ALBERTA ALBERTA CRAFT COUNCIL
MAGAZINE MAY/JUNE 2002
FANFARE A Flourish of Fibre May 4 throughJune 15/ 2002
CREDITS Greetings!
There has been a flurry of recent provincial government news that ranges from pathetic
to ugly.
February26, the speechfrom the throne announced 2 new scholarships($5000each) for students working in visual and performing arts. Community Development MinisterGene Zwozdeskystated "this is the most attentionthat the arts have receivedin a throne speech in, well, certainly my memory, and I've been around for years".
The EdmontonSun describedthe minister
as "clearly jubilant" about these scholarships.
This should have been an announcement
about a pair of scholarships, for every school
division in the province.That would be news worth celebrating!What are we to think of a minister who gets this excitedabout so little? What are we to think of a government that gives culture this little attention? The March 19 provincialbudget brought much worse news. Community Lottery Boards have been eliminated, along with $51 million that was being used by nonprofit organizations for everything from
wheelchairsto sports facilities,historicsites, school lunch programs and literacy education. Liberalgaming criticLaurieBlakemen told the EdmontonJournal this is "going to hurt a lot of people on a very intimate level because that money was paying for a whole
variety of programs that just won't be there now". Furthermore,the government has
eliminated another$21million from the pro-
gram that assists provincial centennial (2005) projects.
Withone whack of the budget hatchet,the Torieshave removed more than $70million of community project support and diverted it to really urgent issues such as reducingcorporate taxes. Back in the Lougheed days, when the Alberta government was getting into legalized and
organizedgambling,the rationalwas that
MAGAZINE
ALBERTA
profits would go primarily or entirely to the
non-profitsector.Now that annual gambling profits have soared beyond $1 billion (that's
right, billion) the provincialgovernmentsees this as an alternativeto tax and royaltyrevenues. The vast majority of this profit no longer goes to culture, sport, heritage, or social service agencies, as was intended.
These cuts will result in the slow down or
shut down of a wide range of organizations and projects. Fortunately,neither of these cuts immediately affects the survival of the Alberta Craft Council. We had a small Community Lottery Board grant to set up
our virtual exhibitions,but that is finished. We had hoped to qualify for centennial grant assistance with a gallery in Calgary. But the
long-term impact, on the entire non-profit sector —not just culture —will be severe. We will see big increases in competition for the remaining lottery funding. We will see additional stress on existing funders as a result of this upheaval. In the future, we may find the Tories targeting Other lottery agencies such as
the AlbertaFoundationfor the Arts, the only remaining provincial source of arts funding. These are dark days for the non-profit sector. The Torieshave traditionally seen lottery grants as a great vote buyer.Who knows what they are thinking, with cuts like these?
A.k«ta Craft
Sibmissim Deatßiné
mates
A&rVCraft
her&L cases Of erroror changing
Of rhe
Other
tM•ness Of
patTiø
s9ed
and
Florentine Dream by Deborah Tilley (detail)
seen throughcolourfulkaleidoscopes. "Arabesques
and rococo flourishes, characterize some Of today's most exquisite studio quality kaleidoscopes.
Lampworkedglass, dichroic glass, inventiveObjects
and a touch Of magic are what some kaleidoscope
makers use to captivate and delight..
to the ed•to,•.
Cra ft Ga l l ery. Cra ft Cotrci l Offi ce & 0186-106th s treet EdmontomABCa na daT5J IHA Servi ces :
Hours.- Mon. to Fri. 9
to 5 pm
TOE 1780) 48&6611 OR
(100-367-7738) (780)488-8855
Craft Gallery+ Shop:
Hours : Monda y- Sa turda yfrom 10 a m to S'30
(780) 488-5"
Executive Director:
Torn McFaIi. ext 228
Member Services:
Erika Rarflaff. ext 221
Adrni ni s tra ti mMa na w:
Na n. St Hi l a .reext. 234
Cra ft Shop Cocrdi na tor: Al i Fl emi ng,ext 222 Cra ft Shop Sta ff El a i neEmers on,ext 2 32 & Web Si te:- Jeff Col l i ns ext 225 Cra ft Counci li s a
orga ni za ti on
to Abata craftand the craftindustry. of Directors:
Chair.
Simon WrØt. Ca Igary
Secreta rynrea s urer: Ward Goddard, Edrnonton
Directors.
Steel. Fort McM urray
Maggie
Edmonton
Debra Demers-Brian, John Borrvwman. Canrnote Shona Wehrn, Edrnonton Edmonton E. James Susan White. Calgary
Tara
Calgary
Bradley Keys. Calgary Judith Green Pincher Creek
Mui o Pi etra rna l aE&nonton
Magazine Edit«. Jeff Colhns
Magazine
Li rneDe-s a mInc. EdnMtDn
Members hi p:
informaL0n on membership to the
An»rta Cra ft Counci l
(780)4886611 or Toll Free In
Al berta 1-800-00 CRAFT
E-Mail:
Deborah Tilley is one of 53 fibre artists (all members Of the Fibre Arts Network) who took up the challenge 24" inches. Deborah's work is inspired by the views
of respns,bdity
of theA&rta Craft
ocation:
Cottons,holographicthread
of creating a small work in fibre especially for this exhibition. All pieces in the show are about 24" x
in the AlbertaCraft
tasæ "t 'ergth.
PhotcM4'hy.
About the Front Cover
frcn re
eot
Tom McFa11
• FANFARE •
25.2001
JULY/AUGUST2002 Is s ue:
(1-803-362-7238) 488-8855 accOalbertaaaftab
Webs i te www.albe•naaafLabca
ponsors:
€öönton
Shop Talk
PotterybyDianeSullivan
Hello...
3
ince the Craft Gallery Shop opened in 1990,craft sales have
s exceeded 1.5 million dollars, which is an average of $125,000
per year. Last year (our fiscal year ends March 31) the Craft Gallery Shop sold over $210,000.Over the past two years, our sales have increased by approximately 20-25%each year.
This increaseis due to a higher profile location, higher quality work in the Shop and Galleries as well as a push to buy locally handcrafted work. More importantly, there is an increased public awareness of what defines fine craft. Periodically we are told that we shouldchangeour name becausewhat we are showcasingis not craft, but art. As a purveyor, definitely not a maker, of art and craft, I love to hear this because it proves that we are doing
our jobsand fulfillingour mandate.
lowr lassvgses Martha
The trend in gift giving has progressively moved towards purchasing one-ofa-kind, locally crafted works of art. As more and more people remain single for longer periods and slowly collecttheir householdnecessities, when they do buy their homes, or decide to co-habitate with their
partners, there is no longer a need to.
purchasema
of these necessities. As a result, there is a rise in art and craft items bought as accessoriesor collectionsor simply as investments — especially in an age of low interest rates.
As a production craft artist, how do you capitalize on this trend? To begin with, you must have a solid product line. If you only have time to perfect one thing, why dibble and dabble in many things? Remember that many company presidents started their careersin the mailroom.In other words,start out small and let your business grow. This trend has been a long time coming and as long as there are organizations around, like each provincial craft council, it will continue to increase. Don't forget to check our web site at www.albertacraft.ab.caon a regular basis to find out what's new and if you have access to email and are not already receiving our weekly e-newsletter, please contact us at acc@albertacraft.ab.cafor more information. Till the next time. Ali Fleming
That's a Good Question! Do I need to register my businesse
If you are a soleproprietorand have established a businessin your own name, withoutadding Registrationof a businessconfirmsthe existence any other words it is not necessaryto register and ownershipof the businessand determines the businessIf you chooseto use a "business the business'liabilitiesand responsibilities. name" you have to be registered. RegistrationOfa trade name or soleproprietorA partnership is an agreement in which two or ship officiallyrecordsthe owner and the name morepersons combinetheir resourcesin order Ofthe business. to establishthe terms of the businessand to There are three mainbusinesstypes —sole protect themselvesin the event Ofa disagreeproprietorshipsor trade name, partnerships ment Ordissolution Ofthe business. Partners and corporations. share in the profitsaccordingto the termsof the agreement. A soleproprietorshipis the simplestway to set up a business.A soleproprietoris fullyrespon- A corporationis a legalentitythat is separate Siblefor the debts and obligationsrelatedto the fromits owners,the shareholders.A corporabusiness.A creditorwith a claimagainst a sole tionis normallyformedto protectthe shareproprietorwould normallyhave a right against holders fromcertainliabilitiesand obligations all of your assets,whether businessor personal. Orto providesome tax advantages. This is knownas unlimitedliability.
Thereare a varietyof advantages and disadvantagesto settingup your businessas a sole proprietor,partnershipor a corporation.This decisionis best made after consultationwith your accountantand lawyer.For information on startingor expanding your businesscontact The BusinessLink at www.cbsc.org/alberta or call tollfree 1-800-272-9675 for more information. Toregisteryour businessyour must filecertain informationwith a authorizedserviceprovider. The serviceprovider is a business such as a registryagent or law firm who has been trained and authorizedto completeOneor more types Ofbusinessregistration.Checkyour yellow pages under "Licenseand RegistryServices" Orcheckthe Alberta Government Services websiteat www.gov.ab.ca/gs
ALBERTA CRAFT MAGAZINE
Profiles
in profiles send us your professional quality slides Profiles highlights the talents and accomplishments of Alberta Craft Council members. If you would like your work " with captions, a bio, an artist statementand any "good news" story you may have- Clearly mark your envelope "Profiles —For the Magazine
Pamela Cross Rodger and the Full Moon Gallery By John Alken
The pot is what we see, the empty space is what we use...Taoist metaphor of the pot. s I have come to know Pamela Rodger, its no surprise that Wo words describing her gallery in Bragg Creek are Sanctuary, and Beyond —
names given to her home and displayed on her license plate. Turn right from the main highway through town, then right again at the sign for
Bragg Creek Animal Hospital and the Fulltv%on Gallery. The space faces
away fromthe road, into the pines populated by the many species of Wild birds attracted to her feeders, and patrolled by a large friendly cat.
Through a wooden door the gallery invitesvisitorswith special music, light filtered through the many windows, and a well considered presentation of
work focused on Alberta Craft Council artists- including Pamela's own. The economy Of display, the simple, yet compatible lines Of the gal ery and appointmentsspeak to a respect for the work, and the care in choosing. The music, the setting, permit a moment of disconnection from
the rush of trafficand give pause for quite reflection.
Galleries take on a personality'and definition through the Objects on
offer, and Full Moon benefits from the coming together of Pamela's old friends: artists in full command of their métier. There is an evident evolu-
lion underway as the works of new artiststestand amend the sensibility
of the space and the benchmark Pamela first established nearly 16 years ago when she began selling her own work from a smaller space in the Same building known as The Fine Line. Natalia Touchinski 's won-
derful porcelain and raki] birds, Slightlyexotic and differentas the prod uct of a Russian émigré, continue from the beginnings. The new larger
space has given Pamela herselfthe freedomto display her figurative clay sculptures,which are as much usable shamanisticobjects as
each new artist,or even new Object. We live in a consuming society, and one challenge to acceptance of the genre of craft is the Usual consumer need for an
endorsement by way of label, or for many fine art works the white box/ black suit
gallery atmosphere.Craft as represented
at Full 'Moon Gallery requires the viewer to think and to choose without ready and certification. Value is suggested in the
The Trapezophoron
by Garry Williams
Handbuilt,cone02 clay
relativelyspare numberof objects on display, and the quality in formand finish. Scale is no clear indicator OFprice, and worth is a quality OFuse and experience with an object over time.
There is more than cn emotional relationship between the work and the craftsperson: there is a physicality that informs even the cups and mugs with the artists' touch. The eventual user maintains the process whether in
usage or placement of the obiects. The success OF Full Moon Gallery lies in work that is liked in time and quality, clearly "mode special', that will reward the user for the long term. Pamela wishes to extend a special invitation to all Alberta Craft Council
membersto join her in celebrating the firstfull year of operations for Full Moon Gallery: New Works Opening, Saturday,June 1st from I I a.m. to p.m. Artistswill be in attendanceand One World Drum
Co. will be performing. But, the fun does not end when the gallery Closes at 6. Pamela is hosting a potluck party On her property beginning at
600 p.m. All gallery artistsand their families along with Alberta Crah Council membersand fami-
liesare invited.This is a
unadorned works of art. It's not clear where this evolution may take the
potluck wiener roast so
gallery, because for all her experience and intuitionas fo what makes a
bring somethingto share and your own drinks. One World Drumco. will be
commercial success or disappointment, the gallery defines itself with
performing throughoutthe
evening, R.S.VP_ by May
20 to 1-403-949-2415or
1-403949-3769 or
k'
There is 403949-3759. some availability for tent sites at "Sanctuary- for out of towners.
Leftand above:
Naturallightfiltersinside Full Moon Gallery Below:
Grandmother
Turtle by
Pantela Rodger
Hamlbuilt, Cone 10
stoneware
2
ALBERTA
MAGAZINE
Firing the Bishogama - New Opportunity for an Ancient Experience By Bibi Clement
is summerin theruggedly beauti-
FulPeace Country an unparalled
wood firing expertence awaits inter-
estedartists.We at the Bishogama
InternationalCeramic Workshop Alberta Society (BICWA) are proud
to offera twoweek anagarna firing
workshop with renowned potters Steve Sauer and Al Tennant from the United States. Alberta's newest Artist
Residency boasts diverse studio and glazing space, a variety of kilns including wood fire, salt, and raku, gourmet meals and lovely accommodations in
a gorgeous setting
I am a studio potter/sculptorspecializing in wood fire and raku techniques, Over the course Of my long career I have studied many Japanese techniques. In 1997, I was fortunateenough to attend the IVVCAT (International Workshop of Ceramic Art) in Tokoname,Japan, During my stay I was priVlleged to meet and work with Yasuo Terada, a fourth generation master potter from Seto, Japan. He is also a master kiln builder, famous for having built over 50 traditional wood fire kilns in Japan,
Despite the inherentchallenges the project faced, the building and tesyfiring process was exhilarating. The result,by the end of July 2000, was awesome. The kiln, named the Bishcgarna, is now the only one of its kind in Canada
Its huge size requires many willing hands to gather and chop the wood and stoke the fire that burns for at least six days and six nights. It also needs to
be filled with 1500 to 2000 pots. Kilns such as ours have traditionally belonged to a family or communityof potters.By hosting this firing work shop, we honour that traditionas well as the original commitmentof Yasuo
Terada and his family.
The conversion of our homes and studios to a proper residency has gone
hand in hand with Officially establishing the BICVVA Society. Our intent is to host a variety of workshops for many years to come. My personal dedicahon to sustain the nurturing artistic environment we have created stems from
my deep belief that art enriches life. I invite you to ioin us for this ancient
and magical Bishogamo firing experience.
Firing the Bishogama
July 21 through August 6, 2002 in the beautifulPeace Country.
$975 includes
He was as intriguedby Canada as I was awed by his work and by his
• 14 day's roomand board,
Canada in order to Conduct a series Of ceramic workshops
• glazing materials,
This goal was firstachieved in the spring and summerOf 1998 when the Medalta InternationalArtist in Residency presented Yasuo Terada. He was
• participation in a maior exhibition at the Prairie Art Gallery,
profoundlygenerous spirit. We embarked upon a plan to bring him to
also c featured artistat The VA/orks—An International Visual Arts Celebration
in Edmonton,taught workshops in the Peace Country and at Red Deer
College for Series '98, As well, he toured the Banff Centre for the Arts and traveled on to British Columbia for a variety of other events and workshops
By the end of the summerwe had many requests to give more artists the chance to study with this
talentedman who is renowned for his work and vast knowledge Of traditionaland contemporary ceramics.
• 6 cubic ft Of kiln space,
• clay,
• and the opportunityto share and learn from others as you become an importantpart Of the inaugural firing Of the Bishogama
A special thanks goes to Red Deer College for their donation of equipment.
For more informationor an application brochure call the Alberta Crah Council or speak to Bibi directly at: 780.356.242L1 fax
780.356.2225 email:
or bibipot@telusplanet.net Write Bibi at
Thus the ICV'VA (lnternational Ceramic VVorkshop
BICVVA
Alberta) vvas born. Yasuo Terada returned to the
Peace Country in July 1999 to conduct an intense workshop on traditionaland contemporaryJapanese ceramic techniques, Twenyfour participants carne from throughoutwestern Canada and were hosted by local families.
Sceiety
c/o Bibi
Clement, Box
Hythe, AB.
TOH2C0
ICWA '99 was an overwhelming success,We soonhad commilted participants for the workshop in the summer of 2000
Some were Canadians artists,some hailed from as far away os
Taiwan, Europeand Japan.
The story does not end here. Because he is a kiln builder, Mr. Terada repeotedhyexpressed a desire to create an anagama
kiln on Peace Country land. He felta larger kiln was the only
thing our unique residency environmentlacked
Large
Yiisno Ti•radmat
laree kit— the
ALBERTACRAFTMAGAZINE
3
(8
Studio Talk The Alberta Craft Council's Bobbi Hoffman Scholarship is awarded annuallyto a student of craft, or someonein the early stages of developing a professionalcareer in craft. The money is to be used to support a short-termeducational opportunity.Theannual deadlineto applyfor the scholarshipis September30.Detailsare availableon the ACCweb site: www.albertacraft.ab.ca. In 2001,Arlene Westen,a craft fibreartist,was awarded the scholarshipto assisther in expanding her knowledgeand skillsby attendinga bookbindingcourseledby RegBeattyof the Canadian Bookbindersand BookArtist Guildin Toronto (CBBAG).The following is an excerpt
froma letterArlenewroteto TomMcFall,sharing with him her experiencesof the workshop: At this time I would like to
thank you onceagain for the opportunityto learn from Mr. Reg BeattyOfthe CanadianBookbinders and BookArtistsGuildin Toronto. Studyingwith Mr. Beatty is muchlikearrivingat a friend'shome for afternoontea.He doesin fact beginhis lessonswith a cup of somethinghot, and then verballypours out his latestobsession,Ovid in this case. Every step of his thoughtprocessand laboriousskill is tacitlyconveyedto the student in hopes that they grasp the essentialconceptthat the bookis much more than a mere commonplaceobject A large component Ofmy course was spent
practice.A discussionof hazards in the workplace focusedon adequatelightingand the correctbench height forsittingor standingat for extended periodsof time. We also spoke of selfdisciplineand workethic,securingand interacting with clientele,schedules,fees and expenses, and concernsinvolvedin workingin a shared studioenvironmentwith Otherbinders. Mr.Beattyis attentiveto aestheticconcerns,the 'swell' and the 'drape' of the book,as well as the proportion.It all becomesno less relevantthan contentand display.Affixedthe pages before him, he speaks of the bookbindingtrade and the positionof the handcrafter.*'Thereexistsa pursuit of ultimatecraftsmanship,perfection,especiallyin the French tradition." He pauses, "'We are doomedby our technology." My week's projectsentaileda millimetrebinding, chemiseand numeroussamplesproduced for futurereference,my favouritesbeing, Kozuka-backedsilkbookclothand headbands with rolledJapanese paper. Paper and sewing supportswere discussedat great length. I was shownhow to set brass type for labels,how to make a sewingcradle and methods of 'beefingup' a skinny book.Wespoke aboutsequenceand configuration.Mr. Beattyreminds us that every choiceis significant.Somethings cannotbe 'taught' but must be experienced.All papers have a differentfeel to them, a weight and a drape. Somewill not take a foldeasily,many tear,flatten,crease;and like any other fine craft only throughworkingwith the materialswill one developan awarenessof them. As Oneembarks upon an area of advancedstudy with a prominent instructor, it is difficult for a
student not to harbour thoughtsor insecuritiesof viewingand makingnotationsOfvariousbindwhetheror not theywill possessthe necessary ing methods,fieldtrips to antiquarianbookpreliminaryskillsin order to feelcompetentand stores,and of coursevisitsto all of the prominent be able to fullybenefitfromthe course.I was galleriesfor researchand inspiration.One of the veryfortunateto havehad an instructorwho highlights was a trip to the Japanese Paper place was very sensitiveand observant.At timesI felt with Mr.Beattyin searchof the materials requiredforour projects. Mr. Beatty'spersonaland professionalphilosophies are combinedto Createa uniqueand out-of-the-
CBBAG Studio Overwhelmedby the vast amounts of informa-
tionbut at the conclusion,I was very pleased with my resultsand comfortablewith my skill level.
This coursefocusedon many of the concernsI facein my bookbindingpractice;mainlyusing handmade papers and workingwith surface designedfabricsas bookcloth.Uponreturning home,I felt genuineconfidencein my abilities and was convincedwith the directionthat I want my work to take. A great deal of that reassurance was developedthroughreceivingpositivefeedbackin a safe,encouragingenvironmentwith like-mindedindividualswhere I was able to voicemy concernswith difficultiesregardingthe medium. My onlyregretis that I hadn't investedin a tape recorder.AlthoughI am primarilya visuallearner,I wouldhavelikedto remembermoreof the 'sounds' present in the room.Quietconversation rich with intellectand heartfeltdialogueintermittentwith the tappingof a bonefolder,the ever-so-slightburnishingOflight fingertipsover a spine, and the ebbingto profuselaughteras one realizesthey've spent far to longhovering over the same book. "We no longer teach rhetoric",Mr Beattyquietly
remarks.I disagreewith my instructor. Respectivelysubmittedby Arlene Westen
ordinary learning experi-
ence.Surrounded by lovelyold booksin varying states of disrepair (or repair),
his studio was an ideal setting to speak of regarding settingup one's bookbinding
4
ALBERTA CRAFI MAGAZINE
CBBAG Studios reboundbooks
with marbled edgs
DISCOVERY, Gallery One Family's Passion April 17 throughJune 5, 2002
For a century, more than a dozen women of the McFalI family have made over 500 quilts that have been used by
five generations.
The quiltshave been given to familyfriends neighbours,shut-insand charities.There is even one made especiallyfor a farnilydog. Aunts have made quiltsfor niecesand nephews, grandchildrenhave made quiltsfor grandmothers, mothershave made quiltsfor their children and childrenhavefinishedunfinishedquiltsleft to them by their motheror grandparent. One Family'sPassionpresentsa historicalperspectiveof quiltingin Alberta.The quiltsand quiltedpiecesexhibitedhave been found in a variety of blanket boxes,cupboards and on wallsacrossthe province.Exhibitedtogetherfor the first time,the quiltstell a storyof the McFall women;their loveof recyclingand re-usingfabric;their generousand givingnaturesand their zany and oftenexuberantsense of creativity. The quilts, for the most part, are as practical and no nonsenseas their makers.Whilepretty is not a wordto describethem they're important becausethey capturenot only the personal his-
Focus on Fibre Art
Association
3rd BiennialCompetitionWinners DiscoveryGallery, June 8th throughJuly 6th 2002 Opening Reception:Saturday June 8, 2002, 1 00 p.m. to 3,00 p.m.
This June the AlbertaCraft Council will present
someof the finestworks createdin fibreby severalof Canada'smostexcitingemergingand establishedfibreartists.2002marks the third competitionand exhibitionfor the Focuson FibreArt Association(FEAA).Over 90entries were receivedfor this year's competitionfrom fibre artists in New Brunswick,Nova Scotia, Quebec, Ontario, Manitoba, BritishColumbia and Alberta.Worksby the winnerswill be presented in the DiscoveryGalleryJune 8 —July6. Joinus, and meet some Ofthe artists at our openingreceptionJune 8 form 1 to 3 p.m.
toryOfthe makers and their familiesbut also the workinghistoryOfthis province. As I spoke to the makers,and began collecting the quilts,I realizedthere are two differing ideas of quiltingin Alberta. The first is primarily urban in nature and resultsin the creationof more formalquilts.They tend to be based on patterns;the piecesare often "properly" colour coordinated;they use new fabricsand correct technique.These quilts also tend to be Seenas "precious".They appear in shows and competitions and the older ones are oftenwell documented and well preserved. The secondidea is rootedin rural life.These
quilts tend to be informal and more original and
spontaneousin nature. A ''good" quilt fromthis perspectiveis one that re-usesold materials.is made quickly,and serves a function.In fact,the best complementyou couldgive to this kind Of quilter is "1have washed the quilt you gave me a 100times and it looksas goodas new."These quiltstend to be usedhard, disposedOfand Oftennot valuedby the people who use them or the people who make them. Bothof these prospectiveco-existedand continue to do so, and both these ideas, pre-date,by generations,the emergenceof "fibreart". Quiltedpieces for this exhibitionhave been made by. Isobel,Marie and Helga,(firstgeneration) Betty,Bessie,Ruth, (second generation) Penny,Deanna. Edna,Anne, Sharon,(thirdgenIn 1998the FFAAwas formedto provide an opportunityfor fibreartists,noviceto advanced, from acrossthe land to: "test their ability and progress in their chosen fields, receivefeedbackfromrespectedteachers/ judges, and to exhibit their art to the public."TO accomplishthis the FFAAsponsorsa biennial competitionand show encompassingtraditional rug hooking,quilting,needlework,textile design, hand knittingand weaving.This is the onlyCompetitionOfits kind in Canada. All Ofthe works by the finalistsin the competitionwill be on displayin the MargaretBrine Galleryat the EdmontonArt Gallery,May 16 through June 7, 2002.After the exhibitionwraps in Julyfrom the AlbertaCraftCouncil,selected pieceswill tour the provincethrough the Alberta Foundationfor the Arts Traveling ExhibitionProgram.Thesepieceswillbe on display in many communitiesthroughout Alberta givingthe artistsmuchneeded expoSureand allowingthe people of Albertato and experiencefirsthand, the possibilities beauty of this fine craft.
tion)
Lisa
(fourth
generation).
A quick estimate
Ofthe numberof quilts/quiltedpieces,
made by thesewomen,
totals over 500. To be able to
exhibitover40of these in one place is certainlyuniqueand very exciting! The quiltsare a cross-sectionOfAlberta's social history,representinghomesteadlife,farm life, small townlife,suburbanlifeand contemporary professionallife.The quiltsembody the everyday energyof womenof the McFallfamilyover a century.Their passionand hard working nature is evident in their quilting.This exhibit is just the beginning—there are more quilts and morewomento be celebrated. SharonMcFall
Call for Submissions The DiscoveryGalleryis currently acceptingexhibitionproposalsfor the 2003 exhibitionseason.The DiscoveryGallery encouragesproposalsfromACC members who are emergingand/or established craft artists. It is a venue for showcasinga completebody Ofdeveloped work. The DiscoveryGallerypresents opportunities forsoloand/or group exhibitions. Exhibitionsusuallyrun 4 to 6 weeks. TObe consideredforan exhibitionyou must be an AlbertaCraft Councilmember.
Pleasesend up to 15 professionalquality slidesalong with a CV.Artist Statement, and exhibitionproposalto Discovery GallerySubmission.Alberta Craft Council. 10186-106St. Edmonton, AB, T5J 11--14.
Formore informationplease call Erikaat (780)488-6611 exe 221or toll at 1-800 DO CRAFT(362-7238)
ALBERTA CRAFT MAGAZINE
5
Gallery FANFARE
A
2
—
FLOURISH
OF
FIBRE!
An exhibition of 53 small works in fibre created by members of the Fibre Arts Network (FAN)
8
May 4 throughJune 15, 2002 Fibre artists from Western
Canada are trumpeting the richness of their chosen
medium in FANFARE,
a new exhibit at the Alberta Craft Council Gallery, May 4 through June 15, 2002.
in community-based subgroups and indulge themselveswith an annual retreatwhere they connect
and shareas theystretchtheir comfort zone and take their art to a new level.FAN membership includesemergingfibreartists, teachers,authors,judgesand
.. the yearly retreat is a
award winning quilt artists.
supportive, stimulating
nationally and internationally and some have won both national
time
Manyhave showntheir work
and internationalrecognitionfor
to celebrate
the fact
that I am a fibre artist.
To immerse myself in Designedto showcasethe talents their work. The cooperative of many of WesternCanada's that reality is as good as engenders fellowship of likeleading fibre artists, the exhibition mindedfriendsand celebrates a full body massage features53 small works incorpo- differencesas well as common rating a wide range Oftechniques, interests. followed by a luxurious from new twists on traditional bath in a candle quiltmakingto adventurousand FANFARE—the network's second unique explorationsOfthe medi- exhibit —is a parade of leadinglit room!" edge fibreart in Canada. um, such as embellishingwork Bonnie Voice with beads,rocks,leather or felt. Jean Brandel, in her intuitive Drawingand paintingon fabric piece Summer's End, layers variare favouredby some,while ous fabrics,ribbon, handmade others hand-dye their fabrics. paper, and glass beads in a rich, The artists create both twotexturedsurfacedepictingone dimensionaland threepointalongthe seasons'endless dimensionalworks. cycling—whichJean regardsas part of the common ground The artists are members of the 4 betweennatureand ourselves. Fibre Art Network (FAN),an inspired cooperative of art quilters In Whimsy,ACCmember Mary formedin 1998to promotequilt- SullivanHoldgrafer created a ing as an art formand each dancing burst of colour and other as artists. FANmembers shapewith commercialand hail fromthe fourwestern handpaintedcottonand metallic provincesand share their learn- threads. In her Play Series,Mary ings and news in a monthly approachesher materialswith newsletter edited by a different no preconceivednotion of outmember each month —a long comeand with an attitude of distancemeetingof mindsthat playfulness. She says the fanfa spans artistic, and geographic, resultswhennew discoveries challenges. occur,and while it is often more a 'tada' thana blazingtrumpe Membersalso meetand exhibit 6
I ALBERTA CRAFT MAGAZINE
3
"I realized that I am not alone in battling against periods of low or non-creativity. Others struggle
occasionallywith beingstuck,too.
Sharing our solutions and processes
workshop andMartha's helped me."Emilie Belak
Pelicans,15x 19in, by Edith Quinn
the accumulationOf'tadas' is morevaluablein the longrun. Transitions11,24 x 20 in,
by Joy Cotter
2. Golden Chanterelles, 24 x 24 in,
by Emilie
3.Memories OfRaratonga, 24 x 23 in, by Barbara McNaughton
4. Summer'sEnd,9x 22 in, byJeanMarie Brandel
5. Enigma, 23x23in. bySheilaNiles
"We are all travelling along similar paths, and it helps so much to have company along the way. The pooling, the sharing of knowledge about our art and our marketing experiences is priceless. No matter what the topic, someone has been there... done that...and is willing to share their experienceswith the rest of us." JudyMorningstar
5
"FAN provides validation for my life's work."
Judy Morningstar
Inspiredby thecontinuousjourney ofchangesthroughlife,JoyCotter employeda little technicalinnovation to create Transitions Il
whereblockpaintingwith fabric painton transparentmaterial yieldedan integratedfigureimage movingthroughthedarksand lights of life'schanges.The undulating lines and coloursof the fabricand the couched lines of silverthreadscreatemovement FAN's first exhibit —called HORIZONS- was a traveling
showcuratedby the Art Gallery of the South Okanagan which
opened in Penticton in July 2000 and traveled to Swift Current, West Vancouver, Vernon, Nanaimo and CampbellRiver.
FANFAREis a livelyparade of the leading edge of fibreart in Canada. At once familiar and startling,
playfulandenlightening.Come
and see what the fanfare is all about.
This exhibit is one of more than 30 'voicesin cloth' exhibitsbeing
held in conjunctionwithQuilt Canada—the biennialconference of the Canadian Quilters' Association—which graces Edmontonfrom May20-26.
y'
Formore informationon the FibreArt Network, contactthe 2002FANCoordinator: Bonnie voice Box87, Bradwell. SK SOKopo
Tel (306) 257-4108 lesvoice@sksympatico.ca
ALBERTA CRAFT MAGAZINE
7
o
lln the News AGM 2002
Sunday June 9th at I
Comment:
p.m.
All AlbertaCraft Councilmembersare cordially invited to attend the 2002Annual General Meeting of the Alberta Craft Council, Sunday, June 9, 2002at the Alberta Craft Council officesin Edmonton —10186-106 St, freeparkinganywheredowntownon Sunday. This is your organization;comeand share your thoughts,ideasand directionsas to where you wish to see the ACCgrow.For moreinfopleasereferto the pulloutinsertin this magazine or call the ACCin Edmonton at 780-488-6611 or toll free in Alberta at 1-800-DOCRAFT(362-7238)
Calgary Members Read this First After an incubationperiod Ofalmost three yearsthe ACCCalgaryGroupis up and running. We'veraisedmoney for a localshow-
caseto displayour work,we'veheldshowsat the DevonianGalleryand we've held social and educationalevents.Thisdid nothappen overnight.It took the dedicationand work of a coregroup of committedmembersand the support of the ACC, We've experimented with a variety of activitiesto determine the needs of craftspeoplein this city. We've listened to you and done what was asked.
Thispast year I've beenaskedquestionsand heard comments that I'd like to share. Question:
"Is therea Calgary Group?"
Answer: Yes.We plan seminars as requested by the members.We'veplanned three seminars this year.Wehave continuedto raise money for a showcase for craftspeople in Calgary. We've also hosted a reception at the DevonianGalleryfor the "Culturein the Making"show in March. Question:
"How do I know when and where the
eventswillbe held?"
All eventsare publishedin your CraftCouncil Magazine and on the Craft Council WeeklyENews.Readtheseand markthe dates in your calendar.Sometimeswe can'tplan farenough ahead to meet the magazine deadlinebut We do informyou throughotherways.Also check the ACC website. If you are not on line we have a phone contactlist for membersin the Calgary calling area. Call me and I will passyour nameand phonenumberon to our phoning committee.My name is Norma Westcottand my number is 278-6079(local calls only, please). Or call the ACC.
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I ALBERTACRAFT MAGAZINE
"I get so many emails that I often
miss the weeklyE-News".
Response: This one's easy. In Outlookcreate a folder for Alberta Craft Council.In your menu bar select "Tools"then select "Message Rules".Followthe directionsto createa rule that sends anything fromACC to this box. This will separate ACC messagesfrom spam. If I can do this anyone can. Question:
"What's happening next year?"
Answer: That dependson you. We need
your ideas,your energy and your warm body to fill up our parties.Our currentvolunteers have beenrewardedwith a senseOfcommunity,connections and friendships. It's time to think ahead to next year. Where will we go from here?What do members want? Where canwe expand our influence? Beforeeachseminar we have a brief business Session.At our May 11thseminar we plan to spend some time lookingforward to next year.Comeout and bring ideas.The meeting starts at 1 sharp followedby the seminar. It is behind the library in the Alberta Collegeof Art. Seedetailsbelowand the E-Newsfor more details.
Two SuccessfulCraft Exhibitions "Culturein the Making/'(Calgary- March 6th
through27th)and our "Creative Spirit"
(Medicine Hat - January 10ththrough March 27th) were two successfulfine craft exhibitions programmed and organized by the AlbertaCraft Councilwhich were hosted in spacesoutsideOfthe AlbertaCraft Gallery in Edmonton. "Culturein the Making", exhibited 47 fine craft pieces created by 33 ACCmembersin the DevonianGardensin Calgary. "OurCreativeSpirit",
gary Sem
Saturday May
stoms Regulatio Import and Export" mace: Annex A at ACAD (Luke Lindoe Library), ACAD sat.May
11,2002
which ran during the Alberta Winter Games at the Medicine Hat Museum and Gallery, showcased 53 pieces made by 35 ACC members. A special thanks goes out to the volunteers who made these exhibitions possible. In Calgary, BarbHarrison worked very hard to organizeeverythingwith the Devonian Gardens, receive the work, help hang the show,recruitvolunteersand artists to present demonstrations, and so much more —thanks Barb!!!SusanWhite and Shawne Shiell, helped Barband myself (JeffCollins)hang the exhibition.And thanks to all the artists who came out to give demonstrationson Saturdays: Melody Nayler-Keller,JeffWilkins, Talar Prefontaine, Tara Owen, Lyn Pflueger, VickieNewington, Liv Pederson. A special thanks also goes out to Arne Handley for assistingin making "OurCreativeSpirit",in
MedicineHat, possible.
Alberta Craft Around the Province "Culturein theMaking"and "Our Creative Spirit",togetherwith the 4 travellingexhibitions the ACChas co-ordinatedover the last coupleof years mark a gradual but steady, expansionin ACCprogramming —more exhibitionsof fine craft and promotionof fine craft artists to a broad Albertan audience, not just an Edmonton
audience.
The 4 traveling exhibitions are: 1. Vanishing Icons... craft artists commemo-
rating the grain elevator as a prairie symbol —firststaged at the ProvincialMuseum of Alberta and then first circulated by Harcourt House Gallery,and being shown at the ACCGallery later in 2002 2. CoverStories...an exhibition of work by Alberta Craft Council members whose work has appeared on the cover of, or in, the Alberta Craft Magazine over the past 20 years —shown at the ACC Gallery, first circulated by Medicine Hat Museum and Art Gallery 3. CelebratingChalke... a retrospective of Governor General Award winner, Calgary ceramist John Chalke —shown at ACC Gallery, currently being circulated by the Edmonton Art Gallery (A spin-off of this exhibition was hosted by Triangle Gallery in Calgary.) 4. Alberta Seen landscapes in fibre —shown at ACC Gallery, currently being circulated by Medicine Hat Museum and Art Gallery.
o EdmontonBlankets the City with Quilts Edmontonwill literallybe blanketedwith quiltsand otherfibreart worksin Mayand Juneas 21galleriesand venueswillfeature 36 separateexhibitions.The shows will all coincidewith "Voicesin Cloth: A Quilter's Gathering" —the CanadianQuilter's Association'sbiennial conferenceheld at the Universityof AlbertaMay 20th through 26th. Highlights of the conferenceinclude artists in residence,evening lectures,workshops, classes and special extras. For more information on the conferencecontact Kathy Logan de Chavez at (780)487-1142or visit www.canadianquilter.com
One of the goals of the Canadian Quilter's
Associationis to "promoteenjoymentand recognition Ofquiltartistrythroughcommunicationand cooperation."Volunteershave workedhard to exemplifythis goalby getting so manyEdmontongalleriesto participateby before,duringand hostingquiltexhibitions after the conference. Venuesinclude:
Downtown:
Edmonton Alberta Craft Council (488-6611), Art Gallery(422-6223), Kids in the Hall Bistro —City Hall (413-8060), VictoriaSchool of Performingand VisualArts (10210-108 AVE), MaKaySchool(10425-99 AVE),Stanley A MilnerPublicLibrary(496-7080),
West End:
www.albertacraft.ab.ca updates
Have you visited the ACC web site lately? There are a few changes to be seen. First you
willwantto visitthe4 new onlineexhibi-
tions. CoverStoriesshowcases 26 artists and 38 originalcraftobjects,Go Figurehas 20 artists showing off 30 pieces of their works, Mystery of Mastery exhibits the skillsand talents of 25 craft artists displaying39 masterlycrafted
Website Members' Portfolioshave taken on a new design allowing members to feature an almostunlimitednumberof photos. Full screenimages,a distinct URL (www.albertacraft.ab.ca/yourname) and professionaldesignand administrationallow membersto concentrateon makingand sellingtheircraftratherthanbuildingand maintaininga website.Seeforyourselfby hitting the "SHOPPING"link on any page and then the "MEMBERS'PORTFOLIOS". Portfoliopackages include: Up to 20 images (additionalimagesavailableat extrafee)
works,and Speculations,guestcuratedby Mary Holdgrapher,features25 craft artists and 46 works,togetherwith their "speculations" on what motivatesthem to create. Eachgallery scrollsfrom left to right giving
Resumeandartist statement
and eachitem can be clickedon to reveala fullscreenimagealongwith detailsand
6 updatesa year
the viewer the natural feel of a gallery setting
prices. These first four virtual exhibitions are
just the beginningas everyshowthat appears in the "real"AlbertaCraftGalleryhas the potential to appear on the site.Get there by hitting the "EXHIBITS"link on any page. The SearchableDirectoryof Craft Shows and Fairsnowhas over70listingsof craft showswith detailedinformationincluding booth fees, anticipated attendance, contact
informationand emailand website links. Show promoters have the abilityto list their ownshowson the site automatically.Check this page out Oftenas newshowsare being added weekly.Youcan get there by hitting the "EVENTS"link from any page.
Bugera/ Kmet Gallery (482-2845), Westend Gallery (488-4896), Front Gallery (488-2952), DouglasUdellGallery(488-4445), Bearclaw
Gallery(482-1204) ScottGallery(488-3619), ElectrumDesign
(or whateveryou want to helpsellyour work) Web site administered daily
Additionalgalleriesavailableallowingfor distinctlines of work (Additionalgalleries will be charged $100each)
All purchasesdirectedstraight to your email address - you get 100%of sales, ACC collectsno commission! Don't have e-mail, access to the internet or even a computer?Don't worry, ACC can set up an email address for you to collect all inquiriesand fax, mail, or phone them to you. Youget all of this for $500the first year and only $200eachyear thereafter.Tofind out how you can show your craft Offto the world please contact Jeff Collins in the office at (780) 488-6611, toll free in Alberta at 1-800-362-7238 ext. 225or email jeff@albertacraft.ab.ca
Studio (482-1402), Savvy Spaces (701-5018), Normand's Restaurant (482-2600), Provincial Museum of Alberta (453-9100)
University Campus:
McMullenGallery(407-7152), Lister Hall 9209),Departmentof Human Ecology(4922528),Rutherford House (422-2697), van Vliet Centrealso known as the Butterdome(4222697)
All Venueshave exhibitionsduring the conference (May20—26)withmanyrunning beforeand after the conference.Phonefor addresses,hours of operationsand showdetails.
Lavoie'sportfolio
then
Hit the SHOPPINGlink
Get your own portfolio. Call the office to inquire.
"Speculations" online at www.albertacraft.ab.ca
Hit the EXHIBITS link,
ALBERTA CRA" MAGAZINE
9
CALENDER SUBMISSION DEADLINE:
applications, This juried craft fair will host over 200 high quality
Art Market Online
Call IOO-DO CRAFT or (780) 488-6611,•fax (780) 488-8855:
marketed in Art Market online is a juried art and craft web site a conjunction with a quality art and craft sale. Instead of renting
TheAlberta Craft Council is open to submissions of opportunities
sumers. Your products are available year round without travel inforexpense or time away from the studio. Call today for your
For the July/August 2002 issue is May 25, 2002 e-mail: acc@albertacraft.abca
for craftspeople, from any craft organization in the province,
space permitting. Ifyou are interested in promoting a special
ma ti on fl yer. Be pa rt of the future toda y!! Ca l l tol l free
1-877-929-9933 or 250-672-2411. Email: info@artmarketonline.
Web site: wawartmarketonline.com Marlene Loney, Art Market Productions, P.O. Box 190, Barriere, BC
we will accept no liability for a any loss or damage as a result of
Calyx Distinctive Arts
doing business with any of the advertisers contained herein.
CALLS FOR ARTISTS Call for Submissions
Looking for new work by artists in Alberta, Saskatchewan and Manitoba. The intention of this call is to inform the curators at 6
public galleries in the prairies about contemporary art production
in the three prairie provinces. The result will be a group exhibition that will travel to six galleries (and perhaps beyond) from March 2003 until March 2005. Submissions should include an artist
statement. curriculum vitae, and up to 10 slides or other related materials (publication, video. cd-rom, etc.. Also include a self addressed stamped envelope. Mail to: Call for Submissions c/o
Moose Jaw Museum &Art Gallery, 461 Langdon Crescent, Crescent Park. Moose Jaw Saskatchewan, S6H OX6 Deadline for submissions: June 30, 2002
A Mail Art Call for Entries
The Fabric Of Life. How do textiles give meaning to your life? What comforts and sustains you? Open to all media (poetry and
Founded by a group of professional artists with a collective Vision and mutually supportive artistic goals, host art exhibition and sales twice annually in Calgary, AB The four founding members of Calyx exhibit and sell their own work and welcome other qualified artists to participate in these events. If you are an artist with aspirations to sell your work in a high quality,juried event with
like-minded peers, please contact us at (403) 949-2961 or
calyx@cadvision.com for more information. Next exhibition: Saturday October 19 & Sunday October 20, 2002. Submission deadline: FridayAugust 16, 2002.
CRAFT SHOWS AND FAIRS (T/sit the Alberta Craft Council web site for a listing of more than
70 craft shows and fairs in the province. w%w.albertacraft.ab.ca. Hit the Eventslink and search the directory for complete details on each show.)
Our Best TOYou Art & Craft Sale —Red Deer
The Edmonton Public Library
is inviting emerging and established artistslphotographers to submit proposals to show their work in the libraries two spaces. Gallery and Theatre Foyer at the Stanley A Milner Library.We are
seeking for exhibition, the works of artists who have achieved consistency in style and form. Each successful candidate will be able to exhibit up to 4 weeks in 2002. Each applicant must sub-
mit 12 -14 photographs representing the work to be shown. Each photograph should be identified as to date, title, size and media.
Please send a biography or CV, statement of intent and show title Include a self-addressed stamped envelop for material return. Forward all inquiries or applications to Facilities Stanley A Milner Library, 7 Sir Winston Churchill Square
Edmonton, AB, T5J 2V4, Phone (780) 496-7080
Art of the Book •03
The Canadian Bookbinders and Book Artist Guild is pleased to
announce that it is currently accepting entries for its third juried
Exhibition Park, Regina SK. Friday Nov. 8 — Sunday Nov. 10, 2002
10th anniversary, juried, 165 booths. Contact Marg Brown,
Art Market 2002
16th Annual art and craft sale. 210 Artisans, juried, high quality event Dates: Nov. 14 —17, 2002. Location: Telus Convention Centre
Calgary, AB. Apply early! call toll free 1877-929-9933 or
250-672-2411. Email: info@artmarketonline Web site: www.artmarketonline.com Marlene Loney, Art Market Productions,
p.o. BOX 190, Barriere BC
IEO
25th Annual Canmore Folk Music Festival
August 3rd, 4th and 5th, 2002
Arti s ts a nd cra fts pers ons a re i nvi ted to s el l thei r work a t Al berta 's
longest running folk festival. Spend a great weekend in the mountains listen to fabulous music and showcase your work. For
an application and info pack write the Canmore Folk Festival at P.O. BOX 8090, Canmore, AB, TIW 218 or call administrator Linda Hammel (403) 678-5882. Deadline for application is May 15, 2002
Christmas in the Park
Accepting applications for juried Christmas Craft Fair on November 9, 2002 at Festival place, Shenvood park. Over 80
tables ContactJanna at (780) 951840 email Zielinski75@hotmail.com
Fax:(780) 922-1165 or
members' exhibition. The show Willopen at the York Quay Gallery, Harbourfront. Toronto in the fall of 2003 and will travel to several other Canadian cities from December 2003 through 2M Entry fee is $20. Deadline for slide subrrussionsis June 30, 2002. Request a call for entry application by writing•.Art of the Book •03,CBBAG, 176 rel: (416) 581-1071 streev suite 309, Toronto,
The Edmonton Craft & Gift Fair
Generations Gallery
Set for November 2 & 3, 2002 at Millennium Place, Sherwood
Submissions are currently being accepted for ID and 3D work at Generations Gallery and the Galleri Dining Room (20 work only) at the Multicultural Centre in Stony Plain, Alberta. Please include
a currentCV and 6-10 slidesof currentwork, a slide inventory', artist statement. Artist fees paid. $400 per 6 week exhibition.
PhoneVince at (180) 9630777 for more infQ or forwardsubmissions to GenerationsGallery,box 2188 Stony Plain,AB. TIZ IX7
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I ALBERTA CRAFT MAGAZINE
tion at (780) 488-8855 and we will be sure to include it in our calendar section.
Ars Libri Bookbinding and Box Making —Edmonton
Professional book design and book conservation studio offers intensive courses in decorative bookbinding and box making in Edmonton. Each course is limited to 6 students. For a complete listing of classes available contact Ksenia Kopystynska at
780-414-0548 Ars Labri is located at 10572 — 109 Street, Edmonton, AB
Voices in Cloth: A Quilters' Gathering
Quilt Canada 2002, Edmonton, AB, 20-26 May 2002
The Canadian Quilters' Association proudly presents its biennial quilting conference, to be held at the University of Alberta in Edmonton from 20 - 26 May, 2002. The theme of Quilt Canada 2002, "Voices in Cloth: A Quilter's Gathering", exemplifies the
goal of the CQAJACC, which is to promote enjoyment and recog•
nition of quilt artistry through communication and co-operation. Highlights include exhibitions throughout the city including the ACC, artists in residence, evening lectures, workshops and classes and special extras. For more information contact Kathy Logan
Craft Business Training Manual
Box 431, Okot0ksAB TIS IA6 Phone/Fax(403) 9388102
Box 431, Okotoks, AB TIS IA6 Phone/Fax (403) 9388102
Nickle Arts Museum Gift Shop contact Robin at (403) 220-7234
interest to Alberta Craft Council members? Fax us your informa-
de Chavez at (780) 487-1142 or visit wmcanadianquiltetcom
Nickie Arts Museum Gift Shop
shop setting. If you are interested in consigning your art at Calgarys
Doesyour group offer classes or instruction that would be of
2002, 11th annual, juried 165 booths. Contact Marg Brown,
Our Best To You Art & Craft Sale —Regina, SK
sans who are looking to get vital exposure for their work in a gift
EDUCATION
Westerner park Red Deer,AB Friday, Oct 25 —Sunday Oct 27,
prose welcome), Size: maximum 15 x 22 cm Deadline:August 31, 2002. TO be exhibited in a Non-Art Place. For more info mail to: Elaine Rounds 2237 Louise Ave, Brandon MB, R7B 017 We're searching for serious local, provincial and Canadian arti-
Fax: (780) 922-1165 or email zielinski75@hotmail.com
conbooth you rent a page. Show and sell your work directly to
event activity, gallery, show, or employment opportunity, please call the ACC office. The ACC makes every effort to ensure the
reliability of all the programs and sewices listed below, however
exhibitors. For application call Janna at (780) 951-6340
Annual craft fair November 30 & December 1, 2002 at Northlands Park, Edmonton. Booths start at 5225.00. For application contact
Janna at (780)951-6340. Fax (780)922-1165 or email zie1inski75@ hotma i l .corn.
Country Christmas Craft Fair
Conference Centre. This juried show will feature over 150 exhibitors. For application contact Janna at (780) 951 •6340
Fax: (780) 922-1165 or email zielinski75@hotmail.com
A Winter Festival Of Crafts
Edmonton's largest Christmas Craft Fair being held at the
Mayfield Trade Centre on November 23 & 24 is now accepting
Ma nua l expl ores 10 modul es ta ught i n pl a i n, unders ta nda bl e l a n-
guage that relate to practical problems and business decisions facing craftspeople every day. Modules include: Product Development, Production/Studio Management, Marketing: Distribution, Marketing: Pricing your Products, Marketing: Promotion, Record Keeping: Fling System and Clerical Records, Record Keeping: Keeping your Books, financial Planning, and Your
Business Plan. Call the Office in Edmonton: 488-6611 or toll free in AB: 1-800-362-7238, to purchase your manual.
Northern Lakes College
is pleased to present "Ose'chikew 2002" , our Aboriginal Arts
Summer Session. This program is a one week session offering instruction in four colouful traditional crafts: Bead Work, Moccasin-making, fish-Scale Art and Quill Work. Participants will
study the craft of their choice in depth during the weeklong workshop. The instruction is hands-on and there will be a lot of sharing bet%'een students and instructors. Registration deadline is
June 26th, 2002. For a brochure and registration information
contact: Cathy Wilcox, Ose'chikew Program Coordinator, Northern Lakes College, Grouard Campus, Bag 3000, Grouard, Alberta, TOG ICU,
751-3241 ,
Hand Weavers, Spinners and Dyers of Alberta
Hand Weavers, Spinners and Dyers of Alberta Conference 2002 to be held at Olds College, Alberta from May 24 —26, 2002 with seminars and post conference workshops. For information and registration please contact Betty Garstin at (403) 558-3990, e-mail egarstin@telusplanetnet
The Aesthetics of Skill
International Ceramics Conference May 24 —26, 2002 Red Deer
College. Studio Demonstrations, Anist Presentations, Trade Show, Exhibitions. Keynote address by Paul Greenhalgh, president, Nova
Scotia College of Art and Design. Pre and post Conference Workshops: Wood•fired Stoneware and Porcelain, Jack Troy, May 20 —24. Perfect Harmony. Tea Pots, Cups, Jugs and Other
Domestic Friends, Janet DeBoos, May 27 —June 7 For fees and regi s tra ti on i nforma ti on vi s i t www.extens i on.rdc.a b.ca or ca l l
403-357-3663 or toll free 1-888-886-2787
Creative Explorations: A Series.
Mary Sullivan Holdgrafer and Wendy Huntington, Healing Stitches: How Your Art Imitates Your Life, Sept. 27•Oct.2, 2002. Discover
8 and explore your personal creative passion through working in textile arts. Engage your creative process in a nurturing resort setting at Haven by the Sea, Gabriola Island, BC. Brochure or to register, PD Seminars, 250-247-92211 , website.vnmpdseminars.corn; for course information: mshold@interbaun.com.
Glass Blowing for Beginners
Glass Happens, Edmonton's only hot glass shop has workshops and classes available for anyone interested in leaming the fine art of blowing glass. Carol Jane Campbell and Jeff Holmwood also present studio demonstrations for people who just want to
Full Moon Gallery —Happy 1st Birthday!
Opening: Sat June 1st, 2002, 2:00 to 5:00.16 Balsam ave. Bragg Creek, AB Nea works by Alberta Craft Council artists (artists in attendance) Music by One World Drum Co. Potluck social to fol• low at 6:00 at Pam and Bruce Rodgers property, Sanctuary", Bragg Creek. Gallery artists and ALL ACC members are welcome.
RSVP. for potluck: 403-949-3769 w. 403-949-2415
are interested in textile classes information, artist profiles and learning about new •callfor entries' then we are a group for you! We would like to encourage interested individuals (and groups)
The Croft
joining our family Of fibre artists and enthusiasts.
The Croft features fine arts and crafts produced by regional artists. Regular exhibitions are held to inform the public of the
see what all the fuss is about. Contact Glass Happens at in
fine arts and crafts available and produced by local artists and to
Glass Happens web site at wvm.glasshappensca
2105 4th st SW Calgary AB. T2S IW8 Tel: 403-245-1212 Email: info@croftgallew.com
give the artistsa chance to meetthe public.Join us at the Croft.
Edmonton at 484-8388 or email glasshap@awebca Visit the
A.R.T. Glass Studio
Offers classes and supplies for stained glass Learn a variety of techniques and make your own stained glass panels. For a com-
GRANTS/AWARDS
plete listing of classes offered in May and June contact Rosa
Taylorat A.R.T Glass Studiosin Edmontonat (780) 989-3114
Visit the Alberta Craft Council web site for a complete listing of grants awards and scholarships available to Alberta craft artists
EXHIBITIONS and EVENTS
www.albertacraftabca Follow the Info link and then hit on Grants and Awards
Focus on Fibre Art Association
Surfacing: Textile Artists and Designers Association
Surfacing: Textile Artists and Designers Association, is expanding and looking for new members We are a national group that promotes the recognition and growth of textile and fibre art. If you
to check out our website.
and consider
Alberta Potters' Association
Annual General Meeting May 26.12:15 Red Deer College. If you
have nev.'and excitingideasfor the directiontht the APA might
take in the future —we need you! The following positions are up for election: President, Vice President. Membership Director, Directors (2) The APA aspires to be the collective voice of the Alberta Clay Community; a representative Of the clay community to all levels Of government and the general public; a promoter Of
ceramic excellence. Individual memberships start at S30.OO Email the APA C/O Kim Manhard, kirnmanhard@hotmail.com
Hand Weavers, Spinners and Dyers
Offering newsletters library services, weaving certificate programs annual conferences Juried exhibitions, fibre fare. financial
assistance, scholarships and more Contact Frances Schultz for more info at Box 87 Monarch. AB, TOL IMO
OPPORTUNITIES
Northern Alberta Woodcarvers' Association
8, 2002, 1:00 p.m. to 3:00 p.m. 10186-106 st Edmonton. Tel 488-
Sundogs & Northern Lights Studios Spring Sale
and how to join contact RonJacobs in Edmonton(780) 467-1738
Garden Swing, Arbors. Obelisks, Trellis; Chaws. Designed using,
Southem Alberta Woodworkers Society (SAWS)
7, 2002. After the exhibition wraps in July from the Alberta Craft
Willow. Rock, and other found materials JUNE 1-2 & JUNE 8-9 51304-RR195, county of west of 2002 1Oa.m to Beaver 780-662-2845 rachael@telusplanet.net
3rd Biennial Competition Wlnners in the Alberta Craft Council Discovery Gallery June 8th through July 6th 2002. Join us for an opening reception and meet some of the artists on Saturday June 5900. All of the works by the finalists (not just the competition winners) in the competition will be on display in the Margaret Brine Gallery at the Edmonton Art Gallery, May 16 through June
Council, selected pieces will tour the province through the Alberta Foundation for the Arts Traveling Exhibition Program.
Handcraftedone of a kind RUSTIC HOME and GARDEN items
http•]/www.telusplanetnetipublidrachael
High Rivers Art Societies
Spring Fine Arts Wine and Cheese Gala, May 10th, 2002, 4PM TO
IOPM at HeritageInn, High River,Alberta. We invite artists from
southem Alberta to join us For inquires call Alice Clarke
403 938 4844
ORGANIZATIONS/MEMBERSHIPS Alberta is setting up a CARFAC (CanadianArtists' Representation/Le front Des Artistes Canadienes) Chapter.The parieriesare in de%krate
Looking for something to do this summer? Check out The Works
Visual Arts Festival, June 21•July 3! Join us as we celebrate the
need of a l±by group tht will focus on the needs and rights of
contemporary visual arts in Downtown Edmonton. Explore the numerous exhibits, artist demonstrations, lectures, programs and workshops, or stroll through Churchill Square and take in the live performances, tours, food and beverage gardens. (780)426-2122.
eworks.ab.ca.
artists in this province as well as the rest of Canada. Budget cuts govemment apathy and misinformationdistributedby tie meda to the publ i c ha ve ha d a deva s ta ti ng effect on a l l Of us . Get i nvol ved.
become a
or just find out more atnut CARFAC For minutes
on the l a s t CARFAC meeti ng a nd genera l i nqui ri espl ea s e conta ct
carfacalbena@hotrnall.comand for more informationon CARFAC
National visit
Newsletter, workshops, sales, etc For information on meetings
An organization for woodworkers living in Southem Alberta. For
informationon meetingsand how to join contact Henri Lefebvre (president) in Calgary (403) 249-9548
The Edmonton Needlecraft Guild
Encourages the practice and study of the art of embroidery in all forms Membership provides the benefits of monthly meetings, bimonthl y news l etters , works hops , gui l d l i bra ry a nd members hi p i n
the Embroiders' Assoaation of Canada. Contact Marian Preshing
- president- at (780) 473-3003
CARFACAlberta
The Works
An organzabon for woodcarverslivingin NorthCentralAlberta.
HAM - Hot Artists With a Thirst
A newly formed glass organization of the Prairies whose main
objectives are to connect and have fun, with just enough Structure to keep it going. It is open to ideas from all members: to run
with a project. take charge of an event. plan an activity that
involves the partlapation of any interested members. HAWT will
provide financial aid For more Information write H.AW.T. c/o apt. 4, 5364th Ave N.W. Calgary. AE T2N OZI
carfacca
Quality Craft Productions A WINTER FESTIVAL OF CRAFTS
COUNTRY CHRISTMAS CRAFT FAIR
Nov 23 & 24, 2002
Nov 2 & 3, 2002
Mayfield Trade Centre
Over 200 Juried Exhibitors
Edmonton, Alberta
(Booth fees starting as
low as $155.00)
Millennium Place
Sherwood Conference Centre
Over 150 Juried Exhibitors
111
Sherwood Park, Alberta
(Booth fees $185.00)
For Application call (780) 951-6340 Fax: (780) 922-1 165 or E-mail zielinski75@hotmail.com ALBERTA CRAFT MAGAZINE
Risky Business? id you know that there is now a program of business insurance tailored for the Canadian Craft Industry? YOU TOLD US YOU NEEDED: • a custom program with broad coverage
• including exhibitions across Canada and the USA
Insurance
Program
WE DID IT!
For complete details, contact Kim Libenstein, Program Co-ordinator and Account Executive Nacora Insurance Brokers Ltd., 1075 Bay St.,
Suite 404, Toronto, Ontario M5S 2BI Tel: 1-877-922-0030, ext. 222 Fax: (416) 922-8400 E-mail: klibenstein@nacora-can.com Alberta Craft Council Memberssave $25.00.
• liability coveragein the studio for craft instructors • and greatly reduced program rates
craft
CALL FOR ENTRY 16th ANNUAL
Why have a risky business?
Working for the Working Artist Materials Tools
• Advice NOVEMBER 14-17, 2002 Telus Convention Centre Calgary, Alberta
210 High Quality Artisans
• Support Putting it all together THE
ART MARKET
PRODUCTIONS
MARLENE LONEY P.o. BOX 190 BARRIE-RE, B.C. VOE IEO TEL:1-877-929-9933 FAX: (250) 672-9517
www.artmarketonline.com
12
ALBERTA CRAFT MAGAZINE
10516 Whyte Avenue, Edmonton,AB
Tel:432-0240 Fax: 439-5447 Canada 1-800-36m546
info@paintspot.ca
27th Annual November7-10, 2002
Shaw Conference Centre Edmonton, Alberta
vfigags
affhe www.ArtisansAtTheShaw.com formerly "The Cameo CraftShow n Hand-Crafted Originals
l Art ' Objet d Art Visual
Gourmet Food
Prairie Sage Productions Ltd. is pleased to capture the essence of
Christmasat the 27th Annual Artisans at the Shaw, November710,2002 at the Shaw Conference Centre in Edmonton,AB. Managed and produced by Prairie Sage Productions Ltd., owners of ARTessentIaI —The Ultimate ART Show in Calgary,Artisans at the Shaw juries hand-crafted originals, objet d'art, gourmet food
We are committed to putting shoppers in the seasonal mood by creating the most upscale fine-craft, gourmet food and visual arts retail selling opportunity in Edmonton for the Christmas season. Be a part of the exciting sales buzz at Artisans at the Shaw. ns afthe Shaw (formerly the Cameo Craft Show) has been a Christmas eqaditionfor Christmas shopping in the Capital region since 1975.Artisans at the Shaw specifically targets women 35-54 with a secondary market defined as women 25-34 and women 55-64. We believe in intense radio (Easy Rock 104.9,Mix 96, CHED and CFCW), strong newspaper (EdmontonJournal) and bold outdoor billboards to promote Artisans at the Shaw. To compliment our paid advertising campaign, you can participate in our innovative promotional opportunities available to juried exhibitors. Be a part of the great Christmas ambience in Artisans at the aw. Artisans at the Shaw is the right show, on the best show dates, in one of Canada's booming retail markets.
Produced by
Call Darrell Komick at 1.403.253.1966or email jury@ArtisansAtTheShaw.com for participation information. Visit our web-site at www.ArtisansAtTheShaw.com for show information. Works on exhibit may not be exactly as shown.
prairie SAGE
productions
.4
Membership Application ACC Name
New and Renewed Memßers 'ft-•.S
„
Address
City .
.
Postal
. Province .
Business Phone
Home Phone
.
Affiliate organization/school/library/assoc./institution:.
Are you a Craft Producer? O Yes What medium(s) do you primarily use? Clay
Glass
fibre Mixed
Metal Other
Leather
What products do you make? Wood turnings
Jewellery
Paper
Quilts
Wall hangings
Ornaments
Weaving
Clothing
Cl Sculpture
D Baskets
One of a kind Other
Membership Individual *Affiliate Senior (age 60) Student[Library
Production pieces
1 year $40
a $20
* *Family
Assoc. (voting) Assoc. (non-voting)
Furniture Tableware
$70
O $95 $65
Retail
Institutional
2 year $75
• For an individual who belongs to an organization that is a member of the ACC. Please enclose the
o $70 $35
name of the affiliatedorganization.
$35
D $135 $185
• *Full membership benefits for two individuals at the same
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$65
o $125
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address, but one subscription to Alberta Craft Magazine.
O MasterCard Expiry Date ——1—1
Card Number Signature Please make cheques payable to the Alberta Craft Council. Outside Canada add S5 for magazine postage.
Mail to:
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C] I would like to volunteer my services, please contact me.
Return Address: Alberta Craft Council 101 86-106 Street
Edmonton, AB T5J 1 H4
New Members Wayne Alsop, Black Diamond Peter Bachman, Sherwood Park Stephanie Barnett, Calgary, Clay, Painting, & Drawing Alyssa Becker, Edmonton, Fibre & Mixed Media Cindy Bennett, Edmonton, Clay & Window transparencies Kelly Bibkewich, Edmonton, Clay Miss Wendy Marion Davis, Edmonton, fibre & Pressed Flowers/Cards Robin Falkowsky, Calgary, Fibre, Metal, Wood & Mixed Fort McMurray Historical Society, Fort McMurray Gordon Galenza, Calgary, Wood & Mixed Donna Gent, Spruce Grove Susan Hubele, Cochrane, Clay Erwin Hunke, Edmonton Al Kapusta, Calgary, Metal & Wood William Leslie, Edmonton Mireille Marquis, Swan Hills, Fibre Yvonne McGrath, Edmonton Suzanne Menard Nicholson, Edmonton Ralph Reichenbach, Edmonton,Wood Evan Rudyk, St. Albert, Metal,Wood, & Mixed Joan Schiebelbein, Edmonton,Tile Paul Squires, Edmonton, Plastic Hazel Sutherland, Edmonton Linda Thomas, Edmonton Tom & Merla Todd, Coleman, Wood & fibre Town of Okotoks, Okotoks Julia Tsetso-Perron,Calgary, Clay Garry J. Williams, Calgary, Clay & Concrete Lynne Wuetherick, Edmonton
Renewed Members
Nancy Allen, Calgary, Fibre Lynne Bowland, Lord's Cove, Stained & Leaded Glass E. Ross Bradley, Edmonton,Glass, Clay Tracy Brown, Edmonton,Metal Emil Bucharsky, Spruce Grove, Metal Sharon Busby, Edmonton,Clay & Painting Robert Cadman, Carbon, Wood Myrna Campbell, Okotoks, Clay Debbie Chiumento, St. Albert, Clay, Mixed Media & Fibre Judith Chorney, Spruce Grove, Fibre
Debra Demers-Bryan, Camrose, Clay Dawna Dey-Harrish, Sherwood Park, fibre Judith Green, Pincher Creek, Clay Ann Haessel, Calgary, Fibre Hand Weavers Spinners & Dyers, Edmonton, fibre Barbara Harrison, Calgary, Fibre Patricia Hartnagel, Edmonton,Raku Clay Carol Hartwell, Stony Plain, Clay Victoria Hemming, Edmonton,Metal Chris Hepburn, Edmonton,Metal Cindy Hoppe, Biggar, SK, Fibre Roseann Janzen, Carvel, Metal Ted Jolda, Parksville, Glass - hand-blown Terry Juzak, Edmonton, Metal Bradley Keys, Calgary, Clay & Metal Allan Lindoe, Edmonton,Wood Betty Louden, Calgary, Fibre Kathy Maccagno, Lac La Biche, Native Crafts Don MacDougall, Balzac, Metal & Wood Wayne Mackenzie, Edmonton, Metal Jewellery Brenda Malkinson, Edmonton,Glass - flat Ian Medland, Cochrane, Metal Jewellery Margaret Murray,Edmonton,Metal Tammy Parks-Legge, Stony Plain, Clay Elizabeth Penttinen, Edmonton, fibre Darren James Petersen, Red Deer, Glass - hand-blown Bob & Connie Pike, High River, Clay Colleen Rauscher, Calgary, fibre Melody Robinson, Sundre Clay Sheep Creek Weavers, Calgary, fibre Barbara Starrenburg, Red Deer, Metal, Clay, & Mixed Media Sylvia Teare, Calgary, Clay Dianne Thompson, Okotoks, Stained Glass Lisa Tornack, Calgary, Clay Mary Ursuliak, Summerland, Clay Carol Voyt, Calgary, Clay Drexel Walker, Calgary, Clay Shona Wehm, Edmonton,Fibre Jean Weller, Prince George, Fibre
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