services c) Constraints: By-laws, Budget, ideology, attitudes d) Create an Identity to the campus through integration of the above.

Expected Learning Outcome: * Explore the various approaches to Campus Planning , both Historical and Contemporary * Understand Diagramming as a tool for representation in spatial Design thinking * Conceptualize and develop a vision and Identity for Campus Design and its manifestation into spatial design Site: Next to Civil Engineering block, Bangalore University Site Area: 20715.00 sq m Built Up area: 6000.00 sq m

CAMPUS OF INTERACTIONS Studio Architectural Design Semester 6 Faculty

Dr. Mahalakshmi Karnad|Sentil Doss| Deepa Suriyaprkash|Deepak Ramadasan

VISION STATEMENT Through Inquiry into the general culture of the Bangalore University, We found out that even though the university houses multiple and varied Þelds of study, the interaction between these differing but often co dependent Þelds is almost non existent, except for during events, Spontaneous interaction between courses in negligible. This can also be generalised onto the general culture of alienation between different professions in the context of the country as a whole.

Through the intervention, the campus tries to solve this issue Using programmatic and architectural Strategies to increase interaction and exposure between different Þelds of study. Due to the proximity, the project focuses majorly on the Architectural and civil engineering Þelds and tries to create spaces of interaction and programmatically tries to bridge the gap by providing a specialised campus dedicated to the common ground between the Þelds, Namely Material Exploration, Parametric Design, Composite and Prefabrication exploration.

ANISH PERUMAL | RVCA Batch 2024

CONCEPT SKETCHES

ANISH PERUMAL | RVCA Batch 2024

GROUND FLOOR PLAN

ANISH PERUMAL | RVCA Batch 2024

SECOND FLOOR PLAN Drawing from the Idea of formalising the trail, the projects tries to look at the nature of trails which is twisting and turning, and draws from it as a 3d concept. The upper ßoors of the buildings in the project turn by 45 degree to orient themselves better with the wind direction in order to ensure higher wind speeds in the spaces especially the deep rooms like studios. Additionally, with the project containing multiple blocks placed along the streets and chowks, there was a need to harmonise the visual character of the buildings and tie the project together, hence took shape the sleeping S shelled roof form, it works with the concept of a north light and uses a shell structure to bring in the same utility. The shell structure is used in the terrace spaces in the academic block as well over the studios to ensure effective lighting.

ROOF DETAIL ANISH PERUMAL | RVCA Batch 2024

STUDIO BRIEF The state of equilibrium or homeostasis or what we scrutinise here as sustainable development l in decoding the nature of interconnectedness and trade-offs between social, economic/physic and environmental layers. The studio intends to drive an investigation of such forces that brings shift to the character of the precinct under study - what we deÞne today as urban renewal as aftermath of urban transformation (processes of change and the outcome).

The Urban design purview of this systems approach delves into the understanding of homeosta through spatial implications that question attributes such as a. Resource availability b. Spatial dynamics Site: Kengeri Bus Terminal, Bangalore Site Area: 20100.00 sq m Built Up area: 40300.00 sq m

lies cal gs a an

asis

THE ETHERAL PANAROMA Studio Architectural Design Semester 7 Faculty

Dr. Salila Vanka|Shalini Prakash| Debashree Pal|Aziz Rajani

VISION STATEMENT Transit is one of the most important elements of the urban infrastructure and it greatly affects growth of urban areas. Transit plays a very important role in the daily life of a city dweller, but the modes of transit are often treated as stage hands, something that is put in the background, something that is hidden. the project tries to break this notion of transit being mere instruments of movement and a necessity, instead, it celebrates transit by using visual connection as a strategy. the bus station acts as a point from which the building diverges and steps back forming almost an amphitheater that frames the bus station, use of decks and open spaces ensures that wherever one is in the building, one has some amount of visual connect to the transit zone.further the project utlises a horizontal form which has double and triple heighted volumes which gives a very visually light form which blends with the transit oriented landscapes of the bus terminal instead of overpowering it.

ANISH PERUMAL | RVCA Batch 2024

URBAN DOCUMENTATION: Group Work

MINOR PROJECT: Urban Intervention Group work

The Urban intervention tries to question the idea of a lake buffer and whether it should be a no build zone severing the connect between the people and the lake.

In the context of India headlands to a waterbody have always been important nodes which establish connection between the water and the society instead of treating the water body as a black rose only to be viewed from a distance.

The project includes a social node in form of a plaza with retail areas, decks, etc. the other major part is the ecological zone which uses the idea of a reparian buffer to Þlter the runoff water ßowing into the lake while integrating a trail between the trees for human use

ANISH PERUMAL | RVCA Batch 2024

Concept The massing has been arranged such that people at any level and function in the building maintain visual contact with the terminal and have a view of the transit activities as they take place.

The public domain of the plaza surrounding the bus bays rises through a grand staircase to the second level which houses the tranist exhibit, where modern developments and historical precedents in transit are displayed. the vertical massing follows a periodic distribution of solid and void with the massing progression being 2-3-2-1.5-2 ßoors built and open in that progression. this gives the building a lightness and open areas acting as public decks.

According to the recommendations in the safe access manual, the Circulations in the project have been seperated, to the right, is a loop of vehicular circulation of personal vehicles, to the left, through the terminal, the circulation of buses with a ramp taking them down to the depot. in between the two is an island of pedestrian zone with lift cores taking people upto the decks from where they disperse.

GROUND FLOOR PLAN

ANISH PERUMAL | RVCA Batch 2024

FIRST FLOOR PLAN

BUS DEPOT PLAN at -3m

HOSPITALITY FLOOR PLAN

The elevation on all three sides has regularly spaced columns 8m apart which rise to the third ßoor and split into a Y column. This regular grid helps harmonise the varied massing of the building and along with the space frame roof on top ties the whole building with it’s multiple functions together. In the interstitial space between the columns, wood battens are Þxed the primary function of which is acting as shading devices. But this also serves as a skin, and using the idea of voids and carving out space from the skin, the character of the arched facade from the original market is infused into the elevation by creating the arches by terminating the wooden battens in it’s form. This is how the iconic eastern facade of the Johnson’s market has also been reinterpreted and translated into the building. The form of the space frame roof in derived from the requirements of the function it houses going higher for the community center and dipping low to bring the corridors to human scale.

ANISH PERUMAL | RVCA Batch 2024

STUDIO BRIEF

The overall objective of the studio is to explore design from the stand point of ‘Interior Architecture’ where the built and the contained are symbiotic and Mutually referential.

• The need to understand the idea of the new lived space in the current scenario and how it has changed the way one lives and works.

• To understand the envelope/shell provided, which deÞnes the overall physical boundaries of the space and the edge conditions which create sub-spaces, interactive connectors and utilities. To explore materials and understand the strengths and limitations of each.

• We explore the idea of an aedicule [space within a space] as insert that investigates the existing heritage space as a folly, through its tectonic in terms of the ideas of luxury, craft, culture, multiplicity, memory, narrative, etc.

Studio Interior Design Semester 7

FACULTY Pankaj Shivarama|Nandita Srinivas| Gowtham Nandakumar

Site: Keonjhar, Odisha Area: 400 sq m VISION STATEMENT

Keonjhar in the recent history has seen a rapid development of the mining sector,which has caused massive ecological impact on the region. But for the people of Keonjhar ecology isn’t a ‘Black rose’ to be kept in a glass box, but to them it is their way of life, from the tribal forest products grown in partnership with nature to agriculture, ecology and economy is invariably interlinked.

Hence it is in this spirit of balance between economy and ecology that the project has been designed, where awareness towards Agro forestry and other ecologically sustainable practices reside in harmony with generation of revenue through sale of these Forest and Agro forestry products inside the Forest of Peace.

ANISH PERUMAL | RVCA Batch 2024

Concepts

Idea of Forest cover (Battens) and Clearing (no battens)

Using the light nodes, the cutout ans Skylight as nodes to weave the idea of clearing and circulation around

Keeping the program and the idea of a forest in mind, the project tries to mimic the quality of light and space in the forest.

This is achieved through using a grid of bamboo battens with differing heights from which spaces have been carved out of Zone of Awareness Zone of Exploration

Workshop

Zone of Exploration

Zone of Impact

ANISH PERUMAL | RVCA Batch 2024

LIGHTING PLAN ANISH PERUMAL | RVCA Batch 2024

Construction and

d Furniture Details ANISH PERUMAL | RVCA Batch 2024

WORKING DRAWING Studio Working Drawing Semester 5 and 6 Faculty

Ramya Krishna |Anupriya Saxena| B.S. Girish

The studio for working drawing was focused on learning about requirements of a building as per Bye laws and NBC as well as making drawings required for construction of the building. The Þfth semester focused on architectural drawings which were good for construction, while the sixth semester focused on service integration into the building.

The building was designed as a mixed use building with a third being given for retail and rest for ofÞce space, the tenancy type could be chosen individually.

This project is a 7 storey building where the ground and Þrst ßoor are retail and ßoors second through sixth is a single tenancy ofÞce space

ANISH PERUMAL | RVCA Batch 2024

ANISH PERUMAL | RVCA Batch 2024

MATERIALS AND METHODS IN BUILDING CONSTRUCTION

RCC SLAB: Semester 3

FLOORING: Semester 3 ANISH PERUMAL | RVCA Batch 2024

FILLER SLABS: Semester 4

STRUCTURAL STEEL : Semester 4

STEEL L ANGLE TRUSS: Semester 5

PRE ENGINEERED BUILDINGS: Semester 5 ANISH PERUMAL | RVCA Batch 2024

SEAMLESS CONNECTIONS IN GLASS: Semester 6

UPVC DOORS AND WINDOWS : Semester 6

STRUCTURAL GLAZING: Semester 6

OFFICE FURNITURE: Semester 6 ANISH PERUMAL | RVCA Batch 2024

ELECTIVE WORK Environment Responsive Architecture

Mahony’s Table Analysis

Design of Shading Devices

Experiment on PDEC

Architectural Lighting Design

Light in a box

Design of a Reßector

Lighting Design Proposal ANISH PERUMAL | RVCA Batch 2024

Culture and Built Environment

Culture of a built space

Mapping of Bangalore place

Vernacular Architecture

Competition Submissions Solar Deacthlon

Envisage

ANISH PERUMAL | RVCA Batch 2024

MISCELLANEOUS ARTWORKS

Alternate History maps and ßags

DIGITAL ARTWORKS

Model United Nations

WALKTHROUGHS:

Youtube Channel: https://www.youtube.com/@historytweaks2695 ANISH PERUMAL | RVCA Batch 2024

THANK YOU This Portfolio, Is solely created for the purpose of applying for internships in architectural Þrms, and all works carried out are bonaÞde works of Anish Perumal, unless otherwise mentioned

Anish Perumal E-mail : anishperumal007@gmail.com