flashlight paintings - volume 9

flashlight . . paintings volume 9

ANDREAS BAIER.

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MISTREATED

BREAKFAST SAUSAGES

WITH CREAM

HAMMER. (private collection)

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ART|BASEL|2014

(private collection)

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PHOTO|OLAF LEU

BONJOUR MESDAMES ET MESSIEURS

je m‘appelle Andreas Baière, je suis né en Allemagne, un artiste et vais continuer avec ma petite ouverture en anglais:

Recently, an art collector introduced me to

his guests: «There is definitely no need trying to find out whether Andreas Baier‘s work is linked to modern Romanticism, late Expressionism, neoCatholicism, the Renaissance or a pop art culture that impressionismly refuses to say bye-bye. It is much more important to know that since the new millennium the artist neither does exhibitions nor does he enter airoplanes – both by principle reason.»

Avec mes salutations les plus distinguées:

P.S.: Please note Klaus Honnef‘s essay about my

Andreas Baier

work on the pages 40 - 43.

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BANANA ARMADA|1989

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(available)

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EDEN GOLF|1993

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(available)

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WALTHER UND WALTHRAUDT VON DER VOGELWEIDE|1990

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LEARJET 1|1992

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EXECUTIVE FLOOR|DG-VERLAG|1992

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THE MORE YOU KNOW ABOUT GOLF THE MORE YOU LIKE MELTED GENTLEMEN|1993

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EUROPE|1990

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HOMAGE TO ANDY WARHOL ENTITLED DOG FACTORY|1992

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HOMAGE TO ANTONÍN DVORÁK SYMPHONY OF 19 FORKS|1992

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LEARJET 2|1992

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CELTIC OPFERMOOR|1992

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HOMAGE TO IRVING PENN ENTITLED|CAN YOU GET AIDS FROM SMARTIES?

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TRABBI TURNED UPSIDE DOWN|1990

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IT IS SPRING, IT IS SMART, I LOVE YOU, YOU SHALL IT KNOW: THERE‘S A SAUSAGE HEA

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RT ON YOUR

PILLOW!

(available)

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CRISPY LONDON|1992

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(available)

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HOMAGE TO|ROBERT MAPPLETHORPE|1994

TERMS OF TRADE

Andreas Baier‘s analogue flashlight paintings

Each unique flashlight painting will be

In very few cases Andreas Baier‘s analogue

All 18 flashlight paintings shown here represent –

are to be seen as unique images; so each of them exists only once. delivered as a digital print recognising high quality art market standards.

flashlight paintings are available on Cibachrome, printed 20 years ago which makes them quite vintage.

The flashlight painting entitled «Crispy London» (pages 22 - 23), for example, is such a case. the same procedure as every year – the whole bundle of this year‘s sale.

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CURRICULUM VITAE ANDREAS BAIER

ANDREAS BAIER‘S CAREER THE FULL MONTY

The image «Henry with Perrier bottle» is his very first staged photograph ever created: 1991 in Hong Kong.

It won the 1st prize for «The most beautiful Christmas card». A competition organized

by Sweden‘s «FOTOGRAFISK».

«Nessie in Garmisch-Partenkirchen», the essential cornerstone of Andreas Baier‘s flashlight paintings.

A ndreas Baier was born in GarmischPartenkirchen, which is a small town in Bavaria, the homeland of lederhosen and so it’s only natural that he loves Scotland. For him it was more than clear to combine two of his favourite subject in one picture.

Can you see how Nessie enjoys swimming in mashed potaoes? Well, after he did it, for some reasons he just suddenly began to think of how he could create

a photograph in this style of a painting, something that would be just as colourful and bright and be a complete world in the way that a painting can be. That was the beginning of his flashlight painting technique.

A few days after his birth, his familiy packed up and left the famous resort town to move to the city of Mainz, where his parents soon openend an avangarde art gallery as well as publishing an art jour-

SIR|PETER USTINOV|1994

nal called Magazin KUNST.

The family enviroment couldn’t have been better for the upbringing of a man who now considers art to be «an indespensable nourishment for the spirit.»

He hadn’t even learned to count to ten, when Baby Andreas met artists like Jan Voss, Walter Stöhrer or Joseph Beuys among a lot of others who passed his parents office:

essays for magazines like Stern, Merian, Globo, Geo and the supplements of the Handelsblatt and the Süddeutsche Zeitung:

Carl Laszlo, art collector, publisher, philosopher and survivor of the Holocaust at his residence in Basel‘s Sonnenweg 24.

During this period he also met people like Sir Peter Ustinov, Gerhard Schröder, Gerhard Richter or Bill Gates:

Magazin KUNST, No.50, 1973, designed by Joseph Beuys. Cover part of Tate Collection:

https://www.tate.org.uk/art/artworks/beuys-magazin-kunst-ar00902

He started his own career doing photo-

In 1991 he won the 1st prize for «The most beautiful Christmas card», a competition organized by Sweden‘s «FOTOGRAFISK».

went under the hammer at Sotheby‘s.

Additionally, he writes and produces advertising spots including for the fictional. company «Mr. Sandman‘s Finest Funerals» as seen in Cannes, on MTV and on CHANNEL 4 featured in the pilot FRONTAL «Things to do when you‘re dead».

A s a copy writer and executive producer he created a music project which has been released by BMG Ariola Classics in November 2002.

Hans Paetsch was Germany‘s most faSherlock Holmes Café in London‘s Bakerstreet, published in GLOBO «Breakfast on Thames».

While moving to London in 1993 he already studied «Fine Arts» in lower Saxony at the «HBK Braunschweig» for two years where he developed his flashlight painting technique. In between times his flashlight paintings have been exhibited and published throughout the world, from STERN, MAX to ZOOM and even as far as PEOPLE MAGAZINE in China. They are part of many private art collections. His «Homage to Edward Hopper entitled Nighthounds»

mous voice, best known through his unforgetable performance as the one and only fairy tale teller of a whole nation‘s childhood:

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As William Sommerset Maugham once said: «The best way to eat in the Breakfast (FEB) is surely the best way to give his creativity all the goodne

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U.K. is having breakfast three times a day,» for Andreas a Full English ss and strenght it needs for a great and successful day. (Hazlitt‘s Hotel)

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TITLE|SAUCY DINOSAUR SAUCE|1994 (crop)

MONOGRAPHS INTERVIEWS PUBLICATIONS (SELECTION)

Martin Sigrist, „Feelings and Moods, Emotional Creativity“ - [„Gefühle und Stimmungen - Die emotionale Kreativität“] - in: PHOTOGRAPHIE, No.5, pages 22-28 (1 b/w print), Schaffhausen.

1987 Ella Kienast, „Andreas Baier: I want this picture!“ - [„Andreas Baier: Das Bild will ich haben!“] - (Portfolio „Rock am Ring“), in: Nikon News, No.2, pages 23-27 (8 b/w prints), Zurich.

1989 „25 Years HBK Braunschweig“ - [„25 Jahre HBK Braunschweig“] - (Portfolio), in: HQ - High Quality, Issue 13, pages 64-67 (6 b/w prints), Heidelberg.

Martin Sigrist, „Carl Laszlo“ (Portfolio), in: PHOTOGRAPHIE, 11th year, No.11, pages 69-74 (6 b/w prints), Schaffhausen.

1988 Hans-Eberhard Hess, „Stroll in the Arcades“ - [„Passagenbummel“] - (Portfolio „Kö Series“), in: PHOTO Technik International, No.5, pages 52-57 (11 b/w prints, Munich.

Christine Miller, „Bremen Broker“ [„Bremer Börsianer“] - (Portfolio), in: fotoMAGAZIN, No.12, pages 28-33 (12 b/w prints), Munich.

„A cure in St. Peter-Ording“ - [„Kur in St. Peter-Ording“] - (Portfolio and accompanying text), in: PHOTONEWS, No.8, page 45 (10 b/w prints), Hamburg.

Karl Lukas, Arles „Photographer meets Photographers“ - [„Fotograf trifft Fotografen“] - (Report in the form of a portfolio), in: Color Foto, No.7, pages 40-45 (12 b/w prints), Stuttgart.

Andreas Baier, „Willkommen im Club!

– The Maine Photographic Workshops“ – („Welcome To The Club – The Maine Photographic Workshops“) in: PHOTO Technik International, No.6, pages 1214 (5 b/w print and text), Munich.

„How‘re you doing? Nice to meet you - in Rockport, Maine“ (Report in the form of a portfolio, with accompanying text), in: fotoscene, No.5, pages 32-41 (10 b/w prints), Frankfurt.

Hans-Eberhard Hess, „Backyard Society“ - [„Die Gesellschaft vom Hinterhaus“] -(Portfolio), in: PHOTO Technik International, No.3, pages 69-71 (5 b/w prints), Munich.

Gabriel Bauret, Arles, „History/Story of a creation“- [„Historie d‘une création“] - (Report in the form of a portfolio), in: Photographies magazine, No.7, pages 58-59 (8 b/w prints), Paris.

Katalog ART 1991 Basel, „Impressions“ - [„Impressionen“] - 8 double pages with 39 b/w prints, Basel.

1990 Walter Ego, „Cure in the North Sea“ [„Cure en mer du nord“] - (Portfolio), in: ZOOM, No.153, pages 45-50 (9 b/w prints), Paris.

Catalogue ART 1998 Basel, „Impressions“ - [„Impressionen“] - 10 double pages with 50 b/w prints, Basel.

1991 „Major treatment“ - [„Die große Anwendung“] -(Cure in St. Peter-Ording“ - [„Kur in St. Peter-Ording“] - with accompanying text), in: Süddeutsche Zeitung Magazin, No.45, page 47 (11b/w prints), Munich.

Gabriel Bauret, „Rockport, Maine“ in: Photographies magazine, No.8, (5 b/w prints), Paris.

Hans-Eberhard Hess, „Buddha is everywhere“ - [„Buddha ist überall“] - (Portfolio), in: PHOTO Technik International, No.3, pages 60-63 (8 colour prints), Munich.

Christine Miller, „The art of photographing art“ - [„Von der Kunst, Kunst zu fotografieren“] - (Portfolio), in: fotoMAGAZIN, No.2, pages 40-45 (5 b/w prints), Munich. „Highlight Special“, publication about the „1st International photo congress in Herten“, (38 prints in b/w) including the „Mega-Group-Folder“, (10 prints in b/w), Leverkusen.

pages 26-33 (8 color prints and cover), German and English issues, Munich.

Eberhard Grames, „Behind my Sunglasses“, in: Catalogue 2nd International Photo Exhibition in Herten 1993, pages 92-95 (3 color prints), Herten. „Romeo and Juliet“ - [„Romeo und Julia“] – in: Der Feinschmecker/“Reference“ section, No.7, pages 103-131 (1 color print), Hamburg.

Cover PROFIFOTO, No.1, 1994, Düsseldorf: Homage to Goya

1992 Salzgitter Picture Portrait, 260 pages (378 b/w and color prints), Salzgitter.

Andreas Baier, „Gastkommentar“ – in: PROFIFOTO, No.1, Jan/Feb ‚92, page 15 (copy), Düsseldorf.

1993 Hans-Eberhard Hess, „Homages and Metamorphoses“ - [„Hommagen und Metamorphosen“] - (Portfolio), in: PHOTO Technik International, No.4,

German Photo Exhibition Catalogue, „Contemporary German Fashion Photography“ - [„Zeitgenössische Deutsche Modefotografie“] – page 41 (1 color print), Frankfurt.

Bernd Mellmann, „2nd International Photo Exhibition in Herten 1993“ - [„2.

Internationale Fototage Herten ‚93“] (Portfolio), in: PHOTOGRAPHIE, No.12, pages 52-53, Schaffhausen.

Freddy Langer, „Cult - Barbie - Cult“ - [„Kult - Barbie - Kult“] - (participation), in: Max, No.12, page 127, Hamburg. „Have you ever tried to melt chocolate

„Homage to homages“ [„Hommage an die Hommage“] in: Süddeutsche Zeitung Magazin (supplement), No.3, pages 30-37 (10 color prints), Author: Jörg-Uwe Albig, Munich, 1994.

coated Marshmallows in the microwave? [„Haben Sie eigentlich schon einmal versucht, Negerküsse in der Mikrowelle zum Schmelzen zu bringen?“] - (Portfolio with accompanying texts), in: HQ - HighQuality, No.25, pages 4852 (5 color prints), German and English issues, Heidelberg.

T. Mahlow, „In search of the essential selected works by Wiesbaden photographer Andreas Baier“ - [„Auf der Suche nach dem Wesentlichen - ausgewählte Arbeiten des Wiesbadener Fotografen Andreas Baier“] - in: Der Wiesbadener, No.6/93, pages 71-77 (8 b/w and 4 color prints), Wiesbaden.

„Behind my Sunglasses“, in: Nikon News, No.2, pages 30-31 (4 color prints), Küsnacht.

Contribution to the stage setting „Code word Lonely Heart“ - [„Kennwort einsames Herz“] - Musical by Rainer Biel-

feldt, Edith Jeske and Christine Vogeley, Director: Anselm Lipgens; Schauspielhaus Bautzen.

1994 „Behind my Sunglasses“ (Portfolio and interview), in: PROFIFOTO, No.1, Jan./Feb., pages 34-40 (7 color prints and cover), Düsseldorf. „The New Wild Ones“ - [„Die Neuen Wilden“] - in: fotoMAGAZIN, No.3, pages 24-27 (3 color prints and cover), Munich.

Jörg Uwe Albig, „Homage to homages“ - [„Hommage an die Hommage“] - in: Süddeutsche Zeitung Magazin, No.3, pages 30-37 (10 color prints), Munich. „Kunst, Design & Barbie“ in: PROFIFOTO, No.2, March/Apr. ‚94, page 12 (1 color print), Düsseldorf. „Barbie - Artists and designers create for and around Barbie“ - [„Barbie – Künstler und Designer gestalten für und um Barbie“] - in the catalogue for the exhibition of the same name in the IDZ/ Martin Gropius Building in Berlin, pages 68, 105-151 (3 color prints),

Rowohlt Publishing, Reinbeck near Hamburg.

Marje Alleman, „The standard may improve ...“ - [„de standaard mag steigeren ...“] - in: BLAD, pages 12-13 (1 colour print), Amstelveen. „The Fruit Cure“ - [„Die Frücheheilung“] - cover: PHOTOPRESSE, No.37, Hann.-Münden.

Catalogue „PICTURE SCENES - Pictures around photokina“ - [„BILDERSZENE - Bilder um die photokina“] pages 10-11 (2 colour prints), Cologne.

Dan Foulkes, „Light Entertainment Andreas Baier uses a lighting technique as old as photography itself to produce his extraordinary images“ in: HOTSHOE INTERNATIONAL, No.72, pages 42-43 (5 color prints), London.

Gösta Flemming, „Expo Cologne 1994“ - [„Expo Köln 1994“] - in: fotografisk, No.5/94, page 22 (1 color print), Stockholm.

Zhang Yao, „Andreas Baier“, in: Photog., No.253/1994, pages 8-16 (10 color

Hong Kong.

Feature by Andreas Baier, „25 Jahre PROFIFOTO“, in: PROFIFOTO No.1, Jan./Feb. ‚95, page 43 (Poem „Hall Of Fame“ and digital imaging), Düsseldorf.

Hans-Jürgen Kruppa/Andreas Baier, „Creative flash“, part 2 - [„Kreatives Blitzen“, Teil 2] - in: fotoMAGAZIN, No.1/95, pages 88-91 (6 color prints), Munich.

Cover photog, No.253/1994, Hong Kong: Shot to Fashion

Hans-Jürgen Kruppa, „Creative flash“, part 3 - [„Kreatives Blitzen“, Teil 3] - in: fotoMAGAZIN, No.2/95, pages 88-91 (7 color prints), Munich.

prints and cover), Hong Kong.

Hans-Jürgen Kruppa, „Creative flash“, part1 - [„Kreatives Blitzen“, Teil 1] - in: fotoMAGAZIN, No.12/94, pages 90-95 (10 color prints), Munich.

1995 Andreas Baier, „From Mice and Lobsters, Photographers and Parties“ - [„Von Mäusen und Lobstern, Fotografen und Parties“] - in: Photog., No.254/1995, pages 8-16 (10 color prints and cover),

Claudia Jaekel, „Andreas Baier - Painter with a camera/Career in a flash“ [„Andreas Baier - Maler mit Kamera/ Blitzkarriere“] - in: „Topics of today“ - [„Themen der Zeit“] - Sparkassen Magazin, No.1/95, 20th Year, pages 16-17 (1 color print), Munich.

Report about „AWI-Convention“ in: PROFIFOTO, No.4, July/August, page 12 (1 color print), Düsseldorf.

people Magazine, No.34, pages 122-129, (5 color prints and 9 portraits by the author Zhang Yao), INTERCULTURE Publishing Inc., 1995, Taiwan.

Michael Nischke, „Studio Fotoschule“ (Book), page 188 (1 color print), Verlag PHOTOGRAPHIE, Schaffhausen.

- in: schwarzweiss 6, July 1995, page 49 (8b/w prints), Umschau Breidenstein Publishers, Frankfurt.

Manfred Butler, „Andreas Baier“, in: ZOOM, July/August 1995, pages 22-25 (5 color prints), Milan.

Heiner Henninges, „Andreas Baier“ in: Leica Fotografie International, No.4/95, pages 93-94 (4 color prints), Umschau Publishers Breidenstein, Frankfurt.

Heiner Henninges, „Andreas Baier: Stone Age - Landscapes with weltschmerz“ - [„Andreas Baier: Steinzeit -Landschaftsbilder mit Weltschmerz“]

Claudia Jaekel, „Bright and colorful Andreas Baier‘s expressive Light Paintings“ - [„Schrill und bunt - Andreas

„flashlight paintings“ (Portfolio and Text), in: PROFIFOTO, No.3, May/June, pages 24-29 (3 color prints), 1998, Düsseldorf.

Baier‘s expressive Light Paintings“] - in: W&V (Artwork), No.34/95, pages 139142 (7color prints and cover), EuropaFachpresse Publishers, Munich.

Feature by Andreas Baier „Vision October ‚96“ in: W&V (Artwork), No.50/95, page 106 (2 color prints and poem „Golden Autum“ - [Oh güldner Herbst! ]), Europa-Fachpresse Publishers, Munich.

Nessie in Bavaria - [Nessi in GarmischPartenkirchen] (Interview) in: HAIlights, No.12, November 1995, page 10 (1 color print and cover), Wiesbaden.

Zhang Yao, „Andreas Baier“, in: people Magazine, No.34, pages 122-129 (5 color prints and 9 portraits by the author), INTERCULTURE Publishing Inc.,

Taiwan.

1996 Eva-Maria Schulz, „One-Man-LightShow“ – [Die Ein-Mann-Licht-Show] in: Nikon-Pro, Spring 1996, pages 4750 (5 color prints), Düsseldorf and London.

Pia Lanzinger, „The Multitalent“ – [Das Multitalent] in: Color Foto, 9/96, pages 78-91 (3 prints in b/w and 5 portraits by the author), Munich.

1997 Hans-Eberhard Hess, „Dinner for one“ (Portfolio), in: PHOTO Technik International, No. #?, pages 68-73 (6 prints), German and English issues, Munich.

Peter Funken, „Partie 5 – eine Kunst-

„Nighthound“ in: Catalogue Sotheby‘s, „Art, Design & Barbie“, lot 37, (1 color print), 1995, London and Düsseldorf.

ausstellung in Drewen“, in: Catalogue „Partie 5. Brandenburgische Kunsttage 1997“, page 13 + 17 (2 prints in b/w), Drewen bei Kyritz.

(5 color prints and Text), Düsseldorf 1998. - Wolfgang Heinen, „Flashman“ in: CLIP, No.8, pages 4-7 (6 color prints and cover), Leverkusen.

David Daye, „Special Effects Photography“ (Book), pages 2-3 and 86-87 (2 color prints), Rotovision Publishers, ProPhoto-Series, Hove.

Commercial „Why aren‘t you still alive?“ in: W&V, No.19/98, page 151 (4 color prints), Europa-Fachpresse Publishers, Munich.

1998 Essay: „Andreas Baier on Paparazzi“, in: PROFI FOTO, No.2, pages 54-58

Commercial „Why aren‘t you still alive?“ in: HORIZONT, No. 20/98, Gallery, (4 color prints), Horizont-Verlag,

.....

Frankfurt. „flashlight paintings“ (Portfolio and Text), in: PROFI FOTO, No.3, May/ June, pages 24-29 (3 color prints), Düsseldorf.

1999 „max“-Jubiläumsheft“ (Review) in: MAX, No.5/99, page 93 (1 color print), Milchstrassenverlag, Hamburg.

..

{

Commerzbank IPO-broshure „DAS WERK AG“, July, the 30th of 1999, (1 color print on cover), Frankfurt.

Eva-Maria Mann, „Phantasy creats beautiful pictures“, [Phantasie erzeugt erst schöne Bilder in]: Börse-Online, No.33, page 28 (1 color print), Munich.

....

Antje Domann, „The Meyer-BaierProject“ – [Das Meyer-Baier Projekt] in: Page, No.10/98, page 10 (10 color prints), Hamburg.

{

Claudia Jaekel, „Spot Lighted Brands“ – [Marken im Licht] in: W&V (Artwork), No.37/98, pages 200-201 (3 color prints and cover), Europa-Fachpresse Publishers, Munich.

Book production „Marks of Imagination“ („Spuren der Fantasie“) published

by PRO FUTURA (Bertelsmann) in cooperation with World Wildlife Found (WWF), (1 color print on Cover and over 1 spread sheet), Gütersloh.

*** 2000 to present No more publishing and exhibiting activities by principle reason.

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Exposition avec des photos de Jeanloup Sieff pendant les

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«Rencontres Internationales de la Photographie» à Arles.

AT

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BREAKFAST

TIFFANY‘S. (private collection)

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EXHIBITIONS (SELECTION)

1986 „Kur in St. Peter-Ording“, photokina ‚86 (Bilderschauen), Köln.

1990 „Buddha ist überall“, Image Hongkong ‚90, Hong Kong.

1991 „Ein Tag in Oggersheim“ (S), 1. Internationale Fototage Herten ‚91, Herten.

1993 „Behind My Sunglasses“ (S), 2. Internationale Fototage Herten ‚93, Herten. „Zeitgenössische Deutsche Modephotographie“, Deutsche Fototage ‚93, Frankfurt.

1994 „Künstler und Designer gestalten für und um Barbie“. IDZ, Martin-GropiusBau, Berlin, Hamburg und München.

Cover „Der Wiesbadener“, 1993, Wiesbaden: Homage to Michelangelo

„Borderlines“, Neuer Berliner Kunstverein (NBK), Berlin. „PERSÖNLICH“ – Aus der Kunstsammlung von Alexander Baier und Gabriele Baier-Jagodzinski, Museum Schloß Salder, Salzgitter-Salder. „Behind My Sunglasses“ (S), AGFAFörderprogramm Fotografie, photokina ‚94, Köln. „Barbie – Nymphe und Biest“ (Kurator

Frankfurt.

1995 „Art, Design and Barbie: The evolution of a Cultural Icon“, Liberty Street Gallery, World Financial Center (WTC), New York.

1996 „Art, Design and Barbie: The evolution of a Cultural Icon“, Cranbrook Art Museum, Bloomfield Hills, Michigan.

Cover „HAIlights“, No.10/1995, Wiesbaden: Homage to Edgar Allan Poe

Freddy Langer), „Bilderszene“, photkina ‚94, Köln. „Inszenierte Photographie – Blitzlichtmalerei 1991 – 1994“ (S), Kunstverein Wolfenbüttel e.V., Wolfenbüttel. „Inszenierte Photographie – Blitzlichtmalerei 1990 – 1994“ (S), 1994 Kunsthalle Darmstadt, Darmstadt. „Barbie – Nymphe und Biest“ (Kurator Freddy Langer), Foto Forum Frankfurt,

„Art, Design and Barbie: The evolution of a Cultural Icon“, Montreal Museum of Decorative Arts, Montreal. „Art, Design and Barbie: The evolution of a Cultural Icon“, Hollywood Wax Museum, Hollywood, Los Angeles, California.

1997 „Partie 5“, Brandenburgische Kunsttage 1997“ (Kurator Winfried Muthesius), Drewen bei Kyritz. „Art, Design and Barbie: The evolution of a Cultural Icon“, BOCA Museum of Art, Boca Raton, Florida.

SCREENINGS (SELECTION) Mr. Sandman‘s Finest Funerals (fictional commercial) 1996 MTV EUROPE (Commercial breaks) 43th International Adverstising Festival Cannes Featured in FRONTAL on CHANNEL 4 (UK): „Things to do, when you‘re dead“ (Pilot)

Two of four print ads for «Mr. Sandman‘s Finest Funerals».

1996 Commercial «Mr. Sandman‘s Finest Funerals» on You Tube: CLICK ».... https://www.youtube.com/watch?v=bJO4z0T3hqk

1997 Public Awareness «On The Motorway» on You Tube: CLICK ».... https://www.youtube.com/watch?v=wcc8QKv4eX4

1998 Public Awareness «Why aren‘t you still alive?» on You Tube: CLICK ».... https://www.youtube.com/watch?v=V2pvTkH_x-o

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On the motorway (Road safety) 1997 MTV EUROPE (Commercial breaks) VIVA and VIVA2 (Commercial breaks) 44th International Advertising Festival Cannes.

1998 Featured on LWT (UK): TARRANT ON TV

Why aren‘t you still alive?

(Road safety) 1998 VIVA and VIVA2 (Commercial breaks) 45th International Advertising Festival Cannes.

MUSIC PROJECT

Hans Paetsch – Der Märchenprinz

Hans Paetsch was the legendary fairy tale teller of not only my own youth but of a whole generation‘s childhood. In Germany his voice was as famous as the Paddington Bear which might be seen as a perfect cultural reference.

Over a period of six years Andreas worked with him and several highly respected music producers on his album «Hans Paetsch – Der Märchenprinz».

He wrote the lyrics, convinced Hans Paetsch to participate, picked the producers, developed the marketing concept and made the record deal with BMG Classics.

Hans Paetsch - Der Maerchenprinz https://www.youtube.com/watch?v=wBaw3ChoPqg Hans Paetsch - Schneeweisschen und Rosenrot https://www.youtube.com/watch?v=8dEa-53mt8E

The ZDF created two gorgeously loo-

The release was on November 2002.

king and sounding Christmas-trailers promoting the CD and the national press was filled with euphoric reviews.

It only took four weeks to reach breakeven point. Happy faces all over the place. End of project after ten years.

Awards for Website Hans Paetsch (selection) 2004 – Annual Multimedia 2004 Gold – ADC Award; Germany Merit – ADC Award; New York Distinctive Merit – 51st International Advertising Festival Cannes Shortlist – Red Dot Design Award Red Dot – London International Advertising Award Finalist – iF communication design award Gold – New York Festivals Interactive Finalist ZDF-Trailer: Wir knacken die Nuss_1 https://www.youtube.com/watch?v=YZEIFoe_4zU ZDF-Trailer: Wir knacken die Nuss_2 https://www.youtube.com/watch?v=xzhcv13cS-A Cover CD Der Märchenprinz

Release: Nov. 2002 Label: BMG Classics

2005 – Cresta Awards Finalist 2006 – Designpreis der Bundesrepublik Deutschland Nominee

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Kubach-Wilmsen-Team‘s «Stone Newspaper» (marble) in

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front of «Museum Schloß Salder» in Salzgitter-Salder.

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