PORTFOLIO VASILESCUANDREI SELECTED ACADEMIC WORKS 2016-2022
ABOUT DATE OF BIRTH: 17.10.1997
NATIONALITY: ROMANIAN EDUCATION: 2020 - 2022 - MASTER OF ARCHITECTURE - "ION MINCU" UNIVERSITY OF ARCHITECTURE AND URBANISM, BUCHAREST 2016 - 2020 - BACHELOR OF ARCHITECTURE - "ION MINCU" UNIVERSITY OF ARCHITECTURE AND URBANISM, BUCHAREST 2015 - 2016 - GRANT HOLDER ATTHE MARGARETA OF ROMANIA ROYALFOUNDATION - 2016 - FREEHAND AND TECHNICAL ARCHITECTURAL DRAWING COURSE - COORD. ARCH. - MIHU FRUNZETTI 2015 - 2016 - FREEHAND AND TECHNICAL ARCHITECTURAL DRAWING COURSE - COORD. ARCH. - RADU TIGANCO/ALEXANDRU AND TECHNICAL ARCHITECTURAL DRAWING COURSE - TUTOR - DRAGOS NEATU -
2015
TIGANCO 2015 - 2016 - FREEHAND
2012 - 2016
"NICOLAE TONITZA" FINE ARTS HIGH SCHOOL HARD SKILLS: ARCHICAD - ●●●● LUMION - ●●●● SKETCHUP - ●●●●● ADOBE PHOTOSHOP - ●●●● ADOBE ILLUSTRATOR - ●●● ADOBE LIGHTROOM - ●● AUTODESK MAYA- ●●● KEYSHOT - ●● FREEHAND AND TECHNICAL DRAWING - ●●●●● CONTACT: E-MAIL - v_andrei@msn.com / a.andrei.vasilescu@gmail.com INSTAGRAM - @andrei_vasilescu BEHANCE - https://www.behance.net/andrei_vasilescu MOBILE - +40723487482 COMPETITIONS: 2020 - TOTTENHAM PAVILION 2018 - CASA - THE ANNUALARCHITECTURE STUDENTS COMPETITION - SHORTLISTED 2020 - UTZON UNBUILT - INTERNATIONAL COMPETITION 2020 - COMPETITION #22 - OUTSIDE - INSIDE - ORGANIZED BY THE ZEPPELIN ARCHITECTURAL PUBLICATION - 1ST PRIZE WINNER 2018 - 24H - 25TH EDITION - FAVELA 2015 - THE NATIONAL OLYMPIAD OF FINE ARTS, ARCHITECTURE, AND ART HISTORY - ARAD - ROMANIAFIRST MENTION WORKSHOPS: 2019 - CAMOUFLAGE ARCHITECTURE IN SPAINVALENCIA/CALPE/CUENCA/SEGOVIA/AVILA/TOLEDO/MADRID 2018 - REPETITION AND DIFFERENCE IN BERLIN 2017 - CHASING ITALO CALVINO'S INVISIBLE CITIES LANGUAGE SKILLS: ROMANIAN - NATIVE ENGLISH - ADVANCED ITALIAN - INTERMEDIATE GERMAN - BEGINNER MODERN HEBREW - BEGINNER 03
SUMMARY0401. 02. 03. FINAL THESIS PROJECT - THE POPASOARE MAHALLAH - FROM MYTHICAL SPACE TO COSMOPOLITAN HABITAT PG.06 - 17 INTERFAITH RESEARCH CENTRE - DESIGNED ON THE PREMISES OF THE OLD SAINT GEORGE CHURCH IN BUCHAREST, RO. PG.18 - 29 MULTI - PURPOSE HALLDESIGNED ON THE PREMISES OF THE CIRESARII PARK IN BUCHAREST, RO. PG.30 - 43
SUMMARY0504. 05. 06. STOREFRONT FOR ART AND ARCHITECTURE - CRITICAL CONSERVATION TRANSFORMATIVEANDREUSEJOHANN GUTTENBERG ST, BUCHAREST, RO. PG.44 - 47 RESTORED AND REUSED - THE RUINS OF THE SAINT NICHOLAS CHURCH - ALBENI VILLAGE, GORJ COUNTY, RO. PG.48PUBLIC59INTERIORS - BUILDING IN HISTORICAL CONTEXT - COFFEE SHOP - CAVAFIIVECHI ST, BUCHAREST, RO. PG.60 - 69
THE ARCHITECTURAL PROPOSAL FOCUSES ON THE DEVELOPMENT OF A MIXED-USE ENSEMBLE, MAINLY DEDICATED TO THE COLLECTIVE HOUSING PROGRAMME COMBINED WITH COMPLIMENTARYAMENITIES SUCH AS OFFICE, RETAIL, AND COMMUNITY SPACES. FROM A TYPOLOGICAL POINT OF VIEW, THE ENTIRE ENSEMBLE IS COMPOSED OF 2 L-SHAPED BUILDINGS, WITH DOUBLE FRONTAGE, FEATURING A HEIGHT REGIME THAT FLUCTUATES BETWEEN GF+1 AND GF+4. AN ESSENTIAL STAGE TOWARDS CONFIGURING AN ADEQUATE BUILDING SILHOUETTE WAS THE PROCESS OF ALTERNATIVELYADDING CANTILEVERED SPACES, AS EXTENSIONS OF THE DWELLINGS, THUS GENERATING BAY WINDOWS THAT DYNAMIZE THE FACADESAS WELLAS THE WHOLE COMPLEX AND EXPANDTHE USABLE AREA OF SOME APARTMENTS. ON THE STREET-FACING FACADE, THESE CANTILEVERS DEMATERIALIZE THE APPARENTLYMASSIVE AND DENSE SILHOUETTE OF THE BUILDING, THEREFORE OBTAININGA SCULPTURAL MOSAIC THAT MAKES THE TRANSITION FROM A MEDIUM-SCALED APARTMENT BUILDING TO A CLUSTER OF DWELLINGS WAYCLOSER TO HUMAN SCALE. THE PROJECT FOCUSES ON THE DEVELOPMENT OF AN IMMERSIVE HABITATTHAT FEATURES A LARGE VARIETY OF APARTMENT TYPOLOGIES, AS WELL AS A PLETHORA OF SPACES SITUATED ON THE INTERIOR-EXTERIOR SPECTRUM,ALL WITHIN A HETEROGENEOUS PIECE OF URBAN FABRIC INFUSED WITH CULTUREAND HISTORICALARCHITECTURE.
01.THE POPASOARE MAHALLAH - FROM MYTHICAL SPACE TO COSMOPOLITAN HABITAT 06
Ă DOWN DOWN DOWN DOWN DOWN 1475% 2 1 3 3 3 4 4 4 7 7 9 10 11 8 Ă DOWN 01.THE POPASOARE MAHALLAH - FROM MYTHICAL SPACE TO COSMOPOLITAN HABITAT 07 GROUND FLOOR PLAN 1ST FLOOR PLAN
Ă DOWN DOWN Ă DOWN 01.THE POPASOARE MAHALLAH - FROM MYTHICAL SPACE TO COSMOPOLITAN HABITAT 08 2ND FLOOR PLAN 3RD FLOOR PLAN
Ă DOWN Ă P+4/+12.95MP+3/+9.80M P+3/+9.80M PP+3/+9.80M +4/+12.95M P+2/+6.65M P+1/+3.50 P+3/+9.80M P+2/+6.65M 01.THE POPASOARE MAHALLAH - FROM MYTHICAL SPACE TO COSMOPOLITAN HABITAT 09 4TH FLOOR PLAN FLAT ROOF PLAN
01.THE POPASOARECOSMOPOLITANMAHALLAH 10 FRONTAGE 12.95
MAHALLAH - FROM MYTHICAL SPACE TO COSMOPOLITAN HABITAT 11 E/FACADES +3.50+3.50 +12.95 +17.20 +9.80
01.THE POPASOARECOSMOPOLITANMAHALLAH 12
MAHALLAH - FROM MYTHICAL SPACE TO COSMOPOLITAN HABITAT 13
01.THE POPASOARE MAHALLAH - FROM MYTHICAL SPACE TO COSMOPOLITAN HABITAT 14
01.THE POPASOARE MAHALLAH - FROM MYTHICAL SPACE TO COSMOPOLITAN HABITAT 15
01.THE POPASOARE MAHALLAH - FROM MYTHICAL SPACE TO COSMOPOLITAN HABITAT 16
01.THE POPASOARE MAHALLAH - FROM MYTHICAL SPACE TO COSMOPOLITAN HABITAT 17
02.INTERFAITH RESEARCH CENTRE 18 ONE OF THE MAIN DESIGN TASKS TAKEN INTO ACCOUNT WHILE CONFIGURING AND ORCHESTRATING THIS PROJECT WAS THE CREATION OF AN EVER-CHANGING DYNAMIC SCENOGRAPHY GENERATED BY THE DIFFERENT SCENARIOS OF DISPLAYING FRAGMENTS OF ARCHITECTURE AND OTHER ARTEFACTS THATTESTIFY TO THE EXISTENCE OF LONGFORGOTTEN SPACES SPACES OF WORSHIP FORMERLY PRESENT IN THE STUDIED AREA INTO A CONTEMPORARY NEUTRALAND DYNAMIC FRAMEWORK. THE ARCHITECTURE PROGRAM ENCOMPASSESTHE FOLLOWING FUNCTIONS: PERMANENT AND TEMPORARY EXHIBITION SPACES FOR BOTH TWO AND THREE-DIMENSIONAL ART - IE. MOLDS, ARCHITECTURE FRAGMENTS, ETC, SPACES DEDICATED TO LECTURE, CONFERENCE, AND PROJECTION PURPOSES, RESTORATION WORKSHOPS LOCATED IN THE BUILDING AT 5 BAIA DE FIER ST, BOOKSTORES, AND OTHER TYPES OF CULTURALLY CURATED RETAIL SPACES, AS WELLAS A COFFEE SHOP LOCATED ON THE GROUND FLOOR. I HAVEALSO PROPOSED THE COMPLETION OF THE CALEA MOSILOR SEGMENT OF FRONTAGE BY DESIGNING AN OBSERVATIONTOWER THAT FUNCTIONS AS BOTH A VERTICAL LANDMARK AND AN ACCESS PORTALFOR THE WHOLE ENSEMBLE ON THE EMPTY PLOT LOCATEDAT 36 CALEA MOSILOR.
N 02.INTERFAITH RESEARCH CENTRE 19 ADJACENT AREA PLAN
20 02.INTERFAITH RESEARCH CENTRE SITE PLAN P+2 S+P+3P+2 S+P+1 HTURN =21M N
±0 +00 1 25 +1 50 +2 50 ±0 00 + ±0 00 +1 50 ±0 00 1 50 ±0 00 3 75 ±0 00 GROUND FLOOR PLAN 21 02.INTERFAITH RESEARCH CENTRE N
+5.00 +3.75+6.25 22 BASEMENT FLOOR PLAN 1ST FLOOR PLAN 02.INTERFAITH RESEARCH CENTRE -3.75-2.50-1.25 -3.75
8 75 7 50 +10 00 +10 00 23 2ND FLOOR PLAN 3RD FLOOR PLAN 02.INTERFAITH RESEARCH CENTRE
+1.50 +3.75 +7.50 +11.25 +15.00 -3.75 +6.00 +21.00 +18.00 +12.00 +9.00 +6.00 +3.00 +0.00 +0.00 +1.50 +7.50 +11.25 +15.00 +1.50 +3.75 +7.50 +11.25 +15.00 -3.75 24 LONG SECTION LONG SECTION CROSS-SECTION THROUGHT THE WHOLE ENSAMBLE 02.INTERFAITH RESEARCH CENTRE
25 FACADE - CALEA MOSILOR FACADE - BAIA DE FIER ST. FACADE - SF. VINERI ST. 02.INTERFAITH RESEARCH CENTRE +4.50 +9.00 +0.00 +1.50 +7.50 +11.25 +15.00 +21.00 +15.00 +12.00 +9.00 +3.00 +0.00
26 02.INTERFAITH RESEARCH
27 RESEARCH CENTRE
28 02.INTERFAITH RESEARCH CENTRE
29 02.INTERFAITH RESEARCH CENTRE
03.MULTI - PURPOSE HALL 30 CONSIDERING THE HEAVILYFLORA-INFUSED IDENTITY OF THE SITE, I HAVE CHOSEN TO DESIGN A SEMI-BURIED FACILITY, SO THATTHE SILHOUETTE OF THE BUILDING WOULD NOT EXCEED THE CROWN OF THE TREES PRESENT ON THE SITE, WITH AN ADJUSTABLE DEGREE OF TRANSPARENCY, SIMILAR TO THE APERTURE OF A PHOTOGRAPHIC FROMCAMERA.ASTRUCTURAL POINT OF VIEW, I HAVE CHOSEN TO DESIGN A BOX MADE OUT OF SPACE FRAME BECAUSE OF ITS LIGHTNESS, DEGREE OF TRANSPARENCY, AND ALLOWANCE FOR LARGE SPANS THAT WOULD BE LOCALLY PUNCTURED FOR ACCESS PURPOSES AND A CENTRAL SKYLIGHT. ONE OF THE MAIN DESIGN TASKS TAKEN INTO ACCOUNT WHILE CONFIGURING AND ORCHESTRATING THIS PROJECT WAS THE CREATION OF A SPACE WITH ADJUSTABLE TRANSPARENCY, THUS BEING ABLE TO LET THE SURROUNDING NATURE PERMEATEAT LEAST VISUALLY INTO THE HALL OR GENERATING AN OPAQUE, SELF-CONTAINED SPACE, THAT WOULD RELY EXCLUSIVELY ON ARTIFICIAL LIGHTING AND ANYTHING IN BETWEEN. THEREFORE, I'VE ENVISIONED A KINETIC MECHANISM MADE OUT OF RIGHT TRIANGLES INSTALLED ON THE LATTICE GENERATED BY THE SPACE FRAME THAT COULD BE ELECTRONICALLY CONTROLLED, TO MEET THE LIGHTING REQUIREMENTS FOR EACH EVENT HAPPENING IN THE PROPOSED SPACE.
03.MULTI - PURPOSE HALL 31 GROUND FLOOR PLAN N
03.MULTI - PURPOSE HALL 32 BASEMENT PLAN
03.MULTI - PURPOSE HALL 33 SEMI-SUNKEN FLOOR
03.MULTI - PURPOSE HALL 34 1ST FLOOR PLAN
03.MULTI - PURPOSE HALL 35 OUTER SKIN PLAN
-1.50 +4.50 +11.6 ±0.00 +7.65 -4.50 -7.65 -1.50 +4.50 +11.6 -4.50 36 CROSS SECTION CROSS SECTION CROSS SECTION 03.MULTI - PURPOSE
PURPOSE HALL
37
SECTIONSECTIONSECTION
±0.00 +4.50 +7.65 -1.50 ±0.00 -1.50 +4.50 +11.6 ±0.00 +4.50 +7.65 38 S-W FACAD N-W FACAD N-E FACAD S-E FACAD 03.MULTI - PURPOSE
39 FACADFACADFACADEFACADEEE PURPOSE HALL
03.MULTI - PURPOSE HALL 40 INTERIOR PERSPECTIVES
03.MULTI - PURPOSE HALL 41 THE VIP ACCESS FACADE
42 03.MULTI - PURPOSE
43 PURPOSE HALL
04.STOREFRONT FOR ART AND ARCHITECTURE
CHARACTER OF THIS VERY PECULIAR FRAGMENT OF URBAN TISSUE. MY INTERVENTION CONSISTS IN HIGHLIGHTING THE ORIGINAL FRONTAGE THROUGH SMALL-SCALE CONTEMPORARY INSERTS AS WELLAS A ONE-LEVEL EXTENSION TO THE EXISTING SPACES THATAIMS TO CREATEAN ARCHITECTURAL PROMENADE FACING BOTH THE DAMBOVITEI QUAYAND THE SAINT ILIE-GORGANI CHURCH. THE REPURPOSING OF THE ENVELOPES OF THE TWO DWELLINGS WOULD CONSERVE THE CITY'S HISTORICAL LEGACY AND WOULD ALSO GRANT THE AREAA CULTURALLYCURATED CONTEMPORARY SPACE THAT COULD HOST EVENTS RELATED TO ART AND ARCHITECTURE.
THE FOLLOWING PROJECT FOCUSES ON THE CRITICAL CONSERVATIONAND THE TRANSFORMATIVE REUSE OF TWO DIFFERENT BUILDINGS LOCATED IN THE CITY CENTER OF BUCHAREST, MORE EXACTLY, 8&10 JOHANN GUTENBERG ST. THE PROPOSED ARCHITECTURAL INTERVENTION TAKES PLACE IN AN AREA WHERE MOST OF THE BUILT ENVIRONMENT IS OF VERY GOOD QUALITY, HEAVILYLOADED WITH HISTORICAL ARCHITECTURE, ALTHOUGH IN AN ADVANCED STATEOF DECAY. THEREFORE, THE OBSERVATIONSMADE ON THE SITE REVEAL SOME RELEVANT CHARACTERISTICS THAT I HAVE TAKEN INTO ACCOUNT WHILE FORMULATING THE PROJECT: THE EXISTENCE OF A PLACE OF WORSHIP IN THE SPACE ADJACENT TO THE STUDIED SITE, THE PRESENCE OF WATEREMBODIED BY THE DAMBOVITA RIVER AND THE MOSTLY SOCIO-POLITICAL/CULTURAL
44
UP C-DC-D K-L G-HG-HA-B I-JI-J E-F E-F K-L A-B 14 11 UPG-HG-H I-JI-J E-F E-F 8 11 DOWN 0.19418G 250 C-DC-D K-L G-HG-HA-B I-JI-J E-F E-F K-L A-B 10 11 14 DOWN UP 11 14 16 18DOWN 18R 0.19418G 11.250 UP C-DC-D G-HG-H I-JI-J E-F E-F 45 BASEMENT/GROUND FLOOR PLAN 1ST/2ND PLATFORM LEVEL 04.STOREFRONT FOR ART AND ARCHITECTURE
G-HG-H I-JI-J E-F E-F C-DC-D K-L G-HG-HA-B I-JI-J E-F E-F K-L A-B 46 2ND FLOOR PLAN LONG SECTION 04.STOREFRONT FOR ART AND ARCHITECTURE
47 CROSS-SECTIONCROSS-SECTION 04.STOREFRONT FOR ART AND ARCHITECTURE
05.RESTORED AND REUSED - THE RUINS OF THE SAINT NICHOLAS CHURCH 48 THE INTERVENTION PROPOSAL FOLLOWS THREE KEY STAGES:
1. THE DEVELOPMENT OF THE RUIN'S 3D MODEL IN WHICH I'VE CAREFULLY MODELED THE CRACKS IN THE MASONRY AND THE PRIMARY TYPES OF DECAYAND DEGRADATION; 2. THE DIGITALRECONSTRUCTION BASED ON SURVEYS OF SIMILAR CHURCHES FOUND IN "THE EVOLUTION OF IN MUNTENIA AND OLTENIAVOL.IV - N. GHIKA-BUDESTI" OF THE MISSING PARTS OF THE CHURCH, MAINLY - THE VAULTINGSYSTEM AND THE WHOLE WEST-FACING FACADE;
ARCHITECTURE
3. THE LAST STAGE OF THIS PARTICULAR PROJECT FOCUSES ON THE CONSOLIDATION OF THE RUIN AND THE ELEVATIONON ITS FOOTPRINT OF A BI-FOCAL RADIAL COR-TEN STEEL STRUCTURE GENERATED BY THE INTERSECTION OF A RADIAL MATRIX WITH THE VIRTUAL RECONSTRUCTION OF THE MISSING PARTS OF THE CHURCH. THEREFORE, THE RESULTING SPACE WOULD BE A STRUCTURALLY SOUND, TRANSPARENT ARRAY OF ARCHES THAT WOULD GRANT TRANSPARENCY TO THE WHOLE ENSEMBLE AND WOULD LET THE SURROUNDING VEGETATIONPERMEATE THE LITURGICAL SPACE. I HAVE DESIGNED THE WHOLE PROJECT IN COMPLIANCE WITH THE PRINCIPLE OF REVERSIBILITY.
05.RESTORED AND REUSED - THE RUINS OF THE SAINT NICHOLAS CHURCH 49 VIRTUAL RECONSTRUCTION
ISOMETRIC PROJECTION 05.RESTORED AND REUSED - THE RUINS OF THE SAINT NICHOLAS CHURCH 50
05.RESTORED AND REUSED - THE RUINS OF THE SAINT NICHOLAS CHURCH 51 ISOMETRIC PROJECTION
05.RESTORED AND REUSED - THE RUINS OF THE SAINT NICHOLAS CHURCH 52 ISOMETRIC PROJECTION
05.RESTORED AND REUSED - THE RUINS OF THE SAINT NICHOLAS CHURCH 53 ISOMETRIC PROJECTION
ISOMETRIC LONG SECTION 05.RESTORED AND REUSED - THE RUINS OF THE SAINT NICHOLAS CHURCH 54
05.RESTORED AND REUSED - THE RUINS OF THE SAINT NICHOLAS CHURCH 55 ISOMETRIC LONG SECTION
05.RESTORED AND REUSED - THE RUINS OF THE SAINT NICHOLAS CHURCH 56 ISOMETRIC LONG SECTION
05.RESTORED AND REUSED - THE RUINS OF THE SAINT NICHOLAS CHURCH 57 ISOMETRIC LONG SECTION
05.RESTORED AND REUSED - THE RUINS OF THE SAINT NICHOLAS CHURCH 58
05.RESTORED AND REUSED - THE RUINS OF THE SAINT NICHOLAS CHURCH 59 INTERIOR PERSPECTIVE
THE FOLLOWING PROJECT REGARDS THE INTERIOR AND, TO SOME EXTENT, EXTERIOR DESIGN OF THE SEMI-SUNKEN FLOOR OF AN ARCHITECTURAL ENSEMBLE COMPRISED OF THREE INTERCONNECTED BUILDINGS. NAMELY, A CONTEMPORARY, MINIMALIST PIECE OF INFILLARCHITECTURE DESIGNED BETWEEN TWO HISTORICAL DWELLINGS BUILTATTHE BEGINNING OF THE PAST CENTURY. ATTHE CONCEPTUAL LEVEL, THE WHOLE PROJECT FOCUSES ON THE ORCHESTRATION OF A SPATIALINTERFACE WITH IMMERSIVE PROPERTIES. THEREFORE, THE REPETITION OF A SINGLE, IDENTICAL ELEMENT WOULD GENERATEA PLETHORA OF ARCHITECTURAL POSSIBILITIES: FROM ETHEREAL ELEMENTS MEANT FOR SPACE DIVISION TO DISPLAY NICHES, THE MOST BASIC SPACE-FILLING TESSELATION GRANTS ORDER, MODULARITY, AND UNITY BETWEEN THREE VERY DIFFERENT BUILDINGS. FROM A FUNCTIONAL POINT OF VIEW, THE MAIN PURPOSE OF THIS SEMI-SUNKEN LEVEL IS THAT OF A CAFE, EQUIPPED WITH ALLANCILLARY SPACESAND FUNCTIONS, SUCH AS: INTERIOR AND EXTERIOR SEATING/SERVING SPACES, PREPARATION, STORAGE, AND SOURCING SPACES, STAFF-ONLY AMENITIES, AS WELLAS SEX-SEPARATEDAND DISABLED TOILETS.
06.PUBLIC INTERIORS - COFFEE SHOP 60
21.558.540 .0 0.021.0 2.518.516.52.52.518.5 1.5 1.5 SEZUT REALIZAT DIN LEMN DE CHIPAROS -TRATAT CU LAC POLIURETANICBE BAZA DE APA- ASTFEL NCAT LEMNUL SA-SI PASTREZE ASPECTUL NATURALCOLTURILE SI MUCHIILE VOR FI ROTUNJITE LA Ø 2.5CM TALPAREALIZATA DINLEMNDE CHIPAROS TABLADE OTEL ZINCATA CLASA DX 51D - GROSIME 1CM PRELUCRATAPRIN INDOIRE, PROFILARE SI PERFORARE FINISAJ EVENTUAL VOPSITORIEELECTROSTATICA - ALB MAT PLAN SC.1:5VEDERE--DIN SPATE - SC.1:5 VEDERE - FRONTALA - SC.1:5VEDERE - LATERALA - SC.1:5AXONOMETRIE - SC.1:5 AXONOMETRIE - VARIANTADE FINISSC.1:5AXONOMETRIEAJ-- VARIANTADE FINISAJ- SC.1:5 06.PUBLIC INTERIORS - COFFEE SHOP 61 PROPOSED - SELF-DESIGNED FURNITURE PIECES
06.PUBLIC INTERIORS - COFFEE SHOP 62 REFLECTED CEILING PLAN
06.PUBLIC INTERIORS - COFFEE SHOP 63 REFLECTED CEILING PLAN - RENDERED
16.025R 28.025G 1624DOWNUP HP = 45CMHP = 45CMHP = 45CMHP = 45CMHP = 45CMHP = 4 5CMHP = 45CMHP = 45CM HP = 0CM HP = 45CM HP 0CM +0.80+0.80±0.00±0.00±0.00±0.00+0.80 1. 1.1.1. 2.2. 2. 3. 3. 3. 4. 5. 6. 7. 06.PUBLIC INTERIORS - COFFEE SHOP 64 FUNCTIONAL PLAN 1.COFFEE SHOP - SEATING 2.VERTICAL CIRCULATION 3.TOILETS 4.KITCHEN 5.STAFF LOCKERS 6. SUPPLYAND STORAGE 7.OUTDOOR TERRACE
06.PUBLIC INTERIORS - COFFEE SHOP 65 FUNCTIONAL PLAN 1.COFFEE SHOP - SEATING 2.VERTICAL CIRCULATION 3.TOILETS 4.KITCHEN 5.STAFF LOCKERS 6. SUPPLYAND STORAGE 7.OUTDOOR TERRACE
66 06.PUBLIC INTERIORS LONG SECTION THROUGH LONG SECTION THROUGH INTERIOR ELEVATIO INTERIOR ELEVATIO ±0.00 +0.80 +4.00 ±0.00 +0.80 +4.00 ±0.00 +0.80 +4.00 ±0.00 +0.80 +4.00
67 INTERIORS - COFFEE SHOP THROUGH THE WHOLE ENSAMBLE THE WHOLE ENSAMBLE ELEVATIOELEVATIONN
06.PUBLIC INTERIORS - COFFEE SHOP 68
06.PUBLIC INTERIORS - COFFEE SHOP 69
MOMENTARILYTHE END 70 MOBILE - +40723487482 E-MAIL - v_andrei@msn.com / a.andrei.vasilescu@gmail.com THANK YOU FOR CONSIDERING!