C ARL A FR ACCI
S UPE RVI SORS: p ro f. Mar co Bors ot t i p ro f. ssa A nge la Pa nza
LO C AT IO N : M i l a n
CO UR S E : Ar c h i te c tu r e of t he In te r i o r Desi gn St udi o
C ARL A FR ACCI DANCING BEYOND THE STAG E Omero street redevelopment in Milan K EY WORDS P UBLIC SPACE REG ENER ATION CO NCEPT M ASTERPL AN NATURE BASED SOLUTIONS ECONOMIC EVALUATION E NVIRONMENTAL EVALUATION MODUL ARIT Y
This idea, cultivated since its flowering as a world-famous etoilè was completed, has materialized throughout his ca r eer in differ ent situations through various ways, ranging from par ticipation in TV shows, to teaching e xperiences in San Vittor e prison of Milan, until the decision to accept the post of dir ector of the corps de ballet of the Teatro San Carlo in Naples. The main structur e of our e xhibition r easons pr ecisely around this theme : Spr eading the Dance . B y marr ying Carla Fracci’s idea, we intend to r evolutionize the methods by which this passion and profession canoni cally be told, taught and spr ead. We want to tell you that Dance , e xactly like ever y single action, which we unconsciously carr y out in our daily life , in volves a series of “r eaction, thought and action” processes that ar e automatica lly carried out thanks to the net works of physiological, mental and environmental sensors / sen sors inher ent in our body. We intend, using the e xample of Carla Fracci, to demonstrate that Dance is a comple x world, which takes shape beyond the stage , beyond per formance , beyond the momentar y gestur e , as a comple x , technically per fect sum of simple actions, close to ever yday life of each, thus allowing us to offer the visitor the oppor tunit y to transform himself from a passive spectator of this ar t , to his active and a war e par ticipant .
C ANDI DAT ES: Alessandro Rognoni Ste fa no Tr em ola da Fe de r ica Vaila t i
DAT E : J u l y 201 8
INTRODUCTION
Spr eading and making dance understood by telling, also and above all what dance is beyond the stage , has always been a fundamental component of Carla Fracci’s life .
CONCEPT
W H AT YO U S E E
STAG E
W H AT YOU D O N’ T S E E
TR AININ G
DRESSIN G
CONCEPT
LE ARNIN G
COREOGRAPHY ROOM
DR R
CONCEPT
POSING ROOM
TICKET OFFICE
OU S
RESSING ROOM
UNDERSTAGE
BOOKSHOP LOUNGE BAR
CONCEPT
UTSIDE STAGE
FUNCTIONS DISPOSITION
CONCEPT
CONCEPT
EXHIBITION ROUTE
LEARNING T
the panels show the 6 basic positions
the fi b
THE BASICS
irst room is surrounded by a rain of ballet shoes
lighting from above generates an enclosed space
POSING ROOM
APPLYING T
THE BASICS
COREOGRAPHY ROOM
LOOK AND
ND LEARN
COREOGRAPHY ROOM OTUSIDE VIEW
TOUCH THE DRES
SSING MATERIALS
DRESSING ROOM
SEE THE ORIGI
INAL DRESSES
DRESSING ROOM
LEARN ABOUT
T THE DRESSES
DRESSING ROOM
DRESSING ROOM
EXPERIENCE THE FEELINGS O
OF BEING THE NEXT ON STAGE
UNDERSTAGE
BE ON THE M
MAIN STAGE
STAGE
SHARE THE K
KNOWLEDGE
OUTSIDE LOUNGE