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! Push! female!voice/bass!flute!&!flute/!! Bb!clarinet!&!bass!clarinet/accordion! Amadeus!Julian!Regucera! 2013!


Push ! Female"Voice" Bass"Flute,"doubling"Flute" Clarinet,"doubling"Bass"Clarinet" Accordion" " Approximate"duration:"7’" Written"for"Ensemble"l’arsenal"

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Instrumental!Disposition:::! ! !

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!

i"


Instrumental!Performance!Indications:::! ! General:!

Flute:!

" Accidentals"are"held"through"the"measure." Microtones"are"used"as"inflections"of"standard,"tempered"pitches:"

I Indicates"a"threeCquarterCtone"flat

B !Indicates"a"quarterCtone"flat!

µ !Indicates"a"quarterCtone"sharp"

˜ Indicates"a"threeCquarterCtone"sharp" Note: "In"instances"where"rhythms"are"tied"together"and"the"last"duration"has" an"“accent”,"the"crescendo"should"be"very"sharp"and"forcefully"(almost" violently)"emphasize"the"last"rhythmic"duration."

"

Amplification:::! " The"ensemble"should"be"amplified"to"bring"out"the"“breathing”"performance"gestures" that"are"ubiquitous"in"the"ensemble"texture."Microphones"such"as"a"Shure"WHC 30"or"a"DPA"Vocal"Mic"are"ideal"for"the"voice"and"flute"and"hypercardioid"mics" such"as"the"Earthworks"P30"for"the"clarinet"and"accordion."" " Small"box"speakers"(such"as"the"UPJC1P"or"comparable)"within"the"ensemble"to"aid" with"balance"is"ideal."Otherwise,"a"regular"stereo"disposition"will"suffice." " Additionally,"an"electronic"megaphone"is"required"for"the"soprano"in"some"parts"of"the" piece."Ideally,"it"would"be"a"smaller"model"and"easier"to"move."

! ! ! !

"

When"the"flute"is"divided"into"2"staves,"the"top"stave"indicates"mouth"and" embouchure"articulations."Depending"on"where"the"articulation"falls"in"comparison"to" the"staffCline"determines"its"relative"“pitch”"or"“height.”" The"bottom"staff"indicates"pitches"to"be"fingered."Fingered"notes"should"be"struck"as" forcefully"as"possible"for"maximum"key"click"sound." " " Indicates"a"trill"with"the"pitch"one"halfCstep"above."All"trills"in"Push"are"halfCstep" trills." " " " TongueCstop" " " Audibly"breathe"into"the"flute" " " Indicates"audible"exhale/inhale"(respectively)"into"flute"with"CLOSED" MOUTHPIECE,"while"the"throat"makes"an"<h>""sound" " " "" " "Indicates"a"timbre"that"is"mostly"“breathy”"and"diffuse"and"one" that"is"a"combination"of"pitch"content"and"breath,"respectively." The"arrow"between"them"indicates"a"gradual"transformation""" from"one"timbre"to"the"other" "

"Indicates"“ordinario”"playing""

ii"


"

Clarinet:! !

"FlutterCtongue"

!air"sound,"with"consonant"indicated;"arrow"indicates"a"smooth"

transition"from"one"consonant"to"the"next."

Indicates"a"timbre"that"is"mostly"“breathy”"and"diffuse"and"one" that"is"a"combination"of"pitch"content"and"breath,"respectively."The"arrow"between" them"indicates"a"gradual"transformation"from"one"timbre"to"the"other"

"""""""""""

!

"Indicates"“ordinario”"playing""

"air"sound,"with"mouth"in"the"vowelCshape"indicated;"arrow"

!

indicates"a"smooth"transition"from"one"to"another." " <k>,!<t>,!<f>" fricatives"are"vocalized"into"the"flute"with"OPEN!MOUTHPIECE."These" should"be"very"percussive"and"sharp."It"is"helpful"to"make"a"“smiley"face”"with"the" mouth"in"order"to"shorten"the"distance"between"the"airCexplosion"and"the" mouthpiece."

"

% Flute%Overblow!

Indicates"a"rapid,"irregular"glissando,"which"should"end"on"the" parenthesized"note."Because"this"gesture"happens"so"quickly,"the" specific"notes"are"irrelevant;"only"the"directionality"and"energy"of" the"gesture"are"important.

Rhythmic"figures"with"slashes"indicate"accelerandos"or"decelerandos" as%fast%as%possible."These"can"be"indicated"as"performed"freely"or"as" measured"tuplets"

" "SplitCtone"(son%fendu)"multiphonics"using"regular"fingerings." The"numbers"correlate"to"the"harmonic"bandwidths"above" the"fundamental,"(1)"being"the"lowest,"within"the"first" octave,"and"(3)"being"the"highest,"two"to"three"octaves"(if" possible)"above"the"fundamental."" "

% Flute%Multiphonics% The"fingerings"for"multiphonics"are"given"in"the"part"and"come"from"Carin"Levine"&" Christina"MitropoulosCBott’s"The%Techniques%of%Flute%Playing%Volume%One"published"by" Bärenreiter."Below"is"the"fingering"chart:" "

" " "

! %

! ! ! ! ! ! !

"""Slap"tongue" " " " " Blow"the"read,"holding"the"instrument"a"short"distance"from"the"mouth."This" should"create"a"breathy,"percussive"sound"when"performed"with"the"syllable" <te>! ! !

iii"


Vowels:" [I]"–"open"“i”"as"in"sit,%will,%myth" [aI]"–"combination"of"bright"“ah”"(as"in"French:"dame,%table)"and"open"“i”"forming"" the"sound"in"English"of"ivy,%bright,%sigh,%cry%

!FlutterCtongue" ! " " Humming"or"murmuring"while"playing"the"instrument" " " " " Bisbigliando"(timbral"trills)"are"played"as"fast"as"possible,"" unless"indicated"otherwise"(rhythmically,"irregularly," accelerando/decelerando)

! Female!Voice:!

Fricatives:" [t] –"as"in"tea [k] –"as"in"cup [s] –"as"in"switch [f] –"as"in"fly " There"are"two"types"of"staff"styles"used"in"Push"for"the"female"voice:"

"

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!

Text:::% If"I"hold"my"breath,"I"can"feel"heaven" When"I"close"my"eyes,"I"see"God" When"I"inhale,"it"pushes"through"my"veins" You"exhale,"breathe"a"kiss"into"my"lungs"

"

Regular%staff:"all"nonCordinario"singing"is"performed"at"a"pitch"relative"to"its"position" on"the"staff."

"

!

A%note%on%the%text:%% Most"of"the"piece"is"performed"in"a"free,""sprechstimmen"Clike"manner."The"emphasis" is"on"vocal""acting""and"conveying"mood"and"emotion."When"traditional""singing""is" called"upon,"it"is"important"to"try"to"blend"with"the"other"instruments,"within"the" texture."Performance"and"mood"indications"are"given"when"they"are"needed." The"text"is"fragmented"in"many"instances"throughout"the"piece"in"a"sort"of"musical" aphasia."The"pronunciation"in"these"instances"should"remain"consistent"as"if"the"whole" word"were"to"be"pronounced."" Words"may"also"be"fragmented"into"single"vowel"and"consonant"sounds"and"are" contained"within"brackets"[!]."These"should"be"pronounced"according"to"the"context" given."In"most"instances,"they"subscribe"to"the"sounds"in"the"International"Phonetic" Alphabet." " "

!

"

3Cline"staff:"Only"relative"register"positions"are"given"(for"all"ordinario%and"nonC ordinario"singing)"

" "

"Noteheads"indicate"“breath"only.”"Upbow"and"downbow"markings"

indicate"inhale"and"exhale,"respectively."This"breathing"should"be" done"with"the"mouth"open"in"order"to"be"audible"and"at"a"“pitch”" relative"to"its"position"on"the"staff." " " "

iv"


Breathing"is"articulated"using"one"of"three"different"syllables:" [hE]!–"the"“e”Csound"in"heaven,"wet! [ha]!–"the"“a”"in"father,"water! [f]"–"giving"the"breathing"a"stronger"sound"as"the"air"hits"the"teeth" [s]"–"giving"the"breathing"a"stronger"sound"as"it"hits"the"roof"of"the"mouth" " " " Spoken"in"a"regular"timbre" " " Spoken"in"a"regular"timbre"with"some"breathiness" " " " """Spoken"in"a"very"breathy,"almost"whispered"way"

! ! Accordion:"! ! Treble%(Right%Hand)%Registers" "

" " " "

Sung"at"approximate"pitch"(sprechstimme)" Spoken"at"approximate"“pitch”"(“pitch”"here"refers"to"the"place"in"the"vocal" range"where"the"speaking"is"the"be"performed)" Highest"possible"pitch"

"

" "

"

" "

Treble%Registers" Bass%(Left%Hand)%Registers" "

Highest"possible"pitch"(halfCnote"duration)""

! "

! ! ! ! ! ! !

" " " " " " " " "

"

v"


" " " The"middle"staff"is"used"to"designate"bellows"movement,"particularly"for"passages" where"only"the"bellows"air"should"be"audible."

" " The"indication"“with!air”"or"“w.!air”"means"that"the"pitches"played"should"be"as" diffused"as"possible"with"bellows"air." " "

" " Scraping"the"bellows"ribs"with"the"fingernails"(like"a"guiro)" "

!

vi"


Transposed Score for Ensemble L'arsenale

Push e = 96-92, light, intimate, anticipatory and sensual seductively, gently

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œ ! œ fl ç fl

Z

! #œ œ œ #œ #œ #œ œ 5

$

3 ! 8

˘y )# !

œ œ

w. air

° œ œ

F

œ œ J œ œ J

‰ F

œ

œ

!

˘y @

# y ) ! @

œœœ #œ #œ !

3

flz.

!

[f]

p

[ha]

!

ƒ

3

#œ œ œ ! #œ #œ $

!

œ œ

!

° œ œ

!

F

œ œ J œ œ J

Ï

1.

molto vib.

4 8

fee

j œ

q

3 1 Ÿ~~~~~~~~~~~~~~~~~~~~~~~~~ j j ! œ œ œ œ

4 8

1

2

3

bœ >

pp poss.

? F

p

! bœ b œœ > ƒ

!

b b œœœ >

j œ œœ j œœœ

4 8

Ï

f

j œ œœ

œ !& 4 œœ 8

j œœœ

°

œœœ !

4 8


12

Push

1 J

39 Voice

&4 8

Cl.

&4 8

39

&4 8

Acc.

?4 8

w

bœ J

f

2nœ

J

hea

8

Ÿ~~~~~~~~~~~~~~ œ Bœ œ nœ # œ œ œ œ œ 2 J #œ 8 5

! V4 8

39

l

39 Fl.

Z

$

p

ƒ

œ J

wqwq

œ

p

p

œ#œ

>j œ

#e

2 8

ƒ

# b ˙˙˙˙

Z

!

4 ˙ 8

3 œ 8

ve

n

Ÿ~~~~~ Ÿ~~~~ Ÿ~~~~ ˘ 3 j j 4 ! œ J #œ nœ 8 fl fl Ï f ord.

>flz.j Ͼ .

r œ

wqwq

#e

œœœœ

$

"

2 8

flz.

œ œ b œ œ œ œ œ # œn œ n œ œ œ b œ ! ! ! ! ! ! ! ! !! ! !

&

P

4 œ. 8

œ

p

œœœœ 4 J 8

$

œœœœ

!

° "

&

5

3 ‰ 8

!

ff sub.

>#)

as in the beginning

$

Z

!

[ha]

j b œ.y

4 8

[I]

Ÿ~~~~~ œ œ œ. bœ œ

$

f

4

œ 8

$

Z

F

°

&

2

Ï

2 8

p

poco vib.

4 8

"

!

3 ‰ 8

!

! œ#œ œ 3 œ 8 œ œ œ œ œ bœ

p

œ F

4

œ 8

4 8

Ø

3 8

"

4 8


13

Push

decel. j &4 8 b œ.

j œ.

43 Voice

[I]

œ. y fl

[I]

[I] [f]

!

j œ.

3 j 8 b œ.

[I]

[I]

cresc.

j œ.

œ. y fl

[I]

[I] [f]

Ÿ~~~~ Ÿ~~~~~ Ÿ~~~~~~~ Ÿ~~~~~~ Ÿ~~~~~~ 3 j j 3 j œ ! œ # œ # œ œ 8 fl fl fl fl flf Ï ff sub. 2

‰ V4 8

43 Fl.

5

œ œ#œ &4 #œ œ bœ œ ! 8 œ

43 Cl.

5

&

‰ &4 8

43

F

°

Acc.

?4 8

‰ œ. œœ œ

nœ n b œœ bœ "

3 ‰ 8

!

nœ n b œœ 3 b œJ 8 ° 3 8

!. œ. œœ œ F

4 j 8 b œ<

!

5

[I]

!

œ bœ 4bœ nœ œ œ# œ bœ ! œ bœ 8 5

p

ƒ

"

4 ‰ 8

$

j œ <

3 8

[I]

j œ-

[I]

3 8

j œ

j

3 8

w 5

#œ œbœ œ œ œ f

[I] [f]

Z

Z

w

!

œ y < fl

j œ q

take Flute

°

4 8

"

3 8

4 8

"

3 8


14

Push

! &3 8 œ- y fl

46 Voice

!

[I] [f]

!.

[I]

V3 8

4

"

2 4

"

4 4

"

4 4

"

2 4

"

4 4

"

y 4 fl

[f]

"

46 Fl.

œ-

f

q = 66-58, subcutaneous, emergent

Z 46 Cl.

&3 8

j

Z

p

j

4 4

"

wqwq

"

&3 8

4 Ó 4

˙

? 3 !. 8

˙ 4æ 4

˙ æ

4 ˙ 4

$

2 4

tremolo w. knee

° œ œ æ

flz.

2b˙ 4

°

46

Acc.

j œ

q

w Z

œ 2æ 4

œ f

œ æ

œ@ œ fl

ffpp sub.

"

4 4 &

˙ 4æ 4

Ͼ.

œ.

fppp sub.

˘œ # œœ æ

sim.


15

Push

Voice

Fl.

50

"

"

50

"

"

&

V

w wqwq

flz.

50 Cl.

Ͼ

Ͼ

œ@ ! b œæ fl

flz.

ffpp sub.

3

Œ

bœ œ Œ > œ

œœ ?æ

œœ æ

œœ

œœ

50

Acc.

œ

Z

f

&

w

Ͼ

Z

œ@ ! b œ fl

w

œ

Ͼ

bœ œ œ ‰ > œ# œ

Œ

Ó

œœ

œœ æ

œœ æ

ffpp sub.

5

f

&

flz.

sim.

Ͼ.

œœ

œ@ fl

ffpp sub.


16

Push

stringendo Voice

Fl.

52

"

3 4

"

4 4

52

"

3 4

"

4 4

&

V

&!

52 Cl.

> e#œ œ

w

Z

flz.

œ œ #œ > œ œ œ œ œ # œ œ n œ b œ œ œ n œ œ # œ œ !œ ! !œ ! n!œ !œ ! b!œ ! b!œ ! n!œ n œ œ

3 œ. 4

f

irregular

wqwq

p

ffpp sub.

œ

4 4

f

5 6

&# œ œ œ œ œ œ œ Œ > œ œ #œ

52

Acc.

f

&

œœ æ

sim.

6

œœ &

Œ

œ nœ œ n œ # œ# œ ‰

œ œ ‰ f

ppp sub.

œ #œ

3 ‰ 4 f

3 œ 4 œ

*all of the cresc. & decresc. in measures 52-54 should be very severe.

œ œ œ# œ Œ

ppp sub.

Πf

ppp sub.

œ #œ

œ œ

? 4

4

f

ppp sub.

œ œ

4 4


17

Push

Voice

Fl.

54

"

54

"

&4 4

V4 4

54 Cl.

&4 4

> #œ

œ

?4 ‰ 4

6

#œ œ bœ

Acc.

?4 œ 4 œ

b œœ œ˘œ . œ œ œ ‰ f

Œ

"

3 4

"

3 4

3

Œ

Ï

$ 54

e

a tempo (q = 66)

œ nœ ° # b œœœ

7

nœ #œ nœ

#œ #œ f

2

M #œ æ #e p

œ nœ #œ œ nœ ° nœ œœœ

smorz.

œ#œ œ

f

M #œ.

œ ˙

ffpp sub.

œ

œ

œ œ œ œ œ

3

5

œflz. æ

>j œ Ï

#e

3 4

"

3 4

"

3 4


18

Push

ƒ

"

56 Voice

&3 4

4 4 y

fl

[t]

#%#%

))))Π5

f

Œ

Œ

3 ‰ 4

# % # % #

f

ç

# %5

#

! y ) ) ) ) ) y ) ) y ) fl fl fl 5

[t]

[f] [f] [f] [f]

ƒ

[f] [f] [f] [f] [f]

[t]

[f] [f]

[t]

[f]

*breathing [f]-fricative through the teeth to create a rough, exaggerated breathing timbre

"

56 Fl.

V3 4

3

56 Cl.

&3 4

œ F

?3 Œ

56

4

Acc.

œ æ

flz.

Œ

ã

>j œ

4 4

"

3 4

"

Œ

4 4

"

3 4

"

b œœœœœ ....

œœœœ ® 4 œ 4 >

"

3 4

"

e

Ï

°

?3 Π4

Œ

# b œœœ ...

ƒ

4

œœœ ® 4 >

Œ

" "

3 4

%_

"ff "

"

_ _# . p

"ff "


19

Push

f 59 Voice

&

) ) Πy ) ) fl

[t]

Fl.

Cl.

ƒ

# %5 # %

4 Ó 4

#

#

% # %

ƒ

ç

# %5 # %

) ) y y))))y y ) y ) ) fl fl fl fl fl

[t]

[f] [f] [f] [f]

[f]

[t]

[f] [f] [f] [f]

[t] [t]

[f][f][f] [f]

[t]

ç

#3

‰ ) >

[ha]

ƒ

y fl

3 4

[t]

59

"

4 4

"

"

3 4

59

"

4 4

"

"

3 4

"

œ3 ‰ œ

V

&

?

59

Acc.

Œ

f

㠌 ?

%_ sim.

"

"

_ _# .

4 4

4 4

%_

_ _# .

%_

"

_ _# .

&

&

Œ

Œ

Œ

# œœ œ P

"

°

j 3 œœ Œ œ

°

F

Œ

3 4

œœ œ

3 4

sim.


20

Push

ç

‰ &3 4

62 Voice

#3

)

>

[ha]

ƒ

y fl

[t]

#3

‰ ) >

V3 4

ƒ

4 4 y

fl

[ha]

"

62 Fl.

ç

[k]

Π&3 4

Œ

Cl.

œ3 ‰ œ &3 4

62

Acc.

ã

sim.

j 3 œœ Œ &3 4 œ

# œœ œ

œ

3

pp poss.

œ3 ‰ œ

Π"

#

j 3 œœ Œ œ

4 4

4 4

ƒ

œ

[f] [f] [f]

fl

[t]

[f]

fl fl fl

[t] [t] [k]

bœ.

œ

p

%_

f

# %5 # %

[f] [f] [f] [f]

fl

[k]

_ _# . p

œ

fl

[t]

[f] [f] [f] [f]

"

"ff "

4 4

ƒ f

# %5 # %

#

5

# %

) ) 3 ) ) ) ) y ) y y y ) ) ) y ) ) ) 4y y ) ) y

4 4 Z

62

# % #

f

[f]

fl

[k]

[f] [f]

fl

[t]

# ) [f]

# %

# % # %) 4 ) ) ) ) 4 y ) fl 5

[k]

[f] [f] [f] [f] [f] [f]

3 4

"

& 4

3 4

"

4 4

3 4

"

4 4

4

°

"

Ó

"ff "

"

" 3 4

"

4 4


21

Push

> )#

y !‰ &4 4

65 Voice

Ï

Œ

Œ

[ha] Flute 65 Fl.

œ &4 4 $

$

Z

œ

µœ

3 4

whe w. voice

Kœ µ œ œ^

F

œ œ œ^

$

œ œ œ^

Cl.

&4 4

65

&4 4

"

"

Acc.

&4 4

"

! Œ

4 4 y

>

# %5 # %

) ) ) ) ‰

[aI][ha][ha][ha][ha]

n

3

4

3 ‰ 4

3

bœ.

œ

pp poss.

œ 3 ‰ œ

3

4

œ. œ.

°

P

°

3 ‰ # œœ 4 œ

œœ œ

œœ .. œ.

3

4 4

p

œ œ

# % # %

ƒ

) ) y Πy ) ) fl fl

[k]

[ha] [ha] [ha] [ha]

2 4

close

k Kl œœœ œ œ # œ ‰ bœ œ nœ #œ œ œ #œ œ œ fl

4 Π4

f

œ

f

Z <k>

œ œ œ œ œ 3 ^ œ^ ‰ Ó Z

65

œ.

f

F

œ °

˘œ œ 4 4

fpp sub.

2 4

M Œ

1

‰.

œ

$

œ

2 4

delicate, unstable

"

2 4

"

? 2

F

œœ 4 œ 4 fl

4


22

Push

Π&2 4

68 Voice

œ œœ

68 Fl.

&2 4 œ

3 4

œ œœ œ

f

œ œœ

4

œ œœ

3 œ 4

œ

$ 1

3

˙. 3 ˙˙ ..

° #˙ ? 2 n˙

1

2 4

[aI]

n˙ & 2 # ˙˙ 4

F

$

1

[m]

3 4 œ

68

f

1

&2 4 ˙

P

Acc.

1

2

68 Cl.

$

F

4

$

˙. 3 ˙. 4

3

j œ œ

pp sub.

1-

1

$

[aI]

Œ

take Bass Flute

œ

P

2 4 œ

$

œ. 2 œœ .. 4

° œ. 2 œ. 4

!

‰.

p

Z

y. -y I

"

1

œ

y.

[s]

2 4

2

ß

see

"

#

%

œ œ b œ œ b œ œ b œ œ œ œ n œn œ b œ œ œ œ œ œ œ œ œ b œ œ œ œ œ œ œ F

$

"

p

"

?


23

Push

72 Voice

&

f

y >

God

‰.

p

p

F

%#%

#

#

) 3 ))) ) 4

% # %

5 ). ) 8 ) ) )

[hE]

becoming more heightened, anxious

F

j

)

)

p

f

# % # %

P

2 4

) ) ) ) )

3 4

)

f

#%#%

)))))

5 8

*m. 72-77, all breathing is done with the [hE] sound

72 Fl.

&

72 Cl.

&

nœ ? # œœ ã

?

3 4

"

5 8

"

2 4

"

3 4

"

V 5

"

3 4

"

5 8

"

2 4

"

3 4

"

5 8

3 4

"

5 8

take Bass Clarinet

72

Acc.

"

ƒ

b b œœœœ

œ œ3 œœ œœ J ° " j 3 œœœ œœœ œ œ

f

3 4

"

5 Π8

" 3 4

"

n œ3 ‰# œœ "

5 Π8

°

‰ bœ b œœœ 3

œ œœ J j œœœ œ

nœ 2 # œœ 4

ƒ

2 bœ 4 b œœœ

œ œ3 œœ œœ J ° " j 3 œœœ œœœ œ œ

f

8

" 3 4

"

5 8


24

Push

P

77 Voice

&5 8

)

pp sub.

Z

ƒ

# % # % #

SPOKEN:

2 ) ) ) ) ) fl) 4 Y

4 Y 4

y

I-just-have-to-breathe,-just-breathe. -I-just-have-to-breathe,-just-breath.-Oh-God. -I-just-have-to-breathe,-just-breath.-Oh-God.

P

)#

[s]

e = 96-92, Tempo 1

ƒ

˘) 3 J

8

2 8

Bass Flute

77 Fl.

V5 8

77 Cl.

&5 8

?5 Œ

77

8

Acc.

ã

?5 Π8

<k>

%

# <k> 2 œ #œ #œ œ œ nœ nœ œ #œ 8 fl

"

2 4

"

4 4

"

"

2 4

"

4 4

"

3 8

"

2 8

2 4

"

4 4

"

3 8

"

2 8

n œ3 ‰ # œœ "

°

‰ bœ b œœœ 3

œ œœ J j œœœ œ

2 4

"ff "

%_

_ "

4 4

_.

"

3 #œ 8 fl ƒ

°_#

3 8

"ff "

>_ J

ƒ

‰ "

2 8


25

Push

"

81 Voice

&2 8 %

# V2 œ #œ #œ œ #œ nœ nœ œ 8

81 Fl.

3 #œ 8 fl ƒ

"

3 8

%

% # # <k> 2 œ œ œ bœ bœ œ #œ #œ œ œ nœ nœ œ bœ œ œ bœ 8 fl ƒ

<k>

3 8 bœ

fl

ƒ

"

3 8

"

2 8

"

3 8

?2

"

3 8

"

2 8

"

3 ! 8

81

8

Acc.

<k>

"

2 8

&2 8

81 Cl.

"

3 8

"ff "

%_ ã ?2 8

"

_. 3 8

"

_ 2 8

° "

œ fl

%

# œ œ bœ œ bœ nœ œ bœ

"

# œœœ

œœœ

° 3 ! 8

œ bœ

œ œ


26

Push

"

85 Voice

&

85 Fl.

<k>

V bœ œ fl fl ƒ

"

4 8

%

<k> # œ ! #œ œ œ bœ œ bœ nœ œ bœ 4 8 fl # œ fl fl

ƒ

% # œ bœ nœ œ ® œ bœ nœ bœ nœ

take Flute

ƒ

"

2 8

"

4 8

"

2 8

"

4 8

Bass Clarinet

"

85 Cl.

&

4 8

wqwq

#˙ p

?

85

œœœ ...

Acc.

?

œ. œ.

4 8 ˙˙˙ p

4 8 ˙

˙

erratic

1

2 8 Mæ e œ

˙

1

4 8

>

F

f sub.

œœœ !

#

Œ

2 8 b œœ ..

Œ

°

œ.

° œ œ

2

!

2 8

# œœ ..

œœ œ

Ï

œœ

connected with the next measure as if a single breath

4 8

4 8


27

Push

Π&4 8

89 Voice

F

Z as natural as possible

J

Z

When

V4 8

erratic

89 Cl.

&4 8

wqwq

p sub.

?4

89

8

Acc.

ã

?4 8

I

Z close

"ff "

%_

flz.

æj œ

"

Z

"

j œ >

Í

flz.

j æœ

œ@ >

Í

j œ.

œ@ >

Í

" _

!

my

"

89 Fl.

Z

" _

°

Œ

"

2 Z 8 J

4 8

eyes

"

2 8

r œ >

Í

1

2

2 8 Mæ e œ

4 8

3 1

4 8

>

f sub.

#

2 8 b œœ ..

œ. °

2 8

# œœ ..

œœ œ

4 8

Ï

œœ

4 8


28

Push

"

92 Voice

&4 8

F

> 3 q 8 J

extremely emphatic

I

"

92 Fl.

V4 8

92 Cl.

&4 8

wqwq

?4

92

8

ã

?4 8

"ff "

%_

1

_ "

"

3 8

_ 3 8

"

2 8

p sub.

"

° _ J

f sub.

# 2 8 b œœ .. œ. ° 2 8

# œœ ..

God

Ÿ~~~~~~~~~ 1 2 j 8 Mæ œ #œ >

2

f sub.

"

"

4 8

3

2

#œ >

p sub.

Acc.

"

3 8 Mæ e

ƒ

> 4 w 8 J

see

3 8

3

> 2 Z 8 J

3

2 1

1

4 8M œ æ be

e

1 wqwq

1

>

p sub.

ƒ

% œœ œ

Ï

œœ

4 j 8 œœ

œ

4 j 8

œœ

tremolo w. knee

œæœ .. œ. p

æ œœ ..


29

Push q

96 Voice

(repeat, ad lib. – becoming insane)

j y

Breathe.

y

V

y

Score. Push.

"

96 Fl.

w

p

F p sub.

1

yyyyyyyy J y y y y y y y y y y y y y y y yy

[aI]

Fly.

"

" M

96 Cl.

&

wqwq

œ

?æ ˙˙ ˙

j œ

Í

3

wqwq

œ

ƒ

p sub.

96

Acc.

ã

?

æ ˙˙

2

3

@ œ.

! œ fl

Ÿ~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~ flz.

j M œ >

&

œæœ œ æ œœ

1

œ

P

p

Ï

Œ

"

(air only)

_ æ Œ

Œ

_ Jæ

°

Œ

"

&


30

99 Voice

&

Push

1

J

V

99 Cl.

&

Z

3 8

99

Œ

!.

2 8

"

Z

murmuring

p

œ J

[aI]

w. voice

$

3 8

œ #œ #œ œ œ œ œ nœ œ œ #œ œ nœ.

$

Acc.

p

"

99 Fl.

$

! bœ

ƒ

>œ #œ p

8 3 8

®

p

œ

[aI]

"

$

œ J

3 8

Z

œ œ J

œ œ "

!

° 2 8

2 8

w. voice

flz.

œ œ œ. fl ffpp sub.

>œ #œ 2 ! 8

2 8

"

3 8

w. voice

pp sub.

œ œ 3 J

œ

[aI]

2 8

3 2 8 œ #œ œ œ œ #œ œ œ œ nœ #œ œ œ 8 œ

fl

$

p

œ. œ.

"

3 æ œ 8 œ. æ e

fl

ƒ

>œ œ p

pp sub.

3 8 3 8

2 8 P

œ œ

œ œ "

!

2 8

° 2 8


31

Push

103 Voice

&2 8

103 Fl.

V2 8

"

4 Π8

"

4 8

> 4 b œ æ e# œj e j ‰ 8 J > æ œ æ# e >

&2 8 œæ æ # e $

ƒ

p

œ

œ J

[aI]

$

w

q

œ J

Œ

"

w. voice flz.

œ@.

°

œ! Œ fl

ƒ

"

wqwq

$

bœ.

e ƒ

Ÿ~~~~~~~~ j ! j bœ œ pp sub.

&2 8

"

4 8

"

"

"

?2

"

4 8

"

"

"

103

Acc.

b >œ œ J

"

3

103 Cl.

!.

p

8

&

e ƒ


32

107 Voice

Push

F

&y I

3

y

can

y

feel

!

3 y 8

y I

!

see

ã

"

Fl.

&

107 b œ . &

Cl.

° & Œ

107

Acc.

?

° "

5

"ff "

5

œ .. b b œœ ....

p

Ï

be

œ 3 œœ 8 ƒ

&

" pppp sub.

œ. 3# œ . 8æ

7 8

4 4

"

7 8

4 4

"

7 8

4 4

"

7 8

˙ 4 ˙ 4æ

œ. œ. æ

ƒ

Ÿ~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~ #œ.

8

"

# %) )# %) )# 4 ) ) ) ) ) 4

3 %) 8 J

> œ œ œ œ b œj #œ 3

as fast as poss.

wqwq

7 8

# % # %

3 8

"

5

ƒ

"

107

# % )# %) )# ) 4 ) ) ) ) ) 4

[s] [s] [s] [s] [s] [s] [s] [s] [s]

<h> Flute

ƒ

°# % # %

q = 66-58, naturalistic, relaxed, but emphatic; sounding definitive

irregular, spastic bellows shake

œ œ Œ @

bellows shake (as fast as poss.)

7 8


33

Push

‰ &7 8

110 Voice

like a confessional, vulnerable, honest (dynamics are up to the performer). Vocalist is in "unison" with flute.

p

Œ

J

w

Œ

3

> ‰ J

Z

If

I

3w 4

Œ

hold

‰ ã 7 8 ‰ &7 8

110 Fl.

Cl.

Acc.

)# )

J

Z F

$

3

7Z 8

my

brea

<h>

w

)#

f

ß

<h>

J J

3Z 4

ƒ

P sub.

˘

w

> w 7 J 8

J

q

Œ

th

6

"ff "

3

3 4

3 4

I

# % # %

q p

# ) ) ) ) )J

6 Ÿ~~~~~~~~~~~~~~~~~~~~~~~~~~~~ Ÿ~~~~~~~~~~~~~~~~~ 3 bœ œ œ j j j 3 œ œ #œ nœ œ œ bœ œ bœ bœ bœ 7 œ # œ œ # œ # œ# œ n œ n œ œ # œ œ bœ æ be œ bœ 4 #œ œ 8

œ

j w -

<h>

3

ƒ

ƒ

œ

3 4

7

110

"

3 4

"

7 8

"

3 4

110

&7 8

"

3 4

"

7 8

"

3 4

ã

&7 8

" "

&7 8

" 3 4

"

" 7 8

"

3 4


34

Push

‰ &3 4

113 Voice

3

w can

>

q

q

fee

l

Œ

4 Z 4>

q

hea ven

Œ

.

<h>

Z ã 3 4 113 Fl.

Cl.

Acc.

&3 4

p

bœ æ

J

e

f

bœ æ 3

q

be

$

bœ æ be œ

5

q $

Ï

4 4

"

flz.

w 3

#) %) )# %) )# 4 ‰ . 4

Ó

æ

w

æ f

æ

Ÿ~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~ œ Bœ. nœ

Z

æ

bœ æ

$ be

<h>

! %) )# %) )# Ó 

5

Iœ æ Ie

Ï

Ó

113

"

4 4

"

"

113

&3 4

"

4 4

"

"

ã

&3 4

" "

"

"

&3 4

4 4

"

"


35

Push

116 Voice

&

ã 116 Fl.

Cl.

Acc.

w

Œ

Œ

3

when

I

>

q.

Z

Íp

F

& b˙ æ

J

Z

˘> ) J

be

˘

< k > < si >

$ ff sub. 3

œ bœ bœ nœ bœ

j

Œ

6

p sub.

4 4

w

close

<h>

J

5 Π8

w

my

˘ <u> Ï

<h>

#

5 8

)

%

)

#

)

%

)

$

<t> <s>

˘y  % #) )

Ï

bœ Aœ œ œ 5bœ bœ œ œ œ œ ! bœ œ bœ ® ‰ 8

5

)# %) $

4 4

bœ bœ bœ œ 4 4

116

&

"

5 8

"

4 4

116

&

"

5 8

"

4 4

ã

&

" "

" 5 8

"

4 4


36

Push

Voice

.

Œ

Ó

4 8

Œ

Ó

4 8

Ÿ~~~~~~~~~~~~~~~~ bœ Œ bœ bœ nœ bœ œ œ œ œ œ œ #œ œ bœ bœ œ œ œ œ nœ bœ nœ nœ bœ nœ bœ œ bœ nœ nœ bœ &4 œ œ 4

Ó

4 8

118

&4 4

ã 4

Z

J

q

eye

s

Œ

Cl.

Acc.

w I

˘

>

Z see

4 q

2

< si >

< sh >

$

F

Í

ƒ

118 Fl.

3

>#) ç

118

"

"

4 8

118

&4 4

"

"

4 8

ã

&4 4

" "

"

&4 4

"

4 8


37

Push e = 96-92, Tempo 1

Voice

ƒ

>

!

Œ

3 8

"

"

4 8

!

Œ

3 8

"

"

4 8

œ œ bœ œ bœ œ ! &4 œ bœ œ 8

Œ

3 8

"

"

4 8

120

&4 8

w

q

Go

d

> ã 8 J

4 3

q

Ï

& 6

120 Fl.

3

breathing...

120 Cl.

&4 8

3 œ œ bœ bœ nœ œ ® ® œ œ nœ bœ bœ nœ œ 8 œ œ F

120

&4 8

Acc.

ã

&4 8

%

#

%

Z

"ff "

%_

$

$

F

" _ J "

°# _ 3

# œ ‰ ® ® œ bœ œ nœ

$

"ff "

3 8

‰ 3 8

F

"ff "

%_

%

! œ œ œ ® $

" "

_ J

°# _ 3

#

œ " "

% bœ bœ œ œ œ œ 4 œ 8 F

"ff "

6

$

? 4

8

‰ 4 8


38

Push

"

123 Voice

&4 8

"

3 8

2 ‰ 8

!

3

$

#

)

4 8

[s]

"

123 Fl.

&4 8

! &4 8

123 Cl.

"

3 8

% % % # % # 6 # 6 6 # œ % œ #œ bœ œ ® œ œ œ nœ œ œ bœ bœ ® 3 8 œ bœ bœ œ œ œ nœ bœ œ œ œ œ œ bœ nœ œ #œ

$

F

$

F

$

F

$

F

$

"

2 8

2 8

F

œ

$

extremely diffuse

?4 Œ

123

8

6

œ bœ œ nœ bœ œ bœ ‰ bœ ® 3 œ 8

Acc.

&4 8

"

°

P

3 8

6

œ bœ bœ œ œ bœ œ bœ nœ œ f

"

2 8 œ 2 8

4 8

# œ ® ® œ bœ œ nœ

4 8

$

bœ bœ bœ nœ œ ® ® & 4 8

"

P

4 8


39

Push

126 Voice

&4 8

$

F

#

)

3

J

>

w

when

pp sub.

F

3

.

>

Z

w

I

in

[s]

#

)

pp sub.

#3

F

>

Z

[s]

)

hale

pp sub.

F

# ) J

3

>

Z in

[s]

P .

in

[s] <h>

˘ # <k> % # ) ) ) ) ) )

% # %

ã 4 8 126 Fl.

"

<h> 

<k>

&4 8bœ fl ƒ

# bœ

sim.

<k>

œ nœ œ #œ œ nœ fl

p sub.

ƒ

3 126 Cl.

1

&4 œ 8M F

Π&4 8

126

Acc.

ã

&4 8

æ M œ ÿ flz.

f

ppp poss.

" "

p sub.

ƒ

#œ œ œ œ bœ fl

2

' œ b œœœ

#

<k>

1

3

# bœ

" <k>

œ œ œ bœ bœ nœ fl ƒ

p sub.

M rough 1

flz.

p

3

ƒ

p sub.

3

n œ! ! ! ! ! ! ! ! ! ! œ! ! ! ! ! # œ n œ œ b œ b œ œ b œ b œA œ n œ # œ n œ b œ b œ œ b œ b œ b œ

œœ . œœ ... p

Z

pp sub.

F

"ff "

5

5

"

5

f

ƒ

q

% 3 <k> # œ nœ #œ œ b œ œ œ œ œ œ nœ œbœ œ nœ bœ œ bœ œ œ œ œ bœ nœ #œ 5 fl

5

F

J

Z

F

" "

f

œœ œœ J

&

F

"

"guiro" (scrape buttons w. fingernails)

°y J

ff poss.

˘y

"

!


40

Push

&‰

Voice

Fl.

J

129

œ

q

$

!

f sub.

>

!

Z hale

ã &

. J

129

4 8

push

˘

q

Z

ƒ

pp sub.

ƒ

<k>

"

5 8

w

<h>

˘

œ œ œ #œ #œ œ œ œ œ œ œ bœ œ bœ nœ #œ nœ

)#

œ

5 8

%) 3

)#

%)

)# 3

%)

)#

˘

< si >

ƒ

J

<u>

sim.

)#

(in/exhalations are played with a closed mouthpiece)

p

œ bœ œ bœ œ œ bœ 5 b œ œ bœ œ œ œ œ œ œ œ œ œ 8 œ

4 8 4 8

5

6

Ÿ~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~ j 4 #œ œ œ œ œ 8 w. voice

"

129 Cl.

&

129

&

Acc.

㠌 &

° murmuring

œœœ# ... # # œ. °

5 Π8

œœœ œ ‰

"

F

!

!

"ff "

%_

°

"

5 8

_ 5 8

P

"

4 8

° _ J

4 8


41

Push

Π&4 8

!

131 Voice

%) 4 ã 8J œ bœ &4 8

131 Fl.

ƒ

‰ &4 8

131 Cl.

)#

J

p

f

>

Z

push

es

˘

q

Z

ƒ

pp sub.

f

w

<k>

!

!

J

fl

œ

6

!

&4 8

Acc.

ã

&4 8

"guiro"

!

°y

" y

"

Œ

œ

)#

-

>

< si >

p

ß

œ

ƒ

œ

œ bœ

w. voice Ÿ~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~ j ! bœ œ œ œ œ

P

° 131

-

Z through

#œ œ bœ œ œ bœ œ bœ œ bœ œ bœ nœ œ nœ #œ

p

ff poss.

˘y

!

œœœ# # # œ °

˘

J œ bœ

<u>

œ

)#

p

œ bœ nœ bœ

!

° œœœ œ " "

œ

Ÿ~~~~~~~~~

°

œœœ œ

f

œœœ œ

F


42

Push

133 Voice

!.

.

Z

Œ

3

>

w

my

ã 133 Fl.

3

.

.

pp sub.

~~~~~~~~~~~~~~~~~~~~~~~ 5 & œ œ œ@. œ! b œ œ b œ n œ b œ œ@. fl P

133

&

Acc.

"ff "

% ã _ &

$

4 4

ff sub. p sub.

3

< si >

ƒ

5 )# 8

!

Œ

4 4

bœ œ bœ œ œ bœ œ bœ 5 œbœ ! 8

Œ

4 4

3

J

>

fl

<u>

ç

flz.

133 Cl.

% # ) ) ) ) )

& œ œ ® œ œ œ œ ® œ œ œ bœ œ bœ œ œ œ œ œ œ œ œ #œ œ w. voice flz.

"

5 8

veins

˘ # %3 #

<k>

f

ƒ pp sub.

take Clarinet

‰ œ! b œ n œ b œ n œ œ œ œ œ b œ œ b œ œ fl ƒ pp sub. °

" _ "

_° J

"

!

"

"guiro"

° y

"

5 8

ff poss.

˘y

y 3

5 ‰ 8

5 8

b œœ œœ # ! œœ œœ °

4 4

œœ œœ J " "

f

4 4

4 4


43

Push q = 66-58

ppp poss.

Z

136 Voice

&4 4

!

faint, distant

!

!

1.

1 J

[I]

[t]

(It)

Fl.

Cl.

136

"

"

136

"

"

136

"

"

&4 4

&4 4

&4 4

Acc.

ã &4 4

"ff "

%_

_

_ "

_

° _

Ó

Π"

$

%_ _# %_ _# %_ 5


44

138 Voice

&

Push

ff sub.

>y

Cl.

>y

y.

shes

[s]

pu

shes through

y. my

y >

y.

6

push through

y. my

y. through

y. my

>y

>y

pu

shes

&

"

138

&

"

138

"

"ff "

# ã _ &

‰.

Œ

cresc.

!

!

˘ y

6

138

&

Acc.

>y

)#

6

pu

Fl.

>y

fierce, intense

Ó "

through

!

!

y fl3

my

!

y fl

my

!


45

Push

Ï

>y >y . >y >y . )# y. )# y. y y . . . & y y y y. ! !

139 Voice

6

pu shesthrough my

139 Fl.

&

139 Cl.

[s]

through my

[s]

!

Z

˘y

!

Œ

ã Ó

Π"

2 Π4

1

3

vei

my

[s]

"

"

&

3

through my

&

139

Acc.

6

pu shes through my

)#

&

"

2 4

B b Clarinet

‰.

‰.

%

q

œ

(no pitch – air-sound only)

2 4

"ff "

"ff "

œ

_ 2 4

p

"

2 4

%_

œ

p

_ "

#

œ

_#

% œ 5

%_ 5

#

œ

_#

% œ

"f "

"f "

%_


46

Push

≈ ‰

poco rall. 141 Voice

&

1

1

4 4

1

1

1

1

4 8

ns

"

141 Fl.

&

141 Cl.

&!

#

%

p

5

œ

œ

#

œ

"f "

!

Acc.

ã ! &

p

_#

%_ 5

"f "

_#

!

"

141

&

!

4 Ó 4

!

! "

!

% œ p 5

p

%_

#

œ

% œ

4 4

#

œ

Œ

% œ

#

œ

4 4

_#

%_

_#

5

%_

_#

% œ

"ff "

"ff "

%_

œ

_

œ

#

3

$

"f "

3

"

"f "

_# _ _

_ 3

4 4

œ œ œ

$

"

≈ ‰

#

œ

$

$

_#

œ >

"ff "

≈ ‰.

>_ ≈‰ .

"ff "

4 8

4 8

4 8

3

4 8


47

Push e = 96-92, Tempo 1

Z

>y 4 &8

143 Voice

F

y.

y.

)#

fierce, intense, obsessive

pu

shes through

>y pu

y.

y.

shes through

y.

Cl.

&4 8

)

#

)

%

)

#

)

f

>y

pu

y.

< te >

F fl f

# œ p sub.

œ

œ

œ

œ

!

f

y.

#

)

2 8 y.

shes through

"

&4 8

143

)

%

my

143 Fl.

#

ff sub.

w

< te >

œ

œ

œ

F fl

ß

y.

my

through

"

2 8

% #œ

!

#

2 8 œ p sub.

œ

œ

3 8

my

3 8

< te >

œ

y.

œ

F fl

3 8

f

&4 8

"

2 8

"

3 8

&4 8

"

2 8

"

3 8

143

Acc.


48

Push

& Z

!

145 Voice

&3 ! 8

y fl

my

y. ‰ y fl

4 8

1

1

1

1

vei

through my

˘1

3 8

ns

<h>

%

<k> % % # # <k> # <k> œ #œ #œ œ #œ nœ nœ œ #œ œ #œ #œ œ #œ nœ nœ œ #œ œ #œ #œ œ #œ œ nœ œ bœ fl flf ffl f

"

145 Fl.

&3 8

145 Cl.

<k>

#

3

< te >

p sub.

Í

#

4 #œ 8 fl f

< te >

&3 8 # œ # œ œ Ffl œ œ Ffl

145

&3 8

1

4 8M œ $

f

"

?

>œ . 4 œ. 8

Acc.

&3 8

"

? 4

f

œ. 8 œ. >

j @ M œ flz.

sim.

2

j @ M œ

F

irregular, spastic bellows shake

œ œ æJ

$

j œæ œ

1

j M œ

pp sub.

œ. œ. æ œæ. œ.

2

j @ M œ

flz.

F sub.

3 8

Ÿ~~~~~~~~~~~~~~~~~~~~~~~~ 3 M 8 œ &

& 3

° ‰

3 8

8


49

Push

ƒ

ffpp sub.

Z 148 Voice

&3 8

w

#

# % #

˘ y

) y ) y. y ! y ) ) . fl fl

you

you

ex

hale

2 ® 8 y

fl

ex

you

y. y ! . .

ex

& Z

ç

)#

hale

3 8

1.

<t> % œ œ b œ b œ œ #œ œ b œ b ˘œ 3 

Fl.

"

&3 8

! &3 8

148 Cl.

< te >

F fl

Acc.

ã

?3 8

°# _ J

"ff "

% _

3

bœ bœ

œ

p sub.

f

148

&3 8

#

< te >

œ #œ œ bœ F fl f

"

°# _

_ "

"

2 8

8

# 2 ® ‰ œ bœ œ 8 p

2 8

"ff "

% _

_

3

3

2 8

_ J

"

f

1

3 8M œ

f

"

2 8

breathe

<h>

148

poco vib.

p

$

f

j æ M œ

n ˘œ

<t>

2 8

2

flz.

2 8

3 œ. 8nœ.

2 8

3bœ. 8 œ.

2 8

> f

>


50

Push

f

molto vib.

1

J &2 8

151 Voice

$

1 J

4 ‰ 8

!

p

>

Z

!

breathe

>

!

w

.

Z a

!

kiss

>

w

>

Z

in

!

2 8

to

<h>

% # œ bœ œ bœ 151 œ œ œ bœ 4 &2 8 8 

Fl.

"

f

j 2 æ &8M œ 3

151 Cl.

F

151

œ &2 8 œ

Acc.

ã

j M œ 2

p sub.

œ

8 œ

4 8 œ œ œ œ œ bœ F

fl ß

$

4 8

4 8

° _# J

"ff "

%_

3

œ nœ F fl ß

2 œ#œ œ 8

#œ œ œ #œ œ #œ #œ nœ F fl ß

nœ œ 2 8

" _ "

F fl ß

$

_# 3

w

#œ œ œ #œ #F fl ß

"ff "

%_

3

œ fl

ffp sub.

Z

$

?2

Œ

<k>

cresc.

$

_ 3

_# J

"

"ff "

2 8

%_

"

2 8


51

Push

poco accel. poss. p

! &2 8

154 Voice

>

!

w

.

Z a

>

4 ! 8

w

kiss

F

!

>

Z

in

to

ß

>

Z

e = 112-104, as fast as poss.

F

!

3 8

my

>

w

growing in dynamic and emotional range until the end

!

!

breathe

Fl.

<k>

<k>

&2 8# œ n œ # œ œ fl ß 3

3

&2 8

œ

œ

F fl ß

&2 8

Acc.

ã

_

?2 8

$

"

_# 3

œ

fl

4 8

%_

"

œ nœ #œ #œ #œ œ bœ œ œ œ bœ œ fl

$

_ 3

4 8

<k>

#œ œ œ #œ œ #œ nœ F #œ fl ß

4 8 œ #œ F

ß

"ff "

6

5

ß

cresc.

F fl ß

154

4

<k>

œ #œ nœ 8 œ #œ œ #œ fl ß

œ flß

154 Cl.

3

_# J

"

"ff "

3 ! œ œ bœ 8 3

f

˘ œ #œ œ #œ nœ œ #œ œ œ #œ !!! ! ! ! ! ! ! 3

nœ œ f

flz.

bœ bœ nœ œ œ œ #œ 3

œ 3 ! # œœ 8

3 ! 8

° #œ œ

œ

œ

5

œ œœ J œ œ J

5 16

f

5

p

%_

"

w

p

3 ! 8

5 16

a

Z

154

.

Z

>œ œœ

# ˘œ

!

5 16

!

5 16

!

5 16

f

ƒ

>œ œ


52

Push

157 Voice

5 & 16

f sub.

>

w

!

5 ! & 16

157

Z

œ 5 J & 16

157 Cl.

$

157

b œœœ 5 J

& 16

Acc.

? 5

&

16

kiss

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