With this piece I wanted to combine the individual instruments into larger meta-instruments and approach the piece as if I was writing for a contemporary jazz combo. I was particularly inspired by the sounds of Matana Roberts and her album “Coin Coin Chapter two: Mississippi Moonchile”. I was also interested in a sound I was introduced to by trombonists David Whitwell and Kalun Leung in which they used an individual karaoke mic to generate feedback that he could control with his trombone. By using the trombone sound as a type of filter, the sounds of the meta-instruments and the combo are altered and replace each other.
