5 minute read

Spotlight

“American Mountain Ash,” an 18x18-inch watercolor on paper by Aya Kawaguchi, is part of the Like Me, Like You exhibition at the Duluth Art Institute. It will be on display through the spring. | AYA KAWAGUCHI

Spread the Love

By Breana Johnson

While it shouldn’t take a holiday to remind us to be kind and loving, Valentine’s Day is the perfect excuse to do so. Life is short and unexpected, and the lasting pandemic hasn’t made things easier. So spread some love, not only to your significant other or family, but to your friends, neighbors and every stranger you meet. Kindness is key.

This painting, titled “Love” by Kari Vick, is part of her “A-BWCA-C’s” series. To view her work, visit: karivick.com. | KARI VICK

This painting, titled “Love” by Kari Vick, is part of her “A-BWCA-C’s” series. To view her work, visit: karivick.com. | KARI VICK

Dryden artist Sharon Girdwood created this wood-mounted painting, titled “Winter Cardinals.” To see more, visit: studiogirdwood.com. | SHARON GIRDWOOD

Dryden artist Sharon Girdwood created this wood-mounted painting, titled “Winter Cardinals.” To see more, visit: studiogirdwood.com. | SHARON GIRDWOOD

This hanging glass piece was created by Terry Lewis of Serenity Pines Creations. Find Serenity Pines Creations on Facebook to see more. | TERRY LEWIS

This hanging glass piece was created by Terry Lewis of Serenity Pines Creations. Find Serenity Pines Creations on Facebook to see more. | TERRY LEWIS

“The Plot Thickens,” by Shawna Gilmore, is an 11x14inch acrylic on deep cradled wood panel. To see more from Gilmore, visit: shawnagilmore.com. | SHAWNA GILMORE

“The Plot Thickens,” by Shawna Gilmore, is an 11x14inch acrylic on deep cradled wood panel. To see more from Gilmore, visit: shawnagilmore.com. | SHAWNA GILMORE

Michelle Wegler created this 4x4-inch pastel piece, titled “Be Mine.” To view more, visit: michelleweglerart.com. | MICHELLE WEGLER

Michelle Wegler created this 4x4-inch pastel piece, titled “Be Mine.” To view more, visit: michelleweglerart.com. | MICHELLE WEGLER

Beadwork Artist Marcie McIntire

CREATIVE SPACE: By Eric Weicht

Beadwork is a craft rich in tradition in North America, one that dates back generations.

It is a beautiful, traditional form of artistic expression that is still being practiced today, and few people are more experienced with the craft than Grand Portage artist Marcie McIntire.

McIntire has been practicing beadwork since the age of 10. She first started with loom work and began developing her craft by watching her mother. McIntire is a member of the Grand Portage Anishinaabe, and has been living and practicing her work in Grand Portage for 34 years.

Examples of Marcie McIntire's beadwork. | SUBMITTED

Examples of Marcie McIntire's beadwork. | SUBMITTED

Today, her work focuses on traditional clothing, accessories and jewelry done in the floral-based style of Ojibwe beadwork that, according to the North House Folk School, is what she specializes in. In addition to crafting traditional works of art, she is actively teaching courses at the North House.

McIntire has been teaching at the North House since 2008, and, according to her bio, has taught her craft throughout North America—both at home on the North Shore and farther afield in places like Arizona and Florida.

“I have continued to teach a number of different virtual classes at the North House during the pandemic,” says McIntire, “but nothing in person yet.”

“In January of this year,” continues McIntire, “I taught a virtual class every Saturday on making baby moccasins, and then earlier in April and October I taught a North House course as an introduction to beadwork. This summer [the North House] thinks that we’ll be having in person classes, but you know with the pandemic and all it’s still a wait and see type of thing.”

Grand Portage artist Marcie McIntire has been practicing beadwork since the age of 10. She first started with loom work and began developing her craft by watching her mother. | SUBMITTED

Grand Portage artist Marcie McIntire has been practicing beadwork since the age of 10. She first started with loom work and began developing her craft by watching her mother. | SUBMITTED

While McIntire acknowledges some of the disadvantages associated with virtual teaching and learning, especially as it relates to a hands-on craft like beadworking, she has found the experience overall to be a positive one and is quick to point out the advantages that learning in this way provides students.

“Take my class on baby moccasins for instance,” says McIntire. “I spend two hours working with participants on Saturday, and then they have a video that they can watch during the week of the class.”

“So, there are advantages to it,” continues McIntire, “because if a student misses something or doesn’t understand a part of the lesson thoroughly, then they can go back and watch the video tape to figure it out.”

Prior to shut downs brought about by the pandemic, McIntire displayed her work at her gallery in Grand Portage, The Ningii-Ozhitoomin Ojibwe Art Gallery. Unfortunately, the gallery has been closed since everything first shut down in 2020, and at the time of this article, there are no immediate plans for reopening.

That being said, McIntire does from time to time show her work elsewhere in the community.

McIntire says that teaching virtually for the North House Folk School has its advantages, as well as disadvantages. | SUBMITTED

McIntire says that teaching virtually for the North House Folk School has its advantages, as well as disadvantages. | SUBMITTED

McIntire is an active member of the Northwoods Fiber Guild—an organization that began in 1988 as a way for fiber artists to connect with one another and is today a nonprofit for “people who explore personal creativity with fibers in all their varied and wondrous forms.” She will occasionally show her work at events put on by the guild, where she sells smaller items such as earrings and other beaded accessories.

As far as specific future events and projects go, however, McIntire did not mention anything particular outside of teaching at the North House.

“Grand Portage has been a bit of a ghost town since the pandemic,” says McIntire, “which has actually been kind of good for me.”

“I’ve planted two gardens,” says McIntire, “both with various herbs that can handle the short growing season up here. It’s been quiet, but it’s been nice.”

For more information on Marcie McIntire and her upcoming classes, visit the North House Folk School’s website at: northhouse.org/instructors.

McIntire has been teaching courses at the North House since 2008. | SUBMITTED

McIntire has been teaching courses at the North House since 2008. | SUBMITTED