MAGAZINE
ALBERTA
MARCH/APRIL 2002
ALBERTA CRAFT COUNCIL
Z$yrnbol of Qug!ijy Skill and Ability
March 9th through
April 27/ 2002
ALBERTA
c
L T URE
IN THE
MAKING
CREDITS, Trends in the Craft Scene furtherafieldfor lovelyluxury items.Theymay not be
Greetings, am regularly asked, by members, media and others, about trends related tofine craft. I am skeptical about anyone who claims to
understand or predict trends, especially in Ourfield, because in fine craft (and culture generally) diversity reigns. For every dear trend, there is another contradictory trend.However,there are a few emeØng trends that We needto watch and perhaps respondto:
Trend: Thenumberof retailgalleriesand shopsælling fine craftin Albertahas shrunkby abouthalf overthe last 10years. Retirements, changes of owmership, business failures, real
estate
(partiQ11arly in the mountaintowns)have all
Trend: Hot glas continuesto fascinatebothcustomersand
LookformotereviewsfromTorontowriters and fewerfrom
and skillbuilding.
Trend: Enrollmentcontinuesto increaseat Series(Canada's largßt and bestvisualarts summer as well as at many of the localguilds and arts centres.Thisseemsto indicate
increasing inteæst in learning fine craft prcxesses, expanding creativiw, exploring ælf-expression, etc. is good news for the professional craftspeople who teach. This interest in quality education helps generally in building widespread appredation for sophisticated craft activity.
Trend: Attendanceand
salesare reportedto be downat
mostofthe largeChristrnas craftfairs.Customers
to be
more interested in buying quantities of small, inexpensive gifts
and less interestedin larger,moreexpensivecollectibles.lhis is having a direct impacton manyACCmemberswho sell at theseSiles.Fromthem,I hear a lot of speculationabout the futur of the big *11B,or at least their viabilityfor craftartistsTrend: Manybig Christmasand tradeshowshave changed ownership and management over the past few years. Art
approvalof head Office.Conversely,electronicmedia such as
radio
cablenetworks,newsand entertainmentweb
Sites, etc. to be paying mor attention to culture events. Certainly coverage OfACC events has increased dramatically.
Trend: Perceptionsaboutart,craftand designcontinueto blur.Orthodoxiesaboutart and craftarebreakingdown.The
strongestprogramsat the CollegeOfArt and Desigrl am in craftmedia.TheEdmontonArt Galleryis featuring eral fibrecraftexhibitionsthis year and the TriangleGalleryin Calgaryhad a recordresponseto its majorJohnChalkeexhibidon.Nationallyand internationally,big name fumituremakers are starting to design for industrial production, and industrial designers and architects are looking to craft media for material,
and productideas.And backat home,the AlbertaCraft
Council organizes much more public and member activity
than any Othervisualarts associationin Alberta.
Willprobably make the shopping less interBting.
Trend; C)ecliningsalesof appliancesand automobilesindicate Americanand (to a lesserextent)Canadianrecessions,but sales continue to climb at high-end and morequality-oriented
venuesforfinecraft.TheAlbertaCraftCouncil'sShopin
by 43%over the last 2 years! Edmontonhas had sales is in big-ticketluxury items And the most obvious ranging from $5(1)to almost $90.
Trend: Also,despitetheAmerican
moreACCmem-
bers are successfully selling their work through American gal-
leries and shops.Certainly the low Canadiandollars is a factor,
but it also seemsthat sophisticatedAmericancustomersare
cha.Org
undertaen Z
Oaf
thre re
OahCcu•-a
yd 'Et cf the
OsteMd
01El
Cra ft Counci lOffi ce & A•mta Cra ft Ga l l ery,
Eth Street Edrnonton.AB CanadaTSI tH4
Hours ; Mon to Fri .9
to S pm
Tee (70 OR (1-em-3620238)
Far
(780)488-8855
Craft Gallery + Shop;
Monda y- Sa turda yfrom 10 a m to 5 LBO
Hws
(M) 488-5900
Executi veDi rector. Tom McFå Ä.ext 228
Administration Menager, Nano St Hilaite ext Craft
MemberServi ces
Eri ka Ra tzl a ftext. 22'
Ai Fleming.ext 232
Cra ft Shi * Sta ff. El a i neEmers on,ext 232
&WebSte
ext 225
Jeff
Craft note-profit reanizatia•i to A..bertd craftand craf h±stD•, Board of Directors:
Cha i r: Siron WrootCalgari *deta m-'TQa s urer. Ward Edmonton Drectors : Steel. Fort McMurray Maggie Murray. Edmonton Debra Demers-Bryan.
John
Canmore
Shona Wehm. Edroonton Susan White Calgary Tara Owen. Calgary Ca4gari
Tom McFa11
Ju&th Green.Pi röer Creek
About the Front Cover
products. The Symbol contains five
for emerging and local craftspeople and
oferr
Gth&
Jame Kn&ake
reduce opp•rtunities
the countryand in the USA Thismay
Of
tmcfall@albertacraft.ab.ca
am now owned and operated by large companies that produce
Butterdomeand the formerCameosalesin Edmonton.the forrnerSouthexwholßale showsand Oneofa Kindin Toronto
in
My trendsare foodfor thought.Don'tbet your bottomdollar on any of them. Sendyour trend suggestionsto me at
The Alberta Craft Council's Symbol Of Quality program recognizes Alberta craft artists who demonstrate a high level of skill, knowledge and
Marketin Calgary is still lcrally owned,but otherssuch as the
to
relatins
expressive "art pieces".
thefutur to get mediaasistance forarts events,without
tinues to boom.Thereseemsto be no limit to the numberOf peoplebuying fabrics,booksand magazines,æwing machinß, etc. Manyhave committedthemselvesto long-termlearning
the
qualityand originalityOftheir work Theexceptionæems to be wood-firedpottery,and larger,moredistinctiveand
"justlooking
als. This may suggest that consumers are tiring of buying expensive materials, pattems and kits to make into relatively unimaginative and common-place "crafts". quiltinga by both first-time amateurs and experienced makers, con-
Craft
Many Alberta potters are experiencing Slow sales, despite the
It-ralscribes,morestoriescomingfromnationaland foreign papersand fewerof localorigin. And consolidationis starting to affectmedia sponsorshippoliåes. It will be moredifcult in
connectedto a generaldeclinein the marketfor hobbymateri-
or MAY/JUNE 2002 Issue March 25.2Ø2
slipping in popularitywith both customersand makers.
Trend: Media consolidation, particularly in newspapers, is resulting in more articles, reviews and news being syndicated.
an incrasing number OfACCmembersare sellingtheir work through regular Orinvitationalstudio saleswhichæem to attractcustomerswho am æady to buy ratherthan
B
ion Deadline
craftspeople. l>mand is high for courses, rental studio space and finished work. Unfortunately production pottery is
contributedto a reducedmarketforcraftspeople. Conversely,
numerousshows
Craft
buying Fords OrMay-tags, but they are buying Altærta hot glass
and saddles.
MAGAZINE
ALBERTA
ability in producing quality craft distinct elements representing the five maior craft
Magaine Ettor:
Magazine Desø Membership:
For i nforma ti onoh
vA&rta CraftCouncii
M&io Pietramala.
Jeff Couns
Lirne
to the
call' (7"488-661 Tol lFreei n
thrownand hand carved by Calgary potter,and
Symbol of Quality licensee, Diane Hove. Read the full story on page 6 and 7.
CUFT
(1-800-362-7238)
Far (780)4888855
E-Mail:
V"bsite
uCabertacraft aba
productionareas: metal, fibre, clay, glass and wood. The hang tag states: "This symbol identifies quality Alberta-made craft as selected by an Alberta Craft Council jury". The clay pot on the cover is wheel
Inc Eåmn%n
€monton
Shop Talk Shop Talk Clay Neighbours Fleur McLauchlan- Manitoba
orthesecond F year in a row, I am proud to announce thatwe havereached
Pauline Pelletier —Quebec
schedule!Sinceour
March 9th through April 13, 2002
saleshaveincleased more than 40%.
our yearly sales target
Ian Johnson and Stephanie Fischer - British Columbia
he Alberta Craft Council has a membershipthat extends well beyond Alberta's borders. Over the years membership has included folks from every province and territoryin Canada, as well as Montana, Washington, New York, Texas, Massachusetts in the U.S.A. and as far away as England and Finland. from March 9th through April 13th the Discovery Gallery will profile 3 craft artists who work in clay in three different regions of Canada —British Columbia, Manitoba, and Quebec. This exhibition demonstrates the diversihy'and variety of our land and the commonalities among all craft artists. Fleur McLauchIan - Manitoba
Fleurhas always lovedto draw. The discoveryof clay has led her to a depth and substantialitynever beforeachieved. She favoursprecisionbeforevagueness,and so carves into the clay - a techniquethat not onlyallowsfor accuracybut also allows forcleancolourdivisionand plateau exploration.Eachtile is hand rolledand cut. Designsare carved into the clay,then the tilesdried and fired.Next comesthe timeconsumingpainting. Eachpieceis an originaland beautifuldesigninspiredby the bounteousbeautyof nature.
2monthsaheadof move to downtown,
Member purchases
only make up approximately25% Ofour yearly sales,which means we are reach-
ing moreof the generalpublicthan everbefore. This is importantbecausethe more peoplewe
reach,the morepeoplewillbe ableto seehow
important the craft industry is in Alberta. Over the last two years I have been told on numerous occasionshow poorly our economyis doing.
Trendsshowa downward shift in public
spending and yet our sales keep increasing. The craft industry in Alberta is a booming
businessandAlbertaCraftCouncilmembers like you are proving it!
I realizethat sellingand buyingcraftin the Craft Gallery Shop is just one Ofthe many avenues
that mostof you utilize. Not all of our members an?craftartists.Wehave a large number of
customerswhobecomemembersbecausethey wantto keepinformedaboutthe craftscenein
Albertaand toreceiveourmembers'discount in the Shop.Approximatelyone third of our member's sell their work through our Shopas
well as in other shops and galleries across North
Pauline Pelletier - Quebec
PaulinePelletier,a ceramistby trade, works out of her work' shop locatedin oldCap-Rouge,on the outskirtsOfQuebec City.She has been workingin clayfor twentyyears with ardour,pleasureand constantconcernwith excellence.From the simplicityof formsto the generosityof colour,occasionally tinted witha touchof humour,her workadorns a discrete charm and solitaryenergyOfperseverance.She has focusedon masteringthe copper reds and celadons,and the metalliclustre of bronzeand copperin relationto goldand silver.Manyof Pauline'spiecescan be foundin privateCanadianand foreign collections.
America.I estimatea great deal Ofcraft artists make mostof their sales throughcraft fairs,
marketsand wholesaleshows.Wehave an excellentsearchabledatabaseofcraftshowsand fairson our website.Formoreinformationgo to the eventslistingat www.albertacraft.ab.ca. As many of you know,it is a difficult task to
sell your own work;not only do you have to sell your art but you alsohave to sell yourself. Customerserviceis the most important aspect of any sale. Everyonehas their own idea of how they prefer to be served.Although I spend most
Ofmy time sellingour memberswork in the
Craft Gallery Shop,I periodically like to play
the role of a consumer/buyerinstead of the
salesperson.How can you please me? Say hello,
inviteme in but letme lookaround.Neverstand
Ian Johnson and Stephanie Fischer —British Columbia Ian Johnson and Stephanie FischercompriseSecond Sole,
based in Nelson,BC. Theirbackgroundin architectureleads them to exploreuniquestructuresand formsin clay. All their work is hand-builtfromslabs of porcelainand stoneware.Ian's piecesexploitthe natural tendencyof the materialto flow while Stephanieworkswith rectilinearforms.
around looking bored. Keep yourself bwsywith an activity that can easily be interrupted if I
needassistance. Eachcraftfairandshowwill
be differentbut you need to make yourselfand your boothlooklike an inviting and pleasant experience.Thetrickis being able to read your customersand always remember the golden
rule —how would you like to be treated in
the samesituation?
ALBERTA
Ali Fleming
MAGAZINE
Profiles
quality slides Profiles highlights the talents and accomplishments of Alberta Craft Council members. If you would like your work featured in profiles send us your professional Magazine." the — for "Profiles envelope With captions, a bio, an artist statementand any "good news" story you may have Clearly mark your
Nadine Fenton, Montreal,PQ The Alberta Craft Council encourages membership from oll across Canada,
The opportunityto exchange ideas and creative concerns betweenvarious
regions of this great land Of Ours can only help to encourage and inspire all
of Canada's fine craft artists, From time to time it is Our pleasure to showcase
what Some of our out of province members are doing,
tv%ntreal iewellery artist Nadine Fenton knits and crochets with metal to
create modern sculptural iewellery Nadine's colourful collection of jewellery is inspired by baskets, vessels and urns. Botanical forms lend their shapes to her imaginative pieces.
31
"l use traditional textile techniques to create wearable art in metal. My jewellery is sculptural 10wear, Each piece is stitched completely by hand using crochet, knittingand lace making techniques. My work is made of fine silver and coloured metal that is silver plated. Nadine's work exists at the confluence Of many influences: colour, texture,
needlework and creating wearable sculpturein metal, The work is
French Cuff Bracelet, silver crochet and lace techniques
fluid with a whimsical sense of colour and movement not possible with hwo•dirnensional media.
You can contactNadine by writing to Nadine Fenton, 4331 av.
Earnscliffe, tv%ntreal, Quebec, H4A 3E9. E-mail: nfenton@sympatico.co
Tel:514485.9127 Photvophy
C.S Longbis
Ring for Movement, silver
crochetand knif
John Elder, Edmonton,AB Born and raised in Saskatchewan, John Elder has been making pottery
since 1972. He receiveda B.Ed. and B.A. witha majorof finearts at the UniversityOf Saskatchewan. He began working with clay at universityand
has gone on to become an accomplished fulltimepotter.He currently works out of his studio in Edmonton.
John's original designs are his personal interpretationof traditional forms. Most of his work is thrown on the wheel and then altered to give the piece animated gesture and visual tension, The surface quality of the pots is created by the use of slips and glazes
along with the articulation of marks that are brushed, dotted and trailed.
John high fires his work in a wood-burning kiln. Recently he has been experimenting with surfaces created by the salt firing technique,
Salt firing is a process where a gas kiln is brought up to temperature and sali is then thrown into the kiln over a
period of time —usually about an hour. The glaze created by both the ash from the wood and 'he salt reacts with the slips to create an interesting integration between the surfaces and the forms Of the pots.
John Elder's work is available at the Alberta Craft Council shop, or YOU con contact him directly in Edmonton al (780) 4370563. Phoicgrnphy
2
Vorio Pietromo,ia
ALBERTA CRAFT MAGAZINE
Wood and salt glazed ceramics
thrown and altered
Julia Reimer, Calgary, AB INhen Julia Reimer was firstintroduced to the ancient craft of glass blowing she was immediately drawn to it as a way for her to express herself creatively Afrer her firstexperience with it at a part-timeglass blowing course at ACAD she knew she wanted fo pursue it further.She continued
to study at ACAD and also traveled to Spain, France, and Hungary to gain a working knowledge of traditionalEuropean glass making techniques.
Julia grew up in Millarviile, a small town nestled in the foothillsof Southern
Alberta. The environment Of her youth — the cnsp prairie light, the undulation
4
hills and grasslands carved by Wind and water —has led to an aesthetic based on the simplicity Of light and form. These characteristics are dearly expressed in her art. Her pieces are modern in design and reveal the essence of light. translucentcolour and pure form
Julia's originality Of design and quality craftsmanship has been recognized
throughAwards and Scholarships. She is a recipient of the Sheila Hugh tvlackay award, the Bobbie Hoffmanaward (ACC), an AFA study grant
glassvessels Handblown
and a finalist For the Niche Craft Award in the U.S. Her work is carried in several Canadian galleries and has been exhibitied in Canada. the
U.S. and Europe.
You can purchase her work at the ACC Shop or contact her directly by emailing her at iulrei@hotmail.com
Photographycan'esy c]
Ann Haessel, Calgary,AB Ann HaesselS creative iourney started on a farm in Southern Alberta where
she learned to embroider Over the years she became a very proficient hand stitcherand eventually started creating her own patterns.
In 1986 Ann did her Final piece of hand needlework.As this process was proving too slow and tedious for her. she began to explore machine work to execute her many creative ideas. She treasures the importance of good
workmanship while still allowing the fibres to have a life of their own,
She has developed a style that is her own. which is contemporary with an interestingcombination of colours and shapes, Her tapestries are usually bright and cheerful with most of her work beng &zsed on social Issues.
Relationships
48" x 42"
Because Of Ann's passion For fabric and its manipulation. she has recently retired from her career in sales and now works full time on her fibre art.
One of her current joys is participating and exhibiting with a group of textile artist from the Calgary area, •The Free Spirits •. This group both challenges and supports her creativity.
Ann's tapestries, which are often thought provoking. mustbe seen close up to appreciate her attentionto detail and her embellishments.Her signature is the addition Of hands - either large stuffed hands with embroidery,
small subtle hands. Watch for Ann's unique tapestries at one of her group
or solo exhibitions.
x 393"
Ann can be reachedat 403-247-3085 or ann.wolthaessel@show.ca ALBERTA CRAFT MAGAZINE
3
the News Art vs. Craft...
p,
The Debate of Fools? Opps!
Lyn Pßueger.Crys Harse, Val Dowhaniuk Felt, Metal, Embroidery
From June 21 through August
31 the Alberta Craft Council will open what is sure to be a Pandora's box on the discussion of art and craft with its similaritiesand differences.We are calling on Craft Council members to share with us their
thoughts, along with examples of their work, on the subject.
"Art vs. Craft —The Debateof Fools?" will be differentthan many of the exhibitions we co-ordinateat the Craft Council. A large componentof this exhibitionwill include writings and statementsby the participants on their views of what constitutesart and craft, where the similarities lie and where the differencesexist. The searchfor a clear differencebetween art and craft has been going on for centuries by artists, craftspeople, philoso-
phers, academicsand others in our culture. Some say craft emphasises skill and technique,while art emphasises an idea or evokes an emotion. Others say art is non-functionalwhile craft is functional, and still others say that art enters our culture from the top down while craft comes in from the bottom up. Wewant to hear what you have to say on this subject. Give us your opinions and share with us your ideas. What is the difference between art and craft?Is there one? Should there be one? Does the question inspire critical thinking and a searchfor meaning or is it the debate of fools? 4
j ALBERTACRAFT MAGAZINE
TObe considered for this exhibition send us up to 5 professional quality slides along with your C.V.,artist statement
and a few words on the idea of the difference/non-differencebetweencraftand art, or just your opinion on the whole debateitself.Clearlymark on the outside of your envelope"Craft/Art: the Great Debate"submission.The exhibitionwill
take place June 21 through August 31, 2002. Deadline for entry is May 1, 2002.
We,at the CraftCouncil,believethat the dialogue is important to get people
thinking about what they are making and why it has value and worth in our culture. Here are some of my thoughts: When I was about 12 years old I first heard the notion that there was a difference between art and craft. I was told that the large paintings I saw in the books my mother owned created by people like Picasso,Rubens,Van Gough, and Rembrandt were art. They scared me with their power and veracity.Some Of the paintings I saw were, what I would have called,ugly and otherswere beautiful. Regardless, I was undeniably drawn to them. Picassoscaredme, I learned passion from Van Gough, Rembrandt taught me history, and Rubens taught me things that I'm sure my mother thought I was way to young to know about. It was about the same time that as a child in public schoolwe would oftendo what was referred to as "crafts". This mostly involved making things with crépe paper, rubber cement,sparklesand ribbons. In my young mind, not only were art and craft differentdisciplines,they came from completely different planets! Fortunately for myself I was raised in a family of artists. My mother and aunt are
painters.Anotheraunt worked in the fashion industry and is now an accom-
plished author. I was exposed to many different types of art. I saw quilts that were made with the same type of love and passion that you find in a Van Gough painting; we owned handcrafted
furniturethat was built with the skill and ability of a Rembrandt painting. As a child, I just assumed that the quilts and furniture were art —there was no ques-
tion in my mind.
The years passed and the question of what constitutesart or craft was never a part of the discourse my friends and I would share. That changed at art school. After a trip to a local gallery the class reassembledto discuss what we had just seen. I was confused by the comments some of the students made: "His work is more craft than it is art". The sculptural work we saw was made from laminated
woodthat twistedand turned as it occu-
pied its space in the gallery. I thought to myself, "what are these people talking about?There is no rubber cement or glitter here." Thus began a lively discussion
on the differencebetweenart and craft and the merits of both. Obviously,I no
longer think of craft as something made with paper and glue, that is disposable, and void of personal meaning or expression. Craft is original, craft is well made, craft is functional,craft does hang on the wall, craft is beautiful, craft is filled with expression,craft is made because we have opposable thumbs... because we are human and we have a need to create. and all of these things can be said of art. Is there a differencebetween art and craft? I can't see one.
o One
Family's
Passion
April17 toJune5, 2002
Alberta Craft Council Discovery Gallery
A legacy of Alberta quilts
or a century, more than a dozen women of the McFall family have made hundreds of quilts. In farm
yards, around kitchen tables, in church basementsand now in home studios, they have produced homestead quilts, friendship quilts, Red Cross quilts, church bazaar quilts, baby quilts, doll quilts, dog quilts, pattern quilts, art quilts and more.
When Alberta Craft Council executive director Tom McFallmarried Sharon Thurston, they were given not one, but three quilts as wedding gifts,Theseprompted Sharon to start quilting, and to discover and write about her connectionto this unexpected
familyquiltheritage.Sharon'sresearchhas
uncovered a trove of quilts, representing most Ofthe decades and popular trends Ofthe past century. She has documented the makers and
theirwork,collectedtheirphotoportraits,
ACC Calgary Area Group invites you to these upcoming workshops:
Personal and Professional Growth to sustain your Craft Business Pamela Cross-Rodger ."How to Sustain Your Business Personally"
Jim Etzkom
''How to Keep Up Professionally"
Doris Schuh
"How Does the Gallery Spend Your Commission"
That's a Good
Question!
Should my craft business be
GST registered?
If your total taxable gross revenues exceed $30,000over the previous four calendar quarters
Place: Annex A (LukeLindoeLibrary) Alberta College of Art and l>sign
(or in one particularcalendar quarter)you are required to be GST registered. This requires you to charge 7% GSTon your sales Ofgoods and services.
Date: Mon.March25.2002
You may choose to register even if your salesare
Followedby open discussion.
Time:
7:00 PM
Cost:
$15, students: S5
"Customs Regulations: Import & Export" Place: Annex A (Luke Lindoe Library) Alberta College OfArt and Design Date:
Sat. May 11, 2002
•lime:
1.00 PM ACC meeting ZOOPM Seminar
Cost:
$15, students: S5
reminiscedwith childrenand grandchildren, exploredinspirationwith current makers,and assembled this unique exhibition Ofone Alberta family's passion for quilting.
belowS30,000becauseit may benefityou to do so. This allowsyou to claiminput tax credits (ITCs)for the GST you paid out or owe on your businesspurchasesand operatingexpenses. If the total amount of tax you charged is less than the amount Ofyour ITCsyou can claima refund for the difference.
For more informationthe ACChas copiesof the GeneralInformationfor GST/HSTRegistrants booklet availablefor members or contact Canada Customsand RevenueAgencyat your nearest taxation Orcustoms office.
Can I claim a tax deduction for donations of art/ craft? If you are an artist, Revenue Canada usually considersany works you create and own as
inventory,not capitalproperty. When an artist createsa workof art intending to sell it but instead donates it to a qualified recipient,they consider the gift to be a dispositionOfproperty from the artist's inventory. As an artist, if you donate a gift fromyour inventoryand if the gift's FairMarket Value (FMV) is more than its cost amount, you can
designateany value for the gift as longas it is: -not less than the gift's cost amount, which you
can elect to be zero; and not more than its FMV.
Youthen use the amount you choose for the value Ofthe gift as both proceedsOfdisposition to determine your income, and the amount of the gift you claimfor the tax credit. If the FMVis less than the cost amount at the time you donated
the gift,the proceedsof dispositionmustequal the gift's FMVat the time you donated it. The gift's FMVat the time you made the donation is the amount you use for the purposes of the tax credit.Youcan chooseto value your ending inventoryat nil. If you do this, RevenueCanada considersthe costamount of your gift as nil. Formoreinformationcallyour accountantor Canada Customs and Revenue Agency at their
Tax Information Phone Service (T.I.P.S.)
or visit their website at I -800-267-6999
www.ccra-adrc.gc.ca.
ALBERTA CRAFT MAGAZINE
5
Quaty: 'kwäl-a t-e \ n, 1 a: peculiar and essential character b: an inherent feature 2 a: degreeofeæcellenceb: superiority in Rind n exhibition of Alberta Craft Councilmembers' work that is licensedto carry the SymbolOf Quality.
The jury process is scheduled for
twicea year (springand fall)and
craftspeople apply to have their work adjudicated.The following points are some Ofthe issues
The AlbertaCraft Council's thejury keepsin mindwhen Symbolof Qualityprogram recassessinga craftproduct: ognizes those Alberta craft artists whoconsistentlydemonstrate their high levelof skill,knowl• IS the designOfthe work edgeand abilityby creatingqualoriginalto the maker? ity made,original works of craft. • Is the quality of workmanship It also establishes a benchmark high? for quality that all craft makers in Alberta can strive to achieve. • Are the materials being used, the most suitable to convey the The Alberta Craft Symbol of makersintent? Qualityusesa trademarksymbol specificallydesignedfor the proIs the maker proficientin the gram. It has five distinct elements knowledgeand use Oftheir within it, representing the five ma terials? majorcraft productionareas: Has the maker shown to the metal, fibre, glass, clay, and jury, through a body of work, wood.When you see the tradethat theyconsistentlyproduce mark symbol,you can be assured highqualityworkin design, of a high level of creativity,craftsfunctionand innovation? manshipand effectiveuseof materialsand techniques. Is the maker dedicated to increasinghis or her skillsand The Alberta Craft CouncilinitiatknowledgeOftheir craft? ed the Symbolof Quality IS the work well crafted?That Program in 1996with the intent is, does the maker pay close of establishinga market oriented attentionto the finishing,and quality stamp similar to those Otherfinedetailsthat maybe used in other industries like VQA overlookedby some, including forthe wineindustryand Alberta consumers? Bestfor the tourismindustry.The craftspeople licensed to display Doesthe work functionas this symbolhaveearnedthe well as possible in its recognition of an independent intendedmanner? peer jury composed of some of Does the design Ofthe Alberta'smostrespectedcraft work show originality Alberta Craft professionals.An and innovation? Council staff person or Board memberis presentduringthe In those craft works that are processto remind the jury the basedon authentictraditionintent of the program. al/ historicalor heritagecrafts, how skilfullydoes the maker The hangtags state: reflectthe traditionaldesigns? Tis symbolidentlfiesquality Alberta-made craft as selected by • To what degree is the an Alberta Craft Counciljury" personality of the maker conveyedin the work? 6
ALBERTA CRAFT MAGAZINE
Symbol
of
Quality
A Showcase of Knowledge, Skill and Ability March 9th through
April 27, 2002
ALBERTA
CRAFT
Wood turnings by Jim Farr
2. Enamelled jewellery by SusanWhite
3. Hand painfed silks by Darcy Gusse-Edinga
3.
Purchasingworks Oforiginal fine craft is an enjoyableexperience. Works Oforiginal craft inspire, stimulateand evencomfortus. When you are buying original craft you want to be confident that the piece is well made. original,and going to last for years, and even generations, to come. When you buy craft that carries the Alberta Craft Symbol of Qualityyoucan restassured that it has been made with knowledge,skilland ability by OneOfAlberta's finest craftspersons.
4.
5.
- Darcy Gusse-Edinga, RedDeer, hand painted and dyed silk scarves,framedpictures,
clothing,quiltedjacketsand scented sachets
- Dianne Hove,Calgary,elegant and functionalpottery - Grethe Jensen, LittleSmoky, wheatweavingsincorporating traditionaland originaldesigns - James Lavoie, Edmonton,fused glassplate ware - Margaret Murray, Edmonton, wireworkjewellery - Darlene Musser, Cochrane, kaleidoscopes,hand mirrors,
Currentlythereare 18Albertacrafts
peoplewho have beenlicensedto use
wands
the Symbolof Quality.
- Talarand Jean Claude Prefontaine,Calgary,Original wooden furniture, marquetry boxes, accent pieces - Sandi Skakun, Edmonton, handbuiltclayChristmasbells and ornaments, Ukrainian Baba psyanka holders
- Emil Bucharsky,SpruceGrove, hand forged knivesmade from stainlesssteeland pattern
weldedDamascus
6.
4.
- Jean Connor, Edmonton, coiledfibrebaskets Laura J. Craig, High River, hand woven kitchenlinens and place mats, one-of-a-kind throw blankets, one-of-a-kind saddleblankets,productionand one Ofa kind collector'srugs - Dawna Dey-Harrish,
PhyllisStarling,Botha,clay
reproductionsOfhistorical buildings,villages,churches, homesand otherdistinctive
architecture - Shona Wehm, Edmonton,hand knitted Shetland laceshawls - Susan White, Calgary,jewellery metal, etched brass, copper, sterling silver,bracelets,
Sherwood Park,quilts,duvet coversand wearableart
Woodturningsand mar-
quetry by Talar and Jean Claude Prefontaine
- J.A. Farr, Coaldale,
woodturnings
5. Shetland lace shawl by
necklaces,earringsand pins
- Marcia Fossey,Edmonton, jewellerymade with historic tradebeadsand vintageglass 7.
- Simon Wroot,Calgary,bronze,
copperand silverjewellery, etched,cut and pierced
Symbol of Quality iury • If you are an Alberta Craftspersonwho would like to have your work adiudicated by a Symbol of Quality jury, and receive your license to carry the Symbol of Quality contact Erika in theoffice at 488661 1 or toll free in Alberta at
I-800DO CRAFT (362-7238)
• If you are interestedin sittingon the next jury please contact TomMcFall at theabove number,ext. 228 • The AlbertaCraft Council is currentlyassembling the next Symbol of Qualihy'jury for May 18, 2002. The deadline
for submissionswill be May 15, 2002
ALBERTA CRAFT MAGAZINE
Practical Pricing for a Sustainable Craft Business The price you establish for your products is one of the most crucial business and marketing decisions that you will make. Your prices must be competitivewhile at the same time, allow you to be compensated fairly for your time, talents and expenses. Every successful craftsperson develops a method of setting prices that they are comfortable with.
Formulas work for some,while not at all for others. One way to understand how to price your work is
to look at the big picture: Where do you want to be at the end Ofthe year. Set a goal of how much
money'you want to make on an annual basis and then determine what productsto make, how many you must sell, where you will sell them and how much they will cost to make. This is a quick way for you to understand if you will be able to make the productsyou love and sell enough Ofthem to arrive at your goals. However you arrive Ofyour final
retail price keep these things in mind: Your overhead and production costs
Yoursalaly
What similar products sell for
Your level Of education, experience
and recognitionby yourpeers Marketdemand
The uniqueness and originality Of your products
Salescommission Profit
Successfulcraft producersdevelop a pricing policy
that is both practical and strategic. Practical pricing covers all your expenses, including your time, sales
commissionand profitwhileallowingyou to
remain competitive in the market. Strategic pricing allows you to have different productsin the market place selling at various price points with various profit margins. Your profit margin is the amount of clear profit you make on each piece after all your expenses, including salary, are covered.Yourprofit
is reinvestedinto your businessallowingyou to be sustainable over the years, It will allow you to buy
a new kiln, new loom,expand your studioetc.
On some products it will be high, while lower on others, it all depends on what the market is willing average profit margin is to pay A 5% to something you should strive for
Fromtime to time you willbe asked for a discount from customers,especially if they are interested in buying a large number of your productsor if they buy from your studio. It is important to develop a discount policy If is easy to get caught up in the excitement of making a large sale and if you don't
have a discount policy in place you may be caught
8
I ALBERTACRAFT MAGAZINE
off guard and offer discounts you come to regret. Some people think that if they buy from your studio they should be entitled to at least a 40%discount. Ihey think that if it is not sold through a gallery they
should not have to pay a sales commission.I can
think of two reasons why this thinking has come into place: One is because artists automatically offer it and
the other is becausecustomersdemand it. Regardless of how this thinking came into place it should be abolishedat once!If peoplecome to expectto buy
your work at a 40%,discount from your studio, why
would they buy it from the gallery? And why would
the gallery continue to carry your work? Somecraft
producers reason they can afford to offer this discount because they think. falsely,that they don't have
to pay themselvesto make a sale fromtheir studio.
What happens when they want to sell at a craft fair, or a farmers market? All of the expenses of attending,
and selling at the fair need to be coveredby the sale
Oftheir works. If they have to raise their prices to sell
at the fair and peopleknow they can buy it cheaper
from their studio, they will not buy at the fair. Selling your work through your studio with out the sales
commissionis preciselywhat will eventually bury a craft producer'sbusiness.If you feel that you have to offera discountwhen selling though your studio,it
correctretail price multiply 50 (your Wholesale
price) by 100and divide by 60 (your portion Ofthe
commission).In this case the sum is 83.$83 is the retail price your work must sell at for you to receive $50. However,a problemwill arise if you use this formula and sell your work through different galleries that charge different commissions,or if you sell wholesale. Keep in mind that you need to establish a consistent retail price no matter where
your work is being sold. Shopsthat buy your work on wholesale will typically double the price they paid for it to arrive at the retail price. A better way to arrive at your retail price is to simply double
your wholesale price and always quote the retail price to galleries, keeping in mind what their
sales commissionwill be.
Knowingjust how much the market is willing to pay for your work is critical. Get out to as many
galleries, craft shows and studio sales as you can. Ask advice from gallery owners and Othercraft producers.Think of the big picture - how much money do you want to make on an annual basis?Have a discount policy in place. Keep your prices consistent whether you sell in your studio, through a dealer, at craft fairs and farmer's markets, or elsewhere.
should be no more than 10%and should only be offered when your studio sale is a special event.
Runninga successfulcraftproductionbusiness
Adding the sales commissionto your work can be a little confusing.Youneed to know your wholesale price (overhead plus salary and profit) and your
that willsellin the market.Formoredetailedinformationthe AlbertaCraftCouncilhas writtena craft
requires a creative mind and a good work ethic. It takes time to develop products you love to make
percentage Ofthe retail price. If the sales commission is 40%you can not just add 40% to your wholesale
business training manual. It is available at a cost Of $50 for members and $60 for non-members plus
you willcomeup with$70.Afterthe gallerytakes
also present a Craft BusinessTraining Course to any group Of10 or more people. For more information
price to come up with a retail price. Forexample if your wholesale price is $50and you add 40% to it its 40% you will receive $42,not $50.To find the Various clay pots selling digen•nt price points by
Chostiau Barr and Enzien Rllfeld.
CST,shippingand handling.The CraftCouncilwill on the manual or the coursecallthe AlbertaCraft Counciloffice.
o For more information or to register
Series
call 1-888-886-2787 or visit
2002
http://extension.rdc.ab.ca
This summer Red Deer College comes alive as Canada's most active and exciting summer school of the arts with Series 2002. From hot glass to cold fibre dying, pottery to painting and everything in between,for the experiencedor the novice, Series 2002 offers somethingfor everyone. Many Alberta Craft Councilmemberswill be teaching their
skills and techniquesat Series. The following is a listing of Alberta Craft Council memberswho will be teaching at Series this summer.
Linda Chow
Jeff Holmwood BeginningGlass Blowing May 6-10
hm_lntroduction b JewelleryMaking July
This is an introductory class for those with no hot glass
Leant the basic skills ofjcwellery making and design.
experience,
James Lavoie
Dawn Detarando Tile July 15 - 19 TheDecorative
By working with small projects and hands-on taperinzcn-
concentrating on decorative clay tiles.
IntroductoGlass Fusin May 6- 10 tation this class will provide the student with an in-depth exploration Ofbasic glass fusing techniques
Darren Petersen
To Twist or Not to Twist.
May 13 - 17 & May 20 - 24
From glass bar to stringer to zanfirico Canc.we'll twist (or not) till it burns! In order to benefitfully from this course you Should have a minimutn Of two years experience(mgt/-
Inr Studio accessfor two years or more) and have a thorough understanding of basic glass blounng principles.
Mitchell Gaudet and Mark Gibeau Casting Glass Hot
May27 -31 a June3-7 This course tvill nplore all aspects of hot glass casting
Tyler Rock
Off Hand Glass Bowling
July 29 —August 2
The bowl is an object that has been with us since the first
rudi'nentary tools were shaped by human hands. This
coursewill enableseriousstudentsto appreciateand come
to terms with both the complexities and the subtleties of these "simple fonns", Prerequisite: 3 Series hot glass classes or equivalent.
Jim Etzkorn
Wheel throwingSkills Workshop July 1 -5 Designed to improve pottery-throwing skills, this course will also examine the relationship Ofform and function
with
emphasisonfinding personalnpression.
Lee Bale
Over The Rainbow:The Dyers ArtsJuly 1 — 5 The main emphasis Of ihis workshop will be to introduce
participants to the Fibre Dyes, and their safe handling colour inixing control in service of technique,
—5
nis class will offer an intensive, action-packed workshop
Lyn Pflueger
The Layered Surface: Structureand Imagery in Handmade Wool Fell First, making a fine scarf bonded with silVcotton fibre will allow you to becomefamiliar with the materials and techniques. then you will design and make a fabulous garment, something simple and stunning like a vest, wrap or simple jacket.
Crys Harse
WovenMetalBasketsJuly 15 - 19 using simple basketry techniques,you will leant to prepare and work with several different metals, such as copper, brass and aluminum, to create vessels in a range of sizes.
For Metal BasketAlmnni—join this classand continue
your woven creations. Two or three different and more challenging forms Will be offered to those who have woven
Trudy Ellen Golley GlazesandGlazing July 22 - 26 This uwrkshop zcill focus on bmsicglaze technologyand glazing techniques for cone 6 to Y oxidation, Youwill need to bring bisque fired pots.
Paul Leathers
Introductionto Champlevé Enamelling
July -22L 26
Designed for first time participants wishing to try their hand at jewellery making the course will focus on creating
a champlevéenamelledpendantemployingphoto-etched
Series 2002 Introduces New Furniture Program AlbertaCraft Councilstaff and members have worked with Series to develop an innovativefurnitureand wood program. Four new courses,concentratedin WEEK 4 (July 22-26),are focused on the design and making of creative furniture and furnishings.
Doug Haslam
Craft Furniturefrom Start to Finish
July 22- 26
Leantaboutthe characteristicsofwoodas an artistic mediumund structuralmaterialwhile designingand mak-
ing a contemporary occasional table. The only requirement -is an enthusiasm for the material aud the desire to create
something unique with it-
Talar Prefontaine CreativeMarquetry -July 22 —26 In marquetry we use a palette of veneers to 'paint' a pic-
ture. It [s theaim of this course to help you develop and execute distinctive designs suitable for the medium, whether you use your marquctry skills for framing or for decorating a piece of fumiture Students will work on projects tailored to their abilities and interests.
Doug Taylor
ThePainted SurfaceJuly 22 - 26 With a multitudeofcrudeand sophisticatedmaterialsand
supplies zee will learn paint handling m.'d techniques. Safety. expediency, economy and durability are stnssed but
economyand wastereductionoverallis highlighted
Brian Gladwell
copper.
That's CardboardJuly 22 - 26
Crys Harse Patterned CopperVesselsJuly 29 —Aug 2
The class will enplorc ways in which cardboard lends itself to working with volume, layering and visual texttovs (in contrast to the basic stick and flat planc natlov of woody
using simple etching techniques, it is possible to produce
an elanentarydesignona copperor bmssplate. •Illis
The result will be a more theatrical character to the
giving free rein to the imagination.
course covers shaping hammers and other tools, and tech-
niques of sinking and raising metal.
ALBERTA CRAFT MAGAZINE
9
CALENDER SUBMISSION DEADLINE:
For the May/June 2002 issue is March 25, 2001
and show title. Include a self-addressed stamped
for ma teri a l return. Forwa rd a l l i nqui ri es or
envelope
a ppl i ca ti ons
e-mail: acc@albertacraftab.ca
Churchill to Facilities Stanley A Milner Librar,', 7 Sir Winston T5J 2V4, Phone (780) 496-7080 square, Edmonton,
The Alberta Craft Council is open to submissions of opportunities
Focus On Fibre Art Association
call 1-800-DO CRAFT or (780) 4886611; fax (780) 488-8855;
for craftspeople, from any craft organization in the province,
Call for Entries - 2002 Competition. Juried Competition and Show
event activity, gallery, show, or employment opportunity, please cal/ the ACC office. The ACC makes every effort to ensure the
quilting, of fibre arts encompassing traditional rug needlework, textile design, hand knitting, and weaving. Deadline for entry is March 15, 2002. Contact Shirley Myroniuk
we will accept no liability for a any loss or damage as a result of
Spacepermitting. Ifyou are interested in promoting a special
reliability of all the programs and services listed below, however doing business with any of the advertisers contained herein
Country Christmas Craft Fair
Set for November 2 & 3, 2002 at Millennium Place, Sherwood Conference Centre. This juried show will feature over 150
exhibitorsFor applicationcontact Janna at (780) 951-6340 Fax: (780) 922-1165 or email Zielinski75@hotmaiLcom
A Winter Festival of Crafts
Edmonton's largest Christmas Craft Fair being held at the
Mayfield Trade Centre on November 23 & 24 is now accepting
at (780) 469-1783. fax: (780) 463-5987, email:
mistyc@telusplanet.net or website: www.focusonfibreartsorg.
applications This juried craft fair will host over 200 high qualiw exhibitors. For application call Janna at (780) 951-6340 Fax: (780) 922-1165 or email zielinski75@hotmail.com
Art Of the Book •03
Market Vendors Wanted
Call for Ent0'. Tie Canadian Bookbinders and Book Artist Guild is pleased to announce that it is currently accepting entries for its third juried members' exhibition. The show will open at the York
City Market on 97th For as low as SIO on Saturdays and lower
travel to several other Canadian cities from December 2003 through 2005. Entry fee is 520. Deadline for slide submissions is
at 424-9001
The Works - Edmonton
grammers and performance artists for its main outdoor venue.
Art of the Book '03, CBBAG, 176 street. Suite 309, Toronto
CALLS FOR ARTISTS
Quay Gallery. Harbourfront.Toronto in the fall of 2003 and will
The Works Vlsual Arts Festival seeks vendors, demonstrators, pro-
June 30, 2002. Request a call for entry application by writing:
Join The Works on Sir Winston Churchill Square from June 21 to July 3, 2002, Call 780.426.2122 or visit wwwtheworks.ab.ca
Ontariq MST IX5 Tel: (416) 581-1071
Deadline for Churchill Square applicants is March 22, 2002.
rates during the week you can rent a table at Edmonton's original Farmer's Market! Sell your home baked goods hand-picked produce. unique crafts, and more. Contact Nichole or Claudette
Our Best To You Art & Craft Sale —Red Deer
Westemer Park Red Deer,AB Friday, Oct 25 —Sunday Oct 27. 2002, 1 Ith annual, juried 165 booths. Contact Marg Brown.
Box 431,
Christmas in the park
Accepting applications for juried Christmas Craft Fair on
The Edmonton public Library
November 9, 2002 at Festival Place, Shemood park. Over 80
to submit proposals to show their work in the library's Wo
ema i l zi eIi ns ki 75@hotma i l .com
AB TIS IAS Phone/Fax(403) 938-8102
Our Best To You Art & Craft Sale —Regina, SK
Exhibition Park. Regina SK. Friday Nov. 8 —Sunday Nov. 10. 2002 10th anniversary, juried, 165 booths. Contact Marg Brown, Box
is inviting emerging and established artists/photographers
tables.ContactJanna at (780) 951-6340 Fax: (780) 922-1165 or
spaces, Gallery and Theatre Foyer at the Stanley A Milner Library. We are seeking for exhibition the works of artists who have
A Winter Wonderland of Crafts
The Quilt Project
a chi eved cons i s tency i n s tyl e a nd form. Ea ch s ucces s ful ca ndi da te
Park. Edmonton. For application contact Janna at (780) 951-6340 Fax: (780) 922-1165 or email zielinski75@hotmail.com
beliefs travel of the artist or their families. Deadline: ongoiny
will be able to exhibit for up to 4 weeks in 2002. Each applicant
must submit 12 •14 photographs representing the work to be shown. Each photograph should be identified as to date. title. size
1st annual juried craft fair November 16, 2002 at Fort Edmonton
and media. Please send a biography or CV, statement of intent
431,
AB TIS IA6 Phone/Fax(403) 938-8102
A collection of diverse quilts by Canadian artists to be displayed in a permanent place Submissions should document the lives Contact: Tne Quilt Project Women's Art Resource Centre 394 Euclid Ave, suite 309, Torontm ON M6G 2S9. Ph 416-32&8910
Risky Business? id you know that there is now a program of business insurance tailored for the Canadian Craft Industry? YOU TOLD US YOU NEEDED: • a custom program with broad coverage
• including exhibitions across Canada and the USA • liability coverage in the studio for craft instructors • and greatly reduced program rates
10
ALBERTACRAFTMAGAZINE
WE DID IT!
For complete details, contact Kim Libenstein, Program Co-ordinator and Account Executive Nacora Insurance Brokers Ltd., 1075 Bay St., Suite 404, Toronto, Ontario M5S 2B1
Tel: 1-877-922-0030, ext. 222 Fax: (416) 922-8400 E-mail: klibenstein@nacora-can.com Alberta Craft Council Members save $25.00.
Why have a risky business?
Generations Gallery
Art Market 2002
Voices in Cloth: A Quilters' Gathering
Generations Gallery and the Gallery Dining Room (2D work only)
event. Dates: Nov. 14 —17, 2002. Location: Telus Convention Centre Calgary, AB Apply early' call toll free 1077-929-9933 or 250-672-2411. Email: info@artmarketonline Web site:
The Canadian Quilters' Association proudly presents its biennial quilting conference to be held at the University of Alberta in Edmonton from 20 - 26 May, 2002. The theme Of Quilt Canada
16th Annual art and craft sale. 210 Artisans juried. high qualiv
Submissions are currently being accepted for 20 ard 3D work at at the Multicultural Centre in Stony Plain, Alberta. Please indude
6-10 slidesof currentwork,a slide inventory,a currentCV and
artist statement. Artist fees paid, 5400 per 6 week exhibition. Phone Vince at (780) 963-2777 for more info, or foreyardsubmis-
marketonlinecom Marlene
Box 190. Barriere,BC WE IEO
sions to GenerationsGallery,Box 2188 StonyPlain,AB T7Z IX7
Art Market Productions. P.O.
Calyx Distinctive Arts Exhibition and Sale —Calgary
Presents an Exhibition and Sale of original art works on Sunday
Art Market Online
Art Market online ts a juried art and craft web site marketed in conjunction with a quality art and craft sale Instead of renting
a booth you rent a page. Show and sell your work directly to con-
sumers Your products are available year round without travel expense or time away from the studitl Call today for your information flyer. Be pal of the future today!! Call toll free
April 21, 2002, from 11:00 am - 5:00 pm at the Crescent Heights Community Centre, 1101 2nd St NW, Calgary, AB, Free Admission,
Free Parking Free Draw. Artists will be in attendance to discuss artworks and techniques in painting, photography. sculpture jewellery. metalwork, woodwork, ceramics, glass, fibre and more.
ar more information, please call Calyx at (403) 949-2961.
1-877-929-9933 or 250-672-2411. Email: infoaartmarketonline
Web site: w%wartrnarketonlinecom Marlene Loney, Art Market Productions P.o. Box 190. BC VOE 1 EO
EDUCATION
Little Church Gallery - Spruce Grove
Alberta visual artists to exhibit work in all media are considered on an annual basis The next deadline for submission is March
Doesyour group offer classes or instruction that would be of interest to Alberta Craft Councilmembers? Fax us your infonnationat (780) 488-8855 and we will be sure to includeit in our
31st. 2002 for exhü)itions during the 2003 season. The gallery
is approximately 300 sq. ft For more information contact:Tie
calendar section.
BOX3511. spruce Grove AB, T7X 3A8. Tel/Fax:(780) 962&64 email: alliedac@telusplanetnet
Ars Libri Bookbinding and Box Making —Edmonton
Selection Committee. Allied Arts Council of Spruce Grove.
Professional book design and book conservation studio offers intensive courses in decorative bookbinding and box making in Edmonton. One-day workshops run each Saturday In March, April
CRAFT SHOWS AND FAIRS
(Visit fre Alberta Craft CouncJl web site for larger listings of craft shows and fairs in the province. M%valbertacraftab.ca.
and May. Each course is limited to 6 students. For a complete list-
Hit the
ing of classes available contact Ksenia Kopystynska at 780-414-
Events link and search the directory for complete detads on each
0548 Ars Labri is located at 10572 —109 Street. Edmonton. AB
Quilt Canada 2002, Edmontom AB, 20-26 May 2002
2002, •Voicesin Cloth:A Quilter'sGathenng•,exemplifiesthe
goal Of the CQAJACC, Which is to promote enjoyment and recognition Of quilt artistry through communication and co-operation. Highlights include exhibitions throughout the city including at the
ACC, artists in residence evening lectures, workshops and classes and special extras. For more information contact Kathy Logan de
Chavez at (780) 487-1142 or visit
Craft Business Training Manual
Manual explores 10 modules taught in plain, understandable language that relate to practical problems and business decisions facing craftspeople every day. Modules include. Product Development Productionßtudio Management, Marketing: Distribution, Marketing: Pricing your Products, Marketing: Promotion, Record Keeping: Filing System and Clerical Records, Record Keeping: Keeping your Books. financial Planning, and Your Business Plan, Call the office in Edmonton: 488-6611 or toll free in AB: 1-800-362-7238, to purchase your manual.
Medalta International Artists in Residence Program — June 3 - 28. 2002 Capltalizing on Medicine Hat's ceramic heritage. the Artists in Residence Program attracts global interest. Apply now to be
there in the summer of 2002 with internationally respected
visiting artists Karen Burk. Charley Farrero and Cathi Jefferson.
Residency applicants will be selected on the basis of their work and evidence of commitment Deadline for application is April 15, 2002. For a complete application form and more information: wv.w.medalta.org
Tel: 403-529-1070, E-mall: medalta.resicency@telusplanet.net
Northern Alberta Woodcarvers Association 19th Annual
WOODCARVING Sxoww SAL* Free Parking RTHER ERTA I WOOD
CARVERS
QUON
More information:
AND
Saturday and Sunday April 13 - If 2002 10:00 AM - 5:00 PM Westmount Junior High School (Gymnasium) 11125 - 131 St., Edmonton, Alberta
Free Admission Thierry (780) 416-2341
Email: nawca@ecn.ab.ca
Http://home.ecn.ab.ca/—nawca
ALBERTACRAFT MAGAZINE
o Hand Weavers, Spinners and Dyers Of Alberta
Hand Weavers, Spinners and Dyers Of Alberta Conference 2002
to be held at Olds College, Alberta from May 24 —26, 2002 with seminars and post conference workshops. For information and
registration please contact Betty Garstin at (403) 558-3990, e-mail egarstin@telusplanetnet
The Aesthetics of Skill
Intemational Ceramics Conference May 24 —26, 2002 Red Deer
College. Studio Demonstrations, Artist Presentations, Trade Show, Exhibitions. Keynote address by Paul Greenhalgh, president, Nova Scotia College of Art and Design. Pre and post Conference Workshops: Wood-fired Stoneware and Porcelain, Jack Troy, May 20—24. Perfect Harmony: Tea Pots Cups, Jugs, and Other
Domestic Friends, Janet DeBoos, May 27 —June 7 For fees and registration information visit www.extension.rdc.ab.ca or call 403-357-3663 or toll free 1888-886-2787
Creative Explorations: A Series.
Mary Sullivan Holdgrafer and Wendy Huntington. Healing
Stitches: How Your Art Imitates Your Life, Sept. 27-0ct.2, 2002.
HAWT - Hot Artists With a Thirst
OPPORTUNITIES Sundogs & Northern Lights Studios spring sale
GARDEN Handcraftedone of a kind RUSTIC HOME and
A newly formed glass organization of the Prairies whose main objectives are to connect and have fun, with just enough structure to keep it going. It is open to ideas from all members: to run items
Designed using, Garden Swing, Arbors, Obelisks,Trellis;Chairs. JUNE 1 •2 & JUNE 8-9 materials. other found willow rock, and
2002 loa.m to 8pm. west of TofieldAB. 51304-RR195,
with a project, take charge of an event. plan an activity that
involves the participation of any interested members HAWT will provide financial aid. For more information write HAW.T. clo
apt. 4, 5367th Ave N.W. Calgary. AB, T2N
County of Beaver 780-662-2845 rachael@telusplanet.net http•]/wwwtelusplanetnet/public/rachael
EXTUS - formerly NEBS
EXTUS (Exporters to the USA Program) programs are designed to introduce the essentials of exporting to markets in the U.S. For information on exporting to the U.S. and program schedules for upcoming events contact Canadian Consulate General, 412 Plaza 600 Building, 6th Avenue and Stewart Street. Seattle,
ONLINE EXHIBITION
WA 98101-1286. lei: (206) 443-1 m, Fax: (206) 443-9735. Attn: Helen Raiswell, Associate Business Development Officer. Direct line: (206) 770-4076 / email: helen.raiswell@dfait-maeci.gc.ca
Discover and explore your personal creative passion through
working in textile arts. Engage your creative process in a nurturing resort setting at Haven by the Sea, Gabriola Island, BC. Brochure or to register, PD Seminars, 250-247-92211 , website: wwa.pdseminarscom; for course information: ms hol d@i nterba un.com.
Weaving Certificate Programme
Spinners and Dyers of Alberta. Push your Hand boundaries Sharpen your skills.Take on the challenge of a home study module in weaving this summer. Set your own schedule and work toward achieving certification. Contact Gayle at 780-987-3593 or gayleis@telusplanetnet for more information.
Classes in Knifemaking,
Stock removal, damascus, mokuma, and tool making (forges,
grinders) November 2001 through April 2002 For more informa-
ORGANIZATIONS/MEMBERSHIPS Surfacing: Textile Artists and Designers Association Surfa ci ng: Texti l e Arti s ts a nd Des i gners As s oci a ti on, i s expa ndi ng
and looking for new members We are a national group that promotes the recognition and growth of textile and fibre art. If you a re i nteres ted i n texti l e cl a s s es , i nforma ti on, a rti s t profi l es , a nd
teaming about new 'call for entries' then we are a group for you!
We would like to encourage interested individuals (and groups)
to check out our website wwwsurfacing•tada.corn, and consider joining our family Of fibre artists and enthusiasts.
Alberta Potters' Association
tionvisit wwwstorchknivescomor contact Ed Storch at 780 763-2214.
The APA aspires to be the collective voice of the Alberta clay
A.R.T. Glass studio
techniques and make your own stained glass panels. For a corn-
Write to the excellence. Indwidual memberships start at APA C/O Enzien Kufeld, Treasurer.9343-70 Ave, Edmonton, AB, TSE 018 email: cbarr@planet.eon.net
Taylor atA.R.T, Glass Studios in Edmonton at (780) 989-3114
Edmonton Weavers' Guild
EXHIBITIONS and EVENTS
web s i te: http://www.freenet.edmonton.a b.c.a ./wea vers l
Offers classes and supplies for stained glass. Learn a variety of
plete listing of classes offered in March and April contact Rosa
communit,r, the representative of the clay community to all levels Of government and the general public: a promoter Of ceramic
Meetings are held at PRINCE OF WALES ARMOURIES 10440 - 108 AVENUE Edmonton, Alberta, T5H 3Z9. For more information call: (780) 425-9280 Or visit our
Hand Weavers, Spinners and Dyers
Full Moon Gallery —Happy 1st Birthday!
Opening: Sat June 1st, 2002, 2:00 to 5;00. 16 Balsam Ave. Bragg Creek, AB New works by Alberta Craft Council artists. (artists in attendance) Music by One World Drum Co. Potluck social to fol-
low at 6:00 at Pam and Bruce Rodger's property. •Sanctuary"
Bragg Creek- Gallery artists and AIL ACC members are welcome
RSVP for potluck:(h) 403-949-3769 (w) 403849-2415
Offering newsletters, libraryservices weaving certificate programs, annual conferences, juried exhibitions, fibre fare. financial assistance, scholarships and more. Contact Frances Schultz for more info at Box 87 Monarch, AB, TOL IMO
www.albertacrafr.ab.ca
Surf...
the complete online guide to Alberta's fine craft scene for Makers and Collectors
Introducing four new online exhibitions: Cover Stories Co Figure
Northern Alberta Woodcarvers' Association
An organization for woodcarvers living in North Central Alberta.
Newsletter,workshops, sales etc. For information on meetings
Mystery of Mastery Speculations
and how to join contact Elmar Abele (president) in Edmonton
The croft
The Croft features fine arts and crafts produced by regional artists Regular exhibitions are held to inform the public of the
fine arts and crafts available and produced by local artists and to give the artists a chance to meet the public Join us at the Croft,
2105 4th st. SW Calgary AB. us IW8
Tel: 403-245-1212 Email: info@croftgallery.com
(780) 483-8816
Southern Alberta Woodworkers Society (SAWS)
An organization for woodworkers living in Southern Alberta. For information on meetings and how to join contact Henri Lefebvre (president) in Calgary (403) 249-9548
The Edmonton Needlecraft Guild
GRANTS/AWARDS
Encourages the practice and study of the art of embroidery in all forms. Membership provides the benefits of monthly meetings bimonthly newsletters workshops, guild libraryand membership in
Visit the Alberta Craft C6unci/ web site for a complete listing of
-president - at (780) 473-3003
grants, awards and scholarships available to Alberta craft artists. www.a/bertacraft.db.caFollow the Info link and then hit on Grants and Awards,
12
Speculations
ALBERTACRAFT MAGAZINE
the Embroiders' Association of Canada. Contact Marian Preshing
Heritage Weavers' and Spinners' Guild of Calgary
Monthly meetings at the Riverview United Church in Calgary. Various memberships available. Contact Rene freeborn at the Guild, 403-287-1270. for more information.
Updated: •
2002 Directoryof Craft Shows and Fairs Members' Portfolios
Alberta Craft
Culture in the Making
Quality Craft Productions
How do they do that? Here's your chance to answer all the hows and whys qf±thespcisnt art pf-glass fusing 7take this
5-dai workshoå()parti0f SERIE%Hot Glas at
A WINTER FESTIVAL OF CRAFTS
COUNTRY CHRISTMAS CRAFT FAIR
Nov 23 & 24, 2002
Nov 2 & 3, 2002
call 1-888-886-2787, or stop by the Craft Council for a brochure.
Millennium Place
Mayfield Trade Centre
Over 200 Juried Exhibitors Edmonton, Alberta (Booth fees starting as low as $155.00)
Sherwood Conference Centre Over 150 Juried Exhibitors Sherwood Park, Alberta (Booth fees stating as
low as $140.00)
For Applicationcall (780) 951-6340 Fax: (780) 922-1 165 or E-mail zielinski75@hotmail.com
CALL FOR ENTRY e raft
16th ANNUAL
ARRtq
e
Working for the Working Artist aterials • Tools
• Advice
NOVEMBER 14-17, 2002
• Support Putting it all together
Calgary, Alberta 210 High Quality Artisans
THE PAINT
Telus Convention Centre
ART MARKET
PRODUCTIONS
MARLENE LONEY P.O. BOX 190
BARRIERE, B.C. VOE IE0
TEL:1-877-929-9933 FAX: (250) 672-9517 www.artmarketonline.com
10516 WhyteAvenue,Edmonton,AB Tel: 432-0240 Fax: 439-5447 Canada 1-800-363-0546 y,ww.paintspot.ca
inFo@paintspot.ca
ALBERTA CRAFT MAGAZINE
13
Membership Application ACC Name
„.„..
New Members
Address
. PostalCode.....„.. .
. Province .
Business Phone.....„.....
Home Phone
Email . Affiliate organization/school/library/assoc./institution: .
Yes
Are you a Craft Producer?
What medium(s) do you primarily use?
Clay fibre Mixed
O Glass Metal Other
Leather wood
What products do you make?
O Furniture
O Jewellery O Quilts
Wood turnings Paper
Tableware
O Weaving O Sculpture
Wall hangings
Ornaments
Baskets
Clothing
One of a kind Other
Production pieces
Membership Individual *Affiliate Senior (age 60) Student/Library
"Family Assoc. (voting) Assoc. (non-voting) Retail
Institutional
1 year
2 year
D $35
o $70
$20
$35
$75
D $70 D $65 O $65 $65
For an individual Who belongs
to an organization that is a mem-
ber of the ACC. Please enclose the name of the affiliated organiza-
$35
tion.
$135
D $185 o $125
"Full membership benefits for two individuals at the same
$125
D $125
Payment enclosed Please bill my C] Vlsa
address, but one subscription to Alberta Craft Magazine,
O MasterCard
Card Number
Expiry Date —/—/
Signature Please make cheques payable to the Alberta Craft Council. Outside Canada add $5 for magazine postage.
Mail to:
10186-106 street, Edmonton,AB T5J IH4 Phone I-BOO-DO CRAFT (AB only), (780) 4886611 Fax (780) 488-8855
D I would like to volunteer my services, please contact me.
Return Address: Alberta Craft Council 10186-106 Street
Edmonton, AB T5J IH4
Wayne Alsop, Black Diamond Peter Bachman, Sherwood Park Stephanie Barnett, Calgary, Clay, Painting, & Drawing Alyssa Becker, Edmonton, fibre & Mixed Media Cindy Bennett, Edmonton, Clay & Window transparencies Kelly Bibkewich, Edmonton, Clay Miss Wendy Marion Davis, Edmonton, Fibre & Pressed Flowers/Cards Robin Falkowsky, Calgary, Fibre, Metal, Wood & Mixed Fort McMurray Historical Society, Fort McMurray Gordon Galen2a, Calgary, Wood & Mixed Donna Gent, Spruce Grove Susan Hubele, Cochrane, Clay Erwin Hunke, Edmonton Al Kapusta, Calgary, Metal & Wood William Leslie, Edmonton Mireille Marquis, Swan Hills, fibre Yvonne McGrath, Edmonton Suzanne Menard Nicholson, Edmonton Ralph Reichenbach, Edmonton,Wood Evan Rudyk, St. Albert, Metal, Wood, & Mixed Joan Schiebelbein, Edmonton,Tile Paul Squires, Edmonton,Plastic Hazel Sutherland, Edmonton Linda Thomas, Edmonton Tom & Merla Todd, Coleman, Wood & Fibre Town of Okotoks, Okotoks Julia Tsetso-Perron, Calgary, Clay Garry J. Williams, Calgary, Clay & Concrete Lynne Wuetherick, Edmonton
Renewed Members
Nancy Allen, Calgary, fibre Lynne Bowland, Lord's Cove, Stained & Leaded Glass E. Ross Bradley, Edmonton, Glass, Clay Tracy Brown, Edmonton, Metal Emil Bucharsky, Spruce Grove, Metal Sharon Busby, Edmonton, Clay & Painting Robert Cadman, Carbon, Wood Myrna Campbell, Okotoks, Clay Debbie Chiumento, St. Albert, Clay, Mixed Media & Fibre Judith Chorney, Spruce Grove, Fibre
Debra Demers-Bryan, Camrose, Clay Dawna Dey-Harrish, Sherwood Park, fibre Judith Green, Pincher Creek, Clay Ann Haessel, Calgary, Fibre Hand Weavers Spinners & Dyers, Edmonton, fibre Barbara Harrison, Calgary, fibre Patricia Hartnagel, Edmonton, Raku Clay Carol Hartwell, Stony Plain, Clay Victoria Hemming, Edmonton, Metal Chris Hepburn, Edmonton, Metal Cindy Hoppe, Biggar, Fibre Roseann Janzen, Carvel, Metal Ted Jolda, Parksville, Glass- hand-blown Terry Juzak, Edmonton, Metal Bradley Keys, Calgary, Clay & Metal Allan Lindoe, Edmonton,Wood Betty Louden, Calgary, fibre Kathy Maccagno, Lac La Biche, Native Crafts Don MacDougall, Balzac, Metal & Wood Wayne Mackenzie, Edmonton, Metal Jewellery Brenda Malkinson, Edmonton, Glass - flat Ian Medland, Cochrane, Metal Jewellery Margaret Murray, Edmonton, Metal Tammy Parks-Legge Stony Plain, Clay Elizabeth Penttinen, Edmonton, Fibre Darren James Petersen, Red Deer, Glass - hand-blown Bob & Connie Pike, High River, Clay Colleen Rauscher. Calgary, Fibre Melody Robinson, Sundre, Clay Sheep Creek Weavers, Calgary, fibre Barbara Starrenburg, Red Deer, Metal. Clay, & Mixed Media Sylvia Teare, Calgary, Clay Dianne Thompson, Okotoks, Stained Glass Lisa Tornack, Calgary, Clay Mary Ursuliak, Summerland, Clay Carol Voyt, Calgary, Clay Drexel Walker,Calgary, Clay Shona Wehm, Edmonton, fibre Jean Weller, Prince George, Fibre
ALBERTA
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