Portfolio

ANA GONZĂ LEZ GRANJA (between architecture and scenography)

ESCENARIOS PROHIBIDOS 01

San Estaban Santiago de Pravia del Monte

El Pito

Muros de Nalon

Salinas Barrio de la Cruz

Soto de Barco

Avilés T Trasona

El Valle Valle Iglesia Santa Eulalia

Gijón

Alto Monte Areo

Tamon Tamon

Cabuenes

Curbiella

Peon Alto de la Cruz Nevares V Variante ariante de caminos

Oviedo Olloniego

Mieres

Vega V ega Muro

Pola

V Villamanin

Vega de Vega Gordón La Pola de Gordón

La Robla

Virgen del Virgen Camino San Miguel del Camino Valverde de Valverde la Virgen V

León Archahueja

How to interact with a context full of character and memory? ? ?

when Time-Limit coexist

the ruin of the cathedral

MEMORY - FOOTPRINT PALACIO ARZOBISPAL

1 plan

2 structure

3 foundation + RUIN

archbishop's palace cloister

? archbishop's palace courtyard

Where the Prohibit Voids are

2.

How to sew them.

3.

Cutting the Limit

4.

Architectural Choreography

VE R TIC ALITY

1.

HORIZONTALITY

FENCE REINTERPRETATION

This is about what moves people, not about how they move.

AMBIGUOUS EQUILIBRIUM SPACE PROTOTYPE 1.150 1 exterior skin aluminiumBELT diameter 10 cm

2 exterior skin TUBULAR ROUNDSTRUCTURE diameter 5 cm distance 50 cm

3 interior skin EFTE thickness 20 cm

4 interior skin GLASS thickness 3 cm

5 structure RADIALUPN 20 cm x 8 cm

D1

D1 roof (800mm): 1.galvanized steel metallic sheet 2mm 2.sandwich panel: steel sheet filled by polyurethane foam on top of undulating sheet 60mm 3.steel battens(strutural elements) 4.zinc sheet 5.gutter 6. UPN 300mm 7.steel plate 8. UPN 220mm (support) false ceiling (220mm): 9.continuous anti-vibration hidden metallic framing variable height 10.glass fibre fabric 25mm 11.black veil 12.perforated stainless steel sheet 2mm

1 4 2 53 76 8 9 10 11 12

D2 facade (300mm): 1.polycarbonate panel 3cells 20mm 2.raised steel lattice 3.steel structure for assembly 4.round metallic structural tube 50mm 5.metal framework+ 2 fixed glass floor (300mm): 6. polished screed concrete 100mm 7.lighting tube 8. reinforced concrete slab 220mm 9.post tensioned cables 3mm 10.UPN 220mm 11.steel plate

1 2 4 6 37 8 9 1110 5

D3 floor (800mm): 1.lighting tube 2.polished screed concrete 100mm 3.reinfroced concrete base 200mm 4.compression concrete layer 50mm 5.cavity polypropylene 150mm 6.cleaning concrete 100mm 7.terrain-excavated rock

D2

1 3 4 5

2

6 7

D3

SE

Dance and Gastronomy - who inhabit this performance space? main ACTORS 1. Dancers concentration knots service entrance

service toilets 27.5m2

office 32m2

reception information 60m2 dressing room 3

2. Visitor concentration knots

exhibition room 98.5 m2

main entrance

3. Chef - Waiter. concentration knots lobby

exit +0.5.00m

to +5 floor information

sitting-room 36.50 m2 Lift.service-goods 1.00 m2

coverred terrace 66.50 m2

1,1 1,1

DS1

LS

performanec-area 30.00m2

performance-area 17.50m2 sitting room 37.50m2

covered terrace 250m2 pina coreography

observatory 18m2

1 LULLABY

2 LILIES OF THE VALLEY

3 ZOOM IN - LOOK OUT

UTECUISI HA

NE

REOGRA HO

ER PH

ABSTRACT EXPRESSIONISM Pierre Gagnaire

1.natural colouring 2.special CUT 3.emotional judgement

DECONSTRUCTIVISM Ferran Adrià

change: SHAPE-TEXTURE-Tº keep:FLAVOUR 1. to feel 2. to intellectualize

TECHNO-COOKING Heston Blumenthal

1. SOUND manipulation 2. molecules for: taste + smell 3. polymer hydrogen

FREE-MODERNDANCE. EXPRESSIONISM Isadora Dunkan

dynamic: free - flexible=SEA tranparency - naked -Keats: romantic imaginery -Nietzsch: severity-crudity -Whitman: poethic realism

THEATREDANCE Pina Bausch

chapter - scenography “what moves people” terrenal elements in between : theatre - pure

TECHNOLOGYDANCE

change: time -velocity different points of view dance, architecture by which we perceive the performance

Margarita Bali

C

The stratification of Elektra 02

HYSTERIA INFIDELITY

LIFE CYCLE DEATH

DOBLE STANDARDS

EROTICISM

ARTHUR SCHNITZLER FURA DELS BAUS

ANXIETY PROVOCATION

SEXUALITY PSYCHOANALYSIS DREAMS

GUSTAVE KLIMT

SIGMUND FREUD GOTTFRIED HELNWEIN

INTELLECTUAL SOCIETY

SECESSION

INTIMIDATION PUBLIC - SCENE

ABANDONMENT ATONALITY

CORPO GEOME

DECLINE CAFÉ CENTRAL

PINA BA

AUSCH

1º. SCENE = ELECTRA

1. changeableness of the space

experimental space = MOVEMENT SUGGESTED VOLUME

as a condition of being = ELECTRA

2º. SCENE = PALACE muller house.adolf loos constructed space = REAL SCULPTURAL VOLUME

3º

3º. SCENE = MENTAL

2. ambigüedad espacios

IMAGINARY SEQUENCEPROJECTED VOLUME

= negative CHARACTERS

2º

3. negative volumetric reference = LIMIT - “Wall”

1º

ARCHITECTURE

ORAL EXPERIENCE ETRY

MATTA CLARCK operation :

4. textures = life layers

= accumulation above the surface

DES-ORNAMENTATION FUNCTIONALITY ORDER ADOLF LOOS

NON-CONFORMISM ORNAMENT

STRATIFICATION DECONSTRUCTION

(VIENA 1900)

JOSEPH OLBRICH MATTA CLARK

(STAGING)

1. CONSTRUCTION

10,5 m 13 m 12 m

10,5 m 13 m

10,5 m

(PHOTOGRAPHIC POINT OF VIEW)

20ยบ

-1m

45ยบ

1

BOX CONSTRUCTION

2

3

PLANE ROTATION

HEIGHT REDUCTION

2. (DE) - CONSTRUCTION

(MATTA CLARK OPERATION)

1

LOOKING FOR THE LIMIT

2

AREA OF VISION EXTENSION

3

CUTS AND SEDIMENTS

4

INSTABILITY OF THE STABLE

LIVING INSIDE THE VOID

DON JUAN TENORIO (verdades de la naturaleza humana) 03

1. A ROOM OF ONE’S OWN

(THRUTHS OF HUMAN NATURE)

2. IMPOSSIBLE EQUILIBRIUM (FREE FALL OF SOCIETY)

3. WOMEN CONDITION AND THEIR FREEDOM (<<¿WHO AM I and WHAT I WANT IN LIVE?>>)

3. EXCESS

(between a METAPHYSIC and SENSORY REALITY )

1. HOSTEL

(SPACE DUALISM)

2. CONVENT

(SPACE DUALISM)

3. CONVENT

(SPACE DUALISM)