Digital Art Collections Pamphlet #1

Digital Art Collection #1 Three Digital Works by Aletha M. Penrith Artist of African-American & Aboriginal Heritage

Exploring themes of AI integration, robotic personhood, reproductive rights in the digital age, control and obedience versus liberty and conscience, and the enduring shadows of slavery and exploitation. These works fuse digital collage, 1950s comic-book aesthetics, and conceptual depth to challenge convention in our compute-brain interface era.

2026 • Digital Poster Art & Conceptual Collections

Collection 1: Obey Me / Slave Lover...

Digital Collage • Themes of Control, Liberty & Algorithmic Obedience

This provocative digital collage interrogates power, obedience, and moral choice in the digital age. A commanding figure presides over an old mobile phone and a modern Elon Musk social media post quoting Benjamin Franklin: 'Those who would give up essential liberty to purchase a little temporary safety, deserve neither liberty nor safety.' The stark yellow label 'SLAVE LOVER...' and 'obey me' thought bubble expose dynamics of control and exploitation. A 'KEEP HORSE OFF SIDEWALK' sign and resilient cactus evoke absurd authority and survival. The work challenges viewers to weigh conscience against compelled compliance, echoing broader themes of AI-driven governance, historical slavery, and the fight for personhood and autonomy.

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Collection 2: Is It a Bird? Is It a Plane...

1950s Comic-Book Style • 'WHITE TRASH!!!' / 'THIS GUBBA'

Rendered in bold Golden Age comic-book aesthetics with dynamic panels, speech bubbles, and dramatic action, this work subverts classic superhero tropes. The iconic question 'Is it a bird? Is it a plane...?' receives sharp, unfiltered replies: 'WHITE TRASH!!!' and 'THIS GUBBA.' Overlaid on Australian currency and symbols of institutional power, it delivers a potent Indigenous Australian critique of race, wealth, colonial authority, and systemic narratives. Batman-like figures heighten the contrast between heroic ideals and lived realities. The piece uses mass-appeal comic styling to provoke reflection on conscience, identity, and power structures—challenging viewers to confront uncomfortable truths in contemporary Australia and beyond.

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Collection 3: Black Mamba...

Digital Statement • Pregnancy Test, Lineage & Reproductive Rights

This raw, assertive digital work centers a positive Clearblue pregnancy test beside lined paper bearing the handwritten signature 'Elon x baby.' Titled 'BLACK MAMBA...', it boldly asserts reproductive rights, lineage, maternal sovereignty, and personal agency in the digital and technological age. The piece blends photographic evidence with textual declaration, embodying themes of creation, autonomy, and the high-stakes intersection of heritage, technology, and future generations. It stands as a powerful statement on fetal rights, bodily autonomy, and the personal dimensions of AI/tech-world entanglements—demanding recognition of conscience and choice in an era of increasing control over reproduction and identity.

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Aletha Penrith Consultancy Digital Art • Conceptual Collections • Advocacy

Thank you for engaging with Digital Art Collection #1.

These works are part of an ongoing exploration of consciousness, conscience, technological power, reproductive sovereignty, and the fight against exploitation in all its forms—past, present, and digital future. For commissions, collaborations, exhibitions, or to discuss further collections and projects, please reach out.

Contact Aletha Penrith Consultancy ABN: 20 725 718 286

M: +61 0430 621 551

Consciousness • Conscience • Creation • Resistance

Sydney, Australia • 2026 All works © Aletha M. Penrith. Digital Art Collection #1.