NSAI

NORTHWEST SUMMER ART INSTITUTE Summer Workshops 2019

NORTHWEST SUMMER ART INSTITUTE Summer Workshops 2019

The Northwest Summer Art Institute is dedicated to the expression of the strong relationship between art and nature. The NSAI offers a summer session of learning and experiencing—a combination of classroom learning and the expansion of the senses which comes from outdoors activities, observation of nature, and the use of found and natural materials.

Workshops are scheduled at various sites in Whatcom and Skagit Counties, taking advantage of the beauty and variety of outdoor venues of the region. The NSAI is partially sponsored by a grant from the Washington Arts Commission and the National Endowment for the Arts.

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NSAI • Summer Workskops 2019

BOOKARTS PAPERMAKING August 11–13

An introduction to the ancient and contemporary medium of hand papermaking using an old Nepalese technique with various plant and tree fibers prepared by machine. Japanese style papermaking will also be covered.

BOOKCRAFT August 13–15

Simple single and multi-section books will be made with various cover paper patterns. Lettering, handwriting, illustrations and writing creatively will be explored.

HAND BOOKBINDING August 20–22

Instruction in the basic processes of making handbound books, including various kinds of covers: single-section sewn, accordion-pleated, and oriental style. Each student will produce a finished piece.

CALLIGRAPHY August 28–30

An introduction to plain, flourished and chancery cursive letters with investigation of freely written “little” caps. Integration of color through use of a variety of media and tools.

CHILDREN’S LITERATURE September 1–3

A survey of instructional materials pertaining to the ocean, including children’s literature and informational sources. Parents, teachers and others who love children’s literature are welcome.

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FIBERS

SPINNING June 18–20

Basic spinning using a variety of fibers. Tweed yarns, boucles, and different ply techniques both of spinning wheels and drop spindles. Fiber preparation techniques will be covered.

NATURAL DYES June 21–23

Discover the rainbow of dyes possible from coastal plants and lichens using a simple age-old method.

BASKETRY August 6–8

Using gathered materials explore traditional basketry techniques of coiling and twining. Experiment with the contemporary

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sculptural potential of basketry.

FELTING

August 10–13

Carded wool is stacked, encased, moistened, agitated until it shrinks into felt and can be a work of art in itself. Emboss it, sculpt it, or trap found treasures in its layers. This class will include slides of historical and contemporary examples and techniques.

BATIK AND TIE DYE August 20–22

For beginners and experienced craftspeople, a dynamic approach to the art, history and processes of batik and fabric printing and dyeing.

COLOR & DESIGN FOR THE FIBER ARTIST August 25–28

Explore design and the theory, cultural associative usage and symbolism of color. Dye fibers emphasizing color control and selective usage with application to fibrous materials.

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PHOTOGRAPHY LANDSCAPE PHOTOGRAPHY July 23–25

Black and white photography of the landscape. Aesthetic elements of the photograph will be stressed as much as technical aspects. Emphasis on field work, printing skills and print criticism.

WILDLIFE PHOTOGRAPHY August 3–5

Covers techniques of action-stop photos of fast moving subjects, wildlife refuges, dangers of nature photography, and photographic equipment special to nature photography.

PHOTOGRAPHY AT SEA LEVEL August 15–17

A workshop concentrating on the intertidal zone, rocks and estuary at the foot of Cascade Head. Low tides will enhance the possibilities. Stress of factual, well-visualized recording of the characteristics of the land and sea.

BLACK & WHITE LANDSCAPE PHOTOGRAPHY August 25–28

An intensive workshop for photographers who have a basic knowledge of the medium and familiarity with darkroom techniques. Explore and refine methods of producing the fine print.

MACROLENS PHOTOGRAPHY September 3–5

Illustration and creative use of image isolation with the macrolens.

Instruction combines classroom and field work in natural settings.

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PAINTING DRAWING

THE ART OF BIRD ILLUSTRATION June 25–27

Use drawing media or work in watercolor from live birds as well as photographs. Course includes an introduction to the natural history and identification of birds found in coastal areas from tidal flats to coniferous forests.

PERSPECTIVE TECHNIQUES July 20–22

Analysis of one, two, and three point perspective. Direct observation in the studio and outdoors to do measured or freehand drawings.

WATERCOLOR LANDSCAPES August 10–12

Develop interesting compositions and well-planned value relationships in the art of landscape watercolor painting.

Observe space, color, design and content.

OUTDOOR DRAWING August 18–20

Drawing for the beginning and experienced artist. Composition and basic design emphasized along with technical skills of pencil, charcoal and ink drawing from observation of the landscape and outdoor subject matter.

MIXED MEDIA August 26–28

Work with acrylics, inks, and color papers on illustration board or masonite. Work from observation, memory and fantasy with a variety of approaches to the materials used.

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REGISTRATION INFORMATION Name: Address: City: Phone:

State: Email:

Zip:

Please sign me up for the following workshops:

Total enclosed @ $90 per class: Make checks payable to: Northwest Summer Art Institute 1237 W. Riverside Rd. Bellingham, WA 98226

SPONSORSHIPS The Northwest Summer Art Institute is funded by the NSAI Foundation, a nonprofit organization. NSAI is also supported by a sponsors’ association. Sponsors’ tax deductible contributions help insure continued programs.

Sponsorships include: • Family • Patron • Supporting • Sustaining

$25 $100 $300 $500

Checks should be made payable to the NSAI Foundation.

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