معرض متراس مركب | Compositive Barrier

COMPOSITIVE BARRIER ،‫اﻟﻤﺮﻛﺐ" ﻣﻌﺮض ﻓﻨّ ﻲ ﺟﻤﺎﻋﻲ‬ ِ ُ ‫"اﻟﻤﺘﺮاس‬ ‫ﻳﺠﻤﻊ ﻣﺎ ﺑﻴﻦ أﻋﻤﺎل ﺧﻤﺲ ﻓﻨﺎﻧﺎت وﻓﻨﺎن‬ ‫ ﺑﺎرﺑﺮا‬،‫ دﻳﻤﺔ ﻣﺤﺎﻣﻴﺪ‬،‫ دﻋﺎء ﺑﺪران‬:‫ﻧﺎﺷﺌﻴﻦ‬ ‫ وﺷﺎدي ﻓﺮﻧﺴﻴﺲ‬،‫ ﺳﺠﻰ ﻋﻘﻞ‬,‫ﻋﺒﺪ اﻟﺮازق‬ .‫وﻋﻼ زﻳﺘﻮن‬ ُ ‫ﻣﺠﻠﻄﻮن‬ ‫ ﺣﻨﻴﻦ ﻋﺎﺑﺪ‬:‫ﻣﻨﺴﻘﺔ اﻟﻤﻌﺮض‬ "Compositive barrier" is a group art exhibition featuring together the works of six emerging artists: Doaa Badran, Dima Mahamid, Barbara Abdel Razek Saja Aqel, Shadi Francis Majlaton and Ola Zaitoun.

Exhibition curator: Hanin Abed

2020

"Compositive barrier" is a group art exhibition featuring together the

‫ ﻳﺠﻤﻊ ﻣﺎ ﺑﻴﻦ أﻋﻤﺎل ﺧﻤﺲ ﻓﻨﺎﻧﺎت‬،‫اﻟﻤﺮﻛﺐ" ﻣﻌﺮض ﻓﻨّ ﻲ ﺟﻤﺎﻋﻲ‬ ِ ُ ‫"اﻟﻤﺘﺮاس‬

works of six emerging artists. They met a year ago during a workshop

.‫ إذ ﻛﺎن ﻟﻘﺎﺋﻬﻢ اﻷول ﻣﺎ ﻗﺒﻞ ﻋﺎم ﺿﻤﻦ إﻃﺎر ﻣﺸﺮوع اﻟﻮرﺷﺔ‬.‫وﻓﻨﺎن ﻧﺎﺷﺌﻴﻦ‬

project that aimed to expose the group to various aspects of the Palestinian

‫وﻫﻮ ﻣﺸﺮوع ﻣﺘﻌﺪد اﻟﻠﻘﺎءات ﻣﻦ أﻫﺪاﻓﻪ اﻷﺳﺎﺳﻴﺔ ﻛﺸﻒ ﻣﺠﻤﻮﻋﺔ اﻟﻔﻨﺎﻧﻴﻦ‬

cultural and artistic scene. The exhibition was based on the various

.‫اﻟﻨﺎﺷﺌﻴﻦ إﻟﻰ أﻗﻄﺎب ﻣﺘﻨﻮﻋﺔ وﻣﺨﺘﻠﻔﺔ ﻣﻦ اﻟﻤﺸﻬﺪ اﻟﺜﻘﺎﻓﻲ اﻟﻔﻠﺴﻄﻴﻨﻲ‬

narratives of the works presented. The artists were requested not to adhere to usual or standard and familiar techniques, but rather stick to

.‫ ﺗﻮﻟﺪ وﺗﺘﺸﻜﻞ ﻣﺴﺎﺣﺔ اﻟﻤﻌﺮض‬،‫ﻣﻦ ﺧﻼل اﻟﺴﺮدﻳﺎت اﻟﻤﺨﺘﻠﻔﺔ ﻟﻸﻋﻤﺎل اﻟﻤﻌﺮوﺿﺔ‬

their own narrative and background in order to create a personal product.

‫ﻟﻢ ﻳﻄﻠﺐ ﻣﻦ أي ﻣﻦ اﻟﻔﻨﺎﻧﻴﻦ ﻣﻨﺬ ﺑﺪاﻳﺔ ﺳﻴﺮورة اﻟﻌﻤﻞ ﺑﺎﻟﺘﻘﻴﺪ ﺑﻔﻜﺮة او ﻧﻮاة‬

The exhibition includes six works of art that are not related to each other.

The artworks reflect different narratives and realities based on each of the artists’ personal observations of their immediate surroundings from a geographic, ideological or even routine methodological perspective.

The works, that were made during last year, present a close-up to this close environment, including spontaneous daily reflections, the remnants of unusable fabrics from the artists’ surroundings, in addition to the daily Jerusalemites life that is filled with questions about nationality, humanity and identity, and their interpersonal relationships, along with a struggle to create exhibition spaces in a complex reality, with regard to the factor of time and its influence on the individual by focusing on the narration of a children's hymn. Aspects that create a chaotic scene.

Legitimizing the diverse and even different narratives of the artists in the same space without forcing some sort of a delusional relationship between them have led to the avoiding of "creating what has never been," by focusing on the artist's personal space in contrast to the other works in the shared space (the gallery) which made it possible for the artists to explore their close and familiar surroundings, in order to observe this space and question their relationship with their surroundings without

‫ ﻟﻴﺲ‬،‫ﻋﻤﻞ واﺣﺪة ﻣﺸﺘﺮﻛﺔ ﺑﻞ ﻃﻠﺐ ﻣﻨﻬﻢ ﻋﺪم اﻟﺘﻘﻴﺪ ﺑﺎﻟﻤﺄﻟﻮف أو اﻷﺳﻬﻞ‬ ً ‫اﻟﻤﺤﻴﻂ أﻗﺮب‬ ِ ‫ﺧﻠﻼ ﻓﻲ اﻟﺘﻨﺴﻴﻖ ﺑﻞ ﻏﺎﻳﺔ ﻹﺳﺘﻐﻼل ﻣﺤﻴﻂ ﻛﻞ ﻓﻨﺎن وﺟﺬب ﻫﺬا‬ .‫ﻣﺎ ﻳﻤﻜﻦ إﻟﻰ اﻟﻤﻨﺘﺞ اﻟﻨﻬﺎﺋﻲ‬ ‫ أﻋﻤﺎل ﻓﻨﻴﺔ ﻻ راﺑﻂ ﺻﻠﺔ‬6 ، ‫ ﺑﺄﻗﻄﺎﺑﻬﺎ وزواﻳﺎﻫﺎ اﻟﻤﺨﺘﻠﻔﺔ‬،‫ﺗﻀﻢ ﻣﺴﺎﺣﺔ اﻟﻌﺮض‬ ‫ ﺳﺮدﻳﺎت‬.‫ﺑﻴﻨﻬﺎ ﺳﻮى أﻧﻬﺎ ﺗﺤﻤﻞ ﻧﻘﻄﺔ ﺑﺪاﻳﺔ ﻏﻴﺮ ﻣﺘﺠﺎﻧﺴﺔ ﺗﺤﺖ ﺳﻄﺢ ﻓﻌﻠﻲ واﺣﺪ‬ ‫ﻣﺨﺘﻠﻔﺔ ﺑﻮاﻗﻌﻬﺎ ﻣﺒﻨﻴﺔ ﻋﻠﻰ ﻣﺮاﻗﺒﺔ ﺷﺨﺼﻴﺔ ﻟﻜﻞ ﻓﻨﺎن ﻟﻤﺤﻴﻄﻪ ﻣﻦ ﻣﻨﻈﻮر‬ ‫ ﺗﻘﺪم اﻷﻋﻤﺎل‬.‫ﺟﻐﺮاﻓﻲ أﻳﺪﻳﻮﻟﻮﺟﻲ أو ﺣﺘﻰ ﺑﺒﻌﺾ اﻷﺣﻴﺎن ﻧﻬﺠﻲ روﺗﻴﻨﻲ‬ ‫ ﻣﻨﻬﺎ إﻧﻌﻜﺎﺳﺎت‬،‫ﻟﻘﻄﺎت ﻣﻘﺮﺑﺔ ﻟﻬﺬا اﻟﻤﺤﻴﻂ اﻟﻘﺮﻳﺐ ُأﻧﺘﺠﺖ ﺧﻼل اﻟﻌﺎم اﻟﻤﺎﺿﻲ‬ ‫ ﺑﻘﺎﻳﺎ أﻗﻤﺸﺔ ﻏﻴﺮ ﻗﺎﺑﻠﺔ ﻟﻺﺳﺘﻌﻤﺎل ﻣﻦ اﻟﻤﺤﻴﻂ وﺣﻴﺎة اﻹﻧﺴﺎن‬،‫ﻳﻮﻣﻴﺔ ﻋﻔﻮﻳﺔ‬ ‫اﻟﻤﻘﺪﺳﻲ ﺟﺬع ﻣﺤﻤﻮل ﺑﻴﻦ أذرع ﺷﺨﺼﻴﺎت ﻣﻌﺪوﻣﺔ اﻟﻤﻼﻣﺢ وﺗﺴﺎؤﻻﺗﻬﺎ ﻣﺎ‬ ‫ ﻋﻼﻗﺎت ﻣﻊ وﻣﺎ ﺑﻴﻦ اﻟﺬات‬،‫ اﻹﻧﺴﺎﻧﻴﺔ وﻫﻮﻳﺔ اﻟﻔﺮد ﺑﻴﻦ ﻛﻞ ﻫﺬا‬،‫ﺑﻴﻦ اﻟﻘﻮﻣﻴﺔ‬ ‫واﻷﻓﺮاد ﺑﺎﻟﺤﻴﺰ اﻟﻘﺮﻳﺐ إﻟﻰ ﺟﺎﻧﺐ ﺻﺮاع ﺑﻴﻦ أﻛﻞ اﻵﻟﻬﺔ واﻟﺴﻌﻲ إﻟﻰ ﺧﻠﻖ‬ ‫ﻣﺴﺎﺣﺎت ﻋﺮض ﻓﻲ واﻗﻊ ﻣﺮﻛﺐ ﻣﻊ اﻟﺘﻄﺮق اﻟﺬي ﻻ ﺑﺪ ﻣﻨﻪ إﻟﻰ ﻋﺎﻣﻞ اﻟﺰﻣﻦ‬ ‫ﻣﺸﻬﺪا‬ ‫ أﻗﻄﺎب إذ ﺗﺸﻜﻞ‬.‫وﺗﺄﺛﻴﺮه ﻋﻠﻰ اﻟﻔﺮد ﻣﻦ ﺧﻼل اﻟﺘﻤﺮﻛﺰ ﺑﺴﺮد ﻷﻏﻨﻴﺔ أﻃﻔﺎل‬ ً

.‫أﻗﺮب إﻟﻰ اﻟﻌﺸﻮاﺋﻴﺔ أﻣﺎم ﺗﺠﻮال اﻟﻤﺸﺎﻫﺪ‬

‫ﺷﺮﻋﻨﺔ اﻟﺴﺮدﻳﺎت اﻟﻤﺘﻨﻮﻋﺔ ﺑﻞ اﻟﻤﺨﺘﻠﻔﺔ ﻟﻠﻔﻨﺎﻧﻴﻦ ﻓﻲ ذات اﻟﻤﺴﺎﺣﺔ اﻟﻔﻌﻠﻴﺔ‬ ‫وﻋﺪم إﺟﺒﺎر رﺑﺎط أو ﻋﻼﻗﺎت أﺷﺒﻪ ﺑﻮﻫﻤﻴﺔ ﻣﺎ ﺑﻴﻦ اﻷﻋﻤﺎل وﻋﺪم اﻟﺴﻌﻲ ﻟﺨﻠﻖ‬ ‫ وذﻟﻚ ﺑﺘﺜﺒﻴﺖ ﻣﻔﻬﻮم اﻟﺤﻴﺰ‬."‫ﻫﺬه اﻟﺮواﺑﻂ أدت ﻟﺘﺠﻨﺐ "ﺧﻠﻖ ﻣﺎ ﻟﻢ ﻳﻜﻦ ﻳﻮﻣﺎ‬

obstructions.

‫اﻟﺸﺨﺼﻲ ﻟﻠﻔﻨﺎن ﻣﻘﺎﺑﻞ اﻟﻤﺠﻤﻞ ﻣﻦ اﻷﻋﻤﺎل اﻷﺧﺮى ﻣﻤﺎ ﺣﻮﻟﻪ ﻓﻲ اﻟﺤﻴﺰ اﻟﻤﺸﺘﺮك‬

The name of the exhibition emphasizes the characteristic of this space

‫وﻃﺮح ﺗﺴﺎؤﻻت ﻛﻞ‬ ‫ ﻣﺮاﻗﺒﺔ ﻫﺬه اﻟﻤﺴﺎﺣﺔ‬،‫اﻟﻤﺤﻴﻂ اﻟﻘﺮﻳﺐ اﻟﺸﺨﺼﻲ واﻟﻤﺄﻟﻮف‬ َ

that is stemmed from its difference, the “Compositive Barrier” that divides the space into the edges of a special arranged maze.

‫اﻟﻔﻌﻠﻲ )ﺻﺎﻟﺔ اﻟﻌﺮض اﻟﻤﺮﻛﺰ ﻟﻠﻔﻨﻮن اﻟﻤﻌﺎﺻﺮة( ﻣﻤﺎ أﺗﺎح اﻟﺒﺤﺚ اﻟﺬاﺗﻲ ﻓﻲ‬ ‫ﻣﺤﻴﻄﻪ اﻟﻘﺮﻳﺐ ﺑﺸﻜﻞ ﻣﺒﺎﺷﺮ دون ﻋﺜﺮات أو ﺗﺤﺮﻳﻒ‬ ‫ﻓﻨﺎن وﻓﻨﺎﻧﺔ ﻋﻦ ﻋﻼﻗﺘﻪ ﻣﻊ‬ َ

.‫ﺑﻴﻨﻪ وﺑﻴﻦ اﻟﻤﺘﻠﻘﻲ ﺑﺈﺧﺘﻼﻓﻪ‬

،‫ﻳﺄﺗﻲ اﺳﻢ اﻟﻤﻌﺮض ﻟﻴﺸﺪد ﻋﻠﻰ ﺧﺎﺻﻴﺔ ﻫﺬا اﻟﺤﻴﺰ اﻟﻤﺘﻤﺤﻮرة ﺣﻮل إﺧﺘﻼﻓﻪ‬ ً ً ‫وﻓﺎﺻﻼ اﻳﺎﻫﺎ إﻟﻰ‬ ‫ﻣﺤﺪدا ﻣﻘﺴﻤﺎ‬ ‫اﻟﻤﺮﻛﺐ اﻟﺬي ﻳﻠﺘﻘﻲ ﻓﻲ اﻟﻤﺴﺎﺣﺔ‬ ِ ُ ‫اﻟﻤﺘﺮاس‬

.‫أﻃﺮاف ﻣﺘﺎﻫﺔ ذات اﻟﺘﺮﺗﻴﺐ اﻟﺨﺎص‬

‫ُﻋﻼ زﻳﺘﻮن‬ OlAA’ ZAITUN

‫دﻋﺎء ﺑﺪران‬ DOAA BADRAN

Starting point | ‫ﻧﻘﻄﺔ اﻟﺒﺪاﻳﺔ‬

Starting point | ‫ﻧﻘﻄﺔ اﻟﺒﺪاﻳﺔ‬

‫ وﺷﺒﻌﻨﺎ‬،‫ وﺣﲔ ﺟﻌﻨﺎ أﻛﻠﻨﺎﻫﺎ‬،‫"ﺻﻨﻊ ﻟﻨﺎ آﺑﺎؤﻧﺎ آﻟﻬﺔ ﻣﻦ ﲤﺮ‬ ‫ وﺗﺴﺎءﻟﻨﺎ ﺑﻌﺪ ذﻟﻚ… ﻣﺎ اﻟﻔﺎﺋﺪة ﻣﻦ إﻟﻪ ﻻ‬،‫ورﻗﺼﻨﺎ ﻛﺎﻟﺪﺑﺒﺔ‬ ‫ ﻧﻮاف رﺿﻮان‬- "‫ﺗﺴﺘﻄﻴﻊ أﻛﻠﻪ ﻓﻲ ﻣﺠﺎﻋﺔ؟‬

‫ ﻟﺘﻜﺮار ﳊﻈﺔ ﻳﻮﻣﻴﺔ ﻋﻔﻮﻳﺔ‬,‫إﻧﻌﻜﺎﺳﺎت‬

Reflections, a spontaneous moment repeated

“Our forefathers used dates to create their gods that we ate when we became hungry. We ate and then danced like bears, and we wondered, what use is it of a god that we cannot eat during famine?” -Nawwaf Radwan

Ola Zaitoun is a visual artist with a BA

‫ ﻓﻨﺎﻧﺔ ﺑﺼﺮﻳﺔ ﺣﺎﺻﻠﺔ ﻋﻠﻰ ﻟﻘﺐ ﺛﺎﻧﻲ‬، ‫ﻋﻼ زﻳﺘﻮن‬

Doaa, now based in Haifa, was born in

‫ ﺗﻌﻴﺶ وﺗﻌﻤﻞ‬، 1993 ‫وﻟﺪت ﻓﻲ ﻛﺎﺑﻮل ﻋﺎم‬

in Visual Arts and a BA in Psychology

‫ﻓﻲ ا ﻟﻔﻨﻮ ن ا ﻟﺒﺼﺮ ﻳﺔ ﻣﻦ ﺟﺎ ﻣﻌﺔ ﺣﻴﻔﺎ‬

Kabul village in 1993. She is a

،‫ ﻫﻲ ﻓﻨﺎﻧﺔ ﻣﺘﻌﺪدة اﻟﺘﺨﺼﺼﺎت‬.‫ﻓﻲ ﺣﻴﻔﺎ‬

and Interdisciplinary Studies from the

‫و ﻟﻘﺐ اول ﻓﻲ ﻋﻠﻢ اﻟﻨﻔﺲ واﻟﺪراﺳﺎت‬

multidisciplinary artist, working mainly in

‫ ﺑﺪران‬.‫ﺗﻌﻤﻞ ﺑﺸﻜﻞ رﺋﻴﺴﻲ ﻓﻲ اﻟﻨﺤﺖ واﻟﺮﺳﻢ‬

University of Haifa. In 2018, she won third

2018 ‫ ﻋﺎم‬.‫ﻣﺘﻌﺪدة اﻟﻤﺠﺎﻻت ﻣﻦ ﺟﺎﻣﻌﺔ ﺣﻴﻔﺎ‬

sculpting and painting. Badran holds a

‫ﺣﺎﺻﻠﺔ ﻋﻠﻰ ﺑﻜﺎﻟﻮرﻳﻮس وﺷﻬﺎدة اﻟﻤﺎﺟﺴﺘﻴﺮ‬

place in the Young Artist Competition

‫ﺣﺼﻠﺖ ﻋﻠﻰ اﻟﻤﺮﻛﺰ اﻟﺜﺎﻟﺚ ﻓﻲ ﻣﺴﺎﺑﻘﺔ‬

BFA and an MFA from the Department of

‫ﻓﻲ اﻟﻔﻨﻮن اﻟﺠﻤﻴﻠﺔ ﻣﻦ ﻗﺴﻢ اﻟﻔﻨﻮن اﻹﺑﺪاﻋﻴﺔ‬

organized by Al-Qattan Foundation. She

،‫اﻟﻔﻨﺎن اﻟﺸﺎب اﻟﺘﻲ ﺗﻨﻈﻤﻬﺎ ﻣﺆﺳﺴﺔ اﻟﻘﻄﺎن‬

Creative Arts at the University of Haifa.

‫أﻳﻀﺎ ﺻﻨﺎﻋﺔ‬ ً ‫ درﺳﺖ‬.‫ﻓﻲ ﺟﺎﻣﻌﺔ ﺣﻴﻔﺎ‬

participated in several group exhibitions,

‫ﺷﺎرﻛﺖ ﺑﺎﻟﻌﺪﻳﺪ ﻣﻦ اﻟﻤﻌﺎرض اﻟﺠﻤﺎﻋﻴﺔ آﺧﺮﻫﺎ‬

She has also studied jewelry design at

‫اﻟﻤﺠﻮﻫﺮات ﻓﻲ أﻛﺎدﻳﻤﻴﺔ ﻓﻴﺘﺴﻮ ﻟﻠﺘﺼﻤﻴﻢ‬

the most recent of which was "The

‫" ا ﻟﻬﻴﻤﻨﺔ ﻋﻠﻰ ا ﻟﺤﺸﺎ ﺋﺶ " ا ﻟﺘﻲ ﻧﻈﻤﺘﻬﺎ‬

WIZO Academy of Design and Education

ً ‫ﻣﻌﺮﺿﺎ‬ ‫ أﻗﺎﻣﺖ ﺑﺪران‬.‫واﻟﺘﻌﻠﻴﻢ ﻓﻲ ﺣﻴﻔﺎ‬

Control of Weeds" organized by Al-Qattan Foundation Ramallah.

SAVE FACE The beginning of a series of paintings through which the artist embodies the reflections of the reflections of everyday spontaneous scenes that were first captured by her mobile phone camera. The photos were transferred to the canvas to create a direct relationship between the parts of the series, in an attempt to show different layers of the reflections that the artist passes through spontaneously.

Paintings, Oil colors on canvas 80\60 cm, 2020

.‫ﻣﺆﺳﺴﺔ اﻟﻘﻄﺎن رام اﻟﻠﻪ‬

‫ﻣﺎء اﻟﻮﺟﻪ‬ ‫اﻟﻔﻨﺎﻧﺔ‬ ُ ‫ﺗﺠﺴﺪ ﻣﻦ ﺧﻼﻟِ ﻬﺎ‬ ‫ﻟﻮﺣﺎت‬ ٍ ‫ﺳﻠﺴﻠﺔ‬ ِ ‫ﺑﺪاﻳﺔ‬ ُ ُ ‫ﻣﺸﺎﻫﺪ ﻋﻔﻮﻳﺔ ﻳﻮﻣﻴﺔ‬ ‫ﻹﻧﻌﻜﺎﺳﺎت‬ ِ ‫إﻧﻌﻜﺎﺳﺎت‬ ٍ َ ً ‫ﻃﺮﻳﻖ ﻛﺎﻣﻴﺮة‬ ‫أوﻻ ﻋﻦ‬ ‫ﻳﺪ ﻫﺎ‬ ِ ‫إﻟﺘُ ﻘﻄﺖ ﻋﻠﻰ‬ ِ ‫ﻟﺨﻠﻖ‬ ‫ﻗﺼﺪ‬ ٍ ‫اﻟﻘﻤﺎش دون‬ ِ ‫ وﻧُ ﻘﻠﺖ اﻟﻰ‬.‫ﺟﻮاﻟِ ﻬﺎ‬ ِ ‫ﻣﺤﺎوﻟﺔ‬ ً ، ‫اﻟﺴﻠﺴﻠﺔ‬ ِ ِ‫ﻋﻼﻗﺔ ﻣﺒﺎﺷﺮةٍ ﺑﻴﻦ أﺟﺰاء‬ ٍ

‫ﺗﻤﺮ‬ ِ ‫ﻣﺨﺘﻠﻔﺔ‬ ٍ ‫ﻃﺒﻘﺎت‬ ٍ ‫إﻇﻬﺎر‬ ‫ﻟﻺﻧﻌﻜﺎﺳﺎت اﻟﺘﻲ ﱡ‬ َ ‫اﻟﻠﻘﻄﺎت‬ ِ ِ‫ﺑﻌﻔﻮﻳﺔ ﻓﻲ ﻫﺬه‬ ٍ ُ‫اﻟﻔﻨﺎﻧﺔ اﻟﺤﺎﺿﺮة‬ ُ ‫ﺑﻬﺎ‬ ‫ﻟﻠﻮﻫﻠﺔ اﻷوﻟﻰ‬ ِ ‫ﻟﻠﺘﻔﺎﺻﻴﻞ‬ ‫ﻣﺸﺘﺘﺔ‬ ً ‫ﻟﻠﻌﻴﻦ‬ ً‫ﻇﺎﻫﺮة‬ ِ ِ ‫اﻟﺘﻘﻨﻴﺎت‬ ِ ‫دﻗﺔ‬ ِ ‫اﻟﻤﺄﻟﻮف رﻏﻢ‬ ِ ‫ﻟﻠﺘﺮﺗﻴﺐ‬ ‫وﻣﺸﺘﺘﺔ‬ ً ِ .‫اﻟﻤﺴﺘﻌﻤﻠﺔ‬ ِ

‫ أﻟﻮان زﻳﺘﻴﺔ ﻋﻠﻰ ﻗﻤﺎش‬،‫ﺳﻠﺴﻠﺔ ﻟﻮﺣﺎت‬ 2020 ,‫ ﺳﻢ‬60\80

in Haifa. Badran held a solo exhibition at the Yunus and Soraya Nazarian Library at Haifa University, and exhibited her artworks in many exhibitions locally and abroad.

DOMESTICATION In her work that is composed of several installations, Badran combines distinct raw materials such as date sculptures in the center with a linear sequence extending over a wall in the room with which Badran confronts the viewer with a dialogue about eating the gods and its social meaning.

Installation, 2020

‫ ﺟﺎﻣﻌﺔ‬- ‫ﻣﻨﻔﺮدا ﻓﻲ ﻣﻜﺘﺒﺔ ﻳﻮﻧﺲ وﺛﺮﻳﺎ ﻧﻈﺮﻳﺎن‬ ً ‫ وﻋﺮﺿﺖ أﻋﻤﺎﻟﻬﺎ اﻟﻔﻨﻴﺔ ﻓﻲ اﻟﻌﺪﻳﺪ ﻣﻦ‬،‫ﺣﻴﻔﺎ‬ .‫اﻟﻤﻌﺎرض داﺧﻞ اﻟﺒﻼد وﺧﺎرﺟﻬﺎ‬

‫ﺗﺪﺟﻴﻦ‬ ،‫إﻧﺸﺎﺋﻴﺔ‬ ٍ ‫أﻋﻤﺎل‬ ِ‫اﻟﻤﺮﻛﺐ ِﻣﻦ ﻋﺪة‬ ‫ﻓﻲ ﻋﻤﻠِ ﻬﺎ‬ ِ ٍ ،‫اﻟﻤﺸﺎﻫﺪ اﻟﻤﺴﺎﺣﺔ ﺧﺎﺻﺘِ ﻬﺎ‬ ِ ‫أﻣﺎم‬ ‫ﺗﻀﻊ ﺑﺪران‬ َ ُ ‫ﻣﺜﻞ اﻟﺘﻤ ِﺮ ﻓﻲ‬ َ ‫داﻣﺠﺔ ﺑﻴﻦ ﻣﻮاد ﺧﺎم ﻣﻤﻴﺰة‬ ً ‫ﺧﻄﻲ‬ ‫ﺗﺴﻠﺴﻞ‬ ‫اﻟﻤﺴﺎﺣﺔ و‬ ِ ‫ﺳﻂ‬ ِ ّ َ ‫اﻟﻤﻨﺤﻮﺗﺔ ِو‬ ٍ ‫ﻮاﺟﻪ ﺑﻪ ﺑﺪران‬ ِ ‫ي‬ ٍ ‫ﻣﻤﺘﺪ ﻋﻠﻰ‬ ِ ُ‫ﻟﻠﻐﺮﻓﺔ ﺗ‬ ‫ﺣﺎﺋﻂ ﻣﺮﻛﺰ ﱟ‬ ٌ ‫ﻳﺸﻐﻞ‬ ُ ‫ﺑﻌﺮض وروي ﺟﺰءٍ ﻣﻦ ﻣﺎ‬ ِ ‫ﺸﺎﻫﺪ‬ ‫اﻟﻤ‬ َ ُ َ ‫اﻵﻟﻬﺔ‬ ِ ‫أﻛﻞ‬ ‫أﺳﺎس ﻋﻤﻠِ ﻬﺎ ﻣﻦ ﺣﻮا ٍر ﺑﺪأ ﻣﻦ‬ َ ِ .‫ﺠﺘﻤﻌﻴﺎ‬ ‫َوﻣﻌﺎﻧﻴﻪ ُﻣ‬ ً

2020 ,‫ﻋﻤﻞ ﺗﺮﻛﻴﺒﻲ‬

‫ﺳﺠﻰ ﻋﻘﻞ‬ SAJA AQEL Starting point | ‫ﻧﻘﻄﺔ اﻟﺒﺪاﻳﺔ‬

.‫ ﻗﻮﻣﻴﺔ وﻣﺎ ﺑﻴﻨﻬﻤﺎ ﻣﻦ ﺷﺮذﻣﺎت‬,‫ﻫﻮﻳﺔ‬

‫دﻳﻤﺔ ﻣﺤﺎﻣﻴﺪ‬ DIMA MAHAMID Starting point | ‫ﻧﻘﻄﺔ اﻟﺒﺪاﻳﺔ‬

Between the self and the personal narrative into questionable relationships

ٍ ‫ﻋﻼﻗﺎت ﻣﻠﻴﺌﺔ‬ ‫وﺳﺮدﻳﺔ اﶈﻴﻂ اﻟﺸﺨﺼﻲ إﻟﻰ‬ َ ‫ﻣﺎ ﺑﲔ اﻟﺬات‬ .‫ﺑﺎﻟﺘﺴﺎؤﻻت‬

Dima Mahamid, born in the city of Umm

‫دﻳﻤﺔ ﻣﺤﺎﻣﻴﺪ ﻣﻦ ﻣﻮاﻟﻴﺪ ﻣﺪﻳﻨﺔ ام اﻟﻔﺤﻢ ﻓﻨﺎﻧﺔ‬

al-Fahm, is a plastic artist with a BFA from

‫ﺗﺸﻜﻴﻠﻴﺔ ﺣﺎﺻﻠﺔ ﻋﻠﻰ درﺟﺔ ﺑﻜﺎﻟﻮرﻳﻮس ﻣﻦ‬

the Department of Photography and

‫ﻗﺴﻢ اﻟﺮﺳﻢ و اﻟﺘﺼﻮﻳﺮ ﻓﻲ ﺟﺎﻣﻌﺔ اﻟﻨﺠﺎح‬

Painting at An-Najah National University.

2019-2020 ‫ ﻋﺎم‬.(2015-2019) ‫اﻟﻮﻃﻨﻴﺔ‬

Mahamid worked during the years

‫ )ﺷﺒﺎب‬360 ‫ﻋﻤﻠﺖ ﻛﻤﺮﺷﺪة ﻟﻠﻔﻨﻮن ﻓﻲ ﻗﺴﻢ‬

2019-2020 in 390 wand for at risk youth

‫ﻓﻲ ﺿﺎﺋﻘﺔ( اﻟﺘﺎﺑﻊ ﻟﺒﻠﺪﻳﺔ أم اﻟﻔﺤﻢ و ﻓﻲ‬

in Um Al-Fahem municipality that offers

‫اﻟﻮﻗﺖ اﻟﺤﺎﻟﻲ ﺗﻘﺪم ورﺷﺎت ودورات ﻓﻲ‬

workshops and courses in plastic arts.

SELF MIRROR

.‫اﻟﻔﻨﻮن اﻟﺘﺸﻜﻴﻠﻴﺔ‬

‫ﻣﺮآة اﻟﺬات‬

In her painting, Mahamid creates a sequence

‫ﻳﺪل ﻋﻠﻰ‬ ‫ﺗﺴﻠﺴﻞ إذ ﱡ‬ ٌ ‫ﺧﻠﻘﺖ ﻣﺤﺎﻣﻴﺪ ﻓﻲ ﻟﻮﺣﺘٍ ﻬﺎ‬ ْ

that represents the relationships betweem

‫اﻟﺬات إﻟﻰ‬ ِ ‫ﺷﺨﺼﻴﺔ ﺧﺎﺻﺘُ ﻬﺎ ﻣﻦ‬ ٍ ‫ﻟﺮﺣﻠﺔ‬ ٍ ‫ﻋﻼﻗﺎت‬ ٍ

her personal journey from the self to the

‫ﺗﺴﺎؤﻻت‬ ٍ ‫اﻟﻘﺮﻳﺐ اﻟﻤﺒﻨﻲ ﻋﻠﻰ‬ ‫اﻟﺨﺎرﺟﻲ‬ ‫اﻟﻤﺤﻴﻂ‬ ِ ِ ّ

immediate outer surroundings, based on questions embodied in the form of characters and bodies that are transferred to the canvas in detail. A path that carries within it, in an abstract style, a reality that the artist experiences on various levels,

‫ﺗﻠﻮ‬ ٍ ‫ﺷﺨﺼﻴﺎت‬ ٍ ‫ﺑﺸﻜﻞ‬ ً‫ﻣﺠﺴﺪة‬ َ ً‫وأﺟﺴﺎم واﺣﺪة‬ ِ ُ ‫واﺿﺢ‬ ‫ﺑﺎﺧﺘﺰال‬ ‫اﻟﻘﻤﺎش‬ ٍ ‫ﻣﻨﻘﻮﻟﺔ إﻟﻰ‬ ٍ ‫اﻷ ﺧﺮى‬ ٍ ٍ

َ ‫ﺑﺎﻷﺳﻠﻮب‬ ‫داﺧﻠﻪ‬ ‫ﻳﺤﻤﻞ‬ ُ ‫ﻣﺴﺎر‬ . ‫ﻟﻠﺘﻔﺎﺻﻴﻞ‬ ِ ٌ ِ َ ٍ‫ﺗﻌﺎﻳﺸﻪ اﻟﻔﻨﺎﻧﺔ ﻋﻠﻰ أﺻﻌﺪة‬ ‫واﻗﻌﺎ‬ ‫اﻟﺘﺠﺮﻳﺪي‬ ً .‫واﻟﺸﺨﺼﻴﺔ‬ ِ ‫اﻟﻌﺎﻃﻔﻴﺔ‬ ِ ‫ﻣﺨﺘﻠﻔﺔ ﻣﻨﻬﺎ‬ ٍ

Identity, nationality and the fragments in between.

There is something… there is nothing Between returning and remaining Body remains behind the scene Between body and soul Between what we have and what...

Crypts trying to survive Desire and despair Diminishing integration Vanishing and disappearing...

Saja Aqel, born in Ar'ara al-Muthalath, is

,‫ﺳﺠﻰ ﻋﻘﻞ ﻣﻦ ﻣﻮاﻟﻴﺪ ﻋﺮﻋﺮة اﻟﻤﺜﻠﺚ‬

a plastic artist with a BFA from the

‫ﻓﻨﺎﻧﺔ ﺗﺸﻜﻴﻠﻴﺔ ﺣﺎﺻﻠﺔ ﻋﻠﻰ درﺟﺔ اﻟﺒﻜﺎﻟﻮرﻳﻮس‬

Department of Fine Arts at An-Najah

‫ﻣﻦ ﻗﺴﻢ اﻟﻔﻨﻮن اﻟﺠﻤﻴﻠﺔ ﻣﻦ ﺟﺎﻣﻌﺔ اﻟﻨﺠﺎح‬

National University in Nablus, majoring in

‫اﻟﻮﻃﻨﻴﺔ ﻓﻲ ﻧﺎﺑﻠﺲ ﺗﺨﺼﺺ رﺳﻢ وﺗﺼﻮﻳﺮ‬

photography and painting (2019). She was

.‫( وﺗﺪرﺑﺖ ﻓﻲ ﺻﺎﻟﺔ اﻟﻌﺮض أم اﻟﻔﺤﻢ‬2019)

an intern at Umm al-Fahm Gallery.

NO ONE, NOTHING Aqel sheds the light through her works on lost, faceless and questionable nationality, embodied by the multiplicity of confused feet carrying a trunk repeating the same questions in different forms. Aqel’s works are usually accompanied by texts, poetic or prose, whether it is an installation or an oil

including the emotional and the personal.

painting, making the work special and raising new questions and directing them to the artist’s private space.

A Painting, Oil colors on canvas 350\100 cm, 2020

‫ أﻟﻮان زﻳﺘﻴﺔ ﻋﻠﻰ ﻗﻤﺎش‬،‫رﺳﻢ‬ 2020 ,‫ ﺳﻢ‬100\350

‫وﻻ ﺷﻲء‬.....‫ﻫﻨﺎﻟﻚ ﺷﻲء‬ ‫ﺑﲔ اﻟﻌﻮدة واﻟﺒﻘﺎء‬ ‫أﺷﻼء ﺧﻠﻒ اﻟﺴﺘﺎر‬ ‫ﺑﲔ اﻟﺮوح واﳉﺴﺪ‬ ...‫ﺑﲔ ﻣﺎ ﳕﻠﻚ وﻣﺎ‬ ‫ﺧﺒﺎﻳﺎ ﺗﺴﻌﻰ ﻟﻠﺒﻘﺎء‬ ‫رﻏﺒﻪ وﻳﺄس ﺗﻨﺎﻗﺺ ﺗﻜﺎﻣﻞ‬ ...‫ﺗﻼﺷﻲ و اﺧﺘﻔﺎء‬

ِA Painting, Oil colors on canvas 170\200 cm, 2020

‫ ﻻ ﺷﻲء‬,‫ﻻ أﺣﺪ‬ ‫ﺧﻼل أﻋﻤﺎﻟِ ﻬﺎ ﻋﻠﻰ‬ ‫اﻟﻀﻮء ﻣﻦ‬ ‫ﺗﺴﻠﻂ ﻋﻘﻞ‬ َ ُ ِ ِ‫اﻟﻤﻼﻣﺢ وﻛﺜﻴﺮة‬ ‫ﻋﺪﻳﻤﺔ‬ ِ ، ‫اﻟﻀﺎﺋﻌﺔ‬ ِ ‫اﻟﻘﻮﻣﻴﺔ‬ ِ ِ ‫ﺣﺎﻣﻠﺔ‬ َ ‫اﻷﻗﺪام‬ ِ ‫ﺑﺘﻌﺪد‬ ِ َ‫ اﻟﻤﺘﺠﺴﺪة‬،‫اﻟﺘﺴﺎؤﻻت‬ ِ ‫ﺗﺨﺒﻄﺎت‬ ٍ ‫ﺣﺎﻣﻠﺔ‬ َ ‫اﻷﺑﻌﺎد‬ ِ ‫ﺧﺎﻟﻴﺔ‬ َ ‫ﺑﻠﻮﺣﺔ‬ ٍ ‫اﻟﺠﺬع‬ ِ .‫ﺟﻮاﻧﺐ ﻣﺨﺘﻠﻔﺔ‬ ‫ﻃﺎﺑﻊ ذو‬ ‫وأﺳﺌﻠﺔ ﻣﺘﻜﺮرةٍ ذات‬ ٍ َ ٍ ‫اﻟﺸﻌﺮﻳﺔ أو‬ ِ ‫اﻟﻨﺼﻮص‬ ‫ﺗﺮاﻓﻖ‬ ُ ‫ﻓﻲ أﻋﻤﺎﻟِ ﻬﺎ‬ ُ ‫اﻧﺸﺎﺋﻲ‬ ‫ﻋﻤﻞ‬ ٌ ‫اﻟﻔﻨﻲ إن ﻛﺎن‬ ‫اﻟﻌﻤﻞ‬ َ ‫اﻟﻨﺜﺮﻳﺔ‬ ِ ‫ﱞ‬ ّ ‫آﺧﺮ‬ ً ‫اﻟﻌﻤﻞ‬ َ ‫زﻳﺘﻴﺔ ﻣﻤﺎ ﻳﻌﻄﻲ‬ ٌ ‫ﻟﻮﺣﺔ‬ ٌ ‫أم‬ َ ‫روﻧﻘﺎ‬ ‫وﻣﻮﺟﻬﺔ‬ ً ‫ﻟﻠﻌﻤﻞ‬ ‫ﻣﺮاﻓﻘﺔ‬ ً ً‫أﺳﺌﻠﺔ ﺟﺪﻳﺪة‬ ً ‫وﻳﺜﻴﺮ‬ ُ ِ .‫ﺑﺎﻟﻔﻨﺎﻧﺔ‬ ِ ‫اﻟﺨﺎص‬ ‫ﻟﻠﺤﻴ ِﺰ‬ ‫ﺎه‬ ‫ﱢ‬ ّ ُ ‫ّاﻳ‬

‫ أﻟﻮان زﻳﺘﻴﺔ ﻋﻠﻰ ﻗﻤﺎش‬،‫رﺳﻢ‬ 2020 ,‫ ﺳﻢ‬200\170

‫ﺷﺎدي ﻓﺮﻧﺴﻴﺲ ﻣﺠﻠﻄﻮن‬ SHADY FRANCIS MAJLATON

‫ﺑﺮﺑﺮا ﻋﺒﺪ اﻟﺮازق‬ BARBARA ABD ALRAZAK

Starting point | ‫ﻧﻘﻄﺔ اﻟﺒﺪاﻳﺔ‬

Starting point | ‫ﻧﻘﻄﺔ اﻟﺒﺪاﻳﺔ‬

!‫وﺗﻐﻴﺮهِ؟‬ ُ ‫ ﺣﺘﻰ ﻣﻊ وﻫﻤﻴﺔ اﻟﺰﻣﻦ‬،‫ داﺋﻤﺎ ُﻣﺘﻮاﺟﺪ‬،‫أﻧﺎ إﺳﻤﻲ ﻣﺎﺟﺪ‬

‫إﻋﺎدة ﺗﺪوﻳﺮ ﺑﻘﺎﻳﺎ اﶈﻴﻂ اﻟﻴﻮﻣﻲ اﳌﺮﻛﺐ وﺳﻴﺮورة ادراﺟﻬﺎ اﻟﻰ اﳊﻴﺰ‬ ‫اﳋﺎص واﳌﺄﻟﻮف‬

My name is Majed and I'm always there, Even when time is delusional and constantly changing?!

Recycling the daily wastes and the process of including them in the personal and familiar space

A social fashion designer, graduated from

‫ ﺗﺨﺮج ﻣﻦ ﻗﺴﻢ‬،‫ﻣﺼﻤﻢ أزﻳﺎء اﺟﺘﻤﺎﻋﻲ‬

Born in Belarus and currently based in East

the Department of Jewelry and Fashion in

‫اﻟﻤﺠﻮﻫﺮات واﻷزﻳﺎء ﻣﻦ ﻛﻠﻴﺔ ﺑﺘﺴﻠﺌﻴﻞ ﻋﺎم‬

‫ ﺗﻌﻴﺶ ﺣﺎﻟﻴﺎ ﻓﻲ اﻟﻘﺪس‬.‫ﻣﻦ ﻣﻮاﻟﻴﺪ ﺑﻴﻼروﺳﻴﺎ‬

Jerusalem, Barbara studied contemporary

Bezalel College in 2017, Majlatoun’s designs

‫ ﺗﺼﺎ ﻣﻴﻤﻪ ﻣﺴﺘﻮ ﺣﺎ ة ﻣﻦ ا ﻟﺸﺎ ر ع‬.2 0 1 7

‫ درس اﻟﻔﻨﻮن اﻟﻤﻌﺎﺻﺮة ﻓﻲ ﻛﻠﻴﺔ‬،‫اﻟﺸﺮﻗﻴﺔ‬

art at the Dar Al Kalima University College

are inspired by the Jerusalem street and

‫اﻟﻤﻘﺪﺳﻲ وﻣﻦ اﻟﺤﻜﻢ اﻻﺟﺘﻤﺎﻋﻲ اﻻول‬

‫دار اﻟﻜﻠﻤﺔ اﻟﺠﺎﻣﻌﻴﺔ ﻟﻠﻔﻨﻮن واﻟﺜﻘﺎﻓﺔ ﻓﻲ‬

of Arts and Culture in Bethlehem 2017.

the fact that human beings are subject to

‫ "اﻹﻧﺴﺎن اﻟﻤﻌﺮض‬.‫اﻟﻤﻔﺮوض ﻋﻠﻰ اﻹﻧﺴﺎن‬

‫ ﺗﻌﻤﻞ ﻓﺎرﻓﺮا ﻓﻲ ﻣﺠﺎﻻت‬.2017 ‫ﺑﻴﺖ ﻟﺤﻢ‬

Babrbra is a multidisciplinary artist, whose

‫ ﻷﻧﻪ ﻣﺤﻜﻮم‬،‫ﻟﻌﻨﻒ ﻛﺒﺢ ﺗﻌﺮﻳﻔﻪ ﻋﻦ ﻧﻔﺴﻪ‬

‫ أﻣﺎ ﻣﻮاﺿﻴﻌﻬﺎ ﻣﺴﺘﻮﺣﺎة ﻣﻦ‬.‫اﻟﻔﻨﻮن اﻟﻤﺘﻌﺪدة‬

violence that denies them the right to

works are inspired by political rights and

self-definition, because they are controlled

‫" ﻣﻦ ﺧﻼل‬.‫ ﻣﻦ ﺷﻜﻞ وﺣﺮﻛﺔ‬،‫ﺑﺎﻟﻤﺒﺪو ﻋﻠﻴﻪ‬

‫ وﺧﺎﺻﺔ اﻟﻘﻀﺎﻳﺎ‬،‫اﻟﺤﻴﺎة اﻟﻴﻮﻣﻴﺔ ﻓﻲ ﻓﻠﺴﻄﻴﻦ‬

political issues in Palestine daily life. Abdel

by what they appear to be, be it their outer

‫اﻟﻤﻼﺑﺲ واﻟﺸﻨﻂ واﻻزﻳﺎء ﻳﻔﺮض ﺷﺎدي واﻗﻊ‬

Razek has exhibited her work in several

‫ ﻟﻘﺪ ﻋﺮﺿﺖ ﻋﺒﺪ‬.‫اﻟﺴﻴﺎﺳﻴﺔ وﺣﻘﻮق اﻹﻧﺴﺎن‬

‫ﺟﺪﻳﺪ ﻟﻴﻼﺋﻢ ﺣﺮﻛﺔ اﻟﻔﺮد وﺷﺨﺼﻴﺘﻪ ﻟﻤﺎ ﻳﺒﺪو‬

exhibitions and festivals locally and abroad

appearance or their movement. Through clothes, bags and costumes, Shadi creates a new reality to suit the individuals’ movement and personality to what they appear to be, where the costumes turn into a socio-political conversation that reflects the individuals’ realities and personalities.

Bullets In his work, Majlatoun exhibits different parts of the daily life and environments of Jerusalemites that he brings back to his own personal world, and turns them into a product of design. Three design works are made with fabric leftovers attached to pendants made of bullets, raising questions

‫ﻋﻠﻴﻪ اﻣﺎم اﻟﻨﺎس وﺑﺎﻟﺘﺎﻟﻲ ﻓﺘﺘﺤﻮل اﻻزﻳﺎء اﻟﻰ‬ ‫ﺣﺪﻳﺚ اﺟﺘﻤﺎﻋﻲ ﺳﻴﺎﺳﻲ ﻳﻌﻜﺲ واﻗﻊ اﻟﻔﺮد‬

23 (TEMPORARY)

.‫وﻓﺮدﻳﺘﻪ ﻓﻲ اﻟﻤﺠﺘﻤﻊ‬

In her work, the artist repeats the lyrics of

‫ﻃﻠﻘﺎت‬

that fills a collage-like small black void in

‫اﻟﻤﺸﺎﻫﺪ‬ ِ ‫أﻣﺎم‬ ‫ﻳﻀﻊ ﻣﺠﻠﻄﻮن‬ ‫ﻋﻤﻠﻪ‬ ِ ‫ﻓﻲ‬ َ ُ

front of random shots from her daily life.

an Arabic children hymn with her voice

‫ﻳﻤﺮ ﻋﻠﻴﻪ‬ ‫وﻳﻮﻣﻴﺔ ﻣﻦ ﻣﺎ‬ ً ‫ﺛﺎﺑﺘﺔ‬ ً ‫ﻣﺨﺘﻠﻔﺔ‬ ً ‫أﺟﺰاء‬ ‫ﱡ‬ ً

‫اﻟﺮازق أﻋﻤﺎﻟﻬﺎ ﻓﻲ ﻋﺪة ﻣﻌﺎرض وﻣﻬﺮﺟﺎﻧﺎت‬ .‫وﺧﺎرﺟﻴﺎ‬ ‫ﻣﺤﻠﻴﺎ‬ ً ً

(‫ )ﻣﺆﻗﺖ‬23 ‫ﻷﻏﻨﻴﺔ‬ ِ ‫ﻛﻠﻤﺎت‬ ً ‫اﻟﻔﻨﺎﻧﺔ ﻓﻲ ﻋﻤﻠِ ﻬﺎ‬ ُ ‫وﺗﻜﺮر‬ ‫ﺗﻌﻴﺪ‬ ُ ُ ُ ً‫ﺣﻴﺰ‬ ‫اﻟﺬي‬ ّ ‫ ﺑﺼﻮﺗِ ﻬﺎ‬،‫اﻟﻌﺮﺑﻴﺔ‬ ِ ‫ﺑﺎﻟﻠﻐﺔ‬ ِ ‫أﻃﻔﺎل‬ ّ ‫ﻳﻤﻸ‬ ٍ

‫ﻛﻮﻻﺟﺎ‬ ‫اﻟﻠﻮن وﻛﺄﻧّ ُﻪ‬ ‫أﺳﻮد‬ ‫اﻟﻤﺴﺎﺣﺔ‬ ِ ‫ﻗﻠﻴﻞ‬ َ ً َ ِ

‫ﻟﻘﻄﺎت‬ ٍ ‫أﻣﺎم‬ ،‫واﻟﻨﻬﺎﻳﺔ‬ ِ ‫اﻟﺒﺪاﻳﺔ‬ ِ ‫ﺻﻮﺗﻴﺎ ُﻣ َﺒ ْﻠ َﺒ َﻞ‬ َ ًّ ‫ﺑﻬﻠﻮﺳﺔ‬ ٍ ‫ﺗﻨﺘﻘﻞ‬ ُ ‫ﻳﻮﻣﻴ ٍﺔ ﻣﻦ ﺣﻴﺎﺗِ ﻬﺎ‬ ‫ﻣﺸﺎﻫﺪ‬ ٍ ‫ﻣﻦ‬ ّ

‫ﺑﻤﺤﻴﻄﻪ اﻟﻤﺄﻟﻮف ﻣﻦ‬ ِ ‫اﻟﻤﻘﺪﺳﻲ‬ ‫اﻹﻧﺴﺎن‬ ّ ُ

‫ﻣﺴﻴﺮ ا‬ ‫ﻋﺎﻣﻞ اﻟﺰﻣﻦ‬ ‫وﺟﻮد‬ ِ ‫ ﻣﻊ‬، ‫ﻋﺸﻮاﺋﻴ ٍﺔ‬ ً ّ ِ

‫وﻋﺎﻟﻤﻪ‬ ِ ‫ﻣﺤﻴﻄﻪ‬ ِ ‫ﻳﻌﻴﺪﻫﺎ ﻣﺠﻠﻄﻮن إﻟﻰ‬ ‫ اﻟﺘﻲ‬،‫ﺑﻘﺎﻳﺎ‬ ُ

.‫ﻟﻠﻤﺴﺎﺣﺔ‬ ِ

‫ﻣﻨﺘﺞ آﺧ ٍﺮ ﻣﻦ ﻣﻨﺘﺠﺎﺗِ ﻪ‬ ‫وﻳﺤﻮ َﻟﻬﺎ إﻟﻰ‬ ،‫اﻟﺨﺎص‬ ّ ّ ٍ ُ ‫اﻧﺘﺎج ﺑﻘﺎﻳﺎ‬ ‫ﺗﺼﺎﻣﻴﻢ ﻣﻦ‬ ٍ ‫ﺛﻼث‬ . ‫اﻟﺘﺼﻤﻴﻤﻴ ِﺔ‬ ّ ِ

‫اﻟﻤﺼﻨﻮﻋﺔ‬ ِ ‫ﺑﺴﻠﺴﻠﺔ ﻣﻦ اﻟﺤﻠﻲ‬ ٍ ‫ﻠﺔ‬ ً ‫اﻷﻗﻤﺸﺔ ُﻣﻜ َ​َﻤ‬ ٍ ‫ﺣﺎﻣﻠﺔ ّإﻳﺎﻫﺎ‬ ً ‫ﻟﻺﺳﺘﻌﻤﺎل‬ ‫ﻗﺎﺑﻠﺔ‬ ٍ ‫ﻏﻴﺮ‬ ٍ ‫ﻣﻦ‬ َ ‫ﻃﻠﻘﺎت‬ ِ

ّ ‫اﻟﺘﺴﺎؤﻻت ﺣﻮل‬ ‫ﺑﻤﺤﻴﻄﻪ‬ ِ ‫اﻟﻔﺮد‬ ِ ‫ﻖ‬ ِ ‫ﻣﻦ‬ َ ‫ﻣﺨﺰون‬ ٌ ِ ‫ﺗﻌﻠ‬ .‫ﺑﻪ‬ ِ ‫وﺗﺄﺛ ِﺮه‬

about people's attachment to their environments and their influence on them.

Installation, 2020

Videoart, 23 minutes (temporary) 2020 ,‫ﻋﻤﻞ ﺗﺮﻛﻴﺒﻲ‬

2020

(‫ دﻗﻴﻘﺔ )ﻣﺆﻗﺖ‬23 ،‫ﻓﻴﺪﻳﻮ‬ 2020

‫اﻟﻤﺮﻛﺰ‬ ‫ﺻﺎﻟﺔ اﻟﻌﺮض ﻟﻠﻔﻨﻮن اﻟﻤﻌﺎﺻﺮة‬ ‫ ﻓﻲ ﺣﻲ‬2018 ‫ﺗﺄﺳﺴﺖ ﺻﺎﻟﺔ اﻟﻌﺮض " اﻟﻤﺮﻛﺰ " ﻟﻠﻔﻦ اﻟﻤﻌﺎﺻﺮ ﻓﻲ اﻟﻌﺎم‬ ‫اﻟﺸﻴﺦ ﺟﺮاح ﺷﺮﻗﻲ اﻟﻘﺪس ﻓﻲ ﻣﺒﻨﻰ ﻣﺮﻛﺰ ﺑﻴﻠﻲ ﻟﻠﻔﻨﻮن ﻛﻔﻀﺎء ﻓﻨﻲ ﻳﻬﺪف‬ ،‫ ﻓﻠﺴﻄﻴﻨﻴﻴﻦ‬،‫إﻟﻰ ﺗﻨﺴﻴﻖ وﻋﺮض ﻣﺠﻤﻮﻋﺔ ﻣﻦ اﻟﻔﻦ اﻟﻤﻌﺎﺻﺮ ﻟﻔﻨﺎﻧﻴﻦ ﻣﺤﻠﻴﻴﻦ‬ ‫ واﻟﻔﻨﺎﻧﻴﻦ‬،‫ وﺣﺎﺿﻨﺔ ﺟﺪﻳﺪة ﻟﻠﻔﻨﺎﻧﻴﻦ اﻟﻤﻘﺪﺳﻴﻴﻦ اﻟﻨﺎﺷﺌﻴﻦ‬،‫ﻋﺮﺑﻴﻴﻦ وﻋﺎﻟﻤﻴﻴﻦ‬ ‫ إﻟﻰ ﺗﺸﻜﻴﻞ‬- ‫ ذات اﻷﻫﺪاف ﻏﻴﺮ اﻟﺮﺑﺤﻴﺔ‬- ‫ ﺗﻬﺪف ﺻﺎﻟﺔ اﻟﻌﺮض‬،. ‫اﻟﻤﺴﺘﻘﻠﻴﻦ‬ ‫ ﺑﻴﻦ اﻟﻔﻨﺎﻧﻴﻦ اﻟﻤﻘﺪﺳﻴﻴﻦ‬،‫ اﻟﺤﻤﺎﺳﻴﺔ واﻟﺪﻳﻨﺎﻣﻴﻜﻴﺔ‬،‫ﻣﻨﺼﺔ ﺗﻔﺎﻋﻠﻴﺔ ﻟﻠﻔﻨﻮن اﻟﻤﺘﻨﻮﻋﺔ‬ ‫ ﻛﻤﺎ ﺗﺴﻌﻰ إﻟﻰ ﺧﻠﻖ ﺣﻮار ﺣﻮل‬،‫ وﺑﻴﻦ اﻟﻔﻨﺎﻧﻴﻦ واﻟﺠﻤﻬﻮر‬،‫واﻟﻌﺎﻟﻢ اﻟﻔﻨﻲ‬ .‫ وﺗﻌﺰﻳﺰ ﻣﻜﺎﻧﺔ اﻟﻨﻘﺪ اﻟﻔﻨﻲ وأﻫﻤﻴﺘﻬﺎ ﻓﻲ اﻟﺜﻘﺎﻓﺔ اﻟﻤﺤﻠﻴﺔ‬،‫ﻣﺎﻫﻴﺔ اﻟﻔﻨﻮن‬ ّ

Al-Markaz Contemporary Art Gallery CEO and founder | Hanna Qubty Exhibition curator | Hanin Abed Technical crew | Giovanni Facouseh, Bushra Abbasi and Hanan Masha’al

‫ﻣﺆﺳﺲ وﻣﺪﻳﺮ ﻋﺎم | ﺣﻨﺎ ﻗﺒﻄﻲ‬

Al-Markaz Contemporary Art Gallery was established in 2018 in the

‫ﻣﻨﺴﻘﺔ اﻟﻤﻌﺮض | ﺣﻨﻴﻦ ﻋﺎﺑﺪ‬

Sheikh Jarrah neighborhood in East Jerusalem in the Paley Art Center

,‫ﻃﺎﻗﻢ ﺗﻘﻨﻲ | ﺟﻴﻮﻓﺎﻧﻲ ﻓﻘﻮﺳﺔ‬

building. The gallery is an artistic space aiming to coordinate and display

‫ﺑﺸﺮى ﻋﺒﺎﺳﻲ وﺣﻨﺎن ﻣﺸﻌﻞ‬

a group of contemporary art by local, Palestinian, Arab and international

‫ﺗﺼﻤﻴﻢ ﺟﺮاﻓﻲ | رزان ﻣﻨﻴﺮ‬

artists. The gallery is also an incubator for emerging Jerusalem based

‫ﺗﺤﺮﻳﺮ ﻟﻐﻮي وﺗﺮﺟﻤﺔ | ﺟﻨﺎن ﺑﺼﻮل‬

and independent artists. The gallery aims to form an interactive platform

‫ ﺑﻴﺖ ﻟﺤﻢ‬,‫ﻃﺒﺎﻋﺔ | ﻧﻴﻮ اﻛﺴﺒﻴﺮﻳﺎﻧﺲ‬

for diverse, enthusiastic and dynamic arts, between Jerusalemites and

Graphic design | Razan Munayer Translation and editing | Janan Bsoul Print | New Experiene, Bethlehem

the artistic world, and between artists and their audience. The Gallery also seeks to create a dialogue about the essence of arts, and promote art and its importance of art criticism in local culture. ‫ اﻟﻘﺪس‬،1 ‫ | ﺷﺎرع اﻻﺧﻄﻞ‬2020 ، ‫© ﺟﻤﻴﻊ اﻟﺤﻘﻮق ﻣﺤﻔﻮﻇﺔ ﻟﺼﺎﻟﺔ اﻟﻌﺮض اﻟﻤﺮﻛﺰ‬ © All rights reserved to Al-Markaz Gallery, 2020 | Al-Akhtal st.1, Jerusalem 02-6267333 |

Al.markazartgallery@gmail.com

Al-Markaz, Contemporary Art Gallery