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ABOUT ALEPH
WE ARE ALEPH, Canada’s premier Persian lifestyle magazine based in Vancouver. Our mission is to be a confident and creative voice for the Iranian community while providing a vibrant platform for businesses to connect with an engaged and active audience. ALEPH is published seasonally, both in print and online, offering a unique perspective on what’s new, significant, and relevant.
Our goal is to bridge the gap between East and West, encouraging Canadians of all backgrounds to gain a deeper understanding of Persian culture. At the same time, we aim to help Iranians in Canada better appreciate Western traditions, values, and customs. We believe that luxury can be a source of inspiration, and our content reflects that belief—covering everything from fine dining and luxury automobiles to high-end fashion, premium travel destinations, and top-quality products and services.
If you seek the best life has to offer, you’ll find it within our pages. Welcome to Aleph Magazine, where we inspire dreams of a life well-lived.
Aleph Magazine is proudly produced by ALEPH MEDIA Inc., a dynamic company that not only publishes this sophisticated lifestyle magazine but also offers comprehensive marketing and advertising services.
MAHNAZ AFSHAR
“This is not a story of fame; it is a story of survival.”
Persian Actor
The Art of Turning Pain into Purpose
I am a woman
... born of Iran, not only in the sense of geography, but in the sense of living within a history where being a woman has meant both identity and punishment. A place where a woman’s voice is expected to be brief, justified, or erased. This is not a story of fame; it is a story of survival.
I entered
... the world of cinema at a very young age, around eighteen. From the beginning, my way of seeing society and life did not align with what was accepted in official or intellectual circles. I did not belong to any predefined political category, nor did I seek to play an ideological role. That independence often came at a cost.
I began my career in what was commonly labeled “commercial cinema,” but in reality, it was popular cinema, the cinema of the people. It connected with a wide part of society and spoke the language of everyday life. Through personal effort and continuous work, I later found my way into artistic and independent cinema. Even then, I remained in an in-between position, never fully embraced, never fully erased.
“I remained in an in-between position, never fully embraced, never fully erased.”
PHOTOGRAPHER Mohammad Gharavi MUAH
Zand & Mohammad Gharavi
“Eventually, the combination of politically motivated legal cases and manufactured controversies made it impossible for me to continue living and working in Iran.”
If
there was
... one place where I was accepted without conditions, it was among the people. They saw me as one of their own. That trust became my greatest asset and the reason my roles felt believable.
Along this path, the resemblance many perceived between me and Googoosh carried different meanings. For some, it evoked cultural memory and nostalgia. For conservative forces and the ruling establishment, it became a sensitive symbol tied to the cultural era before the Revolution.
In 2009,
... like many people deeply dissatisfied with the country’s conditions, I joined the Green Movement, not as a professional political activist, but as a concerned citizen. Over time, pressure increased from different sides. My social and cultural positions turned me into a costly figure.
I spoke about child marriage, the rights of vulnerable children, violence and terrorism, women’s rights, political prisoners, and women’s access to public spaces. Eventually, the combination of politically motivated legal cases and manufactured controversies made it impossible for me to continue living and working in Iran.
I was left with a choice: to continue an unequal struggle or to choose motherhood. I chose my child and stayed in Germany.
Years passed. Wounds slowly healed. Being a woman and a mother gave me a strength I had not known before. During these years, I lost my mother, without the chance for a final goodbye.
I returned to work, acted again, and stood again. Today, as I watch Iranian women and men fighting for freedom, I feel more strength and hope than ever before.
I stand beside the people, not as a hero, but as a woman who survived.
For a free Iran.
“I stand beside the people, not as a hero, but as a woman who survived.”
PHOTOGRAPHER
Gharavi
Zand & Mohammad Gharavi
LIGHT AFTER SHADOW
The Art of Turning Pain into Purpose
Dear Readers,
Welcome to the newest issue of Aleph Magazine, where we explore a deeply human and transformative theme: Light After Shadow, The Art of Turning Pain into Purpose. There are moments when darkness feels overwhelming, when loss, injustice, and uncertainty define the present. Yet time and again, humanity proves its ability to rise, endure, and transform pain into meaning.
Today, our hearts are with the people of Iran. In recent years, we have witnessed extraordinary courage, voices standing against oppression, demanding dignity and freedom. Behind every headline are stories of immense sacrifice. Tens of thousands of lives have been lost in pursuit of something fundamental: the right to live freely.
But this is not only a story of struggle, it is a story of resilience. Even in loss, there is light. In every act of courage, a spark remains that cannot be extinguished. History reminds us that the will of a people cannot be suppressed forever. I truly believe that beyond this darkness, a new dawn awaits, a future where Iran stands free, proud, and whole again.
This issue is dedicated to that spirit.
We are honoured to feature Mahnaz Afshar on our cover, an artist whose journey reflects this theme. In our interview, she shares how personal pain became strength, purpose, and a voice that continues to inspire millions. We also present Parvaneh Roudgar, whose sculptures capture identity and transformation, and Ali M. Ghaziani, a visionary designer turning fashion into a language of resilience.
In a powerful reflection of purpose in action, we highlight Reza Marvasti and his initiative, Power of Play. By building parks for children in countries like Uganda, Sudan, and Iran, he reminds us that hope can be built, even in the most challenging places. These stories share a simple truth: when met with courage, pain can become something far greater.
As always, my deepest gratitude to our readers, contributors, and partners, and to the Aleph team, whose dedication brings these pages to life.
As you move through this issue, reflect on your own journey, the shadows you’ve faced, and the light you’ve found beyond them. Within each of us lies the power to transform and rise.
The light is always there. Sometimes, it simply waits to be found.
With hope and belief in a brighter future,
Farhad Mehrabi, Publisher ALEPH
A Note of Gratitude
We at Aleph Magazine would like to express our sincere gratitude to Mr. Hamid Eshghi and the Djavad Mowafaghian Foundation for their generous support. Their commitment to meaningful impact, rooted in a legacy of compassion, resilience, and purposeful giving, continues to inspire not only our work, but the broader community we serve. We are honoured to be supported by an organization that so powerfully believes in the value of health, education, and community advancement.
Centre of Brain Health
Mowafaghian Foundation
Mowafaghian Atrium
Miraas, Persian Fine Dinning
Sculpting by Parvaneh Roudgar
The Power of Play
The House of Ghaziani
The Electric Evolution of Porsche
Tofino, Wickaninnish Inn
Issue 12 — Spring 2026
On The Cover
In this issue of Aleph Magazine, we explore Light After Shadow: The Art of Turning Pain into Purpose, a reflection on resilience, transformation, and the strength found in moving through darkness. True growth begins when we allow our struggles to shape something meaningful, turning experience into clarity and purpose.
Our cover, photographed by Mohammad Gharavi, features Mahnaz Afshar, embodying a journey of depth, reinvention, and quiet strength. Her presence reflects the idea that pain is not erased, but transformed into something luminous and lasting.
As you turn these pages, we invite you to reflect on your own journey, and to find the light that can emerge, even from the deepest shadows.
President & Editor in chief Farhad Mehrabi
Art Director Roya Momeni
Account Manager Saloumeh Raeesi
Cover Design Artist Roya Momeni
Layout Design Artist Saloumeh Raeesi
Copy Editors Lauren Kramer
Photographers Mohammad Rezaei, Mohammad Gharavi, Iulia
Agnew, Arun Nevader, Simone Mondino, Braden Stanley, Caitlin Ronda, Makito Inomata, Lexis Lancaste, Jeremy Koreski, Ali Dolati
Videographers Mohammad Rezaei, Arian Rahimian, Armin Abbasi, Mehrshad Sherafat
Video Editors Mohammad Rezaei, Nina Zarabi, Arian Rahimian, Armin Abbasi
Digital Artists Matheus Wohlenberg, Elham Mehrparvar
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Published by Aleph Media Inc.
With the generous support of: Hamid Eshghi & the Mowafaghian Foundation
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A New Chapter of PERSIAN FINE DINING
MIRAAS RESTAURANT & BAR
In a city celebrated for its cultural diversity and elevated dining scene, Miraas Restaurant has quickly established itself as a refined destination for Persian fine cuisine. With its first branch in West Vancouver and its recently opened location in downtown Vancouver, Miraas is bringing a fresh, modern energy to one of the world’s most ancient and flavour-rich culinary traditions.
The name Miraas, which means “heritage” in Farsi, reflects the deeper philosophy behind the restaurant. More than simply offering a fine dining experience, Miraas aims to share the essence of Persian heritage, culture, and hospitality with every guest. Each dish, flavour, and detail is thoughtfully designed to connect
diners with the timeless traditions of Persia while presenting them through a modern and elegant lens.
Founded by Mohammad Salmani, Miraas is the result of years of hands-on experience in restaurant management, high-end catering and wedding planning. Drawing from professional experience across Iran, Dubai, and Canada, the concept blends the authenticity of Persian culinary traditions with the sophistication of international hospitality standards. Rooted in Iran’s rich culture of hospitality, Salmani’s vision was clear: to create a space where authenticity is preserved, quality is uncompromised, and the dining experience feels both luxurious and welcoming.
The founder of Miraas Restaurant & Bar
MOHAMMAD SALMANI
Sabzi Polo with Salmon Rice, fresh herbs with grilled marinated salmon
The Art of Persian Flavour
At Miraas, Persian cuisine is not simply served, it is thoughtfully elevated. From perfectly marinated and expertly grilled kebabs to fragrant saffron rice, slowcooked stews, fresh herbs, and beautifully balanced appetizers, each dish reflects precision, tradition, and premium ingredients. The experienced chef team honours time-tested recipes while presenting them with contemporary finesse, ensuring every plate is as visually striking as it is flavourful.
An Atmosphere of Modern Elegance
The ambiance plays an equally important role in the Miraas experience. Both locations are designed with a modern aesthetic that blends warmth, elegance, and vibrant energy. Whether you are enjoying an intimate dinner, a lively evening with friends, or a business gathering, the atmosphere effortlessly balances sophistication with comfort.
Complementing the cuisine is a curated selection of unique liquors and cocktails, carefully chosen to enhance the richness of Persian flavours. The bar program adds a dynamic dimension to the restaurant, positioning Miraas not only as a dining destination but also as a stylish social hub in Vancouver.
Torsh Kebab with Saffron Rice
Tenderloin of beef marinated in a tangy pomegranate sauce and walnut
The Bar at Downtown Branch
Luxury Catering Beyond the Restaurant
Yet Miraas aims to be more than a restaurant. With its strong foundation in catering, the brand is expanding its identity as a premier high-end catering service. From private celebrations and weddings to corporate events and exclusive gatherings, Miraas brings the same attention to detail, culinary excellence, and polished service beyond its dining rooms. Each catered event is designed to deliver an elevated Persian culinary experience tailored to the occasion.
In a competitive hospitality landscape, Miraas stands out by staying true to its roots while embracing modern luxury. It is a place where tradition meets innovation, where flavour meets artistry, and where every visit feels intentional. For those seeking a refined Persian dining experience in Vancouver, Miraas is not just a meal. It is a statement of heritage, hospitality, and contemporary elegance.
Back-of-House Team at Miraas West Vancouver Branch
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ARTIST & SCULPTOR
“The concerns that shape my figurative work, silence, resilience, longing, and the fragile hope for peace, remain present here, but in another language.”
Parvaneh Roudgar is an artist whose trajectory has been shaped not merely by academic training, but by a life lived across cultures, geographies, and diverse human experiences. Her works reflect a deep engagement with cultural memory, migration, identity, and the relationship between human beings and nature, concepts that, over more than three decades of professional practice, have crystallized into a personal, mature, and coherent sculptural language.
Roudgar’s artistic journey began in 1984 with her move to Italy, where she pursued formal training within one of the world’s
most enduring sculptural traditions. Her years in Florence, a city where art history is embedded not only in museums, but also in architecture, urban space, and daily life, played a foundational role in shaping her artistic vision. Studying with masters such as Antonio Di Tommaso and Marcello Fantoni provided her with a grounding in technique, anatomy, composition, and a deep respect for material. Yet Florence was more than a site of technical instruction; it was the place where sculpture emerged as a language of thought and emotion, a medium capable of articulating complex human experience.
Alongside her classical training in Italy, Iranian cultural heritage has played a central role in shaping Roudgar’s visual and conceptual world. From the outset of her artistic education, she was profoundly influenced by ancient Iranian art, particularly early ceramics and symbolic motifs such as the goat, the sun, and rain. These symbols, associated with fertility, life, nature, and continuity, appear in her work not as decorative references but as carriers of historical and cultural memory. Interwoven with her Western sculptural education, these elements gradually became integral to a distinctly personal sculptural vocabulary.
Iranian architecture has also exerted a lasting influence on Roudgar’s formal sensibility. The balance, repetition, rhythm, and patience embedded within historic Iranian structures inspired a series of architectural and volumetric works. In these pieces, volume functions not merely as form but as a vessel of time and
memory. For Roudgar, Iranian architecture embodies an art of continuity, an enduring presence that finds resonance in many of her sculptures, particularly in their relationship to space, silence, and stillness.
After sixteen years of living and working in Italy, Roudgar immigrated to Canada, a move that marked a significant turning point in her artistic life. This transition placed her within a multilayered multicultural environment, exposing her to diverse perspectives and ways of thinking. Experiencing a culture grounded in tolerance, coexistence, and dialogue among differences became a lived reality rather than an abstract ideal. This encounter prompted a deeper reconsideration of roots, identity, and the meaning of belonging, an inquiry that had a profound impact on her artistic worldview.
“Here, form becomes a vessel for experience: a silent motion shaped into presence.”
More than two decades ago, amid escalating social and political crises in the Middle East, a new phase emerged in Roudgar’s practice. These developments, viewed through the lens of her lived experience as a Middle Eastern woman, deeply affected the direction of her work. During this period, questions of the body, identity, and women’s presence within contexts of conflict and instability became increasingly central to her artistic concerns.
To articulate these experiences, Roudgar turned to one of the most complex and culturally charged symbols associated with Middle Eastern women: the veil. Rather than representing the female body or face directly, she transformed the chador (veil) into a living sculptural form. Through its movements, folds, and
moments of release, the veil becomes a vessel for the female voice, a voice that carries motherhood, endurance, pain, and hope. In these works, the veil does not signify silence or passivity; instead, it becomes a site of expression and agency. Roudgar does not seek to judge the veil itself but instead suggests that while political or social systems may attempt to regulate women’s bodies through enforced dress, they cannot conceal women’s inner lives, emotions, resilience, and presence, which continue to manifest even within the shadow of the veil. This approach allowed her to translate a layered and nuanced experience of womanhood into sculptural form without resorting to direct narrative or overtly didactic statements.
MIDDLE EAST WOMEN
The chador (veil) became a language for me, a language to speak what has not been spoken, to loosen inner knots, and to give voice to the weight of history and the identity of Middle Eastern women.
In its movement, in twists, stillness, and release, the voices of women flow: voices of motherhood, patience, pain, hope, and long-held silences.
I am myself a Middle Eastern woman, with all her history, identity, pain, and beauty. This body of work reflects years of living, migration, experience, my love for Iran, and the inner voices of women to whom history has rarely given the chance to speak.
I transformed the chador into a figure, a figure without a body, because even without a face or form, and even when power attempts to erase them, it cannot conceal women’s emotions, memories, and history.
GEOMETRIC SCULPTURE
I have always been deeply influenced by Iran’s historic architecture, an architecture that is not merely structure, but narrative, rhythm, and the spirit of a civilization. From turquoise domes to muqarnas, from elongated arches to tilework that covers walls like celestial carpets, these were never just visual beauty for me, but a language of geometry, balance, and spirituality.
In Iran’s historic architecture, everything is in its place: each line continues another, each curve responds to another curve, and every geometric motif reflects an underlying system of thought.
MOTHER AND CHILD ON A BIKE — 2016
Permanent installation at Inlet Skytrain Station, Port Moody ,BC,Canada
Created for the Inlet SkyTrain Station, Mother and Child introduces gentle humor into a public transit space. The mother does not hold the child with her hands; instead, she looks forward confidently, while the child gazes at her with curiosity and trust. The sculpture offers commuters a moment of lightness and subtly encourages the use of public transportation and bicycles as part of everyday urban life.
MIGRATION — 2018
Permanent installation at Currumbin Wildlife Sanctury,Gold Coast ,Australia
Alongside her studio practice, Parvaneh Roudgar has realized numerous public art projects. One significant example is a body of works created concurrently with the beginning of her migration to Vancouver, a body of work in which the sculpture Migration (permanently installed in 2020 at the Currumbin Wildlife Sanctuary on Australia’s Gold Coast) stands as one of its most important realizations. These works were shaped by the artist’s observation of Canadian seabirds , whose light, far-reaching flights across vast, borderless oceans became metaphors for movement, transition, and the search for new horizons. In this body of work, migration is articulated not merely as departure from a place, but as a journey grounded in hope, survival, and an organic relationship between humans and nature.
Another notable public work, Mother and Child, was commissioned by the City of Port Moody and installed in 2017 as part of the Evergreen Project at the Inlet SkyTrain Station. This sculpture exemplifies Roudgar’s ability to create works that function simultaneously on a public and deeply emotional level, articulating a universal bond that transcends culture, language, and geography.
Over the course of more than thirty-eight years, Parvaneh Roudgar has participated in numerous national and international exhibitions across North America, Europe, Asia, and Australia. Her works exist not only within gallery contexts but also within public spaces, where they engage diverse audiences and become part of the collective memory of place.
Teaching has also played a vital role in shaping Roudgar’s professional identity. Since 1994, she has taught sculpture in Florence and Vancouver, guiding multiple generations of students through both technical foundations and the cultivation of an authentic artistic voice.
In terms of material, Roudgar works with a range of media, yet what unifies her practice is a deep respect for material and process. Surface textures, traces of the hand, and deliberate moments of incompletion all become part of the work’s narrative, lending her sculptures a living, human quality.
Roudgar’s works are held in significant collections, including the Salsali Private Museum in Dubai, underscoring the international recognition and impact of her practice. Nevertheless, what most clearly defines her artistic path is her commitment to personal integrity and sincerity in creation.
In a contemporary world dominated by speed, consumption, and fleeting imagery, Parvaneh Roudgar’s sculptures offer an invitation to pause, touch, and reflect. For Roudgar, sculpture is not merely a profession but a way of living and thinking, an ongoing dialogue between individual and collective experience, memory and place, and humanity and the surrounding world.
SELECTED ABSTRACT SCULPTURES
The concerns that shape her figurative work, silence, resilience, longing, and the fragile hope for peace, remain present here, but in another language. Through rhythm, balance, and the invisible architecture of feeling, these abstract forms trace the weight of displacement, the tension between chaos and calm, and the quiet pulse of endurance. It is a way of allowing meaning to breathe, to appear through rhythm, balance, tension, and release rather than through narrative or representation. Here, form becomes a vessel for experience: a silent motion shaped into presence.
SELECTED PUBLIC ART SCULPTURES
Parvaneh Roudgar’s public artworks explore human connection, memory, and shared space through sculptural forms that are both intimate and accessible. Rooted in her cross-cultural background and classical training, her installations engage diverse communities while responding sensitively to their architectural and social environments. Through durable materials and expressive form, her public art invites reflection, dialogue, and a sense of belonging within the public realm.
DR. SHERWIN NABI
GENERAL DENTIST
Dr. Sherwin Nabi is a general dentist with over 25 years of experience, earning his Doctor of Dental Medicine from the University of British Columbia and completing advanced residency training at Vancouver General Hospital. He is known for his gentle, patient-focused approach and commitment to excellence in dentistry. Outside of work, he enjoys soccer, jogging, fitness, and playing chess.
DR. BORNA ANSARI
GENERAL DENTIST
Dr. Borna Ansari earned his Bachelor of Science (Honours) from the University of British Columbia and his Doctor of Dental Medicine from the University of Sydney. He is dedicated to patient-focused care, with advanced training in full mouth rehabilitation, dental implants, Invisalign, facial aesthetics, and TMJ treatment. Outside the clinic, he enjoys yoga, tennis, cycling, and skiing.
The People Behind the Practice
DR. ROJIN SCHMITT
GENERAL DENTIST
Dr. Rojin Schmitt is a general dentist who earned her Doctor of Dental Medicine (DMD) from the University of British Columbia and provides comprehensive, patient-centered dental care. She also serves as a part-time clinical instructor at UBC’s Faculty of Dentistry. Outside the clinic, she enjoys ballet, swimming, skiing, and reading.
DR. SINA SADEGHI
GENERAL DENTIST
Dr. Sina Sadeghi is a licensed general dentist in Canada with over 20 years of clinical experience, previously owning and operating a private practice in Tehran. He has advanced training in endodontics, restorative dentistry, and implantology, and became fully certified to practice in Canada after completing the NDEB equivalency process in 2025. Outside the clinic, he enjoys hiking, cycling, swimming, working out, and playing tennis.
CREATING CONFIDENT SMILES
Every Day
At The Dental Lounge, our dedicated team is committed to providing top-tier dental care in a calm and welcoming environment. Our serene and soothing lounge is an open and modern space equipped with complimentary refreshments, charging stations and comfortable seating. Whether it’s
a routine cleaning or a specialized treatment, we prioritize personalized care to help you achieve a healthy, confident smile. With a focus on patient comfort and excellence, our skilled professionals ensure every visit is a positive experience, making your oral health our top priority.
How a simple right becomes a lifeline and a blueprint for global connection.
In places where life has demanded too much of children too soon, play is often the first thing to disappear. Not because children stop needing it, but because the world around them becomes unsafe, unstable, or simply too scarce to allow it. The Power of Play exists to bring play back where it has been taken away. Built on the belief that play is a universal right and a direct path to healing, the charity creates sustainable play spaces for children in underserved, marginalized, and hard-to-reach communities, helping them recover from trauma and reconnect with childhood wonder.
Maasai community, Boma Village, Tanzania — 1430 children
When hardship steals childhood
For many children, hardship does not only remove comfort or stability, it interrupts development. A safe space to play is not a luxury in a child’s life. It is where confidence forms, where social bonds begin, where the nervous system learns safety, and where imagination becomes a coping skill. The Power of Play is built around a clear idea: healing happens through connection, and play is one of the most natural ways children reconnect to themselves and to each other.
The communities the organization serves are often the ones that global systems overlook: orphanages, refugee camps and conflict zones, Indigenous communities facing systemic poverty, and marginalized neighbourhoods with limited social protection and few safe spaces for children.
A founder’s story rooted in survival and purpose
The organization was founded in 2016 by Reza Marvasti, whose life shifted after a near-death experience forced him to re-evaluate what “aliveness” truly means. That inner turning point deepened during an expedition through South America, where he witnessed the daily reality of poverty in villages across Ecuador, Guatemala, and Bolivia, and saw children growing up without safe spaces to simply be kids.
Out of that experience, The Power of Play was born, not as a construction project, but as a global movement to reclaim childhood through safe, community-led play spaces.
Gazani village, Sistan Balochistan, Iran — 270 children
Reza Marvasti, the founder of The Power of Play, upcycling a industrial drum to playground equipment
“Sustainability isn’t a layer. It’s the ethic.”
Impact that is measurable, & felt
Numbers can never capture the full weight of what it means for a child to have a place to play again, but they do show scale. To date, The Power of Play has built 57 playgrounds across 18 countries, reaching 63,880+ children.
Those playgrounds do not exist in isolation. The organization intentionally integrates play spaces into broader community programs focused on child development, education, trauma recovery, and social equity. This is why partnership is central to their model: when they collaborate with educators, community leaders, NGOs, and local change-makers already .
From waste to wonder
Sustainability is not treated as a marketing layer. It is part of the ethic. In fact, 52% of The Power of Play’s playgrounds are built from upcycled materials, thoughtfully sourced and adapted to local environments.
Rather than importing expensive equipment that may be difficult to maintain in remote or economically challenged regions, the organization transforms what has been discarded into structures of joy and belonging, often creating spaces that can last for a decade before major repairs are needed.
The scale of that transformation is striking. More than 14,200 recycled tires have been turned into climbing elements, borders, and playful forms that children can touch, jump on, and invent with. Metal is salvaged from old car parts, broken machinery, scaffolding, and furniture, reshaped into durable playground features. Timber is reclaimed from donated wood, fallen trees, and salvaged trunks, then treated for safe use in structures that are both sturdy and inviting.
Even used playground parts are rescued from parks and schools and given a second life where they are needed most. What makes this approach so powerful is not only its environmental logic, but its message: in communities where children are surrounded by hardship, the act of turning the overlooked into something beautiful quietly proves that transformation is possible.
Low incomes school in Sheli village, Rwanda. Children doing handprints on canvas 1260 students
“What has been discarded becomes a structure of joy.”
Kids imagine, we build
The build process is designed to be collaborative and dignitypreserving, not top-down. The organization works with communities to assess needs and sites, mobilize local support, and involve children directly in imagining their dream playground through sketches, painting, and models. Those ideas become real design plans, and fundraising partners receive design sketches created by local children, connecting donors to the imagination they are helping bring to life.
Construction itself becomes another form of impact: local volunteers are recruited and trained, creating life skills and new opportunities that outlast the build day. And when the playground opens, it is inaugurated with the community, fundraisers, and the children who inspired it, as a shared celebration rather than a delivered product.
Engaruka village, Arusha, Tanzania 918 children
“Design
A five-year university movement
Over the past five years, The Power of Play has run three programs with four universities, and something unexpected has become one of its most meaningful outcomes: the transformation of students themselves.
Beyond the impact on children and communities, these programs have shown young designers and researchers what it means to use education as a tool for real-world change. And for the children, there is a different kind of empowerment in knowing that students and universities across the globe are standing with them and supporting their mental and emotional well-being.
Sensory and science-based playground design
In collaboration with Emily Carr University of Art + Design and Guangdong University of Technology, this program asks students to step beyond the typical conceptual studio and into a practice rooted in empathy and global impact.
Guided by educator Christian Blyt, students designing a sensory playground for an orphanage serving deaf-blind children are
asked to temporarily block their own sight and hearing. The goal is to expand awareness of how play can be experienced through texture, vibration, scent, and spatial intuition.
What begins as an exercise in perception becomes a shift in purpose: students discover compassionate design as a tool for inclusion. Over five years, this collaboration has deepened global understanding and shown emerging designers that thoughtful play can change lives without diminishing anyone’s dignity.
Interactive objects for children affected by war
A second program, developed with University of British Columbia alongside Emily Carr, supports the healing of children living with the emotional impact of war.
Students from industrial design and psychology collaborate to create interactive objects that blend colour, sound, movement, and tactile engagement, tools that help young survivors process trauma through play. It is an intersection of creativity and resilience, where students learn that design can restore agency and offer moments of joy to children who have endured the unimaginable.
“Because
play is not a privilege. It is a right.”
Play^Scape
The third program, created with Tongji University and Emily Carr, reimagines the playground as a living system.
Play^Scape is a modular environment that children can build, rebuild, and reinvent, turning imagination into structure and creativity into motion. The program supports young designers exploring autonomy, collaboration, and open-ended play, and it gives children something rare: not just a place to play, but the power to shape their own world.
United by purpose, empowered by play
The Power of Play’s work is proof that a playground is never just a playground. It is an invitation back into community, a visible act of care, and a structure that makes joy possible again.
In a world that often asks children to adapt to circumstances they never chose, the organization offers something quietly radical: a safe space where they can simply be children, and where healing can begin in the most natural language they know.
Play^Scape — ECUAD & Tongji University
You can bring smile to their faces, and joy to their eyes.
Nestled in the heart of West Vancouver, My Beauty Secrets is where science meets elegance. The clinic is dedicated to redefining beauty through advanced aesthetic treatments and personalized care. With a focus on facial rejuvenation, body sculpting, massage, acupuncture, osteopathy, and laser therapies, Ela (owner and director) and her team combine medical precision with a refined sense of artistry. Their philosophy is simple yet profound: to help every client reveal their most confident, radiant self. My Beauty Secrets is more than a medspa; it’s a sanctuary where beauty, balance, and self-confidence are beautifully restored.
The Driving Force Behind MY BEAUTY SECRETS
Your Path to Strength, Mobility, & Wellness
Ali Mohammadi Fard is a registered physiotherapist with more than 20 years of experience. As the founder of Zone 4 Physiotherapy and Wellness Centre in North Vancouver, he leads a dedicated team in providing expert care to the community. Ali believes that a fast recovery starts with an accurate diagnosis. Throughout his career, he has built a strong reputation for treating complex injuries. What sets Ali apart is his experience on the front lines of professional sports.
As the physiotherapist for Mahram Basketball, Paykan Volleyball, and the Iran Men’s National Volleyball Teams (B and U21), Ali spent years sitting on the bench during intense competitions. This experience taught him how to assess and treat acute sports injuries the moment they happen, ensuring the best start to the healing process.
Alongside a team of highly experienced practitioners, Ali helps injured people return to their normal lives. Their approach combines traditional hands-on treatments with advanced techniques and technologies, such as dry needling, shockwave therapy, and high-power laser therapy.
The clinic provides a full range of expert care to help you get back to your best, including physiotherapy, acupuncture, massage therapy, osteopathy, kinesiology, personal training, counselling, and more. By combining elite sports experience with the latest technology, Ali and his team ensure your recovery is fast, effective, and built to last.
OUTLANDER 2026 PHEV Two Worlds. One Drive.
North Shore Mitsubishi
Reza Entezarion
Soroush Liaghat
A Fresh Approach to Dentistry in North Vancouver
Axiom Dental is bringing a new kind of dental experience to North Vancouver, one that feels less clinical and far more considered. Designed with a modern eye and a patient-first mindset, this newly opened clinic combines advanced dentistry with an atmosphere that feels calm, refined, and welcoming from the moment you arrive.
Leading the practice are Dr. Reza and Dr. Soroush, two experienced professionals who share a clear vision for what dental care should be: highly skilled, deeply personalized, and genuinely comfortable. Their approach is rooted in clinical
excellence, but what truly sets Axiom Dental apart is the care they take in creating an experience that feels smooth, thoughtful, and stress-free.
From routine checkups and cleanings to cosmetic and restorative treatments, every service at Axiom Dental is supported by modern technology designed to improve precision, efficiency, and overall patient comfort. The result is a space where innovation and hospitality work hand in hand, offering a more elevated standard of care for today’s patient.
Heritage, precision, and craftsmanship defining true luxury.
The House of Ghaziani is the culmination of over three decades of refined tailoring expertise and uncompromising dedication to the art of couture. Built on precision, heritage, and vision, The house was established by Iranian-Canadian designer Ali Ghaziani alongside his son Hirad Ghaziani, as a commitment towards timeless design, where craftsmanship is not a detail, but the foundation.
Ali Ghaziani is a seasoned tailor & designer with over 30+ years of hands-on experience in various
realms of the fashion industry, with a singular vision of creating pieces that are versatile and filled with traditional artistry that can be passed on from one generation to the next.
Ali Ghaziani’s journey began in Iran, where creative expression was limited, yet his passion for art and sewing flourished under the influence of his artistic grandmother. Despite economic challenges, he developed a strong technical foundation in craftsmanship and detail from an early age.
THE HOUSE OF GHAZIANI
FASHION DESIGNER & FOUNDER OF THE HOUSE OF GHAZIANI
“Introducing the world to a brand that not only respects the heritage of Italian couture but redefines it for today’s luxury market.”
Milan, 1996
Determined to refine his skills, he attended various seminars and eventually trained under a master tailor to advance his abilities in pattern making, fabric selection, and garment construction in Italy. Returning to Iran, he opened his atelier, ‘’Hirad Leather’’, where he began to hone in on leather as the focal point for what was yet to come.
Later relocating to Canada, Ali worked at Harry Rosen as a tailor and leather specialist, gaining extensive experience in luxury menswear and bespoke construction. He launched his first independent brand, Valeriomoda, debuting at Vancouver Fashion Week in 2010, earning recognition for elegance, precision, and artisanal quality as a one-man show. Expanding his reach, Ali Ghaziani has crafted bespoke pieces for the likes of various A -list celebrities.
Years later, the idea of a new brand came to mind, when Hirad Ghaziani decided to pursue a new career within the fashion industry, while being a student. Hirad mentioned the idea of starting a new brand using their surname ‘’GHAZIANI’’ where the father and son duo would refine the old previous Hirad Leather identity towards a new set of ideas, rooted in heritage and modern sophistication.
The house’s official debut at Milan Fashion Week marked a defining milestone, presenting the house on one of the world’s most prestigious fashion stages, marking a new era, by introducing the world to a brand that not only respects the heritage of Italian couture but redefines it for today’s luxury market.
Ali Ghaziani in Milan — 1996
Quality over quantity
“Providing the consumer with detail-oriented garments that are branded, purposeful, containing an element of storytelling throughout each collection.”
The brand takes pride in versatility, offering casual, formal, functional and streetwear clothes and accessories made in Italy and in house, through a unique outlook towards providing the consumer with detail- oriented garments that are branded, purposeful, containing an element of storytelling throughout each collection. The latest collection titled ‘’ Taste of Nostalgia’’, draws inspiration from The Shah of Iran’s personal style, combining effortless style with new age sensibilities.
The collection includes a range of coats, leather jackets, casual jackets, dress shirts, Polo shirts, trousers, knitwear and accessories such as hats, glasses and bags. Through the utilization of prestigious fabrics
such as cashmere, suede and exotic materials, the house prides itself through the motto ‘’Quality over Quantity’’, serving clients who appreciate outstanding attention to detail and service. The house remains exclusive, with members only access that requires a waitlist to attain its ready to wear products. Nevertheless, Ghaziani’s bespoke services are open to the public, where the consumer has the ability to create their desired garment from scratch, with an extensive range of options to choose from.
Ghaziani stands as a testament to enduring craftsmanship and modern luxury, where heritage, precision, and vision converge to define a new standard of excellence.
Python Leather Biker Jacket with 100% Silk Lining
Designed by Ali M. Ghaziani
Cashmere Silk Polo Shirt, Velvet Trousers, Python Leather Boots, Suede/Leather
Hand-Stitched Crossbody Bag & Backpack
Designed by Ali M. Ghaziani
Photo by Iulia Agnew
alighaziani_official
Milan Fashion Week, 2024
Designed by Ali M. Ghaziani
Photo by Arun Nevader
A Moment of Recognition
In a city known for its diversity and entrepreneurial spirit, stories like Amir Hosh’ s continue to shape Vancouver’s landscape. The founder of Ayoub’s Dried Fruits & Nuts, Amir was recently named a Forty Under 40 recipient by Business in Vancouver. This recognition reflects more than business success, it highlights a commitment to quality, community, and cultural authenticity. Through Ayoub’s, Amir has brought a refined take on traditional flavors, building a brand that has become a staple across the city. At Aleph, we’re proud to celebrate individuals who uplift both their industries and communities. Amir’s journey is a testament to passion, resilience, and clear vision.
ayoubs.ca
Sara Amjadian
Sara Amjadian, the founder of Sara Beauty Lounge, is a seasoned beauty expert with nearly two decades of experience in the industry. Known for her dedication to delivering top-notch beauty services, she has built a loyal clientele through her meticulous attention to detail and passion for enhancing natural beauty.
Nail artist & the visionary behind Sara Beauty Lounge
The Electric Evolution of Porsche
The automotive world is entering a new era, but for Porsche, electrification is not about compromise. It is about evolution.
Across three remarkable models, the Cayenne Turbo Electric, Macan Turbo Electric, and Taycan Turbo S, Porsche demonstrates that performance, innovation, and everyday
usability can coexist within a fully electrified future. Each vehicle represents a different interpretation of Porsche’s DNA, yet all share the same philosophy: relentless engineering, unmistakable design, and driving experiences built around the driver.
Cayenne Turbo Electric
The Most Powerful Cayenne Ever Built
The future of performance has arrived, and it is unmistakably Porsche. The new Cayenne Turbo Electric represents the most powerful Cayenne ever built. With up to 1,139 horsepower and Launch Control, it can accelerate from 0 to 100 km/h in as little as 2.5 seconds, delivering instant torque and immediate response with the composure expected of the Porsche name.
Yet raw power is only part of the story.
For the first time in the Cayenne lineup, Porsche introduces an available 11 kW wireless inductive charging system, redefining how electric performance integrates into daily life. By simply parking over a low-profile charging pad, charging begins automatically without cables or wall-mounted equipment. Intelligent safety monitoring and over-the-air updates ensure the system remains efficient and secure as it evolves.
At home, a full charge using 11 kW AC power can typically be achieved within eight to twelve hours, making overnight charging effortless. When connected to ultra-fast DC charging infrastructure, the battery can replenish from 10 to 80 percent in approximately twenty minutes under optimal conditions.
Design remains unmistakably Porsche. Turbo-specific detailing, a wide commanding stance, and Porsche Ceramic Composite Brakes signal performance even before the vehicle moves.
Inside, the cabin is entirely driver-centric. A new augmented reality head-up display projects real-time driving information directly into the driver’s line of sight. A 14.25-inch curved digital instrument cluster keeps critical performance data immediately visible, while a 12.25-inch central touchscreen flows seamlessly into a sculpted centre console with tactile controls and a fulllength wrist rest.
Paired with Porsche Active Ride suspension, the Cayenne Turbo Electric delivers exceptional composure and balance, blending comfort with dynamic precision.
This is not simply an electric SUV.
It is the evolution of an icon.
Taycan Turbo S
The 2026 Porsche Taycan Turbo S stands at the pinnacle of fully electric performance within the Taycan lineup. Powered by dual motors and Porsche all-wheel drive, it produces up to 750 horsepower with Overboost and Launch Control, propelling the car from 0 to 100 km/h in as little as 2.8 seconds under optimal conditions.
Like the Macan Electric, the Taycan benefits from Porsche’s advanced 800-volt electrical architecture, enabling rapid DC charging capable of replenishing the battery from 10 to
80 percent in approximately 22.5 minutes with compatible ultra-fast infrastructure.
Beyond acceleration, the Taycan Turbo S showcases Porsche’s mastery of chassis engineering. Advanced suspension systems, available carbon-ceramic braking, and a fully digital driverfocused cockpit combine to deliver extraordinary control, balance, and responsiveness. It is not merely an electric sedan. It is Porsche performance, redefined for a new generation.
The Benchmark of Electric Porsche Performance
2026 Porsche Taycan Turbo S — Oak Green Metallic Neo
Macan Turbo Electric
The Most Powerful Cayenne Ever Built
The 2026 Porsche Macan Turbo Electric brings Porsche’s fully electric philosophy to the compact luxury SUV segment.
Equipped with dual-motor all-wheel drive, it delivers up to 630 horsepower with Launch Control, accelerating from 0 to 100 km/h in as little as 3.3 seconds under optimal conditions.
Built on Porsche’s 800-volt architecture, the Macan Turbo Electric supports high-speed DC charging capable of replenishing the battery from 10 to 80 percent in approximately 21 minutes using compatible ultra-fast charging stations. For
daily convenience, AC charging provides reliable overnight replenishment at home.
Visually, the Macan retains the unmistakable Porsche presence. A wide stance, adaptive rear spoiler, and signature LED light strip emphasize its performance character, while the interior introduces a fully digital, driver-focused cockpit designed to enhance engagement behind the wheel.
The result is a vehicle that delivers the balance, precision, and everyday versatility expected from Porsche, now fully electrified.
2026 Porsche Macan Turbo Electric Oak Green Metallic Neo
Porsche Centre Langley
Nine Consecutive Years of Excellence
In the world of luxury automotive retail, credibility is built through consistency. Since officially opening its doors on August 8, 2014, Porsche Centre Langley has served the Greater Vancouver and Fraser Valley communities with a dedication to precision, craftsmanship, and exceptional guest experiences. As part of the OpenRoad Auto, the dealership reflects a shared commitment to integrity, professionalism, and long-term relationships built on trust.
This year, Porsche Centre Langley has once again been honoured with the Premier Porsche Centre Award, marking the ninth consecutive year receiving this prestigious recognition. The distinction is not symbolic. It is earned through measurable performance standards across sales, service, operations, and guest satisfaction, representing one of the highest achievements within the Porsche dealership network.
Beyond the showroom, Porsche Centre Langley offers a complete ownership experience. Clients have access to new Porsche models, Porsche Approved Certified Pre-Owned vehicles, Porsche Financial Services guidance, and a state-of-the-art service department staffed by Porsche-trained technicians.
Genuine Porsche Parts and Tequipment, detailing services, and personalized consultations ensure that every Porsche continues to perform at its highest level long after delivery. Behind this recognition is a team whose passion for the brand extends beyond the vehicle itself. Their discipline, expertise, and attention to detail shape an environment where the Porsche experience is consistently elevated.
At Porsche Centre Langley, excellence is not occasional. It is enduring.
Haidari
Measure your FINANCIAL INTELLIGENCE
Understanding your financial situation could go a long way to reduce the stress that not having enough money can cause. Helping people create a financial strategy and feel more secure about the future is at the heart of what I do. Individuals, families, and businesses have many options to get the right financial information to help and secure their futures.
Economic growth in North America does face challenges from time to time. An uncertain outlook can present ongoing concerns for most of the population. I believe there is an opportunity for individuals, families, and businesses to find relief and bolster their financial growth through increasing financial knowledge, thereby boosting their financial situation. In 2022, inflation reached a high of around 8% in Canada, meaning families are having to spend more on basic essentials like food and utilities with each passing day. In response, Bank of Canada has tried to calm inflation by increasing interest rates which has been the highest in the past 15 years. So, households are not only hit by rising costs of basic
goods but also face higher repayments rates for debt and, for many, greater mortgage payments.
What is Financial Intelligence or Financial IQ?
Many have heard of Intelligence Quotient (IQ); FIQ is Financial Intelligence Quotient. FIQ is a person’s Financial IQ: a numeric score based on a series of five questions that assess a person’s attitude toward their finances and whether they’re prepared to handle financial situations that may come their way.
FIQ assesses the understanding, control, preparedness, and confidence a person holds around finances. The score ranges from 0-10, with 10 being the highest score possible.
If you want to become more knowledgeable about finances and your specific financial situation, knowing your FIQ score and having a plan in place for you and your loved ones is key. Please scan the QR code and answer the questions.
“I am armed with the considerable resources and expertise of 10+ years of experience.”
Hossein Mehrizy
HOSSEIN MEHRIZY
BMO MORTGAGE SPECIALIST
Wickaninnish Inn_ —
Photo by Simone Mondino
Storm-Watching at Tofino’s Wickaninnish Inn
Written by Lauren Kramer
first impressions
A storm is coming, and watching it approach is nothing short of spectacular. From my window I see waves crashing and foaming, a symphony of sound and a view that makes it hard to look away. Jagged black rocks ascend towards a mass of towering trees, their branches whipped into a frenzy by the wind. In the distance are islands of rock and forest, and between them, tangled masses of bull kelp seaweed jumble among the whitecaps, hinting at the healthy marine ecosystem down below.
I’m in Tofino at the legendary Wickaninnish Inn, mesmerized by the unleashed fury of an incoming storm. This family-owned BC institution has made storm-watching a ‘must-do’ winter activity, equipping its rooms with waterproof raingear, umbrellas and boots designed for withstanding a stroll on Chesterman Beach in the harshest of winter weather.
Wickaninnish Inn_ —
Photo by Braden Stanley
ondly known as “The Wick,” the 75-room inn is sublimely luxurious but completely unpretentious. Peppered with exquisite art that reflects the wildlife and forests surrounding it, the inn is a quintessentially Northwest haven in its architecture, design and decor. And its many thoughtful extras set it head and shoulders above any other establishment, leaving guests with an enduringly positive impression.
Guests snack on items from the complimentary minibar, and when they head to the beach, grab a backpack from the closet, so their personal backpack doesn’t get full of sand. There’s a soda water dispenser on tap, refillable water bottles in the rooms, dog towels at the ready for four-legged friends, and books about Clayoquot Sound on the mantle, with extra blankets at the ready.
Wickaninnish Inn — Photo by Caitlin Ronda
cozy luxury
local flavors
On our first night we nibbled on lemongrass focaccia and black bread made with kelp at the Pointe Restaurant, the Inn’s signature eatery. The three-course menu, carefully paired with sommelier-curated wines, changes frequently, but ours featured salad with salmonberry vinaigrette, appetizers dotted with sea buckthorn berries, sablefish entrees and aerated chocolate with raspberry sorbet. The calibre of the meal was matched only by the setting: an oval-shaped restaurant whose large windows deliver a 240-degree view of the ocean. Checking in our meal, the general manager cautioned us to keep our eyes peeled. “I saw whales spouting earlier today,” he confided.
Scallops — Photo by Makito Inomata
foraging magic
We fell asleep to thrashing wind and rain that night, but woke the next day to a calm stillness. Slipping into our warmest jackets, we clutched coffee and made a beeline for Chesterman Beach, to meet Brynne Sucharyna, owner of Tofino Foraging Tours. Over the next few hours she guided us through some of the edible delicacies of the intertidal zone and adjacent rainforest.
“The First Nations have a saying ”when the tide is out, the table is set, and it’s so true, because that’s when everything is at its freshest,” she said as we picked our way carefully towards the tidal pools. Harvesting popweed from the rocks and ribbons of bull kelp from the beach, she invited us to feel their texture. “You can dry, roast or smoke either of these seaweeds, and popweed especially makes a crispy snack with a salty flavor,” she noted.
We felt the contours of the purple Turkish Towel, a seaweed that’s great for skin exfoliation in the bathtub, and touched the soft greens of sea lettuce, a species easily plucked off the rocks and eaten raw or added to soups, salads or pastas.
In the fall, Sucharyna focuses her fall foraging excursions on mushrooms, easily gathered in Pacific Northwest forests populated by western hemlock, douglas fir and spruce trees. By the time we wrapped up we had a new perspective on the smorgasbord of nutrient-rich, healthy ingredients that can be easily foraged under the right conditions. That afternoon we borrowed cruiser bikes from the Inn and took a jaunt into town, an easy five kilometer ride. We spent a fun few hours exploring Tofino’s retailers, rubbing shoulders with locals as we browsed in books at Mermaid’s Tales and visited coffee shops, boutiques and galleries.
Tofino West Coast — Photo by Lexis Lancaste
Wickaninnish Inn, The Pointe Restaurant — Photo by Jeremy Koreski
stories remembered
The Tofino Clayoquot Heritage Museum, a modest, one-room museum, offered a sobering glimpse of the town’s history, before and after white settlers arrived. While there were stories of brave pioneers who endured great challenges in the early days, there was also information on the area’s two residential schools, which, as recently as 50 years ago, were still wrenching children from their families, changing the trajectory of First Nations’ lives for generations.
Wickaninnish Inn, Carving Shed — Photo by Jeremy Koreski
rain returns
The rain was back by the time we returned to the Inn, making the steam cave, the spa’s wet sauna, an irresistible place to warm up. Afterwards, with tingling skin softened by the hot, moist heat, we sipped tea in the lounge, watching the raindrops pelter down and other guests venture back from long walks on Chesterman Beach. Promising ourselves we’d do the same tomorrow, we settled in, content to watch the wintry weather unfold inside, where, ensconced in our white gowns, we had front row seats to the storm.
If You Go:
Journey: Tofino is located at the end of Highway 4, three hour’s drive from Nanaimo and four-to-five hours from Victoria. Add a ferry trip from the mainland and getting here is easily a day-long commute. We opted for a seaplane instead, hopping on a Harbour Air flight at Vancouver’s downtown harbour. By seaplane the travel time is one hour over jaw-droppingly beautiful snowcapped mountains. Harbor Air offers seasonal flights between downtown Vancouver and Tofino April through October. Visit harbourair.com or call (800) 665-0212
Forage: To schedule a foraging tour, visit britecollective.ca/foraging
Sleep: For bookings at the Wickaninnish Inn visit wickinn.com or call (250) 721-3500.
Dine: The Pointe Restaurant (thepointerestaurant.ca) at the Wickaninnish Inn offers incredible three-course meals with wine pairings. Another not-to-miss eatery is Ombre Restaurant, in Tofino, where superb, Mediterranean-inspired dishes are infused with seasonal, local ingredients. ombrerestaurant.com
