ALBERTA CRAFTS COUNCIL ISSN 0826-7421
March, 1986
Memo from the President
It is sustained and well planned efforts that yield the most
rewards. Happily, lobbying and planning by Council Directors
and staff are now regularly producing results for ACC members.
Production craftspeople benefit every day from the Slide Portfolio Registry (SPR) as the business world turns to this visual aid for purchasing. The article in this issue regarding Western Report's new crafts advertising program is a direct result of this service and Executive lobbying. ACC merchandise tags continue to add a finishing touch to goods, the Corporate Gift Program (CGP) has flourished this year with the best response ever from both craft makers and corporate buyers. The Olympic Organizing Committee in Calgary has received a formal presentation of Alberta craft for their gifting
as well as an invitation to the CGP and SPR viewing.The Council will certainly benefit from OCO's Craft Marketing
Survey, undertaken at the Council's request on our behalf. The fine craft scene is stimulated by exhibition opportunities such as Handspirits and our upcoming 1988exhibition. Handspirits' catalogue, printed to meet the highest standards, will serve all ACC members well as a perennial visible sign of our
commitment to beautiful craftsmanship. The ACC, as a Cana-
dian Crafts Council member organization, annually fields Bronfman candidates from Alberta, thus affording not only
national recognition for our nominees,but also the chance to be chosen as the $20,000.00 award winner. The media has begun to seek our advice for critical reviews of craft exhibitions, a welcomesign of legitimacy in the visual arts. Co-sponsored with the Alberta Ballet Company, the Coppelia Doll Dressing contest gave a 'pecial interest group —
dollmakers— a delightfulchance to shine in the spotlight.
This collaboration was most rewarding for both sponsors. ACC will continue to welcome opportunities to work with memberorganizations and other arts groups for our mutual benefit.
The newsletter serves all the membership with its oppor-
tunities and news. I hope that it is also helping to build a feel-
ing of community amongst craftspeople. All these programs result from careful planning once the
concept has been put forth. Immediate action on complicated
or expensiveideas is not feasible as the Council's budget is planned one year (at least) in advance. The monies for the up-
coming year are committed before the fiscal year end on March 31. For a project to come on stream, a fully developed
plan, complete with a stated goal and the means both in workforce and dollars to implement the plan, is submitted to
the Board for approval early in the calendar year. If the Council is currently not addressing your needs there are several things you can do about the situation: I.
Develop and submit in writing a project plan for the next fiscal year. If this is a new experience for you and your need some guidance, ask a Director for help. Run for election to the Board of Directors. This is a "direct" way to work positively on your concerns. If you'd like to know more about projects and the Board before becoming closely involved, volunteer on a specific project. They are time limited, allowingyou to see results and to get to know the individual working styles of your colleagues. Communicate with Directors. Telephone calls are quick, easy and always welcome, written communications carry more
COUNCIL CONTACTS PRESIDENT Bonnie Murdoch
VICE-PRBIDENT
246-6674
963-3042
2.
Bobbi Hoffman Stony Plain
Calgary
TREASURER
Don Smitten
3.
Edmonton 475-5593
weight.
DIRECTORS
Leni Balaban Fort McMurray
Karen Cantine Edmonton
790-1753
452-5615
Margaret Best Calgary
Don Doherty Stony Plain
252-71%
Annette Greenberg Edmonton
Katherine Hutton Edmonton 439-0861
Tony Mandamin Edmonton
AREA REPRESENTATIVÆ 791-6881
Shannon Read Red Deer 340-1734
Wendy Schneider Bruderheim 796-3080
Lynne Hunter-Johnston Lethbridge 320-2441
ADMINISTRATIVE MANAGER Beverley Glover
#509, 10136- 100st., Edmonton, Alberta T5J OPI (403) 428-1654
Adva•tlmats
Page 2
members' expectations of the organization rise. We
ing a lot of ground with the programs now in place, are coverbut some areas cannot be addressed, other areas are already covered by other agencies. The Council is not a granting agency. We have
neither sufficient funds nor the organizational
to undertake that kind of role, but we are receptive tostructure joint sponsorship of projects with member organizations and other groups. The Council's projects are always dependent on workforce. This situation is certainly not uniqueavailable to our
organization, all arts groups must deal with chronic
483-6053
Jan Slaughter Fort McMurray
The planning structure now in place at the ACC is an ideal that all responsible art groups aim for and a sign ACC is maturing. As the Council becomes more that established,
printd in the Alberta Craft Newsletterdo not necessarily imply
mdorsementby the AlbertaCraftsCouncil.
in those two critical areas. Rather than bemoan our shortages fate, it is our task to maximize the impact of the funding we have and
to
find ways to self-generate additional funds. The Council is structured as a participatory body and the membership's involvement is critical if we want to undertake more complex
projects. It is time to acknowledgethat the ACC is not
"they", it is "we". Our future will be determined by all our individual contributions to action. We will clearly gain by what we actualy do, "they" cannot do it for us. Sincerely, Bonnie Murdoch President
P.S.
Please note that deadlinefor this year's nominations to the Board of Directors is March 31 as noted in this
column last month. The nomination fonn is once againprinted in this ne wslelterfor your convenience.
Concurrent with this programme to develop professional
thinking, is a visual programme to respond to the creative and, perhaps, more communicativeside of our lives.
pos SIB 11 1'O s s IRI 1 PRA(
The first three days of the conference ends with a salmon barbequeat the Museumof Anthropology overlooking Howe Sound. Highlight of the evening will be a conversationbetween Jack Lenor Larsen and Dale Chihuly. (Please note: Non-
Canadian audience participation for the first three days is "observer status" only.)
c
The following two days feature international themes. The International Committee of the CCC hosts an exciting poten-
111 p
c EPI POSSIBILI
s
tial for exchange of ideas on Monday with "Rhythm and Creativity" and "Craft Infrastructures". On Tuesday, the World Crafts Council will present a keynote speech "Design
and Crafts" and then four seminar sessions dealing with
design and various aspects of craft.
PERCEPTION PERCEPT 10 S POSSIBILITIE s POSSIBILIIE PRACTICAL Ill Es
Conference '86 sponsored by the Canadian Crafts Council is rapidly approaching. The three day conference with two addi-
tional optional days of events occurs August 14 - 19, 1986,in Vancouver, British Columbia. The theme of this major conference is perceptions, possibilities and practicalities. And as •Vancouver is host of Expo '86 this is an exciting opportunity to attend Conference '86 and Expo '86. We have been advised that because of the run-away success of pre-sold tickets to Expo '86 there is great concern that the more conveniently priced airline tickets to Vancouver are being snapped up overnight. If you intend to participate in Conference '86 you should consider your travel arrangements now.
Following is the press release on Conference '86. When detailed information on the program is finalized you may request it through the ACC office. 428-1654. Perceptions, possibilities and practicalities - all these will be
challengedin August 1986in Vancouver at the national conference for the professionally minded craftsperson. Today's challenge is for you to make the decision to. attend. This three-day conference with two additional optional days
of events is only the second time this opportunity has been presented within Canada. It is sponsored by the Canadian Crafts Council. Each day, the initial session will introduce the day's theme
Need we mention the other reasons for coming to Van-
couver? Expo '86, Vancouver's 100th Birthday, the city, the mountains, supernatural and au naturel, there's lots to see and do!
August 14-18-19, 1986. $585.00 (Canadian) covers the conference fee for the first three days, the Salmon Barbeque and
the additional International Day's. It also covers lodging from
the 14th to and including the night of the 17th - single rooms with common lounge and kichenette. Inexpensive good meals
are available. It is mandatory to lodge on site in accordance with the recommendations made by previous conference
delegates.Anyone who wishes to take on just the Salmon
Barbeque, and the two International Day's will pay S130.00 as a fee plus $30.00 per night for accommodation. In fact rooms
can be retained at $30.00 per night until Thursday, August 21 -more chance to explore the city or Expo '86.
The Conference '86 Committee has prepared a promotional
piece that is being distributed throughout the provinces of Canada. If you have not received one please contact your pro-
vincial organization or us.
If you are already sold and want the registration package with programme, well...here's your first chance to be creative for the Conference- send us a "crazy" postcard - something bizarre, abstract, eclectic, unique - and we'll send you the package. Your postcard will be part of the visual programme exhibition.
Conference Secretariat, Conference '86, P.O. Box 4412, Vancouver, B.C., Canada V6B 3Z8. DEADLINE: APRIL 1 Plan now for a great time!
and provide progressive,adventurous and vital thoughts that
may be supported or challenged by the remaining speakers, seminars and discussionsof the day. Friday opens with "Fortifying Our Cultural Position".
Saturday, Malcolm McIntyre-Read of the Wales Craft Council
Limited will address "Developing Marketing". Sunday's opening session by Eudora Moore of California entitled "Creating the Future" pushes us into the issues we will then be
facing.
Other speakers stimulating discussion will be Robert Davidson, James Thornsbury, Marjorie Halpin, Marie Andree
Morisset, Len Laycock (Ikea), Stephen Hogbin, Carol Sedestrom and Tom Hudson. And thereare many more vital people partaking as well. Send for the registration package and
programme to find out who they are!
COVER ' 'Sedgewick Sackerville" By Nikki Chabot Cotteril See Page 4 & 5
Photos courtesy of Bill Brennan
Page 3
Profile: Nikki Chabot - Cotterill I love it when people laugh at my work. For me, humour is a big part of doll making. My dolls are adult characters, their personalities equal measures of reality, fantasy and silliness. A course in contemporary doll making given by Joanne Pratt at Ottawa's Algonquin College laid the foundation for my skills. Then came the hard part — long hours spent alone in my sewing room, exploring
ideas, perfecting techniques, trying to transfer the image in my head onto the fabric of my cutting boards. That was four years ago. Now I'm trying to earn my living making dolls.
I work with fabric trying to go beyond its intended
uses to discover its three dimensional potential. I experiment with inexpensive muslin, making adjustments until the design and proportions look right. Then I transfer the resulting pattern to the fabric I have chosen for the doll, cutting, sewing, stuffing and shaping. Stretch fabrics like poly-cotton knits and velours are particularly suited for fabric dolls. The stretch allows the fabric to be "sculpted" from within by the careful
placing of polyester fibre stuffing and further shaped from without with a needle and thread. Tiny stitches, •pulledtightly thi ough both the fabric and the stuffing, from the features of the face which are then embellished with embroidery: Half the sewing is done by machine,
half by hand.
Unlike dressmaking where the pieces of the garment
are cut out following a paper pattern then sewn
together, I draw my design directly onto the fabric with a washable marker. Next I machine sew the fabric, leaving an opening for turning and only then do I cut. Each body part is sewn separately, turned and stuffed into shape. Then I join the parts together continuing to stuff
dated. From start to finish the most detailed can take from four days to several weeks. Surprise is a major element of my work. I always try
to add one more detail, whether it be a toe slyly protruding from a clown's floppy shoe or a ring on a tiny finger. The biggest surprise is often the box. Disguised as a wild prairie rose, a hollow log or a big cushion, it also provides a functional dimension. Marketing my work is a constant preoccupation. Doll
collectors are the natural buyer, but in the specialized
markets I've tried, they initially tend to favour antiques and reproductions over contemporary fabric dolls.
However I've found that by returning, the buyers ap-
preciate my consistency in the market. My sales increase
each time and sometimes my dolls are mistaken for
porcelain. I want to spread my love of doll making beyond doll
shows, so I also enter juried exhibitions and rent a booth at major craft shows. Word-of-mouth sales and
commissions often follow. The long hours spent alone in the sewing room of my Edmonton home are well rewarded when I see the reactions of the thousands of people who pass through these 'shows. There I have the opportunity to talk to them, to
answer their questions and to find out what works. I even get jokes about my Alberta slough fairies —
one of the characters in a prairie mythology I'm
developing.And the smiles on people's faces make it
clear that my dolls pass on at least part of the magic that doll making is to me.
and shape as I hand stitch them to form a body.
Sometimes I insert a short length of wire into a weight-
bearing arm or leg. The small size and rigid stuffing makes a central armature unnecessary. As the doll begins to take shape, it seemsto come
alive, taking control and showingme direction, the
finished work sometimes very different from the initial concept.
The final product can vary from a simple design of
one piece to a complex design of several parts. The simplest is just a head. Two inches high, it tops a stick pin and can be worn as jewelery, used to decorate a present, or hung from a Christmas tree. Some are freestanding dolls, the body a pedestal of stuffed fabric with
two arms and a head. Others float in the air, their ex-
pansive wings (and invisible thread) keeping them aloft. The more complex have realistic bodies, a complete set
of finished clothes and sit posed on the lid of a velvet box, just large enough to hide small treasure. I cut the boxes out of pulp board, covering the sides, top and bottom with velvet and the inside with silk. Every doll is sprayed with fabric protector and comes with instructions for its care. While many are variations on the same theme, all are original, titled, signed and Page 4
3
Attention Members The present ACC policy restricts its membership If you, as an ACC member, object to having your list so that it is unavailable for distribution to other name released we request that you inform the ACC organizations and individuals. office and we will omit your name from the circulating list. Alberta Crafts Council Recently a change in policy has been considered: No. 509, 10136 100 Street some members feel they would benefit from this Edmonton, Alberta T5J OPI
form of exposure.
Ph. 428-1654
Edmonton Snowflake Fantasy
Snowflake Fantasy, Edmonton's new celebration of
Winter, took place February 14-23, 1986. A feature event was Polar Promenade, held on Saturday, February 22, 12:00p.m. to 5:00 p.m. in the heart of downtown. Polar Promenade was a walkabout encom-
passing LRT stations, pedways, skyscraper lobbies, department stores, hotel lobbies, parks and theatres. Many craft events were included on the route. The ACC assisted the Polar Promenade coordinators through the viewing of our Slide/Portfolio Registry. ACC members selected by the coordinators were given the opportunity
to display pieces of their work along the route. The
member's crafts were displayed in the Hudson Bay Company's windows as well as the lobbies of Manulife
Place and McCauleyPlaza. Also, a craft sale was held in the lobby of Manulife Place, and several ACC
members were able to market their work. Several craft
organizations were given the opportunity to
demonstrate their crafts along the route as well. The Northern Alberta Woodcarvers, Edmonton Weavers
Guild, and the Edmonton and District Quilters Guild were all very pleased with the public's interest in their work. The ACC also assisted the Snowflake Fantasy organizers by advertising the event in "Alberta Craft". Thank-you notes have been sent to Sheldon Wilner, the coordinator of Polar Promenade, the City of Edmonton Parks and Recreation and the Hudson Bay Company. Page 5
NOMINATION FORM CONDUCT OF ELECTIONS Alberta Crafts Council ByLaw 4.04 Directors shall be nominated by any three (3) members qualified under Section 3.01 (individuals) OR one (l) member qualified under Section 3.03 (regular organizations) and shall be electedby all membersentitled to vote. The Directors so electedshall hold office until the second following annual meetingof the members. We (The)
(names of three individual membersOR one regular organization) hereby nominate(s)
of (nominee's complete address including postal code)
for the position of Director of the Alberta
(telephone number) Crafts Council, ror a two year term commencing June 7, 1986.
(signatures of threeindividual nominatorsOR signatureof officer of nominating
regular organization)
1,
and to serveif elected.
hereby agree to stand for election to the Alberta Crafts Council
(signature of nominee) The nomination form must be receivedby the Alberta Crafts Council office
at:
ALBERTA CRAFTS COUNCIL No. 509, 10136- 100Street Edmonton, Alberta
TSJ OPI DEADLINE FOR RECEIPT OF NOMINATIONS IS: 5 p.m., Monday,March31, A curriculum vitae and statementof intent by the nominee must accompany this
Page 6
1986.
form.
Board of Directors
Fun! Fun! Fun! I love to see people enjoying crafts, don't you? The enthusiasm that is generated at Strathcona Place Centre is so contagious, I want to tell everyone about "this magical place". The Strathcona Place Society boasts 1,100members and it's not hard to see why. Organizalion, facilities and staff are clearly above average. Craft programs offered to the members include sewing, woodworking, basket weaving, dried flower arranging, creative stitchery, weaving, tatting, calligraphy and pottery. The seamstresses not only sew items that are functional for the centre, they supply Fort Edmonton Park with period costumes and aprons. The woodworkers, using methods of yesterday, made desks for the Bellrose School at Fort Edmonton and replicas of tableware, toys, stilts, pails and hobby horses.
There were lots of smiles in the tatting class as well. Three ladies, under the instruction of Bertha Lawrence, are keeping this lost craft alive. If anyone is interested in seeing this traditional craft in action she would be very happy to show you how it's done.
The centre also reserves space for Alberta artists to show their work. The objective of the gallery is to promote artist's work and to give pleasure through exposure to members and visitors. The exhibit is changed
regularlyand the work is screened by an Art Selection
Committee. Any Alberta artist or craftsman is welcome to submit slides of their work. Consider the Strathcona Place a valuable outlet to gain exposure for your craft. I thanked Rita Mittlesteadt, Assistant Director of Strathcona Place Centre and my tour guide, for all the
fun I'd had. "Fun," I thoughtto myself,..."so that's
why we do crafts."
Creative stitchery at its best is displayed all over centre. I can only guess at the time and manpower required to create the massivemurals made with a combination of fine embroidery and soft sculpture. Even the huge drapes that cover the windows in the auditorium
were handcrafted... a sight to see. At this point in my tour, it became clear why so many people I had talked to faithfully attend the Centre's Annual Bazaar. I seemed to be the only one who had been left in the dark. I began to see the light. The weaving room was so packed with looms (stretched) with projects) I had a hard time trying to focus my attention on one particular item. Luckily, there was one eager weaver putting in some overtime and we discussed
the trials and tribulations of achieving perfect edges. Hers looked fairly perfect to me! Everything I saw was worth a picture but I tried to control my shutter... alas, I was overcome in the pottery studio!
Hand building, throwing, glazing and lots of smiles.
TENDER
For Slide Light Table The ACC office is requesting submissions from its members to design and construct a slide light table for use in our resource cen-
tre. The slide light table must be built in such a way that stools may be used for
76
seating. For further information, contact Debby at the ACC office #509, 10136 100 Street, Edmonton,
Alberta,
(428-1654).
T5J
OPI
Paae 7
ACC Interview:
Pat Galbraith By Julie Koshman
Pat Galbraith is recognized for her figurative work; she has been involved in sculpture since 1966.Pat A. uses many different materials (stone, wood, bronze, resin, concrete, steel, ice) to achieve a finished sculpture.
1986has proven to be an exciting time for Pat in terms of ice sculpting. She has travelled across Canada
and to China to take part in winter festivals.
Pat is extremely busy with one project after another but luckily for us she was able to spare some time for the ACC. I asked Pat some questions about ice sculpting in general and her recent escapades.
Q.
Ice sculpting has become very visible this winter in
Edmonton. Looking out the ACC windows they seemed to be everywhere,Can you comment on
Q. A.
many communities in Alberta interested in hosting ice sculpting events, including Edson, Canmore
thisphenomenon?
A.
There has been an explosion of interest this
winter! I believe from the past successesof ice sculpting people have been exposed to the medium
and are considering ice sculptingas an important part of winter festivals. Page 8
Are you aware of ice sculpting enthusiasm being generated in other parts of the province? Definitely! I have acted as a resource person for area, Banff, Calgary and Fort Chip.
Q.
You were involved in Edmonton's Snowflake Fantasy that took place in the heart of downtown Edmonton in February. Did you enjoy being involved in your home town's winter festival?
Q.
prior to our arrival, we were told the snow would
Iy did. I consider all the people of Edmonton neighbors, and it was a pleasure to show my
be formedinto a block 16' x 16' x 20'. and we
eighborshow nice things can be in ice. People have seen good examples of what can be done in ice, and the result has been great in terms of in-
were working with a 20' high block. Back in our
assumed that meant 16' in height. When we arrived on the site we were surprised to find out we
terest generated. Q. I saw you finishing an ice sculpture in front of the
Westin early one morning on my way to work.
A.
Q.
Were you working on the sculpture all through the night? Yes. That particular sculpture was of the mascot,
Q. A.
Snow GIO, for Edmonton's Snowflake Fantasy. By the time I was finished I was very eager to get inside to dry off and warm up. I understand you were contracted by Edmonton Parks and Recreation to co-ordinate the ice sculpting competition in conjunction with Edmon-
Q. A.
ton's Snowflake Fantasy held in Sir Winston
Chinese ice sculptors in order to pass the
We had five Japanese ice sculptors and four
ton and Alberta. When I was received at the airport I was asked to do an ice sculpture. I agreed
knowledge onto the appropriate people in Edmon-
Churchill Square. Who were the judges?
A.
Chinese ice sculptors who acted as judges as well as Kate Davis, Assistant Curator of the Edmonton
and was shown the site. I realized I was involved in
an international ice sculpture competition, representing Canada. I was assisted by two Chineseice sculptors and we managed very well despite the language barrier. The ice block we
Art Gallery, and Marilyn Kimura from Alberta Culture Visual Arts. Edmonton Klondike Days Association sponsored the Japanese and Chinese Q.
sculptors. You have been very involved in Edmonton's ice
were given to work with was 10' x 8' x 2h' all one piece and crystal clear. The ice was wonderful to work with.
sculptureevents. Can you tell us about some of
A.
your other involvements in other parts of Alberta? I travelled to Edson to do a workshop in connection with their Winter Games on February 22. I was also in Camrose for a competition this winter.
Q.
Have you travelled to other parts of Canada for
A.
ice sculpture events? I have been to Montreal, Quebec City, and Ottawa
Q. A.
this season. The sculpturesI did in the east were
A. Q. A.
Did the weather cooperate? Eastern winters are notoriously wet. Not in Montreal. They had to make the snow and later it rained so the sculpture ended up as an ice crystal sculpture. What was the festival in Montreal called? Fetes Des Neiges. Our team, Judy Sackman,
James Galbraith and myself were there from January 24-26. We were representing Edmonton and Alberta. The snow sculpture we did was 12' x 8' x 8'. The same team then moved to Quebec City
to participate in the Carnival fromJanuary
Q. A.
Q.
Q. A.
snow sculpture we did was 16' x 16' x 26'. You mean 26' in height? That seems large! Yes. When we were made aware of the dimensions
representedall people who make things happen. The sculpture represented the exchange between Edmonton and Harbin. The Chinese loved the sculpture and especially the symbolism. How do you feel about representing Alberta at Expo '86 in Vancouverthis summer? I'm very excited about it. I consider it to be a great honour to be asked. I also hope that through my winter time in Alberta. Will you be working in a giant freezer? Seriously, how are the organizers planning your demonstrations?
A.
Only the ice that is delivered will be kept in a freezer. Each day I will work on one block of ice 1' x 2' x 3'. I will have a different project every day. It will be an added interest to watch the melt-
we were off to Ottawa for their Winterlud. We were in Ottawa from February 3-9 and for this
representingAlberta as the guest province. The
and hope it will be sufficient. We did a sculpture
work at Expo '86 people will get excited about
31-February2. The snow sculpture in Quebec City was a little larger, 15' x 8' x 8'. From Quebec City project our team was joingd by Terry Prince. We were a little surprised to find out that instead of a provincial competition our team was actually
Were you nervous, first, because of the lack of your own preparation, and second, with the responsibilityof representingCanada? I like challenges.I approach things to do my best
of a sculptor doing a sculpture. The sculptor
snow sculptures.
Q.
hotel room we had to totally revise our design. By the completion of the sculpture we had added on 6 more feet in height. In Ottawa who were you representing? We representedAlberta and the Calgary Winter Olympics '88. Our snow sculpture represented the Alberta mountains and athletes and included the Calgary Winter Olympics mascot. I understand you travelled overseas as well. I travelled to Harbin, China, Edmonton's twin city, to visit their Ice Lantern Festival. I went with the intention to learn whatever I could from the
down. In my designs I will take the melting into consideration for an added effect. Q.
When will you be there and where will you be located?
A. Q. A.
From August 6-20 at the Alberta Pavillion. What are your plans for the future? Let's see what comes! Page 9
$714,708.00 Do I have your attention? That figure of S714,708.00represents the total show
BROOKSAND DISTRICT HANDICRAFT GUILD The Eastern Irrigation District and the Brooks Campus of the Medicine Hat College have commissioned the Brooks and District Handicraft
earnings in 28 Great Western Artists mail shows in 1985.
Guild to create a 128" x 84" needlework
receives these show schedules and then throws them out — Please read on. You just may change your mind.
the Town of Brooks during the Homecoming celebrationson August l, 2, and 3, 1986.
Artists Oils, watercolor, pen & ink, acrylics S160,220.00. Pottery Functional and decorative includes porcelain and stoneware $93,280.50. Woodwork
WHERE DO YOU BUY YOUR CRAFT SUPPLIES?
If you are an artist or craftsperson who regularly
Historical wallhanging which will be presented to
Total earnings in major categoriesfor 1985:
Wooden toys, shelves, doll furniture and signs, $24,334.00. Fiber
Silk painted clothing & scarves, weaving, tableware, cloth dolls and toys, knitting and crocheting $70,659.00. Jewellery
Carved ivory, silversmith, petit point, lapidary $76,397.00. Some positive facts about mall shows: A. More people will pass by your display in a week in a major shopping centre than will go into any gallery
in a year. B. Many (not all) artists and craftspeople earn $50,000.00 plus per year exhibiting in malls.
C. Only locally (Canadian) produced handicrafts are accepted. You do not have to be professional, you do have to be good. D. Whenever possible you are asked to work or
demonstrate in your booth. This is a great ice breaker with the public. Many artists and craftspeople have overcome shyness and reserve by working in this environment. It is not easy for everyone but with a little perseverance you can do it. No one else
knows your work, the techniques, the difficulties and pleasure you have in your work. You are your own best salesman. E. You do only the shows you want, you set your own scheduleto allow for production time, other sales and family time. If your goal is to sell what you create, the public will soon tell you if it is an acceptable product. However, in very few cases will the result of just one mall show give you an accurate picture of what you can expect. Mall shows can be a great learning ground or apprenticeship in your art or craft. Great Western Artists continues to make a conscious
The Alberta Crafts Council office receives several calls from craftspeople interested in obtaining informa-
tion regardingcraft suppliers/wholesalers.We're sure that many of our members— as a result of hours of research — have in their possession, much valuable information on this subject. The Alberta Crafts Council would like to compile a
directoryof craft suppliers. With the availability of a
Craft Suppliers Directory, locating crafts supplies in the future, for your particular needs, should prove less tedious: more leisure time. Yeah! If you have in your possession information regarding craft suppliers/wholesalers, and are willing to share the information with others, please contact the Alberta Crafts Council office.
The St. Albert Arts & Crafts Guild Presents A weekend with Beth Changstrom, airbrush on porcelain, Sondra MacLeod, tapestry artist and Koyo O' Young, functional porcelain. Slides, lectures and workshops,April 25, 26, 27 at St. Albert Place Visual Arts Studios, 5 St. Anne Street, St. Albert. Attend one or all workshops for $50.00 (includes lunch). DEADLINE for registrations, MARCH 30, lunch). Submit name, address, fee and Specialty Workshop(s)
St. Albert Arts & Crafts Guild Box 5
St. Albert, Alberta T8N IN2 Ph. Joan Todd
(403) 458-8672
effort to upgrade our shows and to do this we need vou. If you have any questions about participating please call
me. I hope this introduction to our 1986schedulewill
cause those of you not presently exhibiting with G.W .A. to rethink what we offer.
For more information contact: Jackie Cutting (Co-ordinator) 530-9 Avenue N.E.
Calgary, Alberta T2E owl (230-0829) Page 10
COMPUTERIZED MAILING LIST The Alberta Crafts Council is in the process of computerizing its mailing lists. If you are an active member and have not been receiving your newsletter regularly, please inform the Alberta Crafts Council office and we will ensure that you are — computerized!
in
Calendar of Events Members!Do you know of any upcoming events that could be includedin our Calendar of Events Column? If you do, contact Julie at the Alberta Crafts Council office and we will help spread the word.
March 19 - 29
Craft Show Calgary
Great Western Artists - Closed Friday 28th and Sunday 30th. Location: South Centre
Thru March 27 Exhibition
March 30 - April 5
Edmonton
Craft Show
Paperworks - Exhibition of hand-made paper by Susan Poole
Great Western Artists - Location: Lethbridge Centre
Location: Foyer Gallery, Centennial Library, No. 7 Sir Winston Churchill Square. Thru March 30 Exhibition Edmonton
Canadiana Galleries - Recent works by Maria Wilson and Mary Pemberton; metal and wood sculptures by Gordon Hisey; handpainted silk blouses; hat and scarf sets and scarves by Pier; Ivory and gold jewellery by Lesley Reid; new pewter jewellery from Nova Scotia. Location: 12222Jasper Avenue. Thru March 31 Demonstration Edmonton
Quilting Demonstration - The Edmonton and District Quilter's Guild demonstrate their craft on Tuesdays and Thursdays in March. Location: Provincial Museum of Alberta Hours: 10:00 a.m. - 3:00 p.m. March 1 - April 6 Exhibition Edmonton
Lethbridge
March 31 - April 18 Exhibition Medicine Hat
"Visual Communications Graduates", an exhibition by the graduating class of the three-year diploma program in visual communicationsat MedicineHat College. Works include illustration, graphic design, printmaking, drawing and mixed media. Location: Cultural Centre, MedicineHat College. April 7 - 12 Exhibition
Fort McMurray April Exhibit and Juried Show - Fort McMurrayArts and Crafts Guild. Location: Fort McMurray Public Library. April 7 - 13 Craft Show Calgary
Great Western Artists. Location: Market Mall
April 16- 19 Craft Show Edmonton
One Year Later: Alberta Collegeof Art Recent Graduates in
Arts and Crafts Society of Alberta Show - Location: Nor-
Fibre - Located at Beaver House Gallery, 3rd Floor, 10158-103
thwood Mall.
Street, Edmonton, Alberta. March 3 - March 21 Exhibition
MedicineHat
April 11, 12, 13 Craft Sale Edmonton
The Great Canadian Crafts Festival - Location: Edmonton
"Xerography" - Colour xerox prints by Medicine Hat College graphic design instructor Paul Gary. Location: Cultural Cen-
Convention Centre.
tre, MedicineHat College.
April 13 10:00 a.m. - 6:00 p.m.
March 8 - March 30 Exhibition Lethbridge
April 25, 26, 27 Craft Sale
Blake Senini: Sculpture - The work of Calgary sculptor Blake
The Great Canadian Crafts Festival - Location: Stampede
Senini has evolved into narrative pieces which are exuberantly
spontaneous and contain a strong element of humour. Loca-
tion: Southern Alberta Art Gallery, 601-3rd Avenue South,
Hours: April Il, 12 10:00 a.m. - 10:00 p.m.
Calgary
Park Round-Up Centre. Hours: April 25, 26 10:00 a.m. - 10:00 p.m.
April 27 10:00a.m. - 6:00 p.m.
Lethbridge, Alberta.
Hours: Tuesday - Saturday 10:00 a.m. to 5:00 p.m. Thursday & Friday evenings6:30 p.m. - 9:00 p.m. March 19 - 22 Craft Show Edmonton
Arts and Crafts Society of Alberta Show - Location: Londonderry Mall.
May 9 - 11 Symposium
Medicine Hat
MedicineHat CeramicsSymposium- PresentorsRobin Hopper, Bill Hunt, Jim Etskorn, Garry Williams, Anita Dumins, Les Manning, Luke Lindoe, Walter Dexter, Baco Ohama. Location: Medicine Hat College, Medicine Hat, Alberta (403) 529-3844.
OPPORTUNITIES ST. ALBERTFESTIVALOF THE ARTS
ARTS& CRAFTS FAIR - June 4 - June 8, 1986 AkinsdaleArena, St. Albert, Alberta Entries are now being accepted for our 8th Annual Arts & Craft Fair. The Fair is open to all professional and hobby artists throughout Western Canada. Selectionof eligible arts and crafts will be made on the quality, design, originality and marketability of work. Sales staff will be encouraged to assist. A fee structure based on inventory value has been set. Entry forms are available from: St. Albert Festival of the Arts #203, 12 Perron Street St. Albert, Alberta T8N IE4 Phone: 459-2336 (Day) 458-1716 (Evenings)
LOOKING BACK-GOING FORWARD
The Calgary Guild of Needle and Fibre Arts has
"come a long way" in the eleven years since its beginnings in 1975. Besides the Guild's monthly meetings at the Scandinavian Centre, mini evening workshopsare
held monthly, and major one-day workshops are a regular feature. In addition, major two-dayworkshops are scheduled especially to meet the needs of the membership. This May, for example, Michael James has been booked for a five-day Color and Design Workshop. Another activity planned for this spring is the Second Bi-Annual Juried Show, and this year it is in conjunction with the SAIT Clothing Dept., and will also feature a fashion show of the works of fashion design students, staff, local designers, and Guild members. The Sunday afternoon includes fashion show and the opening of the juried show "Looking Back - Going Forward", a col-
lection of handworks in the various fibre media. Refreshments will be served.
"Looking Back — Going Forward" May 4, 5, 6/86
Symposium Room, SAIT Campus Center Fashion Show & Opening of Juried Show: May 4, 2:00 -5:00 p.m. Admission $5.00 Exhibit viewing and free admission: May 4, 5, 5:00 -8:00 p.m. and May 5 & 6, 11:00a.m. - 9:00 p.m.
PROFESSIONAL CERAMISTS OF CANADA We wish to inform you, that the organizing commit-
tee is sending a second invitation to all Canadian ceramists, for registration at the Second National Biennial of Ceramics. We would like to remind you that the
exhibition will take place at "Le Manoir de Tonnancour" in Trois-RiviÖres,from June 17thto September 14th, 1986. This invitation is made as we wish to obtain the best representation possible and increase the participation of Canadian ceramists.
It should be noted that five prizes
totalling...S13,000.00... will be awarded to the ceramists whose works have been selected by the members of the jury, formed by: Mr. Henri Barras
Page 12
(Canada), Mr. Robin Hopper (Canada), Mr. Jean Biagini (France), Mr. Rick Hirsch (United States) and Mr. Peter Lane (England). For further information contact: National Biennial of Ceramics, C.P. 1596,Trois-Rivieres, Quebec, G9A 5L9 (819) 374-3242
TOURISM AWARENESS PROGRAM
To increase the awareness of tourism and its importance to business in Edmonton is the thrust behind the Chamber's new Tourism Awareness Program. Designed and coordinated through the Tourism, Recreation and Culture Committee, the Awareness Program will serve to promote Alberta's third largest industry, an industry that translates into millions of dollars for Albertans. Several teams will be established in the Program, each comprised of two to three people. Using a target list
taken from the Chamber's Roster and Purchasers Guide, each team will present a tourism package to companies within Edmonton. During the one and a half
hour presentation, existing and potential impacts on each business will be discussed. An "awareness" kit of information on the tourism industry in Edmonton, as well as a list of contacts and information sources will be
handed out to all participants. Any business interested in the Program is asked to contact the Government Affairs Department at the Chamber offices.
ALBERTATHEATRE PROJECTS Alberta Theatre Projects will be holding our 2nd Annual Flea Market tentatively on May 10. We are looking for people to donate crafts of any kind to be sold to raise funds for the theatre. All proceeds will go to ATP. Anyone interested please call Jessi at 277-0706-Calgary.
FIBRE WEEK OFFERS A SPECTRUMOF COURSES
From spinning to smocking to silk screening, the world of fibre arts has fascinated people through the centuries.
For the artists who explore their own brand of
creativity, color and design, the world of fibre arts is a matter of professionalism and pride. Olds College, in Olds, Alberta, has recognized the fibre artist's need to explore new directions, examine innovative methods, and develop new skills. For years, spinners, weavers, quilters, sewers, and a host of other fibre craftsmen from all over western
Canada have come to the college for an annual Fibre
Week of courses, workshops, and discussions. While some of the participants depend on their craft for their livelihood, others are interested in expanding their skills for their own enjoyment. Scheduledfor July 6 - Il, this year's Fibre Week promises to bring top instructors and timely topics together for the benefit of fibre artists. The week's itinerary of-
fers a variety of four 5-day courses and ten 2h day
courses to choose from. Topics range from spinning to drafting to color theory.
OPPORTUNITIES Organizersare pleased to have Jean Ray Laury, a renownedprofessional freelance artist and author from Fresno, California, instruct courses on professional goals and directions and silk screen printing. Laury holds an M.A. from Stanford University and has
CONTACT: Eleanor Bercov 13803 - 91 Avenue, Ed-
Phone (403)484-0736. monton, Alberta, T5R booth, electrical draped Exhibitor Fee includes
outlets, table, chairs, shopping bags, passes, exhibitors' lounge, free booth relief service, program of exhibitors.
assisted many artists in the quilting and craft fields with her cross-country lectures and widely-recognized books.
JURIED: Deadline - May 15th, 1986.
weaver, will lend her expertise in courses covering ad-
The Edmonton Weaver's Guild has a permanent home of 2 rooms, at The Old King Edward School.
In addition, Sharon Alderman, a Salt Lake City
THE EDMONTONWEAVER'S GUILD
vanced drafting and color in fibre arts. Another highlight on the agenda is a fascinating five-day workshopin the ancientart of Weft Ikat, taught by
and spinning in the fall to adults, teens and children.
Calgary's Debbie Standish. Fibre Week has something for everyone whatever their interest — whether it's spinning, weaving, quilting,
this occasion only, we will be having it on Saturday, April 5th, 1986from 2:00 p.m. to 4:00 p.m. at Old King
smocking, silk painting, sewing, silk screen printing, embroidery or professional direction. For more information on Fibre Week, please contact
Olds College's Continuing Education Department at (403) 556-8344.
METCHOSIN INTERNATIONAL SUMMER SCHOOL OF THE ARTS
July 28 - August 10: offering courses in Ceramics, Simplified Glaze and Colour Development - Watercolour and Painting, Poetry, Short Fiction, Textiles, Japanese Woodblock Printmaking and Drawing. Special two-day workshop August 3 & 4 - Portfolio Preparation for Artists. For further info. Write MISSOA, 4283 Metchosin Road, R.R. 1, Victoria, B.C. V8X 3W9 (604) 474-2676.
BANFF CENTRE'S LEIGHTON ARTIST COLONY
The Banff Centre's Leighton Artist Colony reviews applications every 3 mos. The Colony consists of 8 studios. 2 of them for the visual arts. Studios are book-
ed 6 mos. in advance. Info: Michael Century, Head, Leighton Artist Colony, The Banff Centre, P.O. Box 1020, Banff, Alberta TOLOCO(403) 762-6100.
THE CANADIAN CRAFT SHOW
Is now accepting applications for the 1986One Of A Kind Christmas Craft Show and Sale, November 1986, Automotive Building, Exhibition Place, Toronto. Application deadline: May 1, 1986 Further information: The Canadian Craft Show 2 St. Clair Avenue East, Suite 202 Toronto, Ontario M4T 2T5 416 - 960-3680.
CAMEO'S CHRISTMAS CRAFT SALE
CALL FOR ENTRY
Western Canada's most successful Craft Sale - Nov. 28 to Dec. 2 and Dec. 4 to Dec. 7, 1986.6th Christmas Show. 1986Sale offers craftsmen 9 days, or first session of 5 days or secondsessionof 4 days.
With this new facility, we are planning to teach weaving The next general meeting will be an open house. For
Edward School. Anyone interested is invited. There will
be weavingon display in both rooms.
OTTAWACHRISTMAS CRAFT SALE
Eastern Ontario's most prestigious, highest quality
and most successfulcraft show. Not in its 12th year, it showcasesthe work of Canada's finest artisans. A large number of booths have been reserved for new exhibitors. Dates: Dec. Il - 14, 1986 and Dec. 16 - 21, 1986.All application forms must be received by April 15, 1986.For further information contact: Ottawa Christmas Craft Sale
Box 5709,Station "F" Ottawa, Ontario K2C 3M1
INCITE '86
A conference that will allow you to adventure beyond your own media, through a variety of social and educational events. Metal Casting - Bill Epp; Stone Carving - Masa Yuki
Nagase; Totem Carving - Keith Matheson; Make a
Chair from a Tree - John D. Alexander; Fibre - Lynne Carter; Clay - Angelo di Petta; Leather Braiding - Allen
Murdoch; Felting - Pat Adams; Sculpture - Prairie
Sculptures Association; Blacksmithing.
August 8, 9, and 10, 1986. Contact Saskatchewan
Craft Council, Box 7408, Saskatoon, Saskatchewan S7K 4J3; Phone: 653-3616.Registration Fee - $100.00. Location - Ruddell, Saskatchewan.
HAYSTACK MOUNTAIN SCHOOL OF CRAFTS
Haystack has announced its 1986 Summer
Workshops for beginning, intermediate and advanced levels in clay, glass, metals, quilts, baskets, paper, fibres, clothing design, blacksmithing and wood. Ap-
plications received by April 15, 1986will be given priori-
ty. For further information and brochure write to: Haystack Mountain School of Crafts Deer Isle, Maine 646Z7 U.S.A.
Page 13
OPPORTUNITIES
PAINT
THE CALGARY 1988 WINTER GAMES
A crafts exhibition and one of the possible projects welcomingideas from crafts groups individuals across the country. Information: Craft Committee, OCO '88, P.O. Box 1988, Station Calgary, Alberta. T2T 5R4.
VARIATIONSON A THEME
Surfacing's juried exhibition to promote the recogni-
tion of the creative and collaborative role of contemporary textiles, Sept. 2 - Oct. 6, 1986.Metro Toronto Library Gallery. Categories: 1. Rendering of a textile design, 2. Fabric by the metre, 3. Collaboration, 4.
Non-collaborative individual textile work. Deadline for slides: May 30, 1986. Info and entry forms: Karen Smeja, Surfacing, Textile Dyers and Printers Association of
Ontario, P.O. Box 6828, Station "A", Toronto, Ontario MSW IX6.
CLASSIFIEDS EXPO '86 - Private and unlisted Bed & Breakfast in False Creek, near Expo gate. For information, write: 729 - 15 Street N.W., Calgary, Alberta, T2N 2B3 or
fine art materials Open 10 to 6 —Closed Monday
8209 • 107 Street
Edmonton,Alberta T6E 4K6
In additionto Canadian-made Stevenson artist paints (at competitive prices) we also stock irridescent and metallic paints and fluid acrylics suitable for fabric and for airbrush painting, with some items being of special interest to decoy painters. Call 432-0240
Phone (203-3126).
SINICUS
CO. (RU3€RTfi) LTD.
WE SPECIALIZE IN • From Silk to
Exotic fabrics
• Silk Dyes (Steam or Non-Steam)
• Hand-HemmedScarves • Silk Threads
• Exclusive: resist applicator with metal tip and fabric claws • "Painting on Silk" Classes, Books, and Supplies • One day workshop offered by professional silk painters.
• School and Public demonstrations available
Wholesale and Retail VOLUME DISCOUNTS AND MAIL ORDER AVAILABLE
Ste.300. 229 - 11thave. S.E. Calgary, Alberta T2G
(403) 263-2264 Page 14
ARTIsANs
UNLIMITED
Wish to announce it's opening in April 1986 as a retail outlet for selected arts and crafts. Location - 124th Street and Stony Plain Road in Edmonton
Consignment enquiries are welcomed Specialized marketing and promotional plans willexist on a continuous basis
Contact •Irene Yalliere
428-7564
Evenings preferred
Western Treasures WesternTreasures, a company owned by Interwest publications, is looking for craftspeople interested in mail-ordermarketing. Interwest publishes the Alberta and Western Report news magazines and would like to
the ads and choose the issues of the magazines in which the ads will appear. Orders to purchase will be directed through Western Treasures which would receive a commission on all sales. Producers are responsible for pack-
Report, a new magazine, is distributed to 55,000homes
these costs. Pieces which sell for over $20.00are preferred unless they are part of a set. If you are interested in this program, please contact Alison Cleary, Suite 304, 1324 11 Ave., S.W., Calgary, T3C OM6. Phone 245-1161or at home 283-0514.
showcaseand sell the works of western artists and artisans through ads run in its magazines. Alberta Reoort is read by 395,000 Albertans each week and Western and offices in major centres in British Columbia, Saskatchewanand Manitoba.
ing and postage but items would be priced to include
Western Treasures requires people doing original pro-
duction work (no kits) in any medium. The company would be responsible for selecting the works to be advertised and sold, would do the photography, design
Alberta Potter's Association In a joint venture, the Alberta Potters' Association
and the Alberta Art Foundation are staging the third in the series of "Studio Ceramics in Alberta" exhibitions. The first two exhibitions and catalogues covered the time periods of 1947- 1952and 1953- 1963respectively, This exhibition and corresponding documentation will cover the period from 1964to 1984. The exhibition will
open at Beaver House Gallery on September 27, 1986 and will subsequentlytour throughout the Province. The list of exhibition sites are as follows — watch for it in your area. Inaugural Opening: Beaver House Gallery Edmonton, Alberta 27 September 1986 - 2 November 1986 Calgary
Muttart Gallery Calgary, Alberta 16 December 1986- 11 January 1987
Rainbow Rock Collection
pearls. freshwater
with silver sterling
C)
Qty.
Earring Cheque or
rnoney
Lethbridge Sir Alexander Galt Museum
Lethbridge, Alberta 2 February 1987 - 13 March 1987
530.00 order
enclosed
for
MedicineHat MedicineHat Museumand Art Gallery MedicineHat, Alberta 18 April 1987 - 10 May 1987
N ante
Grande Prairie Prairie Gallery, Grande Prairie, Alberta 30 June 1987- 25 July 1987
City
Ft. McMurray, Alberta
Bßress
prices
Ft. McMurrary include
gna han postage
Send orders to Weslcrn
Treasurcs
128-21-10405 Jasper Ave., Edmonton, Alberta T5J 352
15 September 1987 - 15 October 1987
Red Deer Red Deer and District Museum and Archives
Red Deer, Alberta 10 January 1988- 21 February 1988
CO
CIL
DUNCAN CURRIE
4103 - 121 STREET EDMONTONAB TbJ
#50910136-100 st.
Edmonton, Alta. T5J OPI (403) 428-1654
A.C.C. Membership Application The Alberta Crafts Council was estabfished in 1980 as the umbrella association for all crafe organizations in Alberta. In 1983 membership in the Council was openedto infiduals and corporations. Anyone may join fie Alberta Crafts Council by payment of an annual membership fee.
As well as acting as a collectivevoicefor craftspeople in Alberta, the following services are offered by the Alberta Crafts Council to its members:
The Alberta Crafts Council has its administrative office in Edmonton but operates throughoutAlberta. Area Representatives provide liaison to the Board of Directors who are selected at large.by members and metnher organizations.The Council is a non-profitsociety with charitable status. An active member of the Canadian Crafts Council, the Alberta Crafts Council also works co-operativelywith other provincialcrafts organizationsacross Canada to promotecrafts activities.
O Monthly Newsletter
MarketingTags
Recent Alberta Crafts Council programs and projects include:
O Crafts Marketing Survey Apprenticeship Pilot Project O Corporate Gift Program Seminars and Workshops Safety Program A province-wide crafts exhibition,
HANDSPIRITS, is scheduled to open in 1985
and tour Alberta during 1986. Plans are also underway for Alberta craftspeople to participate in Expo '86 and the 1988 Olympics.
The Alberta Crafts Council is funded by Alberta Culture and Westem Canada Alberta Division.
Portfolio Registry Resource Library InformationServices Name
Address Postal Code
O
D O
Individual membership $20.00 Full time student membership $12.50
Mycraft(S) is.
Association, regular voting $50.00 Association, non voting $35.00 Commercial/lnstitutional $50.00
I teacha craftCJ I sell my craftü I do commissionsü Please detach and send togetherwith your cheque to: Alberta Crafts Council
509, 10136 - 100 street Edmonton, Alberta
T5J OPI Telephone (403) 428-1654