ANAGHA PATIL
PORTFOLIO 2021
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TABLE OF CONTENTS
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ACADEMIC WORK 06 TECHNO RELICS
(Senior Research Studio II, M.Arch, 2021)
12
SOLARPUNK URBANISM, INGLEWOOD, CALGARY (Senior Research Studio I, M.Arch, 2020)
18
PORTRAIT OF CALGARY, DOWNTOWN, CALGARY (Comprehensive Studio, M.Arch, 2020)
24
HOMOGENE, RAMSAY, CALGARY (Intermediate Studio, M.Arch, 2019)
COMPUTATIONAL DESIGN 32 TIMBER TECTONICS, (Digital Futures Workshop, ZHA Code + SAPL, 2021)
36
INFLUENCE OF OLD TO NEW, CALGARY (Robotics in Masonry, M.Arch, 2021)
42
MERIDIEM, EDMONTON ZOO (Robotic fabrication, M.Arch, 2019)
PROFESSIONAL WORK 50 FARMHOUSE, MAVAL (Kalavishwa Architectural firm, Pune 2019)
54
FURNITURE DESIGN- CENTER TABLE FOR MR. KRANTI SHANBAG, CHEMBUR (Internship at Folds Design Studio, Navi Mumbai, 2017)
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ACADEMIC WORK
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TECHNO RELICS
ARCH 702 Senior Research Studio II, M.Arch, UofC, 2021 Prof. Sumer Singh
This research explores the gender inequality in the existing Anthropocene epoch and envisions an alternate interstellar planet based in future, where man is not at the peak of all societal systems and the former exclusions of earth, women, are the one in forefront. The research attempts to pose a challenge to perceive a world where we lived in a parallel post patriarchal reality and one of its crucial elements is a mask that acts as a tool for gender neutralization.
https://youtu.be/XyHEfjP8RwI
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MATERIAL EXPLORATION
Industrial design and related materials like metals are often considered masculine. This new planet challenges the anthropocenic masculinity of metal by combining it with the feminine delicacy of the form. ARTEFACT (PHYSICAL EXPLORATION)
The artefact here, is an envision of the gender neutralizing mask of the new planet, that is the first step towards breaking the gender bias and promoting equity. Anagha Patil Portfolio| 8
3D PRINTED MODEL (4”x4”x6”)
Reading Face Contours
Adjusting Points
Joining Closest Points
Venation Growth Pattern
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TECTONIC AXO
TERTIARY STRUCTURE: PATTERN 1/8" Dia copper coated steel rods (MIG welding)
SECONDARY STRUCTURE: PATTERN 16 gauge steel rod (MIG welding)
PRIMARY STRUCTURE: 18 gauge, braided, galvanized steel wire (bent)
CNC MILLED BASE ON 2" THICK MDF SHEET
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PHYSICAL MODEL (1’x1’x3’)
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SOLARPUNK URBANISM INGLEWOOD ARCH 700 Senior Research Studio I, M.Arch, UofC, 2020 Prof. Alberto de Salvatierra
Calgary has experienced some significant flooding in the last few years and strategies to keep the situation in control and prevent future damages needs to be applied along the course. The area of intervention along the river act as a prototype to control flooding. Properties of a selected crop was studied and applied for the design of the city catering to the themes a solarpunk city.
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SITE STUDY SECTION INTER
LOCAL GRID
MAJOR GRID
BARLEY CROP
TWO ROWED BA RLE Y
LEY KERNEL BAR
OF IKE SP
TION OF S SEC RO OS OT CR OW BARLEY HE OR AD TW
STEM EXTENSION
SEEDLING TILLERING
min 7.5 cm PLANTING DISTANCE
Similar to barley, in a city water can be implemented as a catalyst to drive social cultural and economic development. Some iterations of patterns were explored based on the logic that the grid adapts and concentrates itself in proximity to the waterbed while unraveling itself to the rest of the city’s infrastructure giving a density variations across the site. PATTERN STUDY BASED ON CROP
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PATTERN GENERATION
TERRAIN GENERATION : Designed to prevent flooding
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SOLAR ENVELOPES & BUILDING TYPOLOGIES AIR & VIEW
VIEW & SUN
VIEW & SUN
AIR & VIEW
WATER
URBAN/BUILT 25%
FARMLAND 43 %
OPEN SPACE 32%
RIVER & STREAMS
OPEN SPACE 32%
URBAN/BUILT 25% FARMLAND 43 %
VIEW
For urban fabric, based on the solar analysis the solar envelopes were created which would hold the build structures and allow maximum sunlight penetration. The carvings of the envelopes was based on 80% sunlight hours on farmlands and open spaces and 75% on adjacent structures.These envelopes are shorter near the river which would also allow better views and the height increases as you go towards the urban edge.
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LOCAL AXONS & VIEWS
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PORTRAIT OF CALGARY DOWNTOWN EVDA 682.04 Comprehensive Studio, M.Arch, UofC, 2020 Prof. John Iwanski TEAM MEMBER Rejwana Rahman Stepping into Calgary you realize, it’s portrait is curated by the bow river: vein of the city, holding it together, and this image is best rendered through center of downtown where there’s an opportunity to capture the essence of great architecture, journey of people through transit, hustle through the City Hall, joyful noise of the plaza and boldness of performing arts, framing Calgary from its kernel. This portrait gallery frames the essence of Calgary through its form and experience while housing the portraits and exhibits.
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FORM DEVELOPMENT
The site is located in the center, downtown Calgary and holds the opportunity to capture some of the main aspects which make up a city. Anagha Patil Portfolio|20
TECTONIC ASSEMBLY
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PLAN First Floor
Second Floor
Third Floor
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SECTION
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HOMOGENE
RAMSAY EVDA 682.02 Intermediate Studio, M.Arch, UofC, 2019 Prof. Nicholas Dykstra [BOX] I go to a box, obsessed for perfection I go to a box, only aimed for function I go to a box, deeply involved in the task I go to a box, separated from life I go to a box, inanimate and dull I go to a box, in a routine I go to a box, only to lose my soul I go to a box, this time looking for an escape - The working man
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FORM DEVELOPMENT
FORMING GRID
INSERTING PROGRAMS
Interstitial spaces for transition and public interactions
Incorporating existing building typology from the site
DETAIL SECTION EPOXY PAINT FERRO CEMENT SPRAYED ON MESH
STEEL BEAMS FOR GRID STRUCTURE
COVERING OF MESH
FERROCEMENT SPRAYED ON MESH COVERING OF MESH
STEEL BARS FOR SUPPORT STEEL COLUMN FOR GRID STRUCTURE BASE PLATE ANCHORED IN GROUND PCC
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SECTION AA’
RESTURANT OFFICE
PASSAGE
RETAIL
RETAIL PROFESSIONAL GARDENER OFFICE
SECTION BB’ B’
RESTURANT PASSAGE STAIRWAY
SPORTS CLUB INTERACTION SPACE
A
A’ B
WAREHOUSE
RECREATIONAL PRIVATE COMMERCIAL PUBLIC COMMERCIAL AND WAREHOUSES
• • • • •
Intervening through mixed use spaces within various zones. The volumetric grid allows division and placement of space both horizontally and vertically. The levels within the blocks allows the built form to act as bridges to cross across railway lines. The interstitial spaces within the grid acts as great agents for creating interactive environment. This system with levels could be installed anywhere on any terrain and allows free movement in the interstices. EXISTING BUILT FORM AT THE SITE
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PLAN
FIRST FLOOR PLAN 1. RETAIL 2. PROFESSIONAL GARDENER OFFICE 3. INLAND CONCRETE OFFICE 4. INLAND CONCRETE WAREHOUSE 5. WAREHOUSE 6. STORAGE 7. OFFICE
1
2
6
5
4 3
7
SECOND FLOOR PLAN 1. OFFICES 2. PASSAGE 3. RETAIL 4. OFFICE
1 2
3
4
THIRD FLOOR PLAN 1. EXHIBITION HALL 2. MULTIPURPOSE HALL 3. RESTAURANT 4. SPORTS CLUB 5. PASSAGE
5 3 4
2
1
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PHYSICAL MODEL (1:250)
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COMPUTATIONAL DESIGN
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TIMBER TECTONICS Digital Futures Workshop ZHA Code + SAPL, 2021 INSTRUCTORS Vishu Bhooshan Henry Louth Alicia Nahmad Vazquez TEAM MEMBERS 3DS BRIDGE DESIGN FABRICATION Gaurav Janendra Matt Walker Zebing XU Jo-Lynn Yen Chen Yuerao Youness Yousefi This workshop explored geometries, building upon principles of 3D graphic statics, ensuring static equilibrium. The method represents a structural network via its dual - a volumetric mesh composed of polyhedron with shared faces. Construction of a full-scale prototype - a self-supporting structural network with high nodal variance composed of modest sheet materials, demonstrated it’s advantage to fabrication.
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3D STATIC EQUILIBRIUM STUDIES POLYHEDRA AGGREGATION/FORCE DIAGRAM
COMPRESSION ONLY FORM DIAGRAM
POLYTOPAL DEVELOPABLE SURFACES
OVERLAY OF FORM DIAGRAM ON FORCE DIAGRAM
ROBOTIC FABRICATION METHODOLOGIES
ROBOTIC MILLING
LAMINATE BENDING
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SPATIAL AND TECTONIC EXPLORATION FORCE DIAGRAM : POLYHEDRON
FORM DIAGRAM
RESULTANT GEOMETRY
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FABRICATION: PROTOTYPE BUILDING I was involved in the on-site fabrication of the pre-designed prototype using bent rubber ply components. These components were either bent using the actuators or by hand depending of the complexity and size of each module.
NUMBER TAGS To keep track of components and connections
TRIANGULAR NODES Provides surface to attach the laminates
BENT LAMINATE Varying number of layers according to forces
Given Prototype Design
BENDING WOOD WITH ACTUATORS
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FABRICATION: PROTOTYPE BUILDING
TRIANGULAR NODE
BENT RUBBER PLY GLUED TOGETHER
SCREWS
TENSION CABLE
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INFLUENCE OF OLD TO NEW EVDA 680 Robotics in Masonry, M.Arch, UofC, 2021 Instructor Guy Gardner TA Matt Walker TEAM MEMBERS Jessica Adamson Shelby Christensen Mehak Sidhu Yagmur Yurtbulmus This research explored how manipulating the standard bricks within their bounding box gives us an opportunity to create variants that would allow us to have aggregation with different wall porosity for the purpose of light, ventilation and visual quality. We designed and developed a set of customized bricks which were aggregated to form an installation, constructed as a system of human-robot collaboration.
https://www.youtube.com/watch?v=XyA3EYqOTCs
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FORM EXPLORATION
Original Brick
Ty p e A
Ty p e B
Ty p e C
Ty p e D
Ty p e F
Ty pe E
CASTING PROCESS
7 1
6 2
1. DESIGNING & 3D PRINTING MOLDS 2. PREPARING MOLD BY SANDING AND SEALING IT 3. PREPARING PLASTER 4.POURING INTO MOLDS
3
4
5
5. BRICK EXTRACTION 6. AGGREGATION PREPARATION 7. ASSEMBLY
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MATERIAL EXPLORATION - CASTING MOLDS
A
B
C
D
F
E
D
F
E
UNITS
A
B
C
FINAL WALL AGGREGATION
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PSEUDOCODE FOR ROBOT TOOL PATH
1 2
5
1. REFERENCING MESHES 2. SORTING 3. DISPATCHING 4. SEQUENCE LIST
3
Vertical
4
0
Edge
Flat
1
2
6
5. PICK UP POINTS 6. PLACEMENT POINTS 7. RUN
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x 6 u n it s
x 1 7 un it s
x 6 u n it s
x 2 3 u n it s
x 5 un it s
x 1 7 un it s
x 2 3 u n it s
= 9 7 u n it s
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MERIDIEM EDMONTON ZOO
EVDA 683.83 Robotic Fabrication, M.Arch, UofC, 2019 Instructor Guy Gardner TA Kim Son Tse TEAM MEMBERS Darryl Pollck Rutvi Gajjar JI Song Sun
The project explores robotic 3D printing using biodegradable PLA pellets. It consists of three 8ft 3D printed columns which connects at the top to form a canopy for zoo visitors to walk through. The canopy is lit with colour changing LEDs using proximity sensors, which allow the lighting to shift in response to the movement of visitors around the installation. It symbolizes how human interaction can change our environment and signifies how our presence makes an impact.
https://www.youtube.com/watch?v=suw9g81WCJs&t=44s
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FABRICATION PROCESS TYPE 1
Each tree was divided in 4 parts.
For Type 1 each part is flipped and printed along z axis TYPE 2
Type 2 was made by printing the pattern on ground as an unrolled surface and then folded using a heat gun. Anagha Patil Portfolio|46
FINAL STRUCTURE
Inter supported tapering tree structure, connected at the top. TESTING & PRODUCTION
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ASSEMBLY DETAILS TYPE 1
TYPE 2 Acrylic Plate Zip Ties SECOND PART
SECOND PART
Zip Ties
Zip Ties
Nuts
Coupling
Acrylic Plate Spacers Flange
Steel Pole
Bolts
Steel Pole FIRST PART
Zip Ties FIRST PART
Flange Wooden Base
Screws Flange Arduino Setup Wooden Base
Wooden Base
Legs
Legs
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PROFESSIONAL WORK
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FARMHOUSE
MAVAL, INDIA Kalavishwa Architectural firm, Pune, 2019 TEAM MEMBERS Sneha Yerunkar Raj Charaniya Faizan Shaukat The farmhouse is located in the midst of the hills with serene views. The site measures a drop of 8 meters along the northeast to southeast corner. This brings in the opportunity to have an overview of the entire site from the top point on the site. The layout of the structure are kept in geometrical shape where the flow of the movement pattern defines the function of the spaces considering the privacy requirements. The form of roof is correlated with the contours of the site.
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PLAN & SECTIONS
B
A’
A
B’
SECTION AA’
SECTION BB’
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INTERIOR RENDERS
EXTERIOR RENDERS
SITE PLAN
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FURNITURE DESIGN Center Table MUMBAI, INDIA Internship at Folds Design Studio, Navi Mumbai, 2017 TEAM MEMBERS Anishka Maiti Aseem Deuskar An abstract table piece designed and fabricated in-house for a residence in Mumbai. It was fabricated by combining layers of MDF cut and prepared by waterjet cutting machine. To add to it’s aesthetic quality a pattern of artwork was hand-drawn with black ink.
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DESIGN SKETCHES
MANUFACTURING PROCESS
Nesting of panels on 18mm thick MDF sheet of size 1200mmx2400mm. These panels are then cut with Water jet machine and numbered in sequence. The cut pieces are stacked and glued together then smoothened by grinding. Later sprayed with Duco paint for surface finish and as a base for artwork. Anagha Patil Portfolio|58
HAND-ART USING BLACK-INK
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THANK YOU.