Angelyca Dizon Portfolio

HAND SKETCHING

POPUP INSTALLATION

MUSEUM DESIGN HOSPITALITY DESIGN

RETAIL DESIGN

ANGELYCA DIZON Portfolio Angelyca Dizon angelycadizon@gmail.com 0413244477

Al Molinillo MEXICAN RESTAURANT 2021 The r est a u rant i ns p i r ed b y the

de sign is tra d ition al

Mex i c an w hisk called 'mo l i ni ll o' . It is hand made out of

a

s in gl e

piec e

of

al der

Min dm ap

w ood blo ck, sha ped by carv i ng , tu r n in g, s a ndi ng and b ur ni n g .

T h e M o l in il l o is t r adi tion ally u s e d fo r fo am ing hot c holate in M e x ic o, f am ilies and fri e n ds g at h e r ar ou nd and ce l e b ra te m omen ts t ogeth er.

T h e de si g n e r ha s sele cted the whisk as it is tru ly i ns p i r ati o na l part of Mex i c an cu l ture .

Con c ept Sk et ch

an the

Design The loose rings became the main feature of the architectural elements of he restaurant, as well as embracing the natural beauty of locally sourced timber for the main materials.

Co n ce p t S k e tch

Con cept Mo del

Section A (south) 1:50

I n t e ri o r Pe rs p e ct i ve (f ro n t v i e w )

Section B (north) 1:50 Angelyca Dizon angelycadizon@gmail.com

Hand Sketching HISTORICAL BUILDINGS 2022 Han d s k e t ch ing is one of the be st way s to s t u dy a buil ding ' s ar chi tec tu ral fe at u re s. I n the s erie s of d r aw i ngs s ho w n, t he d esi gner stud ies hi sto ri c al b ui l d in gs

a nd

thei r

a rch itec tu ral

fe at u re s u s i n g p encil on pap er. Cla ssic al s tr u c tu r e s su ch as th e dif f erent ty pe s of col u m ns are ex plor ed, E arl y arc h i te ct u r a l pra ctic es ar e di sc ov er ed al o n g w it h the r esea r ch fo r b ui l d in g a n d th e era it st ands

eac h

Angelyca Dizon angelycadizon@gmail.com

Keepsake FASHION ACCESSORY RETAIL FITOUT 2022

I nte ri o r P e r s p ecti ve (w ork sh op)

I n t e r i o r P e r s pe ct i v e ( d i s pl a y s p a ce )

Design The retail store is designed to house fashion accessories such as women's shoes and cater for fashion accessory alterations and restorations. timber is predominantly used to reflect the organic shapes and handmade quality of the products. This project is Modelled in Sketchup and rendered with Enscape.

Custom Joinery Section T he r e t a il s t or e o f f e r s h a nd ma de a n d c u s t om s h o e s f o r w om e n l oo k i n g t o l e ve l u p t h e i r w a r d r o be a n d ou t f it s ; sh o e c a r e a nd r e s t o r a t i on ; hop e a nd s e co n d c h a n c e t o pr e lo v e d s ho e s c o n s id e r in g e n v ir o n m e n t a l a w a r e n e s s ; fa s h i on a dv i s e f ro m o u r f a s h io n c o ns u lt a n t s ; a nd r e d c a r pe t e x p e r i e n c e .

Angelyca Dizon angelycadizon@gmail.com

Colour Bomb NAIL HUB 2022 P ur p ose : To a ll ow m u s eum visi tors to g ai n a rt l i t eral ly a t t h e i r fing er ti ps, i t supp orts t he e x pr e s si on of per sonalit y and a p p re ci at i o n f or art i n a pam p erin g m a n ne r .

Cl i ent: M al e or

fem ale

i ndi viduals

w ith

Internal Perspective

d yn a m ic pe rso na lity a nd p assio n in art N ai l a r ti s ts: Cre at iv e ly ta lent ed indi vidual s or c om m iss i o ne d art i sts f or han d p ai n t i n g a nd scu lpt i ng na ils

4700mm

Entrance from George Street

Level 1

MCA Store

Foyer

Total volume coverage: 132.82 m³ 11082mm

Ser vice s: Cus to m an d per sonal ised nail ar t an d s cu l pti n g

Gallery Space Void

UP

Entrance from The Rocks

Floorplan

Exterior shell perspective

Design "Dripping" carpet concept with pink paper Coloured light transmitted onto wall from the coloured acetate material when illuminated

Long Section

Cross Section

Angelyca Dizon angelycadizon@gmail.com Spatial arrangement

Floorplan

Dull Museum John Brack's Exhibition 2022

In t er i or P er sp ect i ve: C o ll i n s St . 5 pm .

In ter io r P er s p ec ti ve : T he B a r Design: Th e mu se u m i s d i vi d ed i nto two mai n se ct io n s to fe at u re the

Design The loose rings became the main feature of the architectural elements of he restaurant, as well as embracing the natural beauty of locally sourced timber for

The M us e u m s pa c e f ea tur es A s u t r al i a n A r t is t : J o h n B r a c k 's t w o not a bl e pa i n ti ng s . " The B ar" a nd " C o l l in s St . 5 p m " w h i c h f oc u s e s

two ar two r k s i nd i vid ua l l y.

Th e co ntr ast b et we e n I nd o o rs " ba r " an d o utd o o rs "C o l li n s S t. " i s e xp re ss e d thr o ugh mat e ri al i ty

Th e muse u m i s d ivi de d i n to tw o ma i n se cti o ns to fe atu r e t he two artw o r ks in d ivi d u all y. T h e co n tr ast b et we e n I n do o rs "b ar " an d o utd o o rs "C o l l in s S t . " i s e xp r esse d

on ex pr e ss in g A ustr al i an l i f e i n t h e 1 9 5 0s .

an d l igh ti n g.

thr o ugh m ate ri al i ty and l i ghti ng.

the main materials.

Con c ep t S k et ch

The Bar 1954 by John Brack Oil on canvas 97.0 x 130.3 cm National Gallery of Victoria, Melbourne Workers drinking at pub and barmaid

Collins St. 5pm 1955 by John Brack Oil on canvas 114.8 × 162.8 cm National Gallery of Victoria, Melbourne 9-5 office workers in Melbourne, heading home

Angelyca Dizon angelycadizon@gmail.com