Issue 319 small cover 2

319

May 2017 / Volume 37

Libraries Architecture ‫ﻋﻤﺎرة اﻟﻤﻜﺘﺒﺎت‬

‫ﻫـ‬١٤٣٨ ‫ ﺷﻌﺒﺎن‬/ ٣٧ ‫اﻟﺴﻨﺔ‬

٣١٩

‫اﻟﻤﺤﺘﻮﻳﺎت‬ ‫« ‪≥±π œbF « ¨5Łö¦ «Ë WFÐU « WM‬‬ ‫‪ ≤∞±∑ u¹U Ø?¼ ±¥≥∏ ÊU³Fý‬‬ ‫« ‪d¹dײ « fOz—Ë dýUM‬‬ ‫«*‪qO)« UÐ√ tK « b³Ž rO¼«dÐ≈ ”bMN‬‬ ‫«*‪ÂUF « d¹b‬‬ ‫«*‪qO)« UÐ√ tK « b³Ž e¹eF « b³Ž ”bMN‬‬ ‫«*‪ÍcOHM² « d¹b‬‬ ‫ ×‪qO)« UÐ√ tK « b³Ž rO¼«dÐ≈ bL‬‬ ‫ ‪W U)« «—«b ù« …d¹b‬‬ ‫«*‪qO)« UÐ√ tK « b³Ž rO¼«dÐ≈ …u u WÝbMN‬‬ ‫«‪wMH « ëdšù‬‬ ‫ ‪WO½«dLF « ÊËRAK ¡UM³ « WK−‬‬ ‫«‪∫l¹“u² «Ë U «d²ýô‬‬ ‫’ ‪±±¥≤± ÷U¹d « μ≤≤ » Æ‬‬ ‫«*‪W¹œuF « WOÐdF « WJKL‬‬ ‫« ‪¥∂μ ? π∑¥π ¨ ¥∂¥ ? ≤μμ∂ ÷U¹d‬‬ ‫ ‪¥∂¥ ? ∂≥¥∏ f U‬‬ ‫‪info@albenaamag.com‬‬ ‫‪ÆÊ«bK³ « q w «bM² *« q sŽ WþuH× dAM « ‚uIŠ‬‬ ‫«‪ ôUI*UÐ …œ—«u « UDD *«Ë —u?B «Ë U uKF*«Ë ¡«—ü‬‬ ‫‪WK−*« ÁcNÐ WHK² *« UŽËd?A*«Ë U?Ý«—b «Ë Àu׳ «Ë‬‬ ‫‪¨UÎ OK Ë√ UÎ Ozeł U¼d?A½ …œUŽ≈ Ë√ ¨UNM ”U³² ôUÐ `L? ¹ ô‬‬ ‫√‪vKŽ ‰uB(« bFÐ ô≈ ¨X½U U?LN WI¹dÞ ÍQÐ U?NM¹e ð Ë‬‬ ‫ ‪Æd¹dײ « fOz— s WOÐU² WI «u‬‬

‫‪∫…bŠ«u « W M « dFÝ‬‬ ‫—‪Î U¹‬‬ ‫‪UÎ ¹œuFÝ ô‬‬ ‫«*‪≥∞ W¹œuF « WOÐdF « WJKL‬‬ ‫‪w²¹u —UM¹œ ≤[μ‬‬ ‫« ‪X¹uJ‬‬ ‫‪WOM¹d×Ð dO½U½œ‬‬ ‫‪π‬‬ ‫« ‪s¹d׳‬‬ ‫‪UÎ Oð«—U ≈ UÎ L¼—œ‬‬ ‫‪≥∞ WOÐdF « «—U ù« W Ëœ‬‬ ‫—‪Î U¹‬‬ ‫‪ÎU¹dD ô‬‬ ‫∞≥‬ ‫ ‪dD‬‬ ‫—‪Î U¹‬‬ ‫‪UÎ O½ULŽÔ ô‬‬ ‫‪π‬‬ ‫‪ÊULŽÔ‬‬ ‫‪UÎ ¹dB UÎ NOMł‬‬ ‫∞∂‬ ‫ ‪dB‬‬ ‫‪—ôËœ‬‬ ‫∏‬ ‫ ‪ÊUM³‬‬ ‫‪w½œ—√ —UM¹œ‬‬ ‫≤‬ ‫«_—‪Êœ‬‬ ‫‪Ë—u¹‬‬ ‫∂‬ ‫√*‪UO½U‬‬ ‫‪Ë—u¹‬‬ ‫∂‬ ‫ ‪U ½d‬‬ ‫‪wMO d²Ý« tOMł‬‬ ‫∂‬ ‫«‪«d²K$‬‬ ‫« ‪—ôËœ ∏ Èdš_« ‰Ëb « lOLłË …bײ*« U¹ôu‬‬ ‫‪ISSN: 1319 - 206 X‬‬ ‫∞∞ « ‪¡UM³‬‬

‫‪00 Albenaa‬‬

‫ا ﻓﺘﺘﺎﺣﻴﺔ‬ ‫اﻟﺪور اﻟﺠﺪﻳﺪ ﻟﻠﻤﻜﺘﺒﺎت اﻟﻮﻃﻨﻴﺔ ﻓﻲ ﻣﻨﻄﻘﺘﻨﺎ‬

‫‪±¥‬‬

‫أﺧﺒﺎر اﻟﻤﺸﺎرﻳﻊ‬ ‫ﻣﺸﺎرﻳﻊ ﻣﺤﻠﻴﺔ و ﻋﺎﻟﻤﻴﺔ ﺣﺪﻳﺜﺔ‬

‫∂‪±‬‬

‫اﻟﺠﺪﻳﺪ ﻓﻲ اﻟﺒﻨﺎء‬ ‫ﺟﺪران ﺧﺮﺳﺎﻧﻴﺔ ﻣﺴﺒﻘﺔ اﻟﺼﻨﻊ‬ ‫ﺗﻜﺴﻴﺎت ﻟ*رﺿﻴﺎت‬ ‫ﻧﻈﺎم أﻗﻔﺎل ﻟ*ﺑﻮاب‬ ‫ﺳﻴﻠﻴﻜﻮن ﻣﺎﻧﻊ ﻟﻠﺘﺴﺮب‬ ‫ﻋﺎزل ﺻﻮﺗﻲ ﺑﻘﻴﺎﺳﺎت ﻛﺒﻴﺮة‬

‫∞≥‬ ‫≤≥‬ ‫‪≥¥‬‬ ‫∂≥‬ ‫∂≥‬

‫ﻣﺸﺮوﻋﺎت ﺳﻌﻮدﻳﺔ‬ ‫ﺣﺮاج ﺑﻦ ﻗﺎﺳﻢ ‪ -‬ﻣﻜﺘﺐ ﻋﺒﺪا‪A‬ﻟﻪ اﻟﻤﻬﻨﺎ‬

‫ﻋﻤﺎرة اﻟﻤﻜﺘﺒﺎت‪ ...‬ﻓﻲ اﻟﻘﺮن اﻟﻮاﺣﺪ واﻟﻌﺸﺮﻳﻦ‬ ‫اﻟﻤﻜﺘﺒﺎت ﻓﻲ اﻟﻘﺮن اﻟﻮاﺣﺪ واﻟﻌﺸﺮﻳﻦ‬ ‫ﻣﻜﺘﺒﺔ ﻟﻠﻘﺮن اﻟﻮاﺣﺪ واﻟﻌﺸﺮﻳﻦ‬ ‫ﻣﻜﺘﺒﺔ ﺗﺴﺘﺠﻴﺐ ﻟﻠﻤﻨﺎخ‬ ‫ﻣﻌﻠﻢ ﻣﻌﻤﺎري وﺛﻘﺎﻓﻲ‬ ‫ﻣﻜﺘﺒﺔ وﻣﻌﻠﻢ ﻣﻌﻤﺎري‬ ‫ﻣﻜﺘﺒﺔ وﻣﺮﻛﺰ ﺗﻌﻠﻴﻤﻲ‬ ‫ﻣﻜﺘﺒﺔ ﻋﺎﻣﺔ‬ ‫ﻣﻜﺘﺒﺔ ﺳﺒﺘﺔ اﻟﻌﺎﻣﺔ‬ ‫ﻣﻜﺘﺒﺔ ﻛﻠﻴﺔ اﻟﻌﻠﻮم ا‪A‬ﻧﺴﺎﻧﻴﺔ وﻋﻠﻢ ا‪A‬ﺟﺘﻤﺎع‬ ‫ﻣﻜﺘﺒﺔ اﻟﺠﺎﻣﻌﺔ اﻟﺤﺮة‬ ‫ﻣﺠﻤﻊ ا‪E‬رﺷﻴﻒ اﻟﻮﻃﻨﻲ ـ ﻓﺮﻧﺴﺎ‬

‫∏≥‬ ‫)ﻗﺴﻢ ﺧﺎص ﺑﺎﻟﻤﺸﺘﺮﻛﻴﻦ(‬

‫‪¥¥‬‬ ‫‪≤Â‬‬ ‫‪∏Â‬‬ ‫‪±≤Â‬‬ ‫‪±∏Â‬‬ ‫‪≤¥Â‬‬ ‫‪≤∏Â‬‬ ‫‪≥≤Â‬‬ ‫‪≥≤Â‬‬ ‫‪¥∞Â‬‬ ‫‪¥¥Â‬‬

‫ﻣﺸﺎرﻳﻊ ﺣﺪﻳﺜﺔ‬ ‫اﻟﻤﺴﻜﻦ اﻟﻤﻤﻮج‬ ‫ﻣﺴﻜﻦ ﻳﻮﻓﺮ اﻟﺨﺼﻮﺻﻴﺔ‬ ‫ﺑﺮج أوﺳﻴﺘﺎﻧﻲ‬

‫∏‪π‬‬ ‫∞∞‪±‬‬ ‫≤∞‪±‬‬

‫ﻣﻠﺤﻖ اﻟﺒﻨﺎء‬ ‫ﻣﻘﺎﻻت ﻋﻦ أﺣﺪث ﻣﻨﺘﺠﺎت وﻣﺸﺎرﻳﻊ اﻟﺸﺮﻛﺎت‬

‫‪±∞¥‬‬

WOŠU²² ù«

A New Role for Our National Libraries

Libraries perform and instrumental role in spreading knowledge in the society specially public libraries. These libraries are open for all groups of the society and not only exclusive to students and researchers. While visiting public libraries abroad I was amused by the magnitude of the number of libraries’ visitors from every group of the society. And although it is thought that the number of visitors is shrinking as a result of the digital technologies that ensued and which provides a huge source for knowledge and research, a role that used to be played by libraries, and that libraries will disappear, the reality is different and non of these arguments have taken place.

In fact public libraries have flourished and the number of visitors is increasing because of the strategies adopted by these libraries to attract more visitors from embracing digital technologies to adding more activities. Thus transforming the library into an urban centre that offers recreational, social, and cultural even marketing services.

I was fascinated by what I saw and what these libraries offer from the huge information it brings through several media digital or paper. You feel the atmosphere of respect in these societies toward science and knowledge and culture, and I wished we have such buildings but I was pessimistic at first because without the crowd eagerness toward libraries these libraries would have failed. Therefore, to have libraries we must entice the society towards it.

But then optimism was instilled in me again. These same libraries, however, have faced such predicament by the end of the 20th century as its visitors plummeted and as the general belief at that time that libraries will vanish.

To face this, libraries accommodated stores, cafes, and other activities suitable for all ages and attracted many people through digital technologies. It incorporated all means available for research under one roof. in addition, it permitted al those who didn’t have access to the digital technologies to use it for free.

Today I find myself optimistic to have more libraries in our region. Libraries that are able to entice and attract the society to it. Not the ones that have formal type and the still dealt with in our region.

Editor ’N Chief

‫اﻟﺪور اﻟﺠﺪﻳﺪ ﻟﻠﻤﻜﺘﺒﺎت‬ ‫اﻟﻮﻃﻨﻴﺔ ﻓﻲ ﻣﻨﻄﻘﺘﻨﺎ‬ Í—u× —Ëœ l?L²−*« w W dF*« d?AM W³²J*« t¹œRð Íc? « —Ëb « U¾ qJ W?Šu²H ÊuJð w?² « pKð Í√ ¨ W? UF « U?³²J*« W? UšË U³²J —“ bI Æ U?F U'« W³KÞË 5¦ŠU³K j?I fO Ë l?L²−*« U¾ q s UNOKŽ b¹bA « ‰U³ ù« «c¼ wMA¼œ√ bI Ë Ã—U)« w W UŽ ÂU−Šù« v ≈ t?łu² « s bI²F¹ U2 r?žd UЮ —ULŽ_« q Ë l?L²−*« `L? ð w² « WOL d « UOMI² « —U?A²½≈ v ≈ W−O²½ U³²J*« w½U³ sŽ U uKF*« sŽ Y׳ « sJ1Ë ¨WOL d « U³²J*« ¡UA½≈Ë W dF*« dAMÐ p – sJ Æ©oÐU? « w U?³²J*« tÐ œdHMð X?½U Íc « —Ëb? « u?¼Ë wM³² W−O²½ UNOKŽ ‰U?³ ù« œ«“Ë U³²J*« d¼œ“« b?IK ¨ Àb×¹ r?

UOMI² « ‰U?šœ≈ d³Ž ¨UNO ≈ ”UM « »c?' …b¹bł VO U?Ý√ U³²J*« v ≈ …b¹bł WD?A½√ ‰Ušœ≈ Èdš√ WNł s? Ë WNł s UNO ≈ W?OL d « WONO dð U bš ÂbI¹ w½b e d v ≈ W³²J*« X u% v²Š ¨ U³²J*« ‰U³ ≈ s X¹√— U?0 X³−Ž√ bI ÆWOI¹u? ðË qÐ WO UIŁË WOŽUL²ł«Ë w² «Ë U uKF*« r? Ë Ò W dF*« Ÿ«u½√ s? U³²J*« Ác¼ Ád uð U?0 Ë ULOÝôË ¨WO —u «Ë UNM WOL d « qzUÝu « W UJÐ U¼d?AMðË UN½e ð pKF& w² «Ë U³²J*« Ác¼ qš«œ ”UM « UNO gOF¹ w² « ¡«uł_« Ác¼ XOM9 ÆW UI¦ «Ë W dF*«Ë rKFK UFL²−*« Ác¼ «d²Š≈ Èb0 dF?Að d _« sJ¹ r W¹«b³ « w? sJ Ë w½U³*« s ŸuM « «c¼ U?M¹b Êu?J¹ Ê√ t H½ lL²−*« s t²¹√— Íc « b¹bA « ‰U³ ù« «c¼ ôuK ¨ w Î UF−?A √b³¹ Ê√ V−¹ t½√ u¼ w W³? M UÐ ÊU d _U ¨ U³²J*« Ác¼ X×$ U* dOGð U ÊUŽd?Ý sJ Ë ÆÎUO½UŁ U³²J*« ÂUIð rŁ ÎôË√ ‰U³ ùUÐ lL²−*« w U³²J*« Ê√ XLKŽ U bMŽ ¨ dO³ ‰ƒUHð tK× q×O ƒU?A² « «c¼ ÍœöO*« s¹d?AF « ÊdI « W¹UN½ w XNł«Ë b W bI²*« ‰Ëb? « Ác¼ U³²J*« dNþ v²Š X u « p? – w U¼—«Ë“ œbŽ w dO³ l?ł«dð WO UIŁË W?ONO dð WD?A½√Ë w¼UI Ë W?¹—U& ö× ÍËQ?ð w?² « ”UM « s dO¦J « WOL d « UOMI² « ‰öš s XÐcłË ¨—ULŽ_« W UJ sŽ Y׳K WŠU²*« qzU?Ýu « q XFLł YOŠ ¨UNO½U³ sŽ s?¹bOF³ « qJ X×L?Ý UL ¨bŠ«Ë nI?Ý X% U?NFC² W? dF*«Ë W? uKF*« ¨ WOL d « UOMI² « «b ²?Ý« vKŽ …—bI*« rN¹b sJ¹ r s¹c « ¡ôR¼ ÆÎU½U− rN UN² bI Î UM²IDM w? U³²J*« —U?A²½≈ WO½UJ SÐ ö?zUH² w? H½ bł√ Âu?O « pKð bFð r UN½√ YOŠ UNO ≈ lL²−*« »cłË lO−?A² « vKŽ UNð—bI Ë w{U*« w tOKŽ X?½U Íc « wL?Ýd « wLKF « lÐUD « «– U?³²J*« ÆUM²IDM w U³²J*« iFÐ tÐ q UF²ð X «“U Íc «Ë d¹dײ « fOz—

14 Albenaa

¡UM³ « ±¥

l¹—UA*« —U³š√

Deputy Crown Prince Mohammed bin Salman bin Abdulaziz Al Saud, the Chairman of the Board of Directors of the Public Investment Fund, has announced the launch the Kingdoms largest cultural, sports and entertainment city in Al Qidiya, southwest of Riyadh. The city is the first of its kind in the world with an area of 334 square kilometers, including a major safari area.

The city will become a prominent cultural landmark and an important center for meeting the future generation`s recreational, cultural and social needs in the Kingdom.

This pioneering and most ambitious project in the Kingdom comes within the framework of plans to support the 2030 vision of the Kingdom of Saudi Arabia by creating investments within the Kingdom that serve the country and the citizens. It also contributes to diversifying Saudi economy and creates more jobs opportunities for young people.

‫أﻋﻠﻦ ﺻﺎﺣﺐ اﻟﺴﻤﻮ اﻟﻤﻠﻜﻲ‬ ‫ا ﻣﻴﺮ ﻣﺤﻤﺪ ﺑﻦ ﺳﻠﻤﺎن ﺑﻦ‬ ‫ﻋﺒﺪ اﻟﻌﺰﻳﺰ آل ﺳﻌﻮد وﻟﻲ وﻟﻲ‬ ‫اﻟﻌﻬﺪ رﺋﻴﺲ ﻣﺠﻠﺲ إدارة ﺻﻨﺪوق‬ ‫اﻻﺳﺘﺜﻤﺎرات اﻟﻌﺎﻣﺔ ﻋﻦ ﻣﺸﺮوع‬ ‫أﻛﺒﺮﻣﺪﻳﻨﺔ ﺛﻘﺎﻓﻴﺔ ورﻳﺎﺿﻴﺔ وﺗﺮﻓﻴﻬﻴﺔ‬ ،‫ﻣﻦ ﻧﻮﻋﻬﺎ ﻋﻠﻰ ﻣﺴﺘﻮى اﻟﻌﺎﻟﻢ‬ ‫ﺑﻤﻨﻄﻘﺔ )اﻟﻘﺪﻳﺔ( ﺟﻨﻮب ﻏﺮب‬ ‫ ﺣﻴﺚ ﺗ ٌّﻌﺪ ا وﻟﻰ‬،‫اﻟﻌﺎﺻﻤﺔ اﻟﺮﻳﺎض‬ ‫ﻣﻦ ﻧﻮﻋﻬﺎ ﻓﻲ اﻟﻌﺎﻟﻢ ﺑﻤﺴﺎﺣﺔ‬ ‫ ﺑﻤﺎ ﻓﻲ‬، ‫ ﻛﻴﻠﻮﻣﺘﺮا ﻣﺮﺑﻌﺎ‬٣٣٤ ‫ﺗﺒﻠﻎ‬ ‫ ﺣﻴﺚ‬.‫ذﻟﻚ ﻣﻨﻄﻘﺔ ﺳﻔﺎري ﻛﺒﺮى‬ W‫ وﻣﺮﻛﺰ‬W‫ ﺑﺎرز‬Y‫ ﺣﻀﺎرﻳ‬Y‫ﺳﺘﻌﺪ ﻣﻌﻠﻤ‬ ‫ ﻟﺘﻠﺒﻴﺔ رﻏﺒﺎت واﺣﺘﻴﺎﺟﺎت ﺟﻴﻞ‬Y‫ﻣﻬﻤ‬ ‫اﻟﻤﺴﺘﻘﺒﻞ اﻟﺘﺮﻓﻴﻬﻴﺔ واﻟﺜﻘﺎﻓﻴﺔ‬ ‫ وﻳﺄﺗﻲ‬،‫واﻻﺟﺘﻤﺎﻋﻴﺔ ﻓﻲ اﻟﻤﻤﻠﻜﺔ‬ ‫ﻫﺬا اﻟﻤﺸﺮوع اﻟﺮاﺋﺪ وا ﻛﺜﺮ‬ ‫ ﻓﻲ اﻟﻤﻤﻠﻜﺔ ﺿﻤﻦ اﻟﺨﻄﻂ‬Y‫ﻃﻤﻮﺣ‬ ‫اﻟﻬﺎدﻓﺔ إﻟﻰ دﻋﻢ ) رؤﻳﺔ اﻟﻤﻤﻠﻜﺔ‬ ‫( ﺑﺎﺑﺘﻜﺎر‬٢٠٣٠ ‫اﻟﻌﺮﺑﻴﺔ اﻟﺴﻌﻮدﻳﺔ‬ ‫اﺳﺘﺜﻤﺎرات ﻧﻮﻋﻴﺔ وﻣﺘﻤ ّﻴﺰة داﺧﻞ‬ ‫اﻟﻤﻤﻠﻜﺔ ﺗﺼﺐ ﻓﻲ ﺧﺪﻣﺔ اﻟﻮﻃﻦ‬ ‫ وﺗﺴﻬﻢ ﻓﻲ ﺗﻨﻮﻳﻊ‬،‫واﻟﻤﻮاﻃﻦ‬ ‫ ودﻓﻊ‬،‫ﻣﺼﺎدر اﻟﺪﺧﻞ اﻟﻮﻃﻨﻲ‬ ‫ وإﻳﺠﺎد‬،‫ﻣﺴﻴﺮة اﻻﻗﺘﺼﺎد اﻟﺴﻌﻮدي‬ .‫اﻟﻤﺰﻳﺪ ﻣﻦ اﻟﻔﺮص اﻟﻮﻇﻴﻔﻴﺔ ﻟﻠﺸﺒﺎب‬

Eastern Region Governor, Laid the Foundation Stone for the Project of Batterjee Medical City in Dammam His Royal Highness Prince Saud bin Nayef bin Abdulaziz, the Eastern Region Governor, laid the foundation stone for the project of Batterjee Medical city in Dammam. the project will be built on an area of 90 thousand square meters, and will be executed in four phases at a total cost estimated at four billion riyals the first phase will include

a hospital with a capacity of 150 beds equipped with the latest medical equipment. the second phase will include the Batterjee Medical College of Science and Technology, The third phase may iclude specialized hospitals depending on market`s needs while the fourth phase will include residencial & commercial area.

‫وﻟﻲ وﻟﻲ اﻟﻌﻬﺪ ﻳﻌﻠﻦ ﻋﻦ أﻛﺒﺮ‬ ‫ﻣﺪﻳﻨﺔ ﺗﺮﻓﻴﻬﻴﺔ ﻋﻠﻰ ﻣﺴﺘﻮى‬ ‫اﻟﻌﺎﻟﻢ ﻓﻲ اﻟﻤﻤﻠﻜﺔ‬ Deputy Crown Prince Announces Launch of Largest Recreational City in Kingdom ‫أﻣﻴﺮ اﻟﻤﻨﻄﻘﺔ اﻟﺸﺮﻗﻴﺔ ﻳﻀﻊ ﺣﺠﺮ‬ ‫ا ﺳﺎس ﻟﻤﺪﻳﻨﺔ اﻟﺒﺘﺮﺟﻲ‬ ‫اﻟﻄﺒﻴﺔ ﺑﺎﻟﺪﻣﺎم‬

.‫ﻋﻠﻲ ﻣﺴﺘﻮى اﻟﻤﻤﻠﻜﺔ‬ ٩٠ ‫ﺳﻴﻘﺎم اﻟﻤﺸﺮوع ﻋﻠﻰ ﻣﺴﺎﺣﺔ‬ ‫اﻟﻒ ﻣﺘﺮ ﻣﺮﺑﻊ وﺳﻴﺘﻢ ﺗﻨﻔﻴﺬه ﻋﻠﻰ‬ ‫أرﺑﻊ ﻣﺮاﺣﻞ ﺑﺘﻜﻠﻔﺔ اﺟﻤﺎﻟﻴﺔ ﺗﻘﺪر‬ ‫ اﻟﻤﺮﺣﻠﺔ ا وﻟﻰ‬.‫ﺑﺄرﺑﻊ ﻣﻠﻴﺎر رﻳﺎل‬ ‫ﺳﻴﺘﻢ إﻧﺸﺎء ﻣﺴﺘﺸﻔﻰ ﺑﺴﻌﺔ‬ ‫ ﺳﺮﻳﺮ ﻣﺰودا ﺑﺄﺣﺪث ا ﺟﻬﺰة‬١٥٠ ‫ وﻓﻲ اﻟﻤﺮﺣﻠﺔ‬،‫واﻟﻤﻌﺪات اﻟﻄﺒﻴﺔ‬ ‫اﻟﺜﺎﻧﻴﺔ ﺳﻴﺘﻢ أﻧﺸﺎء ﻛﻠﻴﺔ اﻟﺒﺘﺮﺟﻲ‬ ،‫ﻟﻠﻌﻠﻮم اﻟﻄﺒﻴﺔ واﻟﺘﻜﻨﻮﻟﻮﺟﻴﺎ‬ ‫وﻓﻲ اﻟﻤﺮﺣﻠﺔ اﻟﺜﺎﻟﺜﺔ ﺳﻴﺘﻢ أﻧﺸﺎء‬ ‫ﻣﺴﺘﺸﻔﻴﺎت ﻣﺘﺨﺼﺼﺔ ﺣﺴﺐ ﻣﺎ‬ ‫ اﻣﺎ اﻟﻤﺮﺣﻠﺔ‬،‫ﺗﻤﻠﻴﻪ ﺣﺎﺟﺔ اﻟﺴﻮق‬ ‫اﻟﺮاﺑﻌﺔ ﺳﻴﺘﻢ إﻧﺸﺎء ﻣﺠﻤﻊ اﺑﺮاج‬ ‫ﺳﻜﻨﻴﻪ وادارﻳﻪ وﻣﺮﻛﺰ ﺗﺠﺎري‬ .‫وﻓﻨﺎدق ﺑﻤﻮاﺻﻔﺎت ﻋﺎﻟﻤﻴﺔ‬

‫رﻋﻰ ﺻﺎﺣﺐ اﻟﺴﻤﻮ اﻟﻤﻠﻜﻲ ا ﻣﻴﺮ‬ ‫ﺳﻌﻮد ﺑﻦ ﻧﺎﻳﻒ ﺑﻦ ﻋﺒﺪاﻟﻌﺰﻳﺰ‬ ‫أﻣﻴﺮ اﻟﻤﻨﻄﻘﺔ اﻟﺸﺮﻗﻴﺔ وﺿﻊ ﺣﺠﺮ‬ ‫ا ﺳﺎس ﻟﻤﺸﺮوع ﻣﺪﻳﻨﺔ اﻟﺒﺘﺮﺟﻲ‬ ‫اﻟﻄﺒﻴﺔ ﺑﻤﺪﻳﻨﺔ اﻟﺪﻣﺎم واﻟﺬي ﻳﻌﺪ‬ ‫ﻣﻦ اﻛﺒﺮ اﻟﻤﺸﺎرﻳﻊ اﻟﻄﺒﻴﺔ اﻟﺨﺎﺻﺔ‬

16 Albenaa

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l¹—UA*« —U³š√

‫ﻣﺠﻤﻮﻋﺔ ﻛﻴﺎن ﺗﻜﺸﻒ ﻋﻦ ﻣﺸﺮوع‬ «‫ﺟﺪﻳﺪ ﺑﺠﺪة ﻓﻲ »ﻣﻴﺒﻴﻢ‬ ‫ اﻟﺮاﺋﺪة ﻓﻲ ﻣﺠﺎل اﻟﺘﻄﻮﻳﺮ‬،‫ﻛﺸﻔﺖ ﻣﺠﻤﻮﻋﺔ ﻛﻴﺎن اﻟﺴﻌﻮدﻳﺔ‬ ‫ ﻋﻦ ﻣﺸﺮوﻋﻬﺎ اﻟﺠﺪﻳﺪ واﻟﻀﺨﻢ‬،‫وﺳﻂ‬P‫اﻟﻌﻘﺎري ﻓﻲ اﻟﺸﺮق ا‬ ‫اﻟﻤﻘﺎم ﺿﻤﻦ واﺟﻬﺔ أﺑﺤﺮ اﻟﻤﺎﺋﻴﺔ ﻓﻲ ﺟﺪة ﻓﻲ ﻣﻌﺮض‬ ‫ وﻣﻦ‬.‫ﻟﻠﺘﻄﻮﻳﺮ اﻟﻌﻘﺎري ﻓﻲ ﻣﺪﻳﻨﺔ ﻛﺎن اﻟﻔﺮﻧﺴﻴﺔ‬MIPIM ،‫ اﻟﻒ ﻣﺘﺮ ﻣﺮﺑﻊ‬١٤٠ ‫اﻟﻤﺨﻄﻂ أن ﻳﻜﻮن ﺣﺠﻢ اﻟﻤﺸﺮوع اﻟﺠﺪﻳﺪ‬ ‫ وﻳﻀﻢ اﻟﻤﺸﺮوع‬.‫ ﻣﻠﻴﺎر رﻳﺎل ﺳﻌﻮدي‬١٫٢ ‫ﺑﺘﻜﻠﻔﺔ ﻣﻘﺪارﻫﺎ‬ ‫ أﺣﺪﻫﻤﺎ ﻋﺒﺎرة ﻋﻦ ﻓﻨﺪق ذو ﻋﻼﻣﺔ ﺗﺠﺎرﻳﺔ‬،‫اﻟﻀﺨﻢ ﺑﺮﺟﻴﻦ‬ .‫ وا_ﺧﺮ ﻋﺒﺎرة ﻋﻦ ﺷﻘﻖ ﺳﻜﻨﻴﺔ ﻓﺎﺧﺮة‬،‫ﻓﺎﺧﺮة ﺧﻤﺴﺔ ﻧﺠﻮم‬ ‫وﻗﺪﻣﺖ ﻣﺠﻤﻮﻋﺔ ﻛﻴﺎن ﺧﻼل اﻟﻤﻌﺮض ﻣﻌﻠﻮﻣﺎت ﺣﻮل‬ Nikken ‫ وﺗﻢ اﺧﺘﻴﺎر ﺷﺮﻛﺔ ﻧﻴﻜﻦ ﺳﻴﻜﻲ‬،‫ﺗﻔﺎﺻﻴﻞ اﻟﻤﺸﺮوع‬ .‫ ﻟﺘﺼﻤﻴﻢ اﻟﻤﺸﺮوع‬Sekkei

Cayan Group Announces New Mega Project in Jeddah at MIPIM

‫أﻃﻮل ﺑﺮج ﻓﻲ ﻧﻴﻮﻳﻮرك‬ : ‫اﻟﻤﺼﻤﻢ‬ Architect : Zaha Hadid

‫ ﻋﻦ ﻣﺸﺮوع ﺟﺪﻳﺪ ﻣﺘﻌﺪد‬Zaha Hadid ‫ﻛﺸﻒ اﻟﻤﻜﺘﺐ اﻟﻬﻨﺪﺳﻲ ﻟـ‬ ‫ وﻳﻌﺘﻘﺪ ﺑﺄﻧﻪ ﺳﻴﻜﻮن أﻃﻞ ﺑﺮج ﻓﻲ‬، ‫اﻻﺳﺘﺨﺪاﻣﺎت ﻓﻲ ﻧﻴﻮﻳﻮرك‬ ‫ ﺳﻴﺮﺗﻔﻊ اﻟﺒﺮج ﻓﻮق ﻣﺒﻨﻰ ﻗﺎﺋﻢ‬.‫ ﻗﺪم‬١٤٠٠ ‫اﻟﻤﺪﻳﻨﺔ ﺑﻄﻮل ﻳﺼﻞ ﺣﺘﻰ‬ ‫ ﺣﻴﺚ ﺳﻴﺘﻢ ﺗﺠﺮﻳﺪ اﻟﻤﺒﻨﻰ وﺻﻮﻻً إﻟﻰ‬،‫ﺑﺪﻻً ﻣﻦ إﻋﺎدة اﻟﺒﻨﺎء ﻣﻦ ﺟﺪﻳﺪ‬ ‫ ﻃﺎﺑﻖ إﺿﺎﻓﻲ‬٤٠ ‫ﺿﺎﻓﻴﺔ اﻟﻼزﻣﺔ ﻟﺘﺤﻤﻞ‬O‫ﺳﺎﺳﺎت وإﺿﺎﻓﺔ اﻟﻬﻴﺎﻛﻞ ا‬P‫ا‬ .‫ وﻣﺴﺎﺣﺎت ﺗﺠﺎرﻳﺔ‬R‫وﺳﻴﻀﻢ اﻟﺒﺮج وﺣﺪات ﺳﻜﻨﻴﺔ وﻓﻨﺪﻗ‬

Cayan Group, the leading Saudi property developer in the Middle East, announced plans for a new mega project at the Obhur waterfront in Jeddah. Attending the world’s leading property market, MIPIM in Cannes, France, Cayan Group outlined some details of the planned project, and signed the architectural contract with Nikken Sekkei, the leading architectural firm.

Cayan’s new project will sprawl across a built-up area of 140,000 sqm at a cost of SAR 1.2billion and will consist of two towers: one a 5-star hotel and the other branded residences offering high-end living.

Supertall Skyscraper in New York A supertall skyscraper, designed by Zaha Hadid Architects has been proposed for Midtown Manhattan. The glass addition would bring the tower to 1,400 feet (427 metres) tall – putting in the supertall category of skyscrapers between 980 and 2,000 feet (300 and 600 metres) – creating a mixed-use property accommodating retail, residential and hotel spaces.

18 Albenaa

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‫ إﻟﻰ ﻓﻨﺪق‬TWA ‫ﺗﻄﻮﻳﺮ ﺻﺎﻟﺔ‬ ‫ ـ ﻧﻴﻮﻳﻮرك‬JFK ‫ﻓﻲ ﻣﻄﺎر‬

‫ﻣﺠﻤﻮﻋﺔ ﻣﻦ ﻣﺼﺎﺑﻴﺢ ا ﺿﺎءة‬ Richard Meier ‫ﻟﻠﻤﻬﻨﺪس‬ Richard Meier ‫ﻗﺪم اﻟﻤﻬﻨﺪس اﻟﻤﻌﻤﺎري اﻟﻌﺎﻟﻤﻲ‬ ‫&ول ﻣﺮة ﻣﺠﻤﻮﻋﺔ ﻣﻦ اﻟﻤﺼﺎﺑﻴﺢ اﻟﺒﻴﻀﺎء ذات ﺗﺼﻤﻴﻢ‬ Ana ‫ ﺣﻴﺚ ﺗﻌﺎون ﻣﻊ اﻟﻤﺼﻤﻤﺔ‬،‫ﻣﺴﺘﻮﺣﻰ ﻣﻦ ﻋﻤﺎرﺗﻪ‬ .‫ﻧﺘﺎج ﻫﺬه اﻟﻤﺠﻤﻮﻋﺔ‬6 ‫ وﻫﻲ ﻣﺼﻤﻤﺔ ﻟﻠﻤﻨﺘﺞ‬Meier ‫ ﻗﻄﻌﺔ ﻣﻦ أﻧﻮاع ﻣﺨﺘﻠﻔﺔ ﻣﻦ‬١٢ ‫ﺗﺘﻜﻮن اﻟﻤﺠﻤﻮﻋﺔ ﻣﻦ‬ ‫ واﻟﺨﺎﺻﺔ ﻟﻠﻄﺎوﻻت‬،‫ اﻟﻤﻌﻠﻘﺔ ﻓﻲ اﻟﺴﻘﻒ‬،‫ﺿﺎءة ) ا&رﺿﻴﺔ‬6‫ا‬ ‫اﻟﻤﻌﻠﻘﺔ ﻓﻲ اﻟﺠﺪار( ﺗﺘﻤﻴﺰ ﺑﺄﺷﻜﺎل ﻫﻨﺪﺳﻴﺔ ﺑﺴﻴﻄﺔ‬ Richard ‫وﻣﺘﻜﺮرة وﻣﺴﺘﻮﺣﺎة ﻣﻦ أﺟﺰاء ﻣﻦ ﻣﺸﺎرﻳﻊ‬ ‫م وﺗﺮﺟﻤﺘﻬﺎ‬١٩٨٤ ‫ اﻟﻔﺎﺋﺰة ﻓﻲ ﺟﺎﺋﺰة ﺑﺮﻳﺘﺰﻛﺮ ﻋﺎم‬Meier .‫إﻟﻰ ﻗﻄﻊ ﻧﺤﺘﻴﺔ ﺗﺘﻨﺎﺳﺐ ﻣﻊ اﻟﺤﻴﺎة اﻟﻴﻮﻣﻴﺔ‬

Richard Meier Launches Minimal Lighting Collection American architect Richard Meier has debuted a range of simple white lamps, in keeping with the signature style of his buildings.

The architect collaborated with his daughter Ana Meier, as well as lighting veteran Hervé Descottes, to create the Richard Meier Light collection.

The 12-piece range features sconces, pendants, table and floor lamps – some in simple geometric shapes and others that take cues from portions of the 1984 Pritzker Prize-winner`s projects.

‫ﻗﺎﻣﺖ ﺷﺮﻛﺔ ﻣﻄﻮرة ﻓﻲ اﻟﻮﻻﻳﺎت اﻟﻤﺘﺤﺪة ا&ﻣﺮﻳﻜﻴﺔ‬ ‫ واﻟﺨﺎﺻﺔ ﺑﺘﺸﻐﻴﻞ اﻟﻔﻨﺎدق ﺑﺘﻄﻮﻳﺮ‬MCR Development ‫ ﻓﻲ ﻣﻄﺎر ﻧﻴﻮﻳﻮرك »ﺟﻮن ﻛﻴﻨﺪي« وﺗﺤﻮﻳﻠﻪ إﻟﻰ‬TWA ‫ﺻﺎﻟﺔ‬ .‫م‬٢٠٠١ ‫ وﻛﺎﻧﺖ ﻫﺬه اﻟﺼﺎﻟﺔ ﻗﺪ أﻏﻠﻘﺖ ﻣﻨﺬ ﻋﺎم‬، ‫ﻓﻨﺪق‬ ‫ﻳﻬﺪف اﻟﻤﺸﺮوع إﻟﻰ إﺣﻴﺎء اﻟﻤﺒﻨﻰ ﻣﻦ ﺟﺪﻳﺪ واﻟﻤﺤﺎﻓﻈﺔ‬ ‫ ﻋﺎم‬Eero Saarineen ‫ﻋﻠﻰ ﻋﻤﺎرﺗﻪ اﻟﻤﻤﻴﺰة ﻓﻬﻮ ﻣﻦ ﺗﺼﻤﻴﻢ‬ ‫ وﻛﺎن ﻳﻌﺪ أول ﻣﻄﺎر ذو ﻋﻤﺎرة ﺗﻌﺒﺮ ﻋﻦ اﻟﻄﻴﺮان‬،(‫م‬١٩٦٢) ‫ﺣﻴﺚ ﻳﻈﻬﺮ اﻟﺸﻜﻞ اﻟﻌﺎم ﻟﻠﻤﺒﻨﻰ ﻋﻠﻰ ﻫﻴﺌﺔ أﺟﻨﺤﺔ ﻃﺎﺋﺮ‬ ،‫ ﻣﻄﺎﻋﻢ‬٨ ‫ ﻏﺮﻓﺔ و‬٥٠٥ ‫ ﺳﻴﺘﻢ إﻧﺸﺎء ﻣﺎ ﻳﻘﺎرب‬.‫ﻳﻈﻠﻞ اﻟﻤﺒﻨﻰ‬ ‫ أﻟﻒ ﻗﺪم ﻣﺮﺑﻊ ﺣﻴﺚ‬٢٠٠ ‫ﺿﺎﻓﺔ إﻟﻰ ﺑﻬﻮ ﻛﺒﻴﺮ ﻋﻠﻰ ﻣﺴﺎﺣﺔ‬6‫ﺑﺎ‬ .‫ﻳﻌﺘﻘﺪ أﻧﻬﺎ ﺳﺘﻜﻮن أﻛﺒﺮ ردﻫﺔ ﻓﻨﺪق ﻓﻲ اﻟﻌﺎﻟﻢ‬

MCR to Transform TWA Flight Center into a Hotel Hospitality investor and developer MCR Development is behind some of today’s most innovative hotel projects.

At John F. Kennedy International Airport in New York, The firm is developing a hotel that will transform the TWA Flight Center, a long-closed facility considered a masterpiece of 20th-century architecture. Tyler Morse, the firm’s CEO, recently announced the outlook for hospitality real estate, MCR’s eclectic business strategy and its signature projects: “The hotel is going to have 505 guestrooms, about 50,000 sq. ft. of event space, eight restaurant and six bars. It’s going to have a lot of great amenities in the building. There is going to be a very large lobby, roughly 200,000 sq. ft., so I think it will be the largest hotel lobby in the world.”

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Eco Technology Hub in England

‫ اﻟﻤﻤﻠﻜﺔ اﻟﻤﺘﺤﺪة‬- ‫اﻟﻤﺮﻛﺰ اﻟﺒﻴﺌﻲ اﻟﺘﻘﻨﻲ‬ : ‫اﻟﻤﺼﻤﻢ‬ Architect : Zaha Hadid

British green energy company Ecotricity has revealed plans for a new Zaha Hadid Architects-designed green technology hub in Stroud, England. The project, known as the “Gateway to Stroud,” will consist of several greenhouse-like buildings and a wooden footbridge that will connect the campus to a future all-wood stadium for the Forest Green Rovers football club, also designed by ZHA and revealed last year. Planned as a center for local sports and sport`s science, the ECO park will provide state-of-the-art office space for environmentallyfocused companies as well as public access to a wide range of health and leisure activities. Sustainability will be at the forefront of all design decisions – the football stadium itself will be constructed entirely from wood, and will be powered by renewable energy sources. A future element of the plan will be an expansive nature reserve that will allow the landscape to thrive in its natural state.

Ecotricity ‫ﻛﺸﻔﺖ اﻟﺸﺮﻛﺔ اﻟﺒﺮﻳﻄﺎﻧﻴﺔ ﻟﻠﻄﺎﻗﺔ اﻟﺨﻀﺮاء‬ ‫ﻋﻦ ﺗﺼﻤﻴﻢ ﻟﻤﺮﻛﺰ اﻟﺘﻜﻨﻮﻟﻮﺟﻴﺎ اﻟﺨﻀﺮاء ﻓﻲ ﻣﺪﻳﻨﺔ ﺳﺘﺮاود‬ ‫ﻓﻲ إﻧﺠﻠﺘﺮا ﻣﻦ ﺗﺼﻤﻴﻢ ﻣﻜﺘﺐ زﻫﺎ ﺣﺪﻳﺪ ﻟﻠﻌﻤﺎرة وﻳﻌﺮف‬ ‫ ﻳﺘﻀﻤﻦ اﻟﻤﺸﺮوع ﻣﺠﻤﻮﻋﺔ ﻣﻦ اﻟﺒﻴﻮت‬. ‫ﺑﺎﺳﻢ ﺑﻮاﺑﺔ ﺳﺘﺮاود‬ ‫اﻟﺨﻀﺮاء ﻛﻤﺒﺎﻧﻲ وﺟﺴﺮ ﻣﺸﺎة ﻣﻦ اﻟﺨﺸﺐ ﻳﺮﺑﻂ اﻟﻤﺮﻛﺰ‬ ‫ اﻟﻤﺼﻨﻮع ﻣﻦ اﻟﺨﺸﺐ وﻫﻮ‬Forest Green Rovers ‫ﺑﺎﺳﺘﺎد‬ 9‫ ﺻﻤﻢ اﻟﻤﺸﺮوع ﻟﻴﻜﻮن ﻣﺮﻛﺰ‬. ‫ﻣﻦ ﺗﺼﻤﻴﻢ ﻣﻜﺘﺐ زﻫﺎ ﺣﺪﻳﺪ‬ ً ‫ﻣﺘﻜﺎﻣ‬ ‫ﻼ ﻟﻠﺮﻳﺎﺿﺔ ﻛﻤﺎ ﺳﻴﻀﻢ ﻣﺴﺎﺣﺎت ﻣﻜﺘﺒﻴﺔ ﻟﻠﺸﺮﻛﺎت‬ ‫ﻧﻈﻤﺔ اﻟﺒﻴﺌﻴﺔ ﺑﺎ@ﺿﺎﻓﺔ إﻟﻰ ﻣﺠﻤﻮﻋﺔ ﻣﻦ‬C‫اﻟﺘﻲ ﺗﻬﺘﻢ ﺑﺎ‬ .‫اﻟﻤﺮاﻓﻖ اﻟﺼﺤﻴﺔ واﻟﺘﺮﻓﻴﻬﻴﺔ اﻟﻌﺎﻣﺔ‬ ‫ اﻟﺘﻲ ﻳﻘﻊ ﻓﻴﻬﺎ اﻟﻤﺸﺮوع ﻣﺠﻤﻮﻋﺔ ﻣﻦ‬Eco ‫ﺗﻀﻢ ﺣﺪﻳﻘﺔ‬ ‫اﻟﻤﺒﺎﻧﻲ اﻟﻤﻐﻠﻔﺔ ﺑﺎﻟﺰﺟﺎج واﻟﺨﺸﺐ ﻟﻠﺤﻔﺎظ ﻋﻠﻰ ﻟﻐﺔ اﻟﻌﻤﺎرة‬ ‫اﻟﻤﺴﺘﻮﺣﺎة ﻣﻦ ا@ﺳﺘﺎد وﺳﺘﻜﻮن ا@ﺳﺘﺪاﻣﺔ ﻓﻲ ﻃﻠﻴﻌﺔ‬ ‫اﻟﺘﺼﺎﻣﻴﻢ ﻟﻠﻤﺸﺮوع ﻓﺎ@ﺳﺘﺎد اﺳﺘﺨﺪم ﻓﻲ ﺑﻨﺎءه اﻟﺨﺸﺐ‬ .‫وﺳﻴﺘﻢ ﺗﺸﻐﻴﻠﻪ ﺑﻤﺼﺎدر اﻟﻄﺎﻗﺔ اﻟﻤﺘﺠﺪدة‬

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‫ﺗﻄﻮﻳﺮ ﻣﻜﺘﺒﺔ وﻻﻳﺔ ﻓﻜﺘﻮرﻳﺎ ـ اﺳﺘﺮاﻟﻴﺎ‬ : ‫اﻟﻤﺼﻤﻢ‬ Architect : Schmidt Hammer Lassen Schmidt ‫أﺧﺘﺎرت ﻣﻜﺘﺒﺔ وﻻﻳﺔ ﻓﻜﺘﻮرﻳﺎ ﻓﻲ ﻣﻠﺒﻮرن اﻟﻤﻬﻨﺪس اﻟﻤﻌﻤﺎري‬ ‫ ﺑﺎﻟﺘﻌﺎون ﻣﻊ ﻣﻌﻤﺎرﻳﻴﻦ ﻣﺤﻠﻴﻴﻦ ﻟﺘﻄﻮﻳﺮ اﻟﻤﺘﻜﺒﺔ‬Hammer Lassen .‫م ﻓﻲ أﺳﺘﺮاﻟﻴﺎ‬٢٠٢٠ ‫ﻟﺘﻠﺒﻴﺔ ﺟﻤﻴﻊ ﻣﺘﻄﻠﺒﺎت اﻻﺣﺘﻴﺎﺟﺎت اﻟﻤﺴﺘﻘﺒﻠﻴﺔ ﻟﺮؤﻳﺔ‬ ‫ ﻣﻦ ﻣﺴﺎﺣﺔ‬٪٤٠ ‫ﻳﺘﻀﻤﻦ اﻟﺘﻄﻮﻳﺮ اﺳﺘﺨﺪام ﻣﺴﺎﺣﺎت ﻋﺎﻣﺔ أﻛﺜﺮ ﻣﻦ‬ ‫ وﻓﺘﺢ اﻟﻤﻜﺘﺒﺔ وإﻧﺸﺎء اﺗﺼﺎل ﻣﻊ اﻟﻌﺎﻣﺔ ﻟﺘﺘﻨﺎﺳﺐ ﻣﻊ‬، ‫اﻟﻤﺒﻨﻰ اﻟﻜﻠﻴﺔ‬ ‫ ﻣﻠﻴﻮن ﻣﺴﺘﺨﺪم‬٤ ‫اﻻﺣﺘﻴﺎﺟﺎت اﻟﻤﺴﺘﻘﺒﻠﻴﺔ ﻣﻊ أﻛﺜﺮ ﻣﻦ ﻣﻠﻴﻮن زاﺋﺮ و‬ ‫ ﻓﺎﻟﻤﻜﺘﺒﺔ ﺗﻠﺒﻲ ﻛﺎﻓﺔ اﻻﺣﺘﻴﺎﺟﺎت اﻟﻌﻠﻤﻴﺔ واﻟﺜﻘﺎﻓﻴﺔ‬،‫ﻟﻤﻮﻗﻊ اﻟﻤﻜﺘﺒﺔ‬ ‫ ورﻛﺰ اﻟﺘﺼﻤﻴﻢ‬،‫ﻣﻦ ﺧﻼل ﻣﺠﻤﻮﻋﺔ واﺳﻌﺔ ﻣﻦ اﻟﻤﺮاﺟﻊ واﻟﻜﺘﺐ وﻏﻴﺮﻫﺎ‬ ‫ﻋﻠﻰ اﻧﺸﺎء ﻣﺴﺎﺣﺎت ﻣﻔﺘﻮﺣﺔ وأﻣﺎﻛﻦ ﺳﻬﻞ اﻟﻮﺻﻮل إﻟﻴﻬﺎ ﻣﻦ ﻗﺒﻞ‬ ‫ ﻳﻬﺪف اﻟﻤﻜﺘﺐ اﻟﻤﺼﻤﻢ إﻟﻰ إﻧﺸﺎء ﻣﺴﺎﺣﺎت ﺗﻌﺰز ﻋﻤﻠﻴﺔ اﻟﺘﻌﻠﻴﻢ‬.‫اﻟﺰوار‬ N‫ وﺗﻮﺳﻴﻊ اﻟﻤﻜﺘﺒﺔ وﺗﺤﻮﻳﻠﻬﺎ إﻟﻰ ﻣﻜﺎن ﻋﺎم وﻣﺮﻛﺰ‬،‫واﻻﻛﺘﺸﺎف واﻻﺑﺘﻜﺎر‬ ‫ ﻳﺠﺬب اﻟﻨﺎس إﻟﻴﻪ ﻟﻠﻤﺸﺎرﻛﺔ واﻟﺘﻌﻠﻢ واﻻﺧﺘﻼط‬S‫ اﺟﺘﻤﺎﻋﻴ‬S‫ﺣﻀﺎرﻳ‬ ‫ ﻳﺴﺘﻔﻴﺪ اﻟﺘﺼﻤﻴﻢ ﻣﻦ اﻟﻤﺴﺎﺣﺎت اﻟﻤﻐﻠﻘﺔ ﻓﻲ اﻟﻤﺒﻨﻰ ﻣﻦ‬.‫اﻻﺟﺘﻤﺎﻋﻲ‬ ‫ﺧﺮى‬V‫ﺧﻼل إﻋﺎدة ﺗﺼﻤﻴﻤﻬﺎ وﻓﺘﺤﻬﺎ ﻟﻠﻌﺎﻣﺔ ورﺑﻄﻬﺎ ﻣﻊ اﻟﻤﺴﺎﺣﺎت ا‬ .‫ﻟﻴﺴﻬﻞ اﻟﺘﻨﻘﻞ ﻓﻲ ﻛﺎﻓﺔ أﻧﺤﺎء اﻟﻤﺒﻨﻰ‬

Renovation of Melbourne`s State Library of Victoria The State Library of Victoria in Melbourne has selected Schmidt Hammer Lassen Architects with local partners to lead in the design of redevelopment plan, Vision 2020. The scheme will return 40% more space to public use, aiming to “unlock possibilities, create connections and act as a framework” for the future evolution of Australia’s oldest and busiest library.

With over 1.9 million visitors and 4 million online users each year, the State Library of Victoria caters to the educational needs of people from a wide range of ages and cultural backgrounds. the design focuses on creating an open, highly-accessible space for people to engage and interact. The designer aim to create spaces that foster learning, exploration and innovation, expanding the Library`s reach and relevance and transforming this popular landmark into a true urban hub - a place where people in Melbourne naturally gravitate to in order to engage, learn, socialize and be inspired.

Taking advantage of the existing spaces of the library, the design both “unlocks” formerly inaccessible spaces to optimize their architectural potential.

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3 Top Architects Design 3 Library Developments in Chicago The City of Chicago and the Chicago Housing Authority have announced the selection of Skidmore, Owings & Merrill (SOM), Perkins + Will and John Ronan Architects to lead in the design of three new “co-located” affordable housing and library developments in the Chicago neighborhoods of Little Italy, West Ridge, and Irving Park. The three Chicago-based teams were chosen for their innovative ideas that will ensure that each community will have a design that best reflects its needs. All three firms bring with them a wealth of experience in building community-based projects and Chicago-based roots.Each of the new library facilities will include childhood active learning spaces, areas of one-on-one tutoring, and access to technology and creative resources.

SOM will design the Roosevelt Branch as part of the CHA’s ongoing redevelopment of the Roosevelt Square community. The Northtown Branch at Western and Pratt avenues in West Ridge will be designed by Perkins + Will, whose other Chicago projects include High School and University as well as more than a dozen libraries, sThe third project, the Independence Branch Irving Park, will be lead be John Ronan Architects.

‫ﺛﻼث ﻣﻌﻤﺎرﻳﻴﻦ ﻋﺎﻟﻤﻴﻴﻦ ﺻﻤﻤﻮا ﺛﻼث‬ ‫ﻣﻜﺘﺒﺎت ﻓﻲ ﺷﻴﻜﺎﻏﻮ‬ ‫ ﻣﻦ أﻓﻀﻞ‬٣ ‫اﺧﺘﺎرت ﻣﺪﻳﻨﺔ ﺷﻴﻜﺎﻏﻮ ﻣﺘﻤﺜﻠﺔ ﻓﻲ ﻫﻴﺌﺔ ﺷﻴﻜﺎﻏﻮ ﻟ ﺳﻜﺎن‬ : ‫اﻟﻤﻌﻤﺎرﻳﻴﻦ اﻟﻌﺎﻟﻤﻴﻴﻦ وﻫﻢ‬ Skidmore,owings &Merrill , John Ronan Architects , Perkins ‫ ﻟﺘﺼﻤﻴﻢ ﺛﻼث أﻓﺮع ﺟﺪﻳﺪة ﺗﺎﺑﻌﺔ ﻟﻤﻜﺘﺒﺔ ﺷﻴﻜﺎﻏﻮ اﻟﻌﺎﻣﺔ داﺧﻞ‬+ will ‫ ﺣﻴﺚ ﺗﻢ اﺧﺘﻴﺎرﻫﻢ‬، ‫ا;ﺣﻴﺎء اﻟﺴﻜﻨﻴﺔ ﻓﻲ أﺣﻴﺎء ﻣﺨﺘﻠﻔﺔ ﻓﻲ اﻟﻤﺪﻳﻨﺔ‬ ‫;ﻓﻜﺎرﻫﻢ اﻟﻤﺒﺘﻜﺮة واﻟﺘﻲ ﺗﻀﻤﻦ أن ﻛﻞ ﺗﺼﻤﻴﻢ ﺳﻴﻮﻓﺮ ﻟﺠﻤﻴﻊ‬ ‫ وﺳﺘﻜﻮن ﻓﻜﺮة إﻧﺸﺎء ﻣﻜﺘﺒﺎت داﺧﻞ أﺣﻴﺎء‬. ‫اﻟﻤﺘﻄﻠﺒﺎت ﻋﻠﻰ أﻓﻀﻞ وﺟﻪ‬ ‫ وﻗﺪ ﺗﻢ‬، ‫ﺳﻜﻨﻴﺔ ا;وﻟﻰ ﻣﻦ ﻧﻮﻋﻬﺎ ﻟﻼﺳﺘﻔﺎدة وﺗﺠﻤﻴﻞ ا;ﺣﻴﺎء اﻟﺴﻜﻨﻴﺔ‬ ،‫ﺗﻘﻴﻴﻢ اﻟﻤﺸﺎرﻳﻊ ﻋﻠﻰ أﺳﺎس ﻣﻌﺎﻳﻴﺮ اﻟﺠﻮدة وﺳﻴﺎق اﻟﻌﻤﺎرة ﻟﻜﻞ ﻣﻮﻗﻊ‬ ،‫ﺿﺎﻓﺔ إﻟﻰ ﺗﻄﺒﻴﻖ ﻣﻌﺎﻳﻴﺮ اﻻﺳﺘﺪاﻣﺔ ﻓﻲ اﺳﺘﺨﺪام اﻟﻤﻮاد واﻟﺘﺨﻄﻴﻂ‬Q‫ﺑﺎ‬ ‫ وﺳﺘﻀﻢ ﻛ ًﻼ ﻣﻦ اﻟﻤﻜﺘﺒﺎت‬.‫ﺑﺘﻜﺎرات‬Q‫واﻟﻤﻨﺎﻇﺮ اﻟﻄﺒﻴﻌﻴﺔ وﺗﺼﻤﻴﻢ ا‬ ‫ ﺗﻀﻢ‬T‫ﻃﻔﺎل وأﺧﺮى ﻟﻠﺘﻘﺪﻳﻢ دروس ﺧﺼﻮﺻﻴﺔ وأﻳﻀ‬Y‫اﻟﺜﻼﺛﺔ ﻣﺴﺎﺣﺎت ﻟ‬ .‫ﻣﺴﺎﺣﺎت ﻟﻠﺘﻘﻨﻴﺔ واﻟﺘﻜﻨﻮﻟﻮﺟﻴﺎ‬ ‫ ﻳﻬﺪف إﻟﻰ‬Roosevelt ‫( ﺗﺼﻤﻴﻤﺎ ﻟﺤﻲ‬SOM) ‫ﻗﺪم اﻟﻤﻜﺘﺐ اﻟﻤﻌﻤﺎري‬ ‫ﺗﻮﻓﻴﺮ ﻣﺴﺎﺣﺎت اﺟﺘﻤﺎﻋﻴﺔ ﺟﺪﻳﺪة ﻟﻠﺤﻲ وﺗﻌﺪ ﺟﺰء` ﻣﻦ ﺗﻄﻮﻳﺮ ﻣﻨﻄﻘﺔ‬ ‫ﺿﺎﻓﺔ إﻟﻰ إﻧﺸﺎء ﻣﺴﺎﺣﺔ ﺗﺠﻤﻊ ﺑﻴﻦ اﻟﺴﻜﻦ‬Q‫ ﺑﺎ‬، Roosevelt Square ‫ وﻳﺘﻀﻤﻦ اﻟﻤﺒﻨﻰ ﻃﺎﺑﻖ واﺣﺪ ﻟﻤﻜﺘﺒﺔ ﻋﺎﻣﺔ وأرﺑﻌﺔ‬.‫واﻟﻤﻜﺘﺒﺔ ﻓﻲ ﺷﻴﻜﺎﻏﻮ‬ .‫ﺿﺎﻓﺔ إﻟﻰ ﻣﺴﺎﺣﺔ ﺗﺠﺎرﻳﺔ ﻣﻄﻠﺔ ﻋﻠﻰ اﻟﺸﺎرع‬Q‫ﻃﻮاﺑﻖ ﺳﻜﻨﻴﺔ ﺑﺎ‬ West ‫ ﻓﻲ ﻣﻨﻄﻘﺔ‬Perkins + will ‫ﺗﻘﻊ اﻟﻤﻜﺘﺒﺔاﻟﻤﺼﻤﻤﺔ ﻣﻦ ﻣﻜﺘﺐ‬ ‫ وﺗﻀﻢ اﻟﻤﻨﻄﻘﺔ ﻣﺠﻤﻮﻋﺔ ﻣﻦ اﻟﻤﺸﺎرﻳﻊ ﻣﺜﻞ‬، ‫ ﺷﻤﺎل ﺷﻴﻜﺎﻏﻮ‬Ridge .‫ﺟﺎﻣﻌﺔ وﻣﺪرﺳﺔ وﻣﻜﺘﺒﺎت أﺧﺮى‬ John Ronan Architects ‫أﻣﺎ اﻟﻤﻜﺘﺒﺔ اﻟﺘﻲ ﺻﻤﻤﻬﺎ اﻟﻤﻜﺘﺐ اﻟﻬﻨﺪﺳﻲ‬ Irving Park ‫ﺳﺘﻘﻼل ﻛﻤﺎ اﻃﻠﻖ ﻋﻠﻴﻬﺎ وﻫﻲ ﺗﻘﻊ ﻓﻲ‬Q‫ﺳﻤﻴﺖ ﺑﻔﺮع ا‬

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¡UM³ « ≤∂

‫√‪l¹—UA*« —U³š‬‬

‫ﺑﻠﻮوم ﻫﺎﻳﺘﺲ‬ ‫ﻣﺸﺮوع ﻣﺘﻌﺪد اﻻﺳﺘﺨﺪاﻣﺎت ﻓﻲ دﺑﻲ‬ ‫ﺑﻠﻮوم ﻫﺎﻳﺘﺲ ﻫﻮ ﻣﺸﺮوع ﺣﺪﻳﺚ ﻣﺘﻌﺪد ا ﺳﺘﺨﺪاﻣﺎت ﻳﻘﻊ ﻓﻲ‬ ‫ﻗﺮﻳﺔ ﺟﻤﻴﺮا ﺳﻴﺮﻛﻞ ﻓﻲ دﺑﻲ ‪.‬ﻳﻀﻢ ﻣﺒﻨﻰ ﺷﺎﻫﻘﺎ أﻧﻴﻘﺎ ﻳﺘﺄﻟﻒ ﻣﻦ‬ ‫ﺑﺮﺟﻴﻦ ﻳﺮﺗﺒﻄﺎن ﺑﺒﻌﻀﻬﻤﺎ اﻟﺒﻌﺾ ﻣﻦ اﻟﺪاﺧﻞ ﺑﻤﻨﺼﺔ ﻣﻜﻮﻧﺔ‬ ‫ﻣﻦ أرﺑﻊ ﻃﻮاﺑﻖ ﻣﻤﺎ ﻳﻤﻨﺢ اﻟﻤﺒﻨﻰ ﻣﻨﻈﺮا ﻣﺘﻨﺎﻏﻤﺎ وﻣﺘﻮازﻧﺎ‪,‬‬ ‫وﻳﻀﻤﺎن ‪ ٦٨٦‬وﺣﺪة ﺳﻜﻨﻴﺔ ﺗﺘﺮاوح ﺑﻴﻦ اﺳﺘﻮدﻳﻮﻫﺎت‪ ،‬وﺷﻘﻖ‬ ‫ﺑﻐﺮﻓﺔ‪ ،‬ﻏﺮﻓﺘﻴﻦ‪ ،‬وﺛﻼث ﻏﺮف ﻧﻮم‪ .‬أﻣﺎ ﻣﻦ اﻟﺨﺎرج‪ ،‬ﻓﻴﺘﺼﻼن ﺑﻄﺮﻳﻘﺔ‬ ‫ﻓﻨﻴﺔ ﻣﻌﻤﺎرﻳﺔ ﻣﺒﺘﻜﺮة‪ ،‬ﺗﺠﻤﻊ ﺑﻴﻦ اﻟﺒﺮﺟﻴﻦ ﺑﺄﺳﻠﻮب أﻧﻴﻖ راﺋﻊ‪.‬‬ ‫ﻛﻤﺎ ﻳﺘﻤﻴﺰ ﺑﺘﺼﻤﻴﻤﻪ اﻟﻌﺼﺮي ذو اﻟﺨﻄﻮط اﻟﻤﻌﻤﺎرﻳﺔ اﻟﺒﺎرزة ﻣﻊ‬ ‫ﻧﻤﻮذج ﻣﻤﻮج ﻋﻠﻰ اﻟﻮاﺟﻬﺔ ا‪X‬ﻣﺎﻣﻴﺔ‪ ،‬ﻣﻤﺎ ﻳﻀﻔﻲ ﺷﻌﻮر‪ V‬ﺑﺎﻟﺤﺮﻛﺔ‬ ‫واﻟﺘﻨﺎﻏﻢ ‪ ,‬وﻳﺠﻤﻊ ﺑﻴﻦ اﻟﻤﻨﺎﻃﻖ اﻟﺴﻜﻨﻴﺔ واﻟﻤﺤﻼت اﻟﺘﺠﺎرﻳﺔ‪،‬‬ ‫وﻣﺘﻄﻠﺒﺎت اﻟﺤﻴﺎة اﻟﻌﺼﺮﻳﺔ‪ .‬ﺻﻤﻢ اﻟﻤﺸﺮوع ﺑﻜﻔﺎءة وﺣﺮﻓﻴﺔ‬ ‫ﻋﺎﻟﻴﺔ‪ ،‬ﺑﺤﻴﺚ ﻳﻮﻓﺮ اﻟﻤﺴﺎﺣﺔ ا‪X‬ﻣﺜﻞ ﻟﻠﺴﻜﺎن واﻟﺘﻲ ﺗﺴﻤﺢ ﻟﻬﻢ‬ ‫ﺑﺎ ﺳﺘﻤﺘﺎع ﺑﻨﻤﻂ اﻟﺤﻴﺎة اﻟﺬي ﻳﺨﺘﺎروﻧﻪ‪ .‬وﻣﻦ اﻟﻤﻘﺮر أن ﻳﺘﻢ إﻧﺸﺎء‬ ‫”ﺑﻠﻮوم ﻫﺎﻳﺘﺲ“ وﻓﻘ‪X a‬رﻗﻰ ﻧﻤﺎذج اﻟﻌﻤﺎرة اﻟﺤﺪﻳﺜﺔ واﻟﻤﻌﺎﺻﺮة‬ ‫ﻣﻊ ﺗﺼﻤﻴﻢ ذﻛﻲ ﻳﺰﻳﺪ ﻣﻦ ﻣﺴﺎﺣﺔ اﻟﻤﻌﻴﺸﺔ‪ ،‬وﻗﺪ ﺻﻤﻤﺖ‬ ‫اﻟﺸﻘﻖ اﻟﺴﻜﻨﻴﺔ ﺑﻜﻔﺎءة ﻣﻊ ﺗﺸﻄﻴﺒﺎت ﻋﺎﻟﻴﺔ اﻟﺠﻮدة‪ ،‬وﺳﻴﻮﻓﺮ‬ ‫ﻣﺠﻤﻮﻋﺔ ﻣﻦ اﻟﻤﺮاﻓﻖ اﻟﺘﻲ ﺗﺸﻤﻞ ﺣﻤﺎﻣﻲ ﺳﺒﺎﺣﺔ وﻣﻀﻤﺎر‪V‬‬ ‫ﻟﻠﺠﺮي‪ ،‬وﺻﺎﻟﺔ أﻟﻌﺎب رﻳﺎﺿﻴﺔ‪ ،‬وﻗﺎﻋﺔ ﻣﺘﻌﺪدة ا‪X‬ﻏﺮاض‪ .‬اﻟﻤﺸﺮوع‬ ‫ﺗﺎﺑﻊ ﻟﺸﺮﻛﺔ ﺑﻠﻮوم اﻟﻌﻘﺎرﻳﺔ‪ ،‬وﻫﻲ إﺣﺪى ﺷﺮﻛﺎت ”ﺑﻠﻮوم اﻟﻘﺎﺑﻀﺔ“‬ ‫واﻟﻤﺘﺨﺼﺼﺔ ﻓﻲ ﺗﻄﻮﻳﺮ اﻟﻤﺠﺘﻤﻌﺎت اﻟﻤﺘﻜﺎﻣﻠﺔ واﻟﻤﺴﺘﺪاﻣﺔ‪.‬‬

‫‪Bloom Heights‬‬ ‫‪Mix-use Urban Development in Dubai‬‬ ‫‪Bloom Heights is an elegant high rise building consisting of two‬‬ ‫‪towers linked internally by a four level podium which lends‬‬ ‫‪the building balance and harmony. Externally, a continuous‬‬ ‫‪element connects the two towers, giving unity to the complex.‬‬ ‫‪The two tower building is of contemporary design with strong‬‬ ‫‪architectural lines and a wave pattern on its façade, yielding a‬‬ ‫‪sense of movement and rhythm. Bloom Heights is a modern‬‬ ‫‪mix-use urban development that encompasses residential and‬‬ ‫‪retail elements. The project offers a total of 686 residential‬‬ ‫‪spacious units ranging from studios, one, two and three‬‬ ‫‪bedroom apartments. Bloom Heights will feature modern‬‬ ‫‪and contemporary architecture with an intelligent design that‬‬ ‫‪maximizes the value of living space. In addition to its efficiently‬‬ ‫‪designed apartments with high quality finishes, the project will‬‬ ‫‪offer a host of amenities including 2 swimming pools, a running‬‬ ‫‪track, a gym, a multipurpose hall and convenience retail.‬‬

‫∏≤ « ‪¡UM³‬‬

‫‪28 Albenaa‬‬

¡UM³ « w b¹b'«

‫ﺟﺪران ﺧﺮﺳﺎﻧﻴﺔ‬ ‫ﻣﺴﺒﻘﺔ اﻟﺼﻨﻊ‬

‰“UŽ ÊËbÐ w½UÝd)« —«b'«

‰“UF « l w½UÝd)« —«b'«

‫ﺟﺪران ﺧﺎرﺟﻴﺔ ﻣﻦ اﻟﺨﺮﺳﺎﻧﺔ ﻣﺴﺒﻘﺔ‬ ‫اﻟﺼﻨﻊ ﺗﺘﻮﻓﺮ ﻣﻦ ﻟﻮﺣﻴﻦ ﺧﺮﺳﺎﻧﻴﻴﻦ‬ ،‫ ﺑﺸﺒﻜﺔ ﻣﻦ اﻟﺤﺪﻳﺪ‬$‫ﻳﺮﺗﺒﻄﺎن ﻣﻌ‬ . ‫ﺗﺸﻜﻞ ﺑﺬﻟﻚ ﻓﺠﻮة ﺑﻴﻦ اﻟﻠﻮﺣﻴﻦ‬ ‫وﺗﺘﻤﻴﺰ ﻫﺬه اﻟﺠﺪران ﺑﺄﻧﻬﺎ ﻳﻤﻜﻦ أن‬ ‫ ﺑﻘﻮة‬$‫ﺗﺼﻤﻢ ﺑﺄﺷﻜﺎل ﻣﺨﺘﻠﻔﺔ وأﻳﻀ‬ ‫ﺗﺤﻤﻠﻬﺎ وﻣﺘﺎﻧﺘﻬﺎ اﻟﻌﺎﻟﻴﺔ وﺳﺮﻋﺔ‬ ‫ ﻛﻤﺎ ﺗﻘﻮم ﻫﺬه اﻟﺠﺪران ﻋﻠﻰ‬.‫ﺗﺜﺒﻴﺘﻬﺎ‬ ‫ ﺣﻴﺚ ﻳﻤﻜﻦ إﺿﺎﻓﺔ‬$‫ﻋﺰل اﻟﻤﺒﻨﻰ ﺣﺮارﻳ‬ ‫ﻟﻮاح‬D‫ﻃﺒﻘﺔ اﻟﻌﺎزل وﺗﺜﺒﻴﺘﻪ ﺑﻴﻦ ا‬ ‫ ﻛﻤﺎ ﻳﻤﻜﻦ اﺧﺘﻴﺎر ﺳﻤﺎﻛﺎت‬.‫اﻟﺨﺮﺳﺎﻧﻴﺔ‬ ‫ وﻳﻌﺪ ﻫﺬا اﻟﻨﻮع ﻣﻦ‬،‫ﻣﺨﺘﻠﻔﺔ ﻟﻠﻌﺎزل‬ ‫اﻟﺠﺪران ذو ﻛﻔﺎءة ﻋﺎﻟﻴﺔ ﻓﻲ اﻟﻌﺰل‬ .‫اﻟﺤﺮاري ﻟﻠﻤﺒﺎﻧﻲ‬

Precast Wall

‰“UŽ ÊËbÐ —«b−K wKOBHð ŸUD

‰‰“UF « “UF « l —«b−K wKBHð K ŸUD

w½U³*« bŠ√ w WO½UÝd)« Ê«—b'« «b ²Ý«

Precast double wall or Twin walls are two thin sheets of concrete wall panel held together by a lattice. The gap between these two leaves is filled with concrete after these units are installed on site.They can be used as a standard structural wall panel or as a retaining wall.

This solution, very easy to install, offers aesthetic, affordability, durability, strength and speed of installation on site, Precast thermal double walls are an innovative and effective solution to your building shell requirements.

The nature and thickness of the insulation can be modified according to customer needs.

This product has an excellent thermal inertia and can integrate strong insulation thicknesses. www.fehr-group.com

30 Albenaa

¡UM³ « ≥∞

¡UM³ « w b¹b'«

‫ﺗﻜﺴﻴﺎت ﻟ رﺿﻴﺎت‬ ‫ﺛﻼث أﻧﻮاع ﻣﺨﺘﻠﻔﺔ ﻣﻦ ا رﺿﻴﺎت ﺗﻘﺪﻣﻬﺎ‬ : Sika ‫ﺷﺮﻛﺔ‬ Sika Deco floor, Sika Deco flake ‫ وﺗﺘﻤﻴﺰ ﻫﺬه‬. , Sika Deco Quartz ‫اﻟﻤﻨﺘﺠﺎت اﻟﺜﻼﺛﺔ ﺑﺈﻧﺸﺎء أرﺿﻴﺎت ﺟﻤﻴﻠﺔ‬ ‫ذات ﺟﻮدة ﻋﺎﻟﻴﺔ ﻓﻬﻲ ﻣﻜﻮﻧﺔ ﻣﻦ راﺗﻨﺠﺎت‬ ‫اﻻﻳﺒﻮﻛﺴﻴﻴﻚ اﻟﺘﻲ ﺗﺠﻤﻊ ﺑﻴﻦ اﻟﺮاﺣﺔ‬ ‫وأداءﻫﺎ اﻟﻮﻇﻴﻔﻲ واﻟﺠﻤﺎﻟﻲ اﻟﻌﺎﻟﻲ وﻫﻲ‬ C.O.V ‫ ﻻﺗﺤﺘﻮي ﻋﻠﻰ ﻧﺴﺒﺔ ﻋﺎﻟﻴﺔ ﻣﻦ‬C‫أﻳﻀ‬ ‫اﻟﻤﺴﺒﺐ ﻟﻼﺣﺘﺒﺎس اﻟﺤﺮاري وﻣﻘﺎوﻣﺔ‬ ‫ وﺗﺘﻮﻓﺮ ﻫﺬه‬، ‫ﺷﻌﺔ ﻓﻮق اﻟﺒﻨﻔﺴﺠﻴﺔ‬I‫ﻟ‬ ‫اﻟﺘﻜﺴﻴﺎت ﺑﺄﻟﻮان ﻣﺨﺘﻠﻔﺔ واﻣﻜﺎﻧﻴﺔ‬ ‫ﻋﻤﻞ ﺗﺸﻄﻴﺒﺎت ﻣﺘﻌﺪدة ﺣﺴﺐ رﻏﺒﺔ‬ ً ‫ ﻓﻤﺜ‬،‫اﻟﻤﺘﺴﺨﺪم‬ ‫ﻼ ﻳﻤﻜﻦ أن ﺗﻜﻮن ﻧﺎﻋﻤﺔ‬ .‫ﻧﺰﻻق‬Q‫أو ﺷﺒﻪ ﻧﺎﻋﻤﺔ أو رﻣﻠﻴﺔ أو ﻏﻴﺮ ﻗﺎﺑﻠﺔ ﻟ‬ ‫وﻗﺪ ﺣﺎزت ﻫﺬه اﻟﻤﻨﺘﺠﺎت ﻋﻠﻰ ﺷﻬﺎدة‬ ‫ ﻣﻦ ﻣﺮﻛﺰ ﺗﻘﻨﻴﺔ وﻋﻠﻮم اﻟﻤﺒﺎﻧﻲ‬+A ‫ﺑﺘﻘﺪﻳﺮ‬ ‫ وﺗﺘﻨﺎﺳﺐ ﻫﺬه ا رﺿﻴﺎت‬.‫ﻓﻲ ﻓﺮﻧﺴﺎ‬ ،‫ اﻟﻤﺪارس‬، ‫ﻓﻲ اﻟﻤﺒﺎﻧﻲ اﻟﻌﺎﻣﺔ واﻟﺘﺠﺎرﻳﺔ‬ ‫اﻟﻤﻄﺎرات وا ﻣﺎﻛﻦ اﻟﺘﻲ ﺗﺤﺘﺎج أن ﺗﻜﻮن‬ ‫ذات ﻧﺴﺒﺔ ﻋﺎﻟﻴﺔ ﻣﻦ اﻟﻨﻈﺎﻓﺔ ﻣﺜﻞ ﻣﺼﺎﻧﻊ‬ ‫ا دوﻳﺔ ﺑﺎ[ﺿﺎﻓﺔ إﻟﻰ اﻟﻤﺼﺎﻧﻊ وأﻣﺎﻛﻦ‬ .‫اﻟﺘﺨﺰﻳﻦ‬ WHK² s U √ w UO{—_« oO³D² —u

Sika Floor Sika decorative flooring makes it possible to create highly aesthetic floors thanks to an almost unlimited choice of finishes.

These epoxy resin coatings combine comfort, functionality and aesthetics.

Sika floor produce three type of floor Sika Deco Floor , Sika Deco Flake, Sika Deco Quartz which are available in many finishes and colors available (color chart available on request). The 3 product have many advantages as resistance to U.V. Low C.O.V., high mechanical resistance and easy maintenance. It can be used in many buildings type as school, commercial, airports… www.fra.sika.com

UO{—ú WŁö¦ « Ÿ«u½_«

32 Albenaa

¡UM³ « ≥≤

¡UM³ « w b¹b'«

‫ﻧﻈﺎم أﻗﻔﺎل ﻟ ﺑﻮاب‬ ‫ﻻﻳﻤﻜﻦ ﻟ ﺑﻮاب اﻟﺨﺎرﺟﻴﺔ أن ﺗﻌﻄﻴﻚ‬ Autolock ‫ ﻓﻤﻨﺘﺞ‬، ‫ﻣﺎن ﺑﻤﻔﺮدﻫﺎ‬$‫ا‬ ‫ ﻳﻮﻓﺮ ﺣﻤﺎﻳﺔ ﺟﻴﺪة ﻟ ﺑﻮاب‬AVP ‫ ﻓﻬﻮ ﻧﻈﺎم أﻗﻔﺎل ﻟ ﺑﻮاب‬،‫اﻟﺨﺎرﺟﻴﺔ‬ ‫ ﻣﻦ ﺧﻼل‬0‫ﻳﺘﻤﻴﺰ ﺑﺘﺸﻐﻴﻠﻪ ﺗﻠﻘﺎﺋﻴ‬ ‫ﺑﻮاب‬$‫اﻟﻤﻘﺒﺾ وﻳﺘﻨﺎﺳﺐ ﻣﻊ ا‬ ،‫ﻟﻮﻣﻨﻴﻮم‬$‫اﻟﺨﺸﺒﻴﺔ واﻟﺒﻼﺳﺘﻴﻜﻴﺔ وا‬ ‫وﻳﺘﻜﻮن اﻟﻘﻔﻞ ﻣﻦ ﻣﺰﻻﺟﻴﻦ ﻣﻦ‬ ‫ي‬$ ‫اﻟﺴﺘﻴﻞ ﻳﺘﻤﻴﺰان ﺑﻤﻘﺎوﻣﺘﻬﻤﺎ‬ .‫ﻣﺤﺎوﻻت ﻓﺘﺢ ﻏﻴﺮ ﻣﺸﺮوﻋﺔ‬

Locking system AutoLock AVP A solid exterior door won’t make a house secure on its own. autoLock AVP not only gives you the certainty of having a secure door, you can already tell upon activating it that we’re serious about this locking system when it comes to power and genuine strength. The handle-operated automatic locking system autoLock AVP offers powerful and dynamic locking – mechanical as well as spring-driven – without forgoing the familiar handle unlocking. It also features our innovative failsafe device. This prevents you from accidentally locking of the locking points – thus sparing your door frame from ugly scratches.

Aouto Lock AVP ‰UH √

Aoutolock AVP qH

‚öžù« bMŽ qHI « qJý

»U³ UÐ i³I s qHI UÐ rJײ «

tײ bMŽ qHI « qJý

qJý `{u¹ ŸUD »U³ « qš«œ qHI «

www.winkhaus.com

34 Albenaa

¡UM³ « ≥¥

¡UM³ « w b¹b'«

‫ﺳﻴﻠﻴﻜﻮن ﻣﺎﻧﻊ ﻟﻠﺘﺴﺮب‬ ‫ ﻫﻮ ﺳﻴﻠﻴﻜﻮن ﻣﺎﻧﻊ ﻟﻠﺘﺴﺮب ﺟﺎﻫﺰ‬Aco 820 ‫ ﻳﺴﺎﻋﺪ ﻋﻠﻰ اﻟﺤﻔﺎظ‬، adhis ‫ﻟﻼﺳﺘﺨﺪام ﻣﻦ ﺷﺮﻛﺔ‬ ‫ﻋﻠﻰ درﺟﺎت اﻟﺤﺮارة داﺧﻞ اﻟﻐﺮﻓﺔ اﻟﺘﻲ ﺗﺴﺒﺒﻬﺎ‬ ‫ ﻳﺘﻤﻴﺰ ﺑﺴﺮﻋﺔ ﺗﻤﺎﺳﻜﻪ ﻣﻊ اﺧﺘﻼف أﻧﻮاع‬.‫رﻃﻮﺑﺔ اﻟﺠﻮ‬ .‫ا ﺳﻄﺢ ﻣﺜﻞ اﻟﺨﺸﺐ واﻟﺰﺟﺎج وا ﻟﻮﻣﻨﻴﻮم وﻏﻴﺮﻫﺎ‬

Aco 820 Neutral Silicone Sealant Aco 820 is a ready-to-use neutral silicone sealant that cures at room temperature by the action of air humidity. It adheres without primer to almost all the materials encountered in the building, such as glass, aluminum, reinforced concrete, ABS, hard polystyrene, brass, bronze, steel, stainless steel, Galvanized steel, tile, treated wood, pvc, etc. www.ashis.fr

‫ﻋﺎزل ﺻﻮﺗﻲ ﺑﻘﻴﺎﺳﺎت ﻛﺒﻴﺮة‬ ‫ﻏﺸﺎء ﻣﻦ ا ﻟﻴﺎف اﻟﺰﺟﺎﺟﻴﺔ اﻟﻌﺎزﻟﺔ ﻟﻠﺼﻮت ﻳﺘﻢ‬ ‫ﻓﺮدﻫﺎ ﺗﺤﺖ ا رﺿﻴﺎت ﺳﻮاء ﻛﺎﻧﺖ ﻣﻦ اﻟﺮﺧﺎم‬ ‫ ﻳﺘﻤﻴﺰ ﺑﻘﻴﺎﺳﺎﺗﻪ‬.‫أو اﻟﺴﻴﺮاﻣﻴﻚ أو اﻟﺨﺸﺐ‬ ،‫اﻟﻜﺒﻴﺮة ﺣﻴﺚ ﻳﻤﻜﻦ ﺗﻐﻄﻴﺔ ﻣﺴﺎﺣﺎت ﻛﺒﻴﺮة‬ .‫وﻳﻤﻜﻦ ﺗﻄﺒﻴﻘﻪ ﻋﻠﻰ اﻟﺠﺪران أو ا رﺿﻴﺎت‬

Acoustic isolation Siplast`s new underfloor acoustic underlay «Assour 22 comfort» pushes the technical limits of the materials used. It achieves excellent results in terms of acoustic and mechanical performances, in single and double layer.

Consisting of a sheet of fiberglass of heavy weight surfaced by a bituminous binder and a plastic film, Assour 22 Comfort has a small thickness, 3 mm. It is therefore the most efficient, lightest and easiest to implement on the market thanks to its weight and flexibility. www.siplast.fr

36 Albenaa

¡UM³ « ≥∂

rzUI « ëd(UÐ W Ozd « WŠU «

S39 Albenaa ¡UM³ « ≥π W Ozd « WŠU « l rzUI « ëd(« UD Ð

‫ﺣﺮاج ﺑﻦ ﻗﺎﺳﻢ‬

‫ﺗﺼﻤﻴﻢ ‪ :‬ﻋﺒﺪ ا‪Z‬ﻟﻪ اﻟﻤﻬﻨﺎ‬ ‫اﻟﻤﺎﻟﻚ ‪ :‬ﺷﺮﻛﺔ اﻟﺮﻳﺎض اﻟﻘﺎﺑﻀﺔ‬

‫اﻟﻤﻮﻗﻊ ‪ :‬اﻟﺮﻳﺎض ـ ﺣﻲ اﻟﻤﻨﺼﻮرﻳﺔ‬

‫اﻟﻤﺴﺎﺣﺔ اﻟﻜﻠﻴﺔ ‪ 500.000 :‬م‪2‬‬

‫ﻣﺴﺎﺣﺔ اﻟﻤﺮﺣﻠﺔ ا وﻟﻰ ‪ 300.000 :‬م‪2‬‬

‫ﻣﺸـــﺮوع ﺣﺮاج ﺑﻦ ﻗﺎﺳـــﻢ ﻫﻮ ﺟﺰء ﻣﻦ إﻋـــﺎدة ﺗﻄﻮﻳﺮ اﻟﻤﺮاﻛﺰ‬ ‫اﻟﺨﺪﻣﻴـــﺔ ﺑﺼﻮرة ﺗﺘﻨﺎﺳـــﺐ ﻣﻊ ﺣﺠـــﻢ اﻟﻤﺪﻳﻨـــﺔ »اﻟﺮﻳﺎض« وﻣﺎ‬ ‫وﺻﻠﺖ إﻟﻴﻪ ﻣﻦ ﺗﻄﻮر‪ .‬واﻟﻔﻜﺮة ﻛﺎﻧﺖ ﺑﺄن ﻳﻨﻘﻞ ﺳﻮق ﺗﺎرﻳﺨﻲ‬ ‫ﻳﺮﺟـــﻊ ﺗﺎرﻳﺨﻪ إﻟﻰ ‪ 65‬ﻋﺎم وﻳﻌﺘﺒﺮ رﻣﺰ ﻣﻦ رﻣﻮز ﻣﺪﻳﻨﺔ اﻟﺮﻳﺎض‬ ‫و ﻣﻌﺎﻟﻤﻬﺎ واﻟﺘﻲ ﻳﺘﻤﺤﻮر ﻧﺸﺎﻃﻬﺎ ﻋﻠﻰ ﺑﻴﻊ اﻟﺴﻠﻊ اﻟﺠﺪﻳﺪة‬ ‫واﻟﻤﺴـــﺘﻌﻤﻠﺔ ﺑﺠﻤﻴﻊ أﻧﻮاﻋﻬﺎ إﻟﻰ ﻣﻨﻄﻘﺔ أﻛﺒﺮ ﻣﻦ ﻣﺎ ﻛﺎﻧﺖ‬ ‫ﻋﻠﻴﻪ إﺿﺎﻓﺔ إﻟﻰ ﺣﻞ ﺟﻤﻴﻊ اﻟﻤﺸـــﻜﻼت ﻓﻲ اﻟﺴـــﻮق اﻟﻘﺪﻳﻤﺔ‬ ‫ﻣﻦ ﺣﺮﻛﺔ وﻋـــﺪم اﻟﺘﻨﻈﻴﻢ ﻓﻲ اﻟﺘﺤﻤﻴﻞ و اﻟﺘﻨﺰﻳﻞ وﺗﻜﺪس‬ ‫اﻟﺒﻀﺎﺋﻊ وﺗﻘﺎﻃﻊ ﺣﺮﻛﺔ اﻟﻤﺸﺎة ﻣﻊ ﺣﺮﻛﺔ اﻟﺴﻴﺎرات‪.‬‬ ‫وﺗـــﻢ ﺗﻄﺒﻴـــﻖ اﻻﺷـــﺘﺮاﻃﺎت اﻟﺘﻨﻈﻴﻤﻴـــﺔ وا‪O‬ﻣﻨﻴـــﺔ وﻣﺮاﻋـــﺎة‬ ‫ﻋﻮاﻣـــﻞ اﻟﺴـــﻼﻣﺔ وﻣﻘﻮﻣﺎﺗﻬـــﺎ ﺑﺤﻴﺚ ﻳﺘﻮﻗـــﻊ أن ﻳﺼﻞ ﻋﺪد‬ ‫زوار اﻟﻤﺸـــﺮوع إﻟﻰ ﻣﻠﻴﻮن زاﺋﺮ ﺷﻬﺮﻳ‪ ، U‬وﻛﺎﻧﺖ أﻫﻢ ﺗﺤﺪﻳﺎت‬ ‫اﻟﺘﺼﻤﻴـــﻢ ﻓـــﻲ ﺣـــﻞ وﻣﻌﺎﻟﺠﺔ ﺟﻤﻴﻊ اﻟﻤﺸـــﻜﻼت اﻟﺴـــﺎﺑﻘﺔ‬

‫√‪rzUI « ëd(« «d2 bŠ‬‬ ‫∏≥ « ‪¡UM³‬‬

‫‪38 Albenaa‬‬

‫ﻣـــﻊ ﻋﺪم ﻓﻘـــﺪان اﻟﺼﺒﻐـــﺔ اﻟﺘﺎرﻳﺨﻴـــﺔ واﻟﺮوح اﻟﺘـــﻲ ﺗﻤﻠﻜﺖ‬ ‫ﻣﺜﻞ ﻫﺬا اﻟﻤﺸﺮوع وﺑﺴـــﺎﻃﺘﻪ ﻣﻀﺎﻓ‪ U‬إﻟﻴﻬﺎ ﻣﺘﻌﺔ اﻟﺘﺴﻮق‬ ‫ﻟﺘﻨﻮع اﻟﺒﻀﺎﻋﺔ وﻧﺪرة اﻟﺒﻌﺾ ﻣﻨﻬﺎ‪ .‬وﻗﺪ اﺳـــﺘﻠﻬﻤﺖ ﻓﻜﺮة‬ ‫اﻟﺘﺼﻤﻴـــﻢ ﻣﻦ اﻟﺨﻴﻤﺔ اﻟﻌﺮﺑﻴﺔ اﻟﺼﺤﺮاوﻳﺔ ﺑﺎ‪Z‬ﺿﺎﻓﺔ إﻟﻰ رﻣﻮز‬ ‫ﻣﺒﺎﻧﻲ ﻧﺠﺪ اﻟﻌﺮﻳﻘﺔ‪.‬‬ ‫ﻋﻨﺎﺻﺮ اﻟﻤﺸﺮوع ‪:‬‬ ‫ـ ﺳـــﺎﺣﺔ اﻟﺤﺮاج اﻟﺮﺋﻴﺴـــﺔ ﻟﻠﺒﻴﻊ ﻣﻦ ﺧﻼل اﻟﺴـــﻴﺎرات اﻟﻤﺤﻤﻠﺔ‬ ‫ﺑﺎﻟﺒﻀﺎﺋﻊ اﻟﻤﺴﺘﻌﻤﻠﺔ ﺗﺴﺘﻮﻋﺐ ‪ 252‬ﻣﻮﻗﻒ‪.‬‬ ‫ـ ‪ 112‬ﻣﻮﻗﻒ ﻟ‪c‬ﻧﺘﻈﺎر‪.‬‬ ‫ـ ﻣﺒﺎﺳﻂ ﻋﺪدﻫﺎ ‪ 448‬ﻣﺒﺴﻂ ﻣﻈﻠﻠﺔ ﺑﺎﻟﺨﻴﺎم‪.‬‬ ‫ـ ﻣﺴﺠﺪان‪.‬‬ ‫ـ ‪ 800‬ﻣﺤﻞ ﺗﺠﺎري‪.‬‬ ‫ـ ﻋﺪد ‪ 2600‬ﻣﻮﻗﻒ ﻟﻠﺴﻴﺎرات‪.‬‬

‫« ‪rzUI « ëd(« l …b¹b'« WFÝu²‬‬

b¹b'«Ë w U(« ëd(« 5Ð jЫd « dL*«

dzUŠ o¹dÞ vKŽ ëd(« WFÝu² fOzd « qšb*« WЫuÐ

‫اﻟﺨﻴﻤﺔ اﻟﻌﺮﺑﻴﺔ وأﺳﻮاق ﻧﺠﺪ اﻟﻘﺪﻳﻤﺔ‬ ‫اﺳـــﺘﻠﻬﻤﺖ ﻓﻠﺴـــﻔﺔ ﺗﺼﻤﻴﻢ اﻟﻤﺸـــﺮوع اﻟﺴـــﻮق اﻟﻨﺠﺪي وا‪$‬روﻗﺔ اﻟﻨﺠﺪﻳﺔ اﻟﻘﺪﻳﻤﺔ وﻣـــﺎ ﻳﺮﺗﺒﻂ ﺑﻪ ﻣﻦ ﻗﻴﻢ ﺗﺮاﺛﻴﺔ وذﻟـــﻚ ﻣﻦ ﺧﻼل ﺗﺤﻠﻴﻞ‬ ‫ﻣﻌﻤﺎري وﻋﻤﺮاﻧﻲ ‪$‬ﺑﺮز ﻣﻜﻮﻧﺎﺗﻪ وﻣﻔﺮداﺗﻪ اﻟﻮﻇﻴﻔﻴﺔ واﻟﺘﺸﻜﻴﻠﻴﺔ واﻟﺮﻣﺰﻳﺔ واﻟﺘﻲ ﺗﻤﺜﻠﺖ ﻓﻲ ا‪$‬روﻗﺔ اﻟﻤﻈﻠﻠﺔ واﻟﺨﻴﺎم واﻟﺴﺎﺣﺔ اﻟﻤﺮﻛﺰﻳﺔ‬ ‫ﻟﻠﺴﻮق واﻟﺘﻲ ﺗﺤﺘﻮي ﻋﻠﻰ اﻟﻤﻈﻠﺔ اﻟﺮﺋﻴﺴﺔ وﺑﻬﺎ ﺗﻘﺎم اﻟﻔﻌﺎﻟﻴﺎت اﻟﻬﺎﻣﺔ واﻟﻤﺰادات وا‪$‬ﻧﺸﻄﺔ ا‪$‬ﺧﺮى وأﻳﻀ‪ B‬ﻣﺤﻮر ﻣﺮﻛﺰي ﻳﻤﺜﻞ اﻟﻌﺼﺐ‬ ‫اﻟﺘﺠﺎري اﻟﺮﺋﻴﺲ ﺑﺎﻟﻤﺸﺮوع واﻟﺬي ﺗﻢ ﺻﻴﺎﻏﺘﻪ ﻣﻌﻤﺎرﻳ‪ B‬ﻟﻴﻜﻮن ﺑﻤﺜﺎﺑﺔ واﺣﺔ ﺗﻈﻠﻠﻬﺎ ﺻﻔﻮف اﻟﻨﺨﻴﻞ‪ ،‬وﻣﺘﺤﻒ ﻣﻔﺘﻮح ﻳﻌﺮض اﻟﻄﺮز اﻟﻤﻌﻤﺎرﻳﺔ‬ ‫اﻟﺘﺮاﺛﻴﺔ اﻟﺘﻲ ﺑﺄرﺟﺎء اﻟﻤﻤﻠﻜﺔ اﻟﻌﺮﺑﻴﺔ اﻟﺴﻌﻮدﻳﺔ ﻣﺜﻞ اﻟﻌﻤﺎرة اﻟﻨﺠﺪﻳﺔ واﻟﺤﺠﺎزﻳﺔ وﻋﻤﺎرة اﻟﺠﻨﻮب وﻋﻤﺎرة اﻟﻤﻨﻄﻘﺔ اﻟﺸﺮﻗﻴﺔ‪.‬‬

‫√‪WFÝu² UÐ WOKš«b « UŠU « bŠ‬‬

‫«_ ‪ŸËdA*UÐ fOzd « dL*UÐ WOŁ«d² « „UA‬‬

‫∞‪¡UM³ « ¥‬‬

‫‪40 Albenaa‬‬

‫اﻟﺒﺤﺚ ﻋﻦ اﻟﻤﻌﻠﻮﻣﺎت واﻟﻜﺘﺐ وﻓﺘﺢ اﻟﻤﺠﺎل واﺳﻌ أﻣﺎم‬ ‫اﻟﺸﻌﻮب ﺑﻤﺨﺘﻠﻒ ﻃﺒﻘﺎﺗﻬﻢ ﻟﻠﻮﺻﻮل إﻟﻰ ﻛﻢ ﻻﻣﺘﻨﺎﻫﻲ‬ ‫ﻣﻦ اﻟﻤﻌﻠﻮﻣﺎت‪ ،‬ﺑﺎ‪6‬ﺿﺎﻓﺔ إﻟﻰ اﻟﻘﺪرات اﻟﻬﺎﺋﻠﺔ ﻟﺘﺨﺰﻳﻦ‬ ‫ﻫﺬه اﻟﻤﻌﻠﻮﻣﺎت وﻋﺮﺿﻬﺎ ﺑﻄﺮق ﻣﺨﺘﻠﻔﺔ واﻧﺘﺸﺎر ﻣﻮاﻗﻊ‬ ‫ﺑﻴﻊ اﻟﻜﺘﺐ ﻋﻠﻰ ﻣﺴﺘﻮى اﻟﻌﺎﻟﻢ‪ .‬وﻟﻘﺪ أدى ذﻟﻚ إﻟﻰ‬ ‫إﻗﻔﺎل اﻟﻌﺪﻳﺪ ﻣﻦ ﻣﺤﻼت ﺑﻴﻊ اﻟﻜﺘﺐ‪ ،‬و ﻇﻬﻮر دور ﺟﺪﻳﺪ‬ ‫ﻟﻠﻤﻜﺘﺒﺎت وﻇﻬﻮر اﺣﺘﻴﺎﺟﺎت ﺟﺪﻳﺪة ﻟﻤﺮﺗﺎدﻳﻬﺎ وأﺛﺮ ذﻟﻚ‬ ‫ﻋﻠﻰ اﻟﺘﺼﻤﻴﻢ اﻟﺪاﺧﻠﻲ ﻟﻬﺎ ‪ ،‬ﻓﺎﻟﺒﺤﺚ ﻓﻲ ﻣﺤﺘﻮﻳﺎت‬ ‫اﻟﻤﻜﺘﺒﺎت ﻟﻢ ﻳﻌﺪ ﻋﺒﺮ ﻧﻈﺎم اﻟﻜﺮوت اﻟﻤﻄﺒﻮﻋﺔ ﺑﻞ‬ ‫أﺻﺒﺢ ﻋﺒﺮ اﺳﺘﺨﺪام ا‪T‬رﺷﻴﻔﺎت اﻟﺮﻗﻤﻴﺔ‪ .‬ﻛﻤﺎ رﻓﻌﺖ ﺛﻮرة‬ ‫اﻟﻤﻌﻠﻮﻣﺎت ﺳﻘﻒ ﻣﺘﻄﻠﺒﺎت اﻟﻘﺮاء ﻓﻲ اﻟﻤﻜﺘﺒﺎت‪ ،‬وﺑﺎﻟﺮﻏﻢ‬ ‫ﻣﻦ ﻛﻞ اﻟﺘﻮﻗﻌﺎت ﺣﻮل إﻧﺘﻬﺎء ﻋﺼﺮ اﻟﻤﻜﺘﺒﺎت ﻧﺘﻴﺠﺔ‬ ‫‪6‬ﻧﺘﺸﺎر ﺑﻴﻊ اﻟﻜﺘﺐ ﻋﺒﺮ اﻻﻧﺘﺮﻧﺖ وآﻟﻴﺎت اﻟﺒﺤﺚ ﻋﻦ اﻟﻤﻌﺮﻓﺔ‬ ‫رﻗﻤﻴ ‪ ،‬إﻻ أن اﻟﻤﻜﺘﺒﺎت اﺳﺘﻄﺎﻋﺖ أن ﺗﺘﻜﻴﻒ ﻣﻊ اﻟﺘﻄﻮرات‬ ‫اﻟﺠﺪﻳﺪة ﻓﻲ ﻋﺎﻟﻢ اﻟﻤﻌﻠﻮﻣﺎت ﻣﻦ ﺧﻼل ﻣﺤﺎوﻟﺔ ﺗﻔﻬﻢ‬ ‫اﺣﺘﻴﺎﺟﺎت ﻣﺠﺘﻤﻌﺎﺗﻬﺎ ﺑﺤﻴﺚ ﺗﺴﺎﻫﻢ اﻟﻤﻜﺘﺒﺎت ﻓﻲ ﺣﻠﻬﺎ ‪.‬‬ ‫ا‪Z‬ن وﺑﺈﺳﺘﻌﻤﺎل ﻣﻮاﻗﻊ اﻟﺘﻮاﺻﻞ اﻻﺟﺘﻤﺎﻋﻲ ﻳﻤﻜﻦ‬ ‫ﻟﻠﻤﻜﺘﺒﺎت أن ﺗﺘﻮاﺻﻞ ﻣﻊ اﻟﻌﺪﻳﺪ ﻣﻦ أﻓﺮاد اﻟﻤﺠﺘﻤﻊ اﻟﺬﻳﻦ‬ ‫ﻟﻢ ﻳﺰوروا ﻗﻂ ﻫﺬه اﻟﻤﻜﺘﺒﺎت‪ ،‬وﺗﻘﺪم ﻟﻬﻢ اﻟﻜﺜﻴﺮ ﻣﻦ‬ ‫اﻟﺨﺪﻣﺎت واﻟﻤﻌﻠﻮﻣﺎت وﺗﺠﺬﺑﻬﻢ إﻟﻴﻬﺎ ‪ .‬وﻓﻲ داﺧﻞ اﻟﻜﺜﻴﺮ‬ ‫ﻣﻦ اﻟﻤﻜﺘﺒﺎت اﻟﻴﻮم ﻳﺘﻌﺎﻳﺶ اﻟﻨﻈﺎم اﻟﻘﺪﻳﻢ اﻟﻮرﻗﻲ‬ ‫واﻟﺠﺪﻳﺪ اﻟﺮﻗﻤﻲ ‪ ،‬وﻳﻤﻜﻦ ﻋﻠﻰ ﺿﻮء ﻫﺬه اﻟﺤﻘﻴﻘﺔ ﺗﺼﻨﻴﻒ‬ ‫اﻟﻤﻜﺘﺒﺎت إﻟﻰ ‪:‬‬ ‫«*‪ÂUN−M dÐ w W UF « W³²J‬‬

‫اﻟﻤﻜﺘﺒﺎت اﻟﻌﺎﻣﺔ ‪:‬‬ ‫ﺗﺨﺪم اﻟﻤﻜﺘﺒﺎت اﻟﻌﺎﻣﺔ ﻛﺎﻓﺔ ﻓﺌﺎت اﻟﺸﻌﺐ وﻫﻲ ذات‬ ‫ﺗﻨﻮع ﻛﺒﻴﺮ ﻓﻲ اﻟﻤﺤﺘﻮﻳﺎت‪ ،‬ا‪T‬ﻣﺮ اﻟﺬي ﺳﺎﻋﺪ ﻋﻠﻰ ﺗﺤﻘﻴﻘﻪ‬ ‫اﺳﺘﻌﻤﺎل اﻟﺘﻘﻨﻴﺎت اﻟﺮﻗﻤﻴﺔ ﺣﻴﺚ ﺗﻮﻓﺮ اﻟﻤﻜﺘﺒﺎت اﻟﻌﺎﻣﺔ‬ ‫اﻣﻜﺎﻧﻴﺔ اﺳﺘﻌﻤﺎل اﻻﻧﺘﺮﻧﺖ ﻟﻜﻞ اﻟﻔﺌﺎت ﻣﺠﺎﻧ ‪ ،‬واﻟﺘﻌﺮف‬ ‫ﻋﻠﻰ ﻣﺤﺘﻮﻳﺎﺗﻬﺎ وﻣﺤﺘﻮﻳﺎت ا‪T‬رﺷﻴﻔﺎت ا‪T‬ﺧﺮى ﻣﻦ ﺧﺎرج‬ ‫ﻧﻄﺎق اﻟﻤﻜﺘﺒﺔ‪ ،‬ﻓﻬﻨﺎك ﻓﺌﺎت ﻓﻲ اﻟﻤﺠﺘﻤﻊ ﻻ ﺗﻤﻠﻚ اﻟﻤﻘﺪرة‬ ‫ﻋﻠﻰ اﺳﺘﻌﻤﺎل اﻻﻧﺘﺮﻧﺖ ﺑﺼﻔﺔ ﺷﺨﺼﻴﺔ‪ .‬ﻓﺎﻟﻤﻜﺘﺒﺔ ﻣﺎزاﻟﺖ‬ ‫ﻫﻲ اﻟﺠﻬﺔ ا‪T‬وﻟﻰ ﻟﻠﻄﻠﺒﺔ واﻟﻌﺎﻣﻠﻴﻦ ﺑﻜﺎﻓﺔ ﻓﺌﺎﺗﻬﻢ اﻟﺼﻐﺎر‬ ‫واﻟﻜﺒﺎر ﻟﻠﺤﺼﻮل ﻋﻠﻰ اﻟﻤﻌﻠﻮﻣﺎت وﻟﻠﺘﻌﻠﻢ ‪ .‬أدى ﻫﺬا‬ ‫اﻟﺘﻮﺳﻊ ﻓﻲ اﻟﻔﺌﺎت اﻟﻤﺴﺘﻔﻴﺪة إﻟﻰ ﺗﻄﻮﻳﺮ ﻣﺒﺎﻧﻲ ﺟﺪﻳﺪة‬ ‫ﻟﻠﻤﻜﺘﺒﺎت ﻟﺘﺨﺪم ﻛﻞ ﻫﺬه اﻟﻔﺌﺎت‪.‬‬ ‫وﻟﻜﻲ ﺗﻜﻮن اﻟﻤﻜﺘﺒﺎت ﻗﺎدرة ﻋﻠﻰ ﺟﺬب اﻟﻨﺎس إﻟﻴﻬﺎ ﺗﻢ‬ ‫ﺗﻜﻠﻴﻒ ﻣﻜﺎﺗﺐ ﻣﻌﻤﺎرﻳﺔ ﻋﺎﻟﻤﻴﺔ ﻣﻌﺮوﻓﺔ ﻟﻜﻲ ﺗﺮﻓﻊ ﻣﻦ‬ ‫ﻗﻴﻤﺔ اﻟﻤﻜﺘﺒﺎت ﻣﻌﻤﺎرﻳ وﺗﺪﻓﻊ إﻟﻰ ﺟﺬب اﻟﻤﻬﺘﻤﻴﻦ وﻟﻜﻲ‬ ‫ﺗﻘﺪم ﺣﻠﻮﻻً وأﻓﻜﺎر‪ i‬ﺟﺪﻳﺪة ﺗﻌﺰز دور اﻟﻤﻜﺘﺒﺔ ﻓﻲ اﻟﻤﺠﺘﻤﻊ ‪،‬‬ ‫وأﺻﺒﺢ اﻟﺘﻮﺟﻪ ﻫﻮ اﻟﺘﺨﻠﺺ ﻣﻦ اﻟﻨﻤﻮذج اﻟﺘﻘﻠﻴﺪي ﻟﻠﻤﻜﺘﺒﺔ‬ ‫اﻟﻌﺎﻣﺔ ذات ا‪T‬ﺟﻮاء اﻟﺼﺎرﻣﺔ اﻟﺘﻲ ﺗﻨﺤﺼﺮ أﻧﺸﻄﺘﻬﺎ ﻓﻲ‬ ‫اﻟﺠﺎﻧﺐ اﻟﻌﻠﻤﻲ ﻓﻘﻂ واﻗﺘﺮح ﺗﺼﻤﻴﻢ ﻣﻜﺘﺒﺎت ﻋﺎﻣﺔ ﺟﺪﻳﺪة‬ ‫ﺗﻜﻮن أﻗﺮب ﻟﻠﻔﻀﺎءات اﻟﻌﺎﻣﺔ اﻟﻤﻔﺘﻮﺣﺔ ﻟﻜﺎﻓﺔ ﻓﺌﺎت‬ ‫اﻟﻤﺠﺘﻤﻊ‪ ،‬وﺗﻀﻢ أﻧﺸﻄﺔ ﻛﺎﻟﺘﺴﻮق واﻟﺘﺮﻓﻴﻪ واﻻﺳﺘﺮﺧﺎء‬ ‫ﺑﺤﻴﺚ أﺻﺒﺢ ﻳﻄﻠﻖ ﻋﻠﻰ ﻣﺒﺎﻧﻲ اﻟﻤﻜﺘﺒﺎت اﻟﺠﺪﻳﺪة إﺳﻢ‬ ‫ﻏﺮﻓﺔ ﻣﻌﻴﺸﺔ اﻟﻤﺪﻳﻨﺔ ﻧﺘﻴﺠﺔ ﻟﻤﺎ ﻳﻤﻜﻦ أن ﺗﻘﺪﻣﻪ ﻟﺴﻜﺎن‬ ‫ ‪UO³ u u ? UO½U³Ý√ W³²J‬‬

‫ﻋﻤﺎرة اﻟﻤﻜﺘﺒﺎت‬ ‫ﻓﻲ اﻟﻘﺮن اﻟﻮاﺣﺪ واﻟﻌﺸﺮﻳﻦ‬ ‫إﻋﺪاد ‪ :‬اﻟﻤﻬﻨﺪس إﺑﺮاﻫﻴﻢ ﻋﺒﺪ ا‪ l‬أﺑﺎ اﻟﺨﻴﻞ‬

‫ﻣﻘﺪﻣﺔ‬ ‫ﻣﺒﺎﻧﻲ اﻟﻤﻜﺘﺒﺎت ﻟﻬﺎ ﺗﺎرﻳﺦ ﻳﻌﻮد إﻟﻰ آﻻف اﻟﺴﻨﻴﻦ وﻳﻤﻜﻦ‬ ‫اﻟﻘﻮل أن ﻣﺒﺎﻧﻲ اﻟﻤﻜﺘﺒﺎت اﺳﺘﻤﺮت ﻋﻠﻰ ﻫﻴﺌﺘﻬﺎ اﻟﺘﻘﻠﻴﺪﻳﺔ‬ ‫ﺣﺘﻰ ﻧﻬﺎﻳﺔ اﻟﺘﺴﻌﻴﻨﻴﺎت اﻟﻤﻴﻼدﻳﺔ ﻣﻦ اﻟﻘﺮن اﻟﻤﻴﻼدي‬ ‫اﻟﻤﺎﺿﻲ ﻋﻨﺪﻣﺎ ﺑﺪأ ﻋﻬﺪ اﻟﺘﻘﻨﻴﺎت اﻟﺮﻗﻤﻴﺔ واﻟﺬي زﻋﺰع‬ ‫ﻣﻜﺎﻧﺔ اﻟﻤﻜﺘﺒﺎت اﻟﺘﻘﻠﻴﺪﻳﺔ وأدى إﻟﻰ ﺗﻐﻴﺮات ﺟﺬرﻳﺔ ﻓﻲ‬ ‫ﺗﺼﻤﻴﻢ ﻣﺒﺎﻧﻲ اﻟﻤﻜﺘﺒﺎت‪ .‬اﻟﻤﻮاد اﻟﺮﻗﻤﻴﺔ ﻟﻢ ﺗﺤﻞ ﻣﺤﻞ‬ ‫اﻟﻤﻄﺒﻮﻋﺎت ﺑﻞ أﺿﺎﻓﺖ ﻋﻀﻮ? ﺟﺪﻳﺪ? ﻳﺰﻳﺪ ﻣﻦ اﻣﻜﺎﻧﻴﺎت‬ ‫اﻟﻤﻜﺘﺒﺎت ﻓﻲ ﺗﻘﺪﻳﻢ اﻟﻤﻌﺮﻓﺔ ﺑﻄﺮﻳﻘﺔ ﻣﻮﺳﻌﺔ‪.‬‬

‫اﻟﻤﻜﺘﺒﺔ واﻟﻤﺠﺘﻤﻊ‬ ‫ﺗﺘﺄﺛﺮ اﻟﻤﻜﺘﺒﺔ ﺑﻤﺤﺘﻮﻳﺎﺗﻬﺎ ﻣﻦ اﻟﻤﻌﻠﻮﻣﺎت وﺑﻄﺒﻴﻌﺔ‬ ‫اﻟﻤﺠﺘﻤﻊ ﻧﻔﺴﻪ اﻟﺬي ﺗﺨﺪﻣﻪ وﺗﻄﻮرﻫﻤﺎ‪ ،‬ﻓﻤﺤﺘﻮﻳﺎت‬ ‫اﻟﻤﻜﺘﺒﺎت داﺋﻤﺔ اﻟﺘﻄﻮر وﻗﺮاءﻫﺎ ﻛﺬﻟﻚ‪ ،‬ﻧﺘﻴﺠﺔ ﻟﺘﻄﻮر‬ ‫اﻟﻌﻠﻮم واﻟﺘﻘﻨﻴﺎت ﻣﻦ ﺟﻬﺔ واﻟﺜﻘﺎﻓﺔ وأﺳﻠﻮب ﺣﻴﺎة اﻟﻨﺎس‬ ‫ﻣﻦ ﺟﻬﺔ أﺧﺮى‪.‬‬ ‫ﻓﻲ اﻟﺒﺪاﻳﺔ ﻛﺎﻧﺖ اﻟﻤﻜﺘﺒﺎت ﺗﺠﻤﻊ وﺗﺤﻮي اﻟﻤﺨﻄﻮﻃﺎت‬ ‫وﻛﺎﻧﺖ ﺗﺸﻴﺪ ﻟﺼﺎﻟﺢ اﻟﻤﻠﻮك واﻟﺰﻋﻤﺎء ﻟﺘﺤﻮي ﻣﻘﺘﻨﻴﺎﺗﻬﻢ‬ ‫اﻟﺨﺎﺻﺔ ﻣﻦ اﻟﻜﺘﺐ واﻟﻤﺨﻄﻮﻃﺎت‪ ،‬ﺛﻢ أﺻﺒﺤﺖ راﻓﺪ?‬ ‫ﻟﻠﺠﺎﻣﻌﺎت ودور اﻟﻌﺒﺎدة‪ ،‬وﻛﺎﻧﺖ ﺗﻤﻮل ﻣﻦ ﻗﺒﻞ ا[ﺛﺮﻳﺎء‬ ‫واﻧﺤﺼﺮ ﻣﺮﺗﺎدﻳﻬﺎ ﻋﻠﻰ اﻟﻤﺴﺘﻨﻴﺮﻳﻦ وﻋﻠﻴﺔ اﻟﻘﻮم ‪.‬‬ ‫ﻓﻲ ﺣﻮاﻟﻲ ﻋﺎم ‪1439‬م ﺑﺪأت اﻟﻤﻜﺘﺒﺎت واﻟﻤﺨﻄﻮﻃﺎت‬ ‫ ‪WOMÞu « qðUOÝ W³²J‬‬

‫ﺗﺘﻄﻮر ﻣﻊ اﺑﺘﻜﺎر اﻟﻄﺒﺎﻋﺔ واﻧﺘﺸﺮت اﻟﻜﺘﺐ وزاد أﻋﺪاد‬ ‫اﻟﻤﺴﺘﻌﻤﻠﻴﻦ ﻟﻬﺎ ﻓﻲ اﻟﻤﺠﺘﻤﻌﺎت‪ .‬ﻓﻲ اﻟﻘﺮن اﻟﺘﺎﺳﻊ‬ ‫ﻋﺸﺮ زاد اﻻﻫﺘﻤﺎم ﺑﺎﻟﻘﺮاءة وﺗﻮﺳﻌﺖ ﻣﺒﺎﻧﻲ اﻟﻤﻜﺘﺒﺎت‬ ‫وﻣﺤﺘﻮﻳﺎﺗﻬﺎ واﻧﻔﺘﺤﺖ اﻟﻤﻜﺘﺒﺎت ﻋﻠﻰ ﻛﻞ ﻓﺌﺎت اﻟﻤﺠﺘﻤﻊ ‪.‬‬ ‫وﻫﻜﺬا ﻧﺸﺄت اﻟﻤﻜﺘﺒﺎت وﺗﻮﻟﺖ اﻟﺤﻜﻮﻣﺎت ﻓﻲ اﻟﺪول‬ ‫اﻟﻤﺨﺘﻠﻔﺔ ﻣﺴﺌﻮﻟﻴﺔ إﻧﺸﺎﺋﻬﺎ وإدارﺗﻬﺎ‪ .‬ﻓﻲ ﺑﺪاﻳﺔ اﻟﻘﺮن‬ ‫اﻟﻌﺸﺮﻳﻦ ﺷﻴﺪت ﻣﺒﺎﻧﻲ اﻟﻤﻜﺘﺒﺎت ﻣﻦ ﺧﻼل ﺗﺼﺎﻣﻴﻢ‬ ‫ﻣﻌﻤﺎرﻳﺔ ﺗﻮﺣﻲ ﺑﻤﻜﺎﻧﺔ اﻟﻌﻠﻢ ﻓﻲ اﻟﻤﺠﺘﻤﻊ‪ ،‬و ﺑﺪت ﻛﺼﺮوح‬ ‫ﻣﻌﻤﺎرﻳﺔ ﺗﺴﺘﻮﺣﻰ ﺗﺼﺎﻣﻴﻤﻬﺎ ﻣﻦ ا[ﻣﺜﻠﺔ اﻟﻜﻼﺳﻴﻜﻴﺔ‬ ‫اﻟﻤﻌﻤﺎرﻳﺔ و اﻟﺘﺎرﻳﺨﻴﺔ ﻓﻲ اﻟﺪول اﻟﻤﺨﺘﻠﻔﺔ ‪ ،‬ﺛﻢ ﺑﺪأت‬ ‫ﻣﺒﺎﻧﻲ اﻟﻤﻜﺘﺒﺎت ﺗﺘﺤﺮر ﻣﻦ ا[ﺷﻜﺎل اﻟﺘﺎرﻳﺨﻴﺔ ﺑﻔﻌﻞ ﺗﻄﻮر‬ ‫اﻟﺸﻌﻮب واﻟﻌﻤﺎرة اﻟﺤﺪﻳﺜﺔ‪ ،‬ﻓﺎﻟﻨﻈﺮة ﻟﺪور اﻟﻤﻜﺘﺒﺔ ﻟﻢ ﺗﻌﺪ‬ ‫ﺗﻨﺤﺼﺮ ﻓﻲ اﻟﻜﺘﺐ اﻟﻌﻠﻤﻴﺔ واﻟﻤﺨﻄﻮﻃﺎت‪ ،‬ﺑﻞ أﺻﺒﺤﺖ‬ ‫اﻟﻤﻜﺘﺒﺎت ﺗﻀﻢ اﻟﻤﻄﺒﻮﻋﺎت ﺑﻜﺎﻓﺔ أﻧﻮاﻋﻬﺎ ﻣﺜﻞ اﻟﺼﺤﻒ‬ ‫واﻟﻤﺠﻼت واﻟﺪورﻳﺎت ﺑﺸﻜﻞ ﻋﺎم‪ ،‬وﻛﺬﻟﻚ ﻛﺘﺐ ا[ﻃﻔﺎل‬ ‫واﻟﻤﻜﺘﺒﺎت اﻟﺴﻤﻌﻴﺔ واﻟﺒﺼﺮﻳﺔ واﻟﺨﺪﻣﺎت اﻟﻤﺮاﻓﻘﺔ ﻣﺜﻞ‬ ‫اﻟﻤﻄﺎﻋﻢ‪ ،‬وﺗﻄﻮرت ﻗﺎﻋﺎت اﻟﻘﺮاءة وأﺿﻴﻔﺖ ﻟﻬﺎ ﻏﺮف اﺟﺘﻤﺎﻋﺎت‬ ‫وﻃﺮق ﺑﺤﺚ ﺟﺪﻳﺪة ﺑﺤﻴﺚ أﺻﺒﺢ ﻳﻨﻈﺮ إﻟﻰ اﻟﻤﻜﺘﺒﺔ ﻛﻤﺮاﻛﺰ‬ ‫ﺣﺪﻳﺜﺔ ﻟﻠﺘﻌﻠﻴﻢ ﺗﻮﻓﺮ ﻓﻀﺎءات ﻣﺮﺣﺒﺔ وﻣﺮﻳﺤﺔ ﻟﻠﻘﺮاءة‪ ،‬ﺑﻌﻴﺪ?‬ ‫ﻋﻦ اﻟﺘﺼﺎﻣﻴﻢ اﻟﻜﻼﺳﻴﻜﻴﺔ اﻟﺮﺳﻤﻴﺔ ﻟﻠﻤﻜﺘﺒﺎت ا[وﻟﻰ ‪.‬‬ ‫أﺛﺮ اﺑﺘﻜﺎر اﻟﻄﺒﺎﻋﺔ ﻋﻠﻰ اﻟﻤﻜﺘﺒﺎت ودام ذﻟﻚ ﻟﺨﻤﺴﺔ ﻗﺮون‬ ‫ﻣﺎﺿﻴﺔ‪ ،‬وﻣﻊ اﺳﺘﻌﻤﺎل اﻻﻧﺘﺮﻧﺖ ﻓﻲ أواﺳﻂ اﻟﺘﺴﻌﻴﻨﻴﺎت‬ ‫اﻟﻤﻴﻼدﻳﺔ ﺑﺪأ ﻋﺼﺮ ﺟﺪﻳﺪ ﻇﻬﺮ ﺗﺄﺛﻴﺮه واﺿﺤ‪ i‬ﻋﻠﻰ ﻃﺮق‬ ‫ ‪WOMÞu « …—u UGMÝ W³²J‬‬

‫زﻣﻨﻲ ﻳﻘﺪر ﺑﺨﻤﺴﺔ ﺳﻨﻮات ‪ .‬وﺗﻌﺘﺒﺮ اﻟﻤﻜﺘﺒﺎت اﻟﻴﻮم أﻛﺜﺮ‬ ‫اﻟﻤﺒﺎﻧﻲ اﻟﺘﻲ ﺗﺤﻘﻖ اﻻﺳﺘﺪاﻣﺔ ﻣﻦ ﺧﻼل ﻛﻞ اﻟﻤﺠﻬﻮدات‬ ‫اﻟﺘﻲ ﺗﻢ ﺑﺬﻟﻬﺎ ﻟﻜﻲ ﺗﺘﻜﻴﻒ اﻟﻤﻜﺘﺒﺔ ﻣﻊ اﻻﺣﺘﻴﺎﺟﺎت‬ ‫اﻟﺠﺪﻳﺪة وﺗﻜﻮن ﻗﺎدرة ﻋﻠﻰ ﻣﻮاﻛﺒﺔ اﻟﺘﻄﻮﻳﺮات اﻟﻤﺴﺘﻘﺒﻠﻴﺔ‬ ‫ﻟﻠﻤﺠﺘﻤﻊ وﻟﻠﺒﻴﺌﺔ اﻟﺘﻲ ﺗﻘﻊ ﻓﻴﻬﺎ‪.‬‬ ‫وﻣﻦ اﻟﺠﺪﻳﺮ ﺑﺎﻟﺬﻛﺮ أن اﺳﺘﺨﺪام اﻟﺘﺠﻬﻴﺰات اﻟﺮﻗﻤﻴﺔ ﻳﻤﺜﻞ‬ ‫أﺣﺪ أﻫﻢ ﻣﻜﻮﻧﺎت اﻟﻤﻜﺘﺒﺎت ذات اﻟﺘﺄﺛﻴﺮ ﻋﻠﻰ اﺳﺘﻬﻼك‬ ‫اﻟﻄﺎﻗﺔ وﻋﻠﻰ اﻟﺒﻴﺌﺔ اﻟﺪاﺧﻠﻴﺔ‪.‬‬

‫اﺣﺘﻴﺎﺟﺎت اﻟﻤﻜﺘﺒﺔ اﻟﺤﺪﻳﺜﺔ‬ ‫ﺗﺨﺘﻠﻒ ﻫﺬه اﻻﺣﺘﻴﺎﺟﺎت ﺣﺴﺐ ﻧﻮع اﻟﻤﻜﺘﺒﺔ وﺣﺠﻤﻬﺎ‬ ‫واﻟﻤﻨﻄﻘﺔ اﻟﺘﻲ ﺗﺨﺪﻣﻬﺎ ﻓﻔﻲ ﺣﺎﻟﺔ اﻟﻤﻜﺘﺒﺎت اﻟﻌﺎﻣﺔ‬ ‫ﻓﺈن ﺧﺪﻣﺎﺗﻬﺎ ﻳﻤﻜﻦ أن ﺗﻜﻮن ﻟﺤﻲ واﺣﺪ ﻣﻦ اﻟﻤﺪﻳﻨﺔ أو‬ ‫ﻣﻨﻄﻘﺔ أو أن ﺗﻜﻮن ﻣﻜﺘﺒﺔ وﻃﻨﻴﺔ ﺗﻘﺪم ﺧﺪﻣﺎﺗﻬﺎ ﻋﻠﻰ‬ ‫اﻟﻤﺴﺘﻮى اﻟﻮﻃﻨﻲ‪ ،‬وﻣﻊ اﺳﺘﻌﻤﺎل اﻟﺘﻘﻨﻴﺎت اﻟﺮﻗﻤﻴﺔ‬ ‫ﻳﻤﻜﻦ أن ﻧﺘﻜﻠﻢ ﻋﻦ ﻧﻮع آﺧﺮ ﻣﻦ اﻟﻤﻜﺘﺒﺎت وﻫﻮ اﻟﻤﻜﺘﺒﺎت‬ ‫اﻟﻌﺎﻟﻤﻴﺔ‪ .‬ﻛﻞ ذﻟﻚ ﻳﻌﺘﻤﺪ ﻋﻠﻰ اﻟﺴﻴﺎﺳﺔ اﻟﺘﻲ ﺳﺘﺘﺒﻌﻬﺎ‬ ‫اﻟﺪوﻟﺔ ‪R‬ﻧﺸﺎء اﻟﻤﻜﺘﺒﺎت وا‪O‬ﻫﺪاف اﻟﺘﻲ ﻳﺠﺐ أن ﺗﺤﻘﻘﻬﺎ ‪.‬‬ ‫ﻓﺈذا ﻛﺎﻧﺖ اﻟﻤﻜﺘﺒﺔ ﺗﺨﺪم ﺣﻲ أو ﻣﻨﻄﻘﺔ ﻣﻌﻴﻨﺔ ﻓﺈﻧﻪ ﻳﺠﺐ‬ ‫ﺗﺤﺪﻳﺪ اﻟﻤﺠﺘﻤﻊ أو ﻣﺠﻤﻮﻋﺔ اﻟﺴﻜﺎن اﻟﺬﻳﻦ ﻳﺴﺘﺨﺪﻣﻮن‬ ‫اﻟﻤﻜﺘﺒﺔ ﻣﻦ ﺣﻴﺚ ا‪O‬ﻧﺸﻄﺔ اﻟﺘﺠﺎرﻳﺔ ﻓﻴﻬﺎ‪ ،‬وﺗﺤﺪﻳﺪ ﻣﺪى‬ ‫ﺗﻮﻓﺮ ا‪O‬ﻧﺸﻄﺔ اﻟﻤﻜﺘﺒﻴﺔ ا‪O‬ﺧﺮى داﺧﻞ اﻟﻤﻨﻄﻘﺔ وأوﻗﺎت‬ ‫اﺳﺘﻌﻤﺎل اﻟﻤﻜﺘﺒﺔ اﻟﻤﺮﻏﻮﺑﺔ ﻣﻦ ﻗﺒﻞ اﻟﺴﻜﺎن‪ ،‬واﻟﺨﺪﻣﺎت‬ ‫اﻟﺘﻲ ﻳﺠﺐ أن ﺗﻘﺪﻣﻬﺎ ﻣﺜﻞ ﻧﻮﻋﻴﺔ اﻟﻤﺤﺘﻮﻳﺎت اﻟﻌﻠﻤﻴﺔ‬ ‫وا‪O‬ﻧﺸﻄﺔ اﻟﻤﺼﺎﺣﺒﺔ وﻣﺪى ﻗﺪرة اﻟﻤﻜﺘﺒﺔ ﻋﻠﻰ ﺟﺬب‬ ‫اﻟﺒﺎﺣﺜﻴﻦ واﻟﻤﺴﺘﺨﺪﻣﻴﻦ ﻟﻠﻤﻜﺘﺒﺔ ﻣﻦ ﺧﺎرج اﻟﻤﻨﻄﻘﺔ اﻟﺘﻲ‬ ‫ﺗﺨﺪﻣﻬﺎ اﻟﻤﻜﺘﺒﺔ‪.‬‬ ‫اﻟﻤﻜﺘﺒﺔ ﻻﻳﺠﺐ أن ﺗﻜﻮن ﻣﺒﻨﻰ ﻣﻨﻘﻄﻊ ﻋﻤﺎ ﺣﻮﻟﻪ ‪O‬ن‬ ‫ﻣﻜﻮﻧﺎت اﻟﻤﺪﻳﻨﺔ ﻳﺠﺐ أن ﺗﺘﻮاﺻﻞ ﻓﻴﻤﺎ ﺑﻴﻨﻬﺎ وﻻﻳﺠﺐ أن‬ ‫ﺗﻜﻮن ﻣﻔﺼﻮﻟﺔ ﻋﻦ ﻣﺎ ﻳﺤﻴﻄﻬﺎ‪.‬‬ ‫إن اﻟﻬﺪف اﻟﺮﺋﻴﺲ ﻟﻠﻤﻜﺘﺒﺔ ﻫﻮ ﻧﺸﺮ اﻟﻘﺮاءة واﻟﻤﻌﺮﻓﺔ ﺑﻴﻦ‬ ‫«*‪W²³Ý w W UF « W³²J‬‬

‫اﻟﻨﺎس وﻫﺬا ﻳﺘﻄﻠﺐ أن ﻳﺨﺪم اﻟﻤﺒﻨﻰ ﻣﺘﻄﻠﺒﺎت رﺋﻴﺴﺔ‬ ‫ﻫﻲ‪ :‬اﻟﺘﻮﺟﻴﻪ واﻻﺳﺘﻌﻤﺎل و ﺗﻮﻓﻴﺮ اﻟﻤﺤﺘﻮﻳﺎت وآﻟﻴﺎﺗﻬﺎ‬ ‫و ﺗﻨﻈﻴﻢ ا‪O‬ﻧﺸﻄﺔ اﻟﺜﻘﺎﻓﻴﺔ واﻻﺟﺘﻤﺎﻋﻴﺔ واﻟﺘﺴﻮﻳﻘﻴﺔ‬ ‫واﻟﺘﺮﻓﻴﻬﻴﺔ ﺑﻤﺎ ذﻟﻚ ﺗﻨﻈﻴﻢ اﻟﺘﻈﺎﻫﺮات اﻟﺜﻘﺎﻓﻴﺔ‪ ،‬ﻋﻠﻰ‬ ‫أﻧﻪ ﻳﺠﺐ أن ﻳﺒﻘﻰ ﻋﻨﺼﺮ ﻣﺤﺘﻮﻳﺎت اﻟﻤﻜﺘﺒﺔ ﻣﻦ ﻣﻌﻠﻮﻣﺎت‬ ‫وﻛﺘﺐ وآﻟﻴﺎﺗﻬﺎ ﻫﻮ اﻟﻌﻨﺼﺮ اﻟﺮﺋﻴﺲ ﻓﻲ ﻣﺒﻨﻰ اﻟﻤﻜﺘﺒﺔ‪.‬‬ ‫اﻟﻤﻜﺘﺒﺔ ﻗﺒﻞ ﻛﻞ ﺷﺊ ﻫﻲ ﻣﺸﺮوع ﺛﻘﺎﻓﻲ ﻓﺎﻟﻬﺪف اﻟﺮﺋﻴﺲ‬ ‫ﻣﻦ اﻟﻤﻜﺘﺒﺔ ﻫﻮ ﻧﺸﺮ اﻟﻘﺮاءة واﻟﻤﻌﺮﻓﺔ ﺑﻴﻦ اﻟﻨﺎس وﻟﺬﻟﻚ‬ ‫ﻳﺠﺐ أن ﺗﻮﻓﺮ ﻣﺒﺎﻧﻴﻬﺎ ‪ 3‬ﻋﻨﺎﺻﺮ رﺋﻴﺴﺔ ‪:‬‬ ‫ـ اﺳﺘﻘﺒﺎل اﻟﻤﺮﺗﺎدﻳﻦ وﺗﻮﺟﻴﻬﻬﻢ‪.‬‬ ‫ـ ﻣﺤﺘﻮﻳﺎت اﻟﻤﻜﺘﺒﺔ ﻣﻦ ﻣﻌﻠﻮﻣﺎت وﻛﺘﺐ وآﻟﻴﺎﺗﻬﺎ‪.‬‬ ‫ـ ا‪O‬ﻧﺸﻄﺔ اﻟﻤﻜﻤﻠﺔ ﻟ‪e‬ﻫﺪاف اﻟﺜﻘﺎﻓﻴﺔ واﻟﺠﺎذﺑﺔ ﻟﻠﻨﺎس ﻣﻦ‬ ‫أﻧﺸﻄﺔ ﺛﻘﺎﻓﻴﺔ واﺟﺘﻤﺎﻋﻴﺔ وﺗﺮﻓﻴﻬﻴﺔ وﺗﺠﺎرﻳﺔ ﺑﺎ‪R‬ﺿﺎﻓﺔ إﻟﻰ‬ ‫ﺗﻨﻈﻴﻢ ﺗﻮﻓﻴﺮ اﻟﺘﻈﺎﻫﺮات اﻟﺜﻘﺎﻓﻴﺔ اﻟﻜﺒﻴﺮة‪.‬‬ ‫ﻛﻞ ﻋﻨﺼﺮ ﻣﻦ ﻫﺬه اﻟﻌﻨﺎﺻﺮ ُﻳﺘﺮﺟﻢ ﻋﻠﻰ اﻟﻮاﻗﻊ ﻓﻲ ﻣﺒﻨﻰ‬ ‫ا‪R‬ﺳﺘﻘﺒﺎل واﻟﺘﻮﺟﻴﻪ و ﻳﺤﺘﺎج إﻟﻰ ﺗﺤﺪﻳﺪ ﻣﺪاﺧﻞ ﻟﻠﺠﻤﻬﻮر‬ ‫وﻳﻔﻀﻞ أن ﻳﻜﻮن ﻣﺪﺧ ً‬ ‫ﻼ واﺣﺪ‪ ،h‬ﻛﻤﺎ ﻳﺘﻄﻠﺐ وﺟﻮد ﺑﻬﻮ‬ ‫ﺗﻘﻊ ﻓﻴﻪ ﺧﺪﻣﺔ اﻻﺳﺘﻌﻼم واﻟﺘﻮﺟﻴﻪ ‪ ،‬وﻳﺆدي اﻟﺒﻬﻮ إﻟﻰ‬ ‫ﺻﺎﻻت اﻟﻘﺮاءة وﺧﺰاﻧﺎت اﻟﻜﺘﺐ ‪ ،‬ﻛﻤﺎ ﻳﺆدي إﻟﻰ ﻣﺴﺎﺣﺎت‬ ‫ا‪O‬ﻧﺸﻄﺔ اﻟﻤﺨﺘﻠﻔﺔ ﻣﺜﻞ ﻗﺎﻋﺔ اﻟﻤﺤﺎﺿﺮات واﻻﺣﺘﻔﺎﻻت وﻏﺮف‬ ‫اﻻﺟﺘﻤﺎﻋﺎت وﻣﻤﺎرﺳﺔ ا‪O‬ﻧﺸﻄﺔ اﻟﺴﻤﻌﻴﺔ اﻟﺒﺼﺮﻳﺔ واﻟﺘﺪرﻳﺐ‬ ‫ﻋﻠﻰ اﺳﺘﺨﺪام آﻟﻴﺎت اﻟﺒﺤﺚ اﻟﻤﺨﺘﻠﻔﺔ وﻏﺮف ﻟ‪e‬ﻧﺸﻄﺔ‬ ‫اﻟﻤﺘﻨﻮﻋﺔ اﻟﺘﺮﻓﻴﻬﻴﺔ واﻟﺜﻘﺎﻓﻴﺔ وﻟ‪e‬ﻃﻔﺎل‪ ،‬ﻛﻤﺎ ﻳﺠﺐ أن ﺗﻀﻢ‬ ‫ا‪O‬ﻧﺸﻄﺔ ﻣﻘﻬﻰ وﻣﺤﻼت ﻟﺒﻴﻊ اﻟﻜﺘﺐ وﻳﻤﻜﻦ إﺿﺎﻓﺔ ﻣﺤﻼت‬ ‫ﻟﻠﺘﺴﻮق اذا أﺳﺘﺪﻋﻰ ا‪O‬ﻣﺮ ‪ .‬وﻳﻨﻈﺮ اﻟﻜﺜﻴﺮون إﻟﻰ اﻟﻤﻜﺘﺒﺔ‬ ‫ﻋﻠﻰ أﻧﻬﺎ ﻫﻲ اﻟﻤﺮﻛﺰ اﻟﺜﻘﺎﻓﻲ ﻟﻠﺤﻲ أو ﻟﻠﻤﺪﻳﻨﺔ‪.‬‬

‫اﻟﺘﺼﻤﻴﻢ اﻟﻤﻌﻤﺎري ﻟﻠﻤﻜﺘﺒﺎت‬ ‫ﻧﺴﺘﻌﺮض ﻓﻲ ﻫﺬا اﻟﻌﺪد ﻣﺠﻤﻮﻋﺔ ﻣﻦ اﻟﻤﻜﺘﺒﺎت ﻣﻦ‬ ‫ﻣﺨﺘﻠﻒ أﻧﺤﺎء اﻟﻌﺎﻟﻢ وﻳﻤﻜﻦ اﻟﻘﻮل أن ﻣﻜﺘﺒﺔ ﺳﻴﺎﺗﻞ‬ ‫)‪2004‬م( اﻟﺘﻲ ﺻﻤﻤﻬﺎ اﻟﻤﻌﻤﺎري رﻳﻢ ﻛﻮﻻس )‪(OMA‬‬ ‫ ‪5B « ? WO½U ½ù« ÂuKF « WOK W³²J‬‬

‫اﻟﻤﺪن‪ .‬ﻟﻘﺪ ﺗﻌﺪت اﻟﻤﻜﺘﺒﺎت اﻟﻴﻮم وﻇﺎﺋﻔﻬﺎ ا ﺳﺎﺳﻴﺔ‬ ‫ﻓﺄﺻﺒﺤﺖ ﺗﺸﻜﻞ رﻣﻮز‪ #‬ﻟﻠﻤﻌﺮﻓﺔ واﻟﻌﺪل اﻻﺟﺘﻤﺎﻋﻲ ﻓﻲ‬ ‫اﻟﻤﺠﺘﻤﻌﺎت اﻟﻌﺎﻣﺔ اﻟﺘﻲ ﺗﺒﻨﻰ ﻓﻴﻬﺎ ‪.‬‬ ‫اﻟﻤﻜﺘﺒﺎت ا ﻛﺎدﻳﻤﻴﺔ ‪:‬‬ ‫ﻫﺬه اﻟﻤﻜﺘﺒﺎت ﺗﻨﺸﺊ داﺧﻞ اﻟﻤﺪن اﻟﺠﺎﻣﻌﻴﺔ أو ﺗﻜﻮن‬ ‫ﻣﻠﺤﻘﺔ ﺑﺎﻟﻤﺒﺎﻧﻲ اﻟﺘﻌﻠﻴﻤﻴﺔ ﺣﻴﺚ ﺗﻠﻌﺐ اﻟﺘﻘﻨﻴﺔ اﻟﺮﻗﻤﻴﺔ‬ ‫ﻓﻴﻬﺎ دور‪ #‬أﺳﺎﺳﻴ? ﻓﻲ اﻟﺒﺤﺚ اﻟﻌﻠﻤﻲ وﻋﺎدة ﻣﺎ ﺗﻜﻮن‬ ‫ﻣﺘﺨﺼﺼﺔ ﻓﻲ ﻋﻠﻢ ﻣﻌﻴﻦ وﺑﺎﻟﺘﺎﻟﻲ ﻓﺈن ﻣﺮﺗﺎدﻳﻬﺎ ﻣﻦ‬ ‫اﻟﺒﺎﺣﺜﻴﻦ واﻟﻄﻠﺒﺔ‪.‬‬ ‫اﻟﻤﻜﺘﺒﺎت اﻟﺮﻗﻤﻴﺔ ‪:‬‬ ‫ﻳﻤﻜﻦ اﻟﻮﺻﻮل ﻟﻬﺬه اﻟﻤﻜﺘﺒﺎت ﻋﻦ ﻃﺮﻳﻖ ﺷﺒﻜﺔ اﻻﻧﺘﺮﻧﺖ‪.‬‬ ‫وﺗﻌﺘﻤﺪ ﻣﺤﺘﻮﻳﺎﺗﻬﺎ ﻋﻠﻰ أرﺷﻴﻔﺎت ووﺛﺎﺋﻖ وﻛﺘﺐ رﻗﻤﻴﺔ‬ ‫إﻻ أﻧﻬﺎ ﻣﻜﺘﺒﺎت ﻻﺗﺤﺘﺎج إﻟﻰ ﺑﻨﺎء ﻣﺒﺎﻧﻲ ﻟﻬﺎ وﻟﻜﻨﻬﺎ ﻟﻢ‬ ‫ﺗﺴﺘﻄﻴﻊ أن ﺗﻘﻠﻞ ﻣﻦ دور اﻟﻤﻜﺘﺒﺎت اﻟﺘﻘﻠﻴﺪﻳﺔ ‪.‬‬ ‫وﺑﻴﻦ ﻫﺬه اﻟﻤﻜﺘﺒﺎت اﻟﺜﻼث ﺗﻌﺘﺒﺮ اﻟﻤﻜﺘﺒﺔ اﻟﻌﺎﻣﺔ أﻛﺜﺮ‬ ‫أﻧﻮاع اﻟﻤﻜﺘﺒﺎت اﻟﺘﻲ ﻳﺮﻛﺰ ﻋﻠﻴﻬﺎ اﻟﻴﻮم ﻓﻲ ﺗﺜﻘﻴﻒ ﻛﺎﻓﺔ‬ ‫اﻟﻤﻮاﻃﻨﻴﻦ واﻟﺘﻲ ﻳﻌﻤﻞ اﻟﻘﺎﺋﻤﻴﻦ ﻋﻠﻴﻬﺎ ﻋﻠﻰ اﻟﺘﻌﺮﻳﻒ ﺑﻬﺎ‬ ‫وﺗﻄﻮﻳﺮﻫﺎ وإﺿﺎﻓﺔ ﺧﺪﻣﺎت ﻟﻬﺎ وﺟﻌﻞ ﻣﺒﺎﻧﻴﻬﺎ ﺗﻠﻌﺐ دور‪#‬‬ ‫أﺳﺎﺳﻴ? واﺟﺘﻤﺎﻋﻴ? داﺧﻞ اﻟﻤﺠﺘﻤﻊ أﻛﺜﺮ ﻣﻦ ﻛﻮﻧﻬﺎ ﻣﻜﺘﺒﺔ‬ ‫ﻋﻠﻤﻴﺔ ﻓﻘﻂ‪.‬‬

‫اﻟﻤﺤﺘﻮى اﻟﺮﻗﻤﻲ وأﺳﻠﻮب اﻟﻌﻤﻞ‬ ‫ﻓﻲ اﻟﻤﻜﺘﺒﺎت‬

‫ﻟﻘﺪ أﺛﺮ اﻟﺘﻄﻮر اﻟﺴﺮﻳﻊ ﻟﻠﺘﻘﻨﻴﺎت اﻟﺮﻗﻤﻴﺔ ﻋﻠﻰ ﻣﺤﺘﻮﻳﺎت‬ ‫اﻟﻤﻜﺘﺒﺎت ﺣﻴﺚ ﻟﻢ ﺗﻌﺪ اﻟﻤﺤﺘﻮﻳﺎت ﻋﻠﻰ ﺷﻜﻞ ﻛﺘﺐ أو‬ ‫ﻣﺨﻄﻮﻃﺎت ﺑﻞ أﺻﺒﺤﺖ ﻛﺬﻟﻚ ﻣﺤﺘﻮﻳﺎت رﻗﻤﻴﺔ ا ﻣﺮ اﻟﺬي‬ ‫أدى إﻟﻰ اﻟﻠﺠﻮء ﻻﺳﺘﺨﺪام أدوات وأﻧﻈﻤﺔ ﻣﻌﻠﻮﻣﺎت ﺗﻮﻓﺮ‬ ‫ﻟﻤﺴﺘﺨﺪﻣﻲ اﻟﻤﻜﺘﺒﺎت وﺳﺎﺋﻞ ﺟﺪﻳﺪة ﻟﻠﺘﻌﻠﻢ واﻟﺤﺼﻮل‬ ‫ﻋﻠﻰ ﻣﻌﻠﻮﻣﺎت ﺟﺪﻳﺪة ﻣﺘﻨﻮﻋﺔ‪.‬‬ ‫وﻧﺘﻴﺠﺔ ﻻﺳﺘﺨﺪام اﻟﺘﻘﻨﻴﺎت اﻟﺮﻗﻤﻴﺔ أﺛﺮت اﻟﻨﻮاﺣﻲ ا]دارﻳﺔ‬ ‫وﻃﺒﻴﻌﺔ اﻟﻌﻤﻞ اﻟﺠﺪﻳﺪة ﻋﻠﻰ اﻟﻤﻜﺘﺒﺔ ا ﻣﺮ اﻟﺬي أدى إﻟﻰ‬ ‫ ‪U LM « ? œUB² ù« WOK W³²J‬‬

‫إﻋﺎدة اﻟﻨﻈﺮ ﺟﺬرﻳ? ﻓﻲ اﻟﺘﻮزﻳﻊ وا ﻧﺸﻄﺔ داﺧﻞ اﻟﻤﻜﺘﺒﺎت‪.‬‬ ‫ﻫﺬه اﻟﺘﻘﻨﻴﺎت ﻟﻢ ﺗﺆﺛﺮ ﻓﻘﻂ ﻋﻠﻰ اﻟﺒﻴﺌﺔ اﻟﺪاﺧﻠﻴﺔ ﻟﻠﻤﻜﺘﺒﺎت‬ ‫ﺑﻞ أﺛﺮت ﻛﺬﻟﻚ ﻋﻠﻰ اﻟﻤﺠﺘﻤﻊ ﻟﻴﺲ ﻓﻘﻂ ﻣﺘﻮاﺻﻞ‬ ‫)اﺳﺘﺨﺪام اﻻﻧﺘﺮﻧﺖ( ﺑﻞ أﺻﺒﺢ ﻛﺜﻴﺮ اﻟﺘﻨﻘﻞ واﻟﺤﺮﻛﺔ )ﺗﻄﻮر‬ ‫وﺳﺎﺋﻞ اﻟﻨﻘﻞ( ا ﻣﺮ اﻟﺬي ﻳﺠﺐ أن ﺗﺘﻜﻴﻒ ﻣﻌﻪ اﻟﻤﻜﺘﺒﺎت‬ ‫اﻟﻴﻮم ﻟﻜﻲ ﺗﻜﻮن ﻗﺎدرة ﻋﻠﻰ اﺳﺘﻴﻌﺎب اﻟﻤﺘﻐﻴﺮات ﺧﺎﺻﺔ‬ ‫وأن ﻃﺒﻴﻌﺔ اﻟﺘﻘﻨﻴﺎت اﻟﺮﻗﻤﻴﺔ ﻫﻲ اﻟﺘﻐﻴﻴﺮ واﻟﺘﻄﻮﻳﺮ‬ ‫اﻟﻤﺴﺘﻤﺮ‪ ،‬ﻣﻤﺎ ﻳﺆﺛﺮ ﻋﻠﻰ ﺗﻨﻈﻴﻢ اﻟﻔﺮاﻏﺎت واﻟﺤﺮﻛﺔ داﺧﻠﻬﺎ‪.‬‬ ‫اﺳﺘﺨﺪام اﻟﺘﻘﻨﻴﺎت اﻟﺮﻗﻤﻴﺔ ﻳﺘﻄﻠﺐ اﺳﺘﺨﺪام ﺷﺒﻜﺔ‬ ‫ﻛﺎﺑﻼت ﺗﺸﻐﻞ ﺣﻴﺰ ﻛﺒﻴﺮ ‪ ،‬ﻛﻤﺎ أن ﻋﺪد اﻟﺸﺎﺷﺎت واﻟﻄﺎﺑﻌﺎت‬ ‫وأﺟﻬﺰة اﻟﻌﺮض اﻟﺒﺼﺮﻳﺔ وﻣﺎ ﻳﺘﺒﻊ ﻣﻦ إدارة اﻟﻨﻈﻢ اﻟﺮﻗﻤﻴﺔ‬ ‫واﻟﻮاي ﻓﺎي و ‪ RFID‬وﻫﻲ ﺗﻘﻨﻴﺔ ﺗﻌﻤﻞ ﺑﻤﻮﺟﺎت اﻟﺮادﻳﻮ‬ ‫و ﺗﺤﻤﻲ ﻣﺤﺘﻮى اﻟﻤﻜﺘﺒﺎت ﻣﻦ اﻟﺴﺮﻗﺔ وﺗﺴﻬﻴﻞ ﺣﺮﻛﺔ‬ ‫اﻟﻜﺘﺐ واﻗﺘﺮاﺿﻬﺎ ‪ ..‬إﻟﺦ‪ .‬إﻻ أﻧﻬﺎ ﺗﻘﻨﻴﺔ ﻋﺎﻟﻴﺔ اﻟﺘﻜﻠﻔﺔ‪.‬‬ ‫وإذا ﻛﺎﻧﺖ اﻟﺘﻘﻨﻴﺎت اﻟﺮﻗﻤﻴﺔ ﺗﺴﺎﻋﺪ ﻋﻠﻰ ﺗﺴﻬﻴﻞ اﻟﺒﺤﺚ‬ ‫اﻟﻌﻠﻤﻲ ﻓﺈﻧﻬﺎ ﻛﺬﻟﻚ ﺗﻮﻓﺮ ﺧﺪﻣﺎت ﺛﻘﺎﻓﻴﺔ وﺗﺮﻓﻴﻬﻴﺔ ا ﻣﺮ‬ ‫اﻟﺬي ﻳﻐﻴﺮ ﻣﻦ وﻇﻴﻔﺔ اﻟﻤﻜﺘﺒﺔ وﻳﻀﻴﻒ ﻟﻬﺎ اﻟﺠﻮاﻧﺐ‬ ‫اﻟﺜﻘﺎﻓﻴﺔ واﻟﺘﺮﻓﻴﻬﻴﺔ ﻳﺪﻓﻊ إﻟﻰ ﺟﺬب اﻟﻤﺰﻳﺪ ﻣﻦ اﻟﻤﺮﺗﺎدﻳﻦ‬ ‫وذﻟﻚ ﻳﻀﻴﻒ إﻟﻰ اﻟﺒﺮﻧﺎﻣﺞ اﻟﻮﻇﻴﻔﻲ ﻟﻠﻤﻜﺘﺒﺔ ﻣﺴﺎﺣﺎت‬ ‫ﺟﺪﻳﺪة ﻣﺜﻞ ﻏﺮف اﻟﻌﺮض اﻟﺴﻤﻌﻲ اﻟﺒﺼﺮي واﻻﺟﺘﻤﺎﻋﺎت‬ ‫]ﺟﺮاء اﻟﺤﻮارات ﺑﻴﻦ اﻟﻤﺮﺗﺎدﻳﻦ واﻟﻮرش ﻟ‪o‬ﻧﺸﻄﺔ اﻟﻤﺨﺘﻠﻔﺔ‪،‬‬ ‫ﻛﻤﺎ ﺗﻘﻮم اﻟﻤﻜﺘﺒﺎت ﺑﺘﺪرﻳﺐ اﻟﻨﺎس ]ﺳﺘﻌﻤﺎل اﻟﺘﻘﻨﻴﺎت‬ ‫اﻟﺮﻗﻤﻴﺔ اﻟﺠﺪﻳﺪة ﻛﻞ ذﻟﻚ ﻳﺠﻌﻞ اﻟﻤﻜﺘﺒﺔ ﻣﻜﺎن ﻟﻠﺘﻮاﺻﻞ‬ ‫وﺗﺒﺎدل اﻟﻤﻌﻠﻮﻣﺎت وﻣﻤﺎرﺳﺔ أﻧﺸﻄﺔ ﺟﺪﻳﺪة ‪.‬‬ ‫إن اﺳﺘﺨﺪام اﻟﺘﻘﻨﻴﺎت اﻟﺮﻗﻤﻴﺔ وأﻧﻈﻤﺔ إدارة وﺗﺨﺰﻳﻦ اﻟﻜﺘﺐ‬ ‫آﻟﻴﺎ ﻳﻮﻓﺮ ﻛﺜﻴﺮ‪ #‬ﻓﻲ ﻣﺴﺎﺣﺎت اﻟﺘﺨﺰﻳﻦ ﻓﻲ اﻟﻤﻜﺘﺒﺎت وﻳﺴﻤﺢ‬ ‫ﺑﺈدﺧﺎل أﻧﺸﻄﺔ ﺟﺪﻳﺪة ﻟﺘﺸﻐﻞ ﻣﺴﺎﺣﺎت إﺿﺎﻓﻴﺔ داﺧﻞ‬ ‫اﻟﻤﻜﺘﺒﺔ وﻳﻌﻴﺪ دراﺳﺔ اﻟﺘﻮزﻳﻊ اﻟﺪاﺧﻠﻲ ﻟﻠﻤﻜﺘﺒﺎت وﻛﺬﻟﻚ‬ ‫ا ﺛﺎث اﻟﺪاﺧﻠﻲ ﻟﻠﻤﻜﺘﺒﺎت‪ ،‬اﻟﺬي ﻳﺠﺐ أن ﻳﺘﺒﻊ وﻳﺴﻬﻞ‬ ‫ﻣﻦ اﺳﺘﻌﻤﺎل اﻟﻤﻜﺘﺒﺎت اﻟﻴﻮم ﺑﻤﺎ ﻓﻲ ذﻟﻚ اﻟﻤﻌﺎﻗﻴﻦ أو‬ ‫ا ﻃﻔﺎل‪ .‬ﻫﺬه اﻻﺣﺘﻴﺎﺟﺎت ﻳﺠﺐ ﺗﺤﺪﻳﺪﻫﺎ ﻓﻲ ﺣﺪود إﻃﺎر‬ ‫ ‪U ½d ? Tocqueville W³²J‬‬

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‫ﺗﻌﺘﺒﺮ أﺣﺪ أواﺋﻞ ا ﻣﺜﻠﺔ اﻟﺘﻲ ﻏﻴﺮت ﻣﻦ ﺗﺼﻤﻴﻢ اﻟﻤﻜﺘﺒﺔ‬ ‫اﻟﺘﻘﻠﻴﺪي‪ ،‬وﻟﻘﺪ ﺻﺮح ﻣﺼﻤﻤﻬﺎ ﻋﻨﺪ إﻧﺸﺎﺋﻬﺎ أﻧﻪ اﻟﻴﻮم‬ ‫ﻳﻤﻜﻦ ﺣﻔﻆ ﻣﺤﺘﻮﻳﺎت اﻟﻤﻜﺘﺒﺔ ﻓﻲ رﻗﺎﻗﺔ اﻟﻜﺘﺮوﻧﻴﺔ واﺣﺪة‬ ‫وإن ﻣﺤﺘﻮﻳﺎت اﻟﻤﻜﺘﺒﺎت اﻟﺮﻗﻤﻴﺔ ﻣﺠﺘﻤﻌﺔ ﻳﻤﻜﻦ ﺣﻔﻈﻬﺎ‬ ‫ﻓﻲ ﻣﻜﺘﺒﺔ واﺣﺪة‪ .‬ﻓﻲ ﻣﻜﺘﺒﺔ ﺳﻴﺎﺗﻞ ﺗﻢ ﺣﻔﻆ اﻟﻤﻌﻠﻮﻣﺎت‬ ‫ﺑﻄﺮق ﺗﻘﻠﻴﺪﻳﺔ وأﺧﺮى ﺣﺪﻳﺜﺔ وﺗﻢ وﺿﻊ ﺗﺼﻤﻴﻢ اﻟﻤﻜﺘﺒﺔ‬ ‫ﺑﻌﻤﺎرة ﺣﺪﻳﺜﺔ ﺗﻌﺒﺮ ﻋﻦ اﻟﺘﻄﻮرات اﻟﺠﺪﻳﺪة‪.‬‬ ‫ﻛﻤﺎ ﻧﺴﺘﻌﺮض ﻣﻜﺘﺒﺔ ﺳﻨﻐﺎﻓﻮرة اﻟﻌﺎﻣﺔ اﻟﺠﺪﻳﺪة ﻣﻦ‬ ‫ﺗﺼﻤﻴﻢ ﻣﻜﺘﺐ ‪ ، T.R.Hamzah & Yeang‬واﻟﺬي اﺷﺘﻬﺮ‬ ‫ﺗﺼﻤﻴﻤﻪ ﺑﺎ‪K‬ﺳﺘﺠﺎﺑﺔ إﻟﻰ اﻟﻤﻨﺎخ اﻻﺳﺘﻮاﺋﻲ اﻟﺬي ﺗﻘﻊ ﻓﻴﻪ ﺳﻨﻐﺎﻓﻮرة‪،‬‬ ‫ﻓﻮاﺟﻬﺎت اﻟﻤﻜﺘﺒﺔ ﺗﻐﻄﻴﻬﺎ ﺷﺒﻜﺔ ﻣﻦ ﻛﺎﺳﺮات اﻟﺸﻤﺲ ‪ ،‬ﻛﻤﺎ‬ ‫ﻳﺤﺘﻮي اﻟﻤﺒﻨﻰ ﻋﻠﻰ ﻋﺪد ﻣﻦ ا ﻓﻨﻴﺔ اﻟﺘﻲ ﺗﻮﻓﺮ ا‪K‬ﺿﺎءة اﻟﻄﺒﻴﻌﻴﺔ‬ ‫داﺧﻞ اﻟﻤﺒﻨﻰ وﺗﺴﻤﺢ ﺑﺎﻟﺘﻬﻮﻳﺔ اﻟﻄﺒﻴﻌﻴﺔ ﻟﻠﻤﺒﻨﻰ‪.‬‬ ‫ﻳﺴﺘﻌﺮض اﻟﻌﺪد ﻛﺬﻟﻚ ﻣﺸﺮوع ﻣﻜﺘﺒﺔ ﺑﺮﻣﻨﺠﻬﺎم ﻣﻦ‬ ‫ﺗﺼﻤﻴﻢ ﻣﻜﺘﺐ ‪ Meccano‬وﻫﻮ ﺗﺼﻤﻴﻢ ﻳﻬﺪف إﻟﻰ ﺗﺄﻛﻴﺪ‬ ‫ﻫﻮﻳﺔ اﻟﻤﺪﻳﻨﺔ ﻣﻦ ﺧﻼل واﺟﻬﺎت ذات ﻣﺸﻐﻮﻻت ﻣﻌﺪﻧﻴﺔ‬ ‫ﺗﻌﺒﺮ ﻋﻦ اﻟﺤﺮف واﻟﺼﻨﺎﻋﺎت اﻟﻤﻌﺪﻧﻴﺔ اﻟﺘﻲ اﺷﺘﻬﺮت ﺑﻬﺎ‬ ‫اﻟﻤﺪﻳﻨﺔ ﻓﻲ اﻟﻤﺎﺿﻲ‪ ،‬ﻛﻤﺎ ﻳﻌﻴﺪ اﻟﻤﺒﻨﻰ اﻟﺤﻴﻮﻳﺔ ﻟﻮﺳﻂ‬ ‫اﻟﻤﺪﻳﻨﺔ واﻟﻤﻴﺪان اﻟﺬي ﺗﻄﻞ ﻋﻠﻴﻪ‪.‬‬ ‫وﻳﻌﺪ ﺗﺼﻤﻴﻢ ﻣﻜﺘﺒﺔ أﺳﺒﺎﻧﻴﺎ ﻓﻲ ﻛﻮﻟﻮﻣﺒﻴﺎ ﻟﻤﻜﺘﺐ‬ ‫‪ Giancarlo Mazzanti‬أﺣﺪ ا ﻣﺜﻠﺔ ﻟﻜﻴﻔﻴﺔ اﺳﺘﻴﻌﺎب‬ ‫اﻟﻤﻜﺘﺒﺔ ﻟﺴﻜﺎن اﻟﺤﻲ اﻟﻔﻘﻴﺮ اﻟﻌﺸﻮاﺋﻲ ﺣﻴﺚ ﺗﻀﻢ اﻟﻤﻜﺘﺒﺔ‬ ‫ﻣﺮﻛﺰ اﺟﺘﻤﺎﻋﻲ ﻟﻠﺤﻲ وﻣﺮﻛﺰ ﻋﻨﺎﻳﺔ اﻗﺘﺮﺣﺖ ﻟﺘﻠﺒﻴﺔ رﻏﺒﺔ ﺑﻠﺪﻳﺔ‬ ‫اﻟﻤﺪﻳﻨﺔ ﻓﻲ ﺗﺒﻨﻲ ﻧﻈﺮة اﺟﺘﻤﺎﻋﻴﺔ ﻋﻨﺪ اﻟﺘﻄﻮﻳﺮ اﻟﻌﻤﺮاﻧﻲ‬ ‫ﻟﻠﻤﺪﻳﻨﺔ ‪ .‬وﻟﻘﺪ ﻧﺠﺤﺖ اﻟﻔﻜﺮة اﻟﻤﻌﻤﺎرﻳﺔ ﻟﻠﻤﺸﺮوع ﻓﻲ ﺟﻌﻠﻬﺎ‬ ‫ﻣﻌﻠﻤ_ ﻣﻌﻤﺎرﻳ_ وﻣﺰار` ﺳﻴﺎﺣﻴ_ ﻓﻲ اﻟﻤﺪﻳﻨﺔ ﺷﺠﻊ ﻋﻠﻰ ﺗﺸﻐﻴﻞ‬ ‫ﺧﻂ ﻧﻘﻞ ﺟﻤﺎﻋﻲ ﺑﻴﻦ اﻟﺤﻲ اﻟﺬي ﺗﻘﻊ ﻓﻴﻪ وﺑﻴﻦ اﻟﻤﺪﻳﻨﺔ‪،‬‬ ‫ا ﻣﺮ اﻟﺬي ﻟﻢ ﻳﻜﻦ ﻣﻤﻜﻨ_ ﻣﻦ ﻗﺒﻞ ﺣﻴﺚ ﻛﺎن اﻟﺤﻲ ﻳﻌﺪ ﻣﻦ‬ ‫أﻛﺜﺮ أﻣﺎﻛﻦ اﻟﻤﺪﻳﻨﺔ ﺗﻔﺸﻴ_ ﻟﺘﺠﺎرة اﻟﻤﺨﺪرات وﻣﺎ ﻳﺘﺒﻌﻪ ﻣﻦ‬ ‫ﺗﻬﺪﻳﺪات ﻣﻦ اﻟﻤﺪﻳﻨﺔ‪.‬‬ ‫وﻳﻘﺪم ﻣﻜﺘﺐ ‪ Zaha Hadid Architects‬ﻣﺸﺮوع ﻣﻜﺘﺒﺔ‬ ‫ ‪5 dÐ ? …d(« WF U'« W³²J‬‬

‫داﺧﻞ ﻛﻠﻴﺔ ا‪K‬ﻗﺘﺼﺎد ﻓﻲ اﻟﻨﻤﺴﺎ وﻫﻮ ﺗﺼﻤﻴﻢ ﻳﺘﻤﻴﺰ ﺑﻌﻤﺎرة‬ ‫ذات ﺧﻄﻮط ﻣﺴﺘﻘﻴﻤﺔ ﻋﻠﻰ ﻫﻴﺌﺔ ﻛﺘﻠﺘﻴﻦ ﺗﺘﺪاﺧﻞ وﻟﻜﻦ‬ ‫ﻻﺗﺘﺼﻞ ﻓﻴﻤﺎ ﺑﻴﻨﻬﺎ وﻳﻔﺼﻞ ﺑﻴﻨﻬﻤﺎ ﺷﺮﻳﻂ زﺟﺎﺟﻲ‪.‬‬ ‫وﻳﻤﺜﻞ ﻣﺸﺮوع ﻣﻜﺘﺒﺔ ‪ Tocqueville‬ﻣﻦ ﺗﺼﻤﻴﻢ ‪OMA‬‬ ‫أﺣﺪث ﻣﺎ ﺗﻮﺻﻠﺖ إﻟﻴﻪ اﻟﻤﻜﺘﺒﺎت ﻣﻦ ﺗﺼﻤﻴﻢ ﻓﺮاﻏﺎت داﺧﻠﻴﺔ‬ ‫وﺗﺄﺛﻴﺚ وﺗﺠﻬﻴﺰ ‪ ،‬وﺑﺎﻟﺮﻏﻢ ﻣﻦ ذﻟﻚ ﻓﺎﻟﻤﺸﺮوع ﻣﺒﺴﻂ ﺟﺪ`‬ ‫ﻣﻌﻤﺎرﻳ_ وﻳﺘﻜﻮن ﻣﻦ ‪ 3‬أدوار ﻓﻮق ﻣﺴﺘﻮى ا رض ﻛﻞ دور ﻣﻘﺴﻢ‬ ‫إﻟﻰ أرﺑﻌﺔ أﺟﻨﺤﺔ ﺗﻢ ﺗﻮزﻳﻊ اﻟﻔﻌﺎﻟﻴﺎت ﻋﻠﻴﻬﺎ ‪ ،‬وﻳﻮﻓﺮ اﻟﻤﺸﺮوع‬ ‫إﺿﺎءة ﻃﺒﻴﻌﻴﺔ ﺟﻴﺪة وإﻃﻼﻟﺔ ﻋﻠﻰ اﻟﺒﺤﺮ اﻟﺬي ﻳﻘﻊ ﻋﻠﻴﻪ اﻟﻤﺒﻨﻰ‪.‬‬ ‫أﻣﺎ ﻣﺸﺮوع اﻟﻤﻜﺘﺒﺔ اﻟﻌﺎﻣﺔ ﻟﻤﺪﻳﻨﺔ ﺳﺒﺘﻪ ﻣﻦ ﺗﺼﻤﻴﻢ ﻣﻜﺘﺐ‬ ‫‪ Ángela García de Paredes. Ignacio Pedrosa‬ﻓﻬﻮ ﻣﺸﺮوع‬ ‫ﻣﻜﺘﺒﺔ ﻓﺮﻳﺪ ﻣﻦ ﻧﻮﻋﻪ إذ أﻧﻪ ﻳﺴﺘﻐﻞ وﺟﻮد ﻣﻮﻗﻊ أﺛﺮي ﻟﻴﺒﻨﻲ‬ ‫ﺣﻮﻟﻪ ﻓﺮاﻏﺎت اﻟﻤﻜﺘﺒﺔ ا ﻣﺮ اﻟﺬي ﻳﺴﺎﻋﺪ ﻋﻠﻰ ﺟﺬب اﻟﺰاﺋﺮﻳﻦ‬ ‫إﻟﻰ اﻟﻤﻜﺘﺒﺔ ﺧﺎﺻﺔ وأن ﻣﺠﺎورة اﻟﻤﻜﺘﺒﺔ ﻟﻠﻤﻮﻗﻊ ا ﺛﺮي ﻻ‬ ‫ﻳﺆﺛﺮ ﻋﻠﻰ ﻗﻴﻤﺔ ﻫﺬا اﻟﻤﻮﻗﻊ ﺑﻞ ﻳﺰﻳﺪه إﻗﺒﺎﻻً ﻣﻦ اﻟﺴﻴﺎح‪.‬‬ ‫وﻣﻦ اﻟﺼﻴﻦ ﻳﻘﺪم اﻟﻤﻌﻤﺎري اﻟﻤﻌﺮوف ‪ Mario Botta‬ﻣﺸﺮوع‬ ‫ﻣﻜﺘﺒﺔ ﻛﻠﻴﺔ اﻟﻌﻠﻮم ا‪K‬ﻧﺴﺎﻧﻴﺔ وﻋﻠﻢ اﻻﺟﺘﻤﺎع وﻫﻮ ﻣﺸﺮوع‬ ‫ﻳﺘﺒﻊ ﺗﻮﺟﻪ اﻟﻤﻌﻤﺎري ﻓﻲ ﺗﺼﻤﻴﻢ ﻋﻤﺎرة ﻣﺴﺘﻮﺣﺎة ﻣﻦ‬ ‫ا ﺷﻜﺎل اﻟﻬﻨﺪﺳﻴﺔ واﻟﺨﻄﻮط اﻟﺼﺮﻳﺤﺔ ‪ ،‬اﻟﻤﺸﺮوع ﻣﻜﻮن ﻣﻦ‬ ‫ﻛﺘﻠﺔ ﻋﻠﻰ ﻫﻴﺌﺔ ﻣﺨﺮوط ﻣﻘﻠﻮب وﻛﺘﻠﺔ ﻋﻠﻰ ﻫﻴﺌﺔ ﻣﺘﻮازي‬ ‫أﺿﻼع ‪ ،‬ﻓﺘﺤﺎت اﻟﻤﺸﺮوع ﻓﻲ اﻟﻜﺘﻠﺘﻴﻦ ﻏﺎﺋﺮة ﻟﺘﺘﺠﻨﺐ أﺷﻌﺔ‬ ‫اﻟﺸﻤﺲ اﻟﻤﺒﺎﺷﺮة وﺻﻤﻤﺖ ﺑﺘﻜﺮار إﻳﻘﺎﻋﻲ ﻳﻌﻄﻲ ﻟﻠﻤﻜﺘﺒﺔ‬ ‫ﻫﻴﺒﺘﻬﺎ اﻟﻌﻠﻤﻴﺔ ﻛﻮﻧﻬﺎ ﻣﻜﺘﺒﺔ ﺟﺎﻣﻌﻴﺔ‪ .‬وﻳﻘﺪم ﻣﻜﺘﺐ‬ ‫‪ Foster + Partners‬ﻣﺸﺮوع ﻣﻜﺘﺒﺔ اﻟﺠﺎﻣﻌﺔ اﻟﺤﺮة ‪ ،‬وﻳﺘﻤﻴﺰ‬ ‫اﻟﺘﺼﻤﻴﻢ ﺑﻐﻼف ﻛﺮوي ﻧﺼﻒ ﺷﻔﺎف ﻳﺴﻤﺢ ﺑﺘﻤﺮﻳﺮ ا‪K‬ﺿﺎءة‬ ‫اﻟﻄﺒﻴﻌﻴﺔ وﺑﻌﻤﺎرة داﺧﻠﻴﺔ ﺣﺮة ﺗﻘﻠﻞ ﻣﻦ ﺣﺪة اﻟﺘﺼﺎﻣﻴﻢ‬ ‫اﻟﺮﺳﻤﻴﺔ اﻟﺘﻘﻠﻴﺪﻳﺔ ﻟﻠﻤﻜﺘﺒﺎت اﻟﺠﺎﻣﻌﻴﺔ‪.‬‬ ‫وﻳﻘﺪم ﻣﻜﺘﺐ ‪Massimilliano and Doriana Fuksas‬‬ ‫ﻣﺸﺮوع ا رﺷﻴﻒ اﻟﻮﻃﻨﻲ اﻟﻔﺮﻧﺴﻲ وﻫﻮ ﻣﺸﺮوع ﻳﺘﻤﻴﺰ‬ ‫ﺑﻌﻤﺎرة وﺗﻜﻮﻳﻨﺎت ﺟﻤﻴﻠﺔ ‪ ،‬ﺑﺎﻟﺮﻏﻢ ﻣﻦ ﻛﻮن اﻟﻤﺸﺮوع ﻋﺒﺎرة‬ ‫ﻋﻦ أﻣﺎﻛﻦ ﻟﺤﻔﻆ وﺗﺨﺰﻳﻦ وﺛﺎﺋﻖ ‪.‬‬ ‫«_—‪w ½dH « wMÞu « nOý‬‬

96 ‫ ﺻﻔﺤﺔ‬- 49 ‫ﻣﻦ ﺻﻔﺤﺔ‬ ‫ﻫﺬا اﻟﺠﺰء ﻣﺨﺼﺺ ﻟﻠﻤﺸﺘﺮﻛﻴﻦ ﻓﻲ‬ ‫ﻣﺠﻠﺔ اﻟﺒﻨﺎء‬ : ‫ﻟ ﺷﺘﺮاك ﻣﻦ ﻣﺘﺠﺮﻧﺎ‬

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‫ ﻓﻲ ﻣﺪﻳﻨﺔ ﻟﻮس‬The Wave ‫ﻳﻘﻊ ﻣﺸﺮوع اﻟﻤﺴﻜﻦ‬ .‫ ﻣﻮزﻋﺔ ﻋﻠﻰ ﻃﺎﺑﻘﻴﻦ‬2‫م‬529 ‫أﻧﺠﻠﻮس ﻋﻠﻰ ﻣﺴﺎﺣﺔ‬ ‫ﻳﺘﻤﻴﺰ اﻟﻤﺴﻜﻦ ﺑﻐﻼﻓﻪ اﻟﺨﺎرﺟﻲ اﻟﻤﺴﺘﻮﺣﻰ ﻣﻦ‬ ‫اﻟﻄﺒﻴﻌﻴﺔ وﺣﻴﺚ أن أﻧﻤﺎط اﻟﻄﺒﻴﻌﺔ ﻻ ﺗﺘﻜﺮر ﺑﻞ‬ ‫ﺗﺘﻐﻴﺮ ﻓﺎﻟﻐﻼف ﻳﺘﻜﻮن ﻣﻦ ﻣﺠﻤﻮﻋﺔ ﻛﺒﻴﺮة ﻣﻦ أﻟﻮاح‬ ‫ﻟﻮﻣﻨﻴﻮم ﺑﺄﺷﻜﺎل ﻣﺨﺘﻠﻔﺔ ﻏﻴﺮ ﻣﺘﻜﺮرة ﻳﻨﺘﺞ ﻋﻨﻬﺎ‬E‫ا‬ ‫ ﻛﻤﺎ أن ﺷﻜﻞ اﻟﻐﻼف‬،‫ﻏﻼف ﻣﻤﻮج ﺑﻈﻼل ﻣﺘﻐﻴﺮة‬ ‫ اﺳﺘﺨﺪﻣﺖ آﻟﺔ‬،‫ﻳﺘﻐﻴﺮ ﻓﻲ ﻛﻞ واﺟﻬﺔ ﻣﻦ اﻟﻤﺴﻜﻦ‬ ‫ﻟﻮاح وﻣﻦ ﺛﻢ ﻳﺘﻢ ﺗﺜﺒﻴﺘﻬﺎ ﻋﻠﻰ اﻟﺠﺪار‬E‫رﻗﻤﻴﺔ ﻟﻘﻄﻊ ا‬ ‫اﻟﺨﺎرﺟﻲ ﻣﻦ ﺧﻼل ﻫﻴﻜﻞ ﻣﻌﺪﻧﻲ ﻣﻊ ﺗﺮك ﻓﺠﻮة‬ ‫ﻟﻮاح واﻟﺠﺪار ﺣﻴﺚ ﺗﺴﻤﺢ ﺑﻤﺮور اﻟﻬﻮاء ﻟﻤﻨﻊ‬E‫ﺑﻴﻦ ا‬ ‫ﻟﻤﻮﻧﻴﻮم أﻣﺎ ﻣﻦ اﻟﺪاﺧﻞ‬E‫اﻛﺘﺴﺎب اﻟﺤﺮارة ﻣﻦ أﻟﻮاح ا‬ ‫ ﺣﻤﺎﻣﺎت‬4 ‫ﻳﺘﻜﻮن اﻟﻤﺴﻜﻦ ﻣﻦ ﺧﻤﺲ ﻏﺮف ﻧﻮم و‬ ‫رﺿﻲ‬E‫ وﻳﺤﺘﻮي اﻟﺪور ا‬،‫ وﻣﻄﺒﺦ‬،‫وﺻﺎﻟﺔ ﺧﺎرﺟﻴﺔ‬ ‫ﻋﻠﻰ أﺑﻮاب زﺟﺎﺟﻴﺔ إﻧﺰﻻﻗﻴﺔ ﺗﻄﻞ ﻋﻠﻰ اﻟﺤﺪﻳﻘﺔ‬ ‫ ﻛﻤﺎ ﺗﻢ‬.‫واﻟﻤﺴﺒﺢ ﻓﻲ اﻟﺠﻬﺔ اﻟﺨﻠﻔﻴﺔ ﻟﻠﻤﺴﻜﻦ‬ ‫رﺿﻴﺎت واﻟﺠﺪران اﻟﺪاﺧﻠﻴﺔ ﺑﺎﺳﺘﺨﺪام‬E‫ﺗﺼﻤﻴﻢ ا‬ ‫ﺑﺮاﻣﺞ ﺣﺎﺳﻮﺑﻴﺔ ﺑﺘﺼﺎﻣﻴﻢ ﻣﺴﺘﻮﺣﺎة ﻣﻦ اﻟﻄﺒﻴﻌﺔ‬ ‫رﺿﻴﺎت واﻟﺠﺪران‬E‫ورﺳﻮﻣﺎت ﻏﻴﺮ ﻣﺘﻜﺮرة وﺗﻤﻴﺰت ا‬ .‫ﺑﺄﻧﻬﺎ ﻣﻀﺎدة ﻟﻠﺠﺮاﺛﻴﻢ واﻟﻤﺎء وﻏﻴﺮ ﻗﺎﺑﻠﺔ ﻟﻠﺘﻠﻒ‬

From Architect: A lyrical organic structure inspired by the patterns of nature, the Wave House in Venice Beach is a residence as a work of art. There is no repetition in nature.

Patterns vary and change. The design brief was to create a work of art for living; a home as inspiring as the natural world around us, with a program exquisitely crafted to facilitate the life of a modern family. This universe is made of waves and particles. Lines between roof and walls are blurred; first and second stories connect organically. Shadows and light change with time of day and year. The house and its forms collaborate with nature, with light. The lines draw the eye, and the eye follows, the lines direct our vision and our experience. White aluminum blends with cloud and sky.

The aluminum skin was digitally rolled and unrolled, then cut by a CNC machine and finally attached to a complex metal substructure made of straight lines, leaving a space between the white aluminum panels. The Wave House program connects all of its spaces into a holistic integrated plan, creating a seamless flow between ground floor and upper level bedrooms and interior and exterior, with broad sliding glass doors opening from the central kitchen, dining, and living space onto courtyards and outdoor rooms.

The Wall and Flooring Systems are also custom designed and carved by computer, based on organic, non-repeating patterns drawn from nature

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: ‫اﻟﻤﺼﻤﻢ‬ Architect : Mario Romano ‫ﻡ‬2016 : ‫ا ﻧﺘﻬﺎء ﻣﻦ اﻟﺘﻨﻔﻴﺬ‬

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‫اﻟﻤ َﻤﻮج‬ ُ ‫اﻟﻤﺴﻜﻦ‬ The Wave House

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â€ŤďťŁďş´ďťœďťŚ ﺎ اďť&#x;ﺨﺟﺝﺔ‏ Casa Kwantes : ‍اďť&#x;ﺟ‏ Architect : MVRDV ‍‏2016 : ‍ا ďť§ďş˜ďťŹďşŽŘĄ  اďť&#x;ďş˜ďť¨ďť”ďť´ďşŹâ€Ź

Casa Kwantes bases itself around the clients’ desire for seclusion and privacy, whilst having a maximum of daylight and open living spaces. From the road, the bare brick wall offers only a partial glimpse into the property and family life through an opening of the white brickwork façade - a subtle indented entrance leading into an initially dark and enclosed entrance hall. In contrast, the reverse of the property completely opens up to the south with curved windows following the entire winding façade wrapped around a central olive tree. The 480m2 private home has a distinct nightdaytime separation. On entering through a curved indent in an otherwise flat and mysterious façade with Celosia brickwork detail, visitors are led into the entrance hall. Stepping into the property, it suddenly opens into the well-lit living spaces of its curved and fluid interior. This continuous wall also serves as an entrance to the garage and staircase. The living room and library take up the rest of the space, wrapped around a curvaceous and carved out courtyard that frames the focal point of the house, the tree. The living room’s backbone is a long fitted closet of wood hiding all domestic functions including the basement, entrance, guest toilet, kitchen cabinets and pantry. There is a small basement for extra storage, and in addition, a sun trap patio at the bottom of the garden which provides an extra paved barbeque space. In order to maintain a responsible environmental footprint, the house has discreetly installed a ground source heat pump, heat exchange system and a roof with solar panels.The solar panels compensate for energy lost from the house’s glazing producing enough energy for it to run entirely on electricity.

Casa Kwantes has the potential to become entirely self-sufficient.

‍  ďťŁďş´ďťœďťŚâ€ŹMVRDV ‍ﺸ اďť&#x;ďť¤ďťœďş˜ďş? اďť&#x;ﺪﺳ‏ ‍ ďťłďş˜ďť¤ďť´ďş° ﺑاďş&#x;ﺔ ďťŁďşźďť¤ďş˜ďş” ďş—ďş¤ďş˜ďťŽŮŠâ€ŹŘŒâ€Ťďş&#x;ﺪﺪ  ďť&#x;ﺪا‏ â€Ťďť‹ďť ďť° ﺪد ďť—ďť ďť´ďťž  اďť&#x;اﺏ ďş—ďť„ďťž ďť‹ďť ďť° اďť&#x;ﺎ ŮˆŘ°ďť&#x;‏ ‍ďť&#x;ďş˜ďş¤ďť˜ďť´ďť– اďť&#x;ﺨﺟﺝﺔ ďş—ďť˜ďşŽďş‘ďť ďťŹďşŽ ŮˆŘ§ďş&#x;ﺔ زďş&#x;ﺎďş&#x;ďť´ďş” ﺒﺎ؊‏ â€ŤďťŁďş˜ďť¤ďťŽďş&#x;ďş” ďş—ďť„ďťž ďť‹ďť ďť° اďť&#x;ďş¤ďşŞďťłďť˜ďş” اďť&#x;ďş¨ďť ďť”ďť´ďş” ďť&#x;ďť ďť¤ďş´ďťœďťŚâ€Ź â€ŤŮˆŘ§ďť&#x;ďş˜ďť˛ ﺗﺎ  ﺎﺋ  ا;ﺿﺎإ؊ اďť&#x;ďť„ďş’ďť´ďťŒďť´ďş” داﺧ‏ ‍ ﺎ ﺎ ﺏا اďť&#x;ďş¸ďťœďťž اďť&#x;؏ ﺗﺎاﺑ ďş‘ďť´ďťŚâ€ŹŘŒâ€ŤŘ§ďť&#x;ďť¤ďş´ďťœďťŚâ€Ź ‍ ďťłďť˜ďťŠ اďť&#x;ďť¤ďş´ďťœďťŚ ďť‹ďť ďť°â€Ź.‍أďş&#x;ﺰاإ اďť&#x;ďť¤ďş´ďťœďťŚ ďş‘ďş¸ďťœďťž ďş&#x;‏ ‍ زﺔ ďť‹ďť ďť° ďťƒďşŽďş‘ďť˜ďť´ďťŚ ŮˆďťƒďşŽďş‘ďť– ﺗﺤﺖ‏2‍ م‏480 ‍ﺴﺎﺣﺔ‏ .‍ع؜ ﺝ ďť&#x;ďť´ďş˜ďť¨ďşŽďşłďş?  Ř§ďşŁďş˜ďť´ďşŽďş&#x;ﺎت ďťŁďťźŮƒ اďť&#x;ďť¤ďş´ďťœďťŚâ€ŹP‍ا‏ ‍ ďť?ďşŽďť“ďş”â€ŹŘŒâ€ŤŘąďşżďť˛   ďť&#x;ďť ďş´ďť´ďşŽŘąŘ§ŘŞâ€ŹPâ€Ťďťłďş˜ďťœďťŽŮ† اďť&#x;ﺎﺑ ا‏ ‍ ﺗ ďť?ﺎﺔ‏.‍ ďťŁďťœďş˜ďş’ďş” ŮˆďťŁďť„ďş’ďşŚâ€ŹŘŒâ€Ť ďť?ﺎﺔ ďťƒďťŒďşŽŮ…â€ŹŘŒâ€ŤďťŁďťŒďť´ďş¸ďş”â€Ź ‍اďť&#x;ďť¤ďťŒďť´ďş¸ďş” ŮˆďşŁďşŞŘŠ ﺧﺸﺒﺔ ďť‹ďť ďť° ďťƒďťŽŮ„ اďť&#x;ďş ďşŞŘ§Řą ďş—ďş¤ďş˜ďťŽŮŠâ€Ź â€Ťďť‹ďť ďť° ﺧﺰاﺋ ﺑﺎ;ﺿﺎﺔ ŘĽďť&#x;ďť° ﺎ ﺆدي ŘĽďť&#x;ďť° اďť&#x;ﺎﺑ ﺗﺤﺖ‏ â€ŤŮˆŮ„ ďť“ďť´ďş¤ďş˜ďťŽŮŠ ďť‹ďť ďť°â€ŹP‍ أﺎ اďť&#x;ﺎﺑ ا‏.‍ع؜ ŮˆďşŁďť¤ďşŽŮ… ďť&#x;ďť ďť€ďť´ďťŽŮ â€ŹP‍ا‏ ‍ Ůˆďť&#x;ďť ďş¤ďť”ďşŽŘ¸â€Ź.‍ďť?ďşŽďť“ďş˜ďť´ďťŚ م ďť&#x;ďťœďťž ﺎ ﺣﺎم ŘŻŘ§ďş§ďť ďť˛â€Ź â€Ťďť‹ďť ďť° اďť&#x;ďş’ďť´ďşŒďş” ďťłďş¤ďş˜ďťŽŮŠ اďť&#x;ďť¤ďş´ďťœďťŚ ďť‹ďť ďť° ﺨﺎت ﺣﺎاعﺔ‏ ‍ع؜ ďş—ďť˜ďťŽŮ… ďş‘ďť¨ďťˆďşŽŮ… ﺗﺒﺎدل اďť&#x;ﺤﺎاع؊ Ůˆďşłďť„ďş˘ ‏P‍ﺗﺤﺖ ا‏ ‍ďť&#x;اح اďť&#x;ﺸﺴﺔ ďş—ďťŒďť¤ďťž ďş‘ďş˜ďťŒďťŽďťłďşž اďť&#x;ﺟﺎﺔ اďť&#x;ﺪع؊‏P‍ا‏ . ‍ اďť&#x;ďť¤ďş´ďťœďťŚâ€Ź

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ÂĄUMÂł ÂŤ Âąâˆžâˆž

‫ﺑﺮج أوﺳﻴﺘﺎﻧﻲ‬ Occitanie Tower : ‫اﻟﻤﺼﻤﻢ‬ Architect : Studio Libeskind ‫ ﻣﺪﻳﻨﺔ ﺗﻮﻟﻮز ـ ﻓﺮﻧﺴﺎ‬: ‫اﻟﻤﻮﻗﻊ‬ ‫ م‬2022 : ‫ا ﻧﺘﻬﺎء ﻣﻦ اﻟﺘﻨﻔﻴﺬ‬

‫ ﻓﻮق ﺳﻄﺢ ا رض ﻓﻲ‬150 ‫ﻳﺮﺗﻔﻊ ﺑﺮج أوﺳﻴﺘﺎﻧﻲ‬ .‫ وﻳﻌﺪ أول ﺑﺮج ﻓﻲ اﻟﻤﺪﻳﻨﺔ‬،‫ﻣﺪﻳﻨﺔ ﺗﻮﻟﻮز اﻟﻔﺮﻧﺴﻴﺔ‬ ‫ﻳﻠﺘﻒ ﺣﻮل اﻟﻤﺒﻨﻰ ﺷﺮﻳﻂ ﻧﺒﺎﺗﻲ ﻣﻦ ا ﺳﻔﻞ‬ ‫ وﻳﻨﺪﻣﺞ ﻣﻊ اﻟﻮاﺟﻬﺔ‬،40 ‫إﻟﻰ ا ﻋﻠﻰ ﺣﺘﻰ اﻟﻄﺎﺑﻖ‬ ‫ واﻟﺘﻲ ﺗﻨﻌﻜﺲ ﻋﻠﻰ اﻟﻮاﺟﻬﺔ ﻣﻊ‬، ‫اﻟﺰﺟﺎﺟﻴﺔ ﻟﻠﻤﺒﻨﻰ‬ ‫ﺗﻐﻴﺮ اﻟﻤﻮاﺳﻢ ﻓﺘﺘﻐﻴﺮ أﻟﻮان اﻟﻨﺒﺎﺗﺎت ﺣﻴﺚ ﺗﻀﻔﻲ‬ .‫ﻟﻠﻤﺒﻨﻰ ﺻﻔﺔ ﻓﺮﻳﺪة ﻣﻦ ﻧﻮﻋﻬﺎ‬ ‫ ﻓﻨﺪق‬، ‫ ﻣﻦ اﻟﻤﺴﺎﺣﺎت اﻟﻤﻜﺘﺒﻴﺔ‬2‫ م‬11 ‫ﻳﻀﻢ اﻟﻤﺒﻨﻰ‬ ‫ﺿﺎﻓﺔ إﻟﻰ ﻣﻄﻌﻢ ذو‬I‫ ﺑﺎ‬، ‫ ﺷﻘﺔ ﺳﻜﻨﻴﺔ‬120 ‫وأﻛﺜﺮ ﻣﻦ‬ ‫ ﻳﻬﺪف اﻟﻤﺸﺮوع‬.‫إﻃﻼﻟﺔ ﺑﺎﻧﻮراﻣﻴﺔ وﻣﺴﺎﺣﺎت ﺗﺠﺎرﻳﺔ‬ .‫ ﻟﻤﺪﻳﻨﺔ ﺗﻮﻟﻮز‬S‫ إﻗﺘﺼﺎدﻳ‬W‫ ﻣﻤﻴﺰ‬S‫إﻟﻰ إﻧﺸﺎء ﻣﻌﻠﻤ‬

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From Architect: The sculpted Occitanie Tower will rise 150 meters above the Canal du Midi in the heart of the business sector of Toulouse. Set to be the first skyscraper in the city, the tower’s curvaceous form is interrupted by a spiral of greenery that rises from street level up to the 40th floor.

The tower includes 11,000 sq. m of office space, a Hilton hotel, up to 120 apartments, a restaurant with panoramic views, commercial space for shops. With its suspended gardens that change color during the seasons, the slight silvertine of the glazing of the façade will reflect the pink tones of Toulouse and the brightness of this material will change perception of the space, according to the variation of light. The tower becomes a unique object in a vast urban space – the tower will not only become a destination, but also a defining public space. The Occitanie Tower will create both an iconic landmark for the city as well as create a strategic economic generator for the district.

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‫ﺷﺮﻛﺔ اﻟﺮﻣﻮز اﻟﻤﺸﺘﺮﻛﺔ ﻟﻠﻄﺎﻗﺔ‬

‫« ‪…œb−²*« W UD « w «—UL¦²Ýö ÍœuF « d9R*« w rN² —UA ¡UMŁ√ wK²Ðdý b Uš bO «Ë qO)UÐ√ s Š bO‬‬

‫ﺷـــﺎرﻛﺖ ﺷـــﺮﻛﺔ اﻟﺮﻣﻮز اﻟﻤﺸـــﺘﺮﻛﺔ ﻟﻠﻄﺎﻗﺔ ﻓﻲ ﻓﻌﺎﻟﻴﺎت اﻟﻤﺆﺗﻤﺮ اﻟﺴﻌﻮدي‬ ‫ﻟﻼﺳـــﺘﺜﻤﺎر ﻓﻲ اﻟﻄﺎﻗﺔ اﻟﻤﺘﺠـــﺪدة‪ ،‬اﻟﺬي ﻋﻘﺪ ﺑﺎﻟﻌﺎﺻﻤﺔ اﻟﺴـــﻌﻮدﻳﺔ اﻟﺮﻳﺎض‬ ‫ﻣﺆﺧـــﺮا‪ ،‬وﺷـــﻬﺪ و‪5‬ول ﻣﺮة ﺣﻀﻮر ﻗﻮي ﻣﻦ ﻗﺒﻞ اﻟﻤﺴـــﺘﺜﻤﺮﻳﻦ و اﻟﺸـــﺮﻛﺎت‬ ‫اﻟﻌﺎﻟﻤﻴـــﺔ‪ .‬و ﺗﻘـــﺪم ﻣﻌﺎﻟـــﻲ وزﻳﺮ اﻟﻄﺎﻗﺔ اﻟﺴـــﻌﻮدي اﻟﻤﻬﻨـــﺪس ﺧﺎﻟﺪ اﻟﻔﺎﻟﺢ‬ ‫ﺑﻄﺮح رؤﻳﺔ اﻟﻤﻤﻠﻜﺔ اﻟﻤﺴﺘﻘﺒﻠﻴﺔ ﻟﻠﻄﺎﻗﺔ اﻟﻤﺘﺠﺪدة و ﺗﻨﻮﻳﻊ ﻣﺼﺎدر اﻟﻄﺎﻗﺔ‪،‬‬ ‫ﺑﺸﺮح و ﺗﻔﺼﻴﻞ ﻣﺪﻗﻖ ﻻﺳﺘﺜﻤﺎرات ﺗﺘﻌﺪى ﻗﻴﻤﺘﻬﺎ ‪ ٥٠‬ﻣﻠﻴﺎر رﻳﺎل ﻓﻲ ﺷﺘﻰ‬ ‫ﻣﺠﺎﻻت اﻟﻄﺎﻗﺔ اﻟﻤﺘﺠﺪدة‪ ،‬و ﺧﺼﻮﺻﺎ اﻟﻄﺎﻗﺔ اﻟﺸﻤﺴﻴﺔ و ﻃﺎﻗﺔ اﻟﺮﻳﺎح‪ .‬و ﺗﻢ‬ ‫ﻃﺮح ﻣﻨﺎﻗﺼﺎت ﻓﻲ ﻃﺎﻗﺔ اﻟﺮﻳﺎح و اﻟﻄﺎﻗﺔ اﻟﺸﻤﺴﻴﺔ ﻣﺆﺧﺮا‪.‬‬ ‫وﺣﻮل ﻫﺬه اﻟﻤﺸﺎرﻛﺔ ﻗﺎل اﻟﺴﻴﺪ ﺣﺴﻦ أﺑﺎاﻟﺨﻴﻞ ﻣﺆﺳﺲ ﻣﺸﺎرك ﻓﻲ ﺷﺮﻛﺔ‬ ‫اﻟﺮﻣﻮز اﻟﻤﺸﺘﺮﻛﺔ ﻟﻠﻄﺎﻗﺔ‪ :‬ﻟﻘﺪ ﻻﻣﺴﻨﺎ و‪5‬ول ﻣﺮة ﺗﺤﺮك ﺟﺎد ﻓﻲ ﻣﺠﺎل اﻟﻄﺎﻗﺔ‬ ‫اﻟﻤﺘﺠﺪدة و ﺗﻔﺎﻋﻞ اﻳﺠﺎﺑﻲ ﻣﻦ ﺟﻤﻴﻊ اﻟﺠﻬﺎت اﻟﻤﻌﻨﻴﺔ و اﻟﺸﺮﻛﺎت اﻟﺴﻌﻮدﻳﺔ‬ ‫و اﻻﺟﻨﺒﻴـــﺔ ﺗﺠـــﺎه رؤﻳـــﺔ اﻟﻤﻤﻠﻜﺔ اﻟﻌﺮﺑﻴﺔ اﻟﺴـــﻌﻮدﻳﺔ ﻟﻠﻄﺎﻗـــﺔ اﻟﻤﺘﺠﺪدة ‪.٢٠٣٠‬‬ ‫وﺳـــﻨﺮى ﺗﻔﺎﻋﻞ أﻛﺒﺮ وﻣﺴـــﺘﻘﺒﻞ ﻣﺸـــﺮق ﺑﺈذن ا‪ V‬ﻓﻲ ﻣﺠﺎﻻت ﺗﻮﻓﻴﺮ اﻟﻄﺎﻗﺔ‬ ‫ﻟﻠﻤﺴﺘﻬﻠﻜﻴﻦ ﻣﻦ اﻟﻘﻄﺎع اﻟﺨﺎص ﺑﺎﻻﺳﺘﻔﺎدة ﻣﻦ اﻟﻄﺎﻗﺔ اﻟﺸﻤﺴﻴﺔ‪ ،‬و ذﻟﻚ‬ ‫_رﺗﻔﺎع ﺗﻌﺮﻓﺔ اﻟﻜﻬﺮﺑﺎء اﻟﺘﻲ أﻋﻠﻨﺖ ﻋﻨﻬﺎ اﻟﻤﻤﻠﻜﺔ ﻣﻨﺬ ﻓﺘﺮة‪ .‬وأﻛﺪ أن ﺗﻜﻠﻔﺔ‬ ‫اﻟﻄﺎﻗﺔ اﻟﺨﻀﺮاء أو اﻟﻄﺎﻗﺔ اﻟﻨﻈﻴﻔﺔ ﻗﺪ اﻧﺨﻔﻀﺖ ‪ ٪٧٠‬ﺧﻼل اﻟﻌﺸـــﺮ اﻟﺴﻨﻮات‬ ‫اﻟﻤﺎﺿﻴـــﺔ‪ ،‬ﻣﻤﺎ أدى إﻟـــﻰ اﻟﺤﺎﺟﺔ ﻟﻬﺬه اﻟﻄﺎﻗﺔ‪ ،‬اﻟﻤﺘﻮﻓﺮة ﺑﻴـــﻦ أﻳﺪﻳﻨﺎ‪ .‬ﻛﻤﺎ أﻛﺪ‬ ‫اﻟﺴﻴﺪ ﺧﺎﻟﺪ ﺷﺮﺑﺘﻠﻲ ﻣﺆﺳﺲ ﻣﺸﺎرك ﻓﻲ ﺷﺮﻛﺔ اﻟﺮﻣﻮز اﻟﻤﺸﺘﺮﻛﺔ ﻟﻠﻄﺎﻗﺔ ‪:‬‬ ‫أن اﻟﺸﺮﻛﺔ وﻗﻌﺖ اﻟﻌﺪﻳﺪ ﻣﻦ ا_ﺗﻔﺎﻗﻴﺎت ﻣﻊ ﻋﺪة ﺷﺮﻛﺎت ﺳﻌﻮدﻳﺔ و ﻣﺼﺮﻳﺔ‪،‬‬ ‫ﻣﻨﻬﺎ »‪ Global Projects «Tattweer‬و ‪،Desert Technologies, SunInfitine Energy‬‬ ‫ﻣﻤﺎ ﺳﻴﺴـــﺎﻫﻢ ﻓﻲ دﻋﻢ و ﺗﻨﻔﻴﺬ أواﺋﻞ ﻣﺸـــﺎرﻳﻊ اﻟﻄﺎﻗـــﺔ اﻟﻤﺘﺠﺪدة ﻟﻠﻘﻄﺎع‬ ‫اﻟﺨـــﺎص ﻣـــﻦ ﻣﻨﺎزل و ﻣﺴـــﺎﺟﺪ و ﻣﺪارس و ﻣﺼﺎﻧـــﻊ وﻣﺤﻼت ﺗﺠﺎرﻳـــﺔ‪ ،‬وأﺿﺎف‬ ‫اﻟﺴـــﻴﺪ ﺣﺴـــﻦ أﺑﺎاﻟﺨﻴـــﻞ‪ :‬أن ﻗﻄﺎع اﻟﻄﺎﻗـــﺔ اﻟﻤﺘﺠـــﺪدة ﻗﻄﺎع ﺟﺪﻳـــﺪ وواﻋﺪ‬ ‫ﻟﺘﻮﻃﻴﻦ ﻫﺬا اﻟﻘﻄﺎع ﻣﻦ ﻣﻬﻨﺪﺳـــﻴﻦ وﻓﻨﻴﻴﻦ ﺳـــﻌﻮدﻳﻴﻦ‪ .‬وأﺿﺎف أﻳﻀﺎ‪ :‬أن‬ ‫ﻫﺬا اﻟﺴﻮق ﻣﻐﺮي ﻟﻠﻤﺴﺘﺜﻤﺮﻳﻦ ا‪5‬ﺟﺎﻧﺐ ﺣﻴﺚ إن اﻟﻌﺎﺋﺪ ﻋﻠﻰ ﺳﻮق ﻣﺸﺎرﻳﻊ‬ ‫اﻟﻄﺎﻗﺔ اﻟﺨﻀﺮاء ﻳﻀﺎﻫﻲ ﻋﻮاﺋﺪ ا‪5‬ﺳﻮاق اﻻﺧﺮى‪.‬‬

‫اﻟﺤﺮص اﻟﺪاﺋﻢ ﻋﻠﻰ ﺗﻘﺪﻳﻢ اﻟﺠﻮدة‬ ‫ﻣﻦ ﺷﺮﻛﺔ اﻟﻤﻨﺎرة اﻟﻜﻬﺮﺑﺎﺋﻴﺔ ﻟﻠﺘﺠﺎرة‬ ‫ﻳﻌﺘﺒـــﺮ ﻣﺼﻨـــﻊ اﻟﻤﻨـــﺎرة ﻟﻠﻮﺣـــﺎت‬ ‫اﻟﻜﻬﺮﺑﺎﺋﻴـــﺔ ﻣﻦ اﻟﻤﺼﺎﻧـــﻊ اﻟﺮاﺋﺪة‬ ‫ﺑﺎﻟﻤﻤﻠﻜـــﺔ اﻟﻌﺮﺑﻴـــﺔ اﻟﺴـــﻌﻮدﻳﺔ ـ‬ ‫ﺑﺎﻟﻤﻨﻄﻘﺔ اﻟﺼﻨﺎﻋﻴﺔ اﻟﺜﺎﻧﻴﺔ ـ وﻫﻮ‬ ‫ﻣـــﻦ اﻟﺸـــﺮﻛﺎت اﻟﺘﺎﺑﻌـــﺔ ﻟﻤﺠﻤﻮﻋﺔ‬ ‫اﻟﻤﻨﺎرة اﻟﻜﻬﺮﺑﺎﺋﻴـــﺔ ﻟﻠﺘﺠﺎرة واﻟﺘﻲ‬ ‫ﺗﺄﺳﺴـــﺖ ﻋـــﺎم ‪١٩٨٧‬م اﻟﺘﻲ ﻟﺪﻳﻬﺎ‬ ‫ﺗﻮﻛﻴﻼت ﻣﻦ ﺷـــﺮﻛﺎت ﻋﺎﻟﻤﻴﺔ ﻣﺜﻞ‬ ‫)ﻣﻔﺎﺗﻴـــﺢ وأﻓﻴـــﺎش ﺑﺎﻧﺎﺳـــﻮﻧﻴﻚ ـ‬ ‫ﻓﺮﻳﻤﻮن ا_ﻳﻄﺎﻟﻴﺔ ـ أﻋﻤﺪة ﻓﻮﻣﺠﺎﻟﻲ‬ ‫ا_ﻳﻄﺎﻟﻴـــﺔ وﺷـــﺮﻛﺔ أوﺑـــﻞ ﻟ‪q‬ﻧـــﺎرة‬ ‫اﻟﺪاﺧﻠﻴـــﺔ وﺗﻜﻨﻮﻟﻮﺟﻴـــﺎ اﻟﻠﻴـــﺪ‬ ‫اﻟﺤﺪﻳﺜـــﺔ )‪ (LED‬وﻏﻴﺮﻫـــﺎ ‪.‬وﺣﺮﺻ‪r‬‬ ‫ﻣـــﻦ إدارة ﺷـــﺮﻛﺔ اﻟﻤﻨـــﺎرة ﻋﻠـــﻰ‬ ‫ﺗﻘﺪﻳـــﻢ أﻋﻠـــﻰ ﻣﺴـــﺘﻮﻳﺎت اﻟﺠﻮدة‬ ‫ﻟـــﺬا وﻗـــﻊ ا_ﺧﺘﻴـــﺎر ﻋﻠـــﻰ ﺷـــﺮﻛﺔ‬ ‫ﺗﻴﺮاﺳـــﺎﻛﻲ اﻟﻴﺎﺑﺎﻧﻴـــﺔ ﻟﻠﻘﻮاﻃـــﻊ‬ ‫وذﻟـــﻚ ﺣﺮﺻـــ‪ r‬ﻣـــﻦ ﺷـــﺮﻛﺔ اﻟﻤﻨﺎرة‬ ‫_رﺿـــﺎء ﻋﻤﻼﺋﻬـــﺎ ﻣﻦ ﺧـــﻼل اﻟﺘﻤﻴﺰ‬ ‫وﺗﻘﺪﻳﻢ أﻓﻀﻞ ﻣﺴﺘﻮﻳﺎت اﻟﺠﻮدة‬ ‫واﻟﺨﺪﻣـــﺎت ﻛﻞ ذﻟـــﻚ ﺑﺄﺳـــﻌﺎر‬ ‫ﻣﻨﺎﻓﺴـــﺔ وﻣﺮﺿﻴﺔ ﺣﻴﺚ ﻳﻌﺪ إﺳﻢ‬ ‫ﺗﻴﺮاﺳـــﺎﻛﻲ ﻣﻦ اﻟﻌﻼﻣـــﺎت اﻟﺘﺠﺎرﻳﺔ‬ ‫واﺳﻌﺔ ا_ﻧﺘﺸـــﺎر ﻓﻲ ﻛﻼ ﻣﻦ أﺳﻴﺎ‬ ‫وأوروﺑﺎ وأﻓﺮﻳﻘﻴﺎ وأﻣﺮﻳﻜﺎ اﻟﺠﻨﻮﺑﻴﺔ‬

‫‪¡UM³ « ±∞¥‬‬

‫‪104 Albenaa‬‬

‫ﺣﻴـــﺚ ﺗﺄﺳﺴـــﺖ ﻋـــﺎم ‪١٩٢٣‬م أﻛﺜﺮ‬ ‫ﻣﻦ ‪ ٩٠‬ﻋﺎم ﺧﺒﺮة ﻓﻲ ﻣﺠﺎل ﺗﺼﻨﻴﻊ‬ ‫اﻟﻘﻮاﻃﻊ اﻟﺮﺋﻴﺴﻴﺔ واﻟﻔﺮﻋﻴﺔ وﻫﻲ‬ ‫راﺋﺪة ﻓﻲ ﻣﺠﺎل اﻟﺼﻨﺎﻋﺎت اﻟﻮﻗﺎﺋﻴﺔ‬ ‫وﻟﺪﻳﻬـــﺎ ﻣﺼﺎﻧﻊ ﺑـ )اﻟﻴﺎﺑﺎن ـ ﻣﺎﻟﻴﺰﻳﺎ ـ‬ ‫أﻧﺪوﻧﻴﺴﻴﺎ ـ اﻟﺼﻴﻦ‪ ..‬وﻏﻴﺮﻫﺎ( ‪.‬‬ ‫ﻟﻮﺣﺎت ﺑﺎﻧﺎﺳﻮﻧﻴﻚ‬ ‫اﻟﺤـــﺮص اﻟﺪاﺋﻢ ﻋﻠﻰ ﺗﻘﺪﻳﻢ أﻓﻀﻞ‬ ‫اﻟﻤﻨﺘﺠـــﺎت ﻧﻘـــﺪم ﻟﻜـــﻢ ﻣﻨﺘﺠﻨـــﺎ‬ ‫اﻟﺠﺪﻳﺪ ﻣـــﻦ ﻣﺼﻨﻊ اﻟﻤﻨﺎرة ﻟﻠﻮﺣﺎت‬ ‫اﻟﻜﻬﺮﺑﺎﺋﻴـــﺔ )ﻟﻮﺣﺎت ﺑﺎﻧﺎﺳـــﻮﻧﻴﻚ(‬ ‫ﻣﻊ ﻗﻮاﻃﻊ ﻣﻦ ﺷـــﺮﻛﺔ ﺑﺎﻧﺎﺳﻮﻧﻴﻚ‬ ‫اﻟﻴﺎﺑﺎﻧﻴـــﺔ ﺣﻴـــﺚ اﻟﺘﺼﻤﻴـــﻢ اﻟﻔﺮﻳﺪ‬ ‫واﻟﺸﻜﻞ اﻟﻌﺼﺮي‪.‬‬ ‫ﻣﻨﺘﺠﺎت ﻣﺼﻨﻊ اﻟﻤﻨﺎرة ﻟﻠﻮﺣﺎت اﻟﻜﻬﺮﺑﺎﺋﻴﺔ‬ ‫ـ ﻟﻮﺣـــﺎت ﻧﻈـــﺎم اﻟﻘﺎﻃﻊ اﻟﺤﺴـــﺎس‬ ‫ا‪5‬وروﺑﻲ ) ﻛﻮزﻣﻮ(‪.‬‬ ‫ـ ﻟﻮﺣﺎت اﻟﻨﻈﺎم ا‪5‬وروﺑﻲ )ﻛﻼﺳﻴﻚ(‬ ‫اﻟﻤﻘﺎس ا‪5‬ﻣﺮﻳﻜﻲ ‪.‬‬ ‫ـ ﺻﻨﺪوق اﻟﺨﺪﻣـــﺔ ﻣﺘﻌﺪد اﻟﻤﺨﺎرج‬ ‫ﻣﺘﻮﻓﺮ ﺑﺎﻟﻘﺎﻃﻊ وﺑﺪون اﻟﻘﺎﻃﻊ‪.‬‬ ‫ـ ﻋﻠﺒﺔ ﻣﻊ اﻟﻘﺎﻃﻊ )داﺧﻠﻲ ـ ﺧﺎرﺟﻲ(‬ ‫ـ ﻟﻮﺣﺎت اﻟﺘﻮزﻳﻊ اﻟﺮﺋﻴﺴـــﻴﺔ ) ﻟﻮﺣﺎت‬ ‫ﺗﺼﻨﻴﻊ(‪.‬‬ ‫ـ ﻟﻮﺣﺎت إﻧﺎرة أﻋﻤﺪة اﻟﺸﻮارع‪.‬‬

‫ﻟﻮﺣﺎت ﻛﻮزﻣﻮ‬

‫ﻟﻮﺣﺎت ﺑﺎﻧﺎﺳﻮﻧﻴﻚ‬

‫ﻟﻮﺣﺎت ﻛﻼﺳﻴﻚ‬

‫ﻋﻠﺒﺔ ﺑﺎﻟﻘﺎﻃﻊ )ﺣﺴﺎس(‬

‫ﻗﻮاﻃﻊ ﻣﻦ ﺷﺮﻛﺔ ﺗﻴﺮاﺳﺎﻛﻲ اﻟﻴﺎﺑﺎﻧﻴﺔ‬

‫ﻋﻠﺒﺔ ﺑﺎﻟﻘﺎﻃﻊ )اﻳﺰوﻟﻴﺘﻮر(‬

‫ﺻﻨـــﺪوق ﺧﺪﻣـــﺔ ﻣﺘﻌـــﺪد اﻟﻤﺨـــﺎرج ﻣـــﻊ‬ ‫وﺑﺪون اﻟﻘﺎﻃﻊ ‪٦٥ IP‬‬

‫ﻟﻮﺣﺎت ﺗﻮزﻳﻊ رﺋﻴﺴﻴﺔ‬ ‫ﻟﻮﺣﺔ إﻧﺎرة أﻋﻤﺪة اﻟﺸﻮارع‬

‫ ‪¡UM³ « o×K‬‬

‫ ‪WO½öŽ≈ …œU‬‬

‫ﺷﺮﻛﺔ اﻟﻤﺴﺒﻮﻛﺎت اﻟﻌﺮﺑﻴﺔ‬

‫ﻣﺘﺨﺼﺼﻮن ﻓﻲ ﺟﻤﻴﻊ اﻟﺪﻳﻜﻮرات اﻟﻤﻌﺪﻧﻴﺔ‬

‫‪lMB*« d¹b ≠ »U¹œ bL× ÊËbKš ÆÂ‬‬

‫ﻓﻲ زﻳـــﺎرة ﺧﺎﺻﺔ ﻟﻤﺠﻠﺔ اﻟﺒﻨﺎء ﻟﺸـــﺮﻛﺔ اﻟﻤﺴـــﺒﻮﻛﺎت‬ ‫اﻟﻌﺮﺑﻴـــﺔ أﺟﺮﻳﻨـــﺎ اﻟﻠﻘـــﺎء اﻟﺘﺎﻟـــﻲ ﻣـــﻊ ﻣﺪﻳـــﺮ اﻟﻤﺼﻨـــﻊ‬ ‫اﻟﻤﻬﻨﺪس ﺧﻠﺪون ﻣﺤﻤﺪ دﻳﺎب ‪...‬‬ ‫• و ﻓـــﻲ ﺳـــﺆاﻟﻪ ﻋـــﻦ ﻣﺠـــﺎل ﻋﻤـــﻞ اﻟﺸـــﺮﻛﺔ أﺟﺎﺑﻨـــﺎ‬ ‫اﻟﻤﻬﻨﺪس ﺧﻠﺪون دﻳﺎب ‪:‬‬ ‫ان ﺷـــﺮﻛﺔ اﻟﻤﺴـــﺒﻮﻛﺎت اﻟﻌﺮﺑﻴـــﺔ ﻫﻲ ﺷـــﺮﻛﺔ ﺗﻌﻨﻰ‬ ‫ﺑـــﻜﻞ ﻣﺠـــﺎﻻت اﻟﺪﻳﻜـــﻮرات اﻟﻤﻌﺪﻧﻴـــﺔ ﻣـــﻦ أﺑـــﻮاب و‬ ‫ﻧﻮاﻓـــﺬ و دراﺑﺰﻳﻨﺎت و اﻛﺴـــﺎءات ﻟﻠﻮاﺟﻬﺎت و ا?ﻋﻤﺪة‬ ‫و أﻫﻠﺔ اﻟﻤﺴﺎﺟﺪ و اﻟﻘﻄﻊ اﻟﺪﻳﻜﻮرﻳﺔ و اﻃﺎرات اﻟﻤﺮاﻳﺎ‬ ‫اﻟﻤﺸﻐﻮﻟﺔ ‪.‬‬ ‫• و ﻓﻲ ﺳـــﺆاﻟﻪ ﻋﻦ أﻧـــﻮاع اﻟﺨﺎﻣﺎت اﻟﻤﺴـــﺘﺨﺪﻣﺔ ﻓﻲ‬ ‫ﻋﻤﻠﻬﻢ أﺟﺎب اﻟﻤﻬﻨﺪس ﺧﻠﺪون ‪:‬‬ ‫ان اﻟﺸـــﺮﻛﺔ ﺗﺴـــﺘﺨﺪم ﻛﺎﻓـــﺔ اﻧـــﻮاع اﻟﻤﻌـــﺎدن ﻓـــﻲ‬ ‫اﻋﻤﺎﻟﻬﺎ ﻣﻦ اﺳﺘﺎﻟﺲ اﺳـــﺘﻴﻞ و اﻟﺤﺪﻳﺪ و اﻟﻨﺤﺎس و‬ ‫اﻻﻟﻤﻨﻴﻮم و اﻟﻜﻼدﻧﺞ ﻛﻤﺎ ﺗﺴـــﺘﺨﺪم اﻟﺸﺮﻛﺔ اﻟﻌﺪﻳﺪ‬ ‫ﻣﻦ اﻟﻤﻮاد اﻟﺘﻜﻤﻴﻠﻴﺔ ﻣﻦ اﻟﺒﻼﻛﺴـــﻲ و اﻟﻠﻜﺴـــﺎن و‬ ‫اﻟﺰﺟﺎج اﻟﻤﻘﺴـــﻰ و اﻟﺨﺸـــﺐ و اﻟﻤﺮاﻳـــﺎ و أﻓﻀﻞ أﻧﻮاع‬ ‫اﻟﻄﻼء ‪ ،‬ﻛﻞ ذﻟـــﻚ ﺑﺤﺮﻓﻴﺔ و ﻣﻬﻨﻴﺔ ﻋﺎﻟﻴﺔ ﺑﺤﻴﺚ ﺗﺘﻢ‬

‫∂∞‪¡UM³ « ±‬‬

‫‪106 Albenaa‬‬

‫ﺗﻮأﻣﺔ ﻫﺬه اﻟﻤﻮاد ﻣﻊ ﺑﻌﻀﻬﺎ ﺑﺸﻜﻞ ﻓﻨﻲ اﺣﺘﺮاﻓﻲ‬ ‫ﻟﺘﻌﻄﻲ ﻣﻨﺘﺞ ﻏﺎﻳﺔ ﻓﻲ اﻻﺗﻘﺎن و اﻟﻔﻦ ‪.‬‬ ‫• و ﻓـــﻲ ﺳـــﺆال آﺧﺮ ﻋـــﻦ اﻟﺼﻌﻮﺑﺎت اﻟﺘـــﻲ ﺗﻮاﺟﻬﻬﺎ‬ ‫اﻟﺸـــﺮﻛﺔ ﻟﻨﺎﺣﻴﺔ اﻟﺘﻨﺎﻓﺲ ﻣﻊ اﻟﺸـــﺮﻛﺎت اﻟﺘﻲ ﺗﻌﻤﻞ‬ ‫ﻓﻲ ﻧﻔﺲ اﻟﻤﺠـــﺎل ﻓﻘﺪ أﻛﺪ اﻟﻤﻬﻨﺪس ﺧﻠﺪون ﻋﻠﻰ‬ ‫ﻣﺎ ﻳﻠﻲ ‪:‬‬ ‫ان ﺷـــﺮﻛﺔ اﻟﻤﺴـــﺒﻮﻛﺎت اﻟﻌﺮﺑﻴﺔ ﻗﺪ أﺛﺒﺘﺖ ﻧﻔﺴﻬﺎ‬ ‫ﻓـــﻲ اﻟﺴـــﻮق اﻟﺴـــﻌﻮدﻳﺔ ﺑﻘـــﻮة و ﺑﺄﻧـــﻪ ﻻ ﻳﻮﺟﺪ أي‬ ‫ﺻﻌﻮﺑـــﺎت ﺗﻨﺎﻓﺴـــﻴﺔ أو ﻣﻌﻮﻗـــﺎت أﻣـــﺎم اﻟﺸـــﺮﻛﺔ‪،‬‬ ‫ﻓﺒﺤﻤـــﺪ ا^ اﺳـــﺘﻄﺎﻋﺖ اﻟﺸـــﺮﻛﺔ ﻋﺒـــﺮ ﻓﺮﻳـــﻖ‬ ‫ﻣﺘﻜﺎﻣـــﻞ ﻣـــﻦ اﻟﻤﺼﻤﻤﻴـــﻦ و اﻟﻔﻨﻴﻴـــﻦ اﻟﻤﻬـــﺮة و‬ ‫ﺑﺎدارة ﻃﻤﻮﺣﺔ ﺟﺪا أن ﺗﺮﺳـــﺦ ﻧﻔﺴـــﻬﺎ ﻓﻲ اﻟﺴﻮق‬ ‫اﻟﺴـــﻌﻮدي ﻣﻌﺘﻤـــﺪة ﻋﻠـــﻰ ا^ أوﻻ و آﺧـــﺮا و ذﻟـــﻚ‬ ‫ﻋﺒـــﺮ ﺟـــﻮدة ﻣﻨﺘﺠﺎﺗﻬـــﺎ ذات اﻟﻤﻮاﺻﻔـــﺎت ا?ورﺑﻴﺔ و‬ ‫اﺳـــﻌﺎرﻫﺎ اﻟﺘﻨﺎﻓﺴـــﻴﺔ اﻟﺘـــﻲ ﺗﻘﺪم ﻟﻠﻌﻤﻴـــﻞ ﻣﻨﺘﺞ‬ ‫أورﺑـــﻲ اﻟﻤﻮاﺻﻔﺎت ﺑﺴـــﻌﺮ ﻣﺬﻫـــﻞ و ﻣﻌﻘﻮل ﺟﺪا ‪،‬‬ ‫ﻛﻤﺎ أﻛﺪ اﻟﻤﻬﻨﺪس ﺧﻠﺪون ﻋﻠﻰ أن ﺿﻤﺎن ﺷـــﺮﻛﺔ‬ ‫اﻟﻤﺴـــﺒﻮﻛﺎت اﻟﻌﺮﺑﻴﺔ اﻟﺬﻫﺒﻲ ﻋﻠﻰ ﻛﻞ ﻣﻨﺘﺠﺎﺗﻬﺎ‬

‫ﻛﺎن ﻫﻮ ﻋﺎﻣﻞ أﻣﺎن ?ي ﻋﻤﻴﻞ ﻳﻨﻮي اﻟﺘﻌﺎﻗﺪ ﻣﻌﻨﺎ ‪.‬‬ ‫• و ﻓﻲ ﺳـــﺆاﻟﻪ ﻋﻦ اﻟﻤﺸﺎرﻳﻊ اﻟﺘﻲ ﺗﻢ ﺗﻨﻔﻴﺬﻫﺎ وﺿﺢ‬ ‫اﻟﻤﻬﻨﺪس ﺧﻠﺪون ﻣﺤﻤﺪ دﻳﺎب ﻗﺎﺋﻼ ‪:‬‬ ‫ﻟﻘﺪ ﻧﻔﺬﻧﺎ اﻟﻜﺜﻴﺮ ﻣﻦ اﻟﻤﺸﺎرﻳﻊ ﻣﻊ اﻟﻌﺪﻳﺪ ﻣﻦ اﻟﻮزارات‬ ‫اﻟﺤﻜﻮﻣﻴـــﺔ ﻣﻨﻬﺎ ﻋﻠﻰ ﺳـــﺒﻴﻞ اﻟﻤﺜـــﺎل ﻻ اﻟﺤﺼﺮ وزارة‬ ‫اﻟﺪﻓﺎع و و وزارة اﻟﺤﺮس اﻟﻮﻃﻨﻲ و اﻟﺼﺤﺔ و اﻟﺘﻌﻠﻴﻢ‬ ‫و اﻟﻜﺜﻴـــﺮ ﻣﻦ اﻟﻬﻴﺌﺎت اﻟﺤﻜﻮﻣﻴـــﺔ و اﻟﻘﺼﻮر و اﻟﻔﻠﻞ‬ ‫ا?ﻫﻠﻴﺔ ‪ ،‬ﻛﻤﺎ أﻛﺪ ﺑﺄن اﻟﺴـــﻴﺮة اﻟﺬاﺗﻴﺔ ﻟﻠﺸﺮﻛﺔ ذاﺧﺮة‬ ‫ﺑﺎﻟﻤﺸﺎرﻳﻊ اﻟﻜﺒﻴﺮة و ﺣﺎﻓﻠﺔ ﺑﺎ‪e‬ﻧﺠﺎزات اﻟﻤﺸﺮﻓﺔ ‪.‬‬ ‫• و ﻓـــﻲ ﻧﻬﺎﻳﺔ ﻟﻘﺎءﻧﺎ ﺳـــﺄﻟﻨﺎ اﻟﻤﻬﻨـــﺪس ﺧﻠﺪون ﻋﻦ‬ ‫ﺟﺪﻳـــﺪ ﺷـــﺮﻛﺔ اﻟﻤﺴـــﺒﻮﻛﺎت اﻟﻌﺮﺑﻴـــﺔ ﻓـــﻲ اﻟﻤﺮﺣﻠـــﺔ‬ ‫اﻟﻘﺎدﻣﺔ ﻓﺄﺟﺎب ‪:‬‬ ‫أﻧـــﻪ و ﻗﺒﻞ ﻧﻬﺎﻳﺔ ﻫـــﺬا اﻟﻌﺎم ﺑﺎذن ا^ ﺗﻌﺎﻟﻰ ﺳـــﻮف‬ ‫ﻧﻄـــﺮح ﻣﻨﺘﺠﺎت و ﺗﻘﻨﻴﺎت ﺟﺪﻳﺪة ﻓـــﻲ ﻋﺎﻟﻢ ا?ﺑﻮاب و‬ ‫اﻟﺪراﺑﺰﻳﻨﺎت ‪ ،‬ﺑﺤﻴﺚ ﺳﺘﻜﻮن اﺑﺘﻜﺎرات ﺗﻄﺮح ?ول ﻣﺮة‬ ‫ﻓﻲ اﻟﻤﻨﻄﻘﺔ ‪.‬‬ ‫و ﻓـــﻲ ﻧﻬﺎﻳـــﺔ ﻟﻘﺎءﻧـــﺎ ودﻋﻨﺎ ﺑﻤﺜﻞ ﻣﺎ اﺳـــﺘﻘﺒﻠﻨﺎ ﺑﻜﻞ‬ ‫ﺣﻔﺎوة و ﺗﻜﺮﻳﻢ‬

‫أرﻛـﻴـﺘﻜﺲ‬

‫‪ARCHITECKS‬‬

‫ﺗﺄﺳﺴـــﺖ ﺷـــﺮﻛﺔ أرﻛﻴﺘﻜﺲ ﺳـــﻨﺔ‬ ‫‪١٩٨٧‬م‪ ،‬ﻟﺘﺼﺒـــﺢ ﺧـــﻼل ﻫـــﺬه اﻟﻔﺘـــﺮة‬ ‫ﻣﻦ أﻛﺒﺮ ﺷـــﺮﻛﺎت ﺗﺼﻨﻴﻊ اﻟﻮاﺟﻬﺎت‬ ‫اﻟﺨﺎرﺟﻴﺔ ﻋﺎﻟﻤﻴﺎ وﻟﻴﺼﺒﺢ ﻟﻬﺎ اﻟﺤﺼﺔ‬ ‫اﻻﻛﺒـــﺮ ﻓـــﻲ اﻟﺴـــﻮق اﻟﻜﻮرﻳـــﺔ‪ ،‬وذﻟﻚ‬ ‫ﺑﻔﻀـــﻞ اﻟﻌﻤـــﻞ اﻟﺠـــﺎد واﻟﺘﻄﻮﻳـــﺮ‬ ‫اﻟﻤﺴـــﺘﻤﺮ واﻟﺠﻬـــﺪ اﻟﻤﺘﻮاﺻـــﻞ‬ ‫ﻟﻤﻨﺴـــﻮﺑﻲ اﻟﺸـــﺮﻛﺔ ﺳـــﻮاء ﻋﻠـــﻰ‬ ‫اﻟﻤﺴﺘﻮى ا‪J‬داري أو اﻟﻔﻨﻲ‪.‬‬ ‫وﺗﻘﻮم اﻟﺸـــﺮﻛﺔ ﺑﺘﺼﻨﻴﻊ اﻟﻮاﺟﻬﺎت‬ ‫اﻟﺨﺎرﺟﻴـــﺔ )ﻛﻼدﻳﻨـــﺞ( ﻣـــﻦ ﻣـــﻮاد‬ ‫ﺳﺘﺎﻧﻠﺲ ﻣﻘﺎوﻣﺔ ﻟﻠﺤﺮﻳﻖ ﻣﺼﻨﻮﻋﺔ‬ ‫ﻣـــﻦ اﻻﻟﻮﻣﻨﻴـــﻮم واﻟﺘﻴﺘﺎﻧﻴـــﻮم‪،‬‬ ‫ﻣـــﻊ اﻻﺧـــﺬ ﺑﺎ‪J‬ﻋﺘﺒـــﺎر ان ﺷـــﺮﻛﺘﺎن‬ ‫ﻓﻘـــﻂ ﺗﻘﻮﻣـــﺎن ﺑﺘﺼﻨﻴـــﻊ اﻟﻮاﺟﻬﺎت‬ ‫اﻟﺨﺎرﺟﻴـــﺔ ﻣﻦ ﻣـــﺎدة اﻟﺘﻴﺘﺎﻧﻴﻮم ﺗﻌﺪ‬ ‫ﺷـــﺮﻛﺔ أرﻛﻴﺘﻜﺲ اﻟﻜﻮرﻳﺔ اﺣﺪﻫﻤﺎ‪،‬‬ ‫ﺑﺎﻻﺿﺎﻓﺔ اﻟﻰ ان اﻟﺸﺮﻛﺔ ﺗﻘﺪم اﻳﻀﺎ‬ ‫ﺧﺪﻣـــﺔ اﻟﺘﺼﻤﻴﻢ ﺑﺄﺷـــﻜﺎل ﻣﺨﺘﻠﻔﺔ‬ ‫وﺗﺮﻛﻴﺒﻬـــﺎ ﺑﻤﺎ ﻳﺘﻨﺎﺳـــﺐ ﻣـــﻊ ﺟﻤﻴﻊ‬ ‫ﻋﻤﻼﺋﻬﺎ ﺣﻮل اﻟﻌﺎﻟﻢ‬

‫‪The company manufacture:‬‬ ‫‪ARCHITECKS ® FR, an Aluminum‬‬ ‫‪Composite Materials with non‬‬‫‪combustible core developed by‬‬ ‫‪Hongseong, ARCHITECKS ® STS‬‬ ‫‪a Stainless Steel Skined‬‬ ‫‪Composite Materials cored with‬‬ ‫‪PE or FR materials, ARCHITECKS‬‬ ‫‪® Anodizing an Anodized‬‬ ‫‪surface Composite Materials,‬‬ ‫‪ARCHITECKS ® Zink, a Zink‬‬ ‫‪surface Composite Materials,‬‬ ‫® ‪HIVETECKS‬‬ ‫‪a Aluminum Honeycomb Panel,‬‬ ‫‪EMBOTECKS ® an Aluminum‬‬ ‫‪Corrugated Core Panel and‬‬ ‫‪ARCHITECKS ® TITAN‬‬ ‫‪a Titanium Composite Panel.‬‬

‫∏∞‪¡UM³ « ±‬‬

‫‪108 Albenaa‬‬

‫? ‪PRICE‬‬

‫‪YES,‬‬

‫!‪MUCH DOWN‬‬

‫ ‪WO½öŽ≈ …œU‬‬

‫ ‪¡UM³ « o×K‬‬

‫ﺷﺮﻛﺔ ﻣﻨﺘﺠﺎت ا ﻟﻤﻨﻴﻮم اﻟﻤﺤﺪودة ـ أﻟﻮﺑﻜﻮ‬ ‫اﻟﺮواد ﻓﻲ ﺗﺼﻨﻴﻊ ﻗﻄﺎﻋﺎت وﺳﺤﺐ ا‪c‬ﻟﻤﻨﻴﻮم‬ ‫ﺷـــﺮﻛﺔ ﻣﻨﺘﺠـــﺎت اﻻﻟﻤﻨﻴـــﻮم )اﻟﻮﺑﻜـــﻮ( ﻫﻲ‬ ‫اﻛﺒﺮ ﺷـــﺮﻛﺔ ﺳـــﺤﺐ ﻟﻼﻟﻤﻨﻴﻮم ﻓﻲ اﻟﺸﺮق‬ ‫اﻻوﺳـــﻂ وﺷـــﻤﺎل اﻓﺮﻳﻘﻴـــﺎ وﺗﻌﺪ ﻣـــﻦ اﻛﺒﺮ‬ ‫ﻋﺸـــﺮ ﺷـــﺮﻛﺎت ﻋﻠـــﻰ ﻣﺴـــﺘﻮى اﻟﻌﺎﻟـــﻢ‪.‬‬ ‫ﺗﺄﺳﺴـــﺖ اﻟﺸـــﺮﻛﺔ ﻋـــﺎم ‪١٩٧٥‬م وﺗﻤﺘﻠـــﻚ‬ ‫اﻟﺸـــﺮﻛﺔ ﻣﺼﻨﻌﻴﻦ ﻟﺴـــﺤﺐ اﻻﻟﻤﻨﻴﻮم ﻓﻲ‬ ‫ﻣﺪﻳﻨﺘﻲ اﻟﺪﻣـــﺎم وﺟﺪة وﻣﻜﺎﺗﺐ ﻟﻠﻤﺒﻴﻌﺎت‬ ‫ﻓﻲ ﻛﻞ ﻣﻦ اﻟﺮﻳﺎض واﻟﻘﺎﻫﺮة ودﺑﻲ‪.‬‬ ‫ﺗﻨﺘــــﺞ اﻟﻮﺑﻜــــﻮ ﻗﻄﺎﻋــــﺎت أﻟﻤﻨﻴﻮم ﺑﺄﺷــــﻜﺎل‬ ‫وﻣﻘﺎﺳــــﺎت ﻣﺨﺘﻠﻔــــﺔ ﻃﺒﻘــــﺎ ﻟﻠﻤﻮاﺻﻔــــﺎت‬ ‫اﻟﻌﺎﻟﻤﻴــــﺔ وﻗﺮﻳﺒــــﺎ ﺳــــﺘﻨﺘﺞ اﻟﺸــــﺮﻛﺔ اﻟــــﻮاح‬ ‫اﻻﻟﻤﻨﻴــــﻮم )اﻟﻜﻼدﻧــــﺞ( وﺗﻤﺘﻠــــﻚ اﻟﺸــــﺮﻛﺔ‬ ‫اﻟﻜﺜﻴﺮ ﻣــــﻦ اﻻﻧﻈﻤــــﺔ اﻟﻤﻌﻤﺎرﻳــــﺔ ﻟﻮاﺟﻬﺎت‬ ‫اﻻﺑﺮاج واﻻﺑﻮاب واﻟﻨﻮاﻓﺬ وﻗﻄﺎﻋﺎت ﻟﻠﻤﻄﺎﺑﺦ‬ ‫وﻗﻄﺎﻋﺎت ﻟﻠﻤﻨﺘﺠﺎت اﻟﺼﻨﺎﻋﻴﻪ ﻣﺜﻞ اﻻﻧﺎﺑﻴﺐ‬ ‫واﻻﺛﺎث واﻟﺴﻼﻟﻢ واﻟﺴﻘﺎﻻت وﻏﻴﺮﻫﺎ‪.‬‬

‫وﻗﺎﻣﺖ اﻟﺸﺮﻛﺔ ﺑﺘﻮرﻳﺪ ﻗﻄﺎﻋﺎت اﻻﻟﻤﻨﻴﻮم‬ ‫ﻟﻠﻜﺜﻴــــﺮ ﻣﻦ اﻟﻤﺸــــﺎرﻳﻊ اﻟﻤﺤﻠﻴــــﺔ ﻟﻜﻞ ﻣﻦ‬ ‫ﺷﺮﻛﺔ اراﻣﻜﻮا وﺳــــﺎﺑﻚ واﻟﺤﺮس اﻟﻮﻃﻨﻲ‬ ‫واﻟﻬﻴﺌــــﺔ اﻟﻤﻠﻜﻴــــﺔ ووزارة اﻟﺪاﺧﻠﻴــــﺔ ﻋﻠﻰ‬ ‫ﻣﺴــــﺘﻮى اﻟﻤﻤﻠﻜــــﺔ وﻟﻤﺸــــﺎرﻳﻊ اﻟﺠﺎﻣﻌﺎت‬ ‫واﻟﻤﻄــــﺎرات واﻟــــﻮزارات واﻟﻤﺴﺘﺸــــﻔﻴﺎت‬ ‫واﻳﻀــــﺎ ﻟﻠﻜﺜﻴــــﺮ ﻣــــﻦ اﻟﻤﺸــــﺎرﻳﻊ اﻟﺨﺎﺻــــﺔ‬ ‫ﻣﺜــــﻞ ﺑﺮج ﺟﺒــــﻞ اﻟﻜﻌﺒــــﺔ ﻓﻲ ﻣﻜــــﺔ وﺟﺰء‬ ‫ﻣــــﻦ ﻣﺸــــﺮوع اﻟﺸــــﺎﻣﻴﺔ وﻏﻴﺮﻫــــﺎ اﻟﻜﺜﻴــــﺮ‪.‬‬ ‫وﻟﻤﺸــــﺎرﻳﻊ ﺧﺎرج اﻟﻤﻤﻠﻜــــﺔ ﻣﺜﻞ ﺑﺮج ﻣﺎرﻳﻨﺎ‬ ‫ﺑﻴــــﺮوت ‪ -‬ﺑــــﺮج اﻟﻌــــﺮب وﻣــــﻮل ا_ﻣــــﺎرات‬ ‫وﻣﺤﻄــــﺎت اﻟﻤﺘــــﺮو وﺟﺰﻳﺮة اﻟﻨﺨﻠــــﺔ‪ -‬دﺑﻲ‬ ‫‪ ,‬ﺑــــﺮج ا_ﺗﺼــــﺎﻻت –اﻟﻜﻮﻳﺖ و ﺑــــﺮج اﻟﻌﺮﻳﻦ‬ ‫ اﻟﺪوﺣــــﺔ وﻏﻴﺮﻫــــﺎ اﻟﻜﺜﻴﺮ ﻣﻦ اﻟﻤﺸــــﺎرﻳﻊ‬‫واﺧﺮﻣﺸــــﺮوع ﺑــــﺮج اﻟﻤﻤﻠﻜــــﺔ ﻓــــﻰ ﺟــــﺪه‬ ‫وﻫﻮاﻃﻮل ﺑﺮج ﻓﻲ اﻟﻌﺎﻟﻢ‬

‫‪¡UM³ « ±±±‬‬

‫‪111 Albenaa‬‬

‫ ‪¡UM³ « o×K‬‬

‫ ‪WO½öŽ≈ …œU‬‬

‫ﻣﺼﻨﻊ اﻟﻤﺴﺘﻘﺒﻞ ﻟﻠﺴﻴﺮاﻣﻴﻚ واﻟﺒﻮرﺳﻼن‬ ‫اﻟﺪﻗﺔ واﻟﺠﻤﺎل واﻟﻤﺘﺎﻧﺔ ﻟﻠﺒﻮرﺳﻠﻴﻦ ذو اﻟﻤﻈﻬﺮ اﻟﺨﺸﺒﻲ‬

‫أﺻﺒﺢ ﺑﻼط اﻟﺒﻮرﺳـــﻠﻴﻦ ذو اﻟﺸـــﻜﻞ اﻟﺨﺸـــﺒﻲ واﺣﺪ ‬ ‫ﻣـــﻦ أﻫـــﻢ ا‪1‬ﺗﺠﺎﻫـــﺎت ﻓﻲ ﺻﻨﺎﻋـــﺔ ا‪,‬رﺿﻴﺎت وﺳـــﺎﻫﻢ‬ ‫ﻓـــﻲ ذﻟﻚ اﻟﺘﻘﺪم اﻟﻬﺎﺋﻞ ﻓﻲ ﻋﻤﻠﻴﺎت اﻟﺘﺼﻨﻴﻊ‪ ،‬وﻳﺘﻢ‬ ‫اﺳـــﺘﺨﺪام اﻟﺒﻮرﺳـــﻠﻴﻦ ذو اﻟﻤﻈﻬـــﺮ اﻟﺨﺸـــﺒﻲ ﻓـــﻲ‬ ‫اﻟﻤﺸـــﺎرﻳﻊ اﻟﻜﺒﻴﺮة واﻟﺼﻐﻴﺮة‪ .‬ﺣﻴـــﺚ ﻟﻢ ﻳﻌﺪ ﻳﻘﺘﺼﺮ‬ ‫ﻋﻠﻰ ا‪,‬ﺣﺠﺎم اﻟﺘﻘﻠﻴﺪﻳﺔ‪ ،‬ﺑﻞ ﻳﻤﻜﻦ ا‪A‬ن أن ﻳﺼﻨﻊ ﻓﻴﻤﺎ‬ ‫ﻳﺴﻤﻰ ﺑﺎ‪,‬ﻟﻮاح‪ ،‬أو اﻟﺒﻼﻃﺎت اﻟﻤﺴﺘﻄﻴﻠﺔ اﻟﺸﻜﻞ‪.‬‬ ‫ﻣﺎ ﻫﻲ اﻟﺒﻼﻃﺎت اﻟﺨﺸﺒﻴﺔ ؟‬ ‫ﻫﻲ ﺑﻜﻞ ﺑﺴـــﺎﻃﺔ ﺑﻼط اﻟﺒﻮرﺳﻠﻴﻦ ﺑﻤﻈﻬﺮ اﻟﺨﺸﺐ‪.‬‬ ‫وﻟﺪﻗـــﺔ ﺻﻨﺎﻋﺘـــﻪ ﻓﻬﻮ ﻳﺒﺪو ﻃﺒﻴﻌﻴـــ‪ ، I‬ﺑﺤﻴﺚ ﻳﺼﻌﺐ‬ ‫إدراك أﻧـــﻪ ﻟﻴـــﺲ ﻃﺒﻴﻌﻴـــ‪ I‬ﺑﺎﻟﻌﻴـــﻦ اﻟﻤﺠـــﺮدة‪ ،‬ﺣﻴـــﺚ‬ ‫أﺗﺎﺣـــﺖ اﻟﺘﻜﻨﻮﻟﻮﺟﻴـــﺎ اﻟﺼﻨﺎﻋﻴﺔ اﻟﺤﺪﻳﺜـــﺔ درﺟﺔ ﻋﺎﻟﻴﺔ‬ ‫ﻣـــﻦ ا‪1‬ﺗﻘـــﺎن واﻻﻫﺘﻤـــﺎم ﺑﺎﻟﺘﻔﺎﺻﻴـــﻞ وﻫﺬا ﻟـــﻢ ﻳﻜﻦ‬ ‫ﻣﺘﺎﺣ‪ I‬ﻓﻲ اﻟﺴﺎﺑﻖ‪ ،‬ﻓﺄﺻﺒﺤﺖ ﻟﺪﻗﺔ ﺗﻔﺎﺻﻴﻠﻬﺎ ﺗﺤﺎﻛﻲ‬ ‫أرﺿﻴﺎت اﻟﺨﺸﺐ اﻟﻄﺒﻴﻌﻲ‪.‬‬ ‫ا داء واﻟﻤﺘﺎﻧﺔ‬ ‫ﻣـــﻊ ا‪1‬ﻫﺘﻤـــﺎم ﺑﺎﻟﺘﻔﺎﺻﻴـــﻞ ﻫﻨـــﺎك ﺗﺮﻛﻴـــﺰ أﻳﻀـــ‪ I‬ﻋﻠﻰ‬ ‫ا‪,‬داء واﻟﻤﺘﺎﻧﺔ ﻣﻤـــﺎ ﻳﺠﻌﻠﻬﺎ ﻣﺜﺎﻟﻴﺔ ‪,‬ﻳﺔ ﻏﺮﻓﺔ وﻓﻲ أي‬ ‫ﻣﺸﺮوع ﺳﻜﻨﻲ أو ﺗﺠﺎري ﻋﻠﻰ ﻋﻜﺲ اﻟﺨﺸﺐ‪.‬‬ ‫وﻳﺼﻠـــﺢ اﻟﺒﻮرﺳـــﻼن اﻟﺨﺸـــﺒﻲ ﻓﻲ اﻟﻤﻨﺎﻃـــﻖ اﻟﺮﻃﺒﺔ‬ ‫ً‬ ‫ﻓﻀـــﻼ ﻋـــﻦ ﺗﻤﻴﺰه ﺑﺴـــﻬﻮﻟﺔ‬ ‫ﻛﺎﻟﺤﻤﺎﻣـــﺎت واﻟﻤﻄﺎﺑـــﺦ‪،‬‬ ‫اﻟﺘﻨﻈﻴـــﻒ واﻟﺼﻴﺎﻧﺔ‪ ،‬ﻣﻤﺎ ﻳﺠﻌﻠﻪ ﻳـــﺪوم ﻃﻮﻳ ًﻼ ﻣﻘﺎرﻧﺔ‬ ‫ﺑﺎﻟﺨﺸﺐ اﻟﻄﺒﻴﻌﻲ ‪.‬‬

‫∞‪¡UM³ « ±±‬‬

‫‪110 Albenaa‬‬