Andrew Jones Auctions July 25, 2021 Design for the Home & Garden

DESIGN FOR THE HOME AND GARDEN July 25, 2021

Design for the Home and Garden Sunday, July 25th, 11:00 am

Andrew Jones Auctions 2221 S. Main Street Los Angeles, CA. 90007 andrewjonesauctions.com

Inquiries Andrew Jones andrew@andrewjonesauctions.com 213.212.6835

Preview We continue to offer safe, socially distanced previews.

Lots will be made available for in-person viewing by appointment only on the following dates and face masks will be required:

Jennifer Kurtz jennifer@andrewjonesauctions.com 213.212.6831

Thursday, July 22 Friday, July 23 Saturday, July 24 Please contact us directly to make an appointment PRIOR to visiting our premises.

Bids (213) 748-8008 (213) 748-8018 fax accounts@andrewjonesauctions.com Sale number: 2003 Lots 1-232 Please refer to our online catalog at www. andrewjonesauctions.com for more detailed information on lots 1-232.

Special collection notice to buyers for this sale: All lots from this sale must be collected (following payment in full) by Friday, August 6th at 5pm (Pacific Time). Lots not collected by this date will be sent to off-site storage at the buyer’s expense.

Aileen Ward aileen@andrewjonesauctions.com 213.212.6832 Ry Fillman ry@andrewjonesauctions.com 213.212.6837 Illustrations Inside front cover: Lot 31 Session page: Lot 135 Inside back cover: Lot 51 Back cover: Lot 120 Photographer: Angel Pérez Catalog Design: Bryan Stoughton

Design for the Home and Garden Lots 1 – 232

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1 John Henry Dolph (American, 1835-1903) Kittens playing oil on board signed lower left J. Dolph 5 3/4 x 8 1/4in (14.5 x 21cm) $800-1,200 Provenance: Property from the Collection of Daniel Hornbeck, Los Angeles, California.

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2 Albert Henry Atkins (American, 1880-1951) Head of Victory, 1915 Patinated bronze Signed A H ATKINS, and dated MCM XV, raised on a dark serpentine marble plinth. the bronze height 6in (15cm); width 4in (10cm); depth 5 1/2in (14cm) $800-1,200 Provenance: Property from the Collection of Daniel Hornbeck, Los Angeles, California.

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3 A Charles II style bronze bushel on wrought iron stand overall height 40 1/2in (103cm); width over handles 24in (61cm); depth 22in (56cm) $1,500-2,000 Provenance: Property from the Collection of Daniel Hornbeck, Los Angeles, California.

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4 A Japanese hardwood model of a koma inu height 7 1/2in (19cm); length 8in (20cm); depth 4in (10cm) $600-800 Provenance: Property from the Collection of Daniel Hornbeck, Los Angeles, California.

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5 A Japanese wood model of a Juni Shinso Possibly Dragon, on a later rootwood base. the figure height 22in (56cm); width 11in (28cm); depth 15in (38cm) $600-800 Provenance: With Jerry Solomon, Los Angeles, California, 6 June 1998.

Property from the Collection of Daniel Hornbeck, Los Angeles, California.

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6 A Napoleon III brass inlaid mahogany and Vernis Martin decorated mechanical bonheur du jour third quarter 19th century The cylinder top opens with the pull of the frieze drawer to reveal a pair of glass inkpots flanking a utensil well over three drawers, the hinged top opens to a green baize lined writing surface; together with a Louis XVI style cane paneled giltwood chaise de bureau. (2) the bonheur du jour height 24in (61cm); width 36 1/2in (93cm); depth 15 3/4in (40cm); the chaise height 28 1/2in (72cm); width 16 3/4in (42.5cm); depth of seat 15 3/4in (40cm) $800-1,200 Provenance: Property from the Collection of Daniel Hornbeck, Los Angeles, California.

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7 A pair of Italian Baroque white marble models of cherubs probably early 18th century height 16 1/2in (42cm); width 17in (43cm); depth 15in (38cm) $3,000-5,000 Provenance: Property from the Collection of Daniel Hornbeck, Los Angeles, California.

8 A Spanish Baroque wrought iron mounted inlaid walnut table cabinet late 17th century The central arched door opening to five double paneled drawers. height 23 1/4in (59cm); width 42in (106.5cm); depth 12in (30.5cm) $800-1,200 Provenance: Property from the Collection of Daniel Hornbeck, Los Angeles, California.

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9 An Italian Rococo parcel gilt, green painted and polychrome Chinoiserie decorated tall case clock Pietro Vendramin, Padua 1760 The circular silvered dial with Roman hours and Arabic minutes inscribed Pietro Vendramin / Fece in Padoua / Nel MDCCLX with subsidiary seconds and alarm dials, the twin train movement striking on a bell. height 90 1/2in (230cm); width 18in (46cm); depth 10in (25.5cm) $1,000-1,500 Provenance: Property from the Collection of Daniel Hornbeck, Los Angeles, California.

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10 A massive French green patinated bronze animalier group: Panthère dévorant un lièvre after the model by Antoine Louis Bayre (1796-1875) Susse Freres foundry, Paris late 19th century Incised BAYRE, SUSSE Fre / Frs Edrs / Paris and with foundry pastille. height 16in (40.5cm); length 39in (99cm); depth 15in (38cm) $10,000-20,000 Provenance: With M.S. Rau Antiques, New Orleans, Louisiana, 8 January 2004.

Property from the Collection of Daniel Hornbeck, Los Angeles, California.

Literature: M. Poletti & A. Richarme, Barye Catalogue Raisonné des Sculptures , Paris, p. 236, no. A96 Footnote: Conceived in 1849, produced and exhibited in 1850, the near life-size plaster version of Jaguar et lièvre, the initial title for Panthère dévorant un lièvre, marked Barye’s return to the Salon after some fifteen years absence. A bronze cast, commissioned by the minister for the Interior the following year, was shown at the 1852 Salon and has been in the collection of the Louvre, Paris, since 1886.

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11 A Northwest Persian carpet dimensions approximately 12ft 11 x 9ft 4in (393 x 286cm) $3,000-5,000 Provenance: Property from the Collection of Daniel Hornbeck, Los Angeles, California.

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12 A Louis XV/XVI transitional style gilt bronze mounted tulipwood, walnut and marquetry commode early 20th century height 37in (94cm); width 51 1/2in (131cm); depth 23 1/2in (60cm) $2,000-3,000 Provenance: Property from the Collection of Daniel Hornbeck, Los Angeles, California.

13 An Arts & Crafts style mahogany hall table Jim Ipekjian for James-Randell, Pasadena 1990 In the manner of Greene & Greene, the underside branded James-Randell and further stamped with date and #11 height 28in (71cm); width 78in (198cm); depth 19 1/2in (50cm) $600-800 Provenance: Property from the Collection of Daniel Hornbeck, Los Angeles, California.

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14 An Italian Rococo kingwood, tulipwood and parquetry comodino Naples late 18th century With a cippolino marble top. height 30 1/2in (77cm); width 29 1/2in (75cm); depth 15in (38cm) $500-700 Provenance: Property from the Collection of Daniel Hornbeck, Los Angeles, California.

15 A Dutch walnut and floral marquetry slant front bureau late 18th century height 43 1/2in (110.5cm); width 48in (122cm); depth 23in (58.5cm) $1,000-1,500 Provenance: Property from the Collection of Daniel Hornbeck, Los Angeles, California.

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16 A Northwest Persian carpet dimensions approximately 11ft 8in x 7ft 8in (358 x 233cm) $1,500-2,000 Provenance: Property from the Collection of Daniel Hornbeck, Los Angeles, California.

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17 A Danish Neoclassical stained pine clavichord Otto Joachim Tiefenbrun, Copenhagen 1769 The soundboard signed Otto Joachim Tiefenbrun / Kiovenhavn Ao 1769. height 31in (79cm); width 69in (175cm); depth 20 1/2in (52cm) $2,000-4,000 Provenance: By repute, a gift of Edvard Grieg to Anton Adolph Louis Theodor (Louis) Hornbeck.

Thence by descent through the family.

Property from the Collection of Daniel Hornbeck, Los Angeles, California.

Footnote: Louis Hornbeck (Danish, 1840-1906) was the third child of Theodor Julius Hornbeck, a member of the Royal Theater Orchestra and his wife Mette Petrine. It is suspected that Theodor Julius was the illegitimate son of King Frederik IV of Denmark (1768-1834).

Following in his father’s footsteps, Louis Horbeck studied music and became an accomplished pianist. Louis met Edvard Grieg in 1863 when Grieg moved from Bergen to Copenhagen. Two years later and he and Grieg founded the Euterpe quintet with three other musicians to promote traditional Nordic folk music.

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18 A Kashan tree of life rug Central Persia dimensions approximately 6ft 10in x 4ft 7in (208 x 140cm) $1,500-2,000 Provenance: Property from the Collection of Daniel Hornbeck, Los Angeles, California.

19 A pair of Dresden porcelain covered vases 20th century Underglaze blue AR monogram mark. height 14 3/4in (37.5cm) $1,000-1,500 Provenance: Property from the Collection of Daniel Hornbeck, Los Angeles, California.

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20 A Meissen porcelain figural salt late 19th/early 20th century Underglaze blue crossed swords, incised 1231, impressed 115, painted 47. height 6 3/8in (16.3cm) $500-700

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21 A group of four Meissen porcelain figures late 19th/early 20th century Each with underglaze blue crossed swords, incised model numbers G.2, F.69, G.4 and 23, various impressed and painted numerals. heights ranging from 3 3/4 to 7 1/8in (9.5 to 18cm) $700-900

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22 Two Meissen porcelain figures of Cupid late 19th/early 20th century Each with underglaze blue crossed swords, one incised L.108, impressed 97, red painted 24; the other incised L.114, impressed 143, red painted 24. heights 7 3/8 and 7 1/2in (18.7 and 19cm) $600-800

23 A Lamm of Dresden porcelain cabinet plate: Das Frühstück late 19th/early 20th century After the painting by Gabriel Metsu, Portrait of the Artist with His Wife Isabella de Wolff in a Tavern, black painted title, blue printed lamb over Dresden and gilt rose marks. diameter 10 7/8in (27.5cm) $300-500

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24 A group of five Continental porcelain figures 20th century Comprising two Nymphenburg figures, each with impressed shield mark, incised 192 and 85/2 ; a Volkstedt group of Cupid on an altar with two attendants, underglaze blue Y mark and a pair of Capodimonte style miniature seated figures, underglaze blue crowned N mark. heights ranging from 2 1/2 to 7 1/4in (6.5 to 18.5cm) $600-800

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25 A Continental porcelain figural group late 18th/early 19th century height 11 1/2in (29cm); width 9 1/4in (23.5cm); depth 8in (20cm) $600-800 Provenance: Property from the collection of the late Basil W. R. Jenkins, California.

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26 Two French oval porcelain plaques painted by Sophie Liénard (French, active 1842-45) circa 1842 The first, depicting a woman wearing a green velvet dress, gold earrings and necklace, a black lace veil over her head draping over her shoulders, signed S. Liénard and inscribed to reverse Mm Sophie Liénard peintre 41 rue Meslay Paris; the second, depicting a woman in a black velvet gown with lace trim, a gold and ruby brooch at her décolletage, signed Sophie Liénard, each framed. dimensions of plaques 5 3/8 x 4 3/8in (13.5 x 11cm) $1,000-1,500 Provenance: Property from a Private Collection, Newport Beach, California.

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27 A set of twelve Mintons porcelain dinner plates retailed by Parmelee Dohrmann Co., Los Angeles early 20th century Puce printed factory and retailer’s mark, impressed MINTONS, red painted pattern number PA1563/R. diameter 10 1/8in (25.7cm) $800-1,200 Provenance: Property from a Private Collection, Newport Beach, California.

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28 A Limoges porcelain ornithological cabinet plate: Clapper Rail painted by Eugene Delan late 19th/early 20th century Centered by a bird in a marshland, signed E.A. Delan, titled to reverse, Maureil Chapeau et Charles Limoges factory marks, printed DeLan & McGill Studio decorators’ mark. diameter 9 3/4in (25cm) $100-200 Provenance: Property from the collection of the late Basil W. R. Jenkins, California.

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29 A pair of Copeland porcelain vases and covers painted by Charles Weaver circa 1870 Green printed factory marks. height 11 5/8in (29.5cm) $2,000-3,000 Provenance: Property from a Private Collection, Newport Beach, California.

Exhibited: Spode Bicentenary Exhibition 1970, no.358.

Literature: For a line drawing illustration of these vases see Geoffrey Godden, An Illustrated Encyclopedia of British Pottery and Porcelain, 1966, p. 108.

For a black and white illustration, see Vega Wilkinson, Spode-Copeland-Spode, 2002, p.237, pl.130.

Footnote: Charles Weaver trained at Worcester from about 1853 until he joined Copelands in 1869, where he worked on special productions until 1877. Weaver’s work was regularly featured at the international exhibitions during this time. It is likely the present pair of covered vases were shown in Copeland’s 1871 display. Weaver had a son, Charles, who also worked at Copelands.

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30 A Sèvres (Louis-Philippe) porcelain topographical dessert plate: Phare de Tréport (Seine-Inférieure) from the Service des Petites Vues de France circa 1845 Centered by a lighthouse with cliffs to the distance, signed J.d.B., gilt title to the border, green stenciled crowned LP factory and date mark and gilt monogram mark. diameter 9 1/2in (24cm) $600-800 Provenance: Property from the collection of the late Basil W. R. Jenkins, California.

Footnote: This dessert service, painted with views from all around France, was ordered by King Louis Philippe for use at the Palais des Tuileries, and was produced between 1833 and 1852. The first delivery in 1833 comprised 133 pieces at a total cost of 18,160 francs. The majority of the landscapes were painted by Jean-Baptiste-Gabriel Langlacé, Nicolas-Antoine Lebel and Jean-Charles Develly. A later supplement of 115 plates was delivered on 11 December 1846 and a third addition to the service of 161 plates was delivered on 24 July 1848. A further 59 plates to complete the service were delivered to the Tuilleries Palace 31 January 1852.

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31 A set of twelve Berlin (K.P.M.) porcelain armorial soup bowls decorated with the arms of Mecklenburg-Strelitz circa 1832-37 Centered by a crowned coat-of-arms supported by a black bull and a gilt griffon, enclosed by the chain of the Order of the Black Eagle all above a blue banner with the motto THUE RECHT UND SCHEUE NIEMAND, within a border of entwined bird of paradise flowers and leaves against a lapis lazuli blue ground, underglaze blue sceptre mark, red orb mark, blue painter’s mark, impressed 17. diameter 9 1/2in (24cm) $3,000-5,000 Provenance: Property from a Private Collection, Newport Beach, California.

Footnote: This set of bowls were part of the service made for Grand Duke Georg Friedrich von Mecklenburg-Strelitz and his wife Marie Landgräfin von Hessen-Kassel. Georg Friedrich was the brother of Queen Marie Louise of Prussia.

The Strelitzia reginae, or bird-of-paradise flower, used in the borders of these bowls was named by Sir Joseph Banks, the director of the Royal Botanic Gardens in Kew, South Africa, in honor of Queen Charlotte (von Mecklenburg-Strelitz), wife of George III. A plate from the same service sold Lempertz, The Twinight Collection II, April 6, 2019, lot 97.

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32 A pair of George Jones majolica jardinières model 3499 circa 1876 Black painted model number 3499/11 to unglazed patch to underside of foot, diamond registration marks. height 13 1/3in (34.3cm) $1,200-1,500

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Provenance: Property from a Private Collector, Pasadena, California.

33 A Continental enameled glass armorial tumbler dated 1669 Decorated with a motto above a coat of arms and date 1669. height 6in (15.2cm) $700-900 Provenance: Property from a Private Collection, Newport Beach, California.

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34 An English cameo glass vase possibly Thomas Webb late 19th century height 6in (15.5cm) $600-800 Provenance: Property from the collection of the late Basil W. R. Jenkins, California.

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35 A René Lalique frosted amber glass vase: Courlis model introduced in 1938 Stenciled R.LALIQUE FRANCE, No. 1085. height 6 1/2in (16.5cm) $4,000-6,000

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36 Attributed to Claude Arnulphy (French, 1697-1786) Portrait of a noble lady at her dressing table oil on canvas 48 x 35in (122 x 89cm) $3,000-5,000 Provenance: Property of a Collector, Southern California.

36 37 Italian School (18th century) Figures in an interior oil on canvas laid to board 9 1/2 x 15in (24 x 38cm) $400-600

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38 Attributed to Pierre Mignard (French, 1612-1695) Portrait of a gentleman oil on canvas 24 x 20in (61 x 51cm) $4,000-6,000

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39 Circle of Dirck Dircksz van Santvoort (Dutch, 1610-1680) Portrait of a Noble lady oil on panel laid to cradled panel 27 1/2 x 21 3/4in (70 x 55cm) $800-1,200 Provenance: With Anderson Galleries, Beverly Hills, California.

39 40 Italian School (18th century) Classical figures in clouds oil on paper laid to panel 15 1/4 x 18 1/4in (39 x 46cm) $700-900

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41 English School (18th century) Equestrian portrait of a gentleman oil on canvas 30 x 25 1/2in (76 x 65cm) $800-1,200

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42 Bernard Lorjou (French, 1908-1986) Barge on the Loire River, 1953-1957 oil on canvas signed lower right Lorjou 18 x 21 1/2in (45.5 x 54.5cm) $800-1,200

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43 A pair of Continental Neoclassical style patinated metal mounted variegated white marble urns 20th century height 17in (43cm); width 21 1/2in (54.5cm); depth 17 1/2in (44.5cm) $1,500-2,500 Provenance: Property from the Estate of Dr. Terry Berreth, Rancho Mirage, California.

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44 A pair of George III inlaid mahogany open armchairs circa 1780 height 38 3/4in (98cm); width 24in (61cm); depth 17 1/2in (44cm) $2,500-3,500 Provenance: With Stair & Co., London, 2004.

The Collection of David H. Murdock, Esq., Los Angeles, California.

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Property of a Collector, Southern California.

45 Bernard Lorjou (French, 1908-1986) Still life with duck and sunflower oil on canvas signed lower right Lorjou 25 x 31 1/2in (63.5 x 80cm) $2,000-3,000

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46 An Anthony Redmile faux horn and ostrich egg snuff mull circa 1970s Stamped REDMILE LONDON. height 9 1/2in (24cm); width 13in (33cm); depth 8in (20cm) $700-900 Provenance: Property from a Private Collection, Palm Desert, California.

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47 A pair of George III giltwood open armchairs circa 1775 height 36in (91cm); width 24in (61cm); depth of seat 17 1/2in (44cm) $3,000-5,000 Provenance: With Stair & Co., London, 2004.

The Collection of David H. Murdock, Esq., Los Angeles, California.

Property of a Collector, Southern California.

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48 A North European boxwood figural group: The Holy Family probably 17th/18th century Depicting the Virgin, St. Anne, Jesus and St. John, on stand. the group height 4 1/2in (11.5cm); width 3 3/4in (9.5cm); depth 2 3/4in (7cm) $400-600 Provenance: Property from a Private Holmby Hills Collector.

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49 A Continental patinated bronze figural seal box 19th century His basket with monkey finial and hinged lid, the base concealing a further compartment. height 8 1/2in (21.5cm) $600-800 Provenance: Property from a Private Collection, Newport Beach, California.

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50 A North European pine figural group: Pietà 17th/18th century On associated stand. the figural group height 7in (17.5cm); width 6 1/2in (16.5cm); depth 2 3/4in (7cm) $600-800 Provenance: Property from a Private Collection, Santa Barbara, California.

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51 A Spanish Renaissance walnut monument maquette attributed to Felipe Vigarny de Borgona [El Borgoñón] (c.1475-1542) probably first half 16th century Carved with the arms and a portrait bust of the Pereda family, with lift off top. height 34in (86.5cm); width 17 1/2in (44cm); depth 14in (35.5cm) $5,000-7,000 Provenance: Sold Christie’s, London, 28-29 May 1992, lot E17.

Property of a Collector, Southern California.

Footnote: Felipe Vigarny de Borgona (c. 1475-10 November 1542), also known as Philippe de Bourgogne, Felipe Biguarny or Felipe de Borgoña and sometimes referred to as El Borgoñón (the Burgundian), was a sculptor thought to be born in Burgundy but who actually hailed from Langres, Champagne, France. He made his career in Spain and was one of the leading architects and sculptors of the Spanish (Castille) Renaissance, working in both stone and wood, along with Juan de Valmaseda and Diego Siloe.

Vigarny’s work shows Flemish, Burgundian and Italian Renaissance influences. He gained great prestige working in various parts of Spain which led to his becoming the master sculptor and carver of the celebrated walnut stalls of the Burgos Cathedral between 1507 and 1512. The two largest chimera and grotesque relief panels on the piece offered here share strong similarities with the series of small panels behind the stalls of the cathedral. (see P. Lafond, Philippe de Bourgogne [Felipe Vigarny] , Burlington Magazine, XV, 1909, pp. 285-297). Vigarny’s work can also be seen in the main altarpiece of the Toledo Cathedral, as well as contributions to the Cathedral of Santo Domingo de la Calzada, the Church of St. Thomas, Haro, the Palencia Cathedral and the University of Salamanca, among other landmarks. He also played a role in creating many important works for the Crown of Castile.

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52 A Spanish Colonial polychrome decorated bust with glass eyes late 18th/early 19th century height 17 1/2in (44.5cm); width 10 1/2in (26.5cm); depth 9in (22.5cm) $1,500-2,000 Provenance: Property from a Private Collection, Newport Beach, California.

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53 A Regency mahogany drum table early 19th century With inset tooled leather top over alternating drawers and faux drawers. height 28 1/2in (72.5cm); diameter 41 1/2in (105.5cm) $1,000-1,500 Provenance: Property from a San Francisco, California Private Collection.

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54 Follower of Ferdinand Bol (Dutch, 1616-1680) Portrait of a young girl oil on oak panel reverse inscribed Ferdinand Bol, with old printed gallery label to reverse 13 x 11in (33 x 28cm) $800-1,200 Provenance: With Michael Butler, Dublin.

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55 A carved marble lion head terminal On stand.

Probably Ancient the head height 11 3/4in (30cm); width 8in (20cm); depth 10 3/4in (27cm) $2,500-3,500 Provenance: Property of a Collector, Southern California.

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56 A Biedermeier cherry wood commode first quarter 19th century height 32 1/2in (82.5cm); width 41in (104cm); depth 23in (58.5cm) $800-1,200 Provenance: Property of Rosamond Westmoreland, Beverly Hills, California

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57 Jakob Seisenegger (Austrian, 1505-1567) Portrait of a Young Man, 1560 oil on panel signed with initials and dated, middle right, with further inscription upper left and roman numerals XIX, with printed museum label to reverse 5 3/4 x 3 7/8in (14.5 x 10cm) $4,000-6,000 Provenance: The Collection of Mr. and Mrs. Oscar Salzer.

The Los Angeles County Museum of Art. 57

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58 After Paolo Veronese Caliari (Italian, 1528-1588) Feast in the House of Levi (19th century) oil on canvas 43 x 84in (110 x 213cm) $6,000-8,000 Provenance: Property from a Private Collection, Santa Barbara, California.

Footnote: The Feast in the House of Levi or Christ in the House of Levi is a 1573 work by Paolo Veronese and one of the largest canvases of the 16th century, measuring 18 1/2 × 43 ft. It was painted for a wall of a Dominican friary of the Basilica di Santi Giovanni e Paolo. It is now in the Gallerie dell’Accademia in Venice. The painting was intended to be a rendition of The Last Supper, to replace an earlier work by Titian of the same subject which was destroyed in a fire in 1571. The work shows a fantastic Venetian patrician feast taking place in which Christ is the focal point at the center of the image. The inclusion of what were considered to be lascivious characters, extravagant costumes and elaborate settings led to an investigation by the Tribunal of the Holy Inquisition in Venice as the work was viewed as a violation of the Council of Trent’s rules of adherence to righteous message and decorum.

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59 A Byzantine circular enamel icon of St. Nicholas 11th century In a shadowbox frame. diameter 3 5/8in (9cm) $300-400 Provenance: Property from the collection of the late Basil W. R. Jenkins, California.

60 A group of eleven Greco Roman silver coins and three medals (14) $300-500

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Provenance: Property from the collection of the late Basil W. R. Jenkins, California.

61 Two Syro-Hittite terracotta votive figures possibly Ancient larger height 5 1/4in (13.5cm); width 2 1/4in (5.5cm); depth 1 1/4in (3.5cm) $200-300 Provenance: Property from the collection of the late Basil W. R. Jenkins, California.

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62 Two intaglios possibly Ancient One mounted as a ring, one unmounted. the largest 9/16in (1.5cm) $200-300 Provenance: Property from the collection of the late Basil W. R. Jenkins, California.

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63 Six verdigris bronze articles Comprising two heads of Medusa, two satyr heads, a lion head and an owl. the owl height 3 1/2in (9cm); width 2in (5cm); depth 1 3/4in (4.5cm) $400-600 Provenance: Property from the collection of the late Basil W. R. Jenkins, California.

64 A Greek terracotta seated figure, probably of a goddess circa 500 B.C.E. height 11in (28cm); width 6in (15.5cm); depth 4 1/2in (11.5cm) $400-600

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Provenance: Property from the collection of the late Basil W. R. Jenkins, California.

65 A Roman bronze bowl probably Ancient height 2 1/4in (5.5cm); diameter 5 1/2in (14cm) $1,000-1,500 Provenance: Property from the collection of the late Basil W. R. Jenkins, California.

66 A Greek terracotta lekanis South Italian circa 4th century height 4in (10cm); diameter 3 1/2in (9cm) $300-500 Provenance: Property from the collection of the late Basil W. R. Jenkins, California.

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67 Follower of Cornelius Huysmans (18th century) Figures in wooded mountainous landscapes, a pair (2) oil on canvas 10 1/2 x 14 3/4in (27 x 37.5cm) $1,000-1,500 68 An English oak easel late 19th/early 20th century height 80in (203cm); width 25in (63.5cm); depth 28in (71cm) $2,000-3,000

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69 Circle of Etienne Jeurat (French, 1699-1789) La Famille Heureuse oil on canvas signed lower left JEURAT and inscribed PINXIT 34 x 35 1/2in (86.5 x 93cm) $4,000-6,000 Provenance: With Newhouse Galleries, Inc., New York, New York.

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70 A George III mahogany library armchair circa 1765 Upholstered in 18th century gros and petit point needlework, on wooden casters. height 38 1/2in (98cm); width 26in (66cm); depth of seat 20in (51cm) $3,000-5,000 Provenance: With Stair & Co., London, 2004.

The Collection of David H. Murdock, Esq., Los Angeles, California.

Property of a Collector, Southern California

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Property from the Estate of Keith McCoy Los Angeles, California Lots 71-122

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71 Léon Eugène Auguste Abry (Belgian, 1857-1905) Over the fence, 1903 oil on canvas signed and dated lower right L. ABRY 03 25 3/4 x 32in (65.5 x 81cm) $2,000-3,000 Provenance: Sold Sotheby’s, New York, 9 June 1989, lot 223.

Property from the Estate of Keith McCoy, Los Angeles, California.

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72 A pair of Chippendale mahogany side chairs probably New York late 18th century The slip in seats upholstered in Fortuny cotton. height 38 1/2in (98cm); width 23in (58.5cm); depth 15in (38cm) $600-800 Provenance: Property from the Estate of Keith McCoy, Los Angeles, California.

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73 Manner of George Stubbs, A.R.A. (British, 1724-1806) Bay hunter in a landscape oil on panel signed lower right G. Stubbs 23 1/2 x 28 1/2in (60 x 73cm) $2,000-3,000 Provenance: By repute, the Collection of Lady Grimthorpe.

By repute, the Collection of Frederick Harris, Rowley Park, Staffordshire, 1898.

With Lane Fine Art, London, 26 October 1983.

Property from the Estate of Keith McCoy, Los Angeles, California.

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74 William H. Robinson (British, 18th/19th century) A gentleman on his chestnut hunter, with the hunt beyond, 1829 oil on canvas signed lower left William H. Robinson and dated 23 1/2 x 27 1/2in (60 x 70cm) $1,500-2,000 Provenance: With Lane Fine Art, London, 5 November 1982.

Property from the Estate of Keith McCoy, Los Angeles, California.

74

75 Two George III mahogany side chairs late 18th century The slip in seats upholstered in Fortuny cotton. the larger height 37in (94cm); width 20 1/2in (52cm); depth of seat 17in (43cm) $200-400 Provenance: Property from the Estate of Keith McCoy, Los Angeles, California.

75 76 John Francis Sartorius (British, 1775-1831) Huntsman on a bay hunter oil on canvas signed lower right F Sartorius, with black stenciled number CU IS 3 to reverse 25 x 30in (63.5 x 76cm) $2,000-3,000 Provenance: With Lane Fine Art, London, 5 November 1982.

Property from the Estate of Keith McCoy, Los Angeles, California.

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77 Gustave Mardoche Neymark (French, b. 1850) Mare and foal frolicking in a pasture oil on canvas signed lower right G. NEYMARK 20 x 26in (51 x 66cm) $800-1,200 Provenance: Sold Sotheby’s New York, lot 232 (2 of 2).

Property from the Estate of Keith McCoy, Los Angeles, California.

77

78 A Chinese red lacquer side cabinet The pair of doors enclosing a shelf. height 39 1/2in (100cm); width 55in (140cm); depth 18in (46cm) $600-800 Provenance: Property from the Estate of Keith McCoy, Los Angeles, California.

78

79 A George III Chinese style Chippendale style mahogany cockpen armchair 19th century The slip seat upholstered in Fortuny cotton. height 37 3/4in (96cm); width 27in (68.5cm); depth of seat 18 1/2in (47cm) $300-500 Provenance: Property from the Estate of Keith McCoy, Los Angeles, California.

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80 Gustave Mardoche Neymark (French, b. 1850) Mare and foal in a pasture oil on canvas signed lower right G. NEYMARK. 20 x 26in (51 x 66cm) $800-1,200 Provenance: Sold Sotheby’s New York, lot 232 (1 of 2).

Property from the Estate of Keith McCoy, Los Angeles, California.

80

81 A pair of Chinese red lacquered tall trunks post 1950 height 29in (73.5cm); width 15in (38cm); depth 14 1/2in (37cm) $300-500 Provenance: Property from the Estate of Keith McCoy, Los Angeles, California.

81

82 A George III blind fret carved mahogany library armchair late 18th century Upholstered in Fortuny cotton. height 38in (96.5cm); width 27in (68.5cm); depth of seat 19 1/2in (49.5cm) $1,000-1,500 Provenance: Property from the Estate of Keith McCoy, Los Angeles, California.

82

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83 Edward Benjamin Herberte (British, 1857-1893) Hunters and dogs in the park at Silkwood House, 1886 oil on canvas signed lower left E.B. Herberte and dated 24 x 36in (61 x 91.5cm) $2,000-3,000 Provenance: Property from the Estate of Keith McCoy, Los Angeles, California.

Footnote: Silkwood House and its 29 acres near Tetbury was purchased in 2019 by Forestry England and Friends of Westonbirt and added to the National Arboretum. Sold Christie’s, New York, 5 June 1987, lot 158.

84 George Wright (British, 1860-1942) Through the stream oil on board signed lower right G. Wright 16 x 24in (40.5 x 61cm) $2,000-3,000 Provenance: Sold Christie’s, New York, 7 June 1985, lot 211.

Property from the Estate of Keith McCoy, Los Angeles, California.

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85 85 John Frederick Herring, Jnr. (British, 1815-1907) Cattle in a pasture, 1842 oil on canvas signed lower center J F Herring and dated, with old handwritten label to reverse Mr. Lemur / Pair of Cattle / paintings / 24 June 18 x 24in (45.5 x 61cm) $1,500-2,000 Provenance: Sold Christie’s, New York, 5 June 1987, lot 108 (1 of 2).

Property from the Estate of Keith McCoy, Los Angeles, California.

86 John Frederick Herring, Jnr. (British, 1815-1907) Cattle in a pasture, 1842 oil on canvas signed lower center J F Herring and dated, with old handwritten label to reverse Mr. Lemur / Pair of Cattle / paintings / 24 June 18 x 24in (45.5 x 61cm) $1,500-2,000 Provenance: Sold Christie’s, New York, 5 June 1987, lot 108 (1 of 2).

Property from the Estate of Keith McCoy, Los Angeles, California.

87 A fine George III amaranth, sycamore, tulipwood and parquetry pembroke table fourth quarter 18th century height 29in (74cm); width closed 21in (53cm); width open 41in (104cm); depth 31in (79cm) $2,000-3,000 Provenance: Property from the Estate of Keith McCoy, Los Angeles, California.

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88 Continental School (19th century) Landscape with figures and animals amongst ruins oil on canvas indistinctly signed lower right 25 x 30 (63.5 x 70cm) $400-600 Provenance: Property from the Estate of Keith McCoy, Los Angeles, California.

88

89 A Louis XV Provincial style stained beechwood fauteuil 20th century Upholstered in Fortuny cotton. height 38 1/2in (98cm); width 27in (68.5cm); depth 21in (53.5cm) $500-700 Provenance: Property from the Estate of Keith McCoy, Los Angeles, California.

89

90 A George III style mahogany four poster bed post 1950 overall height 71in (180.5cm)); height of headboard 43in (109cm); length 90om (228.5cm); width 61in (155cm) $600-800 Provenance: Property from the Estate of Keith McCoy, Los Angeles, California.

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91 A George III mahogany bachelor’s chest of drawers fourth quarter 18th century The rectangular top above a pull out brushing slide over a configuration of drawers. height 34 3/4in (88cm); width 35in (89cm); depth 21 1/4in (54cm) $1,000-1,500 Provenance: Property from the Estate of Keith McCoy, Los Angeles, California.

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92 A Regency style giltwood convex mirror post 1950 height 40in (101.5cm); width 23 1/2in (60cm) $500-700 Provenance: Property from the Estate of Keith McCoy, Los Angeles, California.

92

93 A Sheraton inlaid mahogany sideboard second quarter 19th century 39 1/2in (100.5cm); width 57 1/2in (146cm); depth 18 1/2in (47cm) $600-800 Provenance: Property from the Estate of Keith McCoy, Los Angeles, California.

93

94 A George III style mahogany cluster column stool late 19th/early 20th century Upholstered in Fortuny cotton. height 19in (48cm); width 19 1/2in (49.5cm); depth 16in (40.5cm) $300-500 Provenance: Property from the Estate of Keith McCoy, Los Angeles, California.

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95 John Nost Sartorius (British, 1759-1828) Up and Over, Taking a Fence, Gone Away and Gone to Earth, 1817 (4) oil on canvas two signed J N Sartorius and dated 14 x 17 1/2in (35.5 x 44.5cm) $3,000-5,000 Provenance: With Lane Fine Art, London, 19 October 1984.

Property from the Estate of Keith McCoy, Los Angeles, California.

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96 A George II style giltwood mirror post 1950 height 58in (147.5cm); width 38in (96.5cm) $800-1,200 Provenance: Property from the Estate of Keith McCoy, Los Angeles, California.

97 A Federal maple and birch bow front chest of drawers New Hampshire circa 1800 height 36 1/2 (93cm); width 38 1/2in (98cm); depth 21 (53m) $400-600 Provenance: Property from the Estate of Keith McCoy, Los Angeles, California.

96

98 Henry Barraud (British, 1811-1874) Sheep, cattle, stags and a pony in a wooded landscape with castle beyond oil on canvas signed lower right H. Barraud 32 3/4 x 54 1/4in (83 x 138cm) $4,000-6,000 Provenance: By repute, commissioned by the Duke of Rutland in 1840.With Lane Fine Art, London.

Sold Sotheby’s, New York, 4 June 1987, lot 234.

Property from the Estate of Keith McCoy, Los Angeles, California.

99 An Irish George III mahogany side table late 18th century height 33 1/2in (85cm); width 47 1/2in (120.5cm); depth 23 1/2in (60cm) $1,500-2,000 Provenance: Property from the Estate of Keith McCoy, Los Angeles, California.

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100 Maurice Bompard (French, 1857-1936) Venice canal oil on board signed lower left Maurice Bompard and with indistinct title above 15 x 21 1/2in (38 x 54.5cm) $400-600 Provenance: Property from the Estate of Keith McCoy, Los Angeles, California.

100

101 A pair of gilt metal and granite twig form occasional tables in the manner of Maison Baguèspost 1950 height 21in diameter (53cm); diameter 16 1/2in (42cm) $600-800 Provenance: Property from the Estate of Keith McCoy, Los Angeles, California.

101

102 A George III mahogany child’s side chair late 18th century The slip in seat upholstered in Fortuny cotton. height 25 1/2in (64.75cm); width 13 3/4in (60.25cm); depth of seat 10in (25.5cm) $200-300 Provenance: Property from the Estate of Keith McCoy, Los Angeles, California.

102

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103 A George III mahogany breakfront secretaire bookcase late 18th century The outset base with central drawer opening to a hinged fold down writing surface and enclosing a configuration of drawers and pigeonholes. height 91 1/4in (232cm); width 69 1/4in (176cm); depth 26in (66cm) $3,000-5,000 Provenance: Property from the Estate of Keith McCoy, Los Angeles, California.

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104 John E. Ferneley (British, 1782-1860) Melton Mowbray (portrait of a bay and a grey hunter in a landscape), 1823 oil on canvas signed lower right J. Ferneley, titled and dated 34 1/2 x 44in (88 x 112cm) $3,000-5,000 Provenance: With Lane Fine Art, London, 19 October 1984.

Property from the Estate of Keith McCoy, Los Angeles, California.

104

105 A William (Billy) Haines gilt tooled brown leather coffee table post 1950 height 18in (46cm); width 57 1/2in (146cm); depth 20in (51cm) $600-800 Provenance: Property from the Estate of Keith McCoy, Los Angeles, California.

105

106 Attributed to Thomas Sidney Cooper (British, 1803-1902) Cattle grazing, 1889 oil on board dated lower right 30 May 89 10 x 14in (25.5 x 35.5cm) $400-600 Provenance: Property from the Estate of Keith McCoy, Los Angeles, California.

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107 James Hardman (British, fl. 1799-1846) Three hunters in a field, 1815 oil on canvas signed lower left J. Hardman and dated 28 x 36in (71 x 91.5cm) $1,500-2,000 Provenance: With Lane Fine Art, London.

Sold Sotheby’s, New York, 5 June 1986, lot 24.

Property from the Estate of Keith McCoy, Los Angeles, California.

107

108 An Irish George II mahogany tea table mid 18th century height 37 1/2in (95cm); width 31 1/2in (80cm); depth 20in (51cm) $1,000-1,500 Provenance: Property from the Estate of Keith McCoy, Los Angeles, California.

108

109 John Cordrey (British, 1765-1825) Lincoln to London Royal Mail, 1810 oil on canvas signed lower left Cordrey and dated 17 x 22 1/4 $800-1,200 Provenance: With Lane Fine Art, London, 5 November 1982.

Property from the Estate of Keith McCoy, Los Angeles, California.

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110 A pair of George III style mahogany wing armchairs post 1950 Upholstered in white cotton, with Fortuny cotton slipcovers. height 41 3/4in (106cm); width 27in (68.5cm); depth of seat 19in (48.5cm) $1,000-1,500 Provenance: Property from the Estate of Keith McCoy, Los Angeles, California.

110

111 A pair of Chippendale mahogany ladderback side chairs late 18th century The slip in seats upholstered in Fortuny cotton. height 39in (99cm); width 21 1/2in (54.5cm); depth of seat 15in (38cm) $300-500 Provenance: Property from the Estate of Keith McCoy, Los Angeles, California.

111

112 Streeter Blair (American, 1888-1966) Jenne Farm, VT, 1963 oil on canvas titled, signed © STREETER BLAIR and dated lower left, reverse inscribed in black paint #453 12 x 20in (30.5 x 51cm) $500-700 Provenance: Property from the Estate of Keith McCoy, Los Angeles, California.

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113 John Nost Sartorius (British, 1755-1828) Phenomena, The Famous Trotting Mare oil on canvas signed lower right J N Sartorius, inscribed along lower edge The Famous Trotting Mare Cal’d Phenomena Trotted 17 Miles in 56 Min., reverse of canvas inscribed 3018 and with old printed gallery label, and with handwritten history of Phenomena; together with a companion black and white engraving of the work

by Whessel, published 1 December by J. Harris (2) 17 x 21in (43 x 53.5cm) $3,000-5,000 Provenance: By repute, the Collection of Brigadier J.C. Friedberger.With Lane Fine Art, London, 1983.

Property from the Estate of Keith McCoy, Los Angeles, California.

113

114 John Frederick Herring, Jr. (British, 1815-1907) Farm horses at a byre, with pigs and poultry in the farmyard oil on cradled panel 18 x 17 3/4in (46 x 45cm) $2,000-3,000 Provenance: Sold Christie’s, New York, 7 June 1985, lot 197.

Property from the Estate of Keith McCoy, Los Angeles, California.

114

115 Attributed to Richard Barrett Davis (British, 1782-1854) A gentleman on a bay hunter in a landscape oil on canvas 25 1/4 x 30 1/2in (64 x 75.5cm) $1,000-1,500 Provenance: Property from the Estate of Keith McCoy, Los Angeles, California.

115 PROPERTY from THE ESTATE OF KEITH MCCOY | 57

116

117

116 Two Italian Neoclassical giltwood models of eagles late 18th/early 19th century On later stands. overall height 12 3/4in (32cm); width 8in (20cm); depth 3in (7.5cm) $300-500 Provenance: Property from the Estate of Keith McCoy, Los Angeles, California.

118

117 English School (19th century) Portrait of a British Merchant Navy steamship oil on canvas 11 1/2 x 17in (29 x 43cm) $300-500 Provenance: Property from the Estate of Keith McCoy, Los Angeles, California.

118 Two Continental Neoclassical style brass, gilt metal and tole bouillotte lamps 20th century the larger height 26in (66cm); diameter 14in (35.5cm) $300-500 Provenance: Property from the Estate of Keith McCoy, Los Angeles, California.

119 A Continental Neoclassical mahogany pedestal first quarter 19th century height 33 1/4in (84cm); diameter 13in (33cm) $200-400 Provenance: Property from the Estate of Keith McCoy, Los Angeles, California.

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120 120 John Frederick Herring, Jnr. (British, 1820-1907) Horses, pigs and poultry by a water trough oil on canvas signed lower left J.F. Herring 12 1/4 x 18 1/4in (31 x 46cm) $1,500-2,500 Provenance: Sold Sotheby’s New York, 10 June 1985, lot 92.

Property from the Estate of Keith McCoy, Los Angeles, California.

121 Edward Benjamin Herberte (British, 1857-1893) The Meet and Full Cry, 1885 (2) oil on canvas each signed lower right E.B. Herberte and dated 12 x 20in (30.5 x 25.5cm) $2,000-3,000 Provenance: Sold Sotheby’s, New York, 10 June 1988, lot 212.

Property from the Estate of Keith McCoy, Los Angeles, California.

121

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122 Joseph Francis Walker (British, fl. 1857-1889) The meet oil on canvas signed lower left J.F. Walker 42 x 78in (107 x 198cm) $8,000-12,000 Provenance: With Frank S. Schwarz & Son, Philadelphia, Pennsylvania.

Sold Sotheby’s, New York, 9 June 1989, lot 228.

Property from the Estate of Keith McCoy, Los Angeles, California.

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123 C. J. Miller (19th century) Portrait bust of a distinguished gentleman, 1876 white marble back inscribed C.J. Miller. Sc 1876 height 28in (71cm); width 19 1/2in (49cm); depth 10in (25.5cm) $2,000-3,000 Provenance: Property from the Estate of Dr. Terry Berreth, Rancho Mirage, California.

123

124 A George II walnut and burr walnut chest of drawers second quarter 18th century and later height 38 3/4in (98.5cm); width 41in (104cm); depth 22in (56cm) $1,000-1,500 Provenance: Property of a Collector, Southern California.

124

125

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125 A French patinated bronze figure: Lorenzo de Medici after the model by Michelangelo (Italian, 1475-1564) F. Barbedienne foundry, Paris late 19th century Incised F. BARBEDIENNE.FONDEUR, with A. Collas Reduction Mecanique pastille, raised on a rouge marble plinth base. height of bronze 14 1/4in (36cm); height overall 16 3/4in (42.5cm) $1,000-1,500

126 Charles Bell Birch (British, 1832-1892) Portrait bust of a distinguished lady, 1877 white marble back inscribed C.B. Birch. Sc 1877 height 28in (71cm); width 18in (46cm); depth 9in (23cm) $2,000-3,000 Provenance: Property from the Estate of Dr. Terry Berreth, Rancho Mirage, California.

126

127 A Charles II oak chest of drawers late 17th century height 32in (81cm); width 36 1/4in (92cm); 23in (58cm) $800-1,200 Provenance: Property of a Collector, Southern California.

127

128 A French patinated bronze figure of Diana the Huntress after the Antique F. Barbedienne foundry, Paris late 19th century Incised F. BARBEDIENNE.FONDEUR, with A. Collas Reduction Mecanique pastille. height 24in (61cm); width 13 1/2in (34.3cm); depth 8in (20.3cm) $1,000-1,500 128

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129 Bernard Lorjou (French, 1908-1986) French Marching Band (Fanfare), 1975-1980 oil on canvas signed lower left Lorjou 28 1/2 x 23 1/2in (72 x 60cm) $1,000-1,500

129 130 Helmut Newton SUMO Monte Carlo: Taschen, first edition, 1999 Signed and numbered 05306 of 10,000, on original Philippe Starck designed stand. overall height 28in (71cm); width 20in (51cm) $3,000-5,000 Provenance: Property from a Private Collector, Santa Monica, California

130

131 Attributed to Lovis Corinth (German, 1858-1925) A study of two seated male nudes; An artist painting at an easel (double-sided) recto charcoal on paper; verso pencil on paper 20 1/2 x 13 1/2in (52 x 34cm) $700-900 Provenance: Property from the Collection of Edward and Mildred Lewis, Bel Air, California.

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132 Attributed to Kees Van Dongen (Dutch, 1877-1968) La Muse watercolor and pencil on paper signed Van Dongen (lower center) and titled, signed again, and inscribed (on the reverse) 17 5/8 x 11 3/8in (44.8 x 28.9cm) $7,000-9,000 Provenance: Property from the Collection of Edward and Mildred Lewis, Bel Air, California.

132

133 Hubert Dalwood (British, 1924-1976) Screen patinated bronze raised on a granite plinth the bronze 48 1/2 x 14 x 5 1/2in (123 x 35.5 x 14cm) $4,000-6,000 Provenance: With Gallerie Feliz, London, 1950s.

Thence by descent in the family to the present owner.

133

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134 A French patinated bronze figure of a harlequin after a model by René de Saint-Marceaux (1845-1915) F. Barbedienne foundry, Paris late 19th/early 20th century Incised ST. MARCEAUX 1879 and F. BARBEDIENNE Fondeur.Paris., with A. Collas Reduction Mecanique pastille and impressed 636. height 27in (68.5cm); width 10 1/4in (26cm); depth 9 1/2in (24cm) $2,000-3,000

134

135 A French parcel gilt and patinated bronze allegorical figure: L’Histoire after the model by Georges Bareau (1866-1931); F. Barbedienne foundry, Paris late 19th/early 20th century Incised to side of base GEORGES BAREAU, further incised BARBEDIENNE FONDEUR and with an A. Collas Reduction Mechanique pastille, raised on a faux marble plinth. the bronze height 24in (61cm); width 21in (53cm); depth 9in (23cm) $2,000-4,000 Provenance: Property of Rosamond Westmoreland, Beverly Hills, California

135

136 A pair of French patinated bronze allegorical figures: Land and Sea after models by Etienne-Henri Dumaige (1830-1888) late 19th/early 20th century Incised H. DUMAIGE, raised on slate bases. height overall 26 1/4in (66.5cm); width 9in (23cm); depth 8in (20.3cm) $1,500-2,000

136

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137 A French patinated bronze figure: Neapolitan Dancer after the model by Albert Ernest Carriere Belleuse (1824-1887) late 19th/early 20th century The base inscribed A. CARRIER and impressed 136 height 41 3/4in (106cm); width 17in (43cm); depth 13in (33cm) $1,500-2,000 Provenance: Property from a Private Collector, Indian Wells, California.

137

138 A French patinated bronze figure: Vingt Ans after a model by François-Raoul Larche (1860-1912) Siot-Decauville foundry, Paris late 19th/early 20th century Incised RAOUL LARCHE, with impressed foundry seal and inscription to base A son President/ Charles Petit/le Cercle des Bourgeois/1908. height 35 1/2in (90cm); width 14 1/4in (36cm) ; depth 11 1/2in (29.2cm) $2,000-3,000

138

139 A French patinated bronze figure: À la terre! after a model by Alfred Boucher (1850-1934) F. Barbedienne foundry, Paris late 19th century Incised A. BOUCHER and F. BARBEDIENNE. FONDEUR. height 26 3/4in (68cm); width 23 1/2in (59.5cm); depth 12 1/2in (32cm) $3,000-5,000

139

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140 A French gilt and patinated bronze equestrian group: Caesar crossing the Rubicon after the model by Jean-Leon Gérôme (1824-1904) circa 1910 Incised J L GEROME and impressed FRANCE 408L. height 15in (38cm); width 18 3/4in (47.5cm); depth 5in (12.5cm) $4,000-6,000 141 A French patinated bronze bust of Napoleon I after a model by Renzo Colombo (Italian, 1856-1885) early 20th century Incised R. Colombo 1885 with gilt title plaque inscribed Napoleon 1er 1812 par Colombo applied to front of base and impressed Bronze Garanti au Titre Paris seal. height 22in (56cm) $1,500-2,000

140

142 A French patinated bronze model of a standing bull after the model by Auguste Nicolas Cain (1822-1894) late 19th century Raised on a rectangular travertine pedestal.

The bronze height 27 1/4in (69cm); width 28in (71cm); depth 11in (28cm) $2,000-4,000 Provenance: With John Nelson Antiques, Los Angeles, California.

Property from the Estate of Paul S. Brenia.

141

143 A French patinated bronze model of a recumbent stag after the model by Santiago Rodriguez Bonome (Spanish, 1901-1995), F. Barbedienne foundry, Paris second quarter 20th century inscribed BONOME and with F BARBEDIENNE foundry mark, raised on a verde antico marble plinth. height 28 1/2in (71.25cm); width 20in (51cm); depth 9in (23cm) $1,500-2,000 Provenance: Property of a Los Angeles Collector.

144 A French gilt bronze mounted lacquer inset mahogany cabinet François Linke, Index Number 32 circa 1900 The upper right mount inscribed F. LINKE, the lockplate stamped CT LINKE SERRURERIE PARIS and numbered 32, the two upper mounts removed each stamped LINKE, the central mount stamped FL and numbered 4223. height 61 1/4in (155.5cm); width 63in (160cm); depth 16 3/4in (42.5cm) $5,000-7,000

142

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Provenance: Property from a private collector, Santa Monica, California

143

144 Design for the Home and Garden | 69

145

145 Italian School (18th century) A pair of architectural capriccios (2) oil on panel 12 1/2 x 16in (32 x 40.5cm) $1,500-2,000

146

146 French School (18th century) Military camp followers at the encampment oil on cradled panel 13 1/2 x 17in (34 x 43cm) $3,000-5,000 147 Continental School (19th century) Surrender after the battle oil on canvas 34 x 41in (86.5 x 104cm) $800-1,200 Provenance: Property from the Estate of Paul S. Brenia.

147

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148 After Gabriel Metsu (Dutch, 1629-1667) Old man selling poultry and game oil on panel 17 1/4 x 13 1/4in (44 x 33.5cm) $1,000-2,000 Provenance: With N L Lepke, Berlin.

Property of Rosamond Westmoreland, Beverly Hills, California.

148

149 Dutch School 18th century Peasants in a country landscape oil on oak panel 29 x 39in (73.5 x 99cm) $5,000-7,000

149

150 Vincente de Garcia Paredes (Spanish, 1845-1903) The Poem oil on canvas signed lower right V. de Paredes 31 3/4 x 23 3/4in (80.5 x 60cm) $2,000-3,000 Provenance: With Anderson Galleries, Beverly Hills, California.

150 Design for the Home and Garden | 71

151 English School (19th century) Portrait of a gentleman in a blue coat oil on canvas 30 x 25in (76 x 63.5cm) $1,000-1,500 152 An imposing Louis XV Provincial walnut buffet en enfilade second half 18th century Each door enclosing one shelf. height 44in (112cm); width 130in (330cm); depth 23in (58.5cm) $800-1,200 Provenance: Property of a Collector, Southern California.

151

152

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153 School of Peter Lely (Dutch, 1618-1680) Portrait of the 1st Duchess of Cleveland oil on canvas 30 x 25in (76 x 63.5cm) $4,000-6,000 154 An English chinoiserie decorated, grain painted and faux bamboo Partners’ writing table second half 19th century With gilt tooled tan leather writing surface above three frieze drawers, to either side, on casters. height 31 1/4in (79cm); width 71 1/4in (181cm); depth 41in (104cm) $4,000-6,000 Provenance: Property of a Collector, Southern California.

153

154

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155 Armin Carl Hansen (American, 1886-1957) Steam schooner coming to dock, Monterey oil on canvas inscribed to stretcher in pencil Armin Hansen, with handwritten label to back I GUARANTEE THIS PAINTING TO BE / AN ORIGINAL BY ARMIN HANSEN / MYRON R OLIVER 16 x 20in (40.5 x 51cm) $4,000-6,000 Provenance: With Adamson-Duvannes Galleries, Los Angeles, California.

Property of Rosamond Westmoreland, Beverly Hills, California

156 Thaddeus Welch (American, 1844-1919) Cattle watering in a rolling hills landscape, 1915 oil on canvas signed lower right T. Welch / © 1915 24 x 36in (61 x 91cm) $3,000-5,000 Provenance: Property of Rosamond Westmoreland, Beverly Hills, California 74 | Andrew Jones Auctions

157 Alexis Matthew Podchernikoff (Russian/American, 1886-1933) View through the eucaluptus oil on canvas signed lower left A.M. Podchernikoff 40 x 32in (101.5 x 81cm) $2,000-3,000 Provenance: Property from a Private Collector, Indian Wells, California.

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158 A Paul Verlaine / Emile Loubet / Edouard Champion scrapbook, 1896 Compiled over the years prior by Emile Loubet, a friend of Verlaine’s at the time and soon to become Prime Minister of France (1899-1906) along with the young publisher Edouard Champion (1882-1938), comprising 81pp of heavy grey card stock of 27 original sketches and caricatures in pencil, ink, and watercolor, 7 autographed notes, 16 lithographs, and 25 photographic portraits and ephemera, bound in rose buckram decoratively stamped, dated and titled, with marbled end papers; together with two editions of Verlaine’s Sagesse , the first is the 1913 facsimile edition of the original manuscript; published by Albert Messein, Paris; in original wraps; the second volume of Sagesse is the 1910 Ambroise Vollard / Jacques Beltrand limited edition illustrated throughout in colors by Maurice Denis, this copy printed for Edouard Champion, as stated on colophon, the third is a copy in wraps of F.A. Cazals’ series Paul Verlaine et Ses Portraits . Paris: Bibliotheque De L’Association, 1896. (4) 11 x 13in (29 x 33cm) $50,000-70,000 Provenance: Collection Edouard Charpirn (a gift from the artist Thence by descent to the present owner Footnote: This intimate scrapbook folio is a compilation of 27 original sketches and caricatures in pencil, ink, and watercolor, 7 autographed notes, 16 lithographs, and 25 photographic portraits and ephemera.

Pages 1-43 contain generally an image per page of original lithographic as well as photographic portraits and reproductions of Verlaine by his friends and contemporaries: from the likes of F.A. Cazals, Otto, Genty, Granerolle, Anders Zorn, Austin de Croze, Anquetin, Vibert, Jan Veth, F. Volloton, Robert Vallin, Fernand L’Anglois and Ladislas Loevy.

Page 45 offers an original drawing by L. Loevy of Verlaine ill in bed.

Page 47 holds three images, two of which are original portrait drawings by F.A.Cazals, one entitled Verlaine ou Darwin and the other Paul Verlaine en matelot.

Pages 48-49 exhibit ten original drawings and caricatures eight of which are by F. A. Cazals, then one each by Ernest Delahaye and George Hugon.

Page 51 is a 28 line Verlaine hand written poem in manuscript entitled Le Bon Larron. The poem bears various corrections and marginalia and is fully signed at the end. Manuscript is in pen; paper is creased and tape repaired; age toned yet clear and legible.

Page 53 is a hand-colored image of Verlaine by Emile Cohl which appeared on the cover of Les Hommes d’ Aujourd’hui #244.

Page 55 is a tipped in original lithograph of Verlaine in caricature in 1867 after the publication of his collection entitled Poems Saturniens.

Page 58 is a an original Cazals lithograph in colors Les Sanglots longs... 1896; hand tinted and signed by Cazals.

Pages 58-59 are both original drawings by Paul Verlaine. The first is Verlaine’s 1868 Carte du Parnasse. A 4 x 5in topographical fantastique rendering of Verlaine’s idea of Parnasse, complete with the Sea of Ennui, the Ocean of Genius, and the Province of Mediocrity. On the facing side is Verlaine’s brilliant self portrait caricature in India ink on paper; signed, titled, and dated 1867.

Page 61 is a fine sketch in blue pencil of Verlaine and the young Edouard Champion by an unknown artist, but most likely Willette.

Page 63 is an original Ladislas Loevy ink and etched surface portrait of Verlaine, dated September 1888, and signed.

Page 67 is an original drawing by Willette in blue pencil entitled The Dancer possibly from the café Francois Ier. Pages 72-73 consist of three images by Verlaine are laid out, two are self portraits in caricature and the third is a more traditional effort by Verlaine in watercolors, depicting a stormy summer scene aptly entitled Tempete; to the upper left portion of this painting are four lines of verse in Verlaine’s hand.

Pages 74-75 take on a lighter mood of fantasy and play; both larger drawings with ink by Verlaine, one where he envisions himself as Icarus descending, and the other as a jockey crop in hand pushing his exceedingly thin horse forward.

Pages 76-77 reveal Verlaine’s darker humor as we encounter the full length of a skinned cat in colors with a rope around its neck and facing is another of Verlaine’s self portraits with an imposing mustache along with death at his side.

Pages 78-79 culminate in some wonderfully fantastical Boschian images in ink and watercolors of a polar moon lit scene with seven figures fishing and ending suitably with Verlaine’s masterful ink rendering of his vision of the apocalypse.

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159 Paul Signac (French, 1863-1935) Paris, Le Pont au Change, circa 1932 charcoal and sepia ink wash on paper laid down to cardstock faintly dedicated and signed with initials à Edouard P.S.(lower right) 4 x 6 3/4in (10.2 x 17.1cm) Estimate 2,000 - 3,000 Provenance: Collection of Edouard Champion (a gift from the artist).

Thence by descent to the present owner.

Note: We thank Marina Ferretti, specialist in the work of Paul Signac and co-author of the catalogue raisonné of the artist, for her assistance in the authentication and cataloguing of this lot.

159

160 Paul Signac (French, 1863-1935) Paris, La Passerelle des Arts, 1933 pen and sepia ink wash on paper dedicated, signed with initials, and dated à Edouard, / le voeux d’un ami P.S. 1933 (lower right) 4 1/8 x 5 1/2in (10.5 x 14cm) Estimate 3,000 - 5,000 Provenance: Collection of Edouard Champion (a gift from the artist).

Thence by descent to the present owner.

Note: We thank Marina Ferretti, specialist in the work of Paul Signac and co-author of the catalogue raisonné of the artist, for her assistance in the authentication and cataloguing of this lot.

160

161 Paul Signac (French, 1863-1935) Paris, Pont Marie, 1932 charcoal and sepia ink wash on paper laid down to cardstock dedicated, dated, and signed pour Ed. Champion / 1.1.32 amicalement P. Signac (lower left) 4 5/8 x 7 1/4in (11.7 x 18.4cm) Estimate 3,000 - 5,000 Provenance: Collection of Edouard Champion (a gift from the artist).

Thence by descent to the present owner.

161

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Note: We thank Marina Ferretti, specialist in the work of Paul Signac and co-author of the catalogue raisonné of the artist, for her assistance in the authentication and cataloguing of this lot.

162 Paul Signac (French, 1863-1935) Paris, Le Pont Neuf, 1928 charcoal and sepia ink wash on paper laid down to cardstock signed, dedicated, and dated P. Signac / cordial homage d’un ami d’Edouard 1928 (lower left) 6 x 9 7/8in (15.2 x 25.1cm) Estimate 4,000 - 6,000 Provenance: Collection of Edouard Champion (a gift from the artist).

Thence by descent to the present owner.

Note: We thank Marina Ferretti, specialist in the work of Paul Signac and co-author of the catalogue raisonné of the artist, for her assistance in the authentication and cataloguing of this lot.

163 Paul Signac (French, 1863-1935) Paris, La Passerelle des Arts, circa 1930 graphite and watercolor on paper laid down to paper laid down to cardstock dedicated indistinctly and signed à Mademoiselle Marie Louise Champion / en hommage P. Signac (lower right) 5 x 7 in (12.7 x 17.8cm) Estimate 6,000 - 8,000 Provenance: Collection of Edouard Champion (a gift from the artist).

Thence by descent to the present owner.

Note: We thank Marina Ferretti, specialist in the work of Paul Signac and co-author of the catalogue raisonné of the artist, for her assistance in the authentication and cataloguing of this lot.

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164 Rembrandt Harmenszoon van Rijn (Dutch, 1606-1669) Christ Healing the Sick (The Hundred Guilder Print), circa 1649 etching, engraving, mezzotint, and drypoint, on laid Japan paper. second (final) state, an early, well wrought, clean, and very dark impression 15 1/2 x 11in (39.5 x 28 cm) $12,000-15,000 Provenance: Property from a Private Nevada Collector.

Footnote: Rembrandt worked on the Hundred Guilder Print in stages throughout the 1640s, and it was the “critical work in the middle of his career”, from which his final etching style began to emerge. The etching was completed in 1649. The etching has been heralded as a “technical tour de force, incorporating an enormous diversity of printmaking styles and techniques”.Etching pre-dates Capt. William Baillie’s purchase and subsequent reworking (1775) of the original copper plate as it lacks Baillie’s rougher hand and re-working to areas with deeper diagonal lining (see the asses neck and back in the right foreground.

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165 After Giovanni Antonio Canaletto (Venetian, 1697-1768) View of the Bacino di San Marco, Venice (18th/19th century) oil on canvas 27 1/2 x 39 1/2in (70 x 100cm) $2,000-3,000 Provenance: Property from Wade Hansen, Carpinteria, California.

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166 A pair of George III line inlaid satinwood, burr elm, mahogany, amaranth, harewood and marquetry card tables probably Irish circa 1790 Each with swiveling hinged fold over top reversing to a green baize lined playing surface. height 29in (73.5cm); width 37in (94cm); depth [closed] 17 3/4in (45cm); depth [open] 35 1/2in (90cm) $4,000-6,000 Provenance: Property of a Collector, Southern California.

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167 A pair of Regency brass inlaid exotic hardwood card tables circa 1820 Each with with swiveling hinged fold over top reversing to a a gilt tooled black leather playing surface and enclosing a well, on casters. height 28 1/2in (72cm); width 36in (91.5cm); depth [closed] 17 3/4in (45cm); depth [open] 35 1/2in (90cm) $2,500-3,500 Provenance: Property of a Collector, Southern California.

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168 A fine George III mahogany architect’s desk Gillows of Lancaster circa 1790 The rectangular top above a double paneled secretaire drawer stamped GILLOWS LANCASTER enclosing a later green and gilt tooled leather slide with central ratcheted writing surface, above six alphabetical inlaid hinged lidded compartments surrounding a central well, over an arched kneehole flanked by two pedestals each with three drawers over a plinth, with faux drawers to the reverse. height 35 3/4in (91cm); width 49in (125cm); depth 26 1/2in (67cm) $4,000-6,000 Provenance: Sold Bonhams, Los Angeles, 10 June 2013, lot 4045.

Property of a Collector, Southern California.

Footnote: This desk is part of a group of architect’s desks by or attributable to Gillows which exist in several different versions.

Another very closely related example was purchased from Gillows in 1810 by Sir Walter Scott for his house on Castle Street in Edinburgh. A similar desk, with ratcheted top, sold Bonhams, New Bond Street, Fine English and Continental Furniture, 21 November 2006, lot 47.

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169 Two Italian trompe l’oeil scagliola panels Tarsilla Vittoria Seyter, Rome mid 18th century One signed lower left Tarsilla Vittoria Seyter fece, decorated with trompe l’oeil engravings from Latin texts nailed to wooden panels, painted and chalk numbers to reverse. the larger 22 1/2 x 21in (57 x 53cm) $8,000-12,000 Provenance: Property from a Private Collection, Newport Beach, California.

Footnote: There is evidence of scagliola decoration in ancient Roman architecture. This form of decoration evolved to become extremely popular in Italian Baroque buildings of the 17th century and endured in Grand Tour objects through the 19th century. This particular method of forming a composite from selenite from the Appennini Mountains in Emilia and Tuscany, lime, glue and natural pigments to imitate marble, hard stones and even wood lent itself to endless decorative uses and competed with more expensive pietre dure ornament.

The Seyter family had German origins and the first artist in the family was Daniel Seyter, painter to the Italian court (1649-1705), known as Daniele Fiammingo (the Flemish). His sons Pietro and Amedeo along with Amedeo’s daughter Tarsilla Vittoria worked in Turin and Rome in the medium of scagliola. Their scagliola work is characterized by the simulation of trompe l’oeil engravings on marble or wood. A smaller landscape work by Tarsilla Vittoria Seyter sold Drouot, Paris, 9 June 2011, lot 124.

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170 Johann Cornelius Mertz (Dutch, 1819-1891) Playtime with baby, 1855 oil on panel signed lower right J C Mertz and dated, with applied wax seal to back of board 22 x 16 3/4in (56 x 43cm) $1,500-2,500 Provenance: Property from a Private Collector, Laguna Hills, California.

170 171 An Austrian Empire gilt bronze mounted mahogany and white marble console table early 19th century height 30 3/4in (78cm); width 40in (101.5cm); depth 18in (46cm) $1,500-2,000 Provenance: Property of a Collector, Southern California.

171

172 A Sarouk carpet Central Persia dimensions approximately 18ft x 8ft 8in (548 x 265cm) $2,000-3,000 Provenance: Property from a Private Estate, Pasadena, California.

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173 Marie H Guise Newcomb (American, 1865-1895) A Good Point, 1893 oil on canvas signed lower right Marie Guise Newcomb and dated, with old handwritten exhibition label to back inscribed with title, numbered 232 and artist’s name 24 x 16in (61 x 40.5cm) $1,500-2,000 Provenance: Property from a Private Collector, Laguna Hills, California.

173 174 A Ralph Lauren brass mounted mahogany campaign desk post 1950 With detachable superstructure. height 35 1/2in (90cm); width 60in (152.5cm); depth 30in (76.5cm) $800-1,200 Provenance: Property from a Private Collector, Santa Monica, California

174

175 A Kerman carpet South Central Persia dimensions approximately 17ft 7in x 11ft 1in (537 x 338cm) $1,500-2,500

175 Design for the Home and Garden | 87

176 A pair of Baltic Neoclassical style gilt bronze and cut glass four branch wall lights late 19th/early 20th century height 30in (76cm); width 14 1/2in (37cm); depth 9 1/2 (24cm) $800-1,200 Provenance: Property from the Estate of Ed McMahon.

176

177 A French patinated bronze bust of Albrecht Dürer after a model by Albert-Ernest CarrierBelleuse (1824-1887) late 19th/early 20th century Incised A. CARRIER, raised on a gilt bronze socle and rouge marble plinth base. height 20in (51cm); width 13 1/2in (34.3cm); depth 8in (20.3cm) $800-1,200

177

178 An Italian patinated bronze Athenienne form jardinière stand Giorgio Sommer (German/Italian, 1834-1914) late 19th/early 20th century After the Antique, the base incised G. SOMMER. height 35 1/2in; (90cm); width over handles 19 1/2in (49.5cm) $400-600 Provenance: Property from the Collection of Mary and Lou Silver, Indian Wells, California.

178

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179 A French patinated bronze plaque: La Pensée after a model by Henri Chapu (1833-1891) Thiebaut Freres foundry, Paris late 19th century Incised H. CHAPU, impressed foundry seal, mounted within a giltwood border. height of bronze 13 3/4in (35cm); width of bronze 8 1/2in; height overall 14 1/2in (37cm); width overall 10in (25.5cm) $800-1,200

179

180 An Italian Baroque bronze mortar and pestle dated 1630 With applied Roman numeral date MDC XXX to one side and initials GB A opposite. (2) the mortar height 8 1/4in (21cm); width 11in (28cm); depth 9 7/8in (25cm); length of pestle 14 1/4in (36cm) $1,000-1,500 Provenance: Property of a Collector, Southern California.

180

181 A French patinated bronze model of the Venus de Milo after the Antique F. Barbedienne foundry, Paris early 20th century Incised F. BARBEDIENNE.FONDEUR and with A. Collas Reduction Mecanique pastille, incised 55 to underside. height 18 1/2in (47cm) $600-800

181

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182

182 Flemish School (17th century) Preparing the Ark oil on canvas 28 x 36in (71 x 91cm) $4,000-6,000 Provenance: Property of Rosamond Westmoreland, Beverly Hills, California.

183

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183 A pair of Continental Baroque style carved walnut and tapestry upholstered armchairs chairs second half 19th century, tapestry 17th century height 50in (127cm); width 24 1/2in (62.5cm); depth of seat 19 1/2in (49.5cm) $1,500-2,000

184

184 Albert Kappis (German, 1836-1914) Unloading the day’s catch, 1885 oil on canvas signed lower left Kappis, Stuttgart and dated 25 x 47in (61 x 120cm) $4,000-6,000 Provenance: Property from a Private Collection, Santa Barbara, California.

185 An Italian gilt bronze mounted fruitwood bureau cabinet incorporating antique and later elements The arched mirrored door enclosing a configuration of shelves and drawers centering an arch enclosing a cipher mount AO under a coronet, above a slant front reversing to a writing surface and enclosing eight drawers, the lockplate engraved with a ducal coat of arms and motto NOSCE TE IPSUM, on casters. height 88 1/2in (225cm); width 39 1/2in (100cm); depth 22in (56cm) $1,500-2,000 Provenance: Property from the Collection of Mary and Lou Silver, Indian Wells, California.

185

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186 Raoul Dufy (French, 1877-1953) Volaille ink on paper stamped Atelier Raoul Dufy lower right 15 x 21 1/2in (38.1 x 54.6cm) $700-900 Provenance: Property from the Collection of Mary and Lou Silver, Indian Wells, California.

187 Attributed to Adrian Frans Boudenwyns (Belgian, 1644-1719) Port market oil on canvas 11 1/4 x 13 1/4in (28.5 x 33.5cm) $4,000-6,000

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(part lot) 188 An extensive assembled Gorham sterling silver Versailles pattern flatware service for twelve 20th century Comprising 12 dinner forks, 12 dinner knives (New French blade); 12 luncheon forks, 12 luncheon knives (blunt blade), 12 fish forks, 12 fish knives, 12 salad/dessert forks, 12 butter spreaders, 12 cocktail forks, 12 oval bowl soup/dessert spoons, 12 round bowl soup spoons, 12 tea spoons, 12 iced beverage spoons, 12 citrus spoons, 5 table spoons and 18 serving pieces, some monogrammed. (191) total weighable silver approximately 225oz troy $7,000-9,000 Provenance: Property from a Private Collector, Indian Wells, California.

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189 An Irish George III sterling silver swing handle sugar basket Dublin circa 1775 Engraved with a heraldic crest, lacking liner. height 4 3/4in (12cm); diameter 5in (12.5cm); weight approximately 6.5oz troy $400-600 190 An Irish George III silver dish ring possibly Cork circa 1770 Engraved with a heraldic crest. height 4 3/8in (11cm); diameter 7 1/2in (19cm); weight approximately 14.5oz troy $1,500-2,000 189

Provenance: With The Antique Shop, Ltd., Cork, 25 September 1967.

191 A Louis XVI style silvered bronze three part surtout de table early 20th century height 2 1/2in (6cm); width 66in (168cm); depth 23in (58.5cm) $1,000-1,500 Provenance: Property from the Estate of Ed McMahon.

190

191

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192 An Irish George III sterling silver coffee pot Dublin circa 1770 With later monogram. height 10 1/4in (26cm); length over handle 8 1/2in (21.5cm); width 5in (12.5cm); gross weight approximately 28.5oz troy $1,000-1,500 193 An Irish Victorian sterling silver cream jug and sugar bowl set West & Son, Dublin 1898 height of jug 4 1/4in (10.5cm); diameter of bowl 4in (10cm); total weight approximately 8.5oz troy $400-600

192

193

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195 194

194 A French Neoclassical style first standard oval covered sugar bowl Fray Fils, Paris late 19th century height 5 1/2in (14cm); width over handles 7 1/2in (19cm); depth 4 1/2in (11.5cm); total silver weight approximately 11oz troy $400-600

195 A pair of Louis XVI silver double salts maker’s mark BJC, Paris 1774 and with French import marks, second half 19th century With cobalt glass liners, monogrammed. height 4 1/2in (11.5cm); width 5 1/2in (14cm); depth 2 1/2in (6.5cm); silver weight approximately 11.5oz troy $300-500

197

196 196 A pair of Empire weighted first standard silver candlesticks 1798-1809 height 12in (30.5cm); diameter 5in (12.5cm) $400-600

197 A Meriden Britannia sterling silver reticulated centerpiece bowl circa 1900 With flower frog cover, monogrammed. the bowl height 3 3/4in (9.5cm); diameter 13 1/2in (34cm); silver weight approximately 44oz troy $1,000-1,500 Provenance: Property from a Private Collection, Santa Barbara, California.

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198 A late Victorian sterling silver gilt Stag Hunt pattern dessert service for six Goldsmiths & Silversmiths Co., London 1900 Comprising six forks, six knives and six spoons. (18) total weighable silver approximately 30oz troy $1,200-1,800 Provenance: Property from a Private Collection, Newport Beach, California.

198

199 A Russian silver and silver gilt mounted coconut cup maker’s mark EG, Moscow circa 1745 The cup carved with the Imperial double headed eagle, the coat-of-arms of Moscow and the Imperial Russian Artillery. height 9 1/4in (23.5cm); diameter 3 3/4in (9.5cm) $1,500-2,000 Provenance: Property from a Private Collection, Newport Beach, California.

199

200 A German Art Deco sterling silver flatware service for eight WMF, Geislingen circa 1930 Comprising 8 dinner forks, 8 dinner knives, 8 soup spoons, 8 luncheon forks, 8 luncheon knives, 8 dessert spoons, 8 teaspoons, 8 iced beverage spoons and 7 serving pieces.

(71) total weighable silver approximately 85oz troy $1,200-1,800

200 (part lot) Design for the Home and Garden | 97

201 A Continental silver figural handled mahogany walking stick late 19th/early 20th century overall length 35 1/2in (90cm) $700-900 Provenance: Property from a Private Collection, Newport Beach, California.

201

202 A Continental amber bird head handled fruitwood walking stick early 20th century overall length 37 1/2in (95cm) $500-700 Provenance: Property from a Private Collection, Newport Beach, California.

202

203 A Continental colored stone inset silvered metal jester head handled hardwood walking stick early 20th century overall length 33 1/4in (84cm) $1,000-1,500 Provenance: Property from a Private Collection, Newport Beach, California.

203

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204 A Continental stone inset silvered metal mounted ebony rabbit head handled parasol late 19th/early 20th century overall length 36in (91.5cm) $500-700 Provenance: Property from a Private Collection, Newport Beach, California.

204

205 An English silver gilt bird head handled parasol maker’s mark illegible, London 1911 Snap closure with monogram logo PJK for Polan Katz. overall length 33 1/2in (85cm) $500-700 Provenance: Property from a Private Collection, Newport Beach, California.

205

206 An English silvered metalware camel head handled fruitwood walking stick late 19th / early 20th century Inscribed MATTHEW BLEST, ELLFORD HILL, NEAR ECCLESHALL. overall length 37 3/4in (96cm) $600-800 Provenance: Property from a Private Collection, Newport Beach, California.

206

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207 A pair of Neoclassical style cast stone jardinières post 1950 height 26in (66cm); diameter 23 1/2in (59.5cm) $600-800

207

208 Five Neoclassical style cast stone rectangular jardinières post 1950 height 13in (33cm); width 41 3/4in (106cm); depth 14 3/4in (37.5cm) $1,000-1,500

208 (part lot)

209 Four Neoclassical style cast stone square jardinières post 1950 height 22in (56cm); width 26in (66cm); depth 26in (66cm) $1,000-1,500

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210 A companion pair of cast iron jardinières post 1950 height 25in (63.5cm); diameter 27 1/2in (70cm) $700-1,000

210

211 Five Neoclassical style cast stone rectangular jardinières post 1950 height 15 1/2in (39.5cm); width 47 1/2in (120.5cm); depth 15 1/2in (39.5cm) $1,000-1,500

211 (part lot)

212 A set of four Neoclassical style cast stone square jardinières post 1950 height 22in (56cm); width 26in (66cm); depth 26in (66cm) $1,000-1,500

212 (part lot)

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213 A Continental Neoclassical carved marble jardinière 20th century height 16 3/4in (420.5cm); width 16 1/2in (42cm); depth 16in (40.5cm) $1,000-1,500

213

214 An imposing bespoke painted steel console modern height 38in (96.5cm); width 112in (284.5cm); depth 22in (56cm) $500-700 Provenance: Property from a Private Collector, Pasadena, California.

214

215 A pair of Neoclassical style cast stone concave garden benches Post 1950 height 17 1/4in (43.5cm); width 52in (132cm); depth 20 1/2in (52.5cm) $500-700

215 102 | Andrew Jones Auctions

216 A seven piece suite of Michael Taylor Montecito patinated metal garden furniture Comprising six armchairs and dining table. height 29in (73.5cm); diameter 72in (183cm); $1,000-1,500 Provenance: Property from a Private Collector, Pasadena, California.

217 A pair of Brown Jordan patinated aluminum garden sofas post 1950 height 34 1/2in (87.5cm); width 76 3/4in (195cm); depth of seat 19 3/4in (50.5cm) $600-800 Design for the Home and Garden | 103

218 A pair of Continental painted stone campana form urns 19th/20th century height 60in (152.5cm); width 27in (69cm); depth 28in (71cm) $1,000-1,500 Provenance: Property from a Private Collection, Beverly Hills, California.

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219 A pair of English lead sphinxes on stone plinths sphinxes 18th/19th century, plinths later overall height 42in (107cm); length 45in (114.5cm); depth 18 1/2in (47cm) $3,000-5,000 Provenance: Property from a Private Collection, Beverly Hills, California.

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(part lot)

220 A five piece suite of Michael Taylor Montecito patinated metal garden furniture Comprising a sofa, adjustable sun chaise, two ottomans and side table. height of sofa 30 1/2in (77.5cm); width 95 1/4in (242cm); depth 35in (89cm) $1,000-1,500

221 A seven piece Brown Jordan patinated aluminum garden dining suite post 1950 Comprising a dining table and six side chairs. height of table 29 1/4in (74cm); diameter 60 1/2in (155.5cm) $600-800

Provenance: Property from a Private Collector, Pasadena, California.

222 A pair of Brown Jordan patinated aluminum garden lounge chairs and ottomans post 1950 Together with a pair of patinated iron and glass low side tables.

(6) height of chairs 33 3/4in (85.5cm); width 28 1/2in (72.5cm); depth of seat 19in (48cm) $500-700

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223 A Brown Jordan patinated aluminum garden sofa and coffee table post 1950 height of sofa 34 1/2in (87.5cm); width 76 3/4in (195cm); depth of seat 19 3/4in (50.5cm); height of coffee table 18 1/4in (46cm); width 44 1/4in (112.5cm); depth 27 1/4in (69cm) $500-700

224 A seven piece Brown Jordan patinated metal Florentine garden dining suite post 1950 Comprising an oval table and six armchairs. height of table 29in (73.5cm); width 48in (122cm); length 71 3/4in (182cm); height of armchairs 35 1/2in (90cm); width 22 1/4in (56.5cm); depth of seat 18in (45.5cm) $600-800

224

225 A set of five Brown Jordan patinated metal Florentine counter stools post 1950 height 39 1/2in (100.5cm); width 18in (45.5cm); depth of seat 15 1/2in (39.5cm); seat height 23in (58.5cm) $500-700

225

226 A set of five Brown Jordan patinated metal Florentine lounge chairs and ottomans post 1950 height of lounge chairs 33in (84cm); width 24 1/4in (61.5cm); depth of seat 25in (63.5cm) $600-800

226 (part lot) Design for the Home and Garden | 107

227 A seven piece Brown Jordan patinated metal Florentine garden dining suite post 1950 Comprising a table and six armchairs. height of table 29 1/4in (74cm); diameter 49 1/2in (125.5cm); height of armchairs 35 1/2in (90cm); width 22 1/4in (56.5cm); depth of seat 18in (45.5cm) $600-800

227

228 Three Brown Jordan patinated metal Florentine side tables and a bar cart post 1950 height of bar cart 32in (81cm); width 30 1/2in (77.5cm); depth 20 1/4in (51cm) $400-600

228

229 Three Brown Jordan patinated metal Florentine chaises longue post 1950 height 41in (104cm); width 28in (71cm); depth of seat 47in (119.5cm) $500-700

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230 A seven piece Brown Jordan patinated metal Florentine garden dining suite post 1950 Comprising a table and six armchairs. height of table 29 1/4in (74cm); diameter 49 1/2in (125.5cm); height of armchairs 35 1/2in (90cm); width 22 1/4in (56.5cm); depth of seat 18in (45.5cm) $600-800

230

231 A set of six Brown Jordan patinated metal Florentine occasional tables post 1950 height 18 1/2 (47cm); diameter 19 1/2in (49.5cm) $500-700

231

232 A pair of Brown Jordan patinated metal Florentine chaises longue post 1950 height 41in (104cm); width 28in (71cm); depth of seat 47in (119.5cm) $300-500

232

Design for the Home and Garden | 109

Glossary The following are examples of the terms used in this catalogue.

While every reasonable effort has been made to ensure that the statements made in the catalogue are correct, all statements and terminology in this catalogue are opinions of Andrew Jones Auctions and are subject to the provisions of the Terms and Conditions of Sale. Andrew Jones Auctions and Consignors make no warranties or representations with respect to any aspect of any lot. Buyers are invited to inspect the property themselves.

Bronzes

Furniture

Silver

A George II mahogany secretary cabinet second quarter 18th century This heading, with date included, means that the piece is, in our opinion, of the period indicated with no major alterations or restorations.

A George II mahogany secretary cabinet incorporating antique and later elements This heading, indicates that, in our opinion, the piece, while basically of the period, has undergone significant restoration and alteration.

A George II mahogany secretary cabinet composed of antique elements This heading, indicates that, in our opinion, the piece, while basically of the period, has undergone significant restoration and alteration.

A George II style mahogany secretary cabinet The inclusion of the word “style” in the heading indicates that, in our opinion, the piece was made as an intentional reproduction of an earlier style.

Ceramics A Meissen porcelain figural group fourth quarter 18th century This heading indicates that in our qualified opinion the figural group was made at the Meissen factory in the fourth quarter of the 18th century.

A Meissen porcelain figural group This heading indicates that in our qualified opinion the figural group was made at the Meissen factory but does not specify when, implying the age is uncertain.

A Meissen style porcelain figural group fourth quarter 19th century This heading indicates that in our qualified opinion the figural group was not made at the Meissen factory but at another factory in the fourth quarter of the 19th century.

Jean-Baptiste Carpeaux (French, 1827-1875) This heading indicates that in our qualified opinion the work has been cast with the artist’s consent or that of his estate.

After a model by Jean-Baptiste Carpeaux (French, 18271875) This heading indicates that in our qualified opinion the work is a copy of the artists model and not connected in any way with the artist or his estate.

A George III sterling silver dinner plate

by George Parker and Edward Wakelin, London 1770 This heading states that in our opinion, this piece was made in the workshop of the master(s) or struck with his sponsor’s mark prior to retailing and hallmarked at the London Assay Office in the assaying year stated.

A George III sterling silver dinner plate apparently without maker’s mark or maker’s mark rubbed circa 1770 This heading states that in our opinion, this piece was made during the specified monarch’s reign and is unmarked, or illegibly marked.

A George III sterling silver dinner plate bearing marks of George Parker and Edward Wakelin, London 1770 This heading states that in our opinion, this piece this piece was made during the specified monarch’s reign, though maker’s attribution and exact date are questionable.

There are variations to the dating systems within the British Isles and in other countries. Please note the weights listed in this catalog are approximate.

Paintings Authorship (Artist) In our best judgment, is by the named artist. (No unqualified statement as to authorship is made or intended.)

Attributed to (Artist) In our best judgment a work of the period and in the style of the artist; may be the work of the artist, in whole or in part, but less certainty of authorship than in the preceding category.

Studio of (Artist) In our best judgment a work by an unknown hand working in the artist’s studio.

Circle of (Artist) In our best judgment a work of the period of the artist and closely related to the artist’s style.

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Glossary (cont.)

Follower of (Artist) In our best judgment a work by an artist working in the artist’s style, in his lifetime or shortly thereafter.

Title If there is a generally accepted title of the lot, that title is given at the beginning of the description. If the work does not have a title or the title is not known to us, a descriptive title is given.

with one or more of these treatment or enhancements.

Therefore we would like to remind all prospective buyers that unless otherwise noted in the catalog, the buyer should assume that one or more of these treatments is present in the described gem material and may or may not be permanent or detectable.

When Andrew Jones Auctions has obtained additional information from a reputable, recognized laboratory or external source, we will commonly include the findings in our catalog description as additional information to prospective buyers.

Various laboratories exist for these types of reports and findings may or may not be in agreeance with each other. Therefore, Andrew Jones Auctions makes no guarantees as to the accuracy or consistency of these reports and/or findings, but rather we provide this information to our clients in order to assist them in making determinations for bidding purposes.

Signature Signed The signature is, in our opinion, the signature of the artist.

Special Notice to Prospective Watch and Timepiece Buyers:

Manner of (Artist) In our best judgment a work in the style of the artist, possibly of a later date.

After (Artist) In our best judgment a copy of the known work by the artist.

Bears Signature Has a signature which, in our opinion, might be the signature of the artist. The signature, inscriptions and dates are transcribed in print as they appear.

Condition No statement is implied or intended regarding the imperfections or general condition of a work. If you have questions on the condition of a piece, we would be glad to provide an opinion for guidance only. Condition reports may not include all adaptations, alterations or faults. Our staff are not professional conservators or restorers. Condition reports are not an alternative to examining a lot in person or obtaining your own professional advice. Andrew Jones Auctions will not be liable for failure to furnish a condition report. Unless specifically illustrated and noted, fine art frames are not included in the estimate or purchase price. Andrew Jones Auctions accepts no liability for damage or loss to frames while in storage. As stated in paragraph 7 of our Terms & Conditions of Sale, Andrew Jones Auctions is not responsible for loss damage of any kind or to frames or any other item when in the possession of a third-party shipper or any unaffiliated individual or collection service.

Special Notice to Prospective Jewelry Buyers: Prospective jewelry bidders should exercise caution. Diamonds and gemstones commonly undergo various type of treatments, including but not limited to: heat treatment, irradiation, oiling, bleaching and/or dyeing, resin and/or polymer impregnation, diffusion, fracture filling, laser drilling, high temperature high pressure (a.k.a. HTHP) and coating with wax or other compounds. These represent some of the treatments which are common in the industry and are generally considered acceptable. While Andrew Jones Auctions endeavors to disclose the most noteworthy of these, many treatments are not listed in the catalog as many gemstones are regularly treated

Prospective watch and timepiece bidders should exercise caution. While Andrew Jones Auctions offers a short description of the piece, the catalog notes and condition reports are not intended to be a complete analysis of the condition of any watch or timepiece. All watches and timepieces offered at auction are often of age and have received much wear during their lifetime. All watches and timepieces are to be sold in ‘as is’ condition and we encourage bidders to evaluate the piece in person prior to bidding.

CITES: Some materials such as coral, shell, horn and bone (to name a few) are subject to import/export regulations in compliance with CITES. Items containing a material listed under CITES protection may require additional licenses or be banned completely from import or export to and from the US and other countries.

BURMA: In accordance with the current US restrictions, import into the US of materials which originated from Burma during the tenure of this restriction (most notably jade and ruby) is not permitted.

In either of these above mentioned cases concerning CITES, Burmese or any restricted material, it is the responsibility of the buyer to obtain any necessary licenses or documentation that is required to ship any materials that fall under these legal restrictions. Failure to obtain permission or licenses to import or export items purchased at auction does not justify cancellation of sale or delay in payment settlement.

Design for the Home and Garden | 111

Conditions of Sale By bidding at auction, whether present in person or by agent, by absentee bid, telephone, internet or other means, the buyer agrees to be bound by these Conditions of Sale.

1. Unless otherwise indicated, Andrew Jones Auctions, is acting as an agent for the seller (consignor).

2. The ‘bid price’ refers to the highest bid acknowledged by the auctioneer. The highest bidder acknowledged by the auctioneer shall be the buyer. The auctioneer has the right to reject any bid, to advance the bidding at his or her absolute discretion and in the event of any dispute between bidders to determine the successful bidder or to reoffer and resell the lot in dispute. If any dispute arises after the sale, Andrew Jones Auctions sale record shall be conclusive in all respects.

3. The ‘purchase price’ is the sum of the final bid (hammer price) plus the buyer’s premium and applicable sales tax, unless the buyer is exempt by law from such taxes. The buyer’s premium per lot is 25% on the first $500,000; 18% on the amount between $500,001 and $2,000,000; 12% on any amount above $2,000,000. Bidders using Liveauctioneers online bidding platform will be subject to an additional 5% premium.

4. Payment must be received by Andrew Jones Auctions within three business days following the auction. We accept bank wire transfers, checks and credit cards (to a maximum of $50,000). ALL INTERNATIONAL BUYERS WITH ANDREW JONES AUCTIONS MUST PAY BY WIRE TRANSFER. All payments made by personal check will be subject to clearance before purchases can be collected. Buyers who have not purchased from Andrew Jones Auctions previously will be asked to provide photo identification, method of payment and/or financial references prior to the auction. Buyers outside of the United States must submit payment via wire transfer.

5. Buyers shall not take possession of any lot until all amounts due to Andrew Jones Auctions have been paid in full.

Packing material and loading assistance are NOT provided.

6. All lots must be removed within fifteen days of the date of the auction or storage charges of $10/day will be charged for each lot, or property will be sent to offsite storage at the buyer’s expense. If property is not collected within ninety days, it will be considered abandoned and Andrew Jones Auctions reserves the right to retain any payments made and to sell the property in order to recover storage fees.

7. Andrew Jones Auctions does not have in-house shipping services; however, we can provide you with information on third-party shippers for you to contact directly. Andrew Jones Auctions is not responsible for the services provided by third-party shippers.

8. Upon fall of the hammer, title to any offered lot will immediately pass to the highest bidder, subject to compliance by the buyer with these Conditions of Sale. The buyer assumes full risk and responsibility of the property sold, agrees to sign any requested confirmation of purchase and agrees to pay the full purchase price.

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9. We reserve the right to withdraw, postpone or cancel any lot or sale before or during the auction for any reason.

10. No lot may be transferred.

11. All property is sold AS-IS. Andrew Jones Auctions, its agents, employees and the consignor, make no warranty or guarantee of title, merchantability or fitness for a particular purpose, or other warranty or representation regarding the description, authenticity, attribution, period, culture, source, origin, provenance, age, size or condition. For this sale, please see supplementary conditions of sale and glossary.

12. Andrew Jones Auctions offers absentee, telephone and internet bidding as a convenience to clients and does not accept responsibility for errors or failure to execute bids for any reason. Internet bidding is offered through third-party online bidding platforms.

13. Unless otherwise stated, lots offered may be subject to a reserve. The reserve is a price that we cannot sell an item below. This price is confidential between Andrew Jones Auctions and the seller. By law, the reserve cannot exceed the low estimate of any given lot. The auctioneer will protect the reserve on behalf of the seller by opening bidding or advancing bidding until reaching the reserve.

14. The copyright on all images, illustrations, digital images and text of any catalog produced by Andrew Jones Auctions are the property of Andrew Jones Auctions. You will not reproduce such text, photographs, illustrations or digital images without our prior written consent.

15. In the event that delivery cannot be made to the buyer because of loss due to fire, theft or any other reason, or a sale cannot be completed, our liability will be limited to the purchase price.

16. Condition reports are offered as a courtesy to our clients and are a statement of opinion and should not be treated as a statement of fact. Andrew Jones Auctions is not responsible for any error or omission. The absence of a condition report on an item does not imply the lot is in perfect condition or free from typical wear or effects commensurate with age. Buyers or their agents are responsible for determining to their own satisfaction the condition of any lot prior to bidding.

17. The respective rights and obligations of the parties with respect to these Conditions of Sale and the conduct of the auction shall be governed by and construed, interpreted, applied and enforced in accordance with the laws of the State of California. By bidding at auction, be it in person or by agent, absentee bid, telephone, internet or other means, the buyer shall be deemed to have consented to the jurisdiction of the courts of California.

Registration/Bid Form

Paddle number

BID TYPE (please circle): Phone Bid / Absentee Bid / Online Bidding

Sale number

General Notice: This auction will be conducted in accordance with Andrew Jones Auctions Conditions of Sale. Please read the COS in conjunction with our policies relating to this sale and other published notices and terms relating to bidding. Winning bidders are responsible for the sum of the final bid, plus Buyer’s Premium on the final bid price, any applicable fees and California State Tax for all items purchased, unless exempt in California or shipping documents showing an out-of-state destination are provided.

Title:

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Driver's License number:

Last Name: *Seller's Permit Number:

State:

Exp:

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State:

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By providing your email address you authorize Andrew Jones Auctions to send you news and sale announcements. Andrew Jones Auctions does not sell, share or trade email addresses.

Notice to new bidders: New clients are required to provide proof of ID (i.e., driver’s license, ID card, passport), as well as proof of address (i.e., utility bill, bank or credit card statement etc.). For higher value lots you may be asked to provide a bank reference. If you do not have a purchase history with Andrew Jones Auctions, you may be required to leave a refundable deposit to bid. If you are not the high bidder your deposit will be returned within 24 hours of the sale date. *Clients with company accounts will be required to provide additional information.

Notice to absentee bidders: Bids will be rounded down to the nearest increment. Andrew Jones Auctions will endeavor to execute bids on your behalf but will not be liable for any errors or non-executed bids.

All bidders: Please submit a completed bid form with lot details at least 24 hours prior to the auction.

Buyers outside of the United States must submit payment via wire transfer. Credit cards are not accepted form of payment for buyers outside of the United States.

Lot Number

General Bid Increments: $20-200…………………………..by 20s $200-1000………………….........by 50s $1000-2000………………...........by 100s $2000-5000………………………by 200s $5000-10,000……………………by 500s $10,000-20,000……………........by 1000s $20,000-50,000 …………...........by 2000s $50,000-100,000………………..by 5000s $100,000-200,000………………by 10,000s $200,000-500,000………………by 20,000s Above $500,000 at the auctioneer’s discretion The auctioneer has absolute discretion to split the bids at any time.

Please email or fax this completed Registration form to: Email: info@andrewjonesauctions.com Fax: (213) 748-8018 Tel: (213) 748-8008

Description

Max Bid in US$ (excluding premium & tax)

By signing this form, I agree that I have read Andrew Jones Auctions Conditions of Sale and shall be legally bound by them. This affects my legal rights.

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Date:

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