AMMAR PALGHARWALA ARCHITECTURE PORTFOLIO | 2016
EDUCATION UCLA Architecture & Urban Design|M.Arch-II SUPRASTUDIO|2015-2016
Ammar Palgharwala
3848 Mentone Ave, 201. Culver City, CA-90232
Advance Architectural Research And Design|Craig Hodgetts Studio
Indian Education Society’s Collegw Of Architecture, Mumbai|B.Arch|2008-2013 Architectural Design And Planning|Mumbai University
Mithibai Junior College, Mumbai|Higher Secondary School|2006-2008 Science And Information Technology School|Mumbai University
A.A.E.H. School, Palghar|Primary & Secondary School|1996-2006
ACHIEVEMENTS & HONORS Sir Ratan Tata Trust’s Scholarship For Excellence In Education|2009, 2010 Architectural Design And Planning|Mumbai University
Mumbai University Course Completion With First Class|B.Arch|2008-2013 Architectural Design And Planning|Mumbai University
National Association of Students of Architecture|2011-2012 Second Place For Documentation Trophy|Louis I Kahn Trophy
UCLA AUD Cumulative GPA|3.98 ACMA Composite Challenge|Honorable Mention|Winter 2016
WORK EXPERIENCE & RESPONSIBILITIES Larsen & Toubro Ltd. Realty Division|Profile: Architect|2013-2015
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Nikhil Mahashur & Associates|Profile: Intern & Jr. Architect|2012-2013 Ĺ? 3UHSDHUG &FKHFNHG 'UDZLQJV )RU 7KUHH 2Q JRLQJ 3URMHFWV Ĺ? &RQYHUWHG &$' 'UDZLQJV LQWR 5HYLW 0RGHOV IRU )XUWKHU %,0 ,QWHJUDWLRQ ' 9LHZV
SOFTWARE PROFICIENCY
E- mail: ammar.palgharwala@gmail.com Phone: +1 (646) 578-3323
AUTODESK REVIT|Level RHINOCEROS 5.0|Level GRASSHOPPER & PLUGINS|Level AUTODESK NAVISWORKS|Level AUTODESK AUTOCAD 2D & 3D|Level AUTODESK MAYA|Level AUTODESK 3DS MAX|Level VRAY|Level ADOBE PHOTOSHOP|Level ADOBE ILLUSTRATOR|Level ADOBE AFTEREFFECTS|Level SKETCHUP PRO|Level
CONTENT SHARECITY
07
REVEALUTION
33
BRANCHANTHINE
27
EAR-360
39
INTER STATE BUS TERMINAL
55
SKIN & BONES
47
GOLF CLUB
59
PROFESSIONAL WORK
69
INFLAT-A-POD
63
SHARECITY
CONCEPT: )XWXUH &LW\ 'HVLJQ 3URMHFW IRU &UDLJ +RGJHWWV 6WXGLR deals with the envisioning and development of a design strategy that is completely based on the latest trends and possibilities in the ILHOG RI WHFKQRORJ\ DQG LWV VXEVHTXHQW LPSDFW RQ WKH ILHOG RI DUFKLWHFWXUDO GHVLJQ ,W LV D JUHHQ ILHOG SURMHFW LJQRULQJ DQ\ H[LVWLQJ infrastructural or technological constrains of the current day. INSTRUCTORS: $U &UDLJ +RJHWWV DQG $U 0DUWD $QQD 1RZDN PROJECT TERM: Winter 2016 - Spring 2016 TEAM MEMBERS: 0DQMX 3DLWKDQNDU 0DULD .DWWLFDUDQ CONTRIBUTION: Concept development, Master Grid preparation, Masterplan base 3d model, Detailed Unit design, Detailed Unit computer model, Detailed Unit physical model, Pod Concept, Infrastructural design and planning. PROGRAMS USED: 5KLQRFHURV *UDVVKRSSHU 0D\D 95D\ Adobe Illustrator and Adobe InDesign.
MASTERPLAN
Masterplan is designed to have EORFNV VKDULQJ FRPPRQ DUHDV RI LQWHUHVW In the diagram above, the circles represent the areas of interest/importance. These areas are evenly distributed. At the HSLFHQWUH RI WKH EORFN D FRPPHUFLDO structure (tallest Structure), is located on the circumference of the circle and the regular grid is distorted with the epicenters ZRUNLQJ DV DWWUDFWRU SRLQWV 7KH GLVWRUWLRQ of the grid is aimed at giving orientation and directionality to the city. The city also deals with three typical scenarios, the all underground units; Residential, partially underground, partially above ground units; Leisure/Recreational, and completely above ground, Office Structures. These are aimed at further orientation and directionality and also to create a topogUDSK\ ZLWKLQJ WKH FLW\ LQVWHDG RI MXVW DGDSWLQJ WR DQ H[LVWLQJ RQH Programs Used: Rhino and Grasshopper.
Office/Commercial
Leisure/Recreational
SHARECITY
Program-based Configuration
Portion of the Masterplan Grid
Residential
7UDFNV
Living Unit
RESIDENTIAL UNIT Common Corridors Pod
Recreational Activity Zone
7KH UHVLGHQWLDO EORFNV DUH W\SLFDOO\ the underground units catering to 60 to 90 individual living units. The concept is to LQYHUW WKH WUDGLWLRQDO UHVLGHQWLDO EORFN IRUPDWLRQ DQG WUDQVODWLQJ LW LQWR TXDGULODWerals with each side sloping inward to a central courtyard providing a large open JUHHQ VSDFH IRU HDFK EORFN ZLWK WKH OLYLQJ XQLWV VWDFNHG RQ WKH IRXU VLGHV 7KH VORSHV are calibrated in accordance with the solar conditions to optimize incident sunlight on every side for most part of the day. For the purpose of movement, each living unit is provided with a Pod that replaces the vehicle and doubles as an office space and partial living space; the pod is DQ H[WHQVLRQ WR WKH OLYLQJ XQLW ,W PRYHV DURXQG WKH FLW\ RQ WUDFNV ZLWK 0DJOHY technology using a centralized automatHG JXLGLQJ V\VWHP 7KH WUDFNV DOVR FDWHU DV the structure for utilities such as power OLQHV ZDWHU SLSHV GUDLQDJH HWF $GMDFHQW units have inter-connectivity at the corners and these corners have atrium spaces that provide common amenities and supplies. The courtyard and the crossing atriums act as social interaction spaces. Programs Used: Rhino, Grasshopper.
THE POD
Windshield Made e of Transparent Solarr Panels Collapsed AccordrdLDQ 'RFNLQJ +DWFK FK Maglev Mechanism nism nis m Anchor Rail
Pod: Closed and Open Aperture The Pod is an integral part of the city planning as it replaces the car and partially the office. The pod is a mobility device that ZRUNV RQ 0DJOHY WHFKQRORJ\ DQG PRYHV DURXQG WKH FLW\ RQ WUDFNV (YHU\ EORFN LQ WKH FLW\ ZRXOG KDYH GRFNLQJ SRLQWV DW ZKLFK FLW\ ZRXOG KDYH GRFNLQJ SRLQWV DW ZKLFK the user can transfer from the pod to SHGHVWULDQ PRGH 7KH GRFNV ZRXOG SHGHVWULDQ PRGH 7KH GRFNV ZRXOG be collapsible and standardized to cater to different pods. Te The Pods would be covered on the surface with solar panels and would be the PDMRU PRGH RI HQHUJ\ PDMRU PRGH RI HQHUJ\ generation in the city. Programs used: Rhino, Grasshopper, AutoCAD Maya.
([SDQGHG $FFRUGFFRUG+DWFK LQJ 'RFNLQJ +DWFK
Pod Docking on Housing Units
'RFNLQJ +DWFK ZLWK FK ZLWK ors Aperture Doors
$GMXVWDEOH Ergonomic Seats eats
Maglev Mechanism hanism Housing
0DJOHY 7UDFN N
Pod and Maglev Technology
Pod on Maglev Track
SHARECITY
CONCEPT: Continuation to the Fall 2016 quarter, the project deals with an architectural scale resolution of either of the important components of the city design. For the purpose of this exercise, the intersection between the residential units was developed into a pedestrian crossing on the periphery and machine spaces in the centre. One of the arms was also developed into a workshop for the automated Pods. INSTRUCTORS: Ar. Craig Hogetts and Ar. Marta Anna Nowak. PROJECT TERM: Spring 2016 INDIVIDUAL PROJECT CONTRIBUTION: Concept development, Master Grid preparation, Masterplan base 3d model, Detailed Unit design, Detailed Unit computer model, Detailed Unit physical model, Pod Concept, Infrastructural design and planning. PROGRAMS USED: Rhinoceros 5.0, Grasshopper, Maya, VRay, Adobe Illustrator and Adobe InDesign.
MACRO
MICRO
FUNCTIONAL VARIATIONS
Technical (Workshop)
Transitit (Personal Pod Vertical Movement)
The intersection forms a crucial part of the city design, establishing all connections to the four housing units. It is the second most prominent occurrence in the city masterplan. The arms/ periphery of the units are developed into variable functions and in correspondence to that, the intersection is designed to have five diverse functions. 1) Technical: This has ramps to facilitate Pod movement and one connecting arm is a technical space, such as the workshop, 2) Transit: This has elevators for private Pods so that they can move vertically and reach their target destination 3) Education: Schools, Colleges, Interactive learning, Science Centres etc. 4) Entertainment: Arcade Games, Sports ground and stadium, liesure spaces etc. 5) Agriculture: The intersection could be a greenhouse in which case one of the connecting arm would be a food processing unit.
Education
Entertainment (Sports)
Green House and Food Processing Plants
Distribution of Intersection varieties.
THE INTERSECTION & WORKSHOP The workshop and Intersection is designed to be the Mechanical Organism, co-existing with the human organisms of the Future. Sharecity features inversion of the traditional infrastructure by providing the vehicular movement on top and pedestrian on bottom to avoid intersection of the two for most parts. The Intersection of the City-grid provides a versatility of functions to be designed in correspondence with the function of the connecting arm. For the purpose of this project, the arm chosen is a technical function arm: the Pod workshop. In this situation, the intersection features a helical ramp with connections to the workshop levels to grant access to the pods moving on the main transportation infrastructure. Alongside, the intersection also works as a drop-off and parking for the automated shared Pods. The parked Pods eventually get lifted and placed on the main tracks by electro-magnetic elevator platforms. The Intersection has pedestrian walkways and ramps connecting four quadrants and revisits the expression “Meet me at the Intersection.� Pod
Helical Track
Pod Elevator
Pod Parking
Automized Pod Wash
Pod Fabrication/Repair
LAYOUT Unlike the housing units, the intersection is designed mainly as a space for machinery/technology. Here the machine is a part of the aesthetics in it’s full glory and provides a transparent view for the humans to see the automized machines in motion (also improving the trust of man over machines). Judging from the current trend, it is fair to assume that future holds a great deal of automation and for that, architecture should adapt to its new, rather non-traditional resident. The layout plan of the intersection and the workshop is shown here along with the segregation of human and machine spaces.
Pedestrian Courtyard A
Courtyard B
Courtyard D
Courtyard C
Pod Movement
Pedestrian Walkway
Connection to House Helical Downward Ramp
Upward Pod Elevator
Shared Pod Parking
SECTIONAL VIEW The section through the intersection and workshop shows two main movement paths, the vertical movement of the Pods and the horizontal movement through the workshop. The vertical movement is a unidirectional movement with a downward ramp taking the shared Pods to a dropoff level and then to the shared Pod parking where the Pods move in a spiral pattern to ultimately arrive at the innermost portion from where they are then lifted back to the top of the infrastructural system. These Pods being shared, the order is irrelevant and the Pods return to the track network based on demand. On two levels, +4.8m and +10.2m, the downward spiral branches out to give access to the workshop space which is organized based on the frequency of use, having the maintenance units on the top and the fabrication units on the bottom. The pods then enter the track system through the spiral and elevator.
12.5 m
10.2 m
4.8 m
0.3 m 0.0 m
Automized Pod Wash
Automized Paint Shhop
Pod Assembly/Repair
Pod
PHYSICAL MODEL
BRANCHANTHINE
CONCEPT: An exercise in the development of a Design Process based on Parametric Protocol generation and interaction of two systems of patterns existing in the nature. For this project, Labyrinth and Branching were selected as host patterns . The aesthetic of the first and the logic of the latter were combined. The interaction of these systems on different generations produced an array of options from which one was chosen for space exploration. INSTRUCTORS: Ar. Julia Koerner, Ar. Marta Anna Nowak, Ar. Natasha Bajc, Ar. Yi PROJECT TERM: Summer 2015 TEAM MEMBERS: Ryan Doyle, Anna Kudashkina, Panpan CONTRIBUTION: Concept development, L-Systems Code Generation, Interaction Rules definition, Interaction Options, Presentation Video, Renderings. PROGRAMS USED: Rhinoceros 5.0, Grasshopper, Maya, VRay, Adobe Illustrator and Adobe AfterEffects.
L-SYSTEMS
Gen. 1
Gen. 2
Gen. 3
Gen. 4
Gen. 5
Gen. 6
Gen. 7
Gen. 3
Gen. 4
Gen. 5
Gen. 6
Gen. 7
Gen. 4
Gen. 5
Gen. 6
Gen. 7
L-System Generations
Gen. 1
Gen. 2
L-System Massing: Labyrinth Aesthetics
Gen. 1
Gen. 2
L-System Point Cloud Generation
Gen. 3
INTERACTION OPTIONS GENERATION Option Selected After Second Level Interaction
Mass Generations
Point Cloud Generations
Line Generations
L-System Generations
SYSTEM INTERACTION OUTPUT
SECTIONS THROUGH THE FINAL FORM SHOWING SPACE CREATION WITHIN
REVEALUTION
CONCEPT: The project proposes a kinetic facade system that is articulating a juxtaposition of opposing characteristics: the extremes of an open and closed/hidden state which is acheived by developing a linear actuator. INSTRUCTORS: Ar. Peter Vikar PROJECT TERM: Fall 2015 TEAM MEMBERS: Jorel Sanchez, Shahrzad Razi, Simi Shenoy CONTRIBUTION: Concept Development, Unit Prototype and Mechanism Design and Fabrication, Unit assembly, Video editing for the mock-up sequence. PROGRAMS USED: Rhinoceros 5.0, Grasshopper, Maya, VRay, Adobe Illustrator and Adobe InDesign.
THE MECHANISM 2XU NLQHWLF XQLW IROORZV D GUDPDWLF WUDQVIRUPDWLRQ IURP D FRPSDFW RFWDJRQDO VKDSH SULPLWLYH WR DQ H[WHQGHG FRQLFDO VXUIDFH DV D UHVXOW RI D VLPSOH OLQHDU PRWLRQ 7KLV G\QDPLF XQLW LV SURSRVHG DV SDUW RI DQG DUFKLWHFWXUDO GLDJULG DVVHPEO\ PRXQWHG LQ HDFK MRLQW QRGH KRUL]RQWDOO\ ,W RIIHUV D VLQJOH V\VWHP WKDW FRPELQHV VWUXFWXUDO DHVWKHWLF DQG SHUIRUPDQFH DVSHFWV RI WKH EXLOGLQJ HQYHORSH 3ULPDULO\ GHVLJQHG DV D VNLQ RQ D glass curtain wall for office buildings, the system could provide a spectacular and adaptive shading to various building typologies.
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THE UNIT THE MECHANISM acrylic case
stepper motor
acrylic arms
unit base
flaps
wood base
threaded guide rod
gears
linear motion slide
Effectively located on the south facade of a building the unit can be controlled from the interior based on the comfort, view and daylight needs RI LWV RFFXSDQWV %HVLGHV LWV SHUIRUPDWLYH TXDOLWLHV WKH IDFDGH FRXOG EH XVHG DV DQ H\H FDWFKHU GLVSOD\LQJ YDULRXV SDWWHUQV DGYHUWLVLQJ PHVVDJHV or brand logos. 7KH PHFKDQLVP LV D JHDU DQG VKDIW W\SH IRU PDNLQJ WKH XQLW FRPSDFW DQG VWXUG\ DFKHLYLQJ D IRXU WLPHV RI VXUIDFH DUHD FKDQJH EHWZHHQ the open and closed state. Also, the mechanism being designed towards the inside end facilitates easy maintenance.
revealution panel metal sill
steel beam steel diagrid node
mechanical system
structural diagrid
concrete finish floor VWHHO FRPSRVLWH GHFNLQJ
EAR-360
CONCEPT: The project explores the design of an optimum formal shape to enhance the intensity of sound and to manage the levels so that the user can correct/isolate the desired sound from the undesirable ones. The prototypes are meant to be entirely analog and purely form-based explorations. INSTRUCTORS: Ar. Marta Anna Nowak PROJECT TERM: Fall 2015 TEAM MEMBERS: Richard Ruiz CONTRIBUTION: Concept Development, Hearing Cones and Mechanism Design and Fabrication, Mechanism Assembly, Site Model 3D Design and Laser Cut files, Presentation Video. PROGRAMS USED: Rhinoceros 5.0, Grasshopper, Maya, VRay, Adobe Illustrator, Adobe AfterEffects and
THE SITE: STUDY OF THE HUMAN EAR ANATOMY
For this seminar, we treated the human body as a ‘SITE’ for our design. It provided with new insights on the geometry of our anatomy. The subtle contours, the undulating, folding ridge and valleys, the structure and orientation, of the human ear was the focus of study to better the design for the ‘SITE’. Digital models were created of various ears and a common shape and size was discovered and fabricated in silicone to understand the interface between the prototypes and the human ear. Eventually the silicone ears were replaced with solid 3D printed ears as the final product shifted from being in-ear hooks to back band headsets. The picture adjacent to the 3D model was the final site model on which the final prototype was rested. This exercise helped to look at architectural site in a different light and developed an appreciation towards the organic nature of design.
PROTOTYPE 1: SOUND ISOLATION AND FOCUSING In this prototype, a regular cone as an amplification device was revisited fundamentally. These fundaments were then combined wth the acoustic design knowledge to create an echo-free high definition analog sound amplification and sound focusing system. The forms thus developed, act like a scaled down concert hall focusing the reflected sound waves into the ear canal. This prototype was made to have a mechanical interface between the ear horns and the eras in the form of the Clicker Mechanism. The Mechanism consisted of gear arrangement with slots for intermediate stops while rotating 180 degrees. These slots were calibrated to four fixed positions on the 360 degree arc with the ear canal as the center of the axis. Since the ear-plugs were to sit within the ear canal, moldable ear-buds were attached to the clicker. These ear-buds would take the shape of the users ears providing a snug fit and support. For additional support, ear hooks were connected to the assembly. The main intended use of this prototype was for focusing at one sound source, for example, if one is in a lecture and is taking notes, one can adjust the ear-horns towards the sound source and continue taking notes.
EARHOOKS FOR ADDED SUPPORT MOLDABLE EAR PLUGS
CLICKER MECHANISM
PROTOTYPE 2: ALL-ROUND EQUAL INTENSITY A research study during the course of design stated that more than 4/5th of the human hearing is concentrated in a cone of around 110 degrees angle towards the front. This provides us with directionality. However, as an experiment, the design exercise was aimed to alter the perception of this intensity field and putting the listener in the centre of the hearing field. The rear aperture is greater than the front aperture to counter the ear’s anatomy and balance out sound incident from both the directions. This is aimed at a user group that requires to be vigilant of their back as much as the front, such as cyclists. In addition to putting the listener in the middle of the field of hearing, the final prototype integrates the forms of Prototype 2 with a rotating mechanism from Prototype 1 that could help alter the intensity balance providing stereophonic correction. This could be useful for side seats in a theatre where sound is dominant from either one of the left or right direction. The mechanism may be paired with a smartphone app that could provide presets as well as fine tuning.
Centered Field of Hearing by use of Prototype 1
PROTOTYPE 3: STEREO CORRECTION Evolution of Form
Cone
Cornucopia
Double Cornucopia
Form #1
Form #2
Form #2 Gear Mechanism Micro Steppers
Mechanism for Movement of the Form
Cushioning
SKIN & BONES CONCEPT: Exploration of techniques for casting infused composite panels without making and using molds. The process developed uses the KUKA robot as an actuator to animate the infusion bag creating a wide array of design variations. This technique is cost effective, time effective and highly customizable as well as repeatable. Materials are selected suitably to provide strength and transluscence to the panel making them ideal as an external skin throughout the building cutting down the requirement of glazing. INSTRUCTORS: Ar. Julia Koerner PROJECT TERM: Winter 2016 TEAM MEMBERS: Jorel Sanchez, Luis Oshua, Lyo, Pegah Roshan and Richard Ruiz CONTRIBUTION: Concept and Technique Development, Simulations, Pressure and Wind test, Preparation of Infusion Bag and Fabrication of Panels. PROGRAMS USED: Rhinoceros 5.0, Grasshopper (Kangaroo, Karamba), Maya Animation, Maya Simulations (nCloth and nDynamics), VRay, Adobe Illustrator and Adobe InDesign Adobe, Adobe AfterEffects, Autodesk Flow, CNC Mill for cuting frame profiles and soric sheet
INFUSION PROCESS ESS 7KH LQIXVLRQ SURFHVV WDNHV SODFH LQ four steps: Step 1: Preparing Material for Infusion All the material cut into suitable sizes DQG VWDFNHG LQ WKH RUGHU VKRZQ Step 2: Sealing the Bag 2QFH WKH PDWHULDO LV VWDFNHG LQ WKH FRUUHFW RUGHU WKH VWDFN LV SODFHG LQ D vacuum bag and sealed on all open sides with strong sealing tape with the provision of vacuum outlet and infusion inlet. Step 3: Infusion After sealing the bag, it’s vacuum outlet is connected to the vacuum chamber and the inlet is sealed. This assembly is then connected to a YDFXXP SXPS WR FKHFN IRU OHDNV 2QFH OHDN WLJKW WKH UHVLQ LV LQWURG uced through the inlet. The panel is let to infuse till it is completed drenched in resin and then the inlet hose is disconnected and sealed. Step 4: Actuation The sealed bag is the placed on a highly maleable base and compressed with the fram attached on the robot. The setup is allowed to rest till the resin cures
CURTAIN C URTAIN S SYSTEM YSTEM D DETAILS ETAILS Composite Panel Carbon Fibre Reinforced Panel Aluminum L-Channel :HOGHG +H[ 1XW +H[ %ROW Stainless Steel Screw ([WHULRU -RLQW
Rubber Sealant Composite Panel Carbon Fibre Reinforced Panel Aluminum L-Channel :HOGHG +H[ 1XW +H[ %ROW Stainless Steel Screw ([WHULRU -RLQW
Glass
Glass
([WHULRU -RLQW Aluminum Mullion
([WHULRU -RLQW Aluminum Mullion
Typical Single Panel Mounting Detail
Typical Double Panel Mounting Detail
7KH SDQHO ZRUNV DV DQ H[WHUQDO VNLQ WR DQ H[LVWLQJ FXUWDLQ ZDOO system. It adds aesthetic as well as heat efficiency to the facade. On the mullions of the FXUWDLQ V\VWHP WKH EUDFNHWV DUH IL[HG RQ ZKLFK WKH RXWULJgers and ribs are mounted. The fiber glass panels are already infused with the ribs and outriggers so they together ZRUN DV RQH VLQJOH V\VWHP DQG as such, no additional fastenLQJ LV UHTXLUHG 7KH )53V DUH light in weight so they do not add considerable load on the curtain frames. The are coated ZLWK 89 SURWHFWLYH FKHPLFDOV as well as heat repellents to UHGXFH WKH 89 DQG VRODU JDLQV The panels were analysed for pressure and wind loads as a part of the study and it was discovered that the contours on the panels add aerodynamics to the panel. Building Structure & Systems
Curtain Wall
Outriggers & Ribs
Fiber Glass Composite Panel
INTER-STATE BUS TERMINAL Multi-Utility Transit Oriented Development with Inter-State Bus Terminal (ISBT) as the chief component. CONCEPT: Bus being an intergral part of the transport system of Mumbai, it is crucial to design a terminal for optimum performance. The Terminal is designed with two adjascent functions, an office space and a transport museum. The massing and height of the project was regulated based on FAR. INSTRUCTORS: Ar. Shilpa Sharma PROJECT TERM: B.Arch 3rd Year, 2010-2011 INDIVIDUAL PROJECT DELIVERABLES: Concept Development, Masterplan, All Level Plans, Sections, Elevations, Views, Details PROGRAMS USED: SketchUp Pro, Autodesk Revit, AutoCAD, Adobe Photoshop CS6, Adobe Illustrator CS6
DESIGN D ESIGN A AND ND U UTILITY TILITY Y
Office Space
Office Drop-off
Common Cafe
ISBT Drop-off
Bus Workshop
ISBT
Axonometric View Showing Office and Museum Blocks
INTER-STATE BUS TERMINAL Being situated in a prime locality of Mumabi, one of the more crucial aspects to address in the project was space optimization as no allowable development should go wasted. The FAR norms were studied and the programme for the project was reached at based on the requirements and permisible construction area. In order to generate revenue for sustenance, two additional functions were integreated with the primary bus terminal. The Office space was provided in response to the upcoming commercial neighbourhood. Apart from office, the design proposal also included a transportation museum since there are none in the city. The circulation of the site was developed with segregation based on use of the space to avoid intersecting paths, crowding and congestion.
GOLF CLUB Luxury Golf and Country Club Resort Design CONCEPT: As a response to the undulating terrain and the narrow width of the site, the project was designed with multi-level terraced configuration. Majorly divided in three zones, Private, Semi-Private and Public, the project segregated the functions and this segregation governed the interior spaces. Porosity is a chief attribute by the virtue of the resort being located in a rather open flat site with scenic views in all directions. INSTRUCTORS: Ar. Suneeta Samant PROJECT TERM: B.Arch 4th Year, 2011-2010 INDIVIDUAL PROJECT DELIVERABLES: Concept Development, Masterplan, All Level Plans, Sections, Elevations, Views, Details PROGRAMS USED: SketchUp Pro, Autodesk Revit, AutoCAD, Adobe Photoshop CS6, Adobe Illustrator CS6
GOLF CLUB Major Design Challenges: - Site being heavily contoured, it poses challenge for massing - Golf Course on one side, entry on opposite side: segregating the service access is difficult. - Multiplicity in users - Form and aesthetics to respond to the existing structures.
Ball Room
Tennis
Practice Range Squash Restaurant Connecting Bridge
Games Room
Tennis Court
Luxury Suites
Gym
Golfers’ Lounge Luxury Rooms
Swimming Pool
Premium Rooms
INFLAT-A-POD
PROJECTION MAPPING SEMINAR CONCEPT: Drawing inspiration from IKEA, and taking modularity as the central spine for the project, the pod is typically a dodecahedron frame to which modular inflatable panels with two skins can be attached as per requirement and these panels would be actuated by an air compressor fixed in the floor of the frame. It caters to the basic daily activities and is light weight, hence, has great mobility. INSTRUCTORS: Ar. Marta Nowak PROJECT TERM: Winter 2016 TEAM MEMBERS: Manju Paithankar, Maria Katticaran CONTRIBUTION: Concept Development, Frame design, Inflated Panel Design and Grasshopper Simulation, Projection Mapping. Maya Animation, Projection Video, Final Presentation Video, Scaled Model frame. PROGRAMS USED: Rhinoceros 5.0, Grasshopper (Kangaroo, Karamba), Maya Animation, Maya Simulations (nCloth and nDynamics), VRay, Adobe Illustrator and Adobe InDesign Adobe, Adobe AfterEffects, Autodesk Flow
FRAME AND PANEL DESIGN Structural Light Weight Frame
Grasshopper Definition for Inflation of Panels
Grasshopper plug-ins, Kangaroo and Karamba used to design the inflatable panels to the desired shape and test the limits of the shapes and material properties.
Maya Animation for Inflation of Panels
Inflatable Panels
Few Of The Many Possible Off-the-shelf Modular Inflatable Panles
TECHNICAL DETAILS AND MOVEMENT game station
lighting
drone attachment modular panels high tensile membrane
heating/ cooking
electrochromativ window
interactive unit
bed storage
sink
seating & workstation
toiletry storage
storage
water out exterior membrane
dodecahedron frame
inlets for air and varying air pressure in the different panels according to use.
control unit sensors Technical Section
The pod is made from lightweight Carbon-Fiber frame with attachable modular inflatable panels. Each panel can be inflated/deflated in isolation. The interior panels have three stages of configuration; the deflated stage or the free open space, the inflated stage or the in use stage and the over-inflated stage or the bracing stage. The movement of the pod is by bouncing, tumbling or transportation by drones. The tumbling takes place by using differential inflation and deflation of the exterior panels making the pod tip over and move. Movement by Differential Inflation-Deflation of Panels
Pod Long-Distance Transportation by Drones
PROJECTION MAPPING One of the primary purposes of this class was to explore the use of ‘Projection Mapping’ as a tool for representation and experiencing design in a rather realistic way by having a human actually be in the space rather than simply on computer renderings. For mapping, a live scale half dodecahedron was built and the projection was then mapped onto the foam mock-up. The scene through a typical day in the pod was enacted by a team members and the recording of that was used ast a part of the final presentation video explaining the project. Following are a few stills from the presentation video:
PROFESSIONAL WORK
PROJECT INFO: 'HVLJQ GHYHORSPHQW DQG H[HFXWLRQ RI FRPPHUFLDO KHDGTXDUWHUV IRU /DUVHQ 7RXEUR /WG 7RZHU designed for a capacity of 10,000 employees on the Powai :HVW &DPSXV VLWH LQ 0XPEDL 7KH SURMHFW ZDV DLPHG DW consolidating all the offices of L&T Ltd into one centralized business hub. ASSOCIATES: Callison, MEP-Con, Sterling, Spaceage, GMD, Lerch Bates PROJECT TERM: December 2013- June 2015 CONTRIBUTION: Concept planning stage, Feasibility options, 3UHSDUDWLRQ DQG &KHFNLQJ RI 'UDZLQJV &R RUGLQDWLRQ ZLWK Consultants, Convening upon Review Meetings and Progress Updates, Areparation of Approval Drawings, Revit Model for %,0 $UHD &DOFXODWLRQV DQG %24 SUHSDUDWLRQ 0DWHULDO /LVWV 6LWH 9LVLWV DQG &RRUGLQDWLRQ PROGRAMS USED: $XWRGHVN $XWR&$' $XWRGHVN 5HYLW $XWRGHVN 1DYLVZRUNV 6NHWFFK8S 3UR $GREH ,OOXVWUDWRU $GREH 3KRWRVKRS 5KLQR 'V 0D[ /XPLRQ
BUILDING DESIGN
Podium Level Plan
Section Through Shorter Side
DETAILS
TTHE HE M MECHANISM ECHANISM
Contact:
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