Ana Burwell's Portfolio

ANA BURWELL portfolio

TABLE OF CONTENTS GP = GROUP PROJECT

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AutoDesk Revit

nd left are images of “Flora Italica,” an exhibit MR were McNeel Rhino when Italian seeds orvaldsen’s statues were ed over. These same TS Trimble SketchUp up the green walls.

Medick

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AutoDesk AutoCAD

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Enscape

AP

Adobe Photoshop

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Tally

AI

AutoDesk Illustrator

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Analog

Vines

w

DIS INTERIOR ARCHITECTURE

3-5

NEXT COMPETITION

6-13

Eternal Spring

NORTHSIDE DEVELOPMENT

14-24 The Kiss

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FINE ARTS

25-27

DIS INTERIOR ARCHITECTURE

Quick two week project incorporating five of Rodin’s statues in an exhibition in the courtyard of the local Thorvaldsen Museum.

AP

A 3

in Auguste Rodin was the Rodin

Paris’ Metro Paris’Paris’ Metro metro entrances

RodinRodin

Paris’Paris’ Metro Metro

TheCourtyard Courtyard The

Visitors Visitors

hzzrvzzg sculptur Auguste Rodin wasfive the statues Paris’are metro entrances e of the iconic symbols of the sculpture of the five are iconic symbols of the in this exhibiti on. statues As a French art nouveau movement in artist this exhibition. a French art nouveau movement who livedAs from 1890 and have inspired Auguste Rodin Rodin was the was the Paris’ metro metro entrances entrances artist who lived from and Paris’ have inspired a lot a lot -Auguste 1914, Rodin must1890 have of the morpho logy sculpture sculpture of the of five the statues five statues are iconic are iconic symbols symbols of the ofand the - 1914, Rodin must have of the morphology and experienced art nouveau at compos ition ofpavillion this pavillion in experienced this inexhibition. this exhibition.

As a As French a French art nouveau art nouveau movement movement composition of this its height. art nouveau at artist who who livedlived fromfrom 18901890 and have and have inspired inspired a lot a lot its artist height.

- 1914, - 1914, Rodin Rodin mustmust havehave of the ofmorphology the morphology and and experienced experienced art nouveau art nouveau at at composition composition of this ofpavillion this pavillion its height. its height.

Ana Burwell Interior Architecture Spring 2024 Blending the work of Auguste Rodin with Bindesbøll’s Thorvaldsen museum, this pavilion encourages viewers to wander the taking work away of Auguste with sculptures, Bindesbøll’s Thorvaldsen museum, thiscourtyard pavillion and Blending reflect. Without attention Rodin from Rodin’s the pavilion almost blends into the but addsencourages a bit of Art Nouveau and to Flora Italica. and reflect. Without taking away attention from Rodin’s viewers wander A large ofthe the the A large part part of the sculptures, the pavillion almost of Art Nouveau and The courtya rdblends not onlyinto the courtyard but adds a bit demogr aphic of the demographic of the The courtyard not only inspired the colors and Flora Italica.

Thovaldmuseum sen museum Thovaldsen are the are the inspired the colors and shapes this pavilion but “ponde who come to to A“ponderers” large A large part rers” of part the of the thecome the who shapes in in this pavilion but it’s previou s exhibit “Flora contemplate.

The pavillion contem demographic demographic of the of the plate.

The it’s previous exhibit pavillion The courtyard The courtyard not only not“Flora only Italica” inspired the green addresses this itsinspace address Thovaldsen Thovaldsen museum museum are the are the es in this Italica” inspired the green its space inspired inspired the colors the colors and and walls the design. design: no clear egress design: “ponderers” “ponderers” who who come come to to walls in the no clear egress shapes shapes inin this indesign. pavilion this pavilion but but route and and easy to pavillion get (if contemplate. contemplate.

The The pavillion route easy to lost it’s previous it’s previous exhibit exhibit “Flora “Flora get lost (if desired). addresses addresses this this itsin space its space desired ). in Italica” Italica” inspired inspired the green the green design: design: no clear no clear egress egress wallswalls in theindesign. the design. routeroute and easy and easy to get tolost get(if lost (if Auguste Rodin was the Paris’ metro entrances desired). desired). sculpture of the five statues are iconic symbols of the

THORVALDSEN x RODIN

Rodin x Thorvaldsen Visitors Visitors

in this exhibition. As a French artist who lived from 1890 - 1914, Rodin must have experienced art nouveau at its height.

FLOOR PLAN FLOO R PLAN

1:200 1:200

Floor Plan

FLOOR FLOOR PLAN PLAN

1:500 1:200 1:200

art nouveau movement and have inspired a lot of the morphology and composition of this pavillion

Visitors

The Courtyard

The courtyard not only inspired the colors and shapes in this pavilion but it’s previous exhibit “Flora Italica” inspired the green walls in the design.

Paris’ Metro Visitors

Rodin

Rodin

The Courtyard

Paris’ Metro

TheThe Courtyard Courtyard

SECTION SECTION 1:200 1:200

A large part of the the demographic of the Thovaldsen museum are the “ponderers” who come to contemplate. The pavillion addresses this in its space design: no clear egress route and easy to get lost (if desired).

Section SECTION SECTION 1:500 1:200 1:200

z z z rvz z z r vz z z z zz zz zrvz rvzz zz z ENLARGED SECTION ENLA RGED SECTION NTSFLOOR PLAN Enlarged Section NTS NTS

1:200

ENLARGED ENLARGED SECTION SECTION NTS NTS

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SECTION 1:200

zzzrvzzz To the left and are images of specimens Toright the and right left are images offrom “Flora Italica,” anfrom exhibit that Italica,” recreated Italian specimens “Flora anwhen exhibit seeds were plantedwhen whenItalian Thorvaldsen’s statues that recreated seeds were wereplanted originally shipped over. These same plants when Thorvaldsen’s statues were will make up theshipped green walls. originally over. These same plants will make up the green walls.

Spotted

Spotted Medick Medick

Italian Ryegrass Italian Ryegrass

Meditation

Meditation

Vines

Bull Mallow Bull Mallow

Eternal Spring

Eternal Spring

The Kiss

Head of Sorrow

The Kiss

The Thinker

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NEXT COMPETITION

This project was in response to a competition offered by Steelcase: a research and furniture company.

AR AP 6

SUSTAINABILITY + WELLNESS The sustainability approach to this project mainly focuses on materiality. Using Material Bank’s filtering method, materials can be sure to follow certifications and be at sustainable.

https://www.lunabotanicals.com/journal/biophilia

Biophillia is a large part of the design mainly for all its benefits. As shown in the graphic to the left, biophillic design can improve mental and physical productivity.

The “whimsy” in the concept directly targets Gen Z and the rising rates of ADHD in this generation. With different spaces having different visual feels, and the addition of the wildcard space, people with ADHD will find it easier to move around and change mindsets.

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CONCEPT Like stepping into another world with excitement around every corner: breeding creativity.

Gen Z will be able to find a completely new environment, inspiring them to enjoy the workplace and improve the working world as they advance in it.

INSPO COLLAGE

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7 8 1

5

9

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MEZZANINE 1/32” = 1’-0”

2 3

10 6 11

A 4

B

C

1

Managing DO

2

Sustainability DO

3

MR

4

Wellness Rm

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WS - HR Manager, Workplace Strategist, Graphic Designer, 2 Visitor

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Client Presentation Rm

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PR

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WS - Design Researcher, BIM Director, Visitor

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Innovation Space

10

Design Library

11 Reception 12 Education Studio DO 13 Education Design DO

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Healthcare Studio DO

15

Healthcare Design DO

16 HR

23

17 Mother’s Rm 20 18

24

14

21 22

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18 PR

12

19 Education WS 20 HR

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21 WS - 2 Visitor, 2 Intern

22 Healthcare WS

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23 RC 24 HR

15 D

1/32” = 1’-0”

DO = Director’s Office MR = Meeting Room WS = Workstations PM = Phone Room HR = Huddle Room RC = Resource Center

PR

B

Training Classroom

C

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LEVEL 3

A

E

F

N> L

G H I

K

J

Work Cafe

D RC E F

MR Corporate Studio DO

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Corporate Design DO

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HR

I

PR

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Corporate WS

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Corporate WS

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Craft Space and Gallery

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4 WELLNESS ROOM Moonshine “Buff”

Valley View “Rust”

IQ Optima “Peach Sorbet” (left) Frequency “Orchid” (right)

10

Turnstone Campfire Footrest

Border

C WORK CAFE

Aspect

Hosu Lounge Seating

Wander “Crest”

11 RECEPTION

Pig Table Tomeo-R Ceiling Lighting Combination 11

24 HUDDLE ROOM Country Mile “Evening Ocean”

Overhead Tent

West Elm Work Belle

21 WORK STATIONS Fluid Lines “Pyrate”

Turnstone Clipper Screen 12

Migration SE Desk

EAST STAIRCASE Reflect “Molten Dawn”

L CRAFT SPACE + GALLERY

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NORTHSIDE DEVELOPMENT GP

In collaboration with Northside Futures and Northside Learning Center, this project aimed to propose a training center design for an existing site in Syracuse, NY in funding efforts.

Although the project was largely a group effort, I was involved in every aspect.

AR TS AA AP AI 14

1 Block Radius

Building Education + Healthcare Retail + Commercial

* Culturally significant

Residential Parking SY80 SY52

Grass

Refugee Population

NORTHSIDE SYRACUSE Dem. Rep. of Congo Ukraine

NSLC 5 min walk 0.2 Miles

Afghanistan

Syria

Colombia

Guatemala

Burma

Unpaved Street Parking Street Parking Prohibited Sidewalk Paved Property Lines Prevailing Winter Winds Prevailing Summer Winds Heat Gain

Sun Rays

Sun hits south west of Building

15

CONCEPT

Derived from the culturally diverse influence of latticework craft, the design of space highlights repetitive use of geometric patterns combined with strong lines, acting as focal points extracted from these patterns, with an inclusion of solid and void instances, to further define connection and privacy.

Cultural Forms + Craftsmanship

INTENT

Connection + Separation

The training center represents the symbolism of latticework, promoting a culturally diverse educational hub that cultivates elements of inclusivity, ease of navigation, and recognition among the Northside community to create a naturally welcoming environment.

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Circulation

Preliminary + Schematic Design

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Ex 1/ is 32 tin ”= g 1’ Pla -0 n ” Pr 1/ op 32 o ” = sed 1’ Pl - 0 an ”

Non-Designated Area

Non-Designated Area WC

Patio

NonDesignated Area

Training Room

Workshop

WC WC

Classroom 2 Classroom 1

Kitchen

Lockers

Meeting Room

Reception

Not in Scope

Vestibule

WC WC Phone Room

Office 2

Space Type Private

Circulation Staff 18

Prayer Office 1 Room

Public

Trailer Not in Scope

Student

ZONING + FINISH BOARD

Finish selection were based on Informed’s Product Guidance and the concept. Acoustics, cultural influences, and wayfinding were also taken into consideration.

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RENDERED FLOOR PLAN

1/16” = 1’ - 0”

1 Reception

20

6 PPL

5 Training Room 12 PPL

2 Locker Area 5 PPL

6 Patio

7 PPL

3 Classroom 1 12 PPL

7 Workshop

30 PPL

4 Classroom 2 12 PPL

8 Restroom (2)

3 PPL

9

Kitchenette

3 PPL

13 ADA Single WC (2) 2 PPL

10 Meeting Room

6 PPL

14 Private Office (2)

11 Phone Room

2 PPL

2 PPL

12 Interfaith Prayer Room 3 PPL 21

SPACE RENDERS

Main Entry

Workshop

Meeting Room

22

Kitchenette

Classroom 2

Vestibule

Reception

Main Hallway

Kitchenette

Classroom 1

Prayer Room

Back Lot 23

CONSTRUCTION DOCUMENTS

https://issuu.com/ anaburwell/docs/ group4_ffande

FF&E

https://issuu.com/ anaburwell/docs/ group_4_cds 24

FINE ART

A collection of a few projects done in free time.

A 25

Medium: Charcoal Size: 1’6” x 9”

GRANDMA’S GARDEN Oil 1’ x 1’

“Tomb of Amyntas” NAT GEO REBIRTH Medium: Watercolor Magazine Pages Size: 11” x 9”

6’6 x 8’

“Out Like A Light” Medium: Acrylic Paint Size: 6’ x 2’

TOMB OF AMYNTAS

Watercolor 1’ x 0’9

OUT LIKE A LIGHT Interior Wall Paint 20’6 x 4’6

THE PUZZLE Acrylic 4’ x 3’

GREAT ONE Charcoal 1’6 x 0’9

OUT LIKE A LIGHT

Acrylic 6’ x 2’

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