PORTFOL I O
AMBALIKA DEBNATH
1
“Architecture should speak of its time and place, but yearn for timeleness.” - Frank Ghery
2
AMBALIKA DEBNATH ARCHITECTURE STUDENT
SOFTWARES
EXTRA CURRICULAR
AUTOCAD
• 2022-‐NOW DESIGN AN FEEDING TEAM MEMBER, VOICE THE VOICELESS GROUP.
SKETCHUP REVIT ILLUSTRATOR
Hello! I am Ambalika, I am currently pursuing my B.Arch degree from Nit Rourkela.Architecture that successfully combines tradition and contemporary has always inspired me, and I want to learn more about it.I am constantly driven to explore new and diverse topics to enhance my expertise.I usually put in a lot of effort to achieve my objectives. I am looking forward to start my Journey in a proffesional environment.
PHOTOSHOP LUMION KRITA INDESIGN MS OFFICE
EXPERIENCES • DEC‐2022 TRIPURA HOUSING & CONSTRUCTIO BOARD Winter intern
- 6009946610 - ambanath2008@gmail.com -Gourangatilla, near Durga temple,Teliamura, Tripura - 16th Oct 2001
• JUNE‐2022 ADOBE ILLUSTRATOR ONLINE COUSE Udemy
I work as one of the graphic designers and weekly feeders for NIT Rourkela’s Animal welfare club Voice of the Voiceless.
ARCHITECTURAL TRIPS OCT 2022-STUDY STUDY TRIP(FOCUSED ON HERITAGE CONSERVATION), KOLKATA • DEC 2022-STUDYTRIP, STUDYTRIP, TAMILNADU. • JUNE 2023-- 65TH ANC, JALANDHAR
• FEB 2023-HUDCO -HUDCO TROPHY • JUNE 2023-LOGO LOGO DESIGN COMPETITION, TYPO DAY-2023
EDUCATION May 2018
May 2020
2020-PRESENT
Teliamura Higher Secondary School, Teliamura Percentage: 93%
Maharani Tulsibati Girl’s High School, Agartala Percentage: 85%
NIT Rourkela CGPA : 7.30/10
• NOV 2022-DOCUMENTATION DOCUMENTATION POSTER FOR INDIAN ARCH 2022
HOBBIES SINGING PAINTING JOURNALING
LANGUAGES BENGALI HINDI ENGLISH 3
KALABASA
01 02 03
O
FAIRLY FERRY TERMINAL
DIKSHA NIGHT SCHOOL
C N T
4
N
T
S MISCELLANEOUS AND OTHERS
E
GENERAL NOTES
ALL MANDATORY SERVICES ARE AS PER N.B.C. NORMS.
FAR AREA CALCULATION GROUND FLOOR BUILTUP = 8911965155.00-708083450.00 = 8203881705.00 SQ.MM.
SECOND FLOOR BUILTUP 8603586130.00-769108700.00 7834477430.00 SQ.MM.
=
=
FOURTH AND SIXTH FLOOR BUILTUP = 7826385280.00-569369400.00 = 7257015880.00 SQ.MM. FIFTH FLOOR BUILTUP = 7826385280.00-620369225.00 = 7206016055.00 SQ.MM.
TOTAL BUILTUP AREA OF BUILDING =8203881705.00 +7824624255.00 +7834477430.00+7206016055.00 = 38326015325.00SQ.MM. FAR CALCULATION = TOTAL BUILTUP AREA / PLOT AREA =10629041150/38326015325 =
0.2 FAR
=COVERED AREA =8203881705.00 SQ.MM.
=PLOT AREA =38326015325
5 06 WORKING DRAWING
ARCHITECT
OWNER
NIT ROURKELA
ANIRBAN GHOSH
SCALE
M.E.P. CONSULTANTS
STRUCTURAL CONSULTANT
A.D ARCHITECTS
07-05-23
AMBALIKA DEBNATH
CHECKED BY
PROF. MD NAUMAN
DRAWING
ARIJIT SAHA
@ A1(SHEET SIZE)
DATE ISSUED
DRAWN BY
DWG NO.
04
WORKING DRAWING
CAFE CASITA(INTERIOR)
FIRST AND THIRD BUILTUP = =8603586130.00-778961875.00 = 7824624255.00 SQ.MM.
GROUND FLOOR PLAN WD/VK/AD/26
5
01.KALABASA
6TH SEMISTER6
SITE CONTEXT • • • •
MAIN BLOCK( ACADEMIC)
Location- Residential zone, Auroville,Near Solar kitchen Built Up Area -1791.2 sqm Plot Area -5221 sqm FAR- 0.3
The road adjacent to the site directly leads to the Matrimandir thus this is a high traffic location.The site is surrounded by trees. RESIDENTIAL UNITS
MAIN ENTRANCE N
CONCEPT(UNITY) Auroville stands for harmony. There, people from various locations both inside and outside of India congregate and coexist according to an ideology. Thus this design aims to implement the same ideology.
entry
Site is divded into two major zones, Academic(public) and residential(private). Both of the zones are designed to follow the idealogy of Auroville. The main objective was to create comfortable spaces for the artists to reside and practice , providing them collaborative spaces to interact with other likeminded artists and providing them proper guidance for the limited time they were going to reside in the residence.
N
FORM GENERATION
7
DWELLING UNITS
There is a open area with pond and a gathering area connected through stone blocks infront of the residences which is made for the artists to relax and interact .This creates a small microclimate for the artists and contributes to the concept of unity.
workspace veiw with suffecient access to natural light
A
A’
PLAN
Shared spaces for the artists to interact
LVL+3200
Bedrooms with a large window which placement varies in different units due to to the direction of sunlight.
LVL+450 LVL+0 SECTION AA’
8
B
ACADEMIC BLOCK
exhibition area
The ground floor of the main block is divided in a public zone(exhibition area) and a private zone (studio area). These zones are divided by a transition space made of a brick arcade. Studio space is in close proximity to the residential zone to provide the easy access to the artists.
studio area
Library and classroom is placed on the first floor to provide the artists more privacy and a peaceful environment.
B
A
A’
A
A’
0
GATHERING AREA B’ B’ FIRST FLOOR
GROUND FLOOR
9
In the upper floor the pergola fronts a library and a class room. Both the spaces have large openings for natural light.
LVL+6800
LVL+3850
LVL+450 LVL+0.0 SECTION AA’
Both the upper and the lower floors have a transitiong space. The transition happens through
10
The exibition rooms are placed just after the entrance giving easy access to the exibiton visitors. Skylights provide suffecient natural light.
The pergola space infront of the library and class room consists of sitting areas for the artists to relax their minds and boost their.
LVL+6800
LVL+3850
LVL+450 LVL+0.0 SECTION BB’
The entrance is also adorned by an archuated opening with a reception beside it.
The studio spaces are kept away from the entrance,making it a more private space only meant for the students.
11
12
13
02.DIKSHA NIGHT SCHOOL
5TH SEMISTER 14
SITE CONTEXT• • • •
Location- Jhirpani, Rourkela Built Up Area -1749.5 sqm Plot Area -5034 sqm FAR- 0.3
The site is a silent space with trees and a pond covering the south west corner.
CONCEPT (CLUSTERING)
Spaces are grouped randomly but with close visual or physical proximity to each other. Spaces of similar porposes are clustered in a close proximity for the ease of the users.
Accessible from north and west direction but Aroad is proposed from the south keeping the location of the residential areas in mind.
Diksha night school is meant for providing education to tribal people of the rural areas of Rourkela, This includes people of every age group who are deprived of education. The pedagogy is decided while keeping the background and age groups of the stakeholders to make education easier for them. Teaching through pattachitra(A traditional cloth based scroll painting of Odisha and Bengal) would benifit the stakeholders as they would find this process interesting and close to home. Special spaces are provided for holding the pattachitra events(on a weekly basis) at night where all the people of age groups can gather and interact.
N 15
EXPLODED VIEW
FRONT VIEW A
A
B’
B
B’
B
gathering area
A’
GROUND FLOOR
FIRST FLOOR A’
16
A corridor is made facing the west . this will allow the cooled down winds from the southwest (because of the presense of trees and pond) in summers, serve the aesthetic purposes and also make an interesting space when the eveing sun falls on it and the students start coming to the school
LVL+9700 LVL+7000
LVL+3600
LVL+450 LVL+0
along with all the classrooms some general classrooms are also provided for general tution sessions.
SECTION B-B’
The performance area is placed in the center, where the pattachitra gatherings will be held. the space is ornamented by arches. LVL+9700
LVL+7000
LVL+3600
Special classrooms (for example dance studio,stiching rooms, weaving rooms etc) are provided on the basis of the interests of the stakeholders.
LVL+450 LVL+0
SECTION A-A’
17
18
19
03.MOKSHA CAFE(INTERIOR)
5TH SEMISTER 20
INTRODUCTION We made this project during our 6th semester. we were asked to pick up a movie or novel of our choice and design the interiors of an already existing cafe in our campus, which will be inspired by the same. The plan of the cafe was provided to us and were restricted to only the interior design part, meaning we could not make any changes in the plan.
INSPIRATION
INSIDE
OUTSIDE
I tried replicate the house of the family depicted in the movie, The lamps , Furniture , tiles everything is inspired from the scenes of the mentioned movie and traditional colombian elements. But the drama has been maintained in the inside of the resturant to convey the the story of Bruno while outside is kept cheerful and casual I wanted my design to tell the story.
21
INTERIOR for the interior part rough exposed stone texture, cyan coloured doors has been provided to imitate the interiors of casita and show the drama inspired by Bruno’s tragic life at the same time.
design of the furniture is also made while keeping the story which is to be represented, arches are provided in the transition spaces .
Opposite walls are cladded with dark wood and dim and bracket lights are provided to create a cosy yet mysterious ambience. 22
TOILET
PRIVATE
Red velvet
0.9m 0.7m
2.34m
0.42m
DINING AREA
WASH BASIN
2.34 m
WASHROOM
KITCHEN
KITCHEN On the walls, there are dim bracket lights and on the ceiling there are hanging lights of various lengths (the longer ones are longer so they may focus on the tables). The cafe has a striking appearance as a result of the combination of all these factors.
PRIVATE EATING SPACE
23
EXTERIOR The exteriors of the cafe is a open space with pergola that is covered with flowering green elements, the outside is kept a bit casual with less complicated furnitures.
fairy lights are tangled with the green bush on the pergola to create the magic of the movie encanto. also the tiles used here are detachable tiles which replicated the dancing tiles of the movie.
24
Wood
1m
0.8m
1.35m
0.9m 0.9m
Rough textured cloth Bamboo
Wood
A tree bark at the centre of the exterior eating space with a canopy of pink flowers. Fairy lights entangled amidst the lush canopy enveloping the wooden pergola. the furnitures are inspired from the traditional bamboo furnitures of colombia.
3.29m
25
04.FAIRLY FERRY TERMINAL
5TH SEMISTER 26
SITE CONTEXT• Location- Howrah,West bengal • Built Up Area -864 sqm • Plot Area -2035 sqm
The site is situated on the banks of Ganga facing the Howrah bridge. The site has two pre existing jetties.
As the ferry terminal is meant to act as the gateway to Kolkata,The main motive of the design was to give the visitors an essence of Kolkata through its aesthetics and form. The main terminal block is made by combining the shape of a wave(the roof using tensile structures) and the howrah bridge (the glass opening) Red bricks are used in the facade to reflect the aesthetics of the signature buildings of Kolkata from the colonial times. crowd management is done utilising the opsition of the pre-existing jetties( two in number) recreational areas are given besides the main building with sitting spaces and a pergola made of tensile structure which makes the space aesthetically pleasing.
N
27
The spaces designed on the site accept the main building are the recreational area and the jetties. The existing jetties are adorned with steel railings and suffecient lights to guide the ways of the ferrys at night. The recreational area is covered with tensile structure and landscaping is done allowing the passengers to access the place easily.
A A TIC
KE
TC
OU
NT
ER
CA
R-P
AR
KIN
LA
G
UN
FO
OD
CO
GE
/W
AIT
ING
UR
T pla
yro
LA
om
UN
CC
TV
OF
GE
/CA
FE
A’
FIC
CA
R-P
BIC
YC
LE
-PA
E
TO
ILE
AR
KIN
G
A’
T
ST
OR
AG
E KIT
CH
EN
RK
ING
GROUND FLOOR PLAN
FIRST FLOOR PLAN
28
waiting space
wave shaped roof
The ground floor is connected with the lounge through lifts and staircases.
cafe
The opening gives allows the people in the waiting area to enjoy the view of The Ganga and the Howrah bridge.
food court
parking space
ticket counters
The parking and the tickect counters and a small food court are provided in the ground floor.
LVL+8000
The Launge consisting the waiting and cafe are is decorated with ambient lighting and the red and white colour theme is followed here too.
LVL+4000
LVL+0 Section AA’
29
30
31
05.WORKING DRAWINGS
32
The working drawing sheets in the following pages are a component of our sixth semester academic session.
33
GENERAL NOTES ALL MANDATORY SERVICES ARE AS PER N.B.C. NORMS.
FAR AREA CALCULATION GROUND FLOOR BUILTUP = 8911965155.00-708083450.00 = 8203881705.00 SQ.MM.
FIRST AND THIRD BUILTUP = =8603586130.00-778961875.00 = 7824624255.00 SQ.MM. SECOND FLOOR BUILTUP 8603586130.00-769108700.00 = 7834477430.00 SQ.MM. =
FOURTH AND SIXTH FLOOR BUILTUP = 7826385280.00-569369400.00 = 7257015880.00 SQ.MM. FIFTH FLOOR BUILTUP = 7826385280.00-620369225.00 = 7206016055.00 SQ.MM.
TOTAL BUILTUP AREA OF BUILDING =8203881705.00 +7824624255.00 +7834477430.00+7206016055.00 = 38326015325.00SQ.MM. FAR CALCULATION = TOTAL BUILTUP AREA / PLOT AREA =10629041150/38326015325 =
0.2 FAR
=COVERED AREA =8203881705.00 SQ.MM.
=PLOT AREA =38326015325
ANIRBAN GHOSH
SCALE
M.E.P. CONSULTANTS
OWNER
A.D ARCHITECTS
STRUCTURAL CONSULTANT
NIT ROURKELA
ARCHITECT
WORKING DRAWING
@ A1(SHEET SIZE)
DATE ISSUED
07-05-23 AMBALIKA DEBNATH
CHECKED BY
PROF. MD NAUMAN
DRAWING
DRAWN BY
DWG NO.
ARIJIT SAHA
GROUND FLOOR PLAN WD/VK/AD/26
34
GENERAL NOTES ALL MANDATORY SERVICES ARE AS PER N.B.C. NORMS.
FAR AREA CALCULATION GROUND FLOOR BUILTUP = 8911965155.00-708083450.00 = 8203881705.00 SQ.MM. FIRST AND THIRD BUILTUP = =8603586130.00-778961875.00 = 7824624255.00 SQ.MM. SECOND FLOOR BUILTUP = 8603586130.00-769108700.00 = 7834477430.00 SQ.MM. FOURTH AND SIXTH FLOOR BUILTUP = 7826385280.00-569369400.00 = 7257015880.00 SQ.MM. FIFTH FLOOR BUILTUP = 7826385280.00-620369225.00 = 7206016055.00 SQ.MM.
TOTAL BUILTUP AREA OF BUILDING =8203881705.00 +7824624255.00 +7834477430.00+7206016055.00 = 38326015325.00SQ.MM. FAR CALCULATION = TOTAL BUILTUP AREA / PLOT AREA =10629041150/38326015325
=
0.2 FAR
=COVERED AREA =8203881705.00 SQ.MM.
=PLOT AREA =38326015325
ANIRBAN GHOSH
SCALE
M.E.P. CONSULTANTS
OWNER
A.D ARCHITECTS
STRUCTURAL CONSULTANT
NIT ROURKELA
ARCHITECT
WORKING DRAWING
@ A1(SHEET SIZE)
DATE ISSUED
07-05-2023 AMBALIKA DEBNATH
CHECKED BY
PROF. MD NAUMAN
DRAWING
DRAWN BY
DWG NO.
ARIJIT SAHA
GROUND FLOOR FRAMING PLAN SB/VK/AD/32
35
GENERAL NOTES ALL MANDATORY SERVICES ARE AS PER N.B.C. NORMS.
FAR AREA CALCULATION GROUND FLOOR BUILTUP = 8911965155.00-708083450.00 = 8203881705.00 SQ.MM. FIRST AND THIRD BUILTUP = =8603586130.00-778961875.00 = 7824624255.00 SQ.MM. SECOND FLOOR BUILTUP = 8603586130.00-769108700.00 = 7834477430.00 SQ.MM.
C2
C1
C2
C2
C2
C2
C1
C1
C2
C2
C2
C2 C1
C2
C2
C1
C1
C2 C1
C2
C2
C2
FOURTH AND SIXTH FLOOR BUILTUP = 7826385280.00-569369400.00 = 7257015880.00 SQ.MM.
C2
C2
C1
C1
FIFTH FLOOR BUILTUP = 7826385280.00-620369225.00 = 7206016055.00 SQ.MM.
C1
C2
C2
C1 C2
C2
C1
C2
C1 C2
C2
C2
C2
C1
C1
C1
C2
C3
C5
C5
C3
C2
C5
C4
C1
C2
C2
C2
C1
C2
C1 C2
C2
C2
C2
C1
C2
TOTAL BUILTUP AREA OF BUILDING =8203881705.00 +7824624255.00+7824624255.00+ 7834477430.00+7834477430.00+ 7834477430.00+7206016055.00
C2
C2
= 53407655460SQ.MM.
C2
C1
C2
C2
C3
FAR CALCULATION = TOTAL BUILTUP AREA / PLOT AREA =10629041150/38326015325
C2
C1
C4
C3
C2
C1 C2
C2
C4
C5
C1
C2
=
C2
C2
0.2 FAR
C2
=COVERED AREA =8203881705.00 SQ.MM.
C3 C6
C2 C3
C3
C3
C3
C5
C5
C2
C2
C5
C2
C4
C2
C2
C2
C2
C1
C3
C5
C2
C1
C1
C5
C2
C1
C4
=PLOT AREA =38326015325
C6
WORKING DRAWING
C2
C4
C2
C2
C1
C1
C2 C1 C5
C2
C2
C2 C1
C2
C2
C2
C2
C1
C2
C1
C1
NIT ROURKELA
A.D ARCHITECTS
C2
C4
C1
C2
C1 C2
C2
C2
C2
C1
C1
C2
C2
C1 C2
C2
C2
C2
C1
C2
ANIRBAN GHOSH
SCALE
1:200
M.E.P. CONSULTANTS
C1
OWNER
C2
C1
C2
ARCHITECT
C2
C1
C2
C1
C1 F1
C2
STRUCTURAL CONSULTANT
C2
C2
ARIJIT SAHA
@ A1(SHEET SIZE)
DATE ISSUED
07-05-2023
DRAWN BY
AMBALIKA DEBNATH
CHECKED BY PROF. MD NAUMAN
DRAWING
C2
DWG NO.
C2
FOUNDATION LAYOUT SB/VK/AD/18
36
GENERAL NOTES ALL MANDATORY SERVICES ARE AS PER N.B.C. NORMS.
FAR AREA CALCULATION GROUND FLOOR BUILTUP = 8911965155.00-708083450.00 = 8203881705.00 SQ.MM.
FIRST AND THIRD BUILTUP = =8603586130.00-778961875.00 = 7824624255.00 SQ.MM. SECOND FLOOR BUILTUP = 8603586130.00-769108700.00 = 7834477430.00 SQ.MM. FOURTH AND SIXTH FLOOR BUILTUP = 7826385280.00-569369400.00 = 7257015880.00 SQ.MM. FIFTH FLOOR BUILTUP = 7826385280.00-620369225.00 = 7206016055.00 SQ.MM.
TOTAL BUILTUP AREA OF BUILDING =8203881705.00 +7824624255.00+7824624255.00+ 7834477430.00+7834477430.00+ 7834477430.00+7206016055.00 = 53407655460SQ.MM. FAR CALCULATION = TOTAL BUILTUP AREA / PLOT AREA =10629041150/38326015325 =
0.2 FAR
=COVERED AREA =8203881705.00 SQ.MM.
=PLOT AREA =38326015325
SECTION A-A' SECTION C-C'
ANIRBAN GHOSH
M.E.P. CONSULTANTS
OWNER
A.D ARCHITECTS
STRUCTURAL CONSULTANT
NIT ROURKELA
ARCHITECT
SUBMISSION DRAWING
SCALE
1:30 @ A1(SHEET SIZE)
DATE ISSUED
07-05-23 AMBALIKA DEBNATH
CHECKED BY
PROF. MD NAUMAN
DRAWING
DRAWN BY
DWG NO.
SECTION B-B'
ARIJIT SAHA
EXCAVATION PLAN SB/VK/AD/19
37
GENERAL NOTES ALL MANDATORY SERVICES ARE AS PER N.B.C. NORMS.
FAR AREA CALCULATION GROUND FLOOR BUILTUP = 8911965155.00-708083450.00 = 8203881705.00 SQ.MM.
FIRST AND THIRD BUILTUP = =8603586130.00-778961875.00 = 7824624255.00 SQ.MM. SECOND FLOOR BUILTUP = 8603586130.00-769108700.00 = 7834477430.00 SQ.MM. FOURTH AND SIXTH FLOOR BUILTUP = 7826385280.00-569369400.00 = 7257015880.00 SQ.MM. FIFTH FLOOR BUILTUP = 7826385280.00-620369225.00 = 7206016055.00 SQ.MM.
TOTAL BUILTUP AREA OF BUILDING =8203881705.00 +7824624255.00 +7834477430.00+7206016055.00
= 38326015325.00SQ.MM. FAR CALCULATION = TOTAL BUILTUP AREA / PLOT AREA =10629041150/38326015325 =
0.2 FAR
=COVERED AREA =8203881705.00 SQ.MM.
=PLOT AREA =38326015325
SUBMISSION DRAWING
ARCHITECT
OWNER
NIT ROURKELA
ANIRBAN GHOSH
SCALE
15-03-2023
DRAWN BY
AMBALIKA DEBNATH
CHECKED BY
PROF. MD NAUMAN
DRAWING
ARIJIT SAHA
1:200
DATE ISSUED
DWG NO.
Key Plan
M.E.P. CONSULTANTS
STRUCTURAL CONSULTANT
Site Plan
A.D ARCHITECTS
GREEN AREA CALCULATIONS SB/VK/AD/08
38
GENERAL NOTES ALL MANDATORY SERVICES ARE AS PER N.B.C. NORMS.
FAR AREA CALCULATION GROUND FLOOR BUILTUP = 8911965155.00-708083450.00 = 8203881705.00 SQ.MM. FIRST AND THIRD BUILTUP = =8603586130.00-778961875.00 = 7824624255.00 SQ.MM. SECOND FLOOR BUILTUP = 8603586130.00-769108700.00 = 7834477430.00 SQ.MM. FOURTH AND SIXTH FLOOR BUILTUP = 7826385280.00-569369400.00 = 7257015880.00 SQ.MM. FIFTH FLOOR BUILTUP = 7826385280.00-620369225.00 = 7206016055.00 SQ.MM.
TOTAL BUILTUP AREA OF BUILDING =8203881705.00 +7824624255.00 +7834477430.00+7206016055.00
= 38326015325.00SQ.MM. FAR CALCULATION = TOTAL BUILTUP AREA / PLOT AREA =10629041150/38326015325
=
0.2 FAR
=COVERED AREA =8203881705.00 SQ.MM.
=PLOT AREA =38326015325
ANIRBAN GHOSH
SCALE
M.E.P. CONSULTANTS
OWNER
A.D ARCHITECTS
STRUCTURAL CONSULTANT
NIT ROURKELA
ARCHITECT
SUBMISSION DRAWING
@ A1(SHEET SIZE)
DATE ISSUED
07-05-2023 AMBALIKA DEBNATH
CHECKED BY
PROF. MD NAUMAN
DRAWING
DRAWN BY
DWG NO.
ARIJIT SAHA
SETTING OUT PLAN OF BUILDING BOUNDARIES SB/VK/AD/23
39
MISCELLANEOUS AND OTHERS
06. Photogrphy(Sem-2)) 40
DOCUMENTATION POSTER (ST.PAUL’S CATHEDRAL, KOLKATA) SUBMISSION FOR INDIAN ARCH-2022
As part of our academic assignments for our elective course “Architectural Heritage conservation” in our fifth semester, I created the poster describing St. Paul’s Cathedral. I then submitted it to NASA for publication in their Indian arch 2022 magazine.
41
Date of Construction:The corner stone Date of Construction:The corner stone was laid in 1839 and building was was laid in 1839 and building was completed in 1847. completed in 1847. Location: On the east of Victoria Location: On the east of Victoria Memorial, Kolkata Memorial, Kolkata
Purpose: Made to replace St. John's church St.Paul's Made to replace St. John's church St.Paul's Purpose: due to the increasing population of British due to the increasing population of British people in Cathedral people in Cathedral Kolkata.
Kolkata Kolkata
Kolkata. Architectural Style: Gothic Revival. Architectural Style: Gothic Revival.
Backstory Backstory Because designand andseveral several Becauseof of having having faulty faulty design Earthquakes original spire spireto tofall falldown. down. Earthquakescaused caused the the original
before earthquake before earthquake
Later nearthe thecathedral cathedral Laterthe themetro metro construction construction near worsened cracksin inthe thewalls walls. . worsenedthe thecondition condition creating creating cracks
after earthquake after earthquake
Salientfeatures(ventilation features(ventilation process) process) Salient This Thisway wayair airexchange exchange happens happensand andthe the place placeremains remainscool cool even evenwhen whencrowded crowded
Roof gets heatedup up Roof gets heated thus the warmerair airfrom fromthe the thus the warmer roof area goesup up roof area goes Cooler fromlower lowerarea area Cooler airair from fills the emptyspace space fills the empty
ventilation system of the cathedral ventilation system of the cathedral
Ventilators on floor Ventilators on floor
ventilators are provided in floor ventilators are provided in floor and plinth, along with underand plinth, along with underground tunnels for the flow of air ground tunnels for the flow of air
Ref;:“st.pauls – H.Guha.” st.pauls – H.Guha, hguha.soln.in/index.php/st-pauls. Accessed 17 Dec. 2022. Ref;:“st.pauls – H.Guha.” st.pauls – H.Guha, hguha.soln.in/index.php/st-pauls. Accessed 17 Dec. 2022.
Ventilators on plinth Ventilators on plinth
Ambalika Debnath Ambalika Debnath 120AR0003 (1) 120AR0003
(1)42
Causes of Damage Falsely done orientation Low bearing capacity of soil.Thus the building is getting stteled in the soil. Horizontal elements are not present to support tall walls. Metro construction and earthquakes caused the generation of cracks in the walls and the arches of the cathedral.
Tilting of the arch and crack generation
Unresolved problems
Solutions Stapling was done for the bigger cracks.
The Conservator's attitude on Conserving the Cathedral
the cracks were thouroghly analized (using ultrasonic sounds and crack gauges.
micro grouting with epoxy was done to fill the cracks.
filing the gap to fix the glass
The wall with the main arch is gradually tilting inwards Also there are cracks formed in the main arch Grouting could be done to save the wall but it would affect the mosaics on the wall
Reason
The glass fixed in the wall was imported from England, which was a bit smaller than the arch opening ,The gap formed because of this was filed to fix the glass in the wall,thus it became prone to cracks
Ref: “st.pauls – H.Guha.” st.pauls – H.Guha, hguha.soln.in/index.php/st-pauls. Accessed 17 Dec. 2022. ,
Dr. Himadri Guha is a self employed Civil Engineer in Kolkata He tries to repair the building, keeping the original essence of the building alive For example he is trying to save the mosaics through the conservation process
Interview with Dr.Himadri Guha at St.Paul'sCathedral,29thoctober,2022
Possible solution According to the conservator, a strong team should be formed having a mosaic expert, so that the mosaics can be saved during the grouting process
Ambalika Debnath 120AR0003
43 (2)
HUDCO TROPHY 2022 I contributed to the research and study of the tribes and the vernacular architecture in this project.
44
metamorphosis Incrementing in accordance to necessity
Code65HUDCO-21
45
Demographics of Tribal Population in Tripura
Literacy of Tribal Population in India
LITERATCY & MIGRATION
DEMOGRAPHIC DATA
The Tribals
POLICIES FOR THE DE×ELOPMENT OF THE TRIBALS }wixnwtaSmtm\ayhw\emar2oiwh2f\2maqfxwho\f\2mat2 auho\wmlaj\ nMmih2auwhs\Mm (T IP(P)C (lleviation of poverty- g?EE NBAs promoting income generation activities after appropriate training and capacity building-in collaboration with *I.) oint Forest anagement ommittees (* .R }wixnwtaSnemti2t v\a tmM f\2mayhw\ema t2t#\f\2mauwhs\Mmc_k 1Z , c(fforestation throug uwt t2a t2mwiaytetva ifta hst2t(P T)C for agroCbased deveopment: '88 8 ` O`/ J =J (( ) and mitigation of soil erosion ris s by the construction of chec dams- need to be implemented in a timely mannez
J
Demographics of Tribal Population in India
M
C
CHALLENGES FACED BY THE TRIBES Land resources available for their income and ob opportunities in rural communities are uite limite Tripura suffer from a severe food crisis during the dry spell between ovember and arch almost every year (grarian settings fre uently result in low
Tribals are the autochthonous people of land who were the earliest settlers of that habitat. In India tribals are often referred to as adivasis (original inhabitants).
intensity droughts that last year after year due to weather changes
Land Alienation
Problems faced by the Tribals
& tribal Displacement Poverty and Uemployment Malnutrition and lack of health care Lack of education & infrastructure Forest
Poor land management by governmental entities has caused the eangs traditionalselfCsustaining economic structure to fail The educational advancement of the tribal people varies- although formal education
has had little impact on tribal communities in general.
Identity Problems Linguistic Problems
~
Size of Population
Ecological setting
modes of livelihood
Physical Features
Level of development
T I ES F T IP
Language
R B O R URA
Factors for classifcation of tribes in India
i Rean g Jamati a Noati a Ucho i Tripur
T( ¨ PB¨NIN Incrementing in accordance to necessity
Kuk i ¼ala½
i Bhuti a Lusha
Lepcha
Khasi a Chakm a Mo g Gar o Mund a
l Oran g Bhi l Chaima l Santa
Generic Tribe s
ÊÄÃÂÍËÆÌÅ~ HUDCO Trophy 2022-23 ËÇÎÉÌÈ
46
EANG TRIBE
R
THE THREE PRIMARY TRIBES OF TRIPURA (based on population) : A comparative study among the three primary tribes of Tripura has been conducted to focus on a particular tribe and develop housing
PRESENT STATE OF THE REANG TRIBE
INTRODUCTION Tripuris
Reang
Jamatia Reang
tribes
are
the
secong
largest
tribal
y of Tripura. They are recognized as one of the 75 primitive tribes in India. Reangs belong to Indo-Mongoloid racial stock. Their language have efifnity of Austro-Asiatic groups under TibetoBurman family. communit
y getting more dependent
Reangs are graduall
Population % : 1 .13%
Population % : 7.1 %
Occupation : Agriculture
Occupation : Agriculture
Occupation : Agrculture
Income :
Income : Primary sector
Income :
Literacy : 27.13%
Literacy : 12. 7%
Literacy :
Living Standards :
Living Standards :
Living Standards :
Social Status:
Social Status: Primitive
Social Status:
umerically
1
220
belongs
h h j
T
eir
as
per
2011
persons
-
to
in
C h fif is
h
as
h
a
t
ey
racial
f
nity
o
Et
POPULATION The Reang are the second largest tribal community in Tripura occupying 16.À% of the total tribal population.
a
tonal
h
t
h
oug
f
housing.
is
c
ie
permits
i
t
em
Mi
settled
oram
in
di t
erent places o
sout
e
illed
by
the
ing
revoulution by
ho
tried
to
ivorce
lfuence on tribal populations generally.
has had minimal in
as
and
marriage.
LI¢ELIHOOD are
OCCUPATION
-
j h , h f h wh h h , , D , Zh , h f w k k k ,W ,w w k , h j h wh h h k h h h f h w k f h if fw k x h f ma or
occupation
ood gat
ering
Hunting
ey
are
in
ic
includes Fis
etc .
etry
and
li
e Bas
T
ese are ma or t t
concept o
survival.
ot
eaving
ere t
ing
ands
er
um
cra t
ood ic
into.
T
T
ere
is
or
or
t
eir occupation is
c distribution o
e basis o
e
s
etc .
ey li
e
main
or
no
proper
or
e
ing or
cept on
gender.
METAMORPHO I I
to
ing
omestication
cultivation
put
t
eir daily needs are mostly
ncrementing in accordance to necessity
stagnant animals Reangs
k
li
e
ater
in
,
ill
birds
a
Lampra
C
eir
ultivation
h
ot
f
er
li
on di
T
ere
metai
ers
good numbers.
o
t
are
us
o
ild
ere ore
ampira
also
otorma t
e
ing in
erent deities
Songrame
istence o
goddesses
ollo
t
some
Tuibuma
ave believe
soul. By religion t eir deities are a
o
Hindu
ait
ais
navism
are
.
NATURAL DISASTERS
ood
s
unting
aturally
ait
are Hindus and most o and
plants
slopes
etc.
e
f, ,h
lea
anga etc. Reangs
in spirits and e
Reangs
h
t
ering activities li
etc.
Bonirao
deities
Mailoma
god
Jh
h
ruits
ave aministic
Mangisiri emale
a
among
ood involving Top um
gat
f h
ungle
and
Bura
f
a
k , if h w fw N h f , h f h ff h, , , J , , h k k , , ,G , h h x f h f h k f f h f w fV h f fj
collec tion o
come over t
lives and
maintain
h
and
still
tribe
numbers
em
Hill
t
.
,
The tribal population s educational progress varies although formal education
clans forming the tribe.
or
,
oor land management by governing authorities has led to rupture of the
lineages forming clans and
to
w intensity droughts,
ue to climatic changes agrarian situations often lead to lo
Reangs traditional self sustained economic system
eir
n
PROBLEMS FACED BY THE REANG TRIBE D ,
. P ' , ' continuing year after year
language
h
‘Chuklanok’ while the chieftain lives in a larger house,’Yokyungma’.
the
dialect.
liveli
called
suppress
killing and burning houses.
t
LI¢ING STANDARDS
appened in
most of them migrated to
,
e
o
to
the hills of north Tripura in the fear of getting
families forming lineages
h
ills
ern Tripura but during
large
T
e
migrated
Tripura. Initially ma or settlement
individuals forming families
,
t
ile
village
no
ith others.
g f
h
t
w
ittagon
not
h h f k w D
council
speci
2
outside
obs in
rom Burma
s o
are
do
e
u
Boro
o
and
ill trac
nomadic
ifve spheres: .
Reang members live in simplistic and visually open houses
workmanship.
ave
e
o)
some
ittagong
e
Reangs
consists of
Majorly agrarian and hunting community
.
xcellent wood
eir
ic
o
2(t
e Reangs started
Reang social structure
OCCUPATION
They have e
Molsoi.
(ii)
aubru
T
and
T
”
and
a
n as
o
community.
“
into
traditionally
marry
amily.
divided
er
c
t
Rationale for
for development of
weaving
.
ect
.
ourney o
an region on to t
SOCIAL STATUS choosing Reang tribe
their handicrafts and
e
Mes
no
endogamous
ido
Reang is 12.67%
,Reangs are well known for
(i)
are
broadly it is
Reangs
RAI
The literacy rate of
clans
W w
LITERACY
Reangs
language is
Majority of people earn their livelihood through farming, however a signiifcant portion of non primary ifnancial inlfow is formed by Handicrafts and Weaving.
k -
stoc
w k h k w “K ” wh h h ff f h Kk K kk
nically
ma or
INCOME
are
Austro
Asiatic groups under Tibeto Burman
e
Ara
State.Reangs
Indo Mongoloid
languages
h j f h f k h h k f Ch wh f h h h h z wh j h ff f h h Reang revolution k K w
T
ensus
t
j
HISTORY
SOCIO-CULTURAL BACKGROUND N ,88,
salaried
ifces and business than on the old economy. They have started living side by
government of
side
Population % : 50.75%
,
on plough cultivation
ey
in to
Among
ound
in
Tripura is prone to
lf
ood
,
q
:
kes, cyclones, epidemics,
earth
ua
,
ifres, hailstorms, lightening, road accidents
etc.
Frequent cyclones and lfoods caused damages to the roads, power supply lines, irrigation tanks canals, water supply system, culverts and bridges throughout the State. 15 people have died in lfoods and landslides, with 24 injured and 11,704 displaced during may 201D.
Code65HUDCO-21
47
G " ' 9 9 % % % %" ' 9 "
N ! % % % % '" % / % % % T ! % " %
{ G ~{ | y}w G u tNsN
y 7 s y 4 Ê ì c y < Ê q y D ì
s ù ñ ñ
y A È s y 7 Ê
Ê
N £ y£}Ks£ Gs sG | G} }Â~ y @ Ê q y D µµ
% r 9 % % % / 9 9
t£ u tNs µ µ µ
õñ ó ñøõ õø ó y 7 Ê Ê Ê µ s y
µ
NtN }Â wGs £sN}~Â y 3 Ê Ê s y C Ê ä
Ê
r ÂÂsr } } {
Ô z
y µµ
ysN}G}s N ytr tys y = Ê Ê Ê ì ¥ y 5 æ
y %
sy rtG y N sr N
r % % T ` 9 `9 9
tù÷õ óøöòøõñ
rGtN sy yy Â~s sÂ
"! ' ' ! %/ % % % "
}Â Â~}wGs N sr N
Â~}wGs N sr N
y 4 ì Ê ì
ì
y} r{ y D ì ì y 4 Ê ì
y @
ì y < ì µ y A Ô Ê ì Ê s y < ÊÊ Ô m ì ì y @ Ô m ì z
<B?7 >B@< y E ì Ê
ì y ? ì Ê m µ æ Ô ÊÊ m
ys Â~ u tNs
<7< 3>@3;>?> M
ÌÉÈÌÆÉÊËÄ ÃÅÅÇ
y D µ
ÊÁ y ? Ê µ Ê µ Ê
}Â u tNs È µ Ô Ê µ
Ê ì ì µ Ê Ê ì
E5B;?C=< BA 4C D755C@ 5C3@: 4B7<>@: =B9C?
ÐÅÚÊÙÄÕÈÔÕÅÅÄÓÊÈÇÄÎÉÊÊÌÎ
7@>WC5<3? 9C<>:@ y 9 Ê Ô q
r w}Â } Â | tG } Gs sy} GN
y > ì Ê µ Ê
µ æ µ ì Ê µ µ ä Ê µ ÈÄëÈÃÌÄÅÇÄÎëÈÆÊÄåÎÊËÄÈÎÄ ÕÊËÃÅÅÔÄÈÙËÄÜÛÌÆÉÊÙ
.
=C 3=B5E4B<><
> µ Ê
ÆóúõøÄ öðÉåËÆÅøñí
48
softwares used:
The artworks in the left are done during our summer break.
The poster in the left was made for the animal welfare club of NIT Rourkela,’Voice of the Voiceless’.
The staircase model in the right was made as a part of our academic projects during our second semester
2023
Buiding Construction Sessional 2 Sem II
I created the logo above as an entry for typographic Day 2023, a Varanasi event with the topic “sacred and typography.”
49
THANK YOU! 50