ALBERTA/ MAGAZINE September/October 1990 ISSN 0834-91 OX
2
In memory of Bobbi Hoffman ACC 10th anniversary
7-10
Calendar of events 14
Craft as Art discussion Alberta Craft Councll
#509 10136 100 Street
Edmonton,AB T5J OPI 403/428-1654
In memory of Bobbi Hoffman
It is with great sadness that the ACC pays tribute to former Executive Director Bobbi Hoffman who died peacefully at home on July 27 after a
lengthy illness with cancer. Bobbi was ACC executivedirectorfrom May 1986 to November 1989. Prior to that she had served on the board of directors from 1983-86.
"A person's influence on your life is often not fully realized until their passing. Such was the case with Bobbi, for it wasn't until she was not
here that many of us became really aware of just what an impactshe had had on our lives.
"I recall now the gentle, humorous, enthusiastic but persistent persuasion with which she first involved me in the ACC. I have since come to learn that this "Hoffman press-gang method"was an instrumental influence on a large number of ACC craftspeople and board members alike. She had a warm quick smile and an aura of enthusiasm and energy which she openly shared with all she met, and it was a drug upon which we all thrived. She was a never ending source of ideas and encouragement, and made all of us believe that anything and everything was possible. And it was! "Bobbi was totally committed to the furtherance of craft and even Hoffman-ACC executive director more committed to those who practiced it. She was a constant, consis- R.M.(Bobbl) tent source of encouragement to all she met. All you really hadtodo May 1986 to November 1989 was show even the mildest interest and it would open a floodgate of creative and enthusiastic responses, sweeping you into doing things you never dreamed possible. During my tenure with the ACC, I am YO-I Will a kett_er plaæ continuously amazed at the numbers of people whom I have met who I it's m a spring — pzr sni.le silver e.•ery pa•d. fell under that spell. "I will not forget Bobbi for she shared a part of herself with us in a very magical way and we are all betterfor having known her,"said
Keith Evans, ACC president.
The following statementfrom Lorna Jewell, ACC administrativeassis-
Te
"There were many mornings when she would come into the office saying she'd been up at 5 a.m. I dreaded those times because she either had written out reams to be typed or had hundreds of new ideas for hundreds of new projects. If the Alberta Craft Council had had an unlimited budget and unlimited human resources, Bobbi would have had a heyday. Treats for everyone at the office - gummy bears, colored popcorn, fresh flowers or a bottleof wine for a Friday after-
noon- were partof her thoughtfulness.
"The memories of Bobbi's sharing and caring will be rememberedby all of us who worked with her."
A mernorial service held August I, broughttogetherthe many people Bobbi touched with her zest for life and compassion for others. A poem by friend Gwen Black which was read at the service is reprinted here, it too reflects the sentiments of those who knew Bobbi. Donations in memory of Bobbi may be made to the Palliative Care Service, c/o Mary Elliott, Misericordia Hospital, 16940 87 Avenue, Edmonton
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tant, describes the sentiments of current and former staff who worked with Bobbi: "Bobbi had many attributes that I admired and respected.
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With
September/October 1990 Alberta Craft
ALBERTACRAFT COUNCIL CONTACTS Presldent
Report from the Executive Director
Keith Evans, MD of Sturgeon
by Don de Beaudrap
Vlce-presldent Carol Campbell,Calgary
In the few short rmnths I've been with the ACC my respect has grown for the long tradition of craftsmanship and its contemporary manifestations. There is truly a vital and essential element in the nature of craft making which relates to some of the highestvalues we can aspire to. I speak of the patient, deliberate manipulation of materials into efficient forms and objects. The results of disciplined and finely honed skills involvedin delicateprocesses create objects of value, prized for their harrnonious blend of material, form and function. When crafts people master their medium and attain the ability to express ideas through the object, the results can be astounding - the object then becomes a conduit connecting the maker with the appreciative user. This communicationprocess, embodied in a physical object, has the potential to transcend time effecting multiple users in varying circumstances. Once fully developed it can become art.
Secretary
Ross Bradley, Edmonton
Treasurer Gerri ManyFingers, Calgary Directors Tm Bissett, Calgary Anne Brodie, Red Deer Dianne Finch, Medicine Hat David Green, PincherCreek Mavis Legg, Edrnonton, Tony Mandamin, Edmonton Tandy McKay, Edmonton Linda Stanier, Stony Plain
ACC office #509 10136100Street Edmonton,AB T5J OPI Phone (403) 428-1654
Executive Dlrector Don de Beaudrap
NEWSLETTER
DEADLINES
November/December- October 12 January/February - December 10 March/April- February 15
Suggestlons, Ideas and crltlclsms are welcomeso
please send them to the ACC
office for consideration.
We also welcome letters to the editor, but reserve the rlght to edit tor grammar, taste and length. Anonymous letters WII/ not be publlshed.
September/October 1990 Alberta Craft
The ACC embraces the entire craft community. We have in our membership those working at an introductory level, exploring new materials and mediums. At the other extreme, we have highly professional makers achieving both artistic and economic success through their work. It's a continuum, and we are all connected by the interplay within it. We need each other's support to assert the raft community's presence in a broader social context. That is why the ACC has dedicated its mission to stimulate, develop and support the crafts in Alberta.
I have found working with these ideals to be very stimulating and satisfying. The people I've met
through the council have impressed me with their commitment to their
work and the organization. We have been able to re-affirmthe ACC's purpose, renovate its organizational structureand are in the process of charting its course over the next several years - your input will be solicited and we hope to be strengthened by your participation. I find this all to be very exciting. There is a great potentialfor the ACC to grow and nurtureresponsive and supportive sentiments towards crafts in our society. By working together we can create and/orexploit more opportunities to integrate crafts within contemporary life. For all of the reasons outlined above, I am remorseful for having to step down as executive director. Pressing personal needs have made it impractical for me to continue in my present capacity. As the ACC this rrmth celebrates its first decade, remember that for all its
ups and downs over the years, you are much further ahead then when you first started. There is still a
boundless, uncharted course in front of you. With determination, coopera-
tion and sharply focused vision, you will find your way to still brighter horizons. I wish you a safe fulfilling journey in meeting your quest.
3
Exhibition opens September 13
Champagne Breakfast, the Alberta Craft Council showcase exhibitionto celebrate the council's 10th anniversary opens September 13 at Triangle Gallery, 800 MacleodTrail SE, Calgary.
A list of the selected craftspeople is printedbelow, butwinners of the cash prize winners are being held
in strict confidence until the official opening slated for 7 p.m. Prizes for the top three entries as designated by the jury are $1 ,000, $500 and $250 respectively an additional$500 award will be presented for the best interpretation of the Champagne Breakfast theme.
Champagne Breakfast will remain on exhibit at Triangle Gallery until October 13 as will the ACC's Silk Scarf/StoIe Exhibition. Triangle Gallery hours are Il a.m. to 5 p.m. Mondayto Friday and I p.m. to 4 p.m. Saturday. Opening and showing in conjunctionwiththese exhibitionsare: No Restrictions Applied, Western Canadian craft in traditional mediums, at Gulf Canada Square Fountain Park, 401 9 Avenue SW, Calgary, Monday to Friday 9 a.m. to 8 p.m.; and A TISket A Tasket, national basket exhibition, at Petro Canada, 2nd floor atrium, 150 6 Avenue SW,Calgary, Mondayto Friday 8 a.m. to 6 p.m. These venues will also be open September 22 and 23 during Calgary's Art Walk.
Champagne Breakfast finalists
Alexander Albrecht, Edrnonton
Sally Barbier,Calgary Tm Bissett, Calgary
Angela Bonten, Edmonton
Rose MarieBurn, Calgary Carol Campbell,Calgary Karen A. Cantine,Edmonton SarabethCamat, Calgary VictorClapp, Edmnton Fred Coates Calgary Anita I. Dumins,Calgary James Etzkorn,Calgary Beverly Falkeid,Calgary Crys Harse, Calgary MarthaHenry, Calgary Sanna J. Kaiser, Ponoka Charles Lewton-Brain,Calgary Lorine Marshall, Medicine Hat Tom McFaII, Edrronton Ian Medland, Edrnonton
Elizabeth Menzies, Calgary John Morel,Calgary WilliamG. Morton,Calgary Joyce Nemeth,Calgary Baco Ohama, Calgary BarbaraJ. Pankratz,Edrmnton Greg Payce, Calgary C. Bryn Pinchin,Bragg Creek Susan Poole, Edrnonton Shirley Rimer, Red Deer Henry Schlosser, Calgary Carol and Richard Selfridge, Edmonton
4
CCC annual general meeting
The CanadianCraft Councilannualgeneral meetingis being held in Calgary
September 25-30 with the ACC acting as host. While the executive and committee meetings are not open to the public, ACC members are welcome to attend other sessions as observers as well as the reception and barbecue. If interested in attending please contact the ACC office before September 14. A fee will be charged for the barbecue.
Approximately60 delegates including CCC directors and provincial craft council representativesfrom across Canada will be in attendance. The following is a brief outline of the six day agenda:
September 25
9 a.m. to 5 p.m.
September 26
CCC executive,MJCCC Foundationand long-term financial planning meetings
9 a.m. to noon 1:30 to 5 p.m.
Board developmentday - workshop by Rory Ralston Discussion by Rory Ralston
9 a.m. to noon
Education, international& curatorial committee meetings Futures session "Concepts of Crafts" - open discussion conceming differingconcepts of crafts plus implications for the future Triangle Gallery reception featuring Champagne Breakfast and presentationof ACC service pins
September 27
1:30 t05p.m. 7 to 9 p.m.
September 28
9 a.m. to noon 2 to 5 p.m. 7 to 10 p.m.
September 29 9:15 to 10:15 a.m. 10:45 a.m. to 5 p.m. 7 to 10 p.m. September 30 9 a.m. to noon 2 to 5 p.m.
Circuit management and implemenation meetings CCC board meeting Buffet,provincialslide presentations and 1990 honoraryCCC memberships CCC annual general meeting CCC board meeting ACC sponsored barbecue, video presentation by DorothyCaldwell, 1990 Bronfman award winner CCC executive committee meeting GST workshop, CCC Executive Director Peter Weinrich
September/October1990 Alberta Craft
A celebration of craft
Alberta Craft Week September 23 to 29, as officially declared by Minister of Culture and MulticulturalismDoug Main, is an opportunityfor the public to focus on the innovation and diversity of contemporary craft production in Alberta.
The Alberta Craft Council is proud to its 10th anniversary this year and Craft Week provides an ideal opportunityto appreciate the abundant creativity evident in Alberta craft. The ACC invites everyone to join in the celebration of Craft Week by taking advantage of the activities and events planned.
Many provincial commercial galleries and craft organizations are planning
special exhibits which will coincide with the celebration of Craft Week. Alberta Culture and Multiculturalismis
publishing six brochures focusing on
various aspects of craft ranging from esthetics to collecting. A poster highlighting opportunitiesfor the public to participate in craft events will be distributed in September.
Alberta Craft Council 10th anniver-
sary events coinciding with Craft Week are listed on page 4. In addition the Canadian Craft Council will hold its annual general meeting in Calgary during Craft Week with the
ACC actingas host.
At the CCC meeting, the ACC will also present 10 service pins to significant contributors to Alberta craft over the past decade. Watch for more information,and above all, prepare to participate in this unique celebration of craft marking the 10th anniversary of the ACC.
Board report The following statements were adopted by the Alberta Craft Council board of directors at the first meeting (June 28) following the 1989-90 annual general meeting.
Bellef Statement
Crafts are an integral and unique part of our
heritageand need to be developed and
preserved for the cultural, social, education-
al and economic well being of the people of
Alberta.
Mtsslon Statement
The mission of the Alberta Craft Council is to
stimulate, develop and support the crafts in Alberta.
Target Statement
In order to carry out its mission through com-
munications, educations, exhibition, participation and other means, the ACC will target the following groups: - amateur craftspeople, including the hobbyist and the student of craft - professional craftspeople, including those
involved in productionand one-of-a-kind
crafts - the public at large, for they are all potential
students, consumers, supporters or admirers of the crafts. In order to carry out its mission, the ACC will also work in partnership with, but not limited to, the following groups: membership of the
ACC, other craft and visual arts organizations, educational institutions,government agencies, corporations,foundations,galleries, museums and communities.
Also at the June 28 meeting, David Green of Pincher Creek was appointed as a board member for a one year term. He replaces Thom Bames who resigned.
Craft Alberta
vveek Septernber 23-29
September/October 1990 Alberta Craft
The following committees were also established:
Finance Business Committee- Gerri ManyFingers (chair), MavisLegg, Tony Mandamin,Tandy McKay Human Resources CommitteeDianne Finch
Advocacy Committee- Keith Evans Programs and Services Committee Carol Campbell (chair), Tim Bissett
(communications subcommittee), Linda Stanier and Anne Brodie (education subcommittee). David Green (participation subcommittee), Ross Bradley (exhibition subcommittee).
5
Provincial voice for visual arts sought
by Don de Beaudrap
The Alberta Craft Council and four other provincial visual arts service organizationsconvenedan ad-hoc convergence of visual arts representatives from across Alberta July 19 and 20 at Red Deer College. The purpose of the gathering was to re-examine some of the issues and recommendations dealt with at the
1988 Visions and Choices Con-
ference for continuing education in
the visual arts. A key recommenda-
tion which came out of this initiative was for seven provincial visual arts service organizations to continue to meet on a regular basis. The seven organizations are the ACC, Handweavers, Spinners and Dyers of AIberta, Alberta Potters Association, Alberta Sculptors Association, Alberta Printmakers Society, Alberta Society of Artists and the Alberta Community Art Clubs Association.
This collective will explore common issues and concerns with the intent of expanding a networkof visual arts activists who can effectively speak for and represent the community.
The first task will be to prepare an agenda and devise a process to incorporate a broad based, major con-
vergence of visual arts
representatives later this year. There is a pressing need for the visual arts communityto organize at the grass roots level in such a way as to communicate concems affecting its development. Significant changes in visual arts funding and education, as well as art appreciation need to be addressed.
By workingcollectivelywithsuch a broad based interest group, the AIberta Craft Council hopes to contributeto the evolution of a visual arts presence in Alberta that is
6
respected for its vitality and valued as an essential part of our way Of life, worthy of greater support.
Another separate meeting of visual arts organizations which receive Alberta Lotteries funding took place on
July 19 as well.
A proposal was drafted suggesting eligibility criteria to use for provincial visual arts service organizations to receive lotteryfunding. At present, we have no such guidelines and feel it is in our best interests to help guide the Ministerof Culture and Multiculturalismin his thinking with respect to a renewal of the lotteries licence in April 1991. We are suggesting that in order to qualify for direct funding derived from Alberta Lotteries, an organization must demonstrate:
•
•
service to the community beyond the immediate needs of its membership functioning as an umbrella with
formal affiliation with other local,
•
•
regionalor provincialorganizations
reflection of province-wide membership, involvement and formal
communication
concern and involvementwith pertinentissues affecting in-
dividual artists and/or the arts community cooperation and coordination with other provincial organization and agencies involvement with the public and private sector where appropriate compliance with a yearly reporting requirement to include: - submittingan annualreportreflecting the above criteria to the appropriate authorities - audited financial statements reporton activities of the organiza-
tion
- current three-year budget and program projections
It is intended that the above criteria be used to establish core operation funding for its recipients and should not disqualify an organization from applyingfor and receiving,on a competitive basis, project grants or other government funding which could be applied towards programming.
It is understood and will become increasingly apparent that service organizations such as ourselves will have to become more responsible for raising programming funds from other sources - corporate sponsors, private donors and fees for services. This will essentially become a necessity as we move towards greater selfsufficiency in the decade ahead.
Donations of handcrafted Christmas ornaments are being sought to sell in conjunction with the ACC member sale and exhibtion Under the Tree IV. Proceeds to a Christmas charity. See page 13 for details.
September/October 1990 Alberta Craft
CALENDAR
Calls for entry
Calgary
ARTISTS/ARTISANS
Handspirits,a co-opera-
tive gallery, seeks finely crafted, original work.
Shop features work in fibre, wood, glass, ceramic and paper. Selection process guarantees maintenance of the finest qualiy. Resume
requested. Information: Handspirits, 1410 4
StreetSW, Calgary,AB T2R OY2; 2æHAND. ART MARKET 4th annual art and craft sale, November 16-19, 1990, Calgary Convention Centre, City Centre. Application processing
FOYER GALLERY, EDMONTONCENTENNIAL LIBRARY Is acceping submissionsfor
ART IN FASHION The Joanne Birtz Dance Company welcomes submissions of dothing
munity Programmes, Edmonton Public Library
and 10 in Medcine Hat. Infomation: Art in
solo or group exhibitions.Information:Com423-2331 ext 246.
14THANNUALFESTIVALOF THE ARTS November 18 from 11 am. to 4 p.m. at he Glen
FIBRE POTPOURRI 1991 May 31, June 1 and
and Culture. For applicationforms contact Teresa Koslo at 467-2211.
wanted forworkshops. Reply by September 30 to Laune %rrison. 224 Strickland Bay SW, Cal-
December 1-9. Edmonton Convention Cenre.
Other provinces
sored by Strathcona Courw Recreaion, Parks
CAMEO'S11thCHRISTMASCRAFT SALE
mation: Art Market Productions, Marlene A.
Juried, a full nine days or a four or five day session. Information: Cameo's Craft Sales, Suite
Loney, PO Box 385, Banff,AB TOL OCO;7622345.
LAKE BONAVISTAPROMENADEis in
process of establishing itselfas a venue forartists to sell and/or dsplay works. No fee for ex-
hibiting; $10 per day minimum10 day
commitrnent, maximum 30 days to sell Infor-
mation: Neill & Company Ltd., Suite 212. 755 Lake Bonavista DriveSE, Calgary, AB T2J ON3; 271-9417 (Susan Moore).
FESTIVAL OF CRAFTS Fourtl annualcraft
sale, November30, December 1 and 2, Roun-
dup Centre, Calgary. Juried. Information: Pauline Biswanger, 192 Hawkview ManorCircle
NW, Calgary, AB T3G 3A2; 239-2276. MYXDMEDIA GALLERY is accepäng submissions of original work either by slide or will do
Fashion, Studio 6, 153 2 Street SW, Medicine Hat TIA 4A7; Joanne at 527-9050or 529-
Allan Recreation Complex, 199 Georgian Way. Sherwood Park. Ajuried art and a-aftsale spon-
begins April 1 and continues until all space is
filled. 180 booths, juried, high quality sale. Infor-
and acæssories forhis show November8
645, First Edmonton Place, 10665 Jasper
Avenue.
AB T5J 35; 424-0787.
HANDS IN HARMONYSANTA'S ELVES
CRAFT SALE November8-12, West Edrnonton Mall Palaæ. HANDS IN HARMONY
CHRISTMASCRAFT SALE November 22-25, Edmonton Commonwealfr Stadum. Informa-
ion: Hands in Harmony, 17219106 A'.anue. Ed-
monton,AB TSS IE7; 486-1670or 487-0714 (evenings). Basil or Annette Greenberg.
JUNIOR LEAGUE OF EDMONTON CHRISTMAS FAIR October 21. Jubilee
Audtorium.Deadline:July 15, including$60 deposit.. Information:Christmas Fair, Junior League of Edmonton,10447 86 Avenue, Edmonton,AB T6E 2M4;433-9739or Jane 4521979. Mary 438-5329.
2, 1991
College. Hosted by he Calgary Guild of Needle and Fibre Arts. Teachers gary.AB T3H 232; 242-2775.
TORONTO SCULPTURE GARDEN Emphasizes site-specific work Pays arist fees and
fabrication costs. Submissions accepted anytime and reviewed quarterly. Information:
Toronto Sculpture Garden, PO Box 54, Station
Q Toronto.ON M4T 2L7: 4161485-9658.
VIRTU V: FORUM & FUNCTION 5th annual Canadian juried design mmpetition for furniWre
and accessories created for residential use. Eligible are original producS ±signed and/or
manufacturedin 1988/89by Canadan residens or Canadian citizens li•ing abroad. Infor-
mation: Forum & Function, Directions in Canadian Design. Box 584, Stn. C, Toronto,ON
MEJ 3R9: 416/588-5229.
SPORT ART COLLECTION Sask sportInc.of Regina is looking for new works in any medium
tion of work from painting, drawing and
THE CHILDREN'S CHRISTMASFESTIVAL
by Canadian makers/artists to to its collection. Works must have a spore theme. Informa-
call Tracy-Lee at 2æ7291 or 246-0420.2nd floor.118B Avenue SE, Calgary.
ton. Retail and consumer show fowsed onhe Christmas season with empahsis on chilrent
2L7 ; 306/780-9309.
studio visits. The gallery shows a
collec-
ceramixs to handblown glass and art funiture. CUPS Thge Alberta Potters' Association will celebrat 20 years of existence in 19991 and invites all alumni and pople who ahave worked in
clay in Alberta during the past 20 years to par-
November 23-25, Northlan& Agrimm, E&non-
needs. Information:#242 9750 51 Avenue. Edmonton. AB T6E OAS; 437-7851.
Other centres
ticipate in this show. The exhibition will take
ABSOLUTELY ALBERTA proudlypresenting
Seminar. Non-APA members contact: Glenys
Banff, seeks original fine craftedwork. All meda
place in May 1991during he Calgary Cermaic Marshall-Inmanat 931-3566to be put on the mailing list for further information.
Edmonton
MUTTART CONSERVATORY SEEKS
EMERGING ARTISTS Monthlyexhibitions. Preference given to. but not restricted to sub-
ject matter related to nature. including landscapes, florals and the natural environ-
made in Alberta handcraft
in he resort town of
considered, but glßS, ceramiÄ, wood. fibre
and jewelryin mediumprice
preferred
monton,AB T5J 2R7; 428-3664.
sored by the K%dicine Hat Gallery Association
monton CommuniW Artists Network is now a
not involve entry fees (assodation membership
from artists for its gallery programming. WECAN is also establishingan artists fee schedule. Information:WECAN. Harcourt
to the treasurer). All art forms aæepted; two tier
House, 10215 112 Street, Edmonton; 426-4180
September/October 1990 Alberta Craft
curator. The Craft Gall".
Ontario Craft Coun-
cil, 35 McCaulst-eet, Toronto,ON MST IV7;
416,977-3551. CANADA COUNCIL ART BANK Jury members meet
a year to determineworks of
ot tie National Gallery of Canada is re%JEing submissions of sli&s. photos. or portfolios of Canadian made jewelry. The jewelry would be
Langridge, Absolutely Alberü. Box 159, Banff. AB TOL OCO;762-3990.
294B.
public art gallery and is accepting submissions
slides and resumes. Contact: Alan Elder,
TIMBERLINE GALLERY We are welcoming submissions(eithersli±s or prinB) of high quality. contemporarycrate by Canadian ar-
Uniquely Alberta items a plus. Photos'slides of
Extension Officer, MuttartConservatory, Ed-
HARCOURT HOUSE GALLERY Where Ed-
submit proposals for exhibiions together with
work and bio requested. Contact: Patricia
tisans. Information: Timberline Gallery. Box
monton Parks & Recreation, PO Box 2359, Ed-
THE CRAFT GALLERY Invitescraftspeople
art whi&l will be purchased. Deadines: May 1 and November 1. Information:Canada Counca Art Bank. 2279 Glad%'in Cresænt. Ottawa. ON
ment. Paintings, drawings, prints, small sculp-
ture can be acommodated. Information: Senior
tion: MurrayDyke. Sport Art Collecion, Sask Sport Ina, 1870 Lorne Street. Regina SK S4P
354, Cochrane,
932-
ART DOWNTOWN Septernber21-29 sponExhibition and sale open to all members and will
is $5 per year and may be obtained by writing
KIB 4K9; 613/598-4359. CANADIAN MADE JEWELRY The Booictore
acquired on a ansignment and/or wholæale basis ±pending
on the value of he articles. No
material restrictions. but a
to moderan price
range is preferred.Submit to: The
National Gallery of Canada. 380 Sussex Drive.
PO Box 427 StationA. Ottawa.ON KIN 9N4.
Attn.
Cardill; 613'990-0961.
commissionsystem - 25 per cent normal, reduced to 10 per ænt for arise willing to help.
Information:The Cultural Centre, 299 College
DriveSE, MedicineHat,AB TIA3Y6;529-1174.
Contlnuedon nextpge 7
Calls for entry
CALENDAR
Other provinces
16TH ANNUAL OTTAWACHRISTMAS
CRAFT SALE December 6-16. OttawaCivic
Centre, Lan&down Park, Ottawa. Companion
showto ORIGINALS - A SpringCraftSale. Juried show. Information: Industrial Trade &
Consumer Shows Inc., Tom Gamble, 47 Clarence Sreet, Suite 440, Ottawa,ON KIN 9K1; 613/232-5777.
11THMANITOBACHRISTMASCRAFT SALE November 21-25, Winnipeg Convention
Centre, Winnipeg. For applications or information contact: Ron Mark, Western Works, #200
62 Hargrave street, Winnipeg,MB Rac ONI;
204/942-8580.
CIRCLE CRAFT CHRISTMASMARKET November 8-12, Vancouver Trade and Conven-
tion Centre. Juried craft show. Processing begins May 1 and continues until the show fills.
Information: Circle Craft Christmas Market,
Blvd., Toronto,ON M6G 2N6. Informaion:Arlene Gehring 416/963-9123or Rosemary Burd
Spinners; circulated by OCC. Handweavers, spinnrs, basketmakers, felters and paper-
THE PLAYFUL IMAGINATIONToronto,
Fees for three entries: $10 OHS members, $35
416/968-3626.
November to December 1990. Toys, playful objects and other work including jewelry, fibre and graphic works wanted for retail in conjunction
with 2nd annual show of toys by artsts. Send three to four photos with &scription and price range to: Arlene Gehring, The Playful Imagina-
ion, 189 MadisonAvenue, Toronto,ON M5R 2S6; 416/963-9123.
FROM THE SOURCE Juried traveliingexhibitjon of contemporaryand traditionalwork.Or-
ghanized by Ontario Handweavers and
Calgary
TO SEPTEMBER12 Kaleidoscope, Morley
CRAFT MUSEUM, CANADA CartwrightGal-
dinal-Schubert,Jane Cameron (ACC member),
expand into a new downtownbuilding designed
NOVEMBER 7 Laurel Cormack, Gloria Brinkerhoff, Chrys Harse (ACC member). NOVEMBER 15 TO DECEMBER 5 Alina
lery, a nine-year-old, non-profit craft gallery, Will for its use as fre
Craft Museum in late
selected by
to &sign and make
1991. Craftspeople will be commissioned, as
free standing fumiture for public areas and art to be integrated into tie 10,000 sq. ft. building. For a listing of write to: Cartwright Gal-
lory, 1411 Cartwright Street, Vancouver, BC
V6H 3R7; 604/687-8266. CANADIAN CONTEMPORARY QUILTS 1992
non-members. Information: Joan D. Lidkie,
1189 Woodview Drive, Oakville, ON L6M 2M5;
416/847-3551.
ONE OF A KIND CHRISTMAS SHOWAND SALE November 22 to December 2, Automo-
tive Building, Exhibition Place, Toronto.
SPRINGTIMECRAFT SHOWAND SALE March 27-31. Information: Canadian Craft Show Ltd., 21 Grenville Street, Toronto, ON M4Y IAI; 416/960-3680.
Shows & events
1386 CartwrightStreet, Vancouver,BC V6H 3R8; 604/684-2422.
BUILT-INCOMPETITIONFOR CANADIAN
makers. Deadline: September 15. Cas awar&.
Hollenberg,Hannes Luff/Mrginia%lva. SEPTEMBER 19 TO OCTOBER 10 Joanne car-
Other centres
TO SEPTEMBER 24 Tove Hansen - painted porcelain and watercolors; Lynn Orris - painted
silk and watercolors.SEPTEMBER 27 TO
TOBER 29 Motye, Chinese brush painting;
ChinookWildfowlCarvers. OCTOBER 17 TO
TBA, 3-0. NOVEMBER 1-26 Susan Gardiner -
Dabrowska, Rosemarie Gall, Gwen Hughes
pertshauserHouse, Stony Plain, AB; 963-2777.
(ACC member). DECEMBER 12 TO 31 Federa-
tion of Canadian Artists, Patricia Jones, Bert Borch (ACC member). ExhibiE of other work on
a rotating basis. Gulf Canada Gallery, 401 9
Avenue SW, Calgary; 233-4000. Mondayto
watercolor; Rita and John McGie - clay and porcelain. NOVEMBER 29 TO JANUARY 7 Annual Christmas Sale of affordable fine art gifts.
NOVEMBER 17 AND 18 Fort Saskatchewan Handworks Society craft sale, 9 a.m. to 4 p.m.,
John Paul Il High School, 9975 93 Avenue and
DECEMBER 12 Fort Saskatchewan Mall, 10420 98 Avenue, 9 .am. to 5 p.m.
Friday 8 a.m. to 4 p.m.
NOVEMBER 24 AND 25 st. Albert Visual
1990 Southern Alberta Woodworkers Society
St. Anne Street, St. Albert. Juried visual art sale
A juried exhibition open to quilters who are residents of Canada. Slides due January 6, 1992. Three awar& of excellence totalling$6,000. lnformation and entry forms: Rodrnan Hall Arts
SEPTEMBER 18 TO OCTOBER 6 Dimensions, opening reception September 20. October 22
St. Albert Painter's Guild, St. Albert Potter's
ON L2S 1M3;416/684-2925.
monton. InformationJohn Lavoie, exhibition
Weavers Guild.Saturday10 a.m. to 10 p.m.,
Centre, 109 St. Paul Crescent, St. Catharine,
WOMEN ARTISTS
Galleried Publications calls
for women artists to join a slide registry of
women artists from across North America.
Sli±s are reviewed four times per year by the editorial board, when members of the registry
are selected for publicationin a prestigious quarterly magazine. Lifetime membership of $20 includes a 144-page book of contemporary women artists and a quarterly newsletter listing
exhibition opportunides. Mail 10 slides with
resume and artist statement to Galleried Publications, 2901 Panorama Drive, North Van-
couver, B.C. V7G 2A4; caffyn Kelley, 604/929-
8706. A SHOWOF THE PLAYFUL IMAGINATION:
exhibition, 10th Street Gallery. Calgary. Official
to November 23 4th Floor, Beaver House, Ed-
230-7991.
Edmonton
SEPTEMBER
9 noon to 5 p.m. Southwest Cul-
tural Centre annual open house 11507 74 Avenue, Edmonton. Celebrating its 15th an-
niversary; historical display featured; tour facility, meet and talk with instructors,see
Burd, The Playful Imagination, 388 Palmerston
8
Other provinces
SEPTEMBER
13 TO DECEMBER 30 Made by
Hand: Felt and Paper Art from British Columbia. Cartwright Gallery, 1411 Cartwright Street, Van-
couver,BC V6H 3R7; 604/687-8266.
OCTOBER 18-20 Fino Arts, Crafts and Country
other CraftWorld show contact: CraftWorld/Cryderman Productions Inc., 136
9430 99 Street. Edmonton.Admission fee: $2.
existence, this organization maintains its high
three entries. Application forms: Rosemary
Sunday 11a.m. to 4 p.m.
Weavers' Guild annual sale, Cd Tmer•s Cabin,
Henry 428-5251. NOVEMBER 3 10:30 .am. to 3 p.m. Edmonton
vites submissions of toys and playful objecB.
Deadline:October5. Entry fee: $10 for up to
Guild, St. Albert Quilter's Guild and St. Albert
CollectiblesShow, MetroEast Tra± Centre, Pickering, ON. One of Ontario'smost pres-
TOYS BY ARTISTS Toronto,Novemberto Open to arists and craftspeople in all meda.
includingworks by St. Albert Floral Art Sociey,
by our instructors.Questionscontact Juåth
demonstrations; sale of handcrafted art items
Free parking and refreshments.Shop for your handmade in Alberta gift items, household ar-
December 1990. Second annual juried show in-
Councils Country Craft Fair, St. Albert Place, #5
tigious events. For informaitonon this or any
Thames Street, Chatham, ON N7L 2YB; 351-
8344.
tides and clothing. After more than 35 years in quality with a standards committeo previewing
each item. For more information call Glenna
Winter at 469-3029 or Barbara McPhee at 452-
3387.
September/October 1990 Alberta Craft
CALENDAR Courses, seminars and conferences
Calgary
ses in stony Plain. call Lori Topilka 962-4990,
HARCOURT HOUSE ARTS CENTER 10215
ALBERTA COLLEGE OF ART Fall/Wnter programs available for adults and children. Contact: ACA, 1407 14 Avenue NW. Calgary,
AB T2N 4R3; 284-7640.
THE MUTTART GALLERY SERIES The Muttart Gallery offers a variO of workshops. Infor-
mation:1221 2 Street SW, Calgary, AB T2R OW5;266-2764.
COURSES AND STUDIO RENTAL For hose interested in working space and/or instruction in
contact the City of Calgary, Leisure
Learning at 244-6661 or 244-6562.
Cathy Ziehr 963-5103or Carol Hartwell 892-
2318. STRATHCONA COUNTY RECREATION AND PARKS Offers visual arts programs at the
112 Street. Edmonton offers a variety of courses and workshops in the visual art for all ages. Courses are by %Jalified experienced instructors. Information:426-4180 or 425-9087.
don:2025Oak Street, SherwoodPark, AB TBA
BANFF CENTRE THE LEIGHTONARTIST
and horticulture,arB and crafts programs offered. Call 987-3054 or write to Education.
for use as working retreats by professional artists for a maximum period of tlree monhs per
ta, Edmonton,AB T6G 2E1.
Other centres
COLONY
Smelæer House Visual Arts Centre and the Clay
Hut in Sherwood Park. For program Informa-
OW9; 467-2211.
DEVONIAN BOTANIC GARDEN Nature
Two visual arE studios are available
year. Applicanb must show ev&nce of sus-
Devonian Botanic Garden, University of Alber-
ST. ALBERT VISUAL ARTS over 60 different programs offered tor children and adult. Con-
PLEASANT ART CENTRE Visualart classes
tained dedication and significant achievement. Successful candidates will be chosen by a panel
time pottery studio available to both monthly
For further information write to he m-ordinator,
PO
Home study azrrespondence Øurses in basic design. drawing, interior design, calligraphy
CALGARY GUILDOF NEEDLEAND FIBRE
CITY OF RED DEER RECREATIONAND CULTURE DEPARTMENT Offers a wide
3000 College DriveSouth, Lethbridge,AB TIK
nesday of each monthat the Scandinavian
tunities for adults, teens and children. A com-
CGNFA, PO Box 176, StationG, Calgary,AB T3A 2G2.
Deer Recreation and Culture Dept. c/o City Hall,
for all ages year round in additionto an open and hourly members. Information: North Mount
Pleasant Art Centre, 523 27 Avenue NW, Calgary, AB T2M 2H9; 289-5626. ARTISTS
%nthly meetings the second Wed-
Centre, 739 20 Avenue NW, Calgary. Contact:
comprised of faculty of the School of Fine Arts.
Leighton Artist Colony, The Banff Box 1020,Banff,AB TOLOCO.
variety of hands-onintroductory ars oppor-
plete list of programs is available from: Red Box 5008, Red Deer. AB T4N 3T4.
FURTHER EDUCATIONCOURSES A wide
THE LEIGHTONCENTRE Offeringa wide
the Calgary Board Of Education and Calgary Parks and Recreation. Call 244-6661or 2446562.
workshops. Information:The Leighton Centre,
range of adult, credit free, programs offered by
Edmonton
U OF A EXTENSION
Courses offered in art his-
tory, ceramics, design, drawing, painting, music, photography, printmaking, theatre and professional development. Communiy
art cour-
ses also offered in many Alberta communities. Information: 492-3116
EDMONTON'SSOUTHWEST CULTURAL
CENTRE Offers a broad range of programs in visual and performing arts, crafts and hobbies.
Taught by qualified, experienced instructors. lnformation:428-5252.
EDMONTONPUBLIC SCHOOL BOARD A
Wide variety of visual arts and crafts courses.
Edmonton Public Schools, Continuing Educa-
ion 426-3280.
ENTERPRISE IN ACTION is a new, noncredit, home study course prepared by Athabasca University. It has 12 modules and covers many areas useful to the entrepreneur
interested in running or improving his/her business. Registration is limited. For more information, write to EIA, Suite 400-22 Sir Winston
Churchill Avenue, st Albert,AB T8N 184.
You may also fax us at 403/460-8538. Sorry, telephone inquiries cannot be accommodated
at this time.
EDMONTONPARKS AND RECREATION
WIde variety of visual arts courses offered throughout the city. Write to: Edmonton Parks
and Recreation, PO Box 2359, Edmonton,AB T5J 2R7; 428-3559.
September/October 1990 Alberta Craft
range of art and handicraft courses and Box 48, Midnapore,AB TOL IJO; 9314636.
PARKLAND POTTERS GUILD Offeringclas-
tact: Visual Arts Coordinator,5 St. Anne Street.
st Albert,AB T8N 3Z9; 459-1694.
LETHBRIDGE COMMUNITYCOLLEGE
(italic and bookhand). Contact Elaine Harrison,
IL6; 320-3323.
POTTERY, WEAVING, PAINTING courses offered by Msual Arts Departrnent,Lethbridge
CommunityCollege,Lethbri#e, AB TIK IL6; 320-3323.
NORDIC/CANADIAN CERAMIC SYM.
POSIUM May 1991 sponsored by The Works
and the Red Deer College Ceramics Institute. If
you want more informationor are interested in helping contact Shirley Rimer at Red Deer COIlege, 342-3335.
SOUTHEX CALL FOR ENTRY Southex Spring Wholesale Show, Feb. 3-6, 1991 Sportex Building, Northlands Exhibition Grounds, Edmonton
The Alberta Craft Council will once again secure boothspace at the Southex wholesale show to be utilized by members on a cost-share basis if there is interest.
juried - submit slides or photographs $200 per person, $100 deposit required with entry (to be refunded if not accepted) participants must commit time for planning prior to the show, setup, manning and taking down of booths.
open only to members who have participated less than two times under this arrangement or who have not participated on their own
DEADLINE: OCTOBER 31, 1990 CALL THE ACC OFFICE AT428-1654
Opinions are also being sought as to whether the ACC should continue providing this service, please call or write to the office.
9
CALENDAR
Grants , awards and scholarships CANADACOUNCIL:VISITINGFOREIGNAR-
the artist. Information: The Pollock-Krasner
Canada Council. This program is intended to
FIVE FELLOWSHIPS IN ART AND CRAFT
TISTS A Department of External Affairs program administered by the Arts Awards Service of the
help arts organizations supportvisits by distinguished foreign artists to teach creative or per-
forming arts. Deadline: December 15. Information:Arts Awards Service, The Canada Council, 99 Metcalfe Street, PO Box 1047,ot-
tawa,ON KIP 5VB.
CANADA COUNCIL: CHALMERS FUNDFOR 1 and September1 are THE CRAFTS
FoundationInc., PO Box 4957, New York, NY
10185.
Open to artists and craftpeople under35 from Commonwealth countries. Wortl up to 6.000 pounds each and tenable for up to nine months. The Commonwealth
Institute would also like to
hear from any aris& Willingto share their studios and work with award winners in this way.
Deadline: October 1. Information:Arts Depart-
ment, Commonwealth Institute, Kensington
visual
GRANTS
TRAVEL GRANTS
special projects, research and special
HENRY MOORE FOUNDATION Residential
Application deadline: October 12, 1990, 4 p.m.
ion: Vlsual Arts Section, Canada Council, 99 MetcalfeStreet, PO Box 1047,Ottawa,ON KIP 5VB; 416/237-3400.
completedpost-grad course in sculpture or
applicant's travel dates.
tie deadlines for applications for support for workshops for the crafts in Canada. Informa-
CANADACOUNCILVISUAL ARTS GRANTS A and B deadlines: October 1 and April 1. Project
High Street, London WB 6NO England.
fellowships to sculptors under age 35 who have have equivalent experienæ. Contact: Camberwell School of Arts and Crafe, Peckham Road,
London SE5 8UF England; 01/703-0987.
BRUCEBO SCHOLARSHIPS Allowpromising
Cost and Travel Grant deadlines: January 15,
Canadian artists to spend two summer months
613/598-4323. Collect calls accepted. Art Bank Purdlase Program deadlines: November 1 and May 1. Information:613/598-4359.
Sweden. Approximate value: $2,500. Information: Secretary, Canadian-Scandinavian Foun-
April 15, July 15, October 15. Information:
CANADA COUNCIL EXPLORATIONS PROGRAM This programis designed to en-
courage projecb that venture into new territories in the arts and culture. Proposals for
at Brucebo studio near Visby, Island of Godand, dation, c/o Dr. Jan Lundren, Deptof Geography,
McGill University.805 SherbrookeStreet W, Montreal,pa H3A 2K6; 514/392-4718. COMMONWEALTHSCHOLARSHIPS The following countries offer Canadian citizens
crafts, design and performing arts) that seek to
scholarships for study at üle undergraduate or post-graduate level in the art, as well as other
intended for public presentation. Mailing date
Nigeria, Sri Lanka, Sierra Leone, Uganda,
initial undertakings in any art field (including develop an original aesthetic approach and are
deadlines: January 15, May 1, September 15. Information:613/598-4339.
EUZABETH GREENSHIELDS FOUNDATION seekingtrainingin tradiSupportsart ional means of artistic expressions, young artists (painting, drawing, printmaking, sculpture)
disciplines: Ghana, Hong Kong, India,Jamaica,
United Kingdom. Information: Association of
Universities and Colleges of Canada, Sd101ar-
ship Administration Serviæs, 151 SlaterStreet,
Ottawa, ON KIP 5N1; 613/563-1236.
arts
Applications must be submitted prior to
Grants up to 25 per cent of tie proposed cost of transportation (with documentation) up to
$500.
Applicants may apply for, but will not receive project and travel grants related to same project.
For informationcontact: Travel Grants, Alberta Culture and Multiculturalism, Visual Are Branch, 3rd Floor, 10158 103 Street, Edmon-
ton,AB T5J OX6.
PROJECT GRANTS
Application deadline:
September 28, 1990, 4 p.m. Granb up to 25 per cent of the proposed cost of projects and programs, or to a maximum of
$2,000.
In the æse of experienced artists Where living
allowance is felt to be necessary, grants up to 50 per ænt of tie cost of the proposed project or program, and to a maximum of $5,000, are provided to deserving indviduals.
who have ±monstrated technical competence
For information contact: Project Granb Alberta Culture and Multiculturalism, Visual ArE
the charter precludes support to artists in
ton,AB T5J
in tradtjonal means or artisticexpression. Note:
abstract fiel&. Candldates must be un&r 31 , started/æmpleted
training in an established art
school and/or ±monstrated a commib-nentto mako a lifetime career of art. Awards are for $8,000. Applications accepted throughout the year. Contact: Elizabeth Greenshields Founda-
tion, 1814Sherbrooke Street W,
PQ
H3H IE4. FOREIGN SCHOLARSHIPS For information on scholarships and fellowshipsto Canadans by other countries contact: Association of Universities and Colleges of Canada, Scholarchip Administration Services, 151 SlaterStreet, Ottawa, ON KIP 5N1; 613/563-1236.
POLLOCK-KRASNER FOUNDATION Provides financial assistance to individual work-
ing artists in paint, sculpture or mixed moda of •established" ability. Current professionaVpergonal needs are its main concern, rather than
past
No ago or geographic limitation.
Grants are awarded periodcally throughout the
year, and size and length of he award are
determined by tho incividual circumstances of
10
Branch, 3rd Floor, 10158 103 Street, Edrnon-
Exhibiting members' work Space is still available to the Alberta Craft Council to exhiblt memberworks at ManuLife Place downtownEdmonton. Four locked display cubes each 18" square, two 2' high and the others 3' high, have featured ACC member works on a rotating basis since mid-January. Members who are Interested In displaying their work at ManuLlfe (remember to take space restrictions Into account) or at the ACC office display area should contact the office at 428-1654.
September/October 1990 Alberta Craft
Notes on the Craft as Art discussion
Organized by the Alberta Craft Councll as a component tlclpatlon In The Works A Vlsual Arts Celebratlon,thls Ofthe councll's parJune 23 dlscusslon attracted about 50 people. uslng No Restrlctlons Applled - an Invltatlonal exhlbltlon extended to the Western provlnces - as a startlng polnt, the Invlted panellsts were asked to dlscuss craftas art. ACC
member
Charles
Lemon-Braln has provlded thls account for the newsletter. by Charles Leynon.Braln strong, though there are definitely
ART: An aesthetically pleasing and
meaningful arrangement of elements, also the productions embodying such arrangements. CRAFT: An article made by hand. Skill or proficiency, especially in hand work; loosely, art. These two definitions culled from dif-
ferent dictionaries by E. Ross Bradley were sent along with a letter beforehand to the panelists who participated in this ACC panel discussion which took place on the 7th floor of ManuLife Place in Edmonton arnong the ACC exhibitions spread through the completely open, well-lit floor of the building. As well they were each sent a short statementdiscussing the theme which included a personal statement from Bradley which questioned the use of utilitarianism (practical function) to categorize work done in various media. The lettersuggested that it was possible to put aside prejudices and "deal with all the products of creative endeavour on an equal basis" as both artists and craftsperson deal with issues of aesthetic composition. The accompanying No Restrictions Applied exhibition mandate was to "explore the creation of art in media that are traditionally considered craft." Each participatingindividual province or territory had assembled a selection of 10 works which addressed the question of craft as art. The Northwest Territories section chose to simply and most honestly state that beautifully made traditional Inuit and Native work was art - that being what they sent. The Alberta component was chosen for fair overview and the pieces were in the main
September/October 1990 Alberta Craft
more risk taking artists working in the craft media in Alberta than might be apparent from the selection. The Manitobacomponent had one token jewelry piece and concentrated on
ceramic work which again was fair but not particularly risky. This last ob-
servation held true for all the exhibitions, the quality of the work varied and really innovative, risky or highly conceptual work was in the main absent. Now on to the panel discussion itself.
The panelists included Lloyd Herman, Director of the Vancouver Cartwright Gallery; David Goa, Curator of Folk Life with the Alberta Provincial Museum; Tom McFaIl, In-
dustrial Design Instructor at the
University of Alberta; E. Ross Bradley, Chair of the Exhibitions commit-
tee of the Alberta Craft Council as moderator;and Edrnonton sculptor Al
Reynolds whose presence elicited
the overheard statement from someone in the audience, "Oh my God,
Edrmnton's guru, Al Reynolds." In any event, he had some very useful points to add to the discussion. It seemed oddly noticeable that the panel was all male, a point echoed privately by one of the many women in the audience. Bradley introduced the panel and began discussion by mentioning his
long history of attempts to erase the line between art and craft, and noting that definitions of craft and art
usually hinge on the functionalityof the object. He raised the question of whether "existence in some beautiful form is a function?" Each participant then gave a statement. Lloyd Herman's statement was fluid
Withhis easy speaking style. He
noted that the exhibition participants were very divergent in their focuses and even material choices. References and design sources were also widely varied but there was an overall theme of reference to past or existing aesthetics. In light of much
Contlnued on next pagp
Extended Boundaries by Barbara Cohen of Brltlsh Columbia was one plecø from Western Canadlan artlsans featured In No Restrlctlons Applled. The
55 x 28" plece whlch Is 4" deep Is of fabrlc, rayon flbre, alumlnum, plnt ethafoam and stalnless steel.
11
Craft as Art discussion contemporaryart he questioned whether "aesthetically pleasing" was still part of the definition of art, and spoke of the aesthetic decisions made within even the apparently rigid format of tradition and form. He, like Bradley noted Saskatchewan's absence from the exhibition. His state-
ment finished with the idea that art encompasses the full range of thought and the unique contributionof each practitionerto form an object.
Al Reynolds, leaning forward intenseIy, defined art as an act of being, and spoke of evaluating work by his sense of its "beingness," and that if a "craft object" gave him this sense then he must suspend his prejudices and accept it as art. If a work adds value to his life and a sense of "beingness;" if a work shows him an aspect of
humanity that makes him greater than he was before; if the intentionof the work is fulfilled and forms a unified
statementthat has been consciously made - then it is art.
David Goa's sense was that craft had to do in an almost spiritual manner
with material. a kind of fidelity to material and that function is clearly a part of a craft object, that it had to do with daily lite, that use in daily life is part of what makes something a craft work, that "meaningful"work had to do with craft, with a full understanding
of the place of the object in life and its origins, materials, function and role by the maker. This exernplified a seeking
for meaningful work on the part of the maker in contrast to a factory job where one may not know source, function or end destination of the objects one makes. He dealt with the issue of art versus craft by saying that art was craft which concemed that which is valued and significant in daily life. The act of making the Object In daily life sanctities the daily lite of the user.
Tom McFalI preferred the use of the word "form" in the Scandinavian manner for objects that fell into both
12
continued from previous page
categories to avoid the problem. He felt that an object may best be judged if it demonstrated "innovation" a point which makes sense in a pure design sense in the way that he proposed the use of the word form, but which requires an educated viewer and would seem to prevent the possibility of an uninformedviewer making a value judgement on an object. This approach appeared to me to have serious flaws if used in isolation and seemed to somehow deny the right of access to the object by the ordinary uninformedviewer. Tempered, however, by Reynolds "beingness" it does have some value in evaluation.
Reynolds questioned innovation as a major criteria for judging an object and noted the many bad examples of work done in the name of innovation. McFall returned that the "best place for innovation is within the context of tradition."Herman deplored the persistence of art history teaching which perpetuates the artificial schism between craft and art. It was noted that much contemporarycraft falls intothe older definition of "decorative art," but that today the term seems pejorative. The audience was by this point participating with questions and comments on the issues. Technique and
skill were noted as being importantto the successful integrationof the object. Karen Cantine, in the audience, brought up the importance of technique or a lack of it interfering with the fulfilling of the intention of the work. It was suggested that curators should explain more and betterto the public, and Goa commented on the commitment of curators to rmve towards a strong educational role concerning craft media. It was also suggested, by myself, that a proliferationof craft media images were importantas a route to improving education and the status of the craft media. Bradley responded that posters of works from the provincial government collection were going to be distributed to schools throughout Alberta and that there was the possibility of concentrating on the craft media in the future.
The discussionthen ended.
While the discussion was an old one, and the issue is not resolvable as long as people need elitist attitudes to feel better, I think it was useful and while perhaps a talk to the converted, in most cases, it still outlined well
some of the questions this issue raises. It might have been better to have had it in an art gallery or have brought it home to more "fine artists."
Thank-you
The Alberta Craft Council wishes to acknowledge the following people who volunteered their time to help with the Three in One exhibition which was held during The Works, A Visual Arts Celebration in Edmonton:
Karen Cantine Glen Bennet
Ken Beyer
Theresa Aspol Natalie Kostenko
Rae Hunter Pirkko Karvonen Cameron Bennet Keith Evans Julie Taylor Patsy Montegomery Grant Smith Ken Cunningham Chuck Thompson Bob Blackmoor
Jlm Kemshead Llnda Stanler Ross Bradley Theresa Jones Sheena Brennan Schultz
Mavls Legg Sally Towers
September/October 1990 Alberta Craft
9.
i
Under the Tree set for fourth year
Under the Tree IV, the Alberta Craft Council's annual member sale and exhibition, promises to be the best yet based on the yearly growth in participation and increasing public recognition.
be willing to spend between $25 and $200. If you create items valued at less than $25, a grouping of them may be offered but would have to be sold as a set, and must function as a set.
The sale and exhibition will run for a shorter period this year, two weeks, and be open on Friday evening and Saturday. A venue has yet to be confirmed, but it will be held in Edmonton again and run from late November to early Decernber.
Another reason for the minimum
Each member may enter a maximum of two items. This limitationis due to space restrictions as well as being designed to insure as many members as possible can participate. A limit of two items does not preclude the selling of more items. Orders can and will be taken, and this has happened in the past. Price restrictions have also been set for a purpose. The ACC has found buyers who attend Under the Tree to
price is so thatthe sale of exhibition
items does not cornpete with the Christmas ornaments, the proceeds of which go to charity.
Once again the ACC is asking its members to generously donate
Alberta Craft Council Member Sale & Exhibition : Eligibility: •
Open to ACC members. Non-members may join to become eligible.
•
Maximumof two items or groupings per person priced between $25 and $500. The ACC willcharge a 20 per cent commissionon all sales. The ACC reserves the right to reject items if unsuitable for the exhibi-
: Conditions for entry:
tion.
Shipping to and from the ACC office will be the responsibility of the craftsperson. Insurance during the exhibit will be covered by the ACC.
The Alberta Craft Council must become Increaslngly self- sufflclent In the years ahead. Growlng demands for programs and services, Increaslng operatlon costs
present flnanclalstructure.
In order to become more flnanclally secure, we must search out
newsources of revenue.the
board Is formlng a fund ralslng commlttee to explore and seek new avenues of flnanclal support.
If you have any proven fund ralsIng Ideas or suggestlons, we'd welcome your Input. Please contact the ACCoffice at 428-1654 and share your thoughts. September/October 1990 Alberta Craft
Tree IV entrydeadline.
Under the Tree IV
$NEEDED$
staff are all placinga stralnon our
Please submit ornaments onor before November 2, the Under the
CALL FOR ENTRY
•
andmalntalnlnga professional
Christmas tree ornaments (valued between $5 and $10 with no commission taken). This facet of Under the Tree makes the ACC sale and exhibition unique. Recipient charities have been most appreciative of the past donations. Funds have gone to the Edrmnton Christmas Bureau and Calgary's counterpartChristmas hamper charity run by the Salvation Army.
Deadlines:
i
October 12: Written notification of intent to enter complete with title, description including approximate size, and retail price. This is a pre, requisite to acceptance in the show. November 2: Receipt of actual items at the ACC Edmonton office.
i
Submissions welcome For listings in the Calendar of Events, please send
the information
to the ACC
office at least
two months ahead of the actual event date to ensure publication. Check page 3 for deadlines.
13
Art and the Goods & Services Tax
by Paula Gustafson
If Michelangelo was alive in Canada next January he would either have to hire a tax expert or give up his art. Canadian artists - painters, dancers, musicians, craftsmen and actors - will be faced with the same dilemma. Starting January 1, 1991 , the proposed Goods and Services Tax will add seven per cent to the price of paint brushes and ballet shoes, pre-
amps and stage makeup. At the retail end of the scale, the GST will increase the price of admission tickets, musical instructionand works of art.
Many otherwise resourceful artists will find themselves caught between paying more for their supplies and receiving less for their products and performances.
Commodity tax expert Ken Sivertsen of Peat Marwick Thorne, chartered accountants, says there may be some financial advantages for individual artists but, in general, the GST will impose radical changes on the business of art. Today's Michelangelos will need rnore than talent and training to forge successful careers. If they havent already made professional business Plans, they will now be faced with the absolute necessity of seeking the services of a tax accountant. Sivertsen points out that, whenever the tax rules change, the best defence is informationand lots of it. He advises that if you know the system, how it works, then there's less
chance of being overwhelmedby it.
Designed to replace the Federal Sales Tax which adds 13.5 per cent to the cost of manufactured items, the seven per cent Goods and Services Tax has been touted as making the tax system fairer. In fact the GST will tax items artists have never before had to pay tax on, such as singing les-
14
sons and studio rentals. The new tax will also impose an enormous paper burden on artists who, by definition, flinch at the mention of red tape and small-minded bureaucrats. Sivertsen's comments stem from the $30,000 GST threshold for "small traders", the Hon. Michael Wilson's
bottomline for small businesses. The majority of artists' incomes fall below this exemption level. Artists with sales of less than $30,000 per year are not required to register as small traders, but Sivertsen says it may be to their advantage to do so. He says only a thorough evaluation of input costs and anticipated revenues will allow individual artists to make the right choice.
For example, if they register as small traders, glassblowers and jewelry designers with continuing high overhead and material costs will be able to reclaim the GST paid on such things as natural gas for their furnaces and silver bars for their jewelry. On the other hand, staying invisibly below the $30,000 registration level will most likely be the wisest choice for semi-professional painters and dancers. They have low input costs and can probably either absorb the seven per cent they will be paying on purchases of canvas and dancing shoes, or they can pass the cost along by charging a slightly higher fee for their work. Even if they must absorb the costs and are not able to raise their fees, these artists will be saved the time and bother of dealing with the GST rebate process; hours that can rnore profitably be put into their careers. Looking ahead to next January, here's what might happen when Michelangelo buys some canvas and paint from a supplier. Suppose these materials cost him $100 plus $7 GST. He goes to his studio, creates his
painting, then takes it to his gallery dealer. The dealer offers him $300 for
the finishedpainting,plus $21 GSt. Does Michelangelo send the $21
federal tax to the government? No. If he's a registered small trader, he will first deduct the $7 he paid to the supplier when he bought the paint and
canvas. The governmentgets $14.
If Michelangelo has not registered as a small trader, and his annual retums to Revenue Canada show his income is less than $30,000, the GST will not be applicable on this transaction between a producer and a retailer.The gallery owner does not have to pay the $21 and Michelangelo is not obligated to collect it. The same set of rules would apply if Michelangelo sold the painting to his neighbor.
Of course Michelangelocant claim a rebate for the $7 GST paid on input costs, but that is a small offset to his
sales profit.
Unfortunatelynot all artists are Michelangelos and galleries seldom buy paintings outright. Artists are usually paid after the gallery has found a customer for the art work. That could take months or years or never.
In the meantime, Michelangelo continues to paint and continues to pay
GST on his supplies.The shoebox where he keeps his business records is soon overflowing with $7 GST vouchers.
If he had registered as a small trader he could claim those $7 expenses, even though he hadnt sold the paintings, providedRevenue Canada (whose officials have traditionallyhad great difficulty understanding the fluctuating natureof artists' incomes) was willing to allow Michelangelo to claim expenses against a "reasonableexpectation of profit"from the eventual sale of his paintings.
Contlnued on next page
September/October1990 Alberta Craft
Calgary artists form organization:
Papermakers Studio/GaIIery Society
The Papermakers Society has been formed in recognition of the demand for a papermaking studio equipped to accomrrodatethe needs of Calgary's artistic community. The non-profit society will provide studio and gallery space, as well as courses and workshops conducted by local and visiting artists. Archival and resource support services including an in-house librarywill also be available. In addition, the society's facility will stock papermaking supplies and handmade paper products available for purchase. For further information and/ormembership inquiries call Flo at 295-2694 or Shelly at 295-2695.
DON'T FORGET TO PARTICIPATE IN UNDER THE TREE IV,THE ALBERTA
CRAFT COUNCILMEMBERSALE AND EXHIBITION. DETAILS ON PAGE 13.
SUBSCRIBE! To THE ONLY
VISUAL ARTS MAGAZINE
PUBLISHED WEST OF TORONTO!
Artichoke writings about the visual arts One year (3 issues) $10.
Publishing Artichoke 224 — 8 Street N.E.
Calgary, AB, Canada T2E 4G7
September/October 1990 Alberta Craft
CLASSIFIED
CANE & BASKET SUPPLIES Reeds, handles, chair caning splint, rush, seagrass, willow, lnstructlons. Mall orders. Send for
price lists. W.H. KIIby Co. Ltd. 1840 Davenport Road, Toronto, ON M6N 1B7. Phone 416/656. 1065.
Leather & fur, leather & fur pieces, beads, thread, needles, good prices. Halford Hide & Leather Co. Ltd., 8629 126 Avenue, Edmonton,AB T5B IG8;
474-4989. Mon- Fri 8 a.m. to 5 p.m. Sat 9 a.m. to 4 p.m.
CRAFTWORLD FINE ARTS CRAFTS AND COUNTRYCOLLEC-
TELES
SHOW One of Ontario's most
prestigious events October 18-20, MetroEast Trade Centre, Pickering, right on Toronto's doorstep. For information on obtaining a comprehensive
and attractive exhibitions package 519/351-8344or write: Craftworlds Cryderman Productions Inc., 136 Thames Street, Chatham, ON N7L 2Y8.
GST Art and the continued fromprevlous page
As any less-than-world-famous artist knows, that "reasonable expectation of profit"mentioned in the Revenue Canada interpretive bulletin, intended to allow an artist to claim income tax deductions for professional or business expenses, is in reality an arbitraryruling made by Revenue Canada officials. These same people will be ruling on an artist's right to claim
GST credits.
Exported goods and services will be zero-rated under the GST regulations. Visual artists and performers will not have to charge the tax and will be able to recover all of the GST paid on inputs. These new export rules will offer a few benefits and some horrifyingworst-case possibilities, such as Canadian artists marketing their work everywhere else in the world except Canada. The only thing clear about the GST is that it will create headaches for every artist. With the roller coaster finances of rmst artists, it will be almost impossible to make the hard choice to be or not to be a small trader. And opting out wont be a third choice, Sivertsen points out that under the new rules even the rent on studios will be subject to Goods and
Services Tax.
15
ACC advertising rates Alberta Craft Magazine is published six times per year. The display advertising rate is 40 cents per agate line. Camera ready advertisements required. Color charges are $100 per color. If advertisements need halftones an additional $10 per halftone will be charged Below is a list of common advertisement sizes and costs: Full page Hatf page
$156 $78
LOTTERIES
$104 $52 $28 $14
Two thirds page One thirdpage One sixth page One twelfthpage
The Alberta Craft
Council is a beneficiary of Alberta Lotteries. Funds are allocated by the Government of Alberta through the Alberta Art Foundation.
Classified advertisements are $9 for 30 words or less with a 20 cent charge per word thereafter.
For more Informatlon, contact the
ACC office at 428-1654. Advertis-
Ing deadllnes can be found on
page 2.
CRAFTWORLD/CRYDERMAN PRODUCTIONS INc. RIGHT ON TORONTO'S DOORSTEP!
Presents Pickering/Toronto Fall Festival
Alliston.
Ontano
organ,zation
of
the,r exhibitors gave the every ordinators attentionand undMded the aspect o' was well -take-down"
the
ANN MCLENNAN
found
win ce our abovelions are,uthat ture snows Indica
sales' •As for
-we
next
we
Winnipeg, Manitoba
FavoHtea
our found that
"It was comfortable and / was
very small sales (appro
nted a
'orwørd to snow
pleasedwith't, •
Jonn's
The trip was definitely worthwhile
PATRICIA DAUPHIN Blenheim, Ontario
•The Pickering Show was the highestsales show ever for me -Boau%fulShow " "Quality Products. " •Exco\jent comments from buying public.
DOUG SMITH
Waterloo, Ontario
SlidellFurniture
ha.0& to
•We found the show wen managed
andwellpromoted
•We found great appreciation for
our product, " •Many asked
What do
forthe 'a/c"
we were returning
JouL
THURS. Oct. 18 4p.m.-10p.m. FRI. Oct. 19 11-9p.m. SAT. Oct. 20 11-9p.m.
METRO
EAST
TRADE CENTRE — IN PICKERING, ONT.
Brock Rd. N. & Hwy. 401 - Just minutesfrom Toronto's Don Valley Parkway ADMISSION $3.50 under 12 FREE FREE PARKING for 4500 cars 136 Thames Street, Chatham, Ont. N7L 2Y8 SHOW INQUIRIES: 519/351-8344 FAX 519/351-8345 16
September/October 1990 Alberta Craft